Clickbait
Joe Budden Podcast Episode 216, “Clickbait,” released January 28, 2019. On this episode, Joe, Rory, Mal and Parks discuss J. Cole's new single "Middle Child" (23:46). They also speculate on who they believe Cole is sneak dissing (35:28), J.I.D calls into the show (1:07:11) and Joe addresses the Frank Ocean hive (1:26:30)! Full transcript and searchable timestamps below.

In this episode
Joe Budden Podcast Ep. 216 Transcript
Full transcript of Clickbait (55:45 long). Search it, or click any timestamp to jump to that moment.
- 0:01
Yeah, I'm in a real silly mood. Don't
- 0:04
pay me no more. I had a rough morning.
- 0:06
Hold on, let me hit the drop.
- 0:08
The whole world saw that.
- 0:09
I didn't think it was that I didn't
- 0:11
think it would be such a popular clip uh
- 0:14
the dudes.
- 0:16
No wor.
- 0:20
Yo, now I think about it.
- 0:22
The Infamous is one of my favorite,
- 0:24
maybe my favorite rap album ever. And
- 0:26
Havoc gave us the same drum pattern on
- 0:28
every record. Sounds so damn.
- 0:31
All right. So now this podcast has
- 0:33
existed for three years and I know two
- 0:35
of the members favorite hip-hop album of
- 0:37
all time.
- 0:37
I've said it on this podcast.
- 0:38
I know. But the infamous for you I know
- 0:40
but now I'm remembering the infamous for
- 0:41
you. Doggy style for parks mall. What's
- 0:43
yours?
- 0:44
Favorite rap album.
- 0:45
Yeah. Ever made? All time.
- 0:48
Wait, is it favorite or best?
- 0:50
That's a good question cuz doggy style
- 0:51
is the best. I don't know if it's my
- 0:52
favorite.
- 0:53
Infamous is not the best. It's my
- 0:54
favorite.
- 0:55
Parks thinks Doggy Style is the best.
- 0:57
He has a good argument. You're saying
- 0:58
Infamous is your favorite?
- 0:59
Favorite, not the best.
- 1:00
All right, forget it. Forget it. Never
- 1:01
mind.
- 1:01
My favorite is probably like 36 Shavers
- 1:03
or Infamous. Probably one of them two.
- 1:06
I'm not mad at Park saying that Doggy
- 1:09
Style is the best
- 1:10
rap album. That's Yeah, I'm not mad. I
- 1:12
can't really I would I would I would
- 1:14
probably go Chronic.
- 1:16
That's me. But
- 1:16
I was always more of a doggy style than
- 1:19
Chronic.
- 1:19
I'm think more. I have to think more.
- 1:21
Yeah I
- 1:23
uh Lowend theory.
- 1:24
It's up there. It's up there. Just
- 1:27
trying to think that has everything.
- 1:28
I think we could do a list of albums
- 1:30
that should probably even be in that
- 1:32
argument
- 1:33
of best album
- 1:34
ever.
- 1:35
Best hip-hop album ever.
- 1:36
Yeah. Chronic doggy style.
- 1:38
You know the ones.
- 1:39
Please don't flood our mentions tomorrow
- 1:40
with telling us how
- 1:41
how we forgot one. This is not a plan.
- 1:43
This is not a docket. We're just
- 1:45
freestyling right now. This is off the
- 1:46
top. Nothing written down.
- 1:48
How the [ __ ] you forgot? Ready to die.
- 1:50
All right. So, let's see. Microphone
- 1:51
check. One, two. What is this? I'm
- 1:53
looking at Savon. Savon's looking at the
- 1:55
television. My man, what episode?
- 1:58
My [ __ ] guy. All right, welcome
- 2:00
to the Joe Button podcast. Episode 216.
- 2:03
I'm your host Joe Button here with a few
- 2:05
of my nearest and dearest friends. Maul
- 2:07
is here. Parks is here. Erikson is here.
- 2:10
Rory is here. Savon is here. Uh, Faint
- 2:13
to my left is Rocky and Johnny
- 2:16
somewhere. And those are near dear
- 2:18
friends as well since y'all say I don't
- 2:19
never tell y'all who's here. Now, how is
- 2:21
everyone doing? Just for some more added
- 2:24
context, Maul is dressed amazingly. I
- 2:28
don't want to spend too much time on
- 2:29
that cuz we do have some things to talk
- 2:31
about, but you have you you have on a
- 2:33
corduroy hat
- 2:35
that you have matched with the hatching
- 2:39
in your jeans
- 2:40
which I believe is a hockey team and I
- 2:41
don't know what's called again. What's
- 2:43
this called?
- 2:44
That's fray.
- 2:45
Yeah, you got a lot of fray.
- 2:50
I had never seen you with this much
- 2:52
fray.
- 2:52
I love I love There's supposed to be a
- 2:55
hole, but then it's patched up with more
- 2:56
denim
- 2:56
because it's too cold for a hole.
- 2:58
Oh, it's cold outside. It's cold out
- 3:00
there.
- 3:02
Got to patch that up.
- 3:04
How could work?
- 3:06
Wow.
- 3:08
Only Mo would be too too cool to have a
- 3:10
hole in his jeans. So, he just put some
- 3:12
jeans.
- 3:13
Yeah. Put some material under. I I made
- 3:15
these.
- 3:15
That's why.
- 3:17
Yeah.
- 3:18
Yeah. showing.
- 3:20
You did.
- 3:20
I know. Thank you.
- 3:21
All right. Uh, so what else is going on?
- 3:23
How How feeling? Everybody's good.
- 3:26
I want my hat on. I I feel better joking
- 3:28
on [ __ ] with my hat right behind you.
- 3:29
Savon, how do you feel that Rocky is
- 3:31
taking your seat today?
- 3:32
My hat behind you, [ __ ]
- 3:35
Savon, I've been thinking about you all
- 3:37
week Paul.
- 3:40
Nasty, nasty Van.
- 3:41
What's up, man? How's your week been?
- 3:43
Uh,
- 3:43
young young Donald.
- 3:44
Uh, Savon, formerly known as the Don
- 3:47
Donless Don. D back. How long?
- 3:50
A year.
- 3:51
A year,
- 3:52
fam. I don't know.
- 3:53
A year. A year at least.
- 3:54
I I don't know, fam. That was a That was
- 3:56
a wild infraction.
- 3:58
It was a little nuts. Yeah, it it was
- 4:00
Did you fight intern?
- 4:02
No. How did I got like 30 30,000?
- 4:06
All right. I don't care enough about
- 4:07
your
- 4:08
30 million.
- 4:10
Anyway, uh welcome welcome to Joe Button
- 4:12
podcast. How's everybody doing? Y'all
- 4:13
good?
- 4:14
Good.
- 4:14
Great. I'm great.
- 4:15
I'm cool.
- 4:16
Saw the gang last night. Gang. gang
- 4:18
gang. We had a little road trip podcast
- 4:20
road trip.
- 4:21
Road trip downtown.
- 4:22
Yeah.
- 4:22
Went in a road trip. I went there.
- 4:24
Didn't call none of y'all. Didn't tell
- 4:25
none of y'all by myself.
- 4:26
When you text me and said you was in
- 4:28
there, I was dying laughing. I was like,
- 4:30
"Wait,
- 4:30
why did you think that was so funny that
- 4:32
I'm in?"
- 4:32
Because I didn't think in the tough.
- 4:33
Well, I thought that if you were going
- 4:35
to a grisel,
- 4:36
I would hit the Mixie Boys.
- 4:37
You would at least hit me and say, "Yo,
- 4:39
you was going
- 4:40
or let me know you were going." But you
- 4:42
hit me. You was already like lamped in
- 4:43
there like,
- 4:44
"Yeah, I'm in my element. I'm in the
- 4:45
element."
- 4:46
Oh, no. I respect you. want to be in
- 4:48
there with friends.
- 4:48
I respected it.
- 4:49
I wanted to walk in with me,
- 4:51
right?
- 4:51
Say what up.
- 4:52
Okay.
- 4:53
And be around that.
- 4:54
You did,
- 4:54
Mo. I was telling I was telling the guys
- 4:57
um and shout out to uh the Ogres, man.
- 5:00
Everybody and and and I'm I'm missing
- 5:02
names cuz boy, the [ __ ] that opened up
- 5:05
some of them [ __ ]
- 5:06
I like that Ray Rose kid a lot.
- 5:07
Who the [ __ ] was them Far Rock [ __ ]
- 5:10
Listen bro.
- 5:10
Super dope. Mini Riot Squad.
- 5:14
Mini Riot Squad is nice.
- 5:16
Yeah. And I and I don't want to mess up
- 5:18
his name, but I I believe Wes was saying
- 5:20
Lord something. Lord,
- 5:22
I'm sorry if I'm tall guy, right?
- 5:24
No, that was the uh the Spanish dude.
- 5:27
Yeah,
- 5:27
he was spitting. But the tall dude was
- 5:29
nice.
- 5:29
Yo, the tall dude that was downstairs.
- 5:31
And I hate that we don't know their
- 5:32
names, but forgive us, man.
- 5:33
I thought he was the shooter the whole
- 5:34
time. I look up, this [ __ ] is
- 5:36
spitting the illst 16 ever.
- 5:38
On stage. I was like, "Wait, oh, you
- 5:40
rap?"
- 5:41
No, that was the shooter still.
- 5:43
Yeah, he's still a shooter.
- 5:44
I think he mentioned that in his bar.
- 5:46
Yeah, he told you. Yo, I don't rap.
- 5:48
I I'm the shooter.
- 5:49
I know. I think Ray wrote your mother
- 5:51
say,
- 5:53
"Don't get your mother shot."
- 5:54
I was like, "Well, listen. If there's
- 5:55
anybody I don't want to get shot, it's
- 5:57
my mom."
- 5:57
I love my mom.
- 5:57
Yeah, I love my mom.
- 5:59
But, you know, last night last night
- 6:01
side note before when we're speaking of
- 6:02
mothers, Miss Fay definitely pressed me
- 6:04
via text and told me, "Yo, Joe ain't Joe
- 6:07
ain't no middle child."
- 6:08
Yeah, she pressed me.
- 6:10
I was like, "My bad, Miss Fay."
- 6:12
Yeah, she pressed me, too. I was like,
- 6:13
you know, I was like, I started to tell
- 6:15
Joe to call you. She said, "You should
- 6:16
have."
- 6:17
She she pressed me and I argued with her
- 6:20
about you being the middle child.
- 6:21
I said, "Well, technically kind of like
- 6:23
I'm the youngest uh of your kids and I'm
- 6:25
the oldest of my dad kids."
- 6:27
Average.
- 6:28
And she said, "That's not a middle
- 6:29
child."
- 6:31
Okay. She has a point, but if we're
- 6:33
fine, you win.
- 6:34
Yeah. You can't argue with my
- 6:36
I abandoned that one.
- 6:37
But anyways, yes, last night. Go ahead.
- 6:38
Last night, a few quick thoughts. Last
- 6:41
night, I'm late to the party. Don't
- 6:43
judge me, please. Did I introduce
- 6:44
podcast?
- 6:44
Yes, you did.
- 6:45
All right, great. A few quick thoughts.
- 6:46
Um,
- 6:48
yeah, about some of them opening dudes.
- 6:50
Yeah, this sauce thing, right? I'm old
- 6:52
and trash. So, sometimes I don't get it.
- 6:56
I figured out why. You got to see sauce.
- 7:00
Very different from lyricism, which you
- 7:02
have to hear.
- 7:03
Yeah,
- 7:03
sauce you can't really hear. You could,
- 7:07
but [ __ ] are fake that. You have to
- 7:08
see it. Some of them opener [ __ ] that
- 7:11
didn't really rap. They was just street
- 7:12
[ __ ]
- 7:13
Yeah,
- 7:13
they had a lot of sauce. They was
- 7:16
saucing all over that [ __ ]
- 7:18
I was I was telling Wes I like that um
- 7:20
that Ray Rose kid a lot. I like the
- 7:21
stage.
- 7:21
I think he's talking about the same
- 7:22
person I'm talking about homeboy. The
- 7:24
short [ __ ]
- 7:24
short brownkin kid.
- 7:25
I like this man.
- 7:26
Yeah,
- 7:27
man. The homeboy was chopping up. We got
- 7:29
a podcast. We talking
- 7:32
shout out to Far Rock cuz they
- 7:34
represented yesterday.
- 7:34
They were It was a good show, man. Super
- 7:37
proud of Benny. Tanner Talk 3 sounds
- 7:39
amazing live.
- 7:40
That might be the most packed I ever
- 7:41
saw.
- 7:41
So I was gonna say that was a moment.
- 7:43
Yeah, I know we kind of joking around.
- 7:45
That was a moment for New York.
- 7:46
Yeah, it was.
- 7:46
I haven't seen I've been going to so
- 7:48
since I was like 14, right?
- 7:50
I've never seen so and that's like real
- 7:52
grimy hip-hop.
- 7:53
Yeah.
- 7:53
Benny is making it hard for the guys who
- 7:56
do that.
- 7:57
Yeah.
- 7:58
The whole team.
- 7:58
That's what I'll say.
- 7:59
Yeah.
- 8:00
Yeah. All of them.
- 8:01
Yeah.
- 8:01
But to have like Benny's like Banks,
- 8:04
right?
- 8:05
Yeah. That's a good comparison. That's
- 8:06
That's how I look at it. Like it's the
- 8:08
squad
- 8:09
and then it's Benny.
- 8:11
Like
- 8:11
[ __ ] they said it.
- 8:13
They said it last night stage.
- 8:15
Yeah.
- 8:16
But I feel like this the best rap in the
- 8:17
universe. That's what they said.
- 8:18
Yeah.
- 8:18
Yeah. And Yeah. God damn. You're
- 8:20
supposed to feel like that.
- 8:21
But um they they had the Coons out
- 8:24
there, the suburban kids out there, the
- 8:26
rap legends, the [ __ ]
- 8:28
man. How much dick we sucking, man.
- 8:29
Let's move on.
- 8:31
12 minutes in. We got a great podcast.
- 8:32
Pause more. You know what I'm saying? Um
- 8:34
uh and the other thing was I have a new
- 8:37
appreciation for venues with no women
- 8:41
that type of music.
- 8:41
You need that you need sometimes you
- 8:43
need that. You need sometimes you need
- 8:44
that you need that energy sometimes.
- 8:46
Sometimes it's not always about the
- 8:48
women around.
- 8:48
Yeah.
- 8:49
Got to be around some [ __ ] that'll
- 8:50
[ __ ] shoot your [ __ ] head off.
- 8:52
Boy, it feels good, man. Hold on. Let me
- 8:54
get a gunshot. We can't just talk. We
- 8:55
got gunshots, man.
- 8:57
It felt felt good to be around some
- 8:58
danger.
- 8:59
Oh my god. Danger. Danger in New York.
- 9:02
Yeah. via Buffalo. Yes.
- 9:05
Good night. That was a good night for
- 9:06
Gilda.
- 9:07
Oh, it was great. Great. Shout out.
- 9:08
Shout out to all of them. Now, uh, where
- 9:10
do you guys want to start? Where? Oh.
- 9:12
Oh, you wanted to start with jokes on
- 9:14
me right?
- 9:14
No, I I was concerned for you. I saw it
- 9:17
was
- 9:18
You said no, but you start. This is
- 9:19
jokes.
- 9:20
Joe Button verse the hospital. I was
- 9:21
just making sure you was
- 9:23
right.
- 9:24
He was smoking at the hospital. You
- 9:25
can't
- 9:26
I know my [ __ ] man.
- 9:28
That's what happened.
- 9:28
That's not what happened.
- 9:29
That's what happened.
- 9:30
Yo, I'm always y with you cuz you know
- 9:31
me so well. You think I could see
- 9:33
I think I was in the hospital and lit a
- 9:34
cigarette.
- 9:34
Yes.
- 9:35
Wait, hold on Mo. You didn't see his
- 9:36
press release in the shade room comments
- 9:38
cuz he put a press release out.
- 9:39
Yo, bro [ __ ] clocking me.
- 9:42
You put a press release out. I did not
- 9:45
press
- 9:45
cuz they don't [ __ ] with my baby no
- 9:46
more. So I got to talk.
- 9:48
What did you say?
- 9:50
Don't touch me.
- 9:51
What did you say?
- 9:53
A leave my baby alone. God damn it.
- 9:55
Anyway, what happened?
- 9:56
What happened? Why? What was the
- 9:57
altercation about?
- 9:59
Uh, well, it depends who you ask.
- 10:01
I'm asking the guy involved in
- 10:03
altercation.
- 10:04
Uh, it was about it was about it was a
- 10:07
lot of racial dynamics
- 10:10
going on there. I mean, that's how I
- 10:12
felt. So, I mean,
- 10:13
but we could joke about it because it
- 10:14
was really about a cigarette, but I
- 10:16
mean, if I obsess over it like I do on
- 10:18
my head, it wasn't really about a
- 10:19
cigarette.
- 10:19
So, you was smoking in the hospital?
- 10:21
No. Um,
- 10:22
you can't smoke even like outside the
- 10:23
hospital.
- 10:24
Let's not start there. Let's Let's make
- 10:26
But let's not start there. We got a lot.
- 10:27
So, let's let's let's let's start
- 10:29
somewhere.
- 10:29
Crust Street.
- 10:30
I I would like to talk about I I'll walk
- 10:32
you through my story. Um and it's a
- 10:34
little I'll try to not make it so long,
- 10:36
but this my story is about how quick
- 10:39
life can turn.
- 10:41
Okay?
- 10:42
It's about how how quickly like in a
- 10:45
millisecond everything can just go
- 10:47
different and you have to be grateful at
- 10:48
all times, right? And you have to
- 10:50
sometimes be reminded of this just
- 10:53
throughout your journey. Yesterday,
- 10:56
uh, I told y'all a while back I went to
- 10:58
go see a house that I can't afford.
- 11:01
Sounds fun.
- 11:02
One day on this podcast, I would like to
- 11:04
talk to y'all about purchasing houses
- 11:06
because I feel like a lot of our
- 11:07
audience
- 11:08
is probably venturing into that same
- 11:10
thing.
- 11:10
Yeah,
- 11:11
but that's not right to say.
- 11:12
I hope so.
- 11:13
Right. Yeah, you are. I mean, you are.
- 11:15
We are. We are. So, we should talk about
- 11:17
it right?
- 11:17
I never really talked to Ian Savon. I
- 11:19
have spoken to you about that, Savon.
- 11:21
Why don't we TALK TO SEE, WE should talk
- 11:22
about that. Listen,
- 11:24
first I just want to make this clear.
- 11:25
I'm not going to Savon's house.
- 11:30
Wow.
- 11:31
Savon's house. Your house woman will be
- 11:33
empty.
- 11:33
I kind of want you to do your job from
- 11:35
like outside now, but you here now. So,
- 11:38
matter of fact, go out this window and
- 11:39
just yell.
- 11:40
Always look at me in my face, my [ __ ]
- 11:43
I'm [ __ ] with you, Savvon. Um,
- 11:45
what was I just saying?
- 11:46
Uh,
- 11:47
oh, about buying houses, but we'll get
- 11:48
to that at some point. So, I told you I
- 11:50
went to go look at a house that I had no
- 11:51
business looking at. I'll speed the
- 11:52
story up a little bit. So, the house was
- 11:53
so amazing that I, of course, I came
- 11:55
back with my mom. I came back with my
- 11:57
mom, took my fiances, you know, came
- 11:59
back the kid, nanny, let's do it. All
- 12:01
go. Let's look again, right? So,
- 12:03
you brought the nanny.
- 12:04
Yeah.
- 12:05
Okay.
- 12:06
Was that like a serious business?
- 12:08
Weird flex, but okay.
- 12:09
Yeah.
- 12:09
Bring the nanny to a place you can't
- 12:11
afford. Yeah, that's a flex.
- 12:13
Well, if you bring the nanny, they might
- 12:14
think you can afford it.
- 12:17
Could backfire.
- 12:18
Your logic is crazy.
- 12:19
Wait, you want to look like the [ __ ]
- 12:20
who can't afford it? No,
- 12:22
bring the nanny is like crazy.
- 12:23
Come on, nanny. Bring the kid. Let's
- 12:25
make him smile.
- 12:28
You can't have the nanny and then say,
- 12:29
"Yo, give me a deal."
- 12:31
Or the [ __ ]
- 12:33
let no fire come down.
- 12:34
Well, first of all, my nanny look like
- 12:36
she be my cousin. So, let's be clear.
- 12:38
Okay. Um, but the damn [ __ ] memory.
- 12:41
Where's that hand in the [ __ ] door?
- 12:41
All right. So, we went to see a house.
- 12:43
Uh,
- 12:44
my my mom didn't feel well in the house.
- 12:45
So, as soon as we left that house, I
- 12:47
rushed to the hospital.
- 12:48
And that's what I'm just talking about.
- 12:49
and how fast things could change in what
- 12:52
was supposed to be a moment and where
- 12:53
you go with your mom and do that type of
- 12:55
you know that all
- 12:57
that didn't happen at all. So we rushed
- 12:59
I rushed my mom rushed my mom to the
- 13:02
hospital. So this morning I went to go
- 13:03
see my mom in the hospital.
- 13:04
She all right.
- 13:05
Yeah. How's how's she doing?
- 13:06
She is all right. And if she wasn't all
- 13:08
right, I wouldn't say it on this
- 13:08
podcast.
- 13:09
Um I think y'all would know she she
- 13:11
wasn't all right. Y'all would see me.
- 13:13
That's true.
- 13:13
Y'all y'all would know me. It would be
- 13:15
dark.
- 13:15
Yeah. Um so mom is all right. So I went
- 13:18
there, went in the morning, had my talk
- 13:20
with my mom, right? I leave, come
- 13:22
downstairs. Soon as I step outside of
- 13:23
the hospital, I light my cigarette.
- 13:25
Okay.
- 13:25
As a smoker would,
- 13:26
right?
- 13:27
Um but homeboy must have been watching
- 13:29
me. Know what I mean? Cuz as soon as I
- 13:31
took three steps, he was right next to
- 13:34
me
- 13:35
and he said, "Pardon me, you can't smoke
- 13:38
right here." But like mad aggressive,
- 13:40
but I I'm late to the party, so I didn't
- 13:43
realize that he said it aggressive.
- 13:44
So I don't care. All right. Well, where
- 13:46
can you smoke? Like I'm just trying to
- 13:47
smoke on the street off the campus.
- 13:52
All right. Like I'm gonna go that way.
- 13:53
So I start walking that way with my
- 13:55
cigarettes.
- 13:55
And well, first of all, what's the
- 13:56
campus at the hospital?
- 13:59
You know, when they work there, you want
- 14:00
to use the work terminology, [ __ ] This
- 14:03
the ground still. We at the hospital.
- 14:05
They say campus.
- 14:07
So as I'm walking to go to the car to
- 14:10
smoke to the street to where he says you
- 14:11
could smoke, he's following me. But I
- 14:13
don't know that he's following me.
- 14:15
Mhm. until maybe like like I'm walking
- 14:18
far and now you're walking far too and
- 14:20
you work here, [ __ ] So So I turn
- 14:22
around and I say, "Are you following
- 14:24
me?" And he said, "Yeah." And I said,
- 14:28
"Why
- 14:29
podcast fam?"
- 14:30
And he said, "Because you can't smoke on
- 14:32
the grounds." And I said, "But I'm not
- 14:35
I'm leaving the grounds." He said, "Oh
- 14:37
no, this was the other part." He said,
- 14:39
when he first approached me, he said,
- 14:41
"You can't smoke right here. And what
- 14:43
are you doing outside?
- 14:46
What?
- 14:47
That's the part that I forgot. He said,
- 14:49
"What are you doing outside?" And I
- 14:50
said, "Huh?" And he said, "Yeah, get
- 14:53
back inside. You're a patient, right?"
- 14:55
And I just turned around and walked
- 14:56
away. And that's when he followed me.
- 14:58
So, I did try to walk away.
- 15:00
I did try to not mind you, I have on the
- 15:04
same It's the morning, so I threw on
- 15:06
some sweats and put on the coat I had on
- 15:07
last night, which is that long ass loud
- 15:10
Gucci [ __ ] coat that's beautiful and
- 15:12
expensive. A
- 15:13
weird flex, but okay. Well, I'm not
- 15:15
trying to flag, but why would you think
- 15:16
that's an in impatient person?
- 15:19
Mhm.
- 15:19
Well, but first of all, even if you a
- 15:21
patient, what is that his business?
- 15:23
Well, I would think that's his business.
- 15:24
Just impatient. If you're impatient, you
- 15:27
can't leave the premises. That is that
- 15:29
is his business.
- 15:30
That's not a jail, dog.
- 15:32
Listen, long story less long, I got to
- 15:34
the street and that [ __ ] was still
- 15:36
right there. So then I turned around and
- 15:37
I said, "Okay, I have no choice but to
- 15:40
record this now cuz I know me and I know
- 15:43
you." So, let me just tape. And then I
- 15:45
taped and that was that. And then I
- 15:47
stopped taping. I asked them what time
- 15:48
they got off. They didn't tell me. They
- 15:50
told me I would be banned from the
- 15:51
hospital. I said, "All right, I'll be
- 15:52
back here in a couple hours." Blah blah
- 15:54
blah. Then the clip went up. Uh they got
- 15:57
called into HR and
- 16:01
HR at the hospital.
- 16:03
Well, my cousin works at the hospital.
- 16:05
Mhm.
- 16:05
My cousin works at the hospital. I just
- 16:07
took pictures with the whole [ __ ]
- 16:08
anonymous floor that I won't say what
- 16:10
floor it was,
- 16:10
right?
- 16:11
Like what did you think was going to
- 16:12
happen? I'm sorry. that y'all don't know
- 16:14
me and just look at me like the stupid
- 16:15
black scum of the earth [ __ ] But
- 16:18
nah, you got some some [ __ ] got a
- 16:21
little power,
- 16:22
especially when I'm dealing with that
- 16:23
your type of white. Your type of white
- 16:25
is not the type like not not you.
- 16:27
Not not not flashlight cop white. No,
- 16:30
no, you can't have that privilege.
- 16:33
Okay,
- 16:34
so that's what happened.
- 16:35
Oh yeah, little misunderstanding.
- 16:37
That is all it I didn't hit him. Didn't
- 16:39
touch him. That's good. We're 20 minutes
- 16:41
in.
- 16:43
That's cool. Yeah. So, that's what
- 16:44
happened. So,
- 16:45
everybody was DMing me like, "Yo, check
- 16:47
on Joe."
- 16:47
I would love to make jokes about it, but
- 16:49
I'm I, you know, when I obsess over
- 16:50
things, you know, my mind goes to what
- 16:53
made this white man feel comfortable
- 16:55
following a [ __ ] that he know he can't
- 16:57
beat.
- 16:59
He could have had the pepper spray.
- 17:00
He know he can't beat me.
- 17:02
He got a flashlight though.
- 17:03
He know he can't beat me with that
- 17:04
flashlight.
- 17:05
No, just to shine it in your eyes to
- 17:06
throw you off.
- 17:07
I could beat him without my eyes.
- 17:09
What if he was
- 17:10
a like blood sport? What if he was like
- 17:11
one of them secret MMA fight?
- 17:15
You love that movie, Joe. You want to be
- 17:17
in that
- 17:17
[ __ ] I'll be hating, man. You mad I
- 17:20
could fight blind.
- 17:21
Did you audition for that [ __ ]
- 17:23
That was your movie.
- 17:24
They so mad I could fight blind.
- 17:26
That was your movie going blind.
- 17:28
Yeah. All right. You might have been one
- 17:29
of the MMA fighters and caught you.
- 17:31
So yeah. So when I left, I was angry
- 17:33
that I handled it that way. But good.
- 17:35
That means I did the right thing cuz
- 17:36
you're supposed to feel bad when you do
- 17:38
the right thing.
- 17:38
Yeah. All right. All right. So,
- 17:39
misunderstanding. That's all. Yeah.
- 17:40
Yeah.
- 17:41
I thought you was somewhere whing, but
- 17:42
no.
- 17:42
No. No. I don't Wow. No more. I don't
- 17:44
wow no more. You thought the Tanner talk
- 17:46
had me
- 17:48
feeling yourself a little bit.
- 17:50
Tanner talk had me ready to dump the
- 17:52
guard.
- 17:52
I just saw a video of you at the
- 17:53
hospital with security in your face. I
- 17:55
don't know what's going on.
- 17:56
No, no, no, man. Speaking of videos,
- 17:58
real quick. All right. So, the
- 17:59
government is open. 21 minutes in. Great
- 18:01
podcast. The government is open. Round
- 18:02
of applause. Hold up.
- 18:03
Yeah.
- 18:04
Round of applause. The government is
- 18:05
open
- 18:05
temporarily. I kind of thought that
- 18:07
temporarily for 3 weeks, but they going
- 18:09
to figure it out. I kind of thought it
- 18:10
would open now because real easy to miss
- 18:12
one paycheck when they can start missing
- 18:14
two.
- 18:15
A little tough.
- 18:16
So when they when they re do they double
- 18:18
back on what they're owed?
- 18:20
Yeah. Depending on for the people that
- 18:22
are employees, yes. But for contractors,
- 18:24
no.
- 18:25
Okay.
- 18:26
Uh I heard a lot of people asking why
- 18:28
would people go to work when they're not
- 18:29
getting paid?
- 18:30
So they can keep their job.
- 18:33
Well, no. I would think that the people
- 18:34
that have these governmentissued jobs
- 18:36
don't really have it for the pay. They
- 18:37
have it for the perks and the benefits.
- 18:39
So, you don't you don't want to lose you
- 18:41
don't want to lose that even if you're
- 18:42
not being paid. So,
- 18:44
there I feel like I saw something about
- 18:46
uh certain occupations could be arrested
- 18:48
for not showing up to work, too.
- 18:51
I don't I don't want the job that can
- 18:53
arrest me if I don't come.
- 18:54
I agree. Don't
- 18:56
And that job got to have great benefits.
- 18:57
Don't come to this. Don't come to the
- 18:58
podcast one day. See what Spotify don't
- 19:00
show up to your door
- 19:01
with green handcuffs.
- 19:05
Neon green handcuffs.
- 19:06
Green handcuffs.
- 19:07
Neon green cuffs.
- 19:09
You think you think that's what Spotify
- 19:10
do?
- 19:11
I think they would.
- 19:11
If they don't get that work.
- 19:12
Yeah, for sure.
- 19:14
Damn. I never really thought about that.
- 19:15
You better start thinking
- 19:16
corporate thugging.
- 19:17
Yeah.
- 19:17
I don't think I think they like I think
- 19:19
they like us.
- 19:19
No, they not playing. No, they like us.
- 19:21
You better have our ass here. Better
- 19:23
have your ass at work. Believe that.
- 19:26
Why our [ __ ] disappearing from certain
- 19:27
[ __ ] [ __ ] They got
- 19:30
me.
- 19:30
That's a fact cuz [ __ ] be at me like,
- 19:31
"Yo, where's it at?" Like, "Where's
- 19:33
what?"
- 19:33
Yeah, goddamn. Let me get a gunshot.
- 19:35
Like, if you think we're coders for
- 19:37
Spotify, I don't know why you hit me,
- 19:38
fam. Delete I'm delete the app and try
- 19:40
it again, bro. That's all I can tell
- 19:41
you.
- 19:42
Restarted. Turn it on and off.
- 19:43
Yeah, that's the best I got.
- 19:44
Is there something? Where Where do y'all
- 19:46
want to start this podcast?
- 19:47
Unplug the app.
- 19:48
Yeah, unplug it.
- 19:49
Restarted, Joe. I don't know where you
- 19:52
been.
- 19:52
Thanks, Parks. I appreciate that. Well,
- 19:55
what topic do you would you like to
- 19:56
start with?
- 19:56
What's what's on your little list?
- 19:58
You want to get in the middle child
- 19:59
first? Will that rev your engines
- 20:02
based based off of that record? How do
- 20:04
you feel? What do you think is coming?
- 20:06
The album.
- 20:06
Oh, no. No, no, no, no, no, no, no, no.
- 20:08
This is I'm not You're not start I'm not
- 20:11
starting like
- 20:11
Okay, Rory, based off you want to start
- 20:14
with this?
- 20:14
Yeah absolutely.
- 20:15
Right in the the middle child.
- 20:17
Absolutely.
- 20:18
All right, y'all go ahead.
- 20:19
Absolutely. Based off the record, Rory,
- 20:21
how you feel?
- 20:22
Uh, wait a timeout. Before Rory says a
- 20:26
word, before Rory talks, cuz I'm not
- 20:28
going to interrupt Rory when he talks.
- 20:31
Let's have like a Let's have during this
- 20:32
discussion, let's have like a
- 20:34
transparent meter
- 20:36
where we're going to give our like
- 20:38
transparent answer and then our fake
- 20:41
answer.
- 20:43
What you mean our fake answer?
- 20:44
No. All right, let's let's be
- 20:45
transparent cuz Joe thinks if you give
- 20:47
credit to anybody, you're lying.
- 20:50
Come on.
- 20:51
That we know. We know that already
- 20:53
though. I ran for my friends.
- 20:54
The moment you say something is good,
- 20:56
like you're lying and
- 20:57
Yeah, Rory's deflecting.
- 20:58
Yeah.
- 20:59
No, no, that's a fact. That's not You
- 21:01
are actually
- 21:02
deflecting at all.
- 21:03
You know what? I'm deflecting. You guys
- 21:06
got it.
- 21:06
Yeah. Well, go ahead. I want to hear
- 21:08
uh I like the record.
- 21:10
I don't think it needed that big ass
- 21:14
roll out for the record. He put some
- 21:16
sauce on.
- 21:16
He did. And I can't hate on people
- 21:18
marketing their record to get people to
- 21:19
listen to it because that sounds nuts.
- 21:20
Yo, he's been talking for 20 seconds and
- 21:22
he's back and forth. You can hate You
- 21:24
can't hate that, Rory.
- 21:25
Why would I hate for someone to try to
- 21:27
get noticed to their record?
- 21:28
Because of what you said right before
- 21:30
that.
- 21:31
It didn't need it.
- 21:34
Why? Why would I hate that? Like,
- 21:36
I'm saying
- 21:36
should people should people market their
- 21:37
records?
- 21:39
Go. I'm
- 21:40
Dreamville, who does really good at
- 21:41
marketing.
- 21:42
Yeah, go ahead.
- 21:43
Um I thought I thought it was a good
- 21:45
record. I just didn't think it it really
- 21:46
needed. I think this record that record
- 21:49
would have done what it's done already
- 21:51
without this whole wild roll out.
- 21:53
The marketing just didn't match.
- 21:56
I'm going be dancing around saying that
- 21:59
the marketing hurt the record.
- 22:01
No.
- 22:02
No. Everyone listen.
- 22:04
Did the marketing hurt the record?
- 22:05
It worked. No.
- 22:06
No. Joe, the point of the marketing is
- 22:07
to get people to click it. And that's
- 22:08
what happened.
- 22:09
I don't I think
- 22:10
if you're saying people thought maybe
- 22:11
some more wild he was going to start
- 22:12
saying
- 22:13
the point of marketing to get somebody
- 22:14
to click it.
- 22:15
Yeah.
- 22:15
In 2019. Yes. the [ __ ] it is.
- 22:18
I'll say this. I'll say this. I don't
- 22:20
think that JCole needed to market that
- 22:22
record.
- 22:23
I think it would have done the whole
- 22:24
invites, everybody going down to
- 22:26
Dreamville, all that's for the album.
- 22:28
Yeah, that but that was like enough for
- 22:29
me. He could have just put that [ __ ]
- 22:30
out.
- 22:31
I agree. I think everything from
- 22:32
Dreamville leading up to Cole putting
- 22:35
out a song, everyone's clicking that
- 22:36
regardless.
- 22:37
Yeah.
- 22:37
If he was saying names on that [ __ ]
- 22:39
then I would have understood the whole
- 22:42
thing.
- 22:42
Here's my thing. Why [ __ ] not saying?
- 22:43
Yo, he's so mad. No one's hating right
- 22:45
now.
- 22:45
But why? Why? Furious.
- 22:46
No. Why? When I could just add hate.
- 22:48
Why? Why? I'm I'm getting ready to
- 22:50
insert hate. You talk.
- 22:52
[ __ ] is you talking about, [ __ ] I got
- 22:53
hate.
- 22:54
We're going to get some hate this
- 22:55
podcast. You think we're just going to
- 22:57
sit here and Hey, I mean, hated how it
- 22:59
was marketed, but I understand why it
- 23:01
was marketed that way. I mean, you got
- 23:02
to market, but I mean, I wouldn't have
- 23:04
marketed it that way, but I understand
- 23:06
why they decided to I'm going to hate.
- 23:09
Just because you put on here to hate.
- 23:12
You're here to hate.
- 23:13
Exactly. Let me hate.
- 23:14
I'm I'm letting you hate. I'm
- 23:15
No, no. Lori Love,
- 23:17
I'm just saying I don't think it needed
- 23:18
that.
- 23:18
I like the record. I thought it was a
- 23:20
good record.
- 23:20
You was saying more than that, dog.
- 23:22
Yeah, it was cool. The record was all
- 23:23
right. Record's all right.
- 23:24
It didn't It didn't like, you know, it
- 23:25
wasn't nothing that I'm just like I I
- 23:27
didn't listen to it today at all.
- 23:28
Yeah.
- 23:29
So, it's like, you know what I mean?
- 23:30
didn't really
- 23:30
I listened to it two or three times like
- 23:31
a
- 23:32
Yeah, it was
- 23:32
I I get that Cole is from the last album
- 23:35
trying to stick with the kids and I
- 23:37
appreciate cuz we don't need old people
- 23:39
hating, but I I' I'd prefer Cole to just
- 23:42
be
- 23:43
Cole and not have to put the voice
- 23:46
filter and the talking about sipping and
- 23:50
trying to relate to the kids and the new
- 23:52
sound. Like I think you could just be
- 23:53
you.
- 23:53
I think it was what I thought it would
- 23:54
be. Cold can rap. We know that. Um, I
- 23:58
thought I was looking after that whole
- 24:00
marketing thing. I was expecting more. I
- 24:02
guess
- 24:03
I thought this was going to be like some
- 24:05
ill like,
- 24:06
you know, names were going to be thrown
- 24:07
out there and shots were going to be
- 24:09
fire. I mean, shots.
- 24:10
Oh, this is awesome. Wait, slow down.
- 24:11
Let's stop right there. Mo, why did you
- 24:12
feel that way?
- 24:13
Well, because marketing. You just said
- 24:15
that.
- 24:15
He said he was making a list of checking
- 24:16
it twice.
- 24:17
Yeah, we like that's why I said it could
- 24:18
have went without that marketing. This
- 24:20
song could have just came out.
- 24:21
Yeah, I was expecting and then and then
- 24:22
to find out that those were lyrics in
- 24:24
the record. I was like,
- 24:25
"All right, I got it. I got you. I got
- 24:27
you. I got you right now.
- 24:28
We here now.
- 24:30
Where we at?
- 24:32
The record.
- 24:36
I like it already.
- 24:39
Three words.
- 24:39
We know.
- 24:42
No, I'm agreeing with y'all. So, let me
- 24:45
make myself clear that I'm we all agree
- 24:49
that the marketing was off.
- 24:50
Stop right there. Look what he's doing.
- 24:52
Deflecting.
- 24:53
Backpedaling. Same [ __ ] You just
- 24:55
laughed at us.
- 24:55
No, I'm not. I'm about to get into
- 24:56
exactly why I was laughing at each
- 24:57
other. You're talking about you're doing
- 24:58
you're doing a president. I'm
- 24:59
just Hey, we all like the song.
- 25:01
No, you're cutting me off. No, I'm I
- 25:03
know I cut off my
- 25:04
I think my friend I think the audience
- 25:06
knows that I have no problem saying
- 25:08
what's trash. So, I don't care.
- 25:10
We're in different times now.
- 25:11
We all agree that it was that it was
- 25:13
marketed wrong. Don't drive. No, I can't
- 25:16
say. I'm not going to say it was market
- 25:17
to get people to
- 25:18
Okay, tell me what y'all are saying.
- 25:20
I I told you what I said. I don't think
- 25:21
it needed that. That's all I'm saying.
- 25:24
Uh, and then and then the way they
- 25:25
marketed it, I felt like it was going to
- 25:28
be like a a super. All right, enough of
- 25:30
y'all. Enough of y'all. Hey, audience.
- 25:33
This is the record that J.Cole dropped
- 25:36
after he told us that he was making a
- 25:38
list and checking it twice and
- 25:40
remembering everything that everybody
- 25:42
said and everybody, y'all in trouble.
- 25:44
I'm on it this way the whole year. I'm
- 25:46
better than all you. This is the record.
- 25:50
Now,
- 25:51
now that y'all are done, that is the
- 25:53
record. That's not That's not the whole
- 25:54
record.
- 25:58
You got You got to play the record.
- 25:59
You can't defend this.
- 26:01
I I'm not DEFENDING IT. I'M OKAY.
- 26:03
But I'm not talking about I don't want
- 26:04
us to judge the record yet.
- 26:06
We're going to go through all of this
- 26:07
together like a family. So stay with me.
- 26:09
I don't want us to judge the record. I'm
- 26:11
not talking about judging the record.
- 26:12
I'm only talking about the effects when
- 26:17
you improperly uh market something. when
- 26:21
you do it. This was
- 26:23
All right, y'all can have your opinions.
- 26:24
This was not the record to drop when you
- 26:26
say, "I'm making a list, checking it
- 26:28
twice. You [ __ ] is in trouble
- 26:30
to us that because that is the lyrics in
- 26:33
the US."
- 26:34
To us, you're right. Let's make that
- 26:35
very clear.
- 26:35
You're right. Yes, you're right. You're
- 26:36
right. You're right.
- 26:37
That's the lyrics. That's why
- 26:38
we are a small minority in that people
- 26:40
that care about every single word that
- 26:42
you're saying.
- 26:43
I didn't see to everyone else him taking
- 26:45
the shots, which we'll get to. I don't
- 26:46
want to go ahead, but him taking the
- 26:48
shots quote unquote aay to everyone that
- 26:50
fulfilled what the marketing campaign
- 26:52
was.
- 26:53
Parks
- 26:53
to some people.
- 26:54
Not to us.
- 26:55
Not to me. Yeah. Not to me. No. To some
- 26:57
people.
- 26:57
Question. I know. But speak to what
- 26:58
you're saying. Do you do you agree?
- 27:00
Yeah. I don't I didn't see. And I could
- 27:03
be wrong. Like tell me.
- 27:04
I did.
- 27:05
I didn't see a lot of that.
- 27:07
I saw I saw maybe
- 27:11
six No, it grew once the blog started
- 27:14
talking. speak. I'm speaking originally.
- 27:16
I saw maybe 15% of people even know that
- 27:19
he was talking about somebody at some
- 27:21
point in this record. All I'm saying is
- 27:23
like I just thought something more
- 27:24
aggressive was coming.
- 27:25
Yes.
- 27:26
I think I think everybody thought
- 27:28
I thought names were coming. I thought
- 27:29
I don't think it hurt to say I think a
- 27:31
lot of people thought something a little
- 27:32
more aggressive was coming.
- 27:33
No, no, absolutely. That's what I'm
- 27:35
saying. I agree.
- 27:35
And I ain't wrong in that. Cole gave me
- 27:38
that is what I'm saying.
- 27:40
Like I don't and that's where I disagree
- 27:42
with what you said, Parks. And and would
- 27:44
you say I don't I I don't think
- 27:46
marketing is just getting somebody to
- 27:47
click it like
- 27:49
in in 2019.
- 27:51
I don't think
- 27:53
we talking about Cole. Cole is not a
- 27:55
clicker. He
- 27:56
He is
- 27:57
Everybody's a clicker at this point.
- 28:00
That's I'm not taking away from Cole.
- 28:02
A clicker.
- 28:03
Everybody is.
- 28:04
Yeah. Everyone's clickbait.
- 28:05
Yeah.
- 28:06
Everybody wants you to click.
- 28:09
Hate you [ __ ] Is Kendrick [ __ ]
- 28:11
clickbait?
- 28:13
Yeah, everybody wants
- 28:15
They do click differently. They just do
- 28:16
it with more integity.
- 28:17
Everybody wants you to click on it with
- 28:18
more integity.
- 28:19
I don't understand. Like that's how you
- 28:20
I don't know where you walk to.
- 28:22
You You have to click.
- 28:23
Well, look out for the security guard.
- 28:28
And we're back.
- 28:30
You got to do that cuz now they be
- 28:31
knowing when parks punch.
- 28:32
That was a punching. You said I'm going
- 28:33
to have smoke
- 28:34
word.
- 28:35
Oh. All right. Listen. We have a lot of
- 28:37
[ __ ] to argue about. So that's what I'm
- 28:38
saying. You can't argue about the
- 28:39
difference between things that are
- 28:41
clickbait and things that are clickable.
- 28:44
That's what I'm saying.
- 28:45
Yeah. I think what we're I think what
- 28:47
we're saying is that
- 28:48
the line is blurred now in this era.
- 28:51
Let me reply
- 28:52
because you have to market things that
- 28:53
will be clicked and to some degree that
- 28:55
means clickbait.
- 28:56
What I'm saying what I'm saying to you
- 28:58
guys and is
- 29:01
Kendrick Kendrick and TDE those are some
- 29:05
of the people that we we hold to a
- 29:07
higher standard. Of course, they appear
- 29:08
to operate with a little more integrity
- 29:10
than just doing clickbait uh
- 29:14
microwavable [ __ ] right?
- 29:16
Cole to a large community is held at the
- 29:20
same regard.
- 29:21
I agree
- 29:22
that that's what I am saying.
- 29:24
So when you're held to that regard, that
- 29:27
standard
- 29:28
quick question
- 29:29
and that's the
- 29:30
was the control verse not clickbait.
- 29:32
No.
- 29:33
Okay.
- 29:33
Not at all.
- 29:36
How so? I don't even understand
- 29:37
because what what else was the verse
- 29:38
about?
- 29:39
So to me,
- 29:40
what define clickbait?
- 29:42
You put that in there.
- 29:43
I'm saying a bunch of names. So the
- 29:45
headline will be
- 29:45
that's not what clickbait is. Tell me
- 29:47
what clickbait is.
- 29:48
You can do something knowing that people
- 29:50
will take it and say Kendrick calls out
- 29:53
uh Drake, Push A, etc.
- 29:55
Right.
- 29:58
You can do things knowing that people
- 30:00
will take
- 30:00
Do y'all feel like this with y'all
- 30:01
saying?
- 30:02
Yeah.
- 30:03
Okay, I got it.
- 30:06
What made y'all click that record?
- 30:09
Everybody say
- 30:09
that's what clickbait is. That's what
- 30:11
clickbait is.
- 30:12
I can't say for us because we clicked it
- 30:13
because we love hiphop.
- 30:14
But that's
- 30:15
but the regular consumer clicked it
- 30:17
because he said Kendrick is always
- 30:19
Hey, check this out. When Joe speak,
- 30:20
it's always for Joe. I'm never speaking
- 30:22
for anybody else's interpretation of
- 30:25
something. Clickbait. I don't give a
- 30:27
[ __ ] I'm telling you about Joe.
- 30:29
Clickbait
- 30:31
is are is people doing [ __ ] to make you
- 30:34
click it. You heard that control verse
- 30:36
cuz you wanted to hear that song. And
- 30:38
then when you heard that song, it made
- 30:39
you do whatever you did. He didn't say a
- 30:42
[ __ ] word. He didn't say nothing. IT
- 30:45
WASN'T EVEN A SONG. HE DID WHAT SOMEBODY
- 30:48
asked him to do. Yo, come through. Put
- 30:50
this down. He put it down and left. No,
- 30:53
that's not clickbait. And I really don't
- 30:54
see how that's relevant to the point I'm
- 30:56
making. What JCole did, I'm not even
- 30:59
calling clickbait. I'm not I'm not
- 31:01
calling it clickbait.
- 31:02
What are you calling it? A bad roll out.
- 31:05
No,
- 31:06
that
- 31:06
So why a bad roll out?
- 31:08
Not a bad roll out because it worked. It
- 31:09
was a great roll out. It was a great
- 31:11
roll out.
- 31:12
My definition, I'm speaking to me.
- 31:14
The roll out don't just stop when the
- 31:16
record drop.
- 31:17
Okay.
- 31:17
The roll out doesn't just stop when the
- 31:19
record drops because then you deal with
- 31:21
and maybe that's the difference between
- 31:22
buyers remorse now.
- 31:24
No, I bought it.
- 31:26
But but at the same time,
- 31:27
I bought it and that's it. It's just not
- 31:28
what I thought I was getting because
- 31:30
fires remorse. I thought I was getting a
- 31:32
S550 and it wasn't that. The commercial
- 31:36
looked different. The teaser looked
- 31:37
different. The trailer looked different.
- 31:38
But there's nothing wrong with that.
- 31:39
There's nothing wrong. There's nothing
- 31:40
wrong. I'm just pointing out what he
- 31:43
knew because he knew that. He knew that.
- 31:46
And we going to talk about it later.
- 31:47
Everything I'm saying I can prove. I can
- 31:50
prove because later I'm going to start
- 31:51
talking about who I think he's talking
- 31:52
to. And then I'm going start asking
- 31:54
y'all how y'all feel about him talking
- 31:56
to who I think he talking to like this.
- 31:58
And then I want y'all to remember this
- 32:00
tone.
- 32:01
Okay.
- 32:02
Actually, let's do it now. Should he be
- 32:04
talking Hey, no. Should he be talking to
- 32:05
push? NO. NO. NO. BEFORE I GET THERE,
- 32:07
SHOULD HE BE TALKING TO PUSH LIKE THAT?
- 32:08
RORY. Rory McFarrell. I'm asking you.
- 32:11
Yeah [ __ ]
- 32:13
Yeah.
- 32:14
Mix.
- 32:15
Let me get rid of this.
- 32:16
That's actually That's actually a little
- 32:18
racist, but it's cool. Ailia Ben, relax.
- 32:21
The Mick. What was the Mick?
- 32:23
The Mick. Yeah, Mick is a is a
- 32:25
I'm sorry. I'm sorry to that. That could
- 32:28
be racist.
- 32:29
No, it is. It's a It's a slur.
- 32:30
I didn't mean it that way.
- 32:31
I know you didn't. I'm just trying to
- 32:32
make you
- 32:32
I'm sorry to the mix out there.
- 32:33
But before you get there, what you just
- 32:35
said, you're speaking for you. And what
- 32:36
we're saying is Cole was a superstar and
- 32:38
has to pander to everyone else. So yeah,
- 32:40
to us it's like we thought you was going
- 32:41
to call out names, but that marketing
- 32:43
[ __ ] is successful because everyone
- 32:45
clicked it. Like you kind of proved our
- 32:47
point.
- 32:47
Okay.
- 32:48
To us, of course. Yeah. I would have
- 32:50
loved
- 32:50
I can to y'all. I concede to y'all in
- 32:53
this point. Great roll out. Y'all are
- 32:56
right. It worked. We clicked it. We
- 32:59
heard it. How do y'all feel?
- 33:01
I told you already. I wasn't blown away.
- 33:03
It was
- 33:03
Yeah, I thought it was cool.
- 33:04
It was cool.
- 33:04
It was cool.
- 33:05
Stop before you say a word, Rory.
- 33:07
That's why I say that it was a bad roll
- 33:10
out
- 33:11
to us
- 33:11
because let me tell
- 33:14
you, let me just let me just say of
- 33:15
course he does. He don't give a [ __ ]
- 33:16
about us.
- 33:17
That's what I'm saying. So, what I'm
- 33:18
saying is, see, I asked Maul, "What did
- 33:21
What did you think of that song?" And he
- 33:23
didn't tell us what he thought of the
- 33:24
song. He told us what he didn't think of
- 33:26
the song. He that he only did that
- 33:29
because of how that song was marketed.
- 33:31
Okay.
- 33:32
Had JCole just dropped a song,
- 33:34
I would still feel the same way.
- 33:35
Of course, but you would tell me what
- 33:36
you think of the song. You wouldn't say
- 33:38
I wasn't blown away.
- 33:39
That's what I think of the song.
- 33:40
I know. But Parks did the very same
- 33:42
thing right after you. The very same
- 33:44
thing. That is a marketing thing. I
- 33:45
don't know if y'all know that or not,
- 33:46
but that is a marketing thing. It has
- 33:49
everything to do with marketing.
- 33:50
I don't disagree.
- 33:52
But anyways, we don't need to get caught
- 33:53
up in that. Mo wasn't blown away. Parks,
- 33:55
how you feel?
- 33:55
I wasn't blown away. Yeah, it was cool.
- 33:57
Rory, it was all right.
- 33:58
Like the song.
- 34:02
Job well done.
- 34:03
Uh, replay value for me.
- 34:05
Like it. I want to see how it does cuz I
- 34:07
think Cole was trying to make that song
- 34:09
to also see how it plays outside.
- 34:12
Not in the capacity that most JCole
- 34:14
records are. You're in your headphones
- 34:15
by yourself. No, because I don't think
- 34:17
Cole chases hits in at this point in his
- 34:20
career. I think he makes records and
- 34:21
thinks maybe this could cross over.
- 34:23
I think he made this thinking that
- 34:26
that hook in that first verse will be
- 34:28
played at the early part of the of the
- 34:31
party.
- 34:32
I hope I don't want to hear that.
- 34:34
I don't want to be at that party.
- 34:36
Just telling you what I what I think he
- 34:38
went into making that record.
- 34:40
I can tell by the filter. I can tell by
- 34:41
the by the chorus.
- 34:42
That record comes on a valet. I ain't
- 34:44
going to
- 34:45
I ain't going to hold you [ __ ] that
- 34:46
come on.
- 34:46
[ __ ] walked there. He going to be a
- 34:48
valet.
- 34:49
Valet. I'm out.
- 34:51
You leave Jay Holiday out of this [ __ ]
- 34:54
Relax. See, see, see how [ __ ] dig
- 34:57
somebody up?
- 34:58
I'm not saying nothing. I [ __ ] with Jay
- 34:59
Holiday. I don't care if you work in
- 35:00
Valley. No. See, see, look what he do.
- 35:02
Me too.
- 35:03
Me too.
- 35:04
You can't joking the people you [ __ ]
- 35:05
with.
- 35:05
No, sorry. I don't mean
- 35:08
Wait, Son, what episode is this?
- 35:10
216.
- 35:10
You have to delete 216 episodes on this
- 35:13
podcast.
- 35:14
We real friends. Jay Holiday will fight
- 35:15
us.
- 35:16
That [ __ ] ain't That [ __ ] ain't on
- 35:18
man. The [ __ ] is you talking about? What
- 35:20
is he saying?
- 35:21
Uh, the co record. Yeah, I think by how
- 35:23
he did the choruses, the filter he did
- 35:25
on there, the content of the chorus that
- 35:27
he thinks maybe this could cross over
- 35:29
into not just the regular I put my
- 35:30
headphones on and love this coal album
- 35:32
by myself.
- 35:33
All right. Wait a minute, buddy. We're
- 35:34
getting carried away with the hot takes.
- 35:36
We're going to piss people off out
- 35:37
there.
- 35:38
I'm not Who going to piss off?
- 35:40
No one.
- 35:40
Just my opinion.
- 35:41
No, I know. Not at all. Trust me.
- 35:43
Yeah, it just didn't uh the record just
- 35:44
didn't it wasn't it for me. It was cool.
- 35:47
I mean, Cole can rap. We know that. But
- 35:49
it just wasn't The song wasn't And I
- 35:51
like Cole a lot, but the song just
- 35:52
wasn't there for me.
- 35:53
Yeah.
- 35:55
I'm just curious where it's going to go
- 35:56
with We just did this whole Dreamville
- 35:58
session [ __ ] and now I just put out a
- 36:01
single for me.
- 36:03
It could be off Dreamville, though.
- 36:05
But it wasn't marketed that way.
- 36:06
You think this record is on the album?
- 36:09
I don't know. That's why I'm I'm
- 36:10
confused.
- 36:11
I hate your [ __ ] Just shut up.
- 36:13
Well, cuz I asked him if the record is
- 36:14
on the album.
- 36:15
You have to ignore him more sometimes.
- 36:16
You just got to let you got to let him
- 36:17
talk.
- 36:18
No, this this this matters to me.
- 36:19
He just put out this whole crazy every
- 36:21
single person with a yellow invite and
- 36:22
then you just put out a solo record.
- 36:24
The [ __ ] are you talking about?
- 36:25
Yeah, I got to ask.
- 36:25
I care if this this record is on the
- 36:27
album. I care. Wait on Cole's album.
- 36:29
Yes, I care.
- 36:29
No, on the Dreamville [ __ ]
- 36:34
I know you don't care. I care.
- 36:35
Where else is it going?
- 36:37
His album.
- 36:38
Yeah.
- 36:38
Or it could just be something he just
- 36:40
put out. That happens. Yeah. [ __ ] put
- 36:42
records out just to put them out. Like,
- 36:44
why you acting like you don't know how
- 36:45
this [ __ ] go? Just
- 36:46
I'm blown away by the things that
- 36:48
Joe, you [ __ ] don't put out just
- 36:50
records just to let them fly. Like,
- 36:51
yes, they do. I'm talking about people
- 36:53
locking themselves in a studio with 95
- 36:56
people.
- 36:57
Yeah. Which means they probably have 95
- 36:58
songs
- 36:59
and then immediately drop a record two
- 37:01
days after they leave.
- 37:02
I would think it's for the project that
- 37:04
they recorded with 95 people.
- 37:06
No, I don't think so.
- 37:07
That's not real.
- 37:08
Well, no, it could be. I'm saying I I
- 37:10
don't I hope not. I hope not.
- 37:12
All right, enough of y'all. What do
- 37:13
y'all think? What do y'all think? What
- 37:14
do y'all think of T- Minus? Let's get
- 37:15
into him. We know what y'all think of
- 37:16
Cole.
- 37:16
He's a great producer
- 37:18
with his track record and his
- 37:19
disappearance.
- 37:20
Thank you, Rory.
- 37:21
I don't think that this is how T-minus
- 37:24
wanted to come back. I think with Cole
- 37:25
that makes it
- 37:26
has no idea why we're saying this.
- 37:28
T-minus retired,
- 37:29
but he's been active for the past couple
- 37:31
years. He did a record on uh JCole's
- 37:33
last album.
- 37:33
It's not the first time they
- 37:34
collaborated.
- 37:35
How how active he was in the past. He's
- 37:38
been quite Even Drake through the bar.
- 37:39
Last time I heard from her, Tinus was
- 37:41
making beats,
- 37:41
right?
- 37:43
He hasn't been that active.
- 37:44
I think it's good that he came back on
- 37:46
this moment, but me personally, I don't
- 37:48
think this is the way
- 37:50
he wanted to come back sonically.
- 37:53
It sounds like an older beat, honestly.
- 37:55
It doesn't sound like this was created
- 37:57
in the Dreamville sessions. I think he
- 37:58
had that on the hard drive and was like,
- 38:00
"Yo, I got this." And then Cole just
- 38:02
caught a vibe from it.
- 38:03
But that's why I said what I said about
- 38:05
the
- 38:05
It's good. It's good for the moment, but
- 38:07
musically, I don't think T minus wanted
- 38:08
to come back on this [ __ ] I don't. I
- 38:11
think a nice little B-side with some
- 38:13
heavier acts would have been the way for
- 38:15
him to come back.
- 38:16
I just like I said, the record was okay.
- 38:19
Wasn't blown away. I don't think I'll be
- 38:21
playing that record much. You know what
- 38:24
I mean? I the marketing made me feel
- 38:26
like it was something bigger, something
- 38:28
stronger happening. And that was just
- 38:31
kind of like a, oh, okay, cool. You
- 38:33
know, Cole rapping, he's showing that he
- 38:34
can stick to the that that bounce that
- 38:36
the young the younger crowd likes, but
- 38:38
he can still be lyrical on that. I think
- 38:40
that Cole
- 38:42
I think where he gets labeled as boring
- 38:45
is because of the production of his
- 38:48
vocals. Not necessarily the beats that
- 38:49
he picks or the because he can rap
- 38:51
really well when his tone.
- 38:53
Yeah. Like he doesn't really animate
- 38:55
very much.
- 38:57
So that's kind of the criticism I would
- 38:59
have about the production.
- 39:00
Yeah. Okay.
- 39:01
That's why I like him.
- 39:02
I don't think Cole is boring.
- 39:04
I don't either.
- 39:04
I know that's like the running trend. I
- 39:07
just don't think he is.
- 39:08
He can't be regular's boring. I think
- 39:10
the beat was actually more boring than
- 39:11
Cole. I think Cole brought the beat out.
- 39:13
I thought the beat was boring.
- 39:15
The The beat was very
- 39:18
I think Cole I think Cole livened up the
- 39:20
beat. The beat is a regular loop.
- 39:22
Yeah, it was a simple track. Definitely.
- 39:23
That but that's why I asked Let me not
- 39:25
call it a loop.
- 39:25
Do you think it's going on a project?
- 39:26
Because I don't think that if it's what
- 39:29
Dreamville that whole session was with
- 39:30
all these great producers that that
- 39:32
would be a record that would would stick
- 39:34
to the project. That's what I That's why
- 39:36
I find me that the [ __ ] trash death
- 39:38
jam commercial, please.
- 39:41
Do we not want to finish with the with
- 39:43
stuff?
- 39:43
We are gonna finish. It's gonna take him
- 39:44
an hour and a half to find the [ __ ]
- 39:46
death jam stuff. So, we are going to
- 39:47
finish this. Okay, let's get into the
- 39:49
lyrics for that.
- 39:50
Y'all already said what y'all thought
- 39:52
about T minus. That's what I was looking
- 39:53
for from you, our informed ear parks,
- 39:55
the producer parks. Do you think that
- 39:57
this beat sounded dated? Is it current?
- 39:59
Did it match with him? I'm looking for
- 40:01
you to insert your genius there with
- 40:04
him. I don't know how I feel because I
- 40:06
ain't really Last time I heard T minus
- 40:08
was me.
- 40:08
No, he did uh he did Blem. He did a
- 40:10
bunch of [ __ ] on More Life. He did a
- 40:12
bunch of [ __ ] recently. He did something
- 40:13
on uh Scorpion.
- 40:14
He did he did do he did something on um
- 40:16
he did win some lose some by Big Sean a
- 40:19
couple years ago. He was on Travis last
- 40:21
album.
- 40:22
He did go on a hiatus for a long time,
- 40:24
but he's been around the last couple
- 40:25
years.
- 40:26
Church. Yeah, I think he got religious.
- 40:28
Sure.
- 40:28
Or he just didn't want to sell me any
- 40:30
more beats,
- 40:32
which I didn't understand cuz that's
- 40:33
Did you pay him?
- 40:34
He was getting a gang. Yeah, that's when
- 40:36
I started paying producers.
- 40:40
I couldn't afford it. Producers get mad
- 40:42
when you say that. Listen, I couldn't
- 40:43
afford it. That That's what I'm saying.
- 40:44
I wasn't trying to get over cuz the
- 40:46
producers will attack you
- 40:48
as they [ __ ] should
- 40:50
if you're broke.
- 40:51
No, they should attack you for not being
- 40:52
paid for the work. Yes, they should.
- 40:54
Yeah,
- 40:55
I'm I'm I'm on team. Producers get paid.
- 40:57
Yeah,
- 40:57
I understand if you have an artist is
- 40:59
broke.
- 41:00
You're missing my point, Joe. I don't
- 41:01
care.
- 41:02
I'm on team. All producers get paid,
- 41:04
too. But from the
- 41:05
They can get mad. They have every right
- 41:06
to get mad.
- 41:08
I think that's [ __ ] up.
- 41:09
No, they still if they they don't get
- 41:11
paid.
- 41:11
Just cuz you broke, that ain't my
- 41:12
problem.
- 41:13
That ain't their problem.
- 41:14
Wait, y'all never been a star starving
- 41:16
artist?
- 41:17
No.
- 41:17
Yeah, but Okay, you can be a starving
- 41:18
artist.
- 41:19
If you're a starving artist, you're not
- 41:20
going to do everything you got to do.
- 41:22
No, but you could probably be those he
- 41:25
would probably do the beans conversation
- 41:27
with him first.
- 41:28
I'm saying yeah, you couldn't pay him.
- 41:30
He has every right to get upset.
- 41:32
Oh, no. I mean, all right. I guess
- 41:34
it's one thing to It's one thing to not
- 41:36
pay.
- 41:36
You should understand.
- 41:37
It's one thing to not pay someone. It's
- 41:39
one thing to not tell someone that
- 41:40
you're not going to pay them, but just
- 41:41
put that or tell, "Yo, I'm going to pay
- 41:42
you on the back end or some [ __ ]
- 41:44
like just be like, yo, I don't have it."
- 41:45
Yo, that's the that's the
- 41:46
I'll give you a verse or a song later
- 41:48
on. Come on. Let's Let's get to the
- 41:50
juicy [ __ ] We [ __ ] have tap danced
- 41:52
around enough.
- 41:54
So break this lyrical miracle down for
- 41:56
us.
- 41:57
Well, you already said should he have
- 41:58
been talking to Push a T like that?
- 42:00
I thought it was about talking to P.
- 42:01
I thought it was about cond
- 42:06
asked him.
- 42:06
I didn't think pusher.
- 42:07
All right, so slow down. Let me talk and
- 42:09
let me talk then let me talk. Let me
- 42:10
talk first and let me talk first and
- 42:12
then y'all tell me exactly what you
- 42:13
think. I'm going tell you why I feel
- 42:14
like this. I can't prove any of this
- 42:16
[ __ ]
- 42:17
All of this is unfounded. Mhm.
- 42:21
Kanye was going on all of his abrupt,
- 42:26
well, they seemed to be abrupt tweet
- 42:28
rants toward Drake. And I'm going to say
- 42:30
random and a random but abrupt because
- 42:33
to us seemingly that feud was over
- 42:37
publicly. That feud was done.
- 42:41
But then Kanye kept going publicly.
- 42:46
That made me just think that something
- 42:47
behind the scenes was going. J Prince
- 42:49
was calling [ __ ] I didn't [ __ ] know
- 42:50
some Calabasas beef. That's all I
- 42:53
thought at the time.
- 42:54
Mhm.
- 42:55
Until Drake landed in LA.
- 42:58
Mhm.
- 43:01
And in the midst of Kanye's rant, he
- 43:04
tweeted that purple emoji, devil emoji
- 43:07
thingamajiggy. Right. Right.
- 43:09
Which let us know that Drake was in LA.
- 43:12
I can't believe that that's a thing.
- 43:15
It's a thing.
- 43:16
It's a thing.
- 43:17
I'm sorry. We just argued over you
- 43:20
telling me what was a thing that
- 43:21
clickbait a thing. You know this is a
- 43:23
thing.
- 43:23
I know. I'm just laughing.
- 43:24
You told me it's a thing.
- 43:25
I'm not going against I'm just laughing.
- 43:28
That's where we are now.
- 43:29
I'm laughing that this is where we
- 43:30
But I'm asking y'all when this happened.
- 43:32
Y'all didn't put much stock into any of
- 43:35
this stuff. Right.
- 43:36
A little.
- 43:36
No, I put stock into it.
- 43:37
Definitely. I definitely did.
- 43:38
Okay, cool. Right after he does the
- 43:40
purple uh emoji when he lands
- 43:43
was what? Yes. A picture with Cole.
- 43:48
Yeah. In the car.
- 43:49
That in LA.
- 43:52
That was weird.
- 43:54
It was random.
- 43:56
Come on, Rory.
- 43:57
I know.
- 43:58
Random. Yes. It looked like Drake picked
- 44:00
Cole up from the airport.
- 44:02
He did.
- 44:03
I'm not I'm not trying to be funny.
- 44:05
Uh, and they even put like a a I'm a
- 44:07
ghost Casper bar like in the caption
- 44:10
and they were smiling together. When you
- 44:12
see two light-kinned [ __ ] smiling
- 44:14
together in a car
- 44:16
like they were talking about what were
- 44:18
they talking about that made them smile.
- 44:21
I'm just telling you what I was
- 44:22
thinking.
- 44:22
And first of all, Cole, you still
- 44:23
rapping about uh your student loans. Get
- 44:26
on the train. B I want to see you in the
- 44:28
Ghost.
- 44:28
That's why. But that's why I argue with
- 44:30
Rory because to make the Cole argument
- 44:33
that people are trying to make, you need
- 44:36
Cole fans.
- 44:38
You can't really have an educated cold
- 44:42
conversation without an objective cold
- 44:44
fit,
- 44:45
right?
- 44:45
You need them,
- 44:46
right?
- 44:47
So, I need you here because that's why I
- 44:50
thought that was weird. Not because of
- 44:52
Drake. All of that is right up Drake's
- 44:53
alley. Petty, I'mma [ __ ] with you now
- 44:56
the whole way. If I could get on your
- 44:57
nerves, Cole, though, this was new
- 44:59
behavior.
- 45:01
I have never seen Cole insert himself or
- 45:03
appear to insert himself in the middle
- 45:05
of some [ __ ]
- 45:05
Right.
- 45:06
Me. So that's how I looked at it. Cool.
- 45:09
Leave it alone. Whatever. Fast forward
- 45:14
a few days ago. What came first? Push's
- 45:18
tweet or J or Jid's tweet.
- 45:22
Uh J's went first.
- 45:24
J's went first.
- 45:25
Wait. What did he say?
- 45:27
J tweets out.
- 45:30
Should I find it or should I just
- 45:32
paraphrase it? It was a sentence. He
- 45:34
tweeted out something that said all you
- 45:36
[ __ ] could get it.
- 45:37
No, you can't [ __ ] with us.
- 45:40
You can't [ __ ] with me and minds.
- 45:42
Yeah. Yeah.
- 45:45
I know. That's why I said I don't want
- 45:46
you to paraphrase that way.
- 45:48
Not you can [ __ ] with me. Now you can't
- 45:50
[ __ ] with me.
- 45:52
You and yours cannot [ __ ] with me and
- 45:56
mine. That's odd to me. Why is J
- 45:58
tweeting like this?
- 46:00
I tweeted him with the I emoji. His
- 46:03
response was telling.
- 46:05
He said it wasn't purple. Purple. Yes,
- 46:07
it was. Was it a purple?
- 46:08
He said it wasn't about you. That was
- 46:10
the only response.
- 46:13
Critical thinking, Rory.
- 46:18
So, just because it wasn't about you.
- 46:20
Now, Parks, I'm going to get the tweet.
- 46:22
Now, I'm going to get the tweet.
- 46:23
Critical thinking.
- 46:25
Go get the tweet. He's I hit him the
- 46:28
with the eye emoji. I didn't say I
- 46:29
thought this was about me. However, the
- 46:31
talk of the town currently is
- 46:33
talk of the town.
- 46:34
The town is Twitter. It's the talk of
- 46:36
the town.
- 46:38
The talk of no town.
- 46:39
That's not the town. There's one town.
- 46:42
That's the town. Ben Affleck, them
- 46:43
[ __ ] That's another town.
- 46:44
It's two towns.
- 46:45
That's your That's your second Irish
- 46:46
remark that I'm going to let go. But go
- 46:48
ahead.
- 46:48
You about to get a mick again.
- 46:52
Mo.
- 46:53
Yes.
- 46:53
What did I just
- 46:54
J? Oh,
- 46:57
I hit him with the eyes. The talk of the
- 46:59
town currently is because we did our
- 47:01
last podcast that seemed to be uh maybe
- 47:04
a little aggressive toward Cole that you
- 47:07
know the joke online for some of these
- 47:08
people. We have a large community of
- 47:09
people to follow us is that Cole would
- 47:10
be replying to us. So when I hit him
- 47:12
with the eyes, I wasn't talking about
- 47:13
that. I have never felt like Cole was
- 47:15
going to come at us.
- 47:16
Yeah.
- 47:17
I have never felt like that. We was all
- 47:19
kidding around. But telling to me that
- 47:22
he that he thought that I would think
- 47:23
that
- 47:25
that was telling
- 47:26
and no and it was telling because it was
- 47:28
him saying basically no not you but
- 47:30
somebody
- 47:32
Yes.
- 47:32
Not you but somebody else.
- 47:33
Yeah. He know. Hey them [ __ ] is
- 47:35
online. You was in the studio with 90
- 47:37
[ __ ] that all of them didn't have Old
- 47:39
Spice. All of them didn't. When you in
- 47:42
there with that type of crew.
- 47:44
I made the joke last podcast but I was
- 47:45
being serious. I think a lot of gossip
- 47:47
happened during those dreamville
- 47:48
sessions.
- 47:48
For sure. Them [ __ ] is HEY, CHECK THIS
- 47:51
OUT. THEM [ __ ] is online. So for J to
- 47:54
say,
- 47:55
no, not you.
- 47:57
It's somebody.
- 47:58
It's somebody.
- 47:59
Mhm.
- 48:00
And guess what the very next tweet was?
- 48:02
You [ __ ] right. Push. Saying, "Hey,
- 48:07
I hear [ __ ] want to go another R." He
- 48:09
didn't say Drake.
- 48:12
He did not say Drake.
- 48:13
Wait, so where's the where did the riff
- 48:15
become? Wait, let me just finish. I hear
- 48:17
[ __ ] want to go another round. This
- 48:20
time I'm not playing with you,
- 48:24
any of you. This sounds like crew beef.
- 48:29
Okay, that's where Joe is at with this.
- 48:32
Would you say another round or he says
- 48:33
another round? I missed round one.
- 48:35
No, you didn't. Oh, you seen round one,
- 48:37
[ __ ]
- 48:38
False prophets.
- 48:39
You seen round one.
- 48:40
False prophets.
- 48:41
This is crew beef. Oh, crew. We already
- 48:43
saw Push/Kany
- 48:47
versus Drake. We then had Push come sit
- 48:50
right here on our [ __ ] couch
- 48:52
and tell us not only how he feels about
- 48:54
how Kanye moves, but how he moves in
- 48:56
defense of Kanye,
- 48:58
right?
- 48:59
Uh, I didn't know Cole and Drake was so
- 49:02
tag team back again.
- 49:03
That's what I'm saying.
- 49:04
But a devil emo, a purple devil emoji.
- 49:07
I'm with Kanye. Don't devil emoji me.
- 49:10
Don't devil emoji me. God damn It's
- 49:12
funny that that's triggering.
- 49:13
Don't devil. Yo, don't devil emoji me in
- 49:15
Calabases, my [ __ ] I don't even like
- 49:18
purple.
- 49:18
Yeah.
- 49:19
Ain't purple rain,
- 49:20
right?
- 49:21
The devil emoji.
- 49:23
So now Cole is in this and parks, let's
- 49:25
say. Hey Roy, let's say you're right,
- 49:27
Parks. Let's say I don't pay none of
- 49:28
this. No mine. And everything I'm saying
- 49:29
is wrong. And then now here comes Cole
- 49:32
telling me I'm making a list. I'm
- 49:34
checking it twice. I remember what y'all
- 49:36
said. But hey, Cole marketing genius. So
- 49:38
I'm not paying that any mind either. And
- 49:40
now this song drops and now you're
- 49:43
addressing
- 49:44
the two [ __ ] that my theory along this
- 49:47
whole way said that camp.
- 49:50
I missed the push.
- 49:50
Kanye and push.
- 49:52
I missed the pusher bar.
- 49:54
What's the pusher? I have I have the
- 49:55
lyrics right here.
- 49:56
Kanye, I hear the lyrics.
- 50:00
Uh, but I never beef with a [ __ ] for
- 50:01
nothing. If I smoke a rapper, it's going
- 50:03
to be legit. It won't be for clout. It
- 50:04
won't be for fame. It won't be because
- 50:06
my [ __ ] ain't selling the same. It won't
- 50:07
be to sell you my latest my latest
- 50:08
little sneakers. They want me cuz some
- 50:10
[ __ ] slid in my lane. Everything grows
- 50:11
is death. We We can stop right there.
- 50:13
That was Kanye. I thought
- 50:15
all day.
- 50:15
But I guess Push sells shoes too.
- 50:18
Yeah, but Push was
- 50:22
Oh, I'm not on that. I'm on say you
- 50:23
can't tell.
- 50:24
If I smoke a rapper, it won't it's going
- 50:26
to be legit.
- 50:28
Okay.
- 50:28
Period.
- 50:30
It won't be for clout.
- 50:32
It won't be for fame.
- 50:35
It won't be uh it won't be cuz my [ __ ]
- 50:38
ain't selling the same. Yes, that could
- 50:41
be a very normal line contextualized
- 50:44
with everything I just said. And when I
- 50:47
think about exactly how Drake responded
- 50:50
to Push and kind of dis pushed him to
- 50:53
the side to acknowledge Kanye and told
- 50:56
Push, hey, those extra copies you sold,
- 50:59
you're welcome. This all fits to me is
- 51:02
all I'm saying. Wait, but how on earth
- 51:04
would that be for Push? Cuz Push has
- 51:07
been throwing shots at them forever.
- 51:09
No, he hasn't.
- 51:11
Who?
- 51:12
Young Money Drake.
- 51:13
No, he hasn't.
- 51:14
For a while.
- 51:15
2006.
- 51:16
I know.
- 51:17
I know. Yeah. And then 2006 to 2011.
- 51:22
And And I want to also say
- 51:23
And then that's where was this not
- 51:25
Push's bestselling?
- 51:27
I feel like Push's number.
- 51:30
I don't know. I don't check. I don't
- 51:31
think Last year was last year was
- 51:33
definitely Push's best solo.
- 51:35
If the labels don't uh put pay the
- 51:37
publicist to pull out their bullboard
- 51:39
articles and [ __ ] I don't know who
- 51:40
sells what.
- 51:42
Okay, last put it this way. Last year
- 51:43
was definitely Push's best solo yet.
- 51:45
[ __ ] [ __ ] the numbers. There's no way
- 51:47
Pusher did the infrared [ __ ] cuz his
- 51:49
[ __ ] wasn't selling the same.
- 51:50
Rory McFarrell, hear me good.
- 51:54
Do you think that JCO, you dancing
- 51:58
[ __ ] once smoked with push. The
- 52:02
question I asked you 30 minutes ago,
- 52:06
the answer is no.
- 52:06
No. The answer is
- 52:08
flat out no. I don't think this is push
- 52:10
at all. Like, what are you talking
- 52:11
about? Kanye [ __ ] has been declining.
- 52:14
He's been doing all this [ __ ] to get
- 52:15
his fame back to get his I hate the
- 52:17
word. His shit's not selling the same.
- 52:19
He's selling sneakers. This is a
- 52:20
complete Kanye. Push has nothing to do
- 52:22
with this.
- 52:22
Ignore my whole argument and treat my
- 52:24
question independently.
- 52:26
Okay, I just answered no. [ __ ] no.
- 52:28
And Parks feels the same. But I I will
- 52:29
say I will say Push made it clear that
- 52:32
anytime [ __ ] go at Kanye
- 52:34
and we know and we know Push don't give
- 52:36
his fight. So anytime a [ __ ] talking to
- 52:38
Kanye, they talking to Push.
- 52:39
Who do you have in in Cole versus Push
- 52:42
if it if it were to occur?
- 52:44
It's a [ __ ]
- 52:46
No, this is a bonfire.
- 52:48
No, it's not cooking.
- 52:50
No, it's not tough. It's not tough.
- 52:52
It's not So I love Cole, but
- 52:54
me too, but I until I hear somebody in
- 52:56
that arena.
- 52:57
Yeah, exactly. We're not rolling.
- 52:58
We've never seen Cole battle.
- 53:01
And last time I saw a push battle, I
- 53:03
felt like it was insensitive.
- 53:05
Right.
- 53:06
So, I don't know who side y'all want me
- 53:09
to go with.
- 53:10
We saw the thing.
- 53:11
We saw Cole battle a little bit though.
- 53:12
But the reason why I can't I can't
- 53:14
because you got to we got to remember
- 53:15
the reason why it got
- 53:17
Hold up. I don't want to be rude to you.
- 53:21
This isn't a a disc record.
- 53:23
I'm still a little tired of those high
- 53:24
hats.
- 53:24
Yeah. I'm not I'm not giving that
- 53:27
That does nothing for me.
- 53:30
Oh push.
- 53:31
All right. This isn't fair.
- 53:32
Oh, you're in trouble now.
- 53:34
This isn't fair. Oh, push a push let you
- 53:37
do that.
- 53:38
Oh yay.
- 53:40
I'm going to get you and y'all going to
- 53:41
die. Telling the truth now. I won't even
- 53:43
lie. I can't do that. Yeah, that's
- 53:45
I'm going to kill you and you going to
- 53:47
be dead. I'mma be chilling and watching
- 53:49
some TV. Cops won't even get me. They
- 53:50
They will never see me.
- 53:52
No. No.
- 53:53
Add this to Joe Button sings the hits
- 53:55
thread on Twitter. I can't do that. I
- 53:57
can't do that because I
- 53:59
trust my friend. He bought me a rolly. I
- 54:01
wouldn't tell you. He told me to tell
- 54:02
you. I would
- 54:04
No, you hate that. That flow is hot.
- 54:06
No, he killed his fo.
- 54:08
Listen, I don't know. He killed that
- 54:10
[ __ ]
- 54:11
Y'all counting Y'all counting Cole out.
- 54:12
I'm not going to count him.
- 54:13
Wait, who counted him out? I'm count I'm
- 54:15
not counting.
- 54:15
No, no, you are.
- 54:16
No, she going to tell me
- 54:20
cuz I said push will kill him.
- 54:21
Yes, that's not counting them out.
- 54:24
That's evidence. That's it. Come on.
- 54:26
That's not counting somebody out.
- 54:27
No.
- 54:28
What the [ __ ] are y'all talking about?
- 54:30
If something doesn't happen,
- 54:32
we talking like, yo, if it does happen,
- 54:34
y'all say he'll [ __ ] kill him.
- 54:35
If you could get J's phone, I'm going
- 54:36
get him right now. Swear to God, I want
- 54:38
to call him and ask him if if push sent
- 54:40
some smoke out tomorrow.
- 54:43
I would have a whole new respect for J.
- 54:45
I give it up.
- 54:46
I give it up
- 54:46
if he jumped out there.
- 54:47
No, no, no, no. If if if he responded,
- 54:50
right?
- 54:51
If J responded Yeah. to push
- 54:54
anybody, but push in particular. Like
- 54:56
that tweet push said like if J just took
- 54:58
it wrong and send a shot, I would
- 55:00
respect that.
- 55:00
Yeah, but we talking about pushing Cole.
- 55:02
I ain't No, y'all ain't Y'all telling me
- 55:04
I'm bugging.
- 55:05
No, no, I am. I'm saying y'all counted
- 55:07
him out. Y'all counting Cole out just
- 55:08
off the rip.
- 55:09
J, you better let Cole and push fight
- 55:11
alone man.
- 55:13
But why though?
- 55:14
No, no, I'm with you. I don't want to
- 55:16
cuz we was looking for We was looking
- 55:17
for Big Sean and all them to like say
- 55:19
something where it was
- 55:19
Listen, don't never mention the name Big
- 55:21
Sean. Why not? NO, I'M JUST SAYING YOU
- 55:23
WE was looking for them during that
- 55:25
during that battle.
- 55:26
We was looking for them. Right or wrong?
- 55:27
Or you was definitely you was resting
- 55:29
like, "Yo, why they not saying nothing?
- 55:30
Why the spitters ain't spitting?"
- 55:32
Sean has been quiet since Marvin and
- 55:34
Chardonnay.
- 55:35
5 minutes.
- 55:36
No, I'm just saying like, listen, man. I
- 55:38
ain't going to discount Coke can rap.
- 55:40
He can rap.
- 55:41
You can't You can never count out a
- 55:42
[ __ ] that can rap because
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