JBP
The Joe Budden Podcast
Episode 345

The C.G.I.

Joe Budden Podcast Episode 345, “The C.G.I.,” released May 18, 2020. Joe shares his theory on todays artists not being able to "fall off". The guys also cover new music from Future, Will Smith dropping bars, the latest influencers, and previous tension between Ludacris and Nelly. Sleeper Picks Joe | Nelly - "Luven Me" Rory | Ludacris - "Hip-Hop Quotables" Mal | Ludacris - "Diamond In the Back" Parks | Ludacris - "Do The Right Thang" (ft. Common & Spike Lee) Full transcript and searchable timestamps below.

The C.G.I.
Video Available
Audio Available
873 transcript lines

Joe Budden Podcast Ep. 345 Transcript

Full transcript of The C.G.I. (1:39:27 long). Search it, or click any timestamp to jump to that moment.

  • 0:00

    y'all didn't even do this yeah you I didn't even do the science on that fellow we ain't even talked about that

  • 0:13

    see a lot of people out there waiting for the fall-off there's such things and

  • 0:28

    use it I think it's over what are you talking about of course there is absolutely follow what episode

  • 0:36

    we want med 3:45 knowing that that's wrong 3:45 that's right for real I wouldn't

  • 0:43

    know okay ball oh man mold did his homework that's that's about as much pre pressures we're

  • 0:50

    getting from him it's only it's only one after 344 fellas ah welcome laughing and remember 344 this is where so you met

  • 1:10

    Harper and sheriff Samantha check out

  • 1:16

    the matter yes my [ __ ] oh man wait I thought y'all was about to stop being friendly I didn't queue up my friends

  • 1:22

    theme song that I have for you I didn't know y'all about to be friendly so soon

  • 1:28

    let me introduce you finally now to the math yeah you our friend you mad only man Joe was mr. friendly I know well you

  • 1:39

    know I'll work it friendly work get friendly no I'll work your friends you know you know all the Sundays Bob my heart oh

  • 1:49

    man that used to be so much joy as a child family only in Long Island by save on career yes over there ain't no more

  • 1:56

    friendlies welcome to episode 345 of the Joe Budden podcast I am your humble gracious grateful and highly favored

  • 2:02

    host Joe Budden here with a few of my nearest and dearest for us for me is Rory Irish McNasty in front of his

  • 2:09

    custom art mall is here happy you could be with us today parks is here Erickson is here save on

  • 2:15

    is here and Alex is here gentlemen how is everyone doing good a full day out

  • 2:21

    beautiful beautifully they are it's the first real nice day they slow rolling as Joe you called it a slow rolling us to

  • 2:27

    August yeah I'm listen no wait I had hoped for a summer yes I did Oh at least

  • 2:35

    July I said pedaling when I was saying August to people they were looking at me little nuts no they slow rolling us they slow

  • 2:40

    cooking and fall fall if we're lucky they slope I think this whole years are done I see the slow cook Joe I see it now dad

  • 2:46

    that's it that's it I'm anxious to see you know because they were gone ahead with business as usual with our NFL season yeah yeah and I mean

  • 2:54

    I'm anxious to see how that pans out they say baseball too right drew first thing no fans though yeah but they I was

  • 3:02

    thinking of the NBA ship with no friends might work but I was looking at that last dance [ __ ] if they give us the

  • 3:07

    audio of all the trash-talking like curses and everything I think that it is still be very entertaining but we ought

  • 3:14

    to get that audience cursing now Teddy can they just got a aired on separate channels one movie on regular ESPN or

  • 3:19

    whatever and they'll let you know like this is not if they might going we make up live during the actual game like not

  • 3:24

    earlier yeah that's what I'm saying like how the last dance 1/8 when the USA team

  • 3:30

    had to practice and Mike and magic Nolan was talking try we need that if we can get that it'll be entertaining if we

  • 3:36

    don't get that and they just out there we just see them moving up and down and we just hit a sneaker squeaking and all that no no no no no we need to hit I

  • 3:42

    want to hit him talking aggressive to each other I need to hit it well yeah no

  • 3:47

    they'll find some way to run advertisements while we're play with the camera angles or angles

  • 3:54

    more enough with the sex lingo during this planet jemaine whatever angles he

  • 3:59

    got listeners no furu they joke we can't be can't be at the game it's no fancy that's you know that's a big part of the

  • 4:05

    game like we mean we at least need to feel like we're at the game from home now we need to be able to hear everything

  • 4:10

    LeBron go make sure those NBA's do you yeah are you gonna make sure of it I'm

  • 4:17

    happy here's though I'm happy all right come on now I'm not starting with sports I feel like we were talking about some

  • 4:22

    good and the mics got on and I forgot cuz my memory is bad I lost you guys excuse our talk about fall off oh yeah

  • 4:29

    fall off you don't think there's fall off in the music I think that I think that terminology is over with

  • 4:34

    why what do you think the terminology is now ya need air your theory illness not streaming as well I don't think a

  • 4:40

    decline is acknowledged anymore they kind of just fade away I or or even just

  • 4:47

    decline is no longer acknowledged cuz we already we don't talk about it II don't

  • 4:52

    give a [ __ ] they don't things they don't even label it that things happen so quickly because there's plenty of people

  • 4:58

    that that still see some type of success even though their skillset has declined

  • 5:04

    or been in decline or they may be in a latter part of their career but she does still moving fans don't the days of a

  • 5:11

    fan not [ __ ] with you anymore unless you totally disappear off the face of the earth and I don't even think that's possible anymore

  • 5:17

    it's over with yeah I think it's dope though so you saying with the older acts and I do parks I do too I support that

  • 5:23

    are you saying that the older act the newer ones as well listen I just saw I just saw I just read a clip I think it

  • 5:29

    was on everyday struggles Instagram page shout-out to that show it was designer talking about how he

  • 5:36

    went away and you know he had to get his skills up sharpen his knives [ __ ] with his enunciation and just whatever it

  • 5:43

    said I'm not quoting him but he basically said I needed the time away to work on his craft soon you're busy now

  • 5:49

    so he needed artist development that doesn't exist anymore right yeah but and and that's the onus that

  • 5:57

    falls on the artist a lot a lot these ones you have to develop yourself and a lot of times it happened Apple with me

  • 6:03

    and a lot of other people back in a day fans used to indict you for watching the development or being a

  • 6:11

    part of your mistakes or like the artist had to wear that today no I think I've

  • 6:16

    designed to come up with a hit tomorrow it's right back on involvement again

  • 6:22

    that's a bit of a contradictory statement because would you say he fell off no because he did a interview with

  • 6:30

    somebody no I I wouldn't say this is fell off because from the start I I

  • 6:35

    think I've looked at that with industry eyes which was of course you had a song that was rocking you and Kanye did some

  • 6:42

    business that song then was striped for his album then you got minimal support

  • 6:47

    for a little bit nothing gained traction because it takes finances for something to gain traction and support you had

  • 6:53

    none of that and then you stopped to go figure it out okay bring the I story for a lot of artists have to fall off by

  • 6:58

    definition though to the public eye cuz that's really who determines these things not us knowing what's going on in

  • 7:03

    the background that would be a fall off when who had a huge record and then we ain't hear from you again when that term

  • 7:10

    was frequent and active that's my point today yeah you're right by that

  • 7:17

    definition we would have called that a fall off today not only did they not

  • 7:22

    call it a fall off but they allotted the time for him to develop himself and come

  • 7:27

    back with more music he's been going for having many years when was that design in 2014 I mean uh Rory that that is

  • 7:36

    career that would have been career suicide last decade oh yeah that man

  • 7:41

    that only exists well it was amazing though for me when I wanted to get a

  • 7:46

    whole new deal like and it was it was position to me like yo the amount of

  • 7:52

    time that is gonna take the lawyers to go back and forth mm-hmm for you to get out create a new album

  • 7:58

    market a new album and put it out you've been gone for now a year and a half two years you think the fans are sticking with you that was the model of the old

  • 8:04

    music business I just don't say that that exists today no I think there's just within streaming

  • 8:11

    and the newer crowd they're not stuck to artists the way I mean outside of the

  • 8:16

    obvious ones that have core fan bases they're not stuck to artists the way used to be and invested in artists

  • 8:22

    they're invested in the moment and invested in what's hot so yeah designer could come back with a new song and if everyone likes it no one's gonna

  • 8:28

    give a [ __ ] that he fell off before but by definition yes designer fell off it takes a lot less resources now that it

  • 8:34

    used to look and I used to be $250 an hour like minimum not to mention actually having to get a

  • 8:39

    producer to come in there and so the time there and you know pay for mixes and all that kind of thing and then physically build a product just a glass

  • 8:47

    then just the process to put that record then out and work it on radio was at them now you could just put the [ __ ]

  • 8:52

    online I'm glad you just said that parts cuz I just had this door yesterday I might even even express this to end yo

  • 8:59

    if this if this contract that we were in for this podcast right now lasted an

  • 9:04

    additional five years all locked in exactly where we were I wouldn't want it I wouldn't do this park anymore don't

  • 9:12

    know agree yeah all right that's fair and I think that that is the story with

  • 9:17

    a lot of musicians well I mean a lot of a lot of deals or five albums there's a lot of boy it's really tough to get it

  • 9:24

    down to three albums which is like an ideal situation we go to stoppage of work when the [ __ ] is too bad or is

  • 9:30

    exponentially long like it's a man long in his contract at these all returns and then it's like we don't have nothing

  • 9:37

    but the stoppage and that today I just think it's viewed differently than it was back then the fans got so much more

  • 9:43

    information now number one and number two to Artie's got so many more outlets to make money yeah yeah but that was the

  • 9:48

    big thing I was going to say Joe just now is so easy for artists to remain visible like you don't have to really be

  • 9:54

    putting out music you can be you know on Instagram being funny you can be on Instagram just you know opening sneakers

  • 10:01

    that somebody gifted you and just putting on a dope outfit and you know it's very easy to remain in people's

  • 10:07

    eyes like it's very easy for people to still see you and you know people are actually also with the music's up the

  • 10:12

    music but you can be giving them a whole bunch of other [ __ ] you know I'm saying you can get into some back-and-forth with another artist on instagramming and

  • 10:18

    now that got you buzzing for a week let me get out a freestyle like it's there's so many ways to remain visible so you

  • 10:23

    had to fall off as we knew it doesn't exist anymore it's so much easier to create and you realize that link

  • 10:30

    people used to have to actually bring an MPC to a studio and track it out like it's not like it is now all right like

  • 10:37

    literally to create music you had to be in the same room with people wait wow I want to stick with what you guys are

  • 10:42

    talking about sock him make Rory stand on his earlier point that he didn't that he hasn't yet said on the podcast but

  • 10:48

    boy when he said it really ruffled my feathers what was that where your mother's when you said derive all over

  • 10:55

    the place okay [Music]

  • 11:02

    now don't do that again all right my bad just because the I spill everywhere in the kitchen no okay when you said when

  • 11:08

    you said you're getting a little tired of that excuse the excuse oh yeah yeah

  • 11:13

    no no I will get just [ __ ] off well I didn't think we were done with that conversation I was gonna bring that up oh I only bring it up now because of

  • 11:20

    where mom started and where parks went which was it's so much easier to get do

  • 11:25

    all this other stuff and do music than it was back then no no I completely agree with mall in leveraging your

  • 11:30

    celebrity from music and monetizing it is easier than it's ever been and more lucrative than it's ever been and more

  • 11:36

    an incentive to do it than it's ever been right but I said off mic I was one

  • 11:42

    of those people that use that excuse for artists well they're not focused on their music anymore they've gone on to other business ventures and I'm getting

  • 11:49

    a little tired of that excuse there's only few artists that I can give that to because I can see they're actually serious about business I think that

  • 11:55

    excuse happens a lot of times when their musics just not good anymore yeah that's up fair though yeah yeah I don't I don't think that's what it I

  • 12:02

    think I think a lot of times especially today a lot of artists really do have their hands and a lot of other [ __ ]

  • 12:07

    especially when they have money and it's been successful hosted right and when they've been successful they have all

  • 12:13

    this money they start getting into you know producing films and different businesses and and honestly now it's

  • 12:20

    like a lot of these artists because they've came and playing the game that doesn't exist no more like people don't even really make albums anymore it's

  • 12:27

    just a bunch of songs people throw out so it's like if you came in as an artist that really was like I'm gonna paint this whole thing around this album my

  • 12:34

    whole 7 months of this year is gonna be about me putting together this out putting together this look giving people this this energy that I'm on right now

  • 12:41

    and that's what you know and that's with not now we're checking for anymore you got to kind of like sit back and figure out

  • 12:46

    this new game and be like so what am I supposed to just put songs out once a month like how do i play this new sport

  • 12:52

    my point is I'm not saying people can't grow and change their goals and objectives and move on to other ventures

  • 12:58

    in their life I'm saying a lot of artists are forced to do it because their music isn't hitting anymore I saw

  • 13:04

    that's a fact yeah so I'm not just giving him the nah he shit's not good no

  • 13:10

    more cuz he's just focused on champagne no I think his musics hidden and because

  • 13:15

    he's such a creative and a smart person he said alright well this isn't hitting no more I'm gonna have to find a new way

  • 13:21

    to leverage this I'm gonna get into different businesses but why do I don't think he said because he wanted to why do you think some artists music doesn't

  • 13:26

    hit the same anymore times change and and I just think the same way

  • 13:32

    athletes body's just kind of deteriorate with working so much I think that

  • 13:37

    happens with artists minds oh I disagree no I think it's all about the great the great ones the great ones kinda senior

  • 13:44

    apart disagree on this words the great ones to me the great ones can't continue

  • 13:50

    doing it well yeah I mean no just the real ones you see the music is a young guy some people that make music and just

  • 13:56

    pop off because it was a thing to do there's some artists and do this for real and the ones that are artists and

  • 14:01

    do this for real I don't think particularly ever fall off music is a young man's game for the masses of

  • 14:07

    course the ones that have the niche sound and niche fanbase can continue to

  • 14:12

    do that but there are a lot of artists that focus on the mainstream and they

  • 14:18

    work themselves out of that mind state to keep up with the young kids sounds bad yeah and that's what I was

  • 14:25

    that that's why you shouldn't serve a moment a lot of these a lot of these artists now are just putting out momentary records like they they're hot

  • 14:32

    right now and then we never hear about these records again because of streaming people just want to stream well right now we're a lot of artists that are

  • 14:39

    coming from the era my album has to be dope like I got to put out a dope album like a lot of these new artists they

  • 14:45

    don't care about but not a dope album they just want to give you a few dope songs that's gonna string well they don't give you a whole entire moment of

  • 14:51

    an album like they don't give you that anymore so a lot of these artists these old artists that were popping that may not be streaming as

  • 14:57

    well now I think that they're just trying to figure out this new game of like what the [ __ ] is how am I supposed

  • 15:03

    to just put out a sonnet but that's not me I'll give people projects I give people a whole look like I don't know how to just give you a record and then

  • 15:09

    disappear for two months like to that point and kind of to a different point

  • 15:14

    that added me thinking I'm curious when the labels are gonna change their record

  • 15:20

    deals because we were just talking about a lot of deals or five albums three albums that you're required to meet to

  • 15:26

    fulfill your deal and get the most money for the artists that don't do that I mean we saw with Uzis at Atlantic when

  • 15:32

    he wasn't putting out an album he had [ __ ] like 13 records on Billboard he's like why would I put album out I'm

  • 15:38

    curious to see if they're going to cater record deals around singles you have to fulfill this amount of streams per

  • 15:46

    record to get out of your deal or get your next advance I could see that I've

  • 15:52

    actually been really curious to know if they're still doing controlled composition clauses and record contracts when I was listening to futures album it

  • 15:58

    made me think of it so back in the day they used to only pay you know a percentage of your publishing and

  • 16:04

    usually capped it the kind of quote/unquote standard was ten songs so I'm wondering if they're still doing

  • 16:09

    that cuz I'll do every major label artist that you see nowadays is putting out twenty song albums to juice

  • 16:14

    streaming numbers right they only getting paid for ten of the songs at seventy-five percent per song no the

  • 16:21

    streaming percentages break down whatever that little penny is I think has changed that well before that was

  • 16:28

    that was easier when it was easier when somebody was paying $14.99 $12.99 direct

  • 16:34

    for a CD or they were paying $9.99 directly to iTunes that could be broken down to a simpler way I'm sure it's

  • 16:40

    different now there's no way it could it could still be that way or if it is that's [ __ ] up word which would shock

  • 16:47

    me either it is different and it's bad time I think now but I don't remember where where I got that information so

  • 16:54

    I'm not saying anything we should research and find out yeah yeah very

  • 16:59

    question the most recent record contract but again they're all different that I saw within the month required ten songs

  • 17:08

    and I'm so happy that I don't have anybody to call on this matter because I'm out of my pub deal big rats not even

  • 17:17

    applause that's fire well I now feel happy oh I got you girl look nice and you think okay now I don't

  • 17:24

    know what that means because I'm retired but still good but haha look at the

  • 17:30

    timing parks you said you was listening the future out let's get right to the

  • 17:36

    music man yes do it what you think oh wait wait wait wait wait

  • 17:41

    but wait before we talk about this album I propose to the guys off mic if they

  • 17:51

    wanted to play the old switcharoo game they all got timid bring it up was

  • 17:59

    intimidated just do it Rory I'm explaining to our audience something that occurred off it Mike I think if I

  • 18:06

    could do that bringing it out speed without interruption yeah mom appreciate the old switcharoo game where for

  • 18:13

    whatever topic we're talking about somebody one of us will be a different one of us I voted for me to be mall

  • 18:19

    I'm on on this topic I'll be Joe alright

  • 18:24

    I guess that leaves me with parks yes yeah this should be good okay hey listen

  • 18:30

    yet alright and to say that me is crazy

  • 18:37

    wait no mall is me yeah no proxy I didn't listen yet does you Oh happen

  • 18:43

    once all right well who's introducing this

  • 18:50

    i'm also you know I'm not you know I'm not doing it bothers you so much I'm on my phone all right future put out a new

  • 18:58

    project oh wait what's the word of life wayward

  • 19:03

    come on come over in here you didn't hear them all no no that's dope though what are you

  • 19:13

    doing what do you do en we're in a quarantine and you ain't here no [ __ ] music what are you doing yo I just been home Joe I just been home

  • 19:22

    like all right man listen listen listen man Roger let me just say Oh future put

  • 19:27

    out a project called high off life because obviously he's high off life huh

  • 19:34

    thing wants to be better than that it was cool it was cool I like the Travis sky record I like that a lot

  • 19:40

    I like to touch the sky record you know but yeah it still we can't get outside

  • 19:46

    and really feel this music you know future we got to be outside we got to be we got to be on the scene the feel this

  • 19:51

    future the music that the great future gives us like this we can't listen to March Madness in the house now if you

  • 19:57

    have March Madness indoors oh well where am i say yell oh are you telling him to

  • 20:04

    yell yeah let's try to coach complete do I do is Lori it's a parks now I'm lost

  • 20:09

    I'm done I'm don't worry well you've been forced overtime oh okay it's fine no parks wait you

  • 20:16

    think about futures out I don't want to hear 21 saw the future yeah I was about

  • 20:22

    to give you out do engine no way I'm sorry I [ __ ] up all right no no no no I really wanted the real parts but ok so

  • 20:28

    fake fake parts did you damn I did and you know everyone knows that

  • 20:35

    Eric Manco engineered it like everyone knows the future futures engineered I was talking to Eric prior like when they

  • 20:41

    were putting this together and I was like you should really have Colin Leonard who's the mastering

  • 20:46

    engineer we all we all know this in Brian hands oh of course anytime anything Brian Hanzel touches

  • 20:53

    like this is [ __ ] phenomenal yeah I think you told me he did there clamp the record I think yeah and

  • 20:58

    actually we uh me and him did some for preme and rock him together in the stew

  • 21:10

    I thought the standout track was uh I get a plaque for this one the standout track parts the standout

  • 21:19

    tracks I think that they were all kind of the same I really do it was twenty

  • 21:27

    one songs in the same song to me Messala to his record with Travis's dope though now there was a couple did the

  • 21:32

    the Travis song and the Drake song the

  • 21:38

    one we heard the biggest why do you want saws of the same zone the one there was

  • 21:45

    a different tempo finally but that's the problem with these long projects man 21

  • 21:51

    it's like fam we don't 21 song do we need 21 records no from we don't really need that we

  • 21:59

    don't need that like did I get it I understand this streaming [ __ ] but this is just too much like nobodies this is

  • 22:05

    too much to try to sit down and digest this tape should increase our southern audience is just too much is too much

  • 22:14

    music the women are gonna love it you should start giving you like anxiety looking at all these [ __ ] songs to

  • 22:19

    listen to listen to all this [ __ ] do y'all have to pick a review for Friday's

  • 22:26

    like too many different Friday's y'all company and give it up different some Friday's is now I mean we can't refuse

  • 22:31

    [ __ ] that fast and then it be no I came

  • 22:38

    out I wasn't allowed to music it came out so it's not that it's not that hard to listen to two artists but like 21

  • 22:45

    records I'm not really locked in after like record number 14 15 I lose anatta

  • 22:51

    these 21 records is there much I need to take the weekend to digest know like I

  • 22:57

    got the I got the idea can you not was actually surprised anyway it out right now can you hear a decline the clap

  • 23:06

    repetitive us you can hear nothing people get tired of the same thing after a while he why I say no because future has done

  • 23:13

    this for the past six albums and has gotten the same response numbers and accolades and love as he has every time

  • 23:22

    so I can't call this a decline or a future it works every time yeah he's one realizes I'm not the one it's supposed

  • 23:29

    to work for which I'm cool with but his fans love him and every time he announces another album I'm or so many

  • 23:35

    quality of music not so much the results I think there's just from the same quality just repetitive it's like the

  • 23:41

    same and I think you know artists we kind of scared to you know flirt or you

  • 23:46

    know play with different sounds and play with different contact content but I

  • 23:52

    think future is talented enough his pen is talented enough to he can he can give us a different a different sound so

  • 24:00

    nobody wants so isn't think there's any truth to though in love theory mmm no no

  • 24:07

    you get some nacho I didn't I didn't feel that from this project did you feel love on the project whoa I'm a high off

  • 24:15

    life you do all you do for high off life when you're loved oh I guess so no no maybe let me just paint a hypothetical

  • 24:21

    picture that okay I have let's say 75

  • 24:29

    million dollars mm-hmm let me hold some I also have let's say one of the hottest

  • 24:41

    young babes out there right okay I've

  • 24:48

    already sold mad records all right I've already locked in my long-term deal all right I'm a veteran

  • 24:57

    yeah energy you know I've just been I've just taken nine different vacations with

  • 25:05

    the homies yeah I plan mad nice birthdays for people mm-hmm what

  • 25:13

    type of album you think you're getting from me a lackluster album now I didn't now I only listen two times

  • 25:21

    real quick so I don't let me let me let me disqualify myself by saying a few things first nobody should come to Joe

  • 25:29

    Budden for a future review or this entire that's a future review guy that's probably ice or somebody just more

  • 25:36

    informed to give a future review - I'm I'm out of the age group that this is

  • 25:44

    made for like I like melodic future I know people are gonna say all futures

  • 25:50

    melodic I'm gonna say it's just the [ __ ] up what did you like did you like the MV a young boy trap duet because I liked it

  • 25:58

    no like that record that was melodic I'm sure was I'm sure there's a few

  • 26:03

    different services like I'm with you more like I'm more of a Hendrix future yeah I like that future I kind of wish

  • 26:11

    she'd give us a full arm be up this like I was just great estate I think that's what he needs to do next just go for army I would love to kiss album probably

  • 26:17

    have been more engaging to me personally if it was slim down that's it like I got lost in the sauce on 21 songs they sound

  • 26:24

    the same but yet the NBA young boy track stood out obviously the Drake just stood out the Travis cast it out you sprinkle

  • 26:30

    that with like six seven more other songs and I probably enjoyed the project a lot more any time it was hosted with your demons I'm on board but don't tell

  • 26:38

    no man a sprinkle nothing what do they

  • 26:44

    worry anytime you're posted with your demons I'm on board I like that record yes what you said we

  • 26:49

    said fall in love revenge hoping that he killed my demons sitting out on my porch I'm in disbelief give me glory give me

  • 26:55

    Lori that's victory I want to drop your name is it chemistry it's poetry Joe you

  • 27:01

    can't come back to this climate it's way too much complex she going on and come

  • 27:08

    right to this one thing you ain't really ready for that you ain't dressed for this type of weather listen Joe Joe puts his relationship bars up against anybody

  • 27:14

    buddy man I got man new pictures to pay

  • 27:22

    yeah I got a few new pics to pain out there favorite I found some new music

  • 27:30

    [Laughter] I'm gonna give it to their don't give

  • 27:37

    them that oh boy you're talking about it's now future reviews a future review well now are you weren't the one to give

  • 27:43

    the future review uh if you're oh that's what else you have one of no I'm dying hottest I don't women in the game

  • 27:49

    wearing your chain you're not interested I'm few to give a [ __ ] about this album mine I'm not informed enough to say that

  • 27:56

    but I mean yeah they didn't sound like it to be Thanks listen Beth yeah it's only he was crucial haters way better than just

  • 28:02

    muscle memory at this point yeah yeah he could do he can do twenty songs like that in his in asleep at this point yeah

  • 28:09

    I'm gonna toss this out watch it stream all crazy just anyone golden like 30 minutes I wanna watch it stream all

  • 28:16

    crazy I'm going back the bed with Lorien yeah what Bora Bora some [ __ ]

  • 28:21

    if you peep the roll out that kind of led you to I didn't really care about this out he tweeted about 15 times and

  • 28:28

    that was the roll up yo she blown his treats yo happy Mother's Day

  • 28:34

    yeah then just then just yell roll oh

  • 28:40

    yeah Mother's Day look at his timelines this [ __ ] is crazy

  • 28:46

    yeah then some cryptic [ __ ] and then tweeted like another young hot artist and was like he failed me and then that

  • 28:52

    guy retweeted him was like I feel you and and that was the rola so yes I

  • 28:58

    wasn't expecting this was a album future went in and was like this is my perfection love the manga you know but

  • 29:05

    look was why retweet you know look what works no [ __ ] [ __ ] flying your baby moms out and put their Lamborghini to

  • 29:12

    drive to the shoot [ __ ] you talk about that's the market

  • 29:18

    baby moms out here real quick damn man damn I just thought of a real

  • 29:25

    good example or at least something that we could discuss going back to that fall

  • 29:32

    off topic but I know y'all didn't listen to the project it just came out yes today but man your man Rory would knock

  • 29:39

    one out beer I saw they do you did that in listen bet you didn't why Mike say that did

  • 29:44

    listen to it it's not good he wasn't [ __ ] with a joke don't try it you guys don't what's the standout

  • 29:59

    track me I can't believe people think I just come on here yo it's an easy observation I don't even know how much

  • 30:06

    that's fun in the clips you do the ones that make it to the shade anyway of

  • 30:13

    woods all away from your living room all the way to your kitchen table six

  • 30:19

    [ __ ] songs EP yeah just pull it on six where is EEP and I don't listen to a lot of music so oh there you have it

  • 30:26

    there's our very woods deep dive shouts I can't discuss it because you haven't heard it and we can't have the coast and

  • 30:32

    I want to have without you hearing it who writes the like the the bio at the top of these albums Ian Rory woods makes

  • 30:40

    music for the nighttime weather whether that entails a quiet moment under the protection of darkness or cork a

  • 30:48

    theorist beneath the euphoric fog of a club it's a cat that is the perfect

  • 30:54

    description of that [ __ ] project you aren't protected by so you wasn't

  • 30:59

    feeling it and now let me now say that let me now say that that's not true Rory

  • 31:04

    woods clearly is going in a very different direction in the room was that I was introduced to which is fine but I

  • 31:10

    wanted to have a conversation about it so y'all just listen to him maybe I'm off was early his early stuff I enjoyed the last project before this one

  • 31:17

    wouldn't really my my [ __ ] but well when you when you when you get a minute give this one a gander okay

  • 31:23

    yeah I'm gonna check it out so maybe I'll listen to you oh oh

  • 31:32

    Coltrane put something out okay ah featuring somebody I enjoy there's a

  • 31:38

    couple songs they snuck out the Ettore snook some alcohol temperature I like some I like that record I like it I do I

  • 31:44

    do Jesus green school boy which I sure had a real interesting pocket I like it

  • 31:50

    a lot yes though oh and wait around the time signature oh yes hold up man hold up man

  • 31:59

    what [ __ ] gonna do when I might have to take another ride to generals btran hole up for one song yeah

  • 32:08

    now listen is the one song is different when the artist hasn't put out any music

  • 32:14

    in four to five years yep Rowe James ain't put a project out in a long time

  • 32:20

    so I don't short him on quality so when he comes pause yeah oh my god yes

  • 32:41

    oh come on man how many times have you

  • 32:49

    always land become wha man I'm caressing I'm caressing her neck binded by their plan B yeah it's gross really gross

  • 33:06

    listen my body responds to the music you

  • 33:15

    sound like such a Jew I mean what you wanted me to do my pliers

  • 33:21

    and I'm while until you guys my body don't tell me what your body response

  • 33:27

    look with rolling James does team I'm going off over here suppose [ __ ] you guys skipped over my question how many

  • 33:34

    playboys y'all gave out degree so be Rosaline is

  • 33:42

    it I mean that's so do we respect my dad mature who's counting respect

  • 33:49

    now you gotta start counting do they take too many you might [ __ ] it [ __ ] it all bladder yeah you didn't you got a

  • 33:55

    weird out on your car okay okay Joe and

  • 34:05

    then you just stumble into Duane Reade hungover and it's locked in the thing and you got a yahoo yeah Rory think I'm

  • 34:12

    not somebody up here like this this [ __ ] whose I can give you my fifty dollars the longest and if see my jet line is

  • 34:19

    always the longest when you got to pay for one there always you got to see me

  • 34:25

    when I'm trying to be inconspicuous with the card when you trying to pay on the

  • 34:30

    low and be about money been following me since out to over there oh my god who's

  • 34:36

    your buddy [ __ ] know I'm paying this

  • 34:43

    man reason we shouldn't talk right now guys got his phone out

  • 34:49

    over my shoulder we can see the last four hey yo son I just wanna let listen

  • 34:56

    to the bunny yeah yeah yo you changed my

  • 35:02

    life you're ruining mine yeah yeah when you stop all butter sex just hard when you

  • 35:07

    stop doing give them a minute they don't never say [ __ ] to start stuttering I

  • 35:12

    just want to let you know like yo y'all start listen to the pod you guys give me

  • 35:22

    the whole run yeah yeah the first episode they listened to hear another she was talking like you had to care to Cove it now you just say you really love

  • 35:29

    this and love the pod yeah it's great all right well will you dumb out nothing Oh music oh yeah row James [ __ ] Tori

  • 35:36

    who else came out anybody else came out that's all I got oh uh don't skip over

  • 35:42

    you yeah guy look at the hate man oh no oh this is terras we skipping over tears morning song not not us man joven joven

  • 35:50

    [ __ ] on this legend for quite some time he finally drops in Pete and Joe want to skip over who didn't put out

  • 35:55

    music Will Smith without a where finally to get Oh yeah oh you can't do that Joey's gonna

  • 36:02

    try to skip over that verse don't do that and you knew that Bernie don't skip over don't worry break it down y'all talk

  • 36:11

    while I found this first yo he break it down yeah we gotta get Rory break down

  • 36:16

    the Will Smith bars yeah he was he gave us a history lesson and he told us all the legends that came

  • 36:21

    before him because Joyner looked up to him like a god and he was like now I got to give it up to the gods that came

  • 36:26

    before us Joyner it's not just me he kind of threw some sauce on I was

  • 36:31

    grandma [ __ ] on him but then was like nah I love my grandma but then shout out to Muhammad Ali - she gave it up you

  • 36:39

    killed Muhammad Ali in the mix and Nelson Mandela he said Joyner look up to me but I look up to Nelson true I'm fine it was a

  • 36:50

    really nice verse it was a good verse I'm not hating it for mayor long you did

  • 36:56

    just hey you can try jokes off at his expense

  • 37:03

    let's saw everything you do that was aiding there was I got you I don't really behaving because I don't really

  • 37:09

    be giving the [ __ ] oh oh

  • 37:33

    I'm talking right to Joe talking to parks now he did make it cool what the

  • 38:04

    Trump shut up yeah yeah that was weird I

  • 38:09

    don't know what the [ __ ] that you gonna get a flag playing so you kept their

  • 38:14

    word by universal word like the movie as it goes off years go as it ends still

  • 38:22

    another minute left all right you guys intense lyric breakdown can we pause real quick moles

  • 38:28

    not in here well you scared to death of

  • 38:37

    the will breakdown no you scared of it don't want don't want will to break you down that's you

  • 38:44

    sir big la well nobody ever caught LL

  • 38:50

    Cool didn't cool Jeanette big la big silly did they called will Big Willie I

  • 38:58

    could see that Roy can't see you know what Rory was big re that's true that's

  • 39:06

    definitely effect well we hold on what you mean what now whenever voidance to

  • 39:12

    add to the baggie big re that's true big

  • 39:17

    all right think of the dirty Rory the

  • 39:24

    head all up kick it in the mud your big

  • 39:30

    re no pic yeah yeah yeah what are we

  • 39:35

    talking about right now come on what are you went they kick the door and I should

  • 39:41

    just shut off I don't know what the [ __ ] happened yes you crazy are you parks whole of Ruby oh my

  • 39:46

    [ __ ] ain't even recording right now I'm recording we got bombed yeah you back alright we

  • 39:53

    are back what were we talking about over he was about to give us a an exclusive deep dive into Will Smith's lyrics I did

  • 39:59

    already oh that was the end of it I gave you Nelson Mandela mom and I leave enough one more you want underwhelming Wow I

  • 40:06

    thought it was immaculate I actually thought it was a pretty good reveal if you're scared if you're scared of Will Smith just say it's fine

  • 40:12

    I'm not y'all keep trying to pit me against Will Smith no no no you did that on your own we we were on the site

  • 40:20

    yourself against will yeah join Instagram and you lost your [ __ ] mind who you were pissed off about that

  • 40:28

    download an app will posted to videos it's anybody else sick of Will Smith he

  • 40:34

    said he got to post misfits Joey crazy

  • 40:40

    and Wilfred supa is anybody else sick of will or is it just me and another thing

  • 40:46

    he wasn't even really that good of a relationship coaching hitch Joe start attacking his characters on film then

  • 40:56

    shame on bad boys 3 for a good three episodes at boys 3 was all it felt a

  • 41:01

    little fast and furious ish no it did it

  • 41:09

    did it felt without their photos I recently like a word with you know I did all the stunts and all the codes you

  • 41:16

    know that's the son would you like the

  • 41:25

    version I want a snack with this have to see that the things that amuse people just don't be so amusing to me it's not

  • 41:35

    so great to me no it's just because your eyes know I'm I just measure greatness

  • 41:41

    differently than you pee on Dominion no that's not joke I forgot what you

  • 41:48

    said was like a great show and it was like yo that [ __ ] was I what shows some show you came here trying to tell us to

  • 41:54

    watch and we was like my percentage is pretty good with suggesting shows so I mean I'm not saying just show the first

  • 42:00

    time the shows that you like are typically the same you like you liked it the like the CSI figuring [ __ ] out type

  • 42:07

    of [ __ ] like you like that those type of movies or shows he's a crazy crime solar thank you Charlie I like for my brain to

  • 42:14

    be exercised yeah yeah with women well

  • 42:21

    right now you know come back same look

  • 42:31

    next time down I love that car that's where the end of where the end of will Street far so nobody we don't have any

  • 42:36

    deep dives about Will Smith versus I'm assuming I like y'all joke around 20 minutes head to here don't know your

  • 42:42

    true feelings about the worst oh I liked it it was their way you know good to hear from him I think that's what Joyner good to hear from him like you've been

  • 42:48

    in search of the new will and you want

  • 42:55

    to tell me there is such thing as a follow people in my all off your big

  • 43:06

    crazy nuts go get your [ __ ] oh well no I need some closure getting jiggy wit yes

  • 43:12

    I need some closure he was waiting for it he fed the street yeah after he took a trip to Miami I needed some closure

  • 43:19

    yeah I needed something to close this chat one day after his parents didn't

  • 43:24

    get it yeah cuz I was sitting like nah

  • 43:30

    they don't they don't understand okay but you like the verse you was waiting for it I was waiting mice waiting for

  • 43:35

    the next verse no I'm waiting for the video waved around where you just can't

  • 43:41

    say anything negative about the positive people no you can't it's not just that

  • 43:47

    though Joe you can't because people now everything is react everything is you know people want to be

  • 43:53

    upset it's like let's head out and just I love Mike I love Remy so much I really do she thought that's my girl I'd say how

  • 43:59

    to do state of the culture andrey was like yo man so we're gonna tell truth about this Erica Jill battle and that

  • 44:06

    was the [ __ ] snooze fest wait did she say this one hair or you sniffs aw damn

  • 44:14

    no and then first I was like oh so taken aback then I caught myself like it's

  • 44:21

    okay to say that it's okay to think that that's how she felt that's fine yeah see

  • 44:26

    but it's taken aback if someone else enjoy something you have to get upset cuz someone else did but I'm [ __ ] cuz I

  • 44:33

    would never say that cuz this little bit I love them both but well do you feel that way it was so much positivity huh

  • 44:40

    did you feel that way oh wow true

  • 44:45

    feelings come alright you did a whole segment of digging it up are you are we telling our listeners now that you've been full of [ __ ] this

  • 44:51

    entire thing I mean Remy Remy made him really tap into his emotions on the event here your wild parts he broke it

  • 44:58

    too but Remy broke it down for me he's like you know what now that you say that I get it I mean some of the stories I

  • 45:06

    wanted to fast forward some I didn't think it was listening some were a little long but you're allowed to feel

  • 45:12

    that way but I didn't you know what it is Joe and that didn't take away weight dumped that didn't take away from my enjoyment of it right no I'm only

  • 45:19

    talking about somebody looking and be like hey play the [ __ ] record

  • 45:26

    wouldn't even have many stories they kind of played the records no that's not

  • 45:32

    true that bad it was five hours they would did old partisans each day was

  • 45:37

    kicking it it was thought it was kicking it but I don't mind that though I

  • 45:42

    enjoyed it all no I don't wanna yeah I thought that she was fun I loved it listen I don't even know how we got on that just I don't you can't say it I

  • 45:51

    don't want to hear Rory's mouth when we're at the to our market he says oh my god the eyes for the audience I'll be a joke

  • 46:07

    oh my god oh this is you guys we can't

  • 46:13

    talk about that in 79 let's get it eleven Parker oh my god

  • 46:22

    Rory has wanted to Rory has wanted to come and talk to you guys about the CGI's and we started Matt doing it to

  • 46:28

    get to what that means this wasn't and I wanted to call Jojo oh yeah I want to hear the Mele song oh yeah it was other

  • 46:34

    music she we had to get to yeah but I don't want you to miss the CGI window are we still safe I'm a little scared to

  • 46:42

    talk about it now that you could be watching well mall there's now CGI influencers

  • 46:48

    they're creating BOTS because they realized that over 500 million dollars was paid out to influencers in the past

  • 46:54

    year but before you explain to the audience and me what CGI I mean telling

  • 47:01

    the viewers you know it's it's a fake robot that has on the influencer tight

  • 47:07

    and influenced her name she's like little something and she's the height

  • 47:12

    beast that they don't have to pay other people to be the tastemaker for so what they're doing now is instead of paying

  • 47:19

    out real people that have real taste and real influence they created this person that's all of them combined into one

  • 47:26

    that's a fake robot on Instagram that they can flush all their advertisements and all their products through instead

  • 47:33

    so it's for taking out now she's fine I would definitely be but and she has

  • 47:40

    tasted these white boys listen I've been reading some reddit story secrets man and

  • 47:46

    Jovie these white boys what they out here what we doing already oh we after after we fittin it oh no no

  • 47:54

    no oh yeah I don't know oh well for sure I don't know I'll tell you oh well let's talk about us shout out to my CTR first um no but jokes

  • 48:00

    aside I think that's kind of nuts they have to do to get rid of Bernie's like it's crazy they had to create a robot

  • 48:07

    create a robot yeah Bernie's was just aging to gracefully come on you're a great grandmother now and you still look

  • 48:14

    fire yeah how's the part alright in

  • 48:21

    parks in parks defense they are they created the sex box playing a little cartoon porno girls pop up on the side

  • 48:27

    of a look at you trying to get on now

  • 48:46

    and yelling I awoke I don't of you've noticed online like on the timeline a lot of the fine girls be Sam just trying

  • 48:52

    to find a guy that's into anime they're trying to change the narrative man they trying to get us to [ __ ] cartoons well the real girls been trying to look

  • 48:58

    like artoo is right over and then they

  • 49:03

    mastered it it's done found the right surgeons yes they're right healing hi oh no you know I think you're wanting

  • 49:09

    something mole do that you are onto something now I see why girls are anime

  • 49:14

    and video games in sochi care look like it she can't link for the next five months ago she'll be in a healing old

  • 49:21

    what yeah what thomas visitation out halen home I'm pulling up your home

  • 49:29

    visiting hours at the Wellness Center you know yeah I was trying to when I was feeling good about having here on my head I was trying to get the quarantine

  • 49:35

    line over yo I'm thinking about keeping it you know all the chicks look like I look when they say I want a reduction

  • 49:44

    that's why you could wait to cut that show yeah yeah I wouldn't you're saying supportive things but your

  • 49:51

    your face is insane actually if I'm gonna keep it a buck when the barber when the barber got here hmm he said uh

  • 49:58

    he said what you want to do you know I felt strong come feel like you got

  • 50:04

    options you got like you there right yeah yeah yeah I was like yell to keep it real like I start feeling myself I

  • 50:11

    went to go out there you know to keep it real like that mean you look honest to

  • 50:17

    out I was just gonna let you give it a pin give me the special see whatever you

  • 50:23

    felt like Joe said surprise me was

  • 50:34

    definitely surprised me taking the cheese me [ __ ] hell I would have been way back bit saluting I wouldn't want to

  • 50:42

    feel yeah chick that I want to see that for me man baby in the faux hawk it's cool sometimes you just have to accept you get one look off and that's fine if

  • 50:50

    you know your look is cool nah Joe you should have loved it though you should just like just to sit just Lonnie yeah

  • 50:56

    you want to allow me oh yeah you want to do it now you should have lied it man no it wasn't that bad I really didn't know

  • 51:03

    you had a girl like that seriously oh thank you yeah all right

  • 51:09

    well glad that we got now compliments out of the way back to the CG is taking over get them roars well no you can't

  • 51:16

    beat from your original question any of y'all ever beat off to dog anime to the

  • 51:22

    porn BOTS no and I wouldn't be ashamed if I could I just I just don't it's weird it's just not Mountain now I'll

  • 51:28

    own the star sitting right there no I don't believe you're maybe two million spam bots in your Instagram comment so I

  • 51:34

    know y'all don't mind spam but land on that how do you get from people that

  • 51:40

    spam you to you beat off to where's the correlations are you cool with one bar

  • 51:46

    you cool it all about it's a fact not know with you are you hang out love it no yes you are you the main one don't be

  • 51:52

    erasing them every time I go in there my province gave the thirty million

  • 51:58

    dollar lotto winner Malka Momo you said yeah okay I've been

  • 52:07

    running everything on the internet since 99 I have consumed all of it so ya know I

  • 52:17

    tried to delete as much as that [ __ ] as I can no honestly your wonder graphic design how do you how do those pages

  • 52:24

    keep popping up I just know well I mean do you need a logo you don't have no no I don't need a logo whether they're

  • 52:30

    there I don't need one no I was actually answered when I said no I don't need a logo have you ever replied to the people

  • 52:37

    that can change if you give me $100 in your social security number I'll give you $10,000 have you ever just hit them

  • 52:42

    up just to see what the process would be I like out of curiosity yeah cuz I have a breakdown I say you're mad interested

  • 52:53

    like what do I gotta do say yo just give me your account and routing number I'm gonna take I'm gonna take a hunted out and then I'll put the

  • 52:59

    ten thousand Becky and I said where's that's all I got to do he's like yeah just send that over it's a legitimate

  • 53:04

    bank I was like his Bank of America he's like yeah easy I'm gonna just take out a hundred that's it easy

  • 53:12

    no like what the process was that people are falling for easy work easy work

  • 53:18

    thank the PTO a falling for it [ __ ] hit back said POA with a question mark easy easy

  • 53:23

    I think this is about the get Rory that's funny yeah you have the homeless person ever

  • 53:31

    ask you for money and you were to go give to him realize you didn't have that probably oh you ain't had no small bill

  • 53:38

    how you told no the small bill is oh I had a 20 he was like nah take that I was

  • 53:44

    like I bet you two like [ __ ] taking this 20 not today no you just gotta you

  • 53:49

    guys y'all get you on the next time not these homeless people getting bone at oh you try to give them food everything now

  • 53:54

    I want money I'll tell you that yes yeah no they they won't take the dollar you

  • 54:00

    got a five no no I ain't got a dollar

  • 54:07

    noise nope so what's up we calling Jojo Oh

  • 54:12

    caller yeah Bo I had pulled up to Reddit secrets oh not look let's hear the white boy voice yeah let me hear this what are you

  • 54:19

    talking about what is this red it's notes I just said I've been reading everything on the

  • 54:24

    internet since 99 I don't know how I find this stuff this stuff was just floating around but man once you get to

  • 54:30

    read you just got to keep reading so the white boys are doing whether there's a thread on reddit where people are giving

  • 54:37

    up like secrets that could change their life if someone found out okay okay and

  • 54:43

    it's mad of them so I'll read a few of like anonymously they're synonymously

  • 54:49

    I gotcha gotcha gotcha here it is this anonymous person here it says when I was 15 my parents were going through a

  • 54:55

    divorce my mom worked night shifts and my dad was living with a friend of his one night my sister who was 19 at the

  • 55:00

    time came home pretty drunk from a party she was acting goofy and fell on the couch next to me she started grabbing my

  • 55:07

    leg and laughing and we started fondly we ended up having sex right there oh come on oh no this is the first

  • 55:13

    paragraph how did you know they were white sister parlors on porn up news

  • 55:22

    days I find that very disturbing I do want to eventually do a deep dive on how porn is titled it's really filthy cuz

  • 55:31

    it's like if this is attracting the barely legal [ __ ] this is disgusting that this is a normal thing in port

  • 55:37

    first of all it does even look like your sister we ended up having sex right there when we woke up the next day she

  • 55:45

    had no recollection of the night before so I just kept my mouth shut fast forward to when I'm 18 sister's

  • 55:52

    home from college dad's over for a visit

  • 55:57

    [Laughter] dad's over now Carol

  • 56:07

    Oh dad's over for a visit they get into

  • 56:12

    an argument and in a fit of rage my dad announces how he's never forgiven her for the abortion she got when she was 19

  • 56:19

    and subsequently killing his grandchild he's very religious and then I realized the baby she aborted was in fact mine

  • 56:26

    and as far as I know I'm the only one barmy I'm the only one who knows since

  • 56:31

    she's never mentioned that night this is also reddit where people would just be saying [ __ ] to say yeah well I hope so

  • 56:39

    oh yeah here's another one oh the sister came back and was like nah that was his no no there's just mad war stories okay

  • 56:44

    let's hear this guy's he says he starts with a bang I accidentally killed seven

  • 56:51

    people I hate when that happens I put a rag into a new water heater

  • 56:56

    exhaust to keep the breeze out debris out installed it in a rental I get a

  • 57:01

    call I get a call a week later there's been an accident I show up and there's a ton of EMS and police they asked me

  • 57:08

    where the gas shutoff is and I go down to shut the gas off and see the end of the rag I forgot sticking out of the top of the heater rip the rag out shut the

  • 57:15

    gas off and head upstairs only to be told all the tenants were dead I drink all day now and sleep Pinsky this is

  • 57:23

    dark it's the elective anything started in destroying it's killing me from the inside every single day but if I say

  • 57:29

    anything my family is ruined we have a man we have mad rental properties and we'd be shut down oh that's what that's

  • 57:36

    what you're worried of that's crazy that's how I you could be true duster that's the wild what about that that's

  • 57:42

    [ __ ] can't they look up IP addresses and [ __ ] like couldn't you find that person I'm just telling you all some of the

  • 57:49

    stories I'm reading here did you participate in the throat here's another

  • 57:55

    one I'm white my wife is half black I fantasize that she's my slave when we have sex she thinks I'm the least racist

  • 58:02

    person she's ever known

  • 58:10

    like you know pansies look I would Joe

  • 58:18

    be reading this in his downtime readied massacres what's the name of the thread

  • 58:25

    I thought that was pretty interesting but anyway fine let's see what were we talking about

  • 58:31

    CGI's no I was talking about the new Mellie record cuz Mellie put a record out and aggressive and I just like

  • 58:39

    Mellie a lot Mellie's aggressive and Mellie makes great music I like her a lot though I mean I really like when she gets on the melodic [ __ ] but when she's

  • 58:47

    rapping like if she's gonna talk aggressively toward a girl I'm gonna believe it yeah I would take her

  • 58:52

    seriously a record star you know it's a

  • 58:58

    yes it's like yeah yeah it is the sneer

  • 59:07

    that maybe after white accidentally massacre seven people yes true

  • 59:42

    and so far so good that's like great record still gonna let you die like this I need to hear all of

  • 59:49

    that calling a pop calling her mommy yeah that'd be much you boy used to anyway of course hell is everybody shoot

  • 59:57

    at some point what are you gonna do I don't know if Mellie's trying to sneak a album out know what she's got going on a

  • 1:00:02

    song sounds good though yes if I were a girl I would smack a [ __ ] to this and then I can have a

  • 1:00:12

    pretty girl just saying y'all suck my dick oh that was the open that was the first bar there from st. like damn okay

  • 1:00:20

    not good job B now it's done I mean uh Mellie pardon she cute yeah yeah she's dressed

  • 1:00:27

    pretty respectful he's cute she's a very attractive woman yeah I don't want to just say yeah I was a kill now

  • 1:00:42

    I mean respectfully hypothetically from

  • 1:00:51

    a distance of course we can't grow and evolve then what can we do if we can't

  • 1:00:58

    grow evolve rota for a distance being from a distance here I can't go from a distance

  • 1:01:04

    I mean psychologically yeah I'm gonna tear some down what we could go out I

  • 1:01:10

    know that she's about to say no whenever

  • 1:01:23

    we can go outside [ __ ] is fun enough now only but so much rope she's no role

  • 1:01:28

    we FaceTime I strum slow roll you could've I some if they have the

  • 1:01:34

    antibodies we justified antibodies under at the

  • 1:01:39

    door there's a double entendre with that I wouldn't be inviting anyone over here to do anything or of course no

  • 1:01:45

    hypothetically Joe yeah come on Steph yeah I can I'm scared or even that distance I'm scared I hypotheticals

  • 1:01:51

    that's how jaded I am from women I'm scared I but that accruals I'm scared to ever add a girl to anything that I'm

  • 1:01:57

    telling another girl yeah yeah I'm she can't another girl cannot have been in my story another girl cannot have been

  • 1:02:04

    involved in my day I can't care about another girl and other girls can't breathe around me you can't because why

  • 1:02:10

    were they there you can't tell you can't tell a story to your girl about going to

  • 1:02:16

    CVS in the cashier be a woman oh no once they hit a woman they stop listening to

  • 1:02:22

    everything else did you love her yeah I mean her service was alright alright go

  • 1:02:29

    get the survey's or you like that [ __ ] yeah so so the self checkout line wasn't

  • 1:02:34

    open oh no no they didn't have self checkout yeah but then once you see how how smooth things go when you omit the

  • 1:02:41

    girl one time you'll never throw the girl in there again and back now back to our first point last year sometimes you

  • 1:02:48

    just have to lie in the story to survive you know lots of other items you're

  • 1:02:54

    lying for things that don't matter just to keep a happy home that's what I feel the best like a you feel complete yeah I

  • 1:03:06

    lie about nothing my mom did you know soup yeah the [ __ ] matter babe yeah

  • 1:03:23

    that's she behind ginger ale ginger ale

  • 1:03:31

    fam you're not going mom joking mom I'm joking mom finish the soup this be great

  • 1:03:36

    it was delicious yeah I tried that [ __ ] one time where I took the girl out of the story and life will just move forever I'm never putting

  • 1:03:42

    another girl in this story I didn't even know that women existed in the tri-state area they thought it was mad dudes that

  • 1:03:48

    worked around in every story yeah and the girls don't even go to the girls

  • 1:03:54

    woman-to-woman anymore no there's a wood that that lasted for like maybe a year it was they was bonding for like a year

  • 1:04:01

    yeah that laughing we're right back to the [ __ ] us and started [ __ ] on any woman that came to them moments

  • 1:04:08

    don't ever come to me yeah just trying

  • 1:04:14

    to have it when chicks is like you know please don't tell me if you [ __ ] my boyfriend don't ever come to me woman it's woman I'm gonna take his side I was

  • 1:04:20

    like wow look at the shift those beautiful houses not oh that was a picture of us that was yeah yeah yeah

  • 1:04:25

    it's true I was victory falls on a low we know we know but we never talked about that but that was victory yeah

  • 1:04:31

    maybe we should hold that one down yeah that's a good point more that's not brought up enough in our Victor's yeah

  • 1:04:36

    we didn't talk about that enough we didn't highlight then we got our kinda just we kind of just looked at each other with that look like old [ __ ] yeah

  • 1:04:43

    it worked out for those she's gonna fight her somehow I'm clear well I'm

  • 1:04:50

    okay wait wait both of them are gonna text me separately and say yo yo [ __ ] was wiling mmm-hmm this is great yes

  • 1:04:58

    she's gonna handle me at home I'll take it oh she said our home business is our

  • 1:05:08

    home business great anyways oh you guys

  • 1:05:15

    where we going from there I just want to let Rory know that I'm not going back to CGI so here you can't you know cuz you

  • 1:05:24

    had a whole point where you lay its man imported they're getting rid of the humans and they're gonna bake over love

  • 1:05:30

    the robots against us and we're gonna be an abuse yeah I'm very and I was like right that's all good point well no you

  • 1:05:36

    guys you guys didn't have anything to contribute when I said it no I think it's a no tires if you notice and you're

  • 1:05:42

    trying to UM a little lawsuit against the company that's stealing his voice Oh

  • 1:05:49

    over the CGI there's a website that's like taking his voice and making it read

  • 1:05:55

    like the Constitution where's Jamie uh

  • 1:06:19

    plane home is suing the CGI leonov's company that's like taking

  • 1:06:25

    pills let's make the CGI imagine both telling his lawyer yo reach out to the CGI no parks is

  • 1:06:33

    trying to give us important information we just not laughing laughing I'm out of here well I'm just trying to explain what was

  • 1:06:38

    going here but then once parks interrupted you we will listen take two parts man barks what did holes do and it

  • 1:06:45

    will really respond every free Joe is a

  • 1:06:54

    idiot bit Misbah we responded that none

  • 1:06:59

    of that [ __ ] are you guys gonna see they're replacing all the influence with

  • 1:07:04

    robots they're taking people's voices this podcast is gonna exist as robots once they get all our voices our

  • 1:07:09

    thoughts and opinions and we're not gonna exist anymore both you guys are joking what if I've been proven for the ls effect they've got every word we've

  • 1:07:17

    ever said and they're just gonna make a station we think in a renegotiation that's government we have the CCR's

  • 1:07:28

    ready plus next week welcome to what episode is this

  • 1:07:34

    3:45 you know you guys think the podcast was mixed a little different this week they sounded a little off well Sam is

  • 1:07:42

    home but wait computers been studying us

  • 1:07:47

    now that's some scary [ __ ] y'all live from that's some scary [ __ ] that's crazy

  • 1:07:53

    that's some scary [ __ ] you're gonna have a sale all types of wild [ __ ] excited to

  • 1:08:00

    see what Benny has computers be [ __ ]

  • 1:08:09

    up how was your day Griselda Griselda Brazil de Griselda yo

  • 1:08:17

    Zelda yeah I can see why did you say y'all for the suburbs now listen y'all

  • 1:08:28

    shout out to the suburbs and the CGI's no no they're getting us the [ __ ] out of

  • 1:08:34

    here we joking but that's a real thing well I've never spoken to Jojo before I have JoJo's phone number and I like

  • 1:08:41

    Travis like there was some back-and-forth obviously and now her people are my people

  • 1:08:47

    we've never you did the people thing okay number one that's cool that you got

  • 1:08:54

    people right caller don't we all have people that's true didn't call her but

  • 1:09:00

    you did the people thing y'all talk let me try to find her phone number I like Jojo a lot I bet you do now she

  • 1:09:07

    makes great music she's a really good voice know she could like sing for real and not like the other chicks no no so

  • 1:09:12

    you're really see where I'm very where she not answering she didn't want her work out live videos for 24 hours no she

  • 1:09:20

    want to answer cuz they're people talked click him or her you know me I seen you

  • 1:09:26

    up now that was 800 come on Jojo you're

  • 1:09:36

    both Joe hello Joe Joe this is Joe Budden from the Joe Budden podcast how

  • 1:09:42

    you doing I'm doing great I just woke up from a nap this is a great way to wake oh yeah that's the best yeah that's that

  • 1:09:49

    rich [ __ ] yeah which people nap taking a nap it to it I'm gonna be you guys have

  • 1:09:59

    to pay bills let me sleep Jojo no pass no mind we're totally ignorant well

  • 1:10:04

    first of all glad you're well rested how are you doing how are you doing during

  • 1:10:09

    this dark global pandemic that's my gets you comforting comfy question California

  • 1:10:19

    so I some okay my mom is actually she just moved out here from Boston to LA

  • 1:10:25

    and now she's Warren teaming with me so that that's interesting it's colorful

  • 1:10:30

    but we're cool for two hours oh but that

  • 1:10:41

    sounds like fun it's cute it's cute you know it's yeah listen I got it I got

  • 1:10:49

    to tell you somehow when I was down at my YouTube rabbit hole that I've been

  • 1:10:55

    going down as of late I bumped into a whole like dock on you and are you

  • 1:11:02

    familiar with this down then I'm talking about or was this just like somebody stealing your likeness and talking about it for an hour yes yes twins man what a

  • 1:11:14

    great doc and I learned a lot I didn't

  • 1:11:19

    know I didn't know I didn't know that that part of your story where you were just locked into a horrendous contract

  • 1:11:25

    for ages well then I'm glad that that they made it and that I gave them booty

  • 1:11:32

    because I feel like a lot of people didn't know and and they were just like always you know what what the hell

  • 1:11:37

    happened to that girl that you know that I remember when she was you know little

  • 1:11:43

    tiny fetus and had that had those songs so I'm glad that that people kind of

  • 1:11:49

    yeah that they illuminated it so the music is kind of grown now I think

  • 1:11:54

    that's a good way to when I was very grown its and it doesn't feel poppy

  • 1:12:00

    anymore which I love this is all of this all of us the whole podcast this is Joe

  • 1:12:08

    Rory top well sale you up hey Jojo this is Rory introduce yourself big fan big

  • 1:12:13

    fan my name is Jojo this is mall this parks I'll do skit here and although so okay

  • 1:12:18

    so so it's all the guys so yeah the I mean grown is a way to describe it for sure I'm definitely I have grown you're

  • 1:12:27

    talking about sex on there there's a lot of gonna don't nasty but it's Jojo but

  • 1:12:33

    she's an adult but it's Jojo Jojo done grown up yeah I

  • 1:12:47

    mean III don't know I somehow stumbled in my way to like being a pop star back in the day I don't know how they let me

  • 1:12:53

    be a pop star cuz I actually don't know anything about pop music really honestly I feel like I learned as I was going I

  • 1:13:00

    always thought I always felt like more of a soul singer and then when people when people like started liking saying

  • 1:13:09

    good morning sunshine I was really about to take an hour nap but yeah so I guess

  • 1:13:16

    I'm returning to who-who I've always you know felt like I was so when you put out

  • 1:13:22

    mad love were you still pressured for pop cuz that felt like a pop album to me

  • 1:13:28

    I was trying to do what I thought I was supposed to do okay as I had that's the

  • 1:13:36

    album that I made after suing my record label and as far as reclaiming my voice

  • 1:13:42

    and going through that experience and I didn't have much fight left in me of

  • 1:13:49

    like oh this is this is what I want to stand on and I'm gonna fall on this sword and I'm proud of Mad Love I sound

  • 1:13:55

    like I'm like I'm making excuses for it but I just I didn't really know who I

  • 1:14:01

    was or what I wanted to stand for with Mad Love so with good to know I've I'm

  • 1:14:07

    I'm in myself again you know what I mean

  • 1:14:12

    I get there how's the reception been I mean the reception it's it's been pretty

  • 1:14:21

    amazing and I have a captive audience with everybody being in quarantine so they're telling me exactly what they

  • 1:14:28

    think and with the number-one R&B album on Billboard's so it goes it's exactly

  • 1:14:35

    it's it's speaking to who I want it to speak to which is you know particularly people who have grown up with me and who

  • 1:14:41

    whose tastes have evolved and who are open to this freaky [ __ ] that I'm giving

  • 1:14:47

    them and I'm very open to it no this is

  • 1:14:53

    awesome listen let me tell you somebody

  • 1:15:04

    really does it for me no okay oh yeah

  • 1:15:12

    it's a good one yeah you say TR Oh Joe

  • 1:15:36

    Joe so now so now how often are you gonna be releasing music now because we've gone so long without you and now

  • 1:15:41

    you've come back your session on fire we all love it we all love the content we all love the growth and maturity can't

  • 1:15:49

    be stopped I'm just gonna keep at it I'm just gonna stay really with it I think there's so

  • 1:15:54

    much music even before before this experience that we're all in right now

  • 1:15:59

    we're you know staying at home and in my case taking a nap in the middle of the

  • 1:16:05

    day but I did spend a lot of time in the studio so probably gonna release the deluxe within the next few months deluxe

  • 1:16:11

    version I'm good to know and and yeah I'm never I'm never gonna I have a lot

  • 1:16:19

    more ownership and in my actual voice and and what I'm able to put out so

  • 1:16:24

    be stopped yeah I could imagine that would change your point of view on making music have you become one of the

  • 1:16:30

    artists that's investing in home studios with everything that's going on yes

  • 1:16:36

    absolutely yeah I have a setup in the

  • 1:16:42

    guest bedroom and I have logic I'm learning that slowly but surely but

  • 1:16:49

    really is just spending time with it and diving in and yeah I got my mic got a

  • 1:16:54

    little MIDI keyboard and I have everything I need you have your mom your mom could be engineer teacher logic

  • 1:17:01

    teacher some Pro Tools that's the documentary right there for corn Z right

  • 1:17:09

    actually other is there any more talks about our any upcoming comments and pieces outside of the music I've been

  • 1:17:21

    trying to figure out I mean and honestly like that that documentary that you

  • 1:17:26

    watched that the response to that really kind of made me look at my own story

  • 1:17:33

    differently because you know when it's your story you're like ah it's just that's just my life it's just it is yeah

  • 1:17:38

    maybe not that interesting but when I tell people either you know even other

  • 1:17:43

    things about my my career or where I come from or even personal stuff it's

  • 1:17:51

    just yeah I need to find a place for it so I've been developing something where

  • 1:17:56

    will it we'll see we'll see how it takes shape well I'm eager I mean I'm excited

  • 1:18:01

    I'm extremely happy for you I love the project the other project is the project

  • 1:18:07

    is great and maybe a work out content piece since you're on your IG live 24

  • 1:18:13

    hours out the day it seems doing Fitness

  • 1:18:19

    actually I just got a treadmill because I'm like and I put it in like right next

  • 1:18:25

    to the washer/dryer so hello it's Jojo RG very clear

  • 1:18:31

    hi I'm Jojo we see it right there look at Oh Jojo

  • 1:18:39

    anyways Jojo as a as a I understand I understand

  • 1:18:47

    what would it take for you and PJ Morton to do a four track EP oh now you're talking it wouldn't take much we're

  • 1:18:55

    talking about it I was about to say can we call him now too and solidify this on

  • 1:19:01

    air for you to to just give us a four track EP that would be amazing yes oh you know what's a corn he got the

  • 1:19:10

    whole set up in his crib you got the setup you got your mom is an engineer [Laughter]

  • 1:19:21

    that would be good I'm texting him this is gonna be one of those weird interview

  • 1:19:27

    moments um will you do that song if that would have happened that would be really good but whatever you've got coming I

  • 1:19:33

    really look forward to just hearing it honestly yeah that's really sweet thank you

  • 1:19:38

    all right well Jojo listen you are now officially a friend of the show please lock my number in so it's not awkward

  • 1:19:44

    when I send my emojis and that's that's awkward is it even with the name saved it's a

  • 1:19:50

    little no I doubled back when I as soon as I saw her with the dot dot dot like she was saying something I jumped in with my name really quickly that's

  • 1:19:56

    helpful just an eye emoji from a strange number yeah yeah a lot yeah thanks it's cool

  • 1:20:02

    bye Jojo thank you Joe thanks guys bye bye all right Rory no

  • 1:20:08

    more CGI stays over you guys don't want to respond that windows closed yeah lay

  • 1:20:15

    the lane closed the difference race there's not much all right when they when they replace all of us as they

  • 1:20:22

    slowly are and you guys want to make jokes about it I would say we'll say you call that we'll say you called it if we

  • 1:20:28

    won't have time to say anyone call you will get going it's all virus yeah it's not here yet CGI yeah yeah

  • 1:20:35

    Oh Rory pulling it all together now you make it I'm just saying

  • 1:20:40

    once they took away all of the influence our ad [ __ ] on Instagram and now they're adding in robots y'all not

  • 1:20:46

    a trend here jokes aside yeah they put them in half mark first but it's over

  • 1:20:52

    they're trying to take any way for us to make money on our own now y'all still

  • 1:20:57

    got the Palooza don't worry about that I do it they can never take a nap or Fiji oh where have you been I said loser

  • 1:21:05

    I did say what kind of pool ball has been off the internet for a month I just

  • 1:21:11

    said Palooza that's all for two years malls been off their name now I mean I've just been taking a break from the

  • 1:21:17

    internet man like I feel like yes I'm feelin too much it s you like her so you like so if you just I just want to get

  • 1:21:24

    up get my mono for that [ __ ] mall quit something every two months yeah man chicken man it was just I was

  • 1:21:29

    ain't seen a lot of chicks in years I know is I noticed that I get a gun slow down on the chicken just on that oxygen

  • 1:21:35

    [ __ ] that's crazy I don't breathe none of that two years yeah scrambled eggs I know if they was

  • 1:21:40

    putting something different in the chicken so when you scramble them that's true you think about it get kind of sick so I don't even scramble no more just

  • 1:21:45

    hard-boiled I mean if you if you think about it if you just hard boy yeah you do some dumb [ __ ] like they'll picks a

  • 1:21:52

    pizza lifestyle and just live by it if you eat an egg you mean an abortion to change you gotta just evolve evolution

  • 1:21:59

    it's just an abortion last time you power walk we was going probably like

  • 1:22:07

    four days ago who are you going to the store the grocery store for me my mom was about to get crazy out late no no no

  • 1:22:14

    no what's the door walk form visit or the first step got to be nuts

  • 1:22:20

    now the first step is usually is like the take off yeah like did you get into

  • 1:22:25

    the power you are you a lean forward type guy absolutely okay every little charms my

  • 1:22:32

    mom's are moving the power that's almost power walk the other day same girl been

  • 1:22:39

    rollerblading outside my house at the same time three days in a row I thought I could have power walk you're not

  • 1:22:46

    catching on the road leads don't worry I've been on that balcony watching go ahead and blade bleh by again how you gonna stop go

  • 1:22:54

    throw a net oh no I'm a capture it's

  • 1:23:04

    stupid all right way to talk about Busey versus webby I'll know if y'all wanna get into that we didn't investigate the streams

  • 1:23:10

    just because they nobody hit a [ __ ] record people heard it I just don't think as

  • 1:23:17

    many wait Joe this is nothing new though we've been nudists about records and should we said it we'd like you where do

  • 1:23:23

    you hear that record being played oh yeah but I needed to actually do an investigation on that I agree one Idol

  • 1:23:29

    packages and the Sirius and a that the listeners from out the country changed

  • 1:23:35

    their IP address to make it look like things are pinging off in the States

  • 1:23:40

    like what are y'all doing and music it's never one always stop bootlegging or

  • 1:23:45

    like well which is now like tricking their streams the people are always gonna find a way to get to the loopholes

  • 1:23:53

    of the system right now that you can have physical copies to burn and duplicate in bootleg now you got a trip

  • 1:24:00

    to streams a little bit this is whatever they come up with next people gonna find a way to do that too it's not news

  • 1:24:05

    there's nothing to do about it well let me ask you is there any difference between these streaming forms and record

  • 1:24:10

    labels just buying lump sums of CDs at that time um yeah yeah it is what

  • 1:24:18

    exactly the lump sum of CDs was easier to track and trace verses the streams if

  • 1:24:25

    you don't know what is but the disturbing didn't know about that no I love the lump sum of CDs you can only first of all that was a big money game

  • 1:24:32

    and you it really only got you X amount of CDs for every hundred thousand you spent it was a very concise I'm not

  • 1:24:39

    gonna say can just go there was an exact buying thousand copies of CDs at once

  • 1:24:46

    huh do you have her albums artist okay but I'm she had to spin to do that

  • 1:24:52

    I know uh streaming farms just kind of go this on a loop yeah that's a huge

  • 1:24:59

    difference to me yeah wait because you need to physically go to stores and anybody I mean

  • 1:25:07

    physically act as well I guess my point there is it's not like the artist is

  • 1:25:14

    seeing that much more money with the streaming forms yo everybody's dead line

  • 1:25:20

    game yes it's the same game to me it's just doing it differently you're spending that money but getting it back

  • 1:25:26

    because you own that music so yeah you're spending a lot of money but you're getting most of it back just to

  • 1:25:32

    get that number one with the streaming shows it's not like the artist is really no you're not [ __ ] I just saw the [ __ ]

  • 1:25:40

    what's the name of that group that was on Joe Rogan the black about the Black Keys Black Keys yep right yes the bundle

  • 1:25:48

    thing and how you know they had to pay five dollars out of their ticket sale to count towards the bundle and they didn't

  • 1:25:55

    get royalties off to $5 that Warner was taken off of every single thing so they're basically paying a million a half dollars to get a number one record

  • 1:26:02

    parks I'm saying the label executive was buying them not the artist I'm sure he

  • 1:26:08

    was probably taking it out of the budget some oh yeah I'm talking about the label here the artist is getting [ __ ] on both sides I'm talking about stringing

  • 1:26:14

    farms and labels and executives buying back their product that they're putting

  • 1:26:20

    out just to reach a number one yeah you're gonna lose some money not much at the end of the day like pet like

  • 1:26:26

    packaging is what no come on and it was in the show was in the building when he was lying that [ __ ] up know that said I

  • 1:26:34

    was out of the artists budget okay they were definitely sneaking that [ __ ] out of the artists budgets tomorrow I just you know I just brought it up to say

  • 1:26:39

    glad that they're at least saying that there's an investigation it still means I don't match your Harvey data I'm not

  • 1:26:46

    sure about the findings that they'll come out of this with but glad that they're doing it that's if they have all

  • 1:26:52

    the numbers so they're not gonna find [ __ ] the labels have all the members who

  • 1:26:58

    were the people buying the records that's all the same yeah to me at least well we'll never learn anything is there

  • 1:27:05

    anything else important to get you boosting and webbing what happened with them

  • 1:27:11

    she says to Weber you could have called me and they're gonna truth is you never sent my mother darling y'all have free [ __ ] concerts all over she never got a

  • 1:27:17

    dime you lyin bro waka Yo Gotti and Jeezy hit her with stacks why not you everybody

  • 1:27:23

    know I've tried to help you millions of times every time we tried to get you in the studio you leave trill even tried

  • 1:27:28

    getting writers for you to help you out for a two years ago you wouldn't even clear 2d songs saying you made the title it's up really you was down getting he

  • 1:27:38

    was down getting seven seven grand a show I put you on my tour and gave you 10k for seven shelves out of my pocket

  • 1:27:44

    so you'd be straight bro and what you do try to sink the whole tour missing days not doing radio etc tell telling the DJ

  • 1:27:50

    you only doing three songs I try to get you features you refuse 7,500 over and over again and that's more than your arm

  • 1:27:56

    I can't find it now you know it cut off right there but he was saying that's

  • 1:28:01

    more than your tour fee blah did a whole bunch of [ __ ] I love you but [ __ ] out here you should call me that's the gist

  • 1:28:07

    of it correct I don't know enough about this beef to say where it's them from who did what yeah why do you feel like

  • 1:28:13

    that gotcha personal [ __ ] yeah that's what sounds like to me I'm saying that they just

  • 1:28:19

    need to have mm-hmm well there's still be tension in the Luda and Nelly [ __ ]

  • 1:28:24

    tomorrow today they got this clip

  • 1:28:29

    running around on the internet ollied saying that there's always been tension between nailing a Ludacris definitely always that way I have never

  • 1:28:36

    I've never picked up on that yeah same same win same same era and going after

  • 1:28:43

    the same audience there was always a little low something there I never quite saw it that way at all not that they

  • 1:28:49

    were willing and half of the day were never in competition to me I didn't think their songs were the same I didn't think they were fighting for the same audience they definitely were I never

  • 1:28:56

    felt like that okay yeah I missed that I missed that whole just so how are they not fighting for the same audience they

  • 1:29:02

    was going after Tim radio top ten with all their hits no one sold 20 million

  • 1:29:09

    records out the gate what does that have to do with not going out to the same audience he wasn't fighting with anybody it was going after the audience was

  • 1:29:16

    going after him debut he debuted they're saying a completely separate point yeah of course Nelly went diamond you're not

  • 1:29:21

    [ __ ] with diamond how are you saying we're not going after the same audience I may just be doing it better no I don't

  • 1:29:28

    see you doing I don't see it that way at all the guy to go diamond is not going I'm worried about your audience

  • 1:29:35

    you sold 2 million records greatly have fun oh please and this this whole point

  • 1:29:43

    of the clip you're gonna bring up proves that yeah you got egos and you you notice [ __ ] when you're in the same game in the same audience game

  • 1:29:49

    yeah but the clip the clip that we're talking about Ali is saying Ludacris was chasing us yeah and then we got sick of

  • 1:29:56

    it so so you're no so so even if you go diamond I'm saying still notice [ __ ] yes all right so dia that contractors mr.

  • 1:30:02

    Hobey fellows on that was only arguing them fighting for the same audience with the same type of Records is it well

  • 1:30:09

    that's that's what he's saying here if I'm going diamond and I'm still punching down to remake a record to prove to you

  • 1:30:16

    I'm even more better than you sucess yeah you're going after the same

  • 1:30:21

    audience and I notice everything you're doing they can still be tension even though I'm going diamond I missed the

  • 1:30:26

    whole you of all people should know that no matter even if you're at the [ __ ] highest peak you could be in you still

  • 1:30:32

    notice what's going on and you still have feelings for how people are moving

  • 1:30:37

    yes just on three we weren't fighting

  • 1:30:43

    for the same audience that got that's true what I'm saying I'm saying you're still well aware of what's going on

  • 1:30:49

    the more positive via trade wasn't final to say anybody I've ever ever punched up at career-wise they weren't fighting for

  • 1:30:57

    the same audiences me they wouldn't think about my audience they well one time you said they were much larger in

  • 1:31:02

    audience so they didn't care but I'm not saying you and them are comparable I'm just suggesting Luda and Nelly we're

  • 1:31:08

    definitely going after the same audience you are you are crazy if you think outside or outside at tip drill and

  • 1:31:14

    [ __ ] popping what two records ever told you that and why couldn't they coexist

  • 1:31:21

    like or make a course IKEA they're going after top ten radio at the same time how can you not say that but obviously I'm

  • 1:31:27

    saying I don't see why that would cause a friction between them because the competition will exist of course they can you're talking logic I'm talking ego

  • 1:31:34

    but it's to a different type of rappers yeah and by the type I would buddy's going for a top-ten bill yes I

  • 1:31:39

    just don't see why that would cause friction at all right now right now uh you think Cole and Drake are going after

  • 1:31:46

    the same exact audience no but they're both in the top ten they'd like to yeah

  • 1:31:55

    they'd like to know they'd like to share some but no they're not going after the same audience yes Luda and Mellie were going after the

  • 1:32:01

    exact same audience am I missing something did Nelly crossroads have been way

  • 1:32:06

    bigger than Ludacris red wait what is that what does that have to do with what I'm saying they only made crossover

  • 1:32:12

    smashes he made a car yeah I lived in top 40 world I think that thing it was to fit I

  • 1:32:19

    don't know if you a different way to work just because you just because you made two country records one of which

  • 1:32:26

    was happen to be on your album where you were country grammar was a single and you weren't focused on the country crowd

  • 1:32:32

    um how could you not say they were not going after that just because he made

  • 1:32:38

    one Tim McGraw joint doesn't mean that his only focus was to cross over no he was focused on the same [ __ ] that Luda

  • 1:32:43

    was which is what the top ten radio [ __ ] we're both chasing hit records

  • 1:32:50

    it just so happens that Nelly made bigger ones at that time at every time

  • 1:32:57

    no not at every time Luda had a longer run by far by four

  • 1:33:07

    okay okay I think I understand what you

  • 1:33:12

    draw this there just and I've seen a few people say I just disagree but back to the attention back to back to detention

  • 1:33:18

    that I'll lead says exists between the both of them I hope to see you don't display on earth tonight I think it'll

  • 1:33:24

    be competitive we see it I see on the live I just think it was attention when

  • 1:33:30

    they were both younger and chasing the same goal I still can't the competition for his record bit that I see in the

  • 1:33:37

    same vein is any right Nelly record I'm not saying sonically I'm saying audience

  • 1:33:44

    I think that's very clear not saying they were trying to make the same

  • 1:33:50

    records they were going after the same audience man Nellie's audiences are

  • 1:33:57

    that's not the point that I'm making here and I don't want to do circles here we're not though but how could I maybe

  • 1:34:03

    I'm just how could I be going after your audience if my audience was your audience that's what I'm asking what do

  • 1:34:09

    you think artists have crossover audiences you don't think people like Nelly and Ludacris I think that pool is

  • 1:34:16

    small that you think the pool is small of the people that like Nelly and Ludacris in terms of their actual career

  • 1:34:22

    accolades and the people who purchased the albums yeah I think it's small I think Natalie like I said it lived in

  • 1:34:28

    top 40 world which is how you're able to sell 20 million records and I think Luda

  • 1:34:33

    being on Def Jam the lesser machine just made really good music just without the machine and without that Criminal Appeal

  • 1:34:39

    like for me for me to artists like me everything Luda did was cross over their

  • 1:34:47

    own emotions do you think [ __ ] do you think he crossed our fantasy he did for

  • 1:34:52

    us over but yeah but these wasn't a crossover act and he didn't have a lot of crossover records Nelly had you could

  • 1:34:59

    see the aim and the focus was crossover records the Kelly Rowland record hiding here [ __ ] air force was anything he

  • 1:35:06

    did it blew up - just something different that was so you think if you think Air Force Ones was the focus of a

  • 1:35:13

    super crossover record anything different than what Ludacris did oh yeah

  • 1:35:18

    are you kidding me Air Force One Air Force Ones I actually know a little bit about Air Force Ones that record was

  • 1:35:25

    backed by [ __ ] Nike and all times two other companies propped up in a way that Ludacris would have never had that

  • 1:35:31

    opportunity that's not my point at all all right forget it I don't know about say about them having

  • 1:35:40

    a root of tension between each other because I just want to see it I want to see it honey I will have Nancy do I still think that Ludacris edges this out

  • 1:35:47

    I'm rolling with Ludacris but I just thought that was an interesting interesting angle I'll leave saying that

  • 1:35:54

    there's been tension and that tip drill is a [ __ ] pop intro bull wins if those two records come face

  • 1:36:00

    off against each other which ones I see real [ __ ] pop chip truck I think tip

  • 1:36:06

    thriller does tip drill yeah no was he

  • 1:36:12

    popping in fire though I don't know yeah great so listen I'm dropping the baby off for this battle buddy yes that's all

  • 1:36:19

    I know Joe Budden will be baby free when this battle takes place yeah maybe I

  • 1:36:25

    need to get my back and that's it I might I might even take a ride I don't

  • 1:36:30

    know how I'm going to experience this consume this battle oh yeah who do you have won it I got a little win it but uh

  • 1:36:37

    but it's not gonna be easy night yeah I got Luna ha I got we got Luda yeah I got

  • 1:36:43

    a little winner uh Nelly and Parks had

  • 1:36:51

    Nelly - right yeah yep all right good podcast gentlemen it's a hot weekend out

  • 1:36:58

    there enjoy it be safe what you're doing some big plans all right parks is on the grill we still

  • 1:37:04

    never tasted parse collard greens it's cool don't worry about like it's cool like a mint parks is on the grill what

  • 1:37:11

    Rory's doing big re I just uh just bought a whole bunch of outdoor

  • 1:37:16

    furniture during a corn scene when I'm not making any money so oh you and your girl bought the lamp gotta splurge lamp

  • 1:37:26

    that's a good idea why you ain't been hook up your little uh your deck the elements have been rather brash and I

  • 1:37:36

    saw what it did to my couch and share out there so I was I was waiting for the weather to change - then by the outdoor

  • 1:37:41

    furniture oh yeah like a rule so foul - no no I - outdoor one but the elements

  • 1:37:48

    still destroyed it so I was like all right let's see the lover out there children I got a love of soap out the

  • 1:37:54

    achill no I just got killed out there so I said let me wait till uh till that spring rain passes and then I'll get the

  • 1:38:00

    new [ __ ] dope I don't know I got no plans this weekend huh just winging it I still want to get a bike hood and undo

  • 1:38:07

    bike shops open so yeah I got a bike downstairs I might go bike riding my bike riding a bike riding

  • 1:38:15

    tomorrow yeah and that's a better bike nothing else keeping light light and love light

  • 1:38:21

    and love it's all about light love with me this is it for the most part well

  • 1:38:27

    internally now what I project inside another project y'all enjoy the weekend

  • 1:38:36

    out there y'all be safe oh [ __ ] do remember tonight yesterday and tonight and tomorrow the Prince the

  • 1:38:45

    Prince concert is streaming live on YouTube Plus though oh five concert

  • 1:38:51

    that's happening me but I might have to beat it I might have to beat it with my fellow Prince javi on me yeah there's

  • 1:38:59

    gonna be a good weekend good weekend remember keep us in your prayers lord knows we need to be there until next

  • 1:39:04

    time I bid you adieu farewell adios arrivederci hasta LaVista deuces so long goodbye life is a series

  • 1:39:13

    of moments and moments past so let's make sure this one lasts as if it's all

  • 1:39:18

    we have God willing I'll be back to y'all on Wednesday and with that said we

  • 1:39:24

    are outie back to suburbia I go Thanks