JBP
The Joe Budden Podcast
Episode 512

Charge It To The Game

Joe Budden Podcast Episode 512, “Charge It To The Game,” released February 24, 2022. On this episode: Joe and the crew recap the NBA's All-Star weekend festivities (6:38). They also discuss Kanye West's documentary "Jeen-Yuhs" (29:30), what qualifies a rapper being a superstar (54:24), and Joe shares his thoughts on mortality (1:35:02). To cap things off, the crew connects with the listeners on the new "Part of The Show" segment (1:54:30) and MORE! Full transcript and searchable timestamps below.

Charge It To The Game

In this episode

  • 6:38On this episode: Joe and the crew recap the NBA's All-Star weekend festivities
  • 29:30They also discuss Kanye West's documentary "Jeen-Yuhs"
  • 54:24What qualifies a rapper being a superstar
  • 1:35:02Joe shares his thoughts on mortality
  • 1:54:30To cap things off, the crew connects with the listeners on the new "Part of The Show" segment
Video Available
Audio Available
1,346 transcript lines

Joe Budden Podcast Ep. 512 Transcript

Full transcript of Charge It To The Game (2:20:33 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    what we do hell no look at the sunrise callus sunrise really gets my gears

  • 0:06

    going we see it every morning that's a nice view why ain't gonna lie

  • 0:11

    i'm trying you you've been there for 30 years

  • 0:18

    you've done everything there is to do in that neighborhood you've jogged walked power walked ran cycled a little bit

  • 0:25

    more strong pelvic thrusted you've ate at restaurants that aren't there anymore no i'm just been in

  • 0:32

    buildings that wasn't there you older than most of the buildings there you sold houses bought houses

  • 0:38

    cheated been faithful you've done it you are in the hall of fame of that town

  • 0:45

    that's the truth just so i'm clear like you him your picture right next to mine

  • 0:53

    never thought about it that you did it's easy to see somebody else's person

  • 0:59

    yo let's go i don't feel like it with you today dawg we're good we're good let's drink his little red bull man he's

  • 1:04

    good man i see you got his black history jacket on black history month what you want me to do go get your [ __ ] up and give us a speech about it

  • 1:12

    that's what he got wrong hand in hand the black hand was gonna be the right one

  • 1:18

    you're segregating the hand now you're my [ __ ] parks how are you doing man i'm not doing it just so the audience knows i'm trying to

  • 1:25

    avoid a serious start to this pod please please we chilling zen joe is present i

  • 1:31

    think i don't really think it's much for me though you said that last week too like you said that the last four years

  • 1:36

    episode you talked about a patreon episode oh you're right you're right i was very peaceful last episode not that i think the fans really love zen joe

  • 1:44

    no no they want the argument i notice they just want arguing they want the

  • 1:49

    provocative well they think i'm a train wreck and that's what i was talking about with these guys before we got here

  • 1:55

    my rep takes a hit just in my podcast leadership

  • 2:03

    i got to take certain sides of the argument i gotta poke a little over here pause

  • 2:09

    throw some [ __ ] over here they say joe's a lunatic i say that guy's putting on a

  • 2:14

    clinic difference of perspective i suppose true indeed it's about true indeed true

  • 2:20

    indeed listen to parks why i ordered it's cool let's get these drops out of the way

  • 2:28

    [Applause] microphone check one two what is this

  • 2:39

    [Music] welcome to episode 512. 512 of the joe budden podcast i'm your

  • 2:45

    humble gracious grateful and highly favored host joe budden here with a few of my nearest and dearest parks is here

  • 2:51

    it's just here ice is here corey is here young boys in the backyard here lively lively how's everybody doing good good

  • 2:58

    how y'all feeling how was your weekend week mental health it was good i went to the show finances family it felt it felt

  • 3:04

    good to be in front of human beings again performing oh get out of here yeah man hometown

  • 3:10

    when my homies trying to get into the party scene he's doing clothes he's doing a bunch of [ __ ] and asked us to come up and pop up so we did first time

  • 3:15

    we did a show in three years oh man no round of applause for so that was fun popping up in support of your homies of

  • 3:21

    course that's great got some how was the show it was cool it was cool the venue was real dope too big for the probably

  • 3:27

    the show that we did it's like a 2000 cap room [ __ ] beautiful room they probably put two million dollars into this room

  • 3:34

    so it was gorgeous too probably too big there's only a couple hundred people there but still fun to get out in front of the people regardless

  • 3:40

    did you ever come on the pod and tell the fans how you truly feel about saying goodbye to after the show life

  • 3:47

    what do you mean like whatever goes on after the show

  • 3:52

    ah like did you ever tell the fans like how you do they know about how you feel about that are you hiding a part piece

  • 3:59

    of yourself asking a question ish i was never the most rowdy post show guy i agree

  • 4:07

    it wasn't that much of a change for me see fans hey i mean yo it's

  • 4:14

    go drink me some honey with the homies that's hot that can always be fun hot honey cold hand it could be any type of

  • 4:19

    honey yeah but there is that division after the show of like yeah oh we can't talk

  • 4:24

    about it [ __ ] it hey what's up hey what's up what's up sir good day good day everybody's mental

  • 4:30

    health is great spirits are high great great rattle is high feeling good ready to talk i'm great man i'm feeling kind

  • 4:36

    of better than i have the last maybe three four weeks you better chill out i'm in a good

  • 4:54

    everyone is either coming out of something going through something or heading into something

  • 5:00

    i think that's what he was trying to say how was your weekend joe

  • 5:06

    i just [ __ ] it up yeah what are you doing all right fine how was your i'm stranded i was trying to deflect that's

  • 5:11

    fine if that's my man you do anything exciting fun no no

  • 5:16

    you're running around without a little bit now my days of sharing fun on this part is over like that's why i still commend ice and you [ __ ] like when

  • 5:23

    y'all start getting punches no nothing fun happening chilling

  • 5:28

    eric's in here [Laughter] you don't hear them

  • 5:34

    no but my weekend was good good a lot of rest fun costing me too much so i like to stay in the house oh

  • 5:40

    yeah and these guys just finished telling me how unfun new york is now and i don't want them to get me riled up i

  • 5:45

    feel like it's getting fun again see maybe i don't want that maybe i'll

  • 5:51

    be wrong new york's not fun manhattan i i could see what parts i

  • 5:57

    could see parker's viewing not queens to be rocking yeah i don't know the story will be on fire the story of that is for

  • 6:03

    like the 20-something year old like the young 20s like a story everyone would be rocking i went to melody there was a lot of people on dates still was it yeah

  • 6:09

    like a lot of different stories david's [ __ ] on date joe yeah i don't ever really do manhattan anymore

  • 6:15

    that's kind of what we're saying actually yeah actually brooklyn be rocking too like i see a whole bunch of [ __ ] with

  • 6:20

    brooklyn on fire yeah i don't know if man hadn't got it no more i don't want you to utilize your

  • 6:26

    platform this way to [ __ ] on our home state i'm from new jersey yeah same [ __ ] no it

  • 6:33

    ain't do you think they claim us kinda no [ __ ] what are y'all talking about all right moving right along

  • 6:39

    all-star weekend yeah yeah i ain't watching none of that [ __ ] me either

  • 6:44

    wait y'all watch one minute of it i'm nothing i know what i got one minute i was performing so i couldn't watch the

  • 6:50

    dunk contest i was driving i was not performing

  • 6:56

    i was free and available mad tvs around

  • 7:01

    big ones i had access to every little free streaming site i could have seen this

  • 7:07

    one million different ways but guess what why the [ __ ] would i do that

  • 7:13

    saturday night yeah the dunk contest has been done you think cole anthony no

  • 7:18

    disrespect to any of these gentlemen obi topping champion and winner he won

  • 7:23

    this thing apparently that was a big deal but i knew something was wrong when i saw the winner announced and didn't see

  • 7:29

    nobody talking about the winner or the dunks yo saturday night went by i almost

  • 7:35

    didn't see a tweet about this outside of this was the worst thing i've ever seen in my life and then i thought good for

  • 7:42

    y'all why would you sit down at the tv and watch uh what's the dude from houston uh

  • 7:47

    that i like jalen green jaylen green who else is in this

  • 7:54

    excuse me

  • 8:02

    anderson really good player for the warriors you think i want to see him jump around

  • 8:07

    i just told you all about my nightmare with the kids at the trampoline park i'm almost i almost got a jump phobia going

  • 8:13

    on these [ __ ] could have used trampolines yeah there was no box office here there

  • 8:18

    was nothing to make me stop my hot saturday night and saturday was nice in new york it was cold [ __ ] upstate it was

  • 8:24

    beautiful no it was a beautiful night in new york

  • 8:30

    i wasn't rushing to any screen to watch the young generation jump around

  • 8:37

    the young generation of uh no disrespect not superstars

  • 8:42

    that's what they're not superstitious i'm saying like there's never any superstars and i've seen how they are in

  • 8:47

    starlets with the girls i'm y'all are not getting me you see them jumping a different way

  • 8:57

    this ain't this wasn't no no skills challenge what happened i don't know i don't know

  • 9:04

    yes i don't know who won it who dribbled the best yo this is a world

  • 9:09

    this is cleveland this is a this is a [ __ ] chart-topping bot

  • 9:14

    y'all hear this commentary fam this was but that's that speaks to the show exactly yeah that's not on us that's the

  • 9:21

    show i know that karl anthony towns wanted three-point concerts wait then when i thought the weekend the saturday

  • 9:26

    couldn't get no weirder i learned that carl anthony towns wins the three-point contest and set a record

  • 9:33

    he set a record uh lee was 28 in the championship round he was also now they changed the rule for him they let him

  • 9:39

    wear uh a chain that is from his mom who passed away it's the first time they changed that

  • 9:44

    rule and he won so he was incentivized in a different way he was shooting off faith because karl anthony time right

  • 9:52

    but congratulations to him awesome i have different takes from this

  • 9:59

    all-star well i didn't see the game i saw the game i saw the second half of the game i saw the game i saw the whole game

  • 10:05

    it was cool um i like the new format because again they they uh are playing

  • 10:11

    for charities now so it's every quarter is a dollar amount given to your charity

  • 10:16

    so you know kinda in the old school all-star games they just be bullshitting throughout the first three quarters and

  • 10:21

    then they'll start playing a little hard at the end with this it gives them a little incentive to play a little hard all four quarters because the money's

  • 10:28

    going to your charity so as each quarter winds down they start going at it a little bit to get some money to their

  • 10:33

    charity so that was a little dope but yeah i don't care

  • 10:40

    you're stupid i watched the game man and all i took away from it is bruh steph curry's [ __ ] different and he didn't

  • 10:45

    take the game and show me that alien but him shooting three-pointers turning around looking at the crowd saying yo

  • 10:50

    did he go in did he go in and then running he did that [ __ ] a lot he was just fam no he was on fire don't

  • 10:56

    do that though he's always on fire see i watched stuff like that yeah right like

  • 11:01

    any time steph curry sees devin booker or trey young yeah he's just gonna do

  • 11:06

    this like to prove a point and i thought he and trey were gonna get into a little shootout early no no excuse me no no no

  • 11:14

    no no trey could shoot my [ __ ] you're not saying he's steph don't start i'm just saying i thought they were going to go for it because they made back to back

  • 11:20

    one time but oh but didn't trade just one kept going yeah yeah one made sure that nobody else was going

  • 11:27

    to go with him either one is really on his own another planet planet yeah

  • 11:32

    literally fam he hit a he hit a one-legged fade away from like one step

  • 11:37

    past half court you weren't playing with like he was just throwing [ __ ] up at the point like all right let me just see if i can hit this one oh it worked all

  • 11:43

    right let me do one more i'm not passing i'm bringing it straight down and pulling up he's the best shooter ever ever like you heard it here first ladies

  • 11:50

    and gentlemen oh man yo i found out how to fix the dunk contest too by the way all right i'm all

  • 11:57

    very simple very simple you should not be allowed to be in the dunk contest or any other

  • 12:03

    events in all-star weekend if you're not in all-star if you're not on playing in

  • 12:08

    the all-star game because that'll i don't know what he's saying i don't hate that they ain't gonna do that i know

  • 12:13

    what i don't know i can't do that this is like when the [ __ ] controller just starts saying no no no what i'm saying is the problem is

  • 12:21

    like all right there's no stars that's so the people in the r star game are the stars so you pick out of them this is

  • 12:27

    who's participating in the contests one is voluntary and a lot of the stars don't want to do it you get what i'm

  • 12:33

    saying they trying to ask them and beg them to do it if i'm a star why on earth would i do the duncan you don't want to do this on a saturday then come back and

  • 12:40

    have to play again on sunday but [ __ ] have done it yeah when they really gave a [ __ ] i have my whole roster out here

  • 12:46

    in cleveland spread out in different hotels yeah what are you talking about

  • 13:00

    like this is like for the young kids the young kids have taken over i'm about to sound like the ages now but this was

  • 13:05

    their [ __ ] now like not for nothing like lebron is is him the 20-year guy all of these [ __ ] is them

  • 13:12

    yeah the guys these are veterans we're not we're not saying that like not for nothing i'm i'm i'm what i call myself

  • 13:17

    i'm not even a hardcore nba fan anymore like i don't even watch the six of games i check us that here and there dog when

  • 13:23

    they announce the dunk contest contestants i literally said who to every name and there's a lot of that

  • 13:29

    like we used to run to it to see oh [ __ ] this person that person this person there's no reason

  • 13:35

    never mind the fact that they could have put on a clinic a lot of people wasn't checking for it just off with a who was

  • 13:40

    duncan that's what i'm saying you have to find a way to identify that i'm not dissing again hey the people that were not in

  • 13:46

    front of their tv when zach levine and aaron gordon got started quickly found the television that is true no but

  • 13:52

    that's that buzz went around fast because that and that and that went into overtime it was long yeah so people

  • 13:58

    found a tv somewhere and word traveled they did it two years in a row this nobody even even hit a group chat to say

  • 14:05

    yo what's going on here do you see this dunk fam and that's the other thing you watch the highlights the highlights don't show you what really happened

  • 14:11

    because everybody up there took six seven tries to get a dunk off there was no energy in this at all it

  • 14:16

    was like bro just fast forward this and then out and then outside of this right like all year long we have these other

  • 14:23

    platforms where dunkers are dunking and you seeing like some of the most creative [ __ ] that you've ever seen

  • 14:29

    so then to get here so then to get here with the best of the best and this is the show you put on

  • 14:34

    it's unacceptable they should hire those guys to like at least go get the g-league jumpers like y'all got people

  • 14:40

    that know how to jump or at least like i said have them coach them like give them the ideas for the choreography yeah yeah

  • 14:46

    yeah exactly yeah like man [ __ ] it you should you should have to submit video to prove that you can even do some [ __ ]

  • 14:51

    yo yeah like the zach levine aaron gordon [ __ ] was the best counselor i've ever seen and the most creative like

  • 14:58

    them [ __ ] gotten a think tank for some of them dunks that them [ __ ] doing you think zach levine aaron gordon was

  • 15:04

    better than uh mike and dominique yes yes creative creative watch not for star power like you couldn't

  • 15:10

    possibly um challenge that star power but the [ __ ] that them [ __ ] was doing creatively i never saw nobody damn i go

  • 15:17

    back i'll go back and watch that dunk contest i got that better than vince carter [ __ ] yeah i never saw nobody do some of that [ __ ] like and that first

  • 15:23

    vince carter dunk contest was the greatest [ __ ] ever to me but you go back and look at that 2016 dunk contest i'm

  • 15:28

    not ready to just totally get rid of mike versus dominique i'm not ready to get rid of that yet

  • 15:34

    zach levine aaron gordon i'll do it with you maybe it's the best dunk contest i've ever seen vince carter was the best

  • 15:41

    dunker i've ever seen in a dunk contest and i i it was that building was silent

  • 15:47

    you couldn't even understand what he was doing yeah until then until then into replays

  • 15:53

    yeah it took replay he was going crazy he was like they they went crazy i was

  • 15:58

    outside i might have been there when j.r ryder first did that under the [ __ ] and that was the first like real

  • 16:05

    introduction of oh there's new [ __ ] around like what was that but some of the stuff you broke

  • 16:10

    [ __ ] oh please nah that's deep breath stop d bro i love d brown but yo stop it yo

  • 16:16

    i know it shook the world at the time it was creative that's what i'm saying that [ __ ] was looking right through that blindfold and it was staring right at

  • 16:23

    the rim trying to add a little elbow to it get out of here see the other part about the vince

  • 16:28

    carter [ __ ] which made it so dope is even going into that vince carter was like that dunker

  • 16:34

    so everybody already was like oh [ __ ] this is the one we want to see in the contest what's he gonna do that's true

  • 16:39

    so that helps now i'm gonna just use the time to [ __ ] on some more people blake griffin hopping over that kia get it out

  • 16:45

    of here get that out of here yo i was watched yo they they drove the kia in on like a

  • 16:51

    slow motion platform it was this whole big theater sponsored by kia of course oh my god that was a mess hey

  • 16:58

    nate robinson being superman or whatever he was man that was hopping over spud webb

  • 17:05

    he just went out there hopping over stuff that's like ob topping he's kept putting the ball behind all right [ __ ] you

  • 17:10

    athletic behind your back over the leg over yet [ __ ] sit down and that's why you gotta

  • 17:16

    get a props to zach levine in them the [ __ ] they was doing we never saw this [ __ ] right here is just like

  • 17:21

    dunking over a person just a car same [ __ ] shorter than person really

  • 17:27

    yeah basically but no that's zach levine and aaron gordon that was bad that was the best one i was the best that was the best one

  • 17:34

    we never found out what chris paul was doing remember they lost that playoff game and he went to the other team

  • 17:39

    locker room was trying to bust the door open i do remember that was that chris paul i know he was involved

  • 17:46

    yeah i thought someone was going after chris paul no it was chris paul going after somebody yes okay i don't remember

  • 17:51

    exactly the details me either there's a few things we got to get to the bottom of anyway all-star weekend proves my theory

  • 17:59

    right cleveland really really cold a lot of you uh young ladies out there went

  • 18:04

    straight from super bowl to all-star weekend i know that because you all said

  • 18:10

    hey does everybody know a hairstylist in cleveland hey

  • 18:15

    yo when you read the things that women say is so unreasonable hey it's three hours i need you to kind of like your

  • 18:21

    dog what the [ __ ] do you think is going on but cool get your [ __ ] off i'm watching i have to

  • 18:27

    live vicariously through the people i thought ish was going to all-star weekend because he loves cleveland so much and he got the taper

  • 18:34

    once i see ish get a taper i'd be thinking it's going down but anyway so i'm watching and [ __ ]

  • 18:40

    and i'm like oh when some of them got to get dressed

  • 18:47

    and put on a coat i told you that no man i told you that a couple parts

  • 18:53

    it's bad winter coat

  • 19:08

    [ __ ] was snowing you can't put them low i hate this now [Music]

  • 19:15

    you can't put them [ __ ] shoes on um that nba 75 list

  • 19:21

    i was telling these gentlemen on the way here if i'm jason kidd i'm walking around there just

  • 19:27

    shoulder bumping most of the people on this list jason kidd he's not really spoken about in the

  • 19:32

    light that he should be singing he wasn't on the list he's on the list no he's there he's

  • 19:37

    there i'm talking about egos in this room in this room everybody belongs got you this is the elite

  • 19:44

    75 of us here is your errors your error hey i seen what you was doing there minds are thinking different so i'm

  • 19:50

    thinking about that jason kidd basketball mine i'd be pushing most of these [ __ ]

  • 19:56

    jason kidd was that dude so when he bumps steph excuse me he won't bump stuff right

  • 20:02

    nobody can bump okay that's what i was saying yes you know how i feel about you about about uh wardell

  • 20:09

    just call him wardell now okay who else do i feel like that about let's get all the sports [ __ ] out the way

  • 20:14

    no you like the homes no no it's over your man crushes over

  • 20:19

    stephen curry yo i don't really think you all know who this guy is no i do have he reminds me about that mahomes

  • 20:25

    has the talent to do it steph curry does it did it yeah and

  • 20:30

    continue to do it had the talent did it i go back time to time and just read the scouting report on him coming into the

  • 20:36

    league like just for who was true yeah he'll get out of here these slinkies tiny can he finish don't

  • 20:43

    really know if he's a point guard like they were [ __ ] on him so for him to do it battle injury battle monte ellis

  • 20:50

    battle up the the ownership change because he was there for that too

  • 20:56

    he just battled a lot to me [ __ ] up ankles they said he was frail he was brittle

  • 21:01

    yeah they invested at the right time the warriors

  • 21:07

    coming off injury extension he was worth more but now we got him and now we're on a run same way

  • 21:13

    to uh a lot of nfl teams when the uh win the chip when your quarterback is on a rookie on a rookie scale okay or a cheap

  • 21:20

    deal so yeah i just think he's different i don't that's my man that's my man rant

  • 21:25

    that's your man crush and i really don't think that nobody else in the nba could look at him a certain way they can nobody no because nobody could do what

  • 21:32

    he does they could change it ain't many people like dawg change the game nobody can do that [ __ ] he was doing the other

  • 21:37

    day nobody you can't just come down full speed crossover behind the back

  • 21:44

    you can't do it our argument's gonna funny in the light what argument me and this argument i see what park

  • 21:49

    talking it's all good what argument is the the stephen curry kevin durant argument kevin durant can't do with

  • 21:55

    steph curry and rest in peace to uh kevin durant's grandma that's why he was not in this

  • 22:00

    75 pictures she passed that same day rest in peace it's a rest in peace yeah um kevin durant can't do that fam he's

  • 22:07

    shooting that [ __ ] from half court off the dribble and turn around and just rain yeah he knows going in

  • 22:13

    that'll make i don't feel like getting the same water we're not getting the argument again man was moving no no no nobody could do that he revolutionized

  • 22:20

    basketball though like little kids don't want dunk no more they just want to shoot 40 footers

  • 22:25

    that's what i'm saying it's only a handful of players that have changed the game from top to bottom i agree yeah

  • 22:30

    like there was a time when [ __ ] couldn't shoot or score at all you just wanted dribbles sure like there was a time you go to the park and [ __ ] had

  • 22:37

    no type of shots i just want to cross you over yeah you're right now you you seven feet you want to pull up

  • 22:44

    everybody no post game at all everybody want to shoot sure like the old [ __ ] in me hates it but i respect it

  • 22:51

    see that's just another measure of men right like yo what pick was you at the park

  • 22:58

    yeah i want to know that before certain [ __ ] just get to talk and rowdy like would you like toward the end

  • 23:06

    of the picture [Music]

  • 23:13

    come on man yeah come on man all right what do we think about michael jordan and mary j blige

  • 23:19

    hey man shout out to mike come on mike was off that heady too no michael's off that tequila oh facts that's right he's

  • 23:24

    a tequila that's what he got right yup you got him yeah he was off that oh yeah that's the fun one right there

  • 23:30

    yeah yeah yeah you could tell mike was bouncing around man was good michael saucy i've never seen him be this personable

  • 23:36

    he was running around hugging jokers putting his hand on his ass mike wasn't playing with these things

  • 23:42

    mike had to let you know hey look i'm still here [ __ ] yeah he was talking mad [ __ ] told magic yo we can go

  • 23:48

    get some sneakers right now [ __ ] i don't have anything to say about it because mike is michael jordan and

  • 23:54

    mary's been married since 91 yeah that's when the run started yeah it was i assume that they assume that they know

  • 24:00

    each other thanks for 30 years yeah yeah i don't think that was a hey it's mary

  • 24:05

    yeah i would agree oh there's some good topics though

  • 24:12

    too much for everybody yeah

  • 24:22

    yo so mike and scotty is really never talking again huh because michael michael hold a grudge oh yeah and scotty

  • 24:27

    clearly holds the cards too well that's the other thing i want to ask you about grudges between men because we also saw

  • 24:32

    uh ray allen ray allen and kevin uh kevin garnett not do the dap

  • 24:38

    i don't even remember what their beef was from the boston days oh i think right well when rayon went to miami yeah

  • 24:44

    but there had to be something more behind the scenes for this beef to still be this present

  • 24:49

    so give it to me i heard i ain't really [ __ ] with them i heard um i don't think paul pierce [ __ ] with them neither they

  • 24:55

    took a picture that means yeah i think so oh they took a picture yeah they took a picture together

  • 25:01

    oh so maybe we just made too much of the no dap yeah all right i saw people doing the same thing when

  • 25:07

    mike first walked up he walked right past brian and started dabbing people up and immediately they was like oh look he

  • 25:13

    shaded lebron and then they had a moment at the end like sometimes you just read too much into [ __ ] yeah that's true yeah and it's a room

  • 25:19

    full of everybody that you [ __ ] with everybody that's super legendary like you you're wearing the same [ __ ] yeah

  • 25:24

    like oh i know that was you my bad and we all saucy right yeah and i've seen you guys this morning in the lobby yeah

  • 25:30

    it could be that too yeah i was just with you back backstage or whatever that's just this is this oh it got to be

  • 25:37

    seen or didn't happen yeah like you said we was all in the back right three could have just been

  • 25:42

    chopping it up because there's no picture of it just the narrative people want to create does anybody take anything away from all

  • 25:48

    of lebron's one-liners about not closing the door on a cleveland return

  • 25:54

    and about uh playing his last year with his son whatever team that is i love it somebody

  • 26:00

    posted i forgot who it was like yo lebron just did the most g [ __ ] ever yep he just basically told every team in the

  • 26:07

    nba draft for my son and i'm gonna come [ __ ] with y'all yeah no draft my son you get my farewell tour

  • 26:12

    that's what i mean like yeah like that part because it could be the worst team in the league but you want that

  • 26:17

    and what he did was he depending on your draft position he might have boosted his son up yeah i'm not gonna be the guy to [ __ ] on

  • 26:24

    this move because it's so genius and beautiful and we've never seen anything like it

  • 26:30

    and again this is the evolution of the three mike kobe lebron like lebron

  • 26:37

    is able to get it done kobe rest in peace it's not here and my

  • 26:42

    kids yeah yes so i want to see this

  • 26:48

    and we owe lavar ball an apology absolutely yeah did we ever get to that

  • 26:53

    we touch on it what we'll get back we never did just for this to be able to happen is

  • 26:59

    beautiful now brawny i think is the 34th or 35th ranked

  • 27:05

    prospect so now let's put this in perspective you're asking a lottery team

  • 27:13

    to jump way up yeah take a jump on one year of lebron

  • 27:19

    might be worth it hell yeah i'm not saying it's not because he does too much for the economy he transcends he

  • 27:24

    transcends the game it's bigger than basketball if you're doing that i'm sure it makes sense to some teams

  • 27:29

    he still got two years though bronier jr so next year he's got two years

  • 27:34

    hopefully with some improvement he could be in the top it's gonna line right up with lebron's free agency i think even

  • 27:40

    if he don't though even if he stays at 34 it's a broad power move like yo this is

  • 27:45

    what you get so he might have been let's say second round or something now somebody might

  • 27:51

    look at it and say damn you know what we could use brian here that'll we'll sell out every game

  • 27:56

    you know what i'm saying like we get that part it's worth the risk it's win

  • 28:02

    hold on and if if brian's son is here when brown retired what you think is going to happen he's still going to be

  • 28:08

    working with the kid like we could work this together i really hope it ends up in cleveland

  • 28:13

    it's not going to be dope where are you where'd he end up i know both of them gonna end up in cleveland you know

  • 28:18

    like this is just remember how we knew lebron was a laker like a year before he said it yeah yeah like you know they

  • 28:25

    both going they'll be fine that would be fly and cleveland's pretty good so i mean if they continue with

  • 28:30

    this path it might kind of line up with where he's ranked oh and that lines us up with part two of lebron versus dan

  • 28:37

    gilbert oh man this is going to be excellent because if you think ronnie is

  • 28:42

    cutting into darius garland time rondo over there go ahead

  • 28:48

    yo go tell rondo that uh you need him to come out for the third quarter ann sexton

  • 28:54

    he just was eighteen for the season all right well i'm done with sportszone you're sporting me out

  • 29:00

    y'all sporting me i'm i'm finished with sports and it's wednesday i'm done i tell you what though that first

  • 29:06

    bronie lebron lob or vice versa is gonna be the one yes and that nft is already sold yeah

  • 29:14

    you think that the way brian lobb is a is a classic moment yeah that's it nfc that's it right there

  • 29:19

    nobody talk about that d ways nuggets on the job yes i'm working

  • 29:30

    all right so what else we got joe um i saw the kanye doc oh did you okay what do you think

  • 29:36

    it was great it was great right um

  • 29:41

    i ain't laughed that hard in a long time which part pressing doug infinite

  • 29:47

    yo now wait man hold up this shouldn't have been funny

  • 29:53

    but it was oh man i'm about to get in trouble let me think about tape

  • 30:00

    nah just let it fly bro no edit button no no no no because i was supposed to be at the

  • 30:05

    listening session look at more names i heard about it i was like

  • 30:11

    nah the kanye listening party oh donna ii

  • 30:16

    florida okay tonight oh it's actually gonna game says he's out there there's rumors that drake is going everybody's

  • 30:23

    going to be in miami oh you got to go no you don't no

  • 30:30

    so anyway i put the kanye dock on and i was there right i was there i saw my little cube that i

  • 30:36

    used to hang out in that was right before that rockefeller door and that was like the forbidden door back there

  • 30:42

    you couldn't go back there you had a fellow section you had yeah you can go to the rockefeller section the murder inc section

  • 30:48

    uh well disturbing the piece had a floor i think i don't remember but

  • 30:53

    [ __ ] like me couldn't go in there and if you didn't work there you couldn't go in there

  • 30:59

    and i was a young artist at that time so like i didn't have anywhere to go in there

  • 31:05

    in that entire building you got cool with rock at one point right well i was on rockefeller at one point so i thought

  • 31:10

    but then i was cool with all that i mean but you still couldn't go back there that was that he would be your sign now you can uh you know he's a lobby this is

  • 31:16

    a forbidden office and area you got no reason back here bro and anytime that door cracked

  • 31:22

    anybody tried to peek in there and it always looked like mass hysteria remember they had the kanye tracks

  • 31:29

    blasting they had just blaze tracks blasting yeah cam just got here oh [ __ ] we listening

  • 31:35

    to old boys wait that's coming right like it was different over there they moved different

  • 31:42

    so it was different right yo but this was the era where

  • 31:47

    you got to remember deft everybody's there the best of the best is there this is the era where you had to try to sneak and get your [ __ ]

  • 31:54

    listened to right because if you're not a priority and we're not focusing on you

  • 32:00

    we'll never hear what you're doing right and even if we hear it yo i'm not the person that needs to hear it

  • 32:07

    this ain't my job i'll tell such and such that it's hard so when he started playing all falls

  • 32:14

    down and wayne cleared this up already wayne what's in that clip shout out to wano wayno says uh that was not her

  • 32:20

    first time hearing all four you came in here did this 10 times and we know that

  • 32:26

    but what did she what did he want her to do and that's not her job she's not in the a r

  • 32:33

    no but the great the the greater part is he left her office and went to try and play it for carlene

  • 32:39

    who's jay's assistant and runs all of this [ __ ] so they're like okay we know

  • 32:45

    listen i got a meeting dog yo turn it off phone call yo can you turn that off

  • 32:51

    please like what are you doing and get these [ __ ] janky [ __ ] cameras out of here

  • 32:57

    right like imagine that ain't no cell phones in camp you in here with a whole camera crew now granted

  • 33:03

    ahead of his time ahead of his time should have been doing that yeah but you can imagine how that comes

  • 33:10

    off in the moment yeah in that era especially but now it's like no when you're not yeah you're not

  • 33:16

    hurt yet you're not a priority you're not kind of i don't care about who you are in that era having a camera follow

  • 33:21

    you unless you're the superist of superstars was weird like but i still didn't have that i'm saying imagine walking into the office as the lower

  • 33:28

    tier act with cameras following you like fam get the [ __ ] out of here yo think about it first of all that's the

  • 33:34

    universal building they wasn't even letting everybody upstairs so you had to clear a bunch of names right call who

  • 33:41

    are you with so forth and so on so yeah i can imagine that being a thing so that was funny right

  • 33:47

    uh damn what else was funny in this i thought it was hilarious seeing the internet kill wayne oh for that take and

  • 33:53

    it's like i was i was in the clip like i was i was there i enjoyed seeing that i enjoyed seeing

  • 33:59

    like the people that were there yeah like wayno uh saw scott the

  • 34:04

    animal clue that was funny it just it just helped you get a good idea of

  • 34:11

    you know what it does too help you learn kanye differently it did for somebody i mean we know a lot of this stuff the funny thing to me is he was kind of the

  • 34:17

    same then as he is now honestly but now when you got the money and the accolades the yeah you know what i'm saying it

  • 34:23

    puts you in perspective but you see wayno in this and you just realize how hard [ __ ]

  • 34:30

    been grinding and working facts you get what i'm saying like a lot of times you might not have known that somebody was

  • 34:35

    back in the 90s dawg like [ __ ] was there and now when you see him you know what i mean propelled or in the

  • 34:40

    spotlight you'll know all of all the grunt work that had to be go into their success right you know what i'm saying

  • 34:46

    that's kind of dope also watching this thank god

  • 34:51

    music conferences are finito

  • 34:56

    they were always horrible yeah bad [ __ ] idea imagine me newly signed

  • 35:03

    [ __ ] used to artists had to fight to get to these things

  • 35:09

    fans a music conference is where they had a whole bunch of radio stations and djs either go to puerto rico or go to

  • 35:17

    philly or just wherever the location was and showcase your talent your new artist

  • 35:23

    try to get some excitement going right and these were all the different mix show radio crews so i don't know who but

  • 35:30

    i'll just name crews on top like the heavy hitters the big dog pitbulls everybody had a crew yeah so these djs

  • 35:38

    throughout the years if your crew keep getting bigger and bigger well now your dj crew is a thousand of

  • 35:44

    the uh mick show heavy rotation djs and decision makers at the radio stations

  • 35:51

    so i need to be there to talk to y'all and that was the feeling he got hey the music conference is over here

  • 35:58

    let's go i'm watching that [ __ ] saying i don't know who should be more thankful that this is no longer

  • 36:04

    the artists or the artist executives because them little drill [ __ ] will

  • 36:10

    come up there today and get that record played oh yeah oh yeah let me tell you something all

  • 36:16

    that [ __ ] that y'all used to do where y'all was manhandling us that was trying to just let you hear a record the

  • 36:22

    arrogance that was coming from you djs this dog brought me back the dj's was artists yeah at one point

  • 36:29

    well they had all the power listen man this is a [ __ ] a [ __ ] wreck and it was you know we hear the

  • 36:36

    stories of artists like waiting for the dj's outside of the radio station to run up on them and press them to make it yeah it would be a

  • 36:42

    little different with the drill wrappers they press and go i'm watching different i'm watching this thing i had to tip my

  • 36:47

    hat to mace you got to remember how old people are on their run of greatness mace pop up on

  • 36:54

    the doc say yo uh makes 20 years old whatever 20 years old word and that was a couple

  • 37:00

    years into his run with what you was doing yeah man [ __ ] better not tell me nothing

  • 37:07

    about no god damn mace man then you just think how old big he was poc was

  • 37:12

    babies kids the people that we call kids today right like i think pog pounds yeah and 95.

  • 37:19

    that's why we got to stop we gotta stop because we was whatever they're doing now

  • 37:24

    they'll be talking about this predatory shut up joe it was predatory

  • 37:30

    they was just what they were searching for was different so our represent our representation

  • 37:37

    was different or it mirrored what was going on then maybe the way what's going on now is merit

  • 37:42

    in the music not to get all philosophical here but yeah glad that music conferences are no longer a thing

  • 37:49

    excited about that uh holy [ __ ]

  • 37:54

    the importance of a diss track this brought back that [ __ ] was in route somewhere

  • 38:00

    and listening to the radio and this man back home played the diss track premiered it debuted yeah oh got to go

  • 38:06

    back to that now i'm taking my diss track to radio premiering it car you got to pull over

  • 38:12

    you got to catch this this is in real time radio airwaves

  • 38:17

    i don't know maybe i'm just nostalgic that was a big thing to me also who do we have to thank respectfully of

  • 38:24

    course always respectfully

  • 38:29

    but thank god that most def and talib didn't get that brooklyn's finest beat

  • 38:34

    what do you mean the brooklyn finest beat that wasn't the

  • 38:39

    brooklyn fighters b it was a redo of the brooklyn fighter speed that they were going to redo glad it didn't come nah i disagree

  • 38:48

    [ __ ] i disagree i disagree though

  • 38:54

    most stuff is that dude and in that era most definitely equality were on fire stop it yo

  • 38:59

    i mean it wasn't big enough stop it your butt what are we doing here you're not gonna get me to say nothing

  • 39:04

    bad about most def and tyler but that's biggie and jay on a classic

  • 39:10

    all these terrible replays we've heard over the years and that's the one nah i'm sorry i would actually like to hear that i hope it exists somewhere and

  • 39:16

    someone puts it out well that would be nice super dope and again and again

  • 39:22

    and again had a run in that era of like get by and guerrilla sumo wrap and all they made a lot of good records together

  • 39:29

    i would like to hear that everybody named mother rap don't get by and everybody ain't doing tyler did yeah i

  • 39:34

    would like to hear that truth be told [ __ ] out of you

  • 39:40

    i hear what you're saying and we're not asking ice we're not asking us we're not asking you so don't even watch it i said nothing

  • 39:47

    there's a little there's a little quote running around we don't have to stay on it but the

  • 39:52

    quote says uh y'all treat y'all treat uh andre 3 000

  • 39:57

    the way y'all should treat most deaf i disagree but most stuff should be

  • 40:02

    treated a little bit more uh respectfully i think a lot of more all right cool stuff is

  • 40:08

    that dude i agree uh you know a lot of more this is the sad part to me if he was in new york he if he wasn't

  • 40:15

    from new york he might get that praise potentially i guess he's so brooklyn

  • 40:21

    though i know like i don't know if that's even possible i don't why would it be if he's in

  • 40:26

    new york got the greats that get that praise why would that matter i think i think because he's not that style of hip-hop yeah not that style of hip-hop

  • 40:34

    new york hip-hop is not known for that new york hip-hop is known for gritty drugs street [ __ ]

  • 40:42

    if you understand like if andre 3000 might have been from new york he might not have gotten that

  • 40:48

    you know what i'm saying and again it's all hypothetical it's never could happen but you never know i think

  • 40:54

    sometimes the internet throws a question out there that's interesting enough for me to ponder most stuff is a superstar

  • 41:00

    and he chose to kind of walk away from it so i respect it but he wasn't that dude and he's a highly

  • 41:07

    highly highly underrated actor as well you guys gonna say you're also good he gets busy in that in that in that form

  • 41:15

    i just want to close out some of my observations from this kanye dock

  • 41:21

    uh him driving up the price in a bidding war or attempting to that was nice

  • 41:27

    back then trying to when he had the columbia and r or whoever that was say we've been trying to sign you perhaps capital we've

  • 41:34

    been trying to sign you for x amount of years but he couldn't convince the powers that

  • 41:39

    be that this needed to be done but we always say it here there's always one person assigned

  • 41:45

    with convincing the people that need to be convinced why this is getting greenlit the shout

  • 41:50

    out to the a r that worked for raucous i forgot what his name was but he kind of like mapped out kanye's whole [ __ ] in

  • 41:56

    that direction his career one minute segment like he saw that [ __ ] clear as day and they didn't sign over there for

  • 42:03

    whatever reason well because that person still has to go and

  • 42:08

    convince the label here the label to take a chance on raucous might still

  • 42:14

    be here had they taken that chance so let me ask you

  • 42:19

    or not you think that or not yeah or not no i was gonna say you think kanye would be the same kanye had he not

  • 42:26

    signed a rockefeller i think that was a marriage that that proved beautiful for both sides exactly you guys are

  • 42:33

    ruckus made big l go no i'm not listen to what i'm saying

  • 42:39

    if you all to help me we could body slam them if y'all help me

  • 42:46

    yeah rockefeller was influential in his trajectory sure if not for rockefeller

  • 42:53

    we might not get the diamonds are forever that's true we might not get the rihanna features and all of those great

  • 42:59

    great great songs that he put out that's true he might not have been with the just blaze going back and forth you know what i'm saying like the jay-z influence

  • 43:06

    and that played a lot in his career yeah but he was already he was production-wise he was already doing the

  • 43:12

    back and forth with justin but that was gonna happen regardless the super stardom that being aligned with

  • 43:17

    rockefeller records hottest hip-hop label around jay-z your little brother-esque

  • 43:23

    that changes at raucous let me just jump in ain't nobody at rock us doing let me let me just i mean bad albums are wet

  • 43:30

    platinum for people that should not talk about platinum though i'm not just like i'm i don't think we just said that yeah

  • 43:36

    we talked about superstars yeah you didn't have the superstars over there that you could align yourself with that

  • 43:42

    could not project push you to the next level that's all i'm saying we don't know that's a good word over there i think you guys are uh

  • 43:49

    remembering ruckus wrong who's the biggest act that was on rockets they had most they went platinum they had uh

  • 43:54

    pharaoh mush that went platinum the album didn't get pulled they had tyler quality they went platinum with the uh

  • 43:59

    or gold whatever big l they went platinum gold these are all underground acts that were pushing major [ __ ] units

  • 44:06

    could have went there [Music]

  • 44:17

    truthfully i want to rhyme like common sense but i did five mil that i ain't even been coming

  • 44:23

    like that but the thing about i wanted to jump in and kind of dead y'all argument

  • 44:28

    because both things happened which kind of led to my next point which is watching this doc

  • 44:34

    it brought back and this don't happen no more well not to my nose what happens when two different labels

  • 44:41

    work together because that is what happened both of y'all points happen

  • 44:47

    he wasn't officially signed to raucous but when rockefeller paid him zero mine it was raucous

  • 44:54

    stamping him moving him the talib show just he went on tour with tyler

  • 44:59

    he was unofficially backed he was about

  • 45:05

    and that machine was kind of doing what it was doing and it propelled him to that combination

  • 45:10

    of i got most i got to live they say complain as day in the doc my man yo you right in between you're

  • 45:17

    not rockefeller you're not dumb but you're not like you're both you're the evolution of

  • 45:23

    this so that was on full display i think he needed those relationships with raucous it molded him even if the machine couldn't take him

  • 45:29

    where it needed to the training and the artist development and what he got moving to new york or hoboken really i

  • 45:37

    don't know why they didn't shout out jerseys

  • 45:44

    but either way jersey should've got shout out did it no right we don't get respected well they put newark up they oh okay but i'm

  • 45:51

    just saying what he was going through as just a transplant i moved here it's just my beats this is what i got he did it yo

  • 45:58

    he did it yeah and like what he pulled from common what he pulled from most what he pulled from

  • 46:05

    tyler like to morph into like that's the thing that fans take for granted right

  • 46:10

    and i'm off in a kind of a rant now but [ __ ] it i'm passionate about this the the greats and we'll get to that

  • 46:16

    next what superstars exist in hip-hop because punch asked it okay

  • 46:22

    the superstars pulled from a few places absolutely and continue to do they not continue to yeah

  • 46:29

    they are not just themselves yeah but that's what anything like basketball

  • 46:36

    you steal dwayne wade step back you might watch it on film be like damn i need to put that in my arsenal you're

  • 46:43

    gonna take such and such as this you're gonna take such a such as crossover and you're gonna incorporate them into your

  • 46:48

    game making your game that much more deadly so him hanging around

  • 46:53

    talib and i'm like he said even on his first album he was like yo going on tour with tyler might have been the best

  • 46:58

    thing that ever happened to me as a rapper he says that on the first album i'm sure yo when you get into this

  • 47:04

    again i'm on just nerdy [ __ ] now like when you get into that basketball analogy

  • 47:11

    it's fun to insert the rappers and view it from their perspective that

  • 47:17

    same way right like when james harden is seen in off-season

  • 47:22

    working on some new to the side step back fadeaway baseline three that goes

  • 47:29

    in as a rapper you now gotta sit there or basketball [ __ ] now i gotta defend i

  • 47:34

    have i have to defend on it i have to go work on that i got to deal with the people that could do that like as a

  • 47:40

    rapper you listening to [ __ ] drake had to go through mad [ __ ] like i could see you could see why he couldn't get on in

  • 47:46

    0.607 with comeback season we're not on that right now you listen to what's happening out there

  • 47:53

    he had to come and when that happened then other than up now we got to go in yeah we gotta add

  • 47:59

    this now we gotta when meek was in the studio with um little

  • 48:05

    said it like yo these [ __ ] is washing me up i gotta go i gotta adapt i gotta evolve i gotta get

  • 48:12

    with the new [ __ ] yeah it wasn't no euro step back in the michael jordan days you gotta deal with that now so it's the

  • 48:18

    same thing any i think anything as evolution comes you got to kind of and there's some [ __ ] just exempt from

  • 48:23

    that like kendrick and kohler exempt from that they do although they probably take a little hint

  • 48:29

    you listen to kendrick oh i know i know i'm not saying that they don't

  • 48:34

    i'm saying they could well we know they pulled from places like i think one of the first times i've seen kendrick you might have been lying

  • 48:40

    and said yo pump it up it helped me uh learn how to write a hook i was like wow interesting you pulled that from there

  • 48:46

    like you just aren't intrigued by what they pull from where you're not saying doesn't have a traditional course yeah

  • 48:52

    he lied four minutes you know somebody the other day and i hate to make the people on the bingo cards

  • 48:58

    right like they say i say my age and pump it up at least twice every pod i really want to stop doing it but one of

  • 49:05

    these little [ __ ] sent me a drill beat from pump it up

  • 49:12

    it was hard it was hard it was i should have saved it i didn't

  • 49:17

    i kind of liked that it was hard i've been hearing a couple of the like classic records classic rap

  • 49:22

    records being flipped into drill beat like i heard um drilling mary and fabio flipped

  • 49:31

    and it's a drill b right so i'm not mad at taking our hard records it happens

  • 49:38

    yeah i ain't mad at it bro also on the dock

  • 49:43

    but we don't show crucial conflict enough love that's right always that's facts

  • 49:49

    and twister it's true trust her yeah it's true it's just true

  • 49:55

    that doc was uh refreshing to watch i can't wait to watch the other two two parts i hope that the next two parts are

  • 50:02

    are as compelling i'm sure they will be because early his story is really compelling it is

  • 50:09

    but to watch now the ascension is going to be crazy that's the part that i kind of want i

  • 50:15

    don't want to see [ __ ] i don't want to see part two i'm curious words i don't want to see what

  • 50:20

    happens when college dropout late registration because then we could start to well he has final edit so

  • 50:27

    but i don't want to see him in his tumultuous not tumultuous just his

  • 50:33

    ascension when when see here we saw the guy that was confident but timid

  • 50:41

    right we saw we saw some of the traits that exist but in a very early stage i

  • 50:47

    don't want to see it blossom fully back where it's like yeah yeah where it's like i know i'm the [ __ ] but now y'all

  • 50:52

    know i'm part three might be that i don't think part two will be there i think part three might get him there

  • 50:58

    because i think part two will be because he's about to go crazy college dropout and all of that you'll get that on the

  • 51:04

    next one i don't think part two will have that i think part three will have it because i think part two is going to

  • 51:09

    really start to show his level of genius you know what i'm saying like i think

  • 51:14

    part two is really gonna start showing this nigga's really really really gifted i just can't wait to see graduation

  • 51:22

    error was my favorite kanye era sam so i can't wait to see is donda ii a gospel album

  • 51:27

    it's got the one that wanted you yes yes yes i believe so the future is executive

  • 51:33

    producing a gospel album possible i guess so yeah i'm gonna leave it alone until more information is

  • 51:39

    revealed on this and rest in peace to donda how could i have that entire conversation and not say that that was that that was the best part of the yeah

  • 51:45

    for me for me for me i like seeing dudes with their moms yo me too i do

  • 51:51

    and i don't know if i see it enough to be honest like that's something that the women

  • 51:56

    tried to shame us out of by calling us like mama's boys and [ __ ] like that don't i'm not gonna do come on

  • 52:04

    great great uh doc all right well we got parts two and three coming up we'll review those two

  • 52:10

    for y'all so you think we're actually getting down to two tonight then no no no i i spent the car ride telling us

  • 52:16

    that it's happy baltimore day it is today is 2 22

  • 52:23

    22. and it's a tuesday that is at officially ice

  • 52:28

    and when they pull out that's you wait

  • 52:42

    i don't love baltimore but you know yeah guys just happy baltimore day well you don't love [ __ ] no

  • 52:48

    why [ __ ] the ravens i hate baltimore it's a football thing i hate cities

  • 52:54

    based on the team that's my right we're so ignorant as a people yo because look how easy it is to trick us

  • 52:59

    yo sports sports every time you got it every time

  • 53:04

    you can yeah yeah exactly great thank you fans yeah move to pennsylvania and hate baltimore yes you can right next

  • 53:10

    door this nigga's crazy i don't have a place geographically that

  • 53:15

    i hate because of the sports rivalry let me just throw that out past that i'm not way past that i used to probably think

  • 53:21

    that way but after like touring especially how many times [ __ ] just took that quick ride up to

  • 53:27

    i couldn't fam i couldn't be in new york being a cowboy fan if i hated the spot

  • 53:32

    based on the you know what i mean the competition wouldn't keep me out of normal jeans

  • 53:41

    i had no money i still went up to normal jeans no then we went to uh two o'clock no

  • 53:48

    you went with me up there right that to the other spot kevin lost

  • 53:54

    this

  • 54:08

    he walked

  • 54:14

    that's like when the [ __ ] go get surgery and they won't wear the little fire yeah lazy they will not you got to do

  • 54:20

    the post work

  • 54:26

    uh superstars and rap punch always just think of some [ __ ]

  • 54:32

    time i don't know why punch does this show i love when you do that yeah but i wish he would stop doing this

  • 54:37

    why it's a good yeah that's a question short

  • 54:44

    provoking question everything punch says is thought provoking and then he disappears like a thief in the night

  • 54:50

    that's the best way to do this he gets your brain going so now i'm obsessive compulsive

  • 54:56

    and now he just goes back to [ __ ] doing whatever he's doing in the studio him day like chilling smoking whatever they're doing yeah no i don't like that

  • 55:01

    that's the best way to do it i was not thinking anything at all about how many superstars are in rap but

  • 55:08

    fine let's go through it and he says besides uh kendrick cole

  • 55:13

    drake and nikki who is there he also made it a point to say we're not talking about your

  • 55:18

    favorite artists which fans do a lot of course we're talking about the superstars all right so did he define

  • 55:25

    superheroes what's the superstar i'm asking who has a legitimate shot at

  • 55:31

    being the next uh superstar uh you know i don't know if he said what that is okay

  • 55:37

    but this is where for me it made it tougher to figure out what and who a superstar is

  • 55:42

    back to times changing from the kanye dock right back then the only people who could get certain

  • 55:49

    brand deals were superstars right that was reserved for

  • 55:56

    top of the top yeah today that's not really the case true today if you have a

  • 56:02

    good team good management good brand everyone's getting deals all over everybody's getting deals so that blurs

  • 56:08

    the line a little bit right now back then we could easily look at the charts and

  • 56:14

    the record sales and say this person is a superstar radio spins

  • 56:20

    yeah today i don't think many people could tell us what a hit record is

  • 56:26

    true that's changed because the mediums have changed true so our metric

  • 56:33

    is changing how do you tell what a superstar is unless they make it overtly

  • 56:39

    obvious like kendrick cole drake nikki wayne kanye jay

  • 56:46

    i stopped cardi b is a superstar yup cardi b is a superstar

  • 56:52

    don't gotta think about it cardi b is a superstar um i i'm going to argue

  • 56:58

    that sorry it's a superstar no you can't argue that oh okay but i'm not gonna call cardi b i don't

  • 57:05

    know if i'm gonna say she's a rap superstar which is what he asked

  • 57:11

    i i don't know when cardi's next project is coming i'm sure it will because she tears my ass up every time i say it

  • 57:16

    won't come so i'm sure it will but i asked the cardi fans

  • 57:23

    objectively how many albums do you think you're getting from her career-wise

  • 57:29

    that's an objective question we don't even have to answer it because they might tear us apart no but i don't think but she but she is a superstar i don't

  • 57:36

    think that's a metric though he said look he put it in quote superstar and rap i think that's there for a reason

  • 57:42

    i'm never arguing carter y'all know i'm team cardi all day yeah but she's absolutely superstitious superstar in rap

  • 57:49

    nah because i don't know if i'm ready she has to be a super she's a superstar in rap because she has done nothing else

  • 57:55

    where i'm from you didn't even acknowledge people with one album in these conversations yeah but so i know i

  • 58:00

    may be outdated but i'm not calling nobody a superstar off one album and rap in rap but superstar is based on

  • 58:09

    your public appeal it ain't based on your rap cells how good you are none of that it's based on

  • 58:15

    my mother knows who cardi b is and my mother's 70 something years old i think that's what i mean i think about that's

  • 58:21

    what i think yeah but you're who you say your mother my mother knows who cardi b is okay but my mom knows who cardi b is

  • 58:27

    your mother's way if we ask either of our moms to name five cardi b songs maybe they struggle

  • 58:34

    because they know her brand her likeness her appeal i.e super stardom hey i'll

  • 58:40

    tell you like this i'll tell you real quick anybody do a write-up on cardi b do they

  • 58:45

    say rapper cardi b yeah yeah they do she's a superstar in rap joe

  • 58:56

    is that i think you'll be hard hard hard pressed to find anybody that does just

  • 59:02

    rap now in 2022 and is super super i don't even think he's saying but no but but

  • 59:08

    with cardi b and her fame stemmed from rap music she hasn't really been in many movies she hasn't you got

  • 59:15

    them saying like ludacris is

  • 59:20

    even though it doesn't sit right in my soul she say these types of things about somebody which she's a bonafide she's a

  • 59:27

    starting question she can't go outside what if she never drops out again she's still and i don't think that will happen

  • 59:32

    so i'm just throwing it out there to y'all she's a superstar don't change where she at right now she's still a superstar nigga's just crazy mm-hmm

  • 59:39

    y'all crazy though you could be a superstar and fall off no depending on what else she would do like if she just sat at home now her her

  • 59:46

    super stardom would dwindle but if she started being in movies if she started doing other [ __ ] she would definitely

  • 59:52

    keep her super stardom like if she took she's gonna understand what did you say you said if she's at

  • 59:57

    home she didn't make another hip-hop art album right i do not know that her superstar would dwindle it that hey joe

  • 1:00:04

    no if she didn't do anything else it would dwindle because she wouldn't remain relevant

  • 1:00:10

    now if she jumped into acting if she jumped into movies or some other vices or avenues i don't think her super

  • 1:00:15

    stardom goes anywhere let me ask you real quick let me ask you real quick are our

  • 1:00:21

    gyro 50c ludacris they're rap superstars they don't never

  • 1:00:27

    have to rap again they were still started in rap they took it and branched off and did a whole bunch of extra [ __ ] there was three names that you just said

  • 1:00:34

    ja rule 50 and ludacris started off as rappers became superstars

  • 1:00:41

    and it stopped because i don't we i do this thing a lot and maybe it ruins the pod because i'm i don't agree with it

  • 1:00:48

    you don't agree with that it's the people that you just named 50 cent almost went diamond twice okay

  • 1:00:56

    that takes him out of the point that i'm making with cardi b same with ja rule and the same with ludicrous i'm just

  • 1:01:02

    saying you know how many times ludacris had to sell five million records no i i don't even think john's a superstar 50

  • 1:01:08

    was a superstar on his first record though it don't matter how many times he didn't okay listen

  • 1:01:15

    i'm just saying though like what three diamond singles they were yeah and that's why i'm down to shut the [ __ ] up

  • 1:01:20

    right because back to the kanye dog in that time and i'm outdated

  • 1:01:27

    you couldn't you had to go be a superstar yo you had to go

  • 1:01:33

    learn to walk learn to walk in the hills learn to dance learn to dress stand in the mirror get your hands you had to

  • 1:01:39

    earn every pair of eyes today that's different

  • 1:01:44

    today the process goes different so y'all may be totally correct

  • 1:01:50

    it just may be uh it's a faster process yeah it's exercise because it's still

  • 1:01:55

    the process yeah but that's like but that's like us calling something a classic without allowing the time to pass but but still we know without the

  • 1:02:02

    time past joe even with it being faster we watched cardi do all everything you just named we did we watched everything

  • 1:02:08

    you just said we watched cardi do no we did not we did what are y'all all right she has my i started this yo i'm done i

  • 1:02:15

    started this which he has one album out i'd like to see what happens with the next one the other stuff the the she did

  • 1:02:21

    all that she said she did all that the walking the talking she's done all of that and this is a time where it ain't about albums it's about records it's

  • 1:02:27

    about singles and like he said she got three diamond singles this is the time we're in now because we're in the microwave society yo i

  • 1:02:33

    support cardi i don't want anyone out there to misconstrue my argument my position or what i'm saying you might

  • 1:02:40

    never get another cardiologist you will get singles let's move it forward who else besides cardi is there that would qualify for that superstar um what's the

  • 1:02:47

    names we had cole kendrick we're not allowed to use hove y'all would hate him y'all would hate my other

  • 1:02:52

    woman rapper theory um i got a lot more that i don't think is pretty easy let me ask y'all he says

  • 1:02:58

    curse oh yeah does [ __ ] does meg qualify as a superstar no okay i'm gonna find something for us

  • 1:03:05

    to talk about no i'm asking why yo i'm asked i'm not the person to answer

  • 1:03:11

    your question no no i'm just saying because using the same metric like can't you can't same metric tyler's a

  • 1:03:17

    superstar yeah tyler's superstar yeah

  • 1:03:25

    joe stop looking at it with 10 years ago eyes stop it you think tyler can just walk

  • 1:03:31

    around yo stop it yo stop it i'm not saying nothing cause i'm like wait wait wait wait wait wait wait wait

  • 1:03:36

    wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait wait my mother-in-law i don't know who he is my mother won't know who he is mad people don't know who the [ __ ] tyler

  • 1:03:42

    creator is we hip-hop that's true superstars are trans the rap superstars now have to cross over a little bit like

  • 1:03:49

    you gotta look at your post malone's [ __ ] like that they have the post malone dozier cats those are superstars we

  • 1:03:54

    might not put rap on him so i'm cool but upset but that you have to transcend you

  • 1:03:59

    you can't you're just right no more yeah you got your genre today you got to blend it yeah and i

  • 1:04:05

    don't listen i don't know no your age your ethnicity your genre of music you have to

  • 1:04:11

    step outside of that to now be recognizable worldwide

  • 1:04:17

    conversations are difficult to have like with people that don't really have an understanding of the music industry

  • 1:04:23

    because we're just talking superstardom i'm not talking about sales i'm not talking about but for superstars you have to

  • 1:04:28

    you got to blend it a little bit you got to be a pop star baby you basically got to be a pop star pop music is popular music and i don't think you could be a

  • 1:04:34

    superstar in hip hop without branching over i don't think so that list would be

  • 1:04:40

    pretty limited probably doja and uh if you consider post malone a rapper i guess

  • 1:04:46

    i mean his album comes out it's in the hip hop slash rap captain well then he was asking who has the potential little baby little baby

  • 1:04:52

    he has the potential got a lot of work to do but he might have potential he's getting eyes

  • 1:04:58

    everywhere he's getting all of you he's the probably the only person i would say that has the potential to be a superstar

  • 1:05:03

    if if the baby could keep away from the

  • 1:05:12

    he was knocking on the door he might have been knocking on the door yeah i'm with you there travis travis oh yeah that's the

  • 1:05:18

    superstar travis saying stupid superstars can be born overnight that's what i'm hearing no nobody said

  • 1:05:25

    that it's not myself it has the potential to be which means with the the proper work the proper training the

  • 1:05:32

    proper media [ __ ] you can you can get there you travis scott no travis scott's a

  • 1:05:37

    superstar he's definitely there all right everybody from your kids to

  • 1:05:43

    travis scott i think i put him in the same group as tyler pam you can't put him in that group

  • 1:05:49

    we talk about star power we're talking about when you can post your festival and sell it out for hearing you're in fortnight and you're

  • 1:05:56

    all hold up rapper though still around my mother does not know who that is and eminem is a superstar but i don't care

  • 1:06:02

    yeah i don't think that

  • 1:06:08

    he's transcended ages in that demo like ages

  • 1:06:17

    your moms might not know but the i don't know one step all the way down to a six-year-old knows

  • 1:06:22

    that's a wide age range that knows travis scott that's kind of true i just don't know the 50s that i'm just

  • 1:06:28

    identifying with travis scott like that i don't know that man and they might know him and and the 50s might know him

  • 1:06:33

    for who he's who is his girl is his mom you know they might know him for other reasons but they heard the name y'all

  • 1:06:39

    might kill me no not as x is a superstar not yet he has the potential to be so

  • 1:06:45

    he has the potential he's not yet but he has he he has the potential to be

  • 1:06:50

    he does i don't know about that one i think so

  • 1:06:57

    because he can branch off and do mad [ __ ] like i wouldn't be surprised if i saw him most in the talk show or being

  • 1:07:02

    in man movies and [ __ ] like that he has the potential to be a superstar this is kind of punch's original statement kind

  • 1:07:08

    of goes to what joe was saying it might be over for the superstar nothing is sustainable superstars are based off

  • 1:07:14

    moments that last nothing lasts more than two days now when mike jackson moon walked across the stage at the motown

  • 1:07:20

    show that moment lasted decades that's what he was saying about this [ __ ] is happening too fast

  • 1:07:25

    i'm this conversation but again it's it little nas x has never sold over two hundred thousand records

  • 1:07:32

    uh old town wrote i don't care i don't care but little nas x has not sold over

  • 1:07:38

    two hundred thousand albums of a song you telling me about what keeps trying to tell who you're worried about that's

  • 1:07:44

    you looking at it with old eyes joe it ain't about an album no more i'm sorry it's not it don't take an album a string

  • 1:07:51

    of records can make yourself hate when y'all do this y'all are expressing what y'all think i'm now countering with what i think

  • 1:07:58

    okay there is nobody in the superstar conversation that don't sell albums like a superstar

  • 1:08:05

    so y'all keep telling me about today's updated microwave fast [ __ ] how many

  • 1:08:11

    hours no i'm not subscribing to that that don't mean you look good you don't

  • 1:08:16

    have to argue with me about my opinion you have to but look at the names that we all that he agreed they've all sold

  • 1:08:22

    albums and now all previous they're all pretty sold albums [ __ ] has changed

  • 1:08:30

    you cannot be i'm telling you what i think you're not a superstar if you can't sell albums okay what the [ __ ] are we talking about right now you can think

  • 1:08:36

    that well that's back to well if that's the case then we're throwing meg in there like ish said

  • 1:08:41

    cause what stops her from being a superstar if we're taking out sales she ain't sold [ __ ]

  • 1:08:47

    got every brand deal in the world but has also has all the backing from mad different pizza you got a lot going on

  • 1:08:54

    what does that happen with this brazilian pardon me it's gonna happen when you [ __ ] not a superstar because that's the game today griselda has a lot going

  • 1:09:00

    on there's mad artists they have a lot going on your management team got to be a whole [ __ ] company of people your

  • 1:09:06

    [ __ ] stylist got to be from here you got to have a team of know it all people y'all just mixing rules up

  • 1:09:13

    guys i'm just saying [ __ ] games changing evolve man i hate to be the one to tell you it ain't going to stay don't say

  • 1:09:18

    where years ago you're right but it ain't there now you still got to know how to sell a [ __ ] album when adele come out you got to move

  • 1:09:25

    when [ __ ] come out you got to move which is why i said that you got to be a pop star no when a superstar comes out you rescue you

  • 1:09:33

    mortal mere minion [ __ ] have to move nobody does that for little non-ex

  • 1:09:38

    nobody does that for the seven meg the stallion releases that dropped over the past two years what are we saying

  • 1:09:44

    the person he missed off his list is kanye well he's there already i'm just saying but that's the one that no kanye's there wayne's dead

  • 1:09:51

    we talking about now so we're not trying to get joe out here i'm doing that so my thing is

  • 1:09:56

    when you say the word superstar i agree with you now that if you are a superstar

  • 1:10:01

    then you should be able to move whatever product it is you're selling i don't give a [ __ ] if it was water you should

  • 1:10:06

    be able to sell a bunch of waters if you have superstars the superstars could try their best to drop an album and sell

  • 1:10:12

    under 200 000. they would fail every time and that's why i have travis there that's the one that today so i think

  • 1:10:18

    it's more things that encompass superstar quote unquote and i think a big big piece of that

  • 1:10:25

    which which is why i mention meg i don't know about her album sales right i don't know nothing about that i just know that

  • 1:10:31

    she's popular as [ __ ] she has superstar power if you can say meg the stallion's name and [ __ ] know who she is

  • 1:10:39

    that says something it's a lot of [ __ ] that move units that are nowhere near as popular as mega stallion

  • 1:10:46

    so that's my thing what's up [ __ ] vince staples this is an angry joe budding calling you live from the

  • 1:10:53

    [ __ ] joe budden podcast i hate when these [ __ ] piss me off yo what what happened what they do we

  • 1:10:58

    talking about superstars i'm hanging up with you and calling punch right after this we talking about superstars today

  • 1:11:04

    and who the [ __ ] they are and what it means i'm only calling you to ask

  • 1:11:09

    does a superstar have to have the ability to sell albums yes

  • 1:11:16

    wait no no no not today though i see what you say it depends like the reason it's not give it to me as i feel no

  • 1:11:22

    you want the long version yeah yes all right so look when you think about music right when you think about the

  • 1:11:29

    beatles and all you need is love and woodstock and these movements right what makes people be able to become

  • 1:11:36

    superstars think about michael jackson being on mtv and you know being one of the first black people to have a video

  • 1:11:42

    is by for like being able to overcome certain [ __ ] and just things in life

  • 1:11:48

    that can kind of parallel to music as people we became so [ __ ] desensitized

  • 1:11:53

    to the world around us it's going to be really hard for that music to connect in ways that it has in

  • 1:11:59

    the past like you think about the last huge songs we had and one of them might just be me being a west coast bias

  • 1:12:05

    but thinking about like [ __ ] donald trump yg and if she also being tied to that political campaign or thinking

  • 1:12:10

    about kendrick we're going to be all right being tied to those protests and things like that it was things jesus my president is black

  • 1:12:17

    what'd you say jeezy with my president is black yeah my president is black them kind of things kind of make stars

  • 1:12:23

    essentially because you become larger than life because you being able to attach yourself to something in the real world that's happening like i don't

  • 1:12:30

    think that that's we we so desensitized to life that it's impossible to happen and also the music industry is so shaky

  • 1:12:36

    and jaded that um when you look at how we counter albums and all this other [ __ ] it kind of makes

  • 1:12:42

    it impossible to let you have a tangible connection with people like what makes you a britney spears is like you know

  • 1:12:48

    little girls her being the focal point for these little girls to see and her change in the way that they dress the

  • 1:12:53

    way that they look now you can get that [ __ ] off a [ __ ] i got an instagram page so it's kind of harder to

  • 1:12:58

    be a superstar this boy then it kind of has ever been like when we think about our last superstars we had in hip-hop

  • 1:13:03

    i'm pretty sure we'll think about you know like travis scott kendrick j cole people that's that love that big

  • 1:13:09

    and they were still in the point of time where physical albums were a thing and if you think about like someone like

  • 1:13:14

    billy eilish who is you know a pop star so to say nowadays she's not someone that everyone has to

  • 1:13:20

    look at because the way the algorithms position [ __ ] in front of your face and the phones and things like that it's just i feel like to be a superstar

  • 1:13:26

    everybody got to know you whether they like you or not and i feel like the internet makes that almost impossible

  • 1:13:32

    see and that's where we defer because to be known

  • 1:13:38

    is a caveat that has to exist but you have to move products

  • 1:13:48

    when you said i thought you meant specifically music i don't know you meant product as well because my thing is kanye might not sell as many albums

  • 1:13:54

    as i don't know a little bit arguing with kanye's genius yeezys or

  • 1:13:59

    gap hoodies you know what i'm saying punch put superstar in rap in quotes i i hate that this question even got us

  • 1:14:05

    like this here but he put superstar in rap in quotes so when you say that

  • 1:14:10

    i think how many hey let's go by the day [ __ ] albums they're getting rid of albums right so you're right i'm old school

  • 1:14:17

    [ __ ] albums i see some of these other artists that people might think are superstars doing

  • 1:14:25

    everything in the world to push and sell certain singles i don't think the superstars have to

  • 1:14:31

    behave in a certain manner no not not at all not at all bro okay i had a conversation i had a conversation with

  • 1:14:37

    what's the matter who was today okay and they were telling they was telling me like oh you know we see you as this and as that but then in the same breath was

  • 1:14:44

    like make a tick tock and i'm like these artists that you name it and your goals aren't doing these things so i feel like

  • 1:14:49

    i feel like we we just you know it's all love i know i know why they said why they said what they said whatever but i agree with you and when we say product i

  • 1:14:56

    think the product goes outside of music because we think about kanye's superstarter he's not selling as many

  • 1:15:02

    albums as a lot of people are consistently for the past couple years but these [ __ ] ain't got [ __ ] lining up around the block

  • 1:15:08

    for tennis shoes and these [ __ ] aren't changing the stock price of gaps so when you say like product 100 agree i

  • 1:15:13

    think that the product is being is being changed that's what it can be made for me because of how the splits and music

  • 1:15:19

    have gotten worse over time how to keep reinvented streaming rules and things of that nature so when you walk in target and you see a billy irish dog next to

  • 1:15:26

    the legos like that's product that's super stardom too and it's good product placement

  • 1:15:32

    no but when you got meg pushing [ __ ] sauce for popeyes plus a whole bunch of other [ __ ] that's

  • 1:15:38

    pushing and that's not superstar for me that's not that's not but no but no no no no no no that's cool

  • 1:15:44

    yo joe you got a point though because you gotta think when you've seen travis scott at the mcdonald's you've seen mobs of people

  • 1:15:49

    so you can you can do these people in the same situation i think what joe was saying is the end result is different

  • 1:15:54

    out of everybody who had those fast food deals travis scott the only [ __ ] that had thousands of people in the

  • 1:16:00

    parking lot out of mcdonald's family they were snatching the the posters off the window stevens that's why i call you

  • 1:16:05

    man you have a way of articulating my thoughts better than i've ever have man but you said travis i know i i i know

  • 1:16:12

    exactly what you're going there but like also but what you got to realize is like everybody is like i feel like today

  • 1:16:18

    and when it comes to the bottom line the monetization and like the just the ownership and like just the say you have

  • 1:16:24

    i feel like it's harder than ever for the artist because i think we've replaced a lot of you know currency and

  • 1:16:30

    a lot of actual opportunities with this blinding fame monster to where if a [ __ ] gets a

  • 1:16:36

    certain amount of views a certain amount of instagram posts a certain engagement like it's a reason it's the reason that they put your engagements in your

  • 1:16:42

    breakdown before you put out album your marketing plan and they don't put you know your the breakdown of the percentage of the streams that you're

  • 1:16:48

    about to get they never put that in anybody's plans but they'll tell you how popular you are but they won't tell you hey by the way two months ago they

  • 1:16:54

    changed how much money you got paid because that they paying us in attention now so it's kind of hard for artists yeah

  • 1:17:04

    [Laughter] hey look man hey look man joe buddy network make sure that y'all checking

  • 1:17:09

    out the patreon get all your tears don't be no bitch-ass [ __ ]

  • 1:17:28

    give me later you know it what a guy yo

  • 1:17:34

    yo that [ __ ] smarter [ __ ] the future of the record business you're gonna have to deal with these [ __ ] oh no

  • 1:17:39

    yo these young [ __ ] is ready for y'all i'm siding with the creators yo i'm telling you these young [ __ ]

  • 1:17:45

    getting all this [ __ ] out of that's the other thing i left that [ __ ] kanye doc saying well yeah i'm sorry with the

  • 1:17:52

    creators we're looking at one of the greatest in the doc but as they just maneuvered around i'm like yo

  • 1:17:59

    behind yo everybody's job started with somebody's great idea

  • 1:18:06

    that's what i think what you mean everybody's job started with somebody's great idea yeah yeah that exists every

  • 1:18:12

    last one i tried all week and to debunked it debunked the theory yeah every job everyone

  • 1:18:19

    you could try but i know you that [ __ ] so you're gonna try but uh moving on man shout out to vince he's always a cheater

  • 1:18:24

    he's and i don't even need to call punch now yeah yeah yeah i don't need to he put it

  • 1:18:30

    right there he he hit it home yeah but yeah you got to be able to it's a

  • 1:18:35

    lot of [ __ ] that do pop-up shops some of them they break when they announce like

  • 1:18:41

    travis is partly in this bind because he's a superstar yes that's the reason why

  • 1:18:48

    there's a lot of things that play that's a legal thing yeah partly because yeah

  • 1:18:53

    people felt compelled to [ __ ] bum rush the the thingamajiggies like that's

  • 1:18:59

    superstar [ __ ] yo j cole i'll never forget where you're at where [ __ ] said yo i'm walking to sobs yeah

  • 1:19:05

    and it was a parade fam j cole could tweet right he and he still well not now that's superstar

  • 1:19:11

    doing that [ __ ] you'll be like yo i got a show at six o'clock at hammerstein see and that's what i mean call to action that's what i'm trying to

  • 1:19:19

    say yeah there's mad artist that's gonna have the brand deals the budgeting the

  • 1:19:24

    glitz the glamour the lights that's what the music business does it puts it on people to try to convince us certain

  • 1:19:30

    things about people it's our job to see through it it's like when lady london came and said

  • 1:19:36

    yo i heard that [ __ ] you said earlier well yeah i don't that's not what i do i don't i wait to see what's happening

  • 1:19:43

    same thing though same thing call to action can you get this amount of people to do whatever to

  • 1:19:50

    act and not to purchase buy hot sauce but anyway

  • 1:19:56

    you know i'm with you i think we got a concise uh yeah yeah but i just got rid of zenjo for a little bit like

  • 1:20:02

    and i hate that that was the topic to do it uh yo

  • 1:20:07

    one day we go i can't wait to see the doc about uh qc if you don't think that we not getting a

  • 1:20:13

    doc about quality control we need it and their run and what they've done now i

  • 1:20:18

    get it there's a lot of audience out there that's saying i'm on payroll because i'm doing a lot of digging up the south

  • 1:20:24

    why the yo gotti album what else they can't say that they're also so boyfriend oh yeah

  • 1:20:34

    because they know me to have new york bias when i go on these rants big enough to south that i must be getting paid ah

  • 1:20:41

    or we just [ __ ] with and from the kind of ice is here now that's all oh [ __ ] just makes sense no isis here yo

  • 1:20:47

    dawg get your [ __ ] retainer off the studio counter yeah it's gross

  • 1:20:52

    disgusting and then you just popped it right back in there

  • 1:20:58

    that and uh my last take from this because i spent

  • 1:21:03

    too much on the cardio doc [ __ ] walked over to the little new york vendor machine said hey y'all i got a

  • 1:21:09

    little guilty pleasure let me get that black tail

  • 1:21:14

    [ __ ] wouldn't cop some black tail you did eight dollars he was mad at the price of the black tail

  • 1:21:21

    yo come on how are we old yo we used to have to buy

  • 1:21:35

    what he was going to do with that right after the scarface session he was about to you know them mp keys is nasty

  • 1:21:45

    well y'all don't want to share personal experiences from the black tail or whatever you used to do go to magazine

  • 1:21:51

    jet beauty of the week nothing come on

  • 1:21:56

    you just told me the times has changed a superstar has changed i'm a dynamic oh yeah that [ __ ] all the time

  • 1:22:02

    now [ __ ] don't know they don't know what black tail was they don't remember when blue never mind but they

  • 1:22:08

    i didn't say it and i'm starting a petition to get the tinder swindler back on date naps yo

  • 1:22:15

    dead ass i don't like what they doing to him wendy williams it's a list it is a list

  • 1:22:21

    if y'all gonna do this to a [ __ ] for create for thinking of creative lies

  • 1:22:27

    then line the women up yo [ __ ] put donald trump on the list what you talking about a creative liar

  • 1:22:35

    a lot like your man big t up we just talking about the bromance aspect i'm talking anna

  • 1:22:41

    yeah that's my favorite show that's my girl so y'all watching these crazy shows

  • 1:22:47

    y'all watching these created shows of these people did you all see the real docs about these people no like anna didn't do

  • 1:22:54

    nothing wrong i might got some bell money for i'll give a couple your pop

  • 1:23:00

    i never seen a real anna i definitely am not a looking girl i've never seen her

  • 1:23:06

    i'm not popping a shorty from ozarks no i'm good i'll pass yo anna put some pictures on on

  • 1:23:14

    instagram and went out and found a little sponsor or got popular

  • 1:23:27

    yeah got to be careful gots to be more i enjoyed that show a lot though actually what which one because who has one in

  • 1:23:33

    netflix i never saw the hula one either i'm watching the netflix i'm watching that video girl i'm gonna do research before

  • 1:23:40

    i bring this in here no i'm not cause i'm clearly about to talk about it i'm gonna do research

  • 1:23:45

    before i give a take on this i'm interested in the laws and what

  • 1:23:51

    goings on when you can just take somebody's likeness

  • 1:23:57

    create a story inspired by it not really your story inspired by it

  • 1:24:04

    take a actor or that is clearly playing this person and what i mean is like

  • 1:24:09

    uh every week uh pamela anderson goes crazy about that that [ __ ] they're doing uh with uh

  • 1:24:14

    the tommy but i watch it it's on hulu i haven't seen that yet either and if they killing

  • 1:24:19

    the handyman that leaked the tape the sex tape that's that's what it's all about got it but they're not in support

  • 1:24:25

    of this we've seen that again recently somewhat this is happening i feel like we've had

  • 1:24:31

    this discussion before it's like how do the people that these shows and docs are about get anything out of this [ __ ]

  • 1:24:37

    no right evidently no if you go through the proper channel then you purchase the life rights or the

  • 1:24:43

    story from someone i'm sure it is some paperwork there i don't know if y'all know leave it in the comments please help but

  • 1:24:50

    when you don't and you go through fair usage and the legal loopholes which most people probably are saving

  • 1:24:57

    luck well yeah and then that gets even trickier because like you said the anna one there's one on hulu and netflix

  • 1:25:05

    the one on hulu's name something pretty funny but they do that a lot where they'll take the same story and now just

  • 1:25:11

    have to the fiery festival yeah but yeah yeah nothing one person

  • 1:25:16

    paid and one company didn't takachi doc same thing

  • 1:25:22

    every i would like to learn more about the powers how people can protect the

  • 1:25:28

    rights of their likeness so that more people are not uh millirocked

  • 1:25:34

    i hate that that's a term for me but it is

  • 1:25:40

    because that's nasty it is i agree you wake up one day turn the tv on and sometimes white boy playing parks

  • 1:25:46

    i'm gonna be tight whose name is [ __ ] some [ __ ] the darks i'll be tight well this is back to our

  • 1:25:52

    uh snowfall and um ricky ross but they modified some of the stuff on

  • 1:25:58

    freeway ricky ross to differentiate it because we'd be liking the [ __ ] true

  • 1:26:04

    this anna [ __ ] is i don't know if she's getting paid i hope she's getting a check probably not but we don't know

  • 1:26:12

    and the other thing about the tinder swimmer i'm moving on i'm moving on i'm moving on but if i call you and say yo

  • 1:26:17

    i'm in a bind i need a hundred grand real quick and you give it to me so what that the buying wasn't really the bind

  • 1:26:24

    no i'm lost on that vine's a relative i just needed a hundred grand [ __ ]

  • 1:26:30

    [ __ ] you talking about [ __ ] i might have needed a new sweater so i mean my bond you might have needed to how many

  • 1:26:36

    times shorty hit nate and said she was in a bind

  • 1:26:43

    yeah zen joe's just out the window it's gone you tried you tried

  • 1:26:48

    i'm mad that such a a low-hanging fruit topic got me out of that hey of that's a

  • 1:26:53

    superstar and who cares that's my beef whip punch

  • 1:26:58

    and i'm not trying to get deep here but back to america's underlying issue

  • 1:27:06

    only certain [ __ ] is able to lie and that come the bow and dock i'm going to the bone dog that's where i'm at the

  • 1:27:11

    ball where's that netflix netflix okay the boeing dock it's about boeing the company

  • 1:27:18

    airplane company airplane company long storied history of engineering

  • 1:27:25

    greatness yeah the airplane companies yeah it's them airplane

  • 1:27:30

    of airplanes they sold them they invented them uh they brought the world closer

  • 1:27:37

    together allowing people to travel internationally all of that right

  • 1:27:43

    so where's the entry and then well i'm connecting this because the

  • 1:27:48

    the tinder swindler is not is not allowed to be a liar

  • 1:27:55

    anna is not allowed to be a liar

  • 1:28:01

    but the sackler family totally allowed if we can buy the rights

  • 1:28:08

    to lie boeing another shining example

  • 1:28:15

    if you did not see this please go watch it long and short of it is big business and classism and let's cut

  • 1:28:22

    corners now to save some money and to make some money and generate profits so everybody on the board could get their stock

  • 1:28:28

    options and you know same [ __ ] it's the same [ __ ] but i mean you should see how long the the

  • 1:28:35

    blueprint has been there right so boeing

  • 1:28:41

    started cutting corners and a plane crashed and killed mad

  • 1:28:47

    people and then shortly after that a few months later another plane crashed

  • 1:28:54

    and killed mad people and then it was family that they ignored and so forth

  • 1:28:59

    and so on and they get into this coding consumer-facing consumer-facing trick that they did

  • 1:29:06

    where they had to build a new plane to keep up with airbus who was busting their ass on

  • 1:29:12

    the more fuel-efficient plane if you can save money on the fuel you kick an ass airbus starts to [ __ ] shoot up

  • 1:29:18

    boeing instead of coming out with a new plane just makes their old plane more fuel efficient

  • 1:29:24

    and it works the idea so they start cutting more corners when new ownership comes

  • 1:29:30

    they start firing all the people that's been there for a million years and they start to compete but in their

  • 1:29:37

    competing they totally get rid of the business model that they built their [ __ ] off which is we don't cut corners

  • 1:29:43

    excellence every whatever whatever problem exists you bring it to the forefront we pay attention to it now

  • 1:29:50

    you were punished and shunned if you brought a problem there because we're covering [ __ ] up so they start mass

  • 1:29:55

    producing these [ __ ] cheap planes

  • 1:30:00

    you all right but anyway by the end of this dock

  • 1:30:06

    by the end of this dock they talk about how nobody's been arrested

  • 1:30:11

    nobody's been to jail boeing was allowed to just pay some inorbital amount of money some large what was it

  • 1:30:16

    uh what was it something alex's it was a lot of money and business was

  • 1:30:22

    allowed to go on as seems to be the way the usual capitalist world i'm trying to figure out where the

  • 1:30:27

    shock come from yeah the shot the shock comes

  • 1:30:32

    from all of the different instances or scenarios or predicaments

  • 1:30:39

    that you learn how much we don't give a [ __ ] about human life like all of them like yeah we

  • 1:30:46

    it's real easy to see when a cop shoots somebody or it's real easy to see when spotify

  • 1:30:52

    won't play the artist get the [ __ ] out here we don't give a [ __ ] with you that little mcas thing that they

  • 1:30:57

    explained which was just a signal it's a little thing on the side of the plane that is

  • 1:31:02

    supposed to level the nose in the event that the wind gets to when it's going up i'm not engineer i don't

  • 1:31:09

    know but it's just supposed to level the plane and in this mcas [ __ ]

  • 1:31:14

    it was uh it was broke okay so as it would go the pilot is trying to

  • 1:31:20

    restrict it but the this aircraft is designed to do something is broke [ __ ] crash they blamed it on the pilot can

  • 1:31:27

    you imagine a pilot or can you imagine a [ __ ] pilot's brain you blaming this

  • 1:31:32

    on me cool it took the second crash to happen where the pilots did exactly what they

  • 1:31:38

    said should be done and everybody still died and as the details came out you learned

  • 1:31:44

    that in the second crash the pilots had like a 10 second window to fix the problem that they were never

  • 1:31:51

    taught how to fix like boeing didn't they went up to the pilots association

  • 1:31:59

    screamed on them [ __ ] didn't teach them how to do nothing they changed the system so they made it like

  • 1:32:04

    the new plane and now in this here they made it like the new plane had the same

  • 1:32:10

    they were trying to save money by not teaching the pilots how to do this [ __ ]

  • 1:32:15

    because you save a lot of money right correct so they put the old system under underneath internally in the plane

  • 1:32:21

    no a new system but old interface so now you save money the pilots don't

  • 1:32:27

    have to uh learn this [ __ ] even though there's new mechanics in here that you have to learn and life was lost and that's the end

  • 1:32:33

    nobody went to jail yeah that's a long way of saying that but just who's allowed to lie why you're

  • 1:32:40

    allowed to lie and how much it costs to lie it's just interesting to me it's it's

  • 1:32:46

    always to me i don't just none of this is different yeah you make you you pay the cost if you got enough money you can

  • 1:32:53

    buy your way through anything that's your freedom stop yes none of it is different you're absolutely right i'm not i'm talking

  • 1:33:00

    about as we age we learn how many different industries

  • 1:33:07

    this is relevant everything everything bro but then you learn how it's done and you learn just

  • 1:33:14

    all the people when that are complicit for this stuff to work but you know if you look at it it's depressing and when

  • 1:33:19

    you look at it it's never racked my brain to think of boeing and right it's usually the same

  • 1:33:25

    this isn't everything and it's usually the exact same you just pull out the product and insert a new product it's

  • 1:33:31

    the same story every single couple of the players be the same couple of the players they're playing you got some people in

  • 1:33:37

    the government yeah paid to look the other way paid to write some laws that benefit you paid to let you out of this correct that's all

  • 1:33:43

    it is there's all this ever it's gonna continue to be that until they get corporate funding out of politics but

  • 1:33:49

    that's a whole different conversation for a different day how are you going to do that like exactly i don't know

  • 1:33:55

    so this is not a political podcast but like anna was a german or russian

  • 1:34:02

    broke girl if she would have had some political backing or some real financial backing she would have walked away free

  • 1:34:09

    too or if she'd got some or she was this close dog [ __ ] i'm trying to make her my digital

  • 1:34:15

    marketer no boys yo she was this close fam from having

  • 1:34:21

    zero money to a 40 million dollar bump and was gonna build one of the best [ __ ] we ever seen in new york city yeah

  • 1:34:28

    that's crazy i don't think just offer reputation naivete is something i thank god for a

  • 1:34:35

    lot right ignorance i don't know how many of us would enjoy football the way we do and some say

  • 1:34:41

    we're not supposed to if we knew what really went on to putting the product into putting the product on the field

  • 1:34:49

    i just don't know right same here you just don't think of some of the things that have to take place

  • 1:34:55

    for us to get some of our greatest inventions we were kind of having that conversation a round of applause for me

  • 1:35:02

    i'm an amazing [ __ ] podcaster i'm dope yo don't say nothing

  • 1:35:07

    on the way here we were talking about ymw mellie and how it's over reports are out that

  • 1:35:15

    there's new evidence that says that he did what they said he did

  • 1:35:20

    which was murder his two best friends and put them in the trunk and then make a song about it

  • 1:35:25

    let's not use this opportunity to get to should lyrics be used in court please no horrible example right now

  • 1:35:32

    but and you shouldn't say this this is horrible to say

  • 1:35:39

    rest in peace to the victims of this crime and prayers condolences and to the

  • 1:35:46

    family the families of this crime but the song in question

  • 1:35:53

    is a great [ __ ] song yo yo please don't crucify me internets

  • 1:36:00

    rest in peace combat jack that's a great song yo

  • 1:36:08

    now should it be great or is it any less great knowing that

  • 1:36:15

    some of those things may or may not have occurred and that this stems from a real place in a true

  • 1:36:20

    event i don't know the answer to that because who i am as a human and who i am as a

  • 1:36:26

    music lover are two different people i'm clear on that i could get hyped to some [ __ ] that i

  • 1:36:31

    don't support as a human maybe that's part of the problem in

  • 1:36:37

    music and maybe i'll get better and evolve even more as a person it's more it's

  • 1:36:42

    more than music great point actually we talk about it in different facets all the time we talked about it in clothes

  • 1:36:49

    the [ __ ] that goes on behind closed doors at these fashion houses but we still support this [ __ ]

  • 1:36:55

    good food it's everything it's everything around you when it becomes a capitalistic issue the money that is

  • 1:37:01

    made will justify the [ __ ] that goes on behind closed doors to make the bread

  • 1:37:07

    you know what i'm saying like whether it's airplanes drugs food clothes music

  • 1:37:12

    there's just always a dollar at the forefront and so we'll put up with some [ __ ] that happened behind closed doors

  • 1:37:18

    for great music or great food or great clothing or great transportation

  • 1:37:23

    last week ice asked asked a question and he said

  • 1:37:29

    what studio sessions would you like to have been present for like what songs

  • 1:37:34

    and we all threw out our purple reigns our do i do's our beatles records right we did all that or eminem kim are

  • 1:37:41

    i didn't say that but i did i'm with you right but we left the pod

  • 1:37:47

    and it's like a bag of bricks hit me on my head i said holy [ __ ] yo what a trick

  • 1:37:52

    question that was because i almost can guarantee that some of the best studio sessions

  • 1:37:59

    ever to exist a bad song was made from it

  • 1:38:05

    okay i think some of the bad sessions had more fun oh yes

  • 1:38:11

    more great had better chemistry conversations women food yeah instrumentalists because the

  • 1:38:18

    bad song they tried to fix a few times too yeah the good songs like they have some good

  • 1:38:24

    [ __ ] in there i might have wanted to see some of the bad sessions that's it just my quick quick thought another quick thought no i

  • 1:38:31

    saw the uh xxx's question album is the most streamed hip hop album on spotify of all time

  • 1:38:36

    rest in peace triple x hey hey all right sorry i don't know that to be true i'm not

  • 1:38:41

    sure i did

  • 1:38:47

    which previously was the you know that's how you know we've lost too many people

  • 1:38:52

    i don't know who's my favorite out of the people that we lost yeah it's getting harder

  • 1:38:59

    i have no idea xxx was my guy because he was just so different and

  • 1:39:06

    pockish to me and just he had the mind like i spoke to him academics put him on the phone with me i spoke to him a few

  • 1:39:11

    times like he had the mind and the mentality and he was and he had the fan base

  • 1:39:16

    the fan base was just going to grow like they was about to get bonkers them [ __ ] yeah

  • 1:39:24

    pop smoke i feel like that's how i feel about pop and nip nick was right there yeah it was all happening

  • 1:39:30

    after years and years and years and years of being a like a underground damn nail artist it was finally happening and

  • 1:39:37

    that's when you learn that's when you really learn that time is your inventory and your only true

  • 1:39:43

    inventory because when you think about all those things and you think about what you got planned like

  • 1:39:50

    sucks to just die with plans yeah like i had plans

  • 1:39:55

    i had [ __ ] that i was about to get out there and do i had [ __ ] in the workshop time to take six months get my team over

  • 1:40:01

    and you just ah no you gotta you gotta go while you're here

  • 1:40:07

    you got to get it you can't like procrasti what is procrastination

  • 1:40:13

    ish well we know but that's you procrastinate but that's that's terrible

  • 1:40:19

    it is but it's from privilege you do get busy when it's time to get

  • 1:40:25

    busy though yeah but my back got to be against the wall that ain't the problem with procrastinators that's disgusting it

  • 1:40:31

    don't speak to the work the work that you do when you do it right when you're gonna do it

  • 1:40:36

    yeah i do also know people that perform better with their back against the wall yeah it's terrible though

  • 1:40:43

    that's kind of like i kind of agree with you it's a little privileged though because

  • 1:40:48

    you can actually afford yourself to get to your back against the wall because you know you could get it done you know yeah against

  • 1:40:54

    the walls disgusting but yeah you know what bothers me today right as i think about time being your

  • 1:41:01

    inventory and wasting time and what you should be doing versus what you are doing and all those like mature holistic

  • 1:41:07

    thoughts that you have when you're alone and never again right

  • 1:41:13

    every second of my day like or just sometimes i think of

  • 1:41:18

    yo if tomorrow was the last day i got at least 500 people i need to call did i ain't spoke to an agent

  • 1:41:25

    yep it's a real just came out i don't know if you saw it it's a dude he's like yo i think it's 84. he said yo you had 84 600 every

  • 1:41:33

    single day deposited in your bank account but you had to spend it or you couldn't it wouldn't carry over

  • 1:41:39

    to the next day how much of it would you spend and that's how he prefaced it right and he's going through going through and

  • 1:41:45

    they broke it down in the seconds like yo we get 84 600 seconds every single day and what the [ __ ] is sleep like what

  • 1:41:51

    the [ __ ] is procrastination etc etc we don't use that [ __ ] it's never coming back so you

  • 1:41:58

    got to use it to his utmost of you know potential right so that you could create a better life for yourself and the [ __ ]

  • 1:42:03

    was kind of deep it [ __ ] me up cause you know i'm lazy and always late no he's procrastinating but

  • 1:42:09

    no that was a good one so to you know piggyback on what you're saying that [ __ ] is real people you haven't spoken

  • 1:42:15

    to things you just put off i've been trying to do that this year though just take more time to talk to people me too

  • 1:42:20

    the random call to the person i love and would be highly upset if we couldn't speak anymore yeah yeah or the random

  • 1:42:26

    hey what's going on what's popping what you up to same [ __ ] work see and you know what i learned like when you start

  • 1:42:32

    calling those people it'd be a quick talk it don't even a couple jokes laughs

  • 1:42:38

    jokes yeah not some this call don't normally pass the five minute mark yo

  • 1:42:43

    and that's when you really get into just the selfishness of humans and human thinking and just

  • 1:42:50

    you only have three minutes to call your [ __ ] watched or shoot

  • 1:42:57

    whatever the other side of that is because you're saying procrastination i think the other side of planning

  • 1:43:03

    sometimes you're playing some [ __ ] thinking like i got this i got time you good i'm saying it's selfish there too

  • 1:43:10

    like i might put some [ __ ] off till friday not necessarily procrastinating it's in the plan yeah like me i try i

  • 1:43:15

    know how i am about time i try to plan everything but what if it's over no but for me i'll

  • 1:43:22

    plan it till wednesday then wednesday come on be like yeah give it to friday

  • 1:43:28

    yeah saturday morning the only thing is just you just got to live in the moment that's really it living in the moment

  • 1:43:33

    got me [ __ ] you get paranoid if you really think y'all know my driver is a slow driver right then they can be passing them a

  • 1:43:39

    little gas gas trucks on the highway it's almost like he's trying to stay right with him he'll speed up yeah he

  • 1:43:45

    tried to stay next to the gas the gas truck that i know to be a moving bomb

  • 1:44:00

    is a 80 000 pound missile any one of them no matter what's in it i'm riding bottom riding by that [ __ ] i'm like man let me

  • 1:44:06

    call my kid joe cause this thing you just see don't give a [ __ ] it's crazy you say that i was on my way to your house today and i'm following behind a

  • 1:44:11

    car carrier he got suvs on it and i'm watching this [ __ ] like they just anchored the little wheels in there but

  • 1:44:18

    yo that's a little ass thin piece of [ __ ] mesh that's holding it right bunk i was

  • 1:44:23

    thinking about bad boys too when they was throwing cars off the should i say of this bad boy 2 final destination listen we

  • 1:44:30

    was joking around outside off mike and i was saying that i'm such a [ __ ] i've gotten myself in so many of these

  • 1:44:35

    horrible situations that i'm shocked that i'm still here uh still here in one piece right and god

  • 1:44:41

    has saved me for myself man times right i can't tell you how many times driving is why i'm driving the more driving

  • 1:44:48

    i'll drop the phone go get it i'm going to get and go get it i'm going to get it

  • 1:44:54

    on the bridge no i'm going to get in the rain that's why i gotta be one of them no uber driver things no you know i had

  • 1:44:59

    to understand what i'm saying i'm done you know old people they're done looking

  • 1:45:04

    looking in the rear view when they reverse they just come out yeah like when the phone dropped i'll just not look at the road

  • 1:45:10

    i'm getting that phone yeah you gotta get the uber hey you gotta

  • 1:45:28

    some [ __ ] where you just about to die the little water bottle fear i'm getting my right out yo it's so many times i

  • 1:45:34

    think the [ __ ] driving behind me i see you you get busy cause you could have [ __ ] up yeah

  • 1:45:41

    people didn't mean to get me right out here what a [ __ ] in front of you who ain't slammed on his brakes

  • 1:45:47

    thank god i thank you my [ __ ] you word is boring you slam on brakes in front of me i'm following you

  • 1:45:53

    i don't play them stop short games get off get off my ass pause i'm not sure i'm not on your ass break check i'm

  • 1:45:59

    not on your ass because that's the first sign of a bad driver if you on somebody ass you can't maneuver that's you can't

  • 1:46:05

    get around to driving going on never on your ass you need reactions but if you are annoyed by my driving behind you

  • 1:46:12

    and you stopped short it's up let me ask you a question what do you do

  • 1:46:18

    you don't drive now we're breaking down driving what the [ __ ] are we here somebody behind you we don't have to hit you with

  • 1:46:23

    the high beams

  • 1:46:33

    sometimes i could be driving and i'm in my zone like i could just be thinking about some other [ __ ] and i'll look up

  • 1:46:38

    and i'll really be doing 70. right i'm gonna get over yeah he telling me to get the [ __ ] over i'll do

  • 1:46:43

    that you just get over yeah guys this is one of those two minute topics i just asked the questions and you know

  • 1:46:50

    what helped me stop doing that like what we talking about like i ride with my mom and

  • 1:46:55

    like when you're older like a truck might bother you a light might a horn might bother you different

  • 1:47:01

    like so i i try to be mindful of that as i bug out behind people because you could really [ __ ] up

  • 1:47:07

    somebody's concentration while driving a [ __ ] could just be having a [ __ ] up day right you really don't know what is

  • 1:47:13

    going on in somebody's life dog and you the light just turned you're in a rush you long horn a [ __ ] like [ __ ]

  • 1:47:20

    just got out of [ __ ] up alex pull up that really nasty horrible horrific uber story yo

  • 1:47:26

    [ __ ] which one yeah it's a bunch of those or maybe it was lyft uh with the young lady who was viciously

  • 1:47:33

    murdered uh she picked the dude up pleaded uh pleaded for her life said yo i got four

  • 1:47:39

    kids come on not today please she was the driver she was she was a driver she was driving the uber picked up a

  • 1:47:45

    passenger he pulled out on her that drive she said y'all have four kids

  • 1:47:51

    he said i got a family too murdered her for what

  • 1:47:57

    nothing you want me to ask him oh i don't know if they think it might have been disclosed like what he was trying to write a

  • 1:48:05

    here it is calvin crew 22 22 come on man no we don't want an uber driver yeah

  • 1:48:11

    nigga's a [ __ ] murderer and a criminal get [ __ ] out of here

  • 1:48:17

    an uber driver and mother of four pleaded with a passenger for her life before he shot and killed her in an attempted robbery this month

  • 1:48:24

    calvin cru i'm gonna say his name need to know that's disgusting 22 was arrested and charged february 17th with

  • 1:48:30

    criminal homicide robbery and tampering with evidence in the death of christina

  • 1:48:35

    spakusa 38 who was reported missing by her family six days early after she did not return home following a shift of

  • 1:48:41

    uber fears rest in peace to christina this is

  • 1:48:46

    she already don't probably want to be even driving a [ __ ] uber yeah you know what i'm saying you're a single mother i don't know she's single but

  • 1:48:53

    you're a mother of four so the finances are a little tapped or hard at least you're driving an uber

  • 1:48:59

    to put food on your kids table and a 22 year old [ __ ] you able body go get a [ __ ] job

  • 1:49:06

    yeah oh they got the dash cam filming yeah that's how they got the questions i know that's how they got the quotes like yo

  • 1:49:13

    she's pleading with the [ __ ] like come on please i got four kids i just bring it up to tell people to be careful out

  • 1:49:19

    here not only be careful but to be mindful right because

  • 1:49:24

    typically we're careful when we're mindful but there's a lot of interactions today

  • 1:49:30

    where you just wouldn't think to even be mindful you know how many times you just call an uber to run somewhere

  • 1:49:36

    like a lot of our interactions today deal with strange strangers

  • 1:49:42

    i tell my female friends all the time like yo dog y'all gotta watch how y'all talk to men

  • 1:49:48

    because women don't they'll just run off at the mouth to a dude like yo in a club like if he touch your ass just walk away

  • 1:49:55

    we've been saying that for about 30 40 years no i'm just saying but that [ __ ] don't yo girls will run up on the [ __ ] like [ __ ]

  • 1:50:01

    dudes out here today will choke you smoove out or knock you out you got to be careful when you you know what i'm

  • 1:50:06

    saying girls be cursing the uber dude out they be putting it on the gram them telling the uber dude off

  • 1:50:12

    yeah stop doing that dumb [ __ ] like yo that [ __ ] ain't funny i'd be disturbed when i

  • 1:50:17

    see that yeah like yo fam but this is uh this is just extremely extremely disturbing heartbreak again

  • 1:50:23

    rest in peace to this young lady and just be present possible outstanding please

  • 1:50:29

    overall and present cognizant aware that's important in a time where most of

  • 1:50:35

    us are just glued to our phones right like yeah real easy to get caught up did y'all see

  • 1:50:41

    the [ __ ] the other day with the dude uh he was at dinner with i think two or

  • 1:50:47

    three of his homegirls and so people were being disrespectful to the girls you saw it

  • 1:50:53

    people was being disrespectful to the girl so the dude asked them to chill out so they walk outside there's three dudes

  • 1:50:58

    and it's against him oh and he beat the brakes off for all three dudes beat the [ __ ] out of all three of them

  • 1:51:04

    in the snow hit the first one he sat down for the whole rest knocked him out he was yeah he was asleep and got up and

  • 1:51:09

    fell again and then after he finished it he tapped him by the lift him up by his jaw and hit him again

  • 1:51:16

    that's what we need man we just need more [ __ ] beating y'all ass look at that advice no then we could fam

  • 1:51:23

    that [ __ ] do that because they don't fear nothing happens that's exactly how somebody died you went outside you beat three people up now one of them [ __ ]

  • 1:51:29

    go to the car they pull up no no no no joe but you went you at dinner it's you toy

  • 1:51:36

    ash like homies you with the you at dinner with the homies [ __ ] being disrespectful

  • 1:51:41

    to them and he like yo chill they walk outside and they said that they showed a video

  • 1:51:46

    from once they got outside they show the whole video took his belt off trying to smack like yeah the dude took he had a stick one nigga's had a split yep i'm

  • 1:51:52

    trying to leave the topic you know this guy's not leaving recipes black is stand uh m.c from connecticut passed

  • 1:51:59

    away this past weekend i'm not sure i'm sure we must have done a show with him at some point

  • 1:52:04

    he's from he's from connecticut area uh new england area yeah i bet i do know him yeah you probably do how do you pass i'm not sure

  • 1:52:14

    dope mc it's [ __ ] world rapper yeah rest in peace

  • 1:52:20

    and rest in peace if you listen and lost a loved one out there y'all made it too sad i gotta let the bridge play yeah

  • 1:52:27

    i want to know who came up with this bridge like who put this [ __ ] here in paul's the session what a bridge that's a

  • 1:52:33

    session i would have liked absolutely no question outstanding ice you really think that john

  • 1:52:39

    and i'm not a star is not the same song honestly no explain explain it to me it's like

  • 1:52:45

    when people say uh m.c hammond bmf for the same song same beat same type of record but it's not the exact same song

  • 1:52:52

    it's not the exact same song but it's the same [ __ ] that's all i said dawg is that what

  • 1:52:58

    you're saying that they made a couple of changes yeah

  • 1:53:03

    [ __ ] that's the same [ __ ] song same lyrics i'll tell you this with a wayne verse from jail and them

  • 1:53:11

    repeating some [ __ ] they took something made it a hook like it's a little it's a they made a different record out of it now we'll

  • 1:53:17

    give you the same beat energy look i will give you this

  • 1:53:23

    when the record first leaked it was listed as the remix i remember that

  • 1:53:29

    it wasn't called john it was i'm i'm not a star remix ice you are too savvy of a music mind

  • 1:53:35

    too damn i'm even mislead fan don't misutilize your platform by telling them

  • 1:53:40

    yo they made a change they've switched up [ __ ] [ __ ] wrestling same [ __ ] i told you

  • 1:53:46

    about bmf and mc hammer play both of those you you can hear the similarities they're not the exact same song

  • 1:53:52

    i'm telling you it's not like when you did uh it's not the same beat i'm not gonna put

  • 1:53:58

    those two records teflon dawn is arguably going that's one of the greatest phases of my life you know

  • 1:54:04

    teflon dawn that's a great error

  • 1:54:12

    [Music]

  • 1:54:34

    move on yo come on let's move on uh let's do a part of the show yeah let's do it this is what i have for you

  • 1:54:40

    guys this week it's really short quick and to the point shorty says

  • 1:54:48

    of course i got rid of it because i'm the first spotter in the world [Music]

  • 1:54:54

    i can paraphrase though i don't need the room this is about uh we're all familiar with catfish correct

  • 1:54:59

    correct being catfished on the internet someone maybe uses a picture that's not really them and

  • 1:55:05

    and she says you got it okay not chrissy which that name sounds familiar and i'm

  • 1:55:10

    scared of all women named chrissy wait that's that's the username yes i think i know who that is good yeah but i'm still

  • 1:55:16

    scared of all chris's chrissy says or not chrissy says i was dick fished once

  • 1:55:22

    like catfishing is this common

  • 1:55:27

    i want to call her yeah she said that to four [ __ ] though how would we know if it's common

  • 1:55:34

    we can't talk about that's why we gotta call her well i could tell you how she might she why she would ask for dudes that's all i'm saying

  • 1:55:40

    i'm gonna tell you why you got it my [ __ ] cause if whoever the dude is that did that to her had to know he was doing

  • 1:55:45

    it so she's asking dudes hey is this something that y'all would do probably so i get the question the answer is no i

  • 1:55:51

    don't know how to work this little 5c we got all right here we go all right let's call chris this wi-fi

  • 1:55:58

    call will be charged as per your international plan i'm rich he continues please hold on

  • 1:56:04

    charge it to the gang get it back in blood

  • 1:56:11

    my [ __ ] won't get it back in blood if i took him hello hi man speak to chrissy please this is

  • 1:56:18

    the joe budden podcast calling it's me

  • 1:56:25

    it's me

  • 1:56:32

    australia oh [ __ ] australia what part yeah it's like seven a.m

  • 1:56:38

    oh it's tomorrow morning good morning how do y'all say good morning uh ahoy

  • 1:56:44

    good night mike

  • 1:56:49

    good night are you are you alone are you alone right now speaking to us can you speak

  • 1:56:55

    freely yeah i can speak freely everyone's at work okay okay beautiful so your

  • 1:57:02

    question to us is i've been dick fished before

  • 1:57:09

    like catfishing is this a common thing

  • 1:57:16

    would you like to tell us more about your dick fishing experiment they sent the wrong dick

  • 1:57:21

    they sent a different this is wild no you have to chris you have to stop

  • 1:57:27

    laughing and tell us the brownie for breakfast

  • 1:57:32

    christmas where are you guys

  • 1:57:42

    a room of four men would be able to answer the dick fishing mystery

  • 1:57:49

    well anytime i send it it's a real dick this is my [ __ ] yeah with veins

  • 1:57:57

    like it's dangerous because some people like you know they

  • 1:58:03

    use filters and everything like that and you know wait i can't so when you throw my dick

  • 1:58:10

    kept putting no valencia on it no [ __ ] where you think that's dicks you men can't be trusted you guys cannot be

  • 1:58:16

    trusted i you talking to this guy for a year

  • 1:58:22

    a year because he lived in another country and he was supposed to come

  • 1:58:28

    yeah this was a while ago he got booked and everything like that yeah anyway he sent a picture

  • 1:58:36

    and yeah and then when he arrived

  • 1:58:42

    you went to suck on some [ __ ] and it was different there's a different klondike

  • 1:58:56

    so you paid for them to fly out there for no reason and i couldn't stop laughing and the

  • 1:59:02

    poor person like paid for their flights and everything damn did you sleep with them

  • 1:59:09

    tell the truth come on tell the truth did you sleep with dude

  • 1:59:15

    you did not have somebody come to your country you don't lie in a wee brownie yo

  • 1:59:21

    where was it gonna go in my ear yo this is body shaming

  • 1:59:32

    [Laughter] how did you get rid of them

  • 1:59:37

    okay so i sat there and i said i was hungry and everything like that took when to go eat

  • 1:59:43

    and stuff like that and all of a sudden i said oh [ __ ] my cousin um broke his

  • 1:59:49

    leg no you did not have a dude come from out of town can you text us a picture of you

  • 1:59:56

    and also and it's not just that it's not just

  • 2:00:03

    that that was the biggest moment and it's not just that so the biggest moment came from

  • 2:00:08

    in boxes and a lot of guys were in inboxes too and us girls have a group chat and yeah

  • 2:00:14

    you guys have to like be honest i'm going to defend the men the only way that you can know many men

  • 2:00:21

    are dick fishing is if you see many dicks

  • 2:00:27

    and excuse me

  • 2:00:33

    listen i'm a head out i hope that this young man is not listening

  • 2:00:52

    oh my lord yo i hate when women do that they weaponize the pod dictionary to

  • 2:00:59

    shoot to shoot at their ex to the bot and he beat them let's be clear

  • 2:01:04

    yo dude i apologize wherever you're at yeah don't apologize to him he beat him yeah but he got to be body shamed

  • 2:01:11

    and publicly humiliated like [ __ ] ain't enough of a prize for you to drag me through the mud for the next

  • 2:01:17

    however many months that's crazy she's going up here yes it is but don't nobody know who the [ __ ] is that [ __ ] trust

  • 2:01:22

    me he lands going to work getting laughed exactly yeah they might be like i don't remember when he went to australia actually yo

  • 2:01:29

    fam did you go to australia to meet some chick out there remember that

  • 2:01:42

    [Music] um sorry we couldn't help with that one yeah yeah

  • 2:01:51

    look i thought she was saying something else because i had something happen to me before pause um friend of mine share your experience

  • 2:01:57

    friend of mine she was like the wrong technique yo why do i have a picture of your dick in my

  • 2:02:03

    phone and i'm like and mind you she's she's only deals with women and i'm like pam you don't have a

  • 2:02:08

    picture of my dick on your phone she's like somebody you [ __ ] with showed me a picture

  • 2:02:14

    promise you you don't ain't this you she said she's a dick no she's i'm right next to her at the time

  • 2:02:19

    was at a bar ain't this you i was like no so whoever is passing that around is not

  • 2:02:25

    me did you have to look close to make sure that's what i say when my [ __ ] was sleep shut up

  • 2:02:43

    you beat she was a um she didn't deal with guys i didn't beat

  • 2:02:48

    a woman to take a small dick if you just kiss them a lot

  • 2:02:53

    snake is so stupid you have to distract them you can't you can't let them

  • 2:03:04

    [Music]

  • 2:03:14

    i told you call somebody else yo chrissy wasn't that fam chris he's gonna hear that he goes

  • 2:03:19

    nah topic wasn't we couldn't expound on the topic oh y'all might be able

  • 2:03:25

    yeah i can't explain y'all

  • 2:03:41

    don't say y'all who still sends a dick pic dude like i

  • 2:03:47

    won't right like sometimes you go in your camera roll or me

  • 2:03:53

    sometimes you go in your camera roll right all right yo see nothing but dick stan

  • 2:04:00

    [Laughter] you had zero to say about i say rashad but me

  • 2:04:06

    man commentary a lot of commentary

  • 2:04:16

    i know now you're not thinking and praying you're not thinking of praying no you go through your phone tell me how i pray

  • 2:04:22

    see my dick in there but it was like from it was like from one of the old it was old it was an old

  • 2:04:27

    pig but the lighting that day like you know i smashed that [ __ ] out the park you'd

  • 2:04:33

    be wanting to send that as a new one like nah look at my [ __ ] like that but they they check the dates they do the

  • 2:04:39

    same [ __ ] checking the dates to see if that's real-time dick damn

  • 2:04:44

    it's disgusting out there yo fam they do the same thing you ain't never look at the pictures oh this [ __ ] was from 2016.

  • 2:04:50

    she said yeah i know because she you could tell when a date because you think she kept the same diet

  • 2:04:55

    [ __ ] fat now [Laughter]

  • 2:05:00

    yo that's my favorite thing to do looking at these shapes i like oh i like 12 2017

  • 2:05:08

    he was going crazy all right come on i got it i got some

  • 2:05:13

    money come on

  • 2:05:23

    shout out [ __ ] they brought mixtapes back man i like what's that screaming i'm not sure what

  • 2:05:28

    the dj was shut up i just thought we just watched tyler jim jones a bunch

  • 2:05:35

    of fat joe do these albums with drama and we're not gonna say that bringing the dj back screaming on the record and

  • 2:05:40

    all that he didn't bring that back just watch this happen that's all but this is like over beats

  • 2:05:47

    that exists before i'm talking about that era of mixtape like taking instrumentals and going crazy over them

  • 2:05:53

    okay uh he should be putting it on okay it brought me back to an era

  • 2:06:00

    it's different it's different than an industry yeah i'm in a round of applause for that for what parks is

  • 2:06:06

    saying i can never [ __ ] on that that's that's beautiful uh i wish that were better mixed yeah i

  • 2:06:13

    mean that's which is which is my issue with my catalog and just mix tape stuff yeah

  • 2:06:20

    and who owns that uh i don't know that's a good question why it's on deadpoof

  • 2:06:25

    baby so ain't nobody on it maybe so i'm not gonna take this deep go

  • 2:06:31

    ahead yo get your [ __ ] off see all that [ __ ] is cool when y'all on

  • 2:06:37

    it all right it's cool for the reo that piff yo you screaming over this [ __ ] for promo use go to jail oh [ __ ] the baby

  • 2:06:42

    hobo you rapping on that now that's cool now but where we at now like that was cool then but now i don't want my brother to waste

  • 2:06:49

    his time on nothing that he can't own or nothing that won't be a brand builder i understand why that got phased out but

  • 2:06:55

    they gonna stop tricking us hold on joe hold on hold on hold on and all this because it's just like it's just like

  • 2:07:00

    when when we saw um i believe it was rowdy saying that he couldn't put nothing out and meek said yo do mixtapes

  • 2:07:07

    like sometimes if you're in a position where i can't get an album out i don't have this proper situation i want to still keep some type of buzz

  • 2:07:14

    going about me that might be the way to go stop it it might take mixtapes back to promo only stop it you know he's

  • 2:07:19

    right he's not ready i am right and if you put out a dope enough mixtape you could tore off that

  • 2:07:25

    oh my goodness yes you're right go ahead he's got album come like this week this is yeah for me

  • 2:07:34

    was promo only and i agree with you this is time to the album i think this is shady i think it's his last this is live because he

  • 2:07:40

    left shady and griselda yeah so we don't know yeah i don't know where he's where he's moving i think he said actually in one

  • 2:07:45

    of the songs he's got uh some projects coming out in empire and yeah so we don't know we don't know you

  • 2:07:51

    know you got it go ahead that's what you got for us i was gonna play some rap [ __ ] but uh who owns

  • 2:07:57

    all the music that that pif has ever uploaded well it's i i i'm sorry i know

  • 2:08:02

    that i'm grumpy and just complain about [ __ ] no you have the right to because you have a bunch of dip well i was just

  • 2:08:08

    having this conversation within right they were talking about the best storytelling songs so i guess ian scene and my name was

  • 2:08:14

    there a lot three sides of the story he's got some great idea with three sides he has a few of the joe joints up there i only got talk about that but uh

  • 2:08:20

    three sides of story i got some great ideas y'all want to talk to who wants that record the mixtape record

  • 2:08:26

    so who wants it okay you not understand what i'm saying mixtape means

  • 2:08:31

    for promo use only right it means nobody owns it

  • 2:08:37

    nobody can own it even if you bought the beat cleared the sample did whatever you did yeah you own it but the mixtape

  • 2:08:46

    so nobody owns it nobody does not let me just finish this point so yes this is cool i'm not being the

  • 2:08:52

    killjoy guy this is that's a part i come from this i come from this as a fan i

  • 2:08:57

    love to see [ __ ] do this today we say it all the time here with more education like we learned a little

  • 2:09:04

    more now i want people to own that's an original composition that he did those words

  • 2:09:09

    that those are his words the second we put it on death pith the second is over this other beat like and for somebody

  • 2:09:16

    who's already clearly talking about his label issue i'll go ahead yo go ahead so all that blue [ __ ] from back in the day

  • 2:09:21

    don't know my own no no it's some of our greatest hip-hop

  • 2:09:28

    hip-hop heads yes some of our greatest i got a question hold up it falls to the

  • 2:09:35

    [ __ ] wayside never to be heard from again because it's not profitable there's nobody pushing it nobody owns

  • 2:09:41

    this nobody cares about it it's like albums get the [ __ ] out of here somebody has to work this stuff we were screaming on

  • 2:09:47

    universal recently yo dog who's working pump it up i get a piece what y'all think it ain't

  • 2:09:54

    supposed to be worked cause it's 20 years old no sit go push that send me my [ __ ] no

  • 2:10:00

    business has to be involved they can't keep tricking us with the look visibility promo and get hot

  • 2:10:07

    i'm triggered so i'm handling this differently but the [ __ ] out of here man i had one

  • 2:10:12

    question one question for you because i remember you and i don't know how this

  • 2:10:17

    went that's why i'm asking when you did move music two and three you did the mixtapes and you did the

  • 2:10:24

    albums was there any different was it like one sold did y'all do anything well yeah there's

  • 2:10:30

    a difference the street is black market so i mean try to keep count of whatever you did in the street

  • 2:10:35

    versus your album same thing and label do now we this is a category this is

  • 2:10:40

    revenue stream this is a legal process this is these are two different routes but i'm saying this with with three

  • 2:10:46

    sides to a story appearing on the album version as well wouldn't someone then own it to put it on the album version

  • 2:10:54

    well no you're going to say that you own it and if somebody has a dispute yeah

  • 2:10:59

    they will say which there certainly will be i got off a mixtape okay now i didn't know how that worked with that but with those type of it just kills me

  • 2:11:06

    right like again i come from this most of my catalog i can't listen to

  • 2:11:12

    because it comes from this and it's just they're gonna push it to the side

  • 2:11:18

    because we got other [ __ ] going on we got other ways to trick juke the system eps lp we got enough get that mixtape

  • 2:11:23

    [ __ ] outta here that's what they doing and see that's the reason why i love what wayne is doing and i mean it's wayne he can do that but

  • 2:11:28

    he's one of those that thrived in the mixtape era and went back and are now clearing and

  • 2:11:34

    streaming and selling the mixtape true like people there's some classics for me

  • 2:11:39

    i see people every day telling j cole yo we need friday night lights yo in the future if artists cannot get the rights to

  • 2:11:46

    their mixtape stuff or like figure out a way to get to own their mixtape stuff

  • 2:11:52

    artists are just going to snatch every acapella off of all of these shits and put it somewhere somehow some way

  • 2:12:00

    where they can own it and actually be the beneficiary of what's to come from it as it should

  • 2:12:06

    as it should yeah but it's an uphill bat we already oh man get me out of here sleepers there you go go ahead go ahead

  • 2:12:11

    go ahead go ahead i know you're gonna say like in your particular instance you're doing that [ __ ] whatever in someone's basement or

  • 2:12:17

    whatever the [ __ ] it was and the sessions don't exist no more and there's a million hurdles yo with all

  • 2:12:23

    that we know today you would think 90 of creators realize the importance of ownership but they do

  • 2:12:30

    not so i mean i'm talking to the the deaf guy like it matters nothing

  • 2:12:36

    and i'm sure that that was helpful for him but listen to that this is what irks me the [ __ ] shared some super intimate

  • 2:12:43

    details about his career and things he was going through about depression his record label he's shared some of the

  • 2:12:48

    honest most honest [ __ ] you ever heard from him and it ain't his that's a problem for joe grumpy joe's

  • 2:12:54

    shutting up zen joe's backing [ __ ] off and yeah that's that might have been the only way he could get that out because

  • 2:13:00

    which is a problem no i'm with you i'm gonna hold you a hundred percent that's a problem because when the label control it no we're not no that's the same thing

  • 2:13:06

    bobby schmurger i'm saying exactly it's the same thing that nba young boys like how many [ __ ] have to say it before

  • 2:13:12

    anybody out there wakes the [ __ ] up and i hate when 40 year joe 40 year old joe starts championing [ __ ] that sounds like

  • 2:13:18

    it's against what oh joe did but [ __ ] it that ain't right

  • 2:13:24

    that pith probably old [ __ ] a lot of money now i think about it now that i think about it class action

  • 2:13:29

    suits in the future for a lot of y'all well which is why a lot of um i just read this whole a lot of people

  • 2:13:34

    taking [ __ ] off that piff i just read this whole article about how in the film industry like the main composer like

  • 2:13:40

    hans zimmer or some of these people that you'll see in the movie they have a whole team of people that actually write the [ __ ] they're kind of like a ghost producer okay and i'm not sure

  • 2:13:46

    there are some that they call out by name that don't do it they do everything themselves but a lot of them have like a team but

  • 2:13:52

    it was talking about the fight that uh they're having with like netflix and all these companies that are on some you

  • 2:13:57

    know we're just startup company and they don't pay out revenues they just pay out a flat fee to all these composers for

  • 2:14:03

    the use and the [ __ ] meanwhile they're making 24 billion dollars a year [ __ ] is [ __ ] up so i'm just saying

  • 2:14:10

    that to say that with that pif with with netflix with spotify there's going to be a big reckoning one day of everyone

  • 2:14:15

    coming back for their [ __ ] right it's like i told you with that yo you've seen it all these tech companies like

  • 2:14:20

    everybody using people [ __ ] willy nilly that they're supposed to be paying royalties on there were there were

  • 2:14:25

    mixtapes that you can't find on that pitfall more and i don't mean just like old from the 90s i'm talking about

  • 2:14:31

    classic 2000 tapes you go there now they cannot stream cannot cannot download

  • 2:14:36

    been removed been removed by the uploader it says that a lot yeah so i don't know what's

  • 2:14:42

    going on with that but it's something in there you know what's going on it's back to our tv rights conversation somehow it correlates like just ownership and music

  • 2:14:48

    i was playing an insta story insta story with a song playing [ __ ] [ __ ] popped right up yo this video is

  • 2:14:54

    blocked in mad country is anybody watching this dude you don't own this you don't own this you're not talking over it what are you doing playing you

  • 2:15:00

    can't play this on insta live yeah i've seen a lot of people typing it in there i do not own the rights to this music like you have

  • 2:15:06

    to put that out there to let them know listen ownership of music and rights is

  • 2:15:12

    going to play a more important part in the future than we've seen it play in the past in the last in the last 10 years since

  • 2:15:18

    the tech boom you know what i mean all that [ __ ] is going to come around all that [ __ ] is going to come around i

  • 2:15:23

    think marvin gaye will be coming back for this everyone got everybody coming back

  • 2:15:28

    anyway i'm sorry all right and and i say that you're the guy to

  • 2:15:35

    turn things serious but it's the splash but that was back again you know they can't [ __ ] with us

  • 2:15:40

    just put me in sure they can't never [ __ ] with you yo the dude's name is jeremy pope uh song is worth a million

  • 2:15:46

    all right yo turn this off for a minute

  • 2:15:51

    turns off a minute what well you can work on giving your dudes better intros

  • 2:15:57

    well this [ __ ] there's a [ __ ] named jeremy and this is fire thick places

  • 2:16:02

    no if you say jeremy pope man i just sat here jeremy listening though and they'd be uh that's

  • 2:16:08

    the moment that's a big moment jeremy pope you caught one and we

  • 2:16:15

    playing it [ __ ] it was fire enough yeah air holding them up it better be dope

  • 2:16:21

    too it's plain to this tote it got the ish

  • 2:16:26

    stamp on it you heard irvington we here i'm not from irvington orange we're here man newark somewhere

  • 2:16:33

    brand new music worth a million brand new music jeremy pope yes jeremy you

  • 2:16:39

    want to get an r b back sometimes no no i'm not all right with that [ __ ] nah it's threw that [ __ ] on going to check his mail

  • 2:16:46

    at the p.o box nah that's a p.o box slapper right there

  • 2:16:52

    lady classic oh man this is that dude i love you bro oh crazy all right so we

  • 2:17:00

    getting the [ __ ] out of here man great part hope you all enjoyed it listening out

  • 2:17:05

    there shout out to the first and last time listeners shout out to my fellow potters yes sir shout out to everybody out there

  • 2:17:11

    man oh lord oh [ __ ] yeah your first time here and this was

  • 2:17:17

    kind of crazy one of the best studio sessions i've ever been into the remix that's on the

  • 2:17:24

    mix full circle [ __ ] greatest studio session i've ever been to in my life personally

  • 2:17:30

    well well what yeah this is yeah this is up there yeah really yes absolutely 100 percent

  • 2:17:35

    get out of town i want a movie made off of that you're trying to make me cry no

  • 2:17:42

    from the minute we was at the old crib and roy sent his version over you sat down at the table in the dining

  • 2:17:47

    room and played it and started writing oh i gotta kill this [ __ ] we get to the studio

  • 2:17:53

    everybody in the studio this [ __ ] says y'all need everybody out yo

  • 2:17:58

    everybody so we're looking around like yo it's just me and silva and him yeah well i'm just saying everybody looking around like yeah he mean y'all

  • 2:18:05

    no [ __ ] all y'all out yeah [ __ ] that i don't typically say that

  • 2:18:10

    to like yeah we're looking at like that house but

  • 2:18:16

    fam so we all in the waiting room and this [ __ ] comes out i forget how

  • 2:18:21

    much longer later no shirt on drenched in sweat and was like all right y'all could come listen

  • 2:18:27

    all the lights was out like the [ __ ] that this [ __ ] just doing here yeah and caught that verse yeah

  • 2:18:34

    goosebumps i like that i like it you know what it's actually funny because rory's trying to sneak that with

  • 2:18:39

    just me and him oh no yeah once everybody else heard that [ __ ] he wrote that send it to me i

  • 2:18:44

    laid my verse that was supposed to be our little 40-40 voice joe thing yeah like a crooked

  • 2:18:53

    it was the uh throw it away video shoot we was on the bus and nah i did something to that too

  • 2:19:02

    everybody went crazy yeah they had a yellow cheese in a box yeah i'm starting i'm starting the next patreon episode

  • 2:19:08

    with that [ __ ] keep us in your prayers lord knows lord knows we need to be there

  • 2:19:16

    until next time i bid you would do adios cereva derechi uh what's the new one i forgot

  • 2:19:23

    or voir remember life is a series of moments and moments past so let's make this one last

  • 2:19:28

    as if it's all we have and lastly the baddies are insecure the stagnant women want to travel when

  • 2:19:34

    they're closed-minded women want you to teach them things grab you with tylenol it's going to be a mighty long

  • 2:19:41

    week also going to be a long week if you just have opened your life up to receiving voice notes from women like

  • 2:19:48

    like they abuse it i'm yo dawg yo it'd be like a minute and 56 seconds of

  • 2:19:57

    the nothing no no all right i'll be on the phone

  • 2:20:08

    i'm not listening to the voice note yo we love y'all yo it may not have sounded like i love you

  • 2:20:14

    all but i love most y'all [Laughter] [Music]

  • 2:20:30

    you