JBP
The Joe Budden Podcast
Episode 559

Investing In The Downfall feat. Joey Bada$$

Joe Budden Podcast Episode 559, “Investing In The Downfall feat. Joey Bada$$,” released August 22, 2022. Joe addresses Swizz Beatz and Timbaland suing Triller for 25 million dollars over the Verzuz dispute (16:42). The crew then addresses Jermaine Dupri vs. Diddy (34:24) in a Verzuz. Also, it acknowledges the moguls' recent comments claiming R&B is dead (41:51). Next, they discuss writing birthday captions for your significant other (1:17:26), and Joey Bada$$ joins the pod (1:29:40). Full transcript and searchable timestamps below.

Investing In The Downfall feat. Joey Bada$$

In this episode

  • 16:42Joe addresses Swizz Beatz and Timbaland suing Triller for 25 million dollars over the Verzuz dispute
  • 34:24The crew then addresses Jermaine Dupri vs. Diddy
  • 41:51It acknowledges the moguls' recent comments claiming R&B is dead
  • 1:17:26Next, they discuss writing birthday captions for your significant other
  • 1:29:40Joey Bada$$ joins the pod
Video Available
Audio Available
4,157 transcript lines

Joe Budden Podcast Ep. 559 Transcript

Full transcript of Investing In The Downfall feat. Joey Bada$$ (1:18:50 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    he took a short he took a short he took

  • 0:02

    a short you think [ __ ] right he took

  • 0:05

    a short 1,000% he took a short yeah talk

  • 0:08

    about it then why do you think he why

  • 0:10

    you think he didn't we can talk about it

  • 0:12

    oh you want to talk now yo you yo you

  • 0:15

    see it's be trying to be trying to take

  • 0:17

    instruction well since our little

  • 0:19

    critique

  • 0:20

    pod that [ __ ] been coming in smoking

  • 0:22

    [ __ ] Meg

  • 0:24

    reviews save this topic for later who

  • 0:27

    the hell is he hey man we trying to get

  • 0:29

    to the next level man yo I hate when

  • 0:31

    y'all do this don't try to be my friend

  • 0:34

    after y'all went to the mixer I ain't

  • 0:36

    going don't

  • 0:38

    try don't try to be my friend now after

  • 0:40

    y'all went to the mixer I stay home in

  • 0:42

    the name of again y'all thought I forgot

  • 0:43

    I hold on to the beef y'all thought I

  • 0:46

    forgot I hold on to the beef what you

  • 0:47

    got beef with the whole

  • 0:50

    mixer got the nerve to [ __ ] post a

  • 0:53

    little Instagram clip I tried to take it

  • 0:55

    off the

  • 0:56

    phone I don't know why I they add a

  • 0:58

    dislike button God your [ __ ] huh oh

  • 1:02

    never mind wait what hey Alex I don't

  • 1:04

    want no sauce what this

  • 1:07

    stole whatever do you want it that's

  • 1:10

    what they walked in

  • 1:16

    on man oh man it's cool right in front

  • 1:18

    of your face and you ain't snuff

  • 1:20

    nobody you Ain snuff

  • 1:23

    nobody with his wife you ain't snuff

  • 1:25

    nobody exactly Ericson was there you

  • 1:27

    ain't snuff nobody right rob you was

  • 1:30

    there but you halfway gang but you still

  • 1:32

    should have pushed somebody just pushed

  • 1:35

    you should have pushed somebody there

  • 1:36

    was a lot of [ __ ] in there moving

  • 1:38

    comfortably around y'all Rob was in

  • 1:40

    there

  • 1:40

    acapella I'm bound to take a look

  • 1:43

    [Music]

  • 1:45

    around I hope we recording we recording

  • 1:48

    oh man we are yeah of course [ __ ] I

  • 1:52

    had to get that beautiful singing tone

  • 1:54

    what year JayZ came out with blueprint

  • 1:57

    2001 was September 11th yep that was

  • 2:00

    important what he was trying to say to

  • 2:02

    everybody so I can't it was such a

  • 2:04

    genius idea I can't say I'm the

  • 2:07

    blueprint but I'm certainly the

  • 2:10

    footprint these [ __ ] don't mop them

  • 2:12

    floors well even when I'm not there I

  • 2:14

    see my footprints

  • 2:15

    everywhere hello get quiet when I start

  • 2:18

    talking up wake it up yeah yeah yeah

  • 2:20

    they don't get they don't get to shine

  • 2:21

    in the floors too well you can see my

  • 2:23

    prints everywhere oh all right now God

  • 2:26

    damn it man mixer boys y'all got to talk

  • 2:29

    for a second

  • 2:31

    no I went home and tried to forget about

  • 2:32

    it [ __ ] y'all [ __ ] still wai woke up

  • 2:36

    morning like you know

  • 2:37

    what kept coming from it it was like

  • 2:40

    wait oh oh oh you was oh you was oh was

  • 2:42

    a op party it was a op

  • 2:46

    party damn y'all [ __ ] had a op out

  • 2:48

    yeah yeah yeah y'all heard the Spotify

  • 2:50

    y'all probably hear

  • 2:52

    aify damn opif five records in there n n

  • 2:56

    how you do that Alex is in there dancing

  • 2:58

    around I'm the op no I wasn't D why you

  • 3:01

    so comfortable around him I wasn't no op

  • 3:03

    why you so comfortable around the Ops

  • 3:04

    wasn't no Ops there Joe is energy up

  • 3:06

    today it wasn't no Ops though huh it

  • 3:09

    wasn't no

  • 3:10

    ops Oh so so they not Ops I didn't see

  • 3:13

    one person in there I was op I don't

  • 3:15

    feel I'm just you killed them I don't

  • 3:17

    really care I killed

  • 3:19

    n y'all got talk anyway bro go ahead go

  • 3:23

    ahead I had a I finally did it what you

  • 3:25

    did got the PS5 man hey Shell man he put

  • 3:29

    me man cell yeah man he help me out man

  • 3:32

    you got two got two controllers no I got

  • 3:35

    to get second controll what the [ __ ]

  • 3:36

    about say that new mat is out that's why

  • 3:38

    I got it wanted it yeah oh smoke the

  • 3:41

    smoke is Av I got to learn how to play

  • 3:42

    first for a minute I need AEK me too hey

  • 3:46

    Ice I was a video game coniss you got

  • 3:49

    you got a not coniss what system you got

  • 3:52

    PS4 that's hooked up I don't know where

  • 3:55

    that you got yeah you got I know that

  • 3:58

    ain't going to work with me though

  • 4:00

    smoke available I had to buy it with the

  • 4:02

    little stupid game I probably never

  • 4:03

    played oh the um you had to get the

  • 4:05

    bundle yeah what you get what's it

  • 4:07

    called horizon or some [ __ ] like that oh

  • 4:09

    no no that a horizon West that's not bad

  • 4:11

    that's not bad game okay I cool little

  • 4:12

    story you beat it nah I don't beat none

  • 4:14

    of these games bro I play them you mut

  • 4:16

    then damn there's no point when God of

  • 4:19

    War come out then I'm beating the

  • 4:21

    game God of War yes that's a [ __ ] that

  • 4:24

    they giving back to

  • 4:28

    Russia no oh all right par

  • 4:32

    me go get that game whoa whoa whoa

  • 4:35

    that's what I thought sound a little

  • 4:38

    what's up over there your wir make sure

  • 4:41

    my my wire is good it's me it's me I've

  • 4:44

    been doing this [ __ ] since 023 it's not

  • 4:46

    him I've been I've been doing this

  • 4:50

    professional turn up a knob or something

  • 4:52

    back there act like we here today which

  • 4:55

    I'm surprised we here today I'm dressed

  • 4:57

    for vacation

  • 4:59

    I was going I was going to overdo it

  • 5:02

    with the white Shades I did not cuz I

  • 5:05

    heard y'all's voices in my head yeah I'm

  • 5:07

    glad I didn't do it that's like a yacht

  • 5:09

    and boat or a

  • 5:12

    hat I mean fish a fishing golf something

  • 5:14

    I don't know what golf golf gol gol golf

  • 5:17

    gol that's a little s pish I'm just

  • 5:19

    saying

  • 5:21

    Monaco I've never been me

  • 5:26

    either all right all right Boo all right

  • 5:29

    you know what say L I understand I

  • 5:31

    understand I like when is let us know

  • 5:33

    what he going to be on yeah word show it

  • 5:37

    he showed his ass last week yeah he

  • 5:39

    could take yeah you showed your ass last

  • 5:41

    week on this podcast play a song now you

  • 5:43

    instructing me I don't take instructions

  • 5:45

    from the mixer boys anybody that was at

  • 5:48

    that mixer nah yo uh you showed your ass

  • 5:52

    last week we agree you disagree like we

  • 5:56

    all you made you made us look like [ __ ]

  • 5:59

    you did I didn't but it's cool nah you

  • 6:01

    went off you went off last week you went

  • 6:03

    off son that niggaer heard I'm

  • 6:05

    her that [ __ ] really touched you and

  • 6:08

    broke it down for us he did he

  • 6:12

    did you my man you droing into the

  • 6:14

    [ __ ] yeah you heard him it's jump is

  • 6:17

    time in the car get two in a row [ __ ]

  • 6:20

    we going jump you now Justice you know a

  • 6:21

    [ __ ] come down hot what Shaq say one of

  • 6:23

    them [ __ ] get hot what he going to do

  • 6:25

    lay their ass up all right sh sha is

  • 6:27

    wrong Shaq ain't wrong but it's sh Shaq

  • 6:29

    is wrong

  • 6:31

    okay Shaq was wrong if he was he wrong

  • 6:34

    Shaq was wrong you know why he wrong cuz

  • 6:37

    they can beat your ass from way 40t away

  • 6:39

    that's that old Charles Barkley thinking

  • 6:41

    of jump shot come I'm going a 40 foot

  • 6:44

    jump shot you to death now Shaquil

  • 6:45

    O'Neal yeah stop it stop it you saying

  • 6:48

    no stop Ito where he go fam the game

  • 6:51

    ain't down in the paint no more who

  • 6:52

    would have been on Clay Rick

  • 6:54

    Fox I man I'm I'm give me the Warriors

  • 6:57

    for everything give me the Warriors for

  • 7:00

    everything you bugging Rick Fox is on

  • 7:03

    Klay Thompson the [ __ ] that scored 61

  • 7:05

    points in three quarters that can't put

  • 7:06

    the ball on the floor to save his [ __ ]

  • 7:08

    and didn't seem to need to don't have to

  • 7:11

    they move without the ball they catch

  • 7:13

    and shoot you know basketball goes you

  • 7:15

    leave play Thompson clay Thom love kayay

  • 7:17

    Thompson plays defense what are you

  • 7:18

    talking about I know who's gonna dhot oh

  • 7:21

    my God Draymond Brown [ __ ] is you

  • 7:23

    talking about the foul

  • 7:28

    line can talk about jumpers from 50 talk

  • 7:31

    about [ __ ] getting their face dunked

  • 7:32

    on the foul line okay go dunk on who

  • 7:35

    whoever you want to dunk well I'm just

  • 7:37

    to keep dunking go ahead and we going to

  • 7:39

    keep threes is more than twos I know

  • 7:42

    like you know math right yeah I do you

  • 7:43

    keep dunking I'll keep shooting these

  • 7:45

    thre and it should tally up right all of

  • 7:48

    us going to keep shoo our whole team hey

  • 7:50

    we got Jordan po wait who else y'all

  • 7:51

    [ __ ] got Kobe who else you know what

  • 7:54

    I'm talking about rest in peace rest in

  • 7:56

    peace who else Bean no you only need

  • 7:58

    them two please yo you out your [ __ ]

  • 8:01

    y let me ask you on math what's an

  • 8:04

    easier percentage shot the dunk or the

  • 8:05

    40-footer who shooting who shooting

  • 8:08

    Steph who's shooting it Steph and Shaq

  • 8:09

    oh Steph it's not making them more than

  • 8:11

    Shaq dunking them Steph you out your

  • 8:13

    [ __ ] mind no I'm telling you for fact

  • 8:15

    there's a stat

  • 8:18

    uh now you don't want stats I'm

  • 8:20

    listening the two highest uh percentage

  • 8:23

    shooters ever that had to take more than

  • 8:26

    uh 2,000 shots was Shack at like

  • 8:32

    59% and Steph at 58% it was only them

  • 8:36

    two all right I hear you so I don't know

  • 8:39

    if Steph shooting 58% for a career no

  • 8:42

    the year it was the year it was one year

  • 8:43

    it was for one year it was one season I

  • 8:46

    got to see it and it was that mvp season

  • 8:49

    you remember when he didn't miss no

  • 8:50

    threes you you remember the season it

  • 8:53

    was like oh [ __ ] we've never seen

  • 8:55

    nothing like this for whole 80 games

  • 8:57

    just missed no it was very few did he

  • 8:59

    missed that one MVP season shock y

  • 9:02

    remember you% from three nah go

  • 9:07

    look I hear a [ __ ] drying up now I'm on

  • 9:10

    vacation listen I don't know why I'm at

  • 9:12

    work mentally I'm on vacation like the

  • 9:15

    taxi driver uh dude from the movie that

  • 9:18

    put the picture up in the rear view I

  • 9:19

    forgot the movie but I mentioned it all

  • 9:20

    the time when he said I just look at

  • 9:22

    this picture when I want to go somewhere

  • 9:24

    that's my big I work here for 50 years

  • 9:26

    whatever yeah I'm I'm somewhere else got

  • 9:28

    new sandals huh yo

  • 9:33

    man it's tough to get them these [ __ ]

  • 9:35

    is so corny they come in and take all

  • 9:37

    the [ __ ] and they' been on sale yeah

  • 9:39

    I can't get the little things with the

  • 9:41

    the thing between the big toe and I want

  • 9:43

    what are they call those are the

  • 9:46

    ones those are the on you told my man

  • 9:50

    I'm not really on vacation without those

  • 9:52

    yeah something like that not calling

  • 9:53

    them we them not thong we not I need

  • 9:55

    those I need those how how many pair of

  • 9:57

    Shades you bought for for vacation and I

  • 9:58

    got to figure figure out how I'm packing

  • 10:00

    the shades like I'm I got to serve these

  • 10:02

    [ __ ] look so I got to put Shades in

  • 10:04

    there I'm listen you know a [ __ ] Rich

  • 10:06

    when they just want the thong sandal

  • 10:09

    instead of just the yeah Manan broad one

  • 10:12

    you probably get some Birkin stocks I

  • 10:14

    got mad sandal I got oh the doo Birkin

  • 10:16

    stocks no he see see he said Birkenstock

  • 10:22

    right he no you said a word before that

  • 10:25

    the dror

  • 10:27

    burger we look him up regular stop yeah

  • 10:31

    you mean do it's his

  • 10:34

    prerogative It's I don't force my you

  • 10:36

    know what I mean everyone be themselves

  • 10:38

    to each their own I want the Dior on

  • 10:41

    there you go right there them two black

  • 10:43

    right in the middle bang bang bang bang

  • 10:46

    both them I'm serving these [ __ ] I'm

  • 10:48

    not playing with these [ __ ] on

  • 10:49

    vacation I don't want y'all to get

  • 10:51

    confused cuz [ __ ] is out [ __ ] is

  • 10:53

    moving I got to create the come on stop

  • 10:56

    playing separation I got to create the

  • 10:58

    separation and then it's

  • 11:01

    rooms I have to create the separation

  • 11:05

    rooms and some sometimes you can't hear

  • 11:06

    the song until it's done I got to go

  • 11:08

    make the song I got to go make don't

  • 11:10

    worry I'mma paint a picture head ass I'm

  • 11:12

    matching with her four days in a row

  • 11:14

    four days I'm color coordinat oh you got

  • 11:17

    pink watch this watch this white and

  • 11:20

    pink Dior silk set I'm not playing with

  • 11:22

    you [ __ ] yeah no [ __ ] this salmon I'm

  • 11:26

    out [ __ ] stupid yo where y'all going

  • 11:29

    your nightstand gonna be a oh yeah we're

  • 11:30

    going on vacation yeah this whole pod is

  • 11:33

    off from when I

  • 11:35

    leave I leave like the TW when next

  • 11:39

    Friday is the last time wrap this [ __ ]

  • 11:43

    up I am so for real like them [ __ ] I

  • 11:47

    can't wait for the conspiracy theories

  • 11:48

    oh yeah they coming oh

  • 11:51

    yeah give me one come on give me give me

  • 11:53

    one uh it's just contract it's got to be

  • 11:56

    me it's just contract P your has to be

  • 11:58

    me

  • 12:00

    only wants to own

  • 12:02

    it your man said I want to own it we're

  • 12:04

    not getting along behind the scenes you

  • 12:06

    want to own the pot I want I want

  • 12:08

    ownership who said

  • 12:11

    that the same one listenit out yeah

  • 12:14

    thank you we not we not even doing that

  • 12:16

    but anyway yeah we're not getting long

  • 12:19

    mind I see it yeah next Friday is the

  • 12:22

    last one for a

  • 12:24

    minute yeah I'm not done announcing this

  • 12:31

    it's going to be it's going to be a

  • 12:33

    little while a second at least two weeks

  • 12:37

    about that at least two weeks I'm

  • 12:39

    telling you about that you're the man

  • 12:41

    bro [ __ ] work hard [ __ ] n it's facts

  • 12:45

    man we go hard and I and I have never

  • 12:48

    had like this style vacation where it's

  • 12:51

    really no work now M long flight staying

  • 12:55

    long 9 10 days long flight back just ch

  • 12:58

    I call amp

  • 13:00

    amp check it

  • 13:02

    out you need that PTO nah no no I got I

  • 13:07

    got I got I got I got days off over

  • 13:09

    there but but it's a number of them and

  • 13:11

    when you back to when you back to back

  • 13:14

    them that's Monday Monday it's like damn

  • 13:17

    but you got to DJ those my guys over

  • 13:18

    there DJ might 1 a.m. or something

  • 13:21

    stupid ain't nobody trying to no I'm

  • 13:23

    going no I'm not working I'm not working

  • 13:27

    I feel yeah no should you iously await

  • 13:30

    my return so yeah we're going for two

  • 13:32

    weeks from next whatever whatever you'll

  • 13:34

    know yeah when you open up pod you don't

  • 13:38

    see you'll know when it's not there now

  • 13:39

    patronies will be I don't think that

  • 13:41

    applies to the

  • 13:42

    patronies at some point we'll find a way

  • 13:44

    to get to it oh no we going to cook for

  • 13:46

    y'all yeah we going to cook yeah we'll

  • 13:48

    we'll find something to do we going to

  • 13:49

    cook uh so stupid y with that said am I

  • 13:54

    up over

  • 13:55

    here yes sir man turn me up louder man

  • 13:58

    so these [ __ ] know what time it is

  • 14:00

    when Joe come in here now I need my

  • 14:01

    headphones up louder than that turn me

  • 14:05

    up high energy in here microphone check

  • 14:09

    one two what is

  • 14:12

    this more appla God damn

  • 14:15

    [Music]

  • 14:17

    [Applause]

  • 14:20

    [Music]

  • 14:23

    it what episode is this 559 welcome to

  • 14:26

    episode 559

  • 14:29

    the Joe Button podcast I'm your humble

  • 14:31

    gracious not humble then [ __ ] it I'll

  • 14:33

    listen to y'all I'm not humble humble

  • 14:35

    for what [ __ ] [ __ ]

  • 14:36

    Y'all there you go I'm joking no own it

  • 14:39

    no I'm not I'm not owning that I'm not

  • 14:41

    owning that I'm not owning that uh

  • 14:43

    humble gracious grateful highly favored

  • 14:45

    lowly favorite I'm here I'm here to L

  • 14:47

    it's me Joe Button hi Parks is here is

  • 14:50

    is here uh ice is here is here Cory is

  • 14:53

    here young boys in the

  • 14:56

    [ __ ] I got it yeah [ __ ] out of here

  • 15:00

    still

  • 15:00

    up going on back here [ __ ] so I walk

  • 15:04

    down that

  • 15:05

    Hall all right man what's going on how

  • 15:08

    y'all doing chill how y'all doing how

  • 15:10

    y'all feeling good man feeling good

  • 15:11

    feeling good looking forward to Vacation

  • 15:13

    man absolutely you out of here uh I

  • 15:16

    haven't decided yet I'll probably do

  • 15:18

    something light maybe a little the

  • 15:19

    problem is all the places we want to go

  • 15:20

    is in the Caribbean kind of area and

  • 15:23

    that's this is hurricane season man it's

  • 15:25

    a little shaky found that out a little

  • 15:27

    shaky is

  • 15:30

    you better get your ass on that

  • 15:32

    planless you these beginners I got

  • 15:34

    trapped in a hurricane last summer so I

  • 15:35

    know what that's like I don't want to do

  • 15:36

    that again man

  • 15:39

    listen I feel you though I got some and

  • 15:41

    had I not I got some recommendations for

  • 15:43

    you fam yeah shoot me shoot me some

  • 15:45

    wrecks man it's hurricane season yeah

  • 15:49

    look how fast used to be until I got

  • 15:51

    stuck in a hurricane Farmers Almanac on

  • 15:53

    them AR aren't you the Farmer's

  • 15:56

    Almanac look at you you get called want

  • 15:59

    your whole [ __ ] have changed be like you

  • 16:00

    know actually I could go somewhere else

  • 16:01

    maybe this time no I'm out of here maybe

  • 16:03

    I'll go hit some Canada

  • 16:06

    sayara go Montreal for a vacation what

  • 16:09

    y'all doing for y'all

  • 16:10

    vacations oh yeah and why you looking

  • 16:14

    yeah you ain't going to say no names I

  • 16:16

    was just waiting to see what it's Island

  • 16:18

    no I'm just if he was going to respond

  • 16:19

    to the host asked a question I seeing if

  • 16:22

    you was going to respond me and the host

  • 16:23

    understood oh were you not privy to your

  • 16:26

    understanding no hey when uh is and

  • 16:29

    Parks is on the same in the same back

  • 16:31

    court we always back yeah I don't like

  • 16:34

    that me you see them yeah you think we

  • 16:36

    got to get cool no uh come on we can get

  • 16:40

    right to it if y'all want sure all right

  • 16:43

    the versus versus the versus versus damn

  • 16:45

    versus versus versus versus

  • 16:49

    versus all right I mean this is a dead

  • 16:53

    sh I mean this is in line with something

  • 16:55

    that we have not told the audience what

  • 16:57

    happened yet look at you ready to get

  • 17:00

    your bars off no no no that's not what I

  • 17:01

    was about to say no not at all all the

  • 17:04

    naysayers coming

  • 17:06

    out Swiss and Tim are suing triller that

  • 17:10

    Swiss beats and

  • 17:12

    Timberland Timberland Legends yes indeed

  • 17:16

    creators of versus are suing triller

  • 17:19

    seeking $28 million for versus rap

  • 17:22

    battle

  • 17:24

    deal that's a couple dollars a little

  • 17:27

    bit triller now says

  • 17:29

    it's paid them over 50 mil to date and

  • 17:32

    claims that they've not met their

  • 17:33

    earnout payment threshold I don't know

  • 17:35

    what an earnout payment threshold is

  • 17:37

    would you Enlighten

  • 17:38

    us what the uh earnout payment threshold

  • 17:42

    yeah that means that you will be paid

  • 17:46

    maybe let's say quarterly and you have

  • 17:49

    deliverables oh so we will give you x

  • 17:53

    amount at the start oh [ __ ] let me move

  • 17:56

    this back x amount at the start and and

  • 17:59

    well the next time you'll get this and

  • 18:00

    the next time so so we're stalling

  • 18:02

    payments got M based on what you deliver

  • 18:05

    though whatever that is so you should

  • 18:06

    you should deliver a certain amount of

  • 18:09

    events that's where it gets fuzzy I'm

  • 18:11

    saying whatever your your your your

  • 18:12

    agreed upon terms are yes but that is

  • 18:15

    where it begins to get fuzzy gotcha well

  • 18:17

    it's saying here according to the

  • 18:18

    lawsuit uh after triller failed to make

  • 18:21

    a large payment to Swiss in Timberland

  • 18:24

    in January the company agreed to a

  • 18:26

    settlement requiring triller to pay them

  • 18:28

    8 million which is 9 million each by

  • 18:30

    March 20th with a million dollars per

  • 18:33

    month for the following 10 months and

  • 18:35

    triller has not made any of those

  • 18:37

    payments this is what their lawsuit

  • 18:39

    alleges which I was getting ready to say

  • 18:41

    goes in line with a report that came out

  • 18:44

    a couple weeks ago I believe it was the

  • 18:47

    Washington Post I could be wrong I don't

  • 18:48

    want to get the wrong um paper but the

  • 18:51

    report was that triller hasn't been

  • 18:54

    paying the

  • 18:55

    creatives oh yeah you talk we talked

  • 18:56

    about that briefly on patreon maybe mhm

  • 18:59

    so I wasn't paying artist either the

  • 19:01

    people that like they they had they did

  • 19:03

    um U some type of initiative for for

  • 19:05

    black creators and there were people

  • 19:08

    that had signed on with triller saying

  • 19:11

    you know if we'll put certain amount of

  • 19:12

    content out and we'll get paid x amount

  • 19:14

    of money and triller has not paid

  • 19:17

    anyone and there are people like yo I'm

  • 19:19

    facing eviction I've been doing this I'm

  • 19:20

    still meeting obligations because you

  • 19:23

    know sign we signed this deal I'm

  • 19:26

    sending my invoices in and I'm not

  • 19:27

    getting paid mhm

  • 19:30

    so it seemed like something ain't

  • 19:32

    working over there I don't know if it's

  • 19:35

    when they tried to this is just

  • 19:36

    speculation if when they tried to go to

  • 19:38

    subscription base [ __ ] wasn't signing

  • 19:40

    up like that about say probably so

  • 19:42

    probably so or they tried to mix it with

  • 19:45

    the boxing and it it just ain't work I

  • 19:48

    don't know but it seems like the money

  • 19:50

    is running running kind of low a triller

  • 19:52

    at triller probably probably the

  • 19:55

    case I I don't see how they make money

  • 19:58

    no they have endorsement uh at all the

  • 20:01

    things they're usually sponsored by

  • 20:02

    somebody they have the [ __ ] written all

  • 20:03

    over the [ __ ] set usually have

  • 20:05

    bottles or whatever the [ __ ] may be yeah

  • 20:07

    and if you're an Endor C we going to

  • 20:09

    rock the first time let's say You Pepsi

  • 20:11

    yeah I'm going to give you'all XYZ M and

  • 20:14

    then it don't pop like I'm not giving

  • 20:16

    you'all no more

  • 20:17

    bread you get what I'm saying like I'm

  • 20:18

    just we just throwing numbers out like

  • 20:20

    if I want some parks sneakers yeah and I

  • 20:24

    think that your sneakers going to sell a

  • 20:26

    certain amount of sneakers in first

  • 20:27

    quarter if pop I'm not putting no more

  • 20:29

    money behind your [ __ ] um yeah I that's

  • 20:33

    outside of my um of course my my

  • 20:35

    wheelhousing however I think the way

  • 20:37

    that that usually works you correct me

  • 20:38

    if I'm wrong um it kind of don't matter

  • 20:41

    what how the [ __ ] performs it's I'm

  • 20:43

    putting you in front of x amount of

  • 20:44

    people this is what the rate is for that

  • 20:46

    amount of people true and then if and

  • 20:48

    like a commercial like Super Bowl the

  • 20:50

    Super Bowl is projected to be 100

  • 20:51

    million viewers I don't think they come

  • 20:53

    back to the NFL if their [ __ ]

  • 20:54

    quarterly isn't a jump right there and

  • 20:56

    say yo actually we're not going to pay

  • 20:57

    you no more no or next year I'm not

  • 20:59

    giving you that because you only have 50

  • 21:01

    million viewers and we projected 100

  • 21:03

    million last year and I and I put

  • 21:05

    commercial spots based on those

  • 21:06

    projected numbers y'all didn't meet them

  • 21:08

    so now I'm not going to give y'all the

  • 21:09

    same amount of money next

  • 21:11

    year yeah or just yo we thought by

  • 21:15

    spending this amount of money with you

  • 21:17

    it would bring us back a certain amount

  • 21:19

    and even if even if y' had 100 million

  • 21:21

    viewers it didn't turn into product it

  • 21:23

    didn't turn into sales for us so we

  • 21:25

    could send spend that money elsewhere

  • 21:27

    maybe it could be anything

  • 21:29

    but it just seems like the money is

  • 21:30

    slowing up over there at triller and

  • 21:32

    they not paying

  • 21:33

    anyone that's a damn

  • 21:36

    shame what you

  • 21:38

    think it's all so complicated it really

  • 21:41

    is it is and we don't there it's big

  • 21:44

    money talk I know no facts none of us do

  • 21:48

    by the way so we're speculating here I'm

  • 21:51

    speculating and this will sound vague

  • 21:55

    but they either made a whole lot of

  • 21:58

    money

  • 22:00

    or they didn't make any money uh triller

  • 22:04

    yeah either triller is doing really

  • 22:07

    really really well or really really bad

  • 22:10

    or they're doing really really really

  • 22:14

    really bad I would assume the last yeah

  • 22:15

    I think it's the other one I would

  • 22:17

    assume I haven't seen it I don't

  • 22:19

    know because that gets into the numbers

  • 22:23

    of things I haven't been following how

  • 22:25

    box the boxing [ __ ] has been doing I

  • 22:27

    know it's all looked

  • 22:29

    out of order that's when ice came in

  • 22:32

    here and said hey there was a few of

  • 22:33

    these versus battles that were blanked

  • 22:35

    out promised to us that we never

  • 22:36

    received that's a fact yeah you did say

  • 22:38

    it it's also weird because for the most

  • 22:41

    part I know there was a couple that

  • 22:42

    weren't but for the most part they've

  • 22:44

    also been live on Instagram and YouTube

  • 22:47

    so I don't know how all that [ __ ] gets

  • 22:49

    broken down financially gets broken down

  • 22:51

    or what the benchmarks are and [ __ ] that

  • 22:55

    I would I would assume a lot of people

  • 22:56

    are watching it not that was that was uh

  • 22:59

    Cypress Hill and Onyx beef cuz it was

  • 23:02

    like yo you didn't put ours wide like

  • 23:04

    you do everybody else's you you put it

  • 23:06

    behind the pay wall and it ain't a lot

  • 23:09

    of people over here and I even said it

  • 23:10

    then I said yo I believe that that might

  • 23:12

    have been a test just to see exactly how

  • 23:15

    many people we got only paying iamus man

  • 23:19

    but they can't do that with Cypress Hill

  • 23:21

    and Onyx you know what I'm saying like

  • 23:23

    no disrespect to them but you got to

  • 23:25

    have a Usher Chris Brown you got to have

  • 23:28

    some bigname [ __ ] and then you can say

  • 23:30

    yo this subscription only you can't

  • 23:32

    force a [ __ ] to go

  • 23:34

    watch

  • 23:36

    C remember I came in here and said that

  • 23:38

    they offered me a blink check and with

  • 23:41

    that information now you know what a

  • 23:43

    blink check

  • 23:44

    means blank maybe maybe we'll maybe

  • 23:46

    we'll get to it maybe we won't we don't

  • 23:48

    we don't play on pain right yeah hey you

  • 23:51

    can write you whatever you want what you

  • 23:54

    want how much you got it suei you got it

  • 23:59

    standing line yeah especially if the

  • 24:02

    payments

  • 24:04

    are installed yeah that's one

  • 24:08

    two uh the owners of driller or the

  • 24:12

    co-owners or whatever I read the [ __ ]

  • 24:14

    but the two guys uh they've been around

  • 24:16

    the block and have their own

  • 24:19

    reputation I'm certain that both sides

  • 24:21

    did their due diligence to add language

  • 24:24

    in the contract for both

  • 24:26

    sides that would give each party and out

  • 24:29

    whenever they wanted that's the other

  • 24:31

    side to why these big deals don't really

  • 24:33

    mean [ __ ] cuz what's the language that

  • 24:35

    gets us out of this ASAP I don't know

  • 24:38

    who has the better of the side but if

  • 24:40

    I'm assuming triller is broke I put that

  • 24:43

    side to timberin and swiss I

  • 24:46

    do I do if Trill is broke I give it to

  • 24:50

    them if triller is not broke and is

  • 24:52

    going to make them jump through hoops

  • 24:53

    and hurdles and drag this out and make

  • 24:56

    it a long drawn out thing before they EV

  • 24:58

    settled which is what will happen at

  • 25:00

    some point MH well then it could get

  • 25:04

    ugly and it probably will get a little

  • 25:07

    bit ugly probably so and I wonder if

  • 25:09

    it's going to keep cuz this is already

  • 25:10

    ugly the fact that it's public we read

  • 25:12

    that last CU triller triller is well let

  • 25:14

    me finished what this one yeah the last

  • 25:16

    one in December triller announced plans

  • 25:18

    to become a publicly traded company

  • 25:19

    that's exactly what I was about to get

  • 25:20

    into through a reverse merger with C

  • 25:22

    change International a provider of video

  • 25:24

    streaming and AD Technologies the

  • 25:26

    companies had claimed uh the value of

  • 25:28

    the new entity to be called triller

  • 25:30

    versus Corp would be approximately $5

  • 25:34

    billion however in June 2022 C change

  • 25:37

    and triller mutually agreed to terminate

  • 25:39

    the merger agreement per a regulatory

  • 25:42

    fing that's what I was about to get into

  • 25:45

    it's already ugly because Trill would be

  • 25:48

    trying to go public somebody would be

  • 25:49

    trying to go public and the worst

  • 25:51

    possible thing when you're trying to go

  • 25:53

    public is a headline business yeah yeah

  • 25:55

    and a headline of of and about Bad

  • 25:57

    Business

  • 25:58

    to scare away other people so this is

  • 26:01

    already a nightmare so it's going to get

  • 26:03

    uglier and they will eventually settle

  • 26:06

    but I also imagine that the labels had

  • 26:08

    something to do with this what you

  • 26:10

    mean because you're taking our [ __ ]

  • 26:13

    that's our

  • 26:14

    [ __ ] and making off of our music when

  • 26:18

    y'all signed this deal and this is again

  • 26:20

    guessing here that's why it went from

  • 26:23

    song battle to live performance where

  • 26:25

    you have to alter the record or the

  • 26:28

    perance but I don't know if y'all

  • 26:30

    altered it enough to make a label say

  • 26:33

    performance that's our [ __ ] and that's

  • 26:35

    part of what Trill was saying which is

  • 26:38

    hey y'all have obligations to record

  • 26:41

    labels that were unbeknownst to us when

  • 26:44

    we did this deal so we have come out of

  • 26:47

    pocket x amount of dollars to the label

  • 26:50

    to other people and look we don't have

  • 26:53

    it to give you la last year Universal

  • 26:57

    took its music catalog from

  • 27:00

    triller yeah and then you know they they

  • 27:03

    worked out a new deal and put it back on

  • 27:06

    but yeah now we got no no no we got to

  • 27:08

    fix this oh this is what's going on over

  • 27:10

    here no we got to fix it we going to

  • 27:12

    take our music off now you can't have

  • 27:13

    nobody that got anything on the

  • 27:15

    universal perform and stream it on your

  • 27:18

    on your service if I had to guess they

  • 27:19

    just thought it was going to be worth

  • 27:20

    see and you could do that you could have

  • 27:23

    that conversation if you're versus with

  • 27:26

    apple cuz now it's vers is an apple yeah

  • 27:30

    what y'all trying to say record labels

  • 27:31

    let's talk right right this ain't that

  • 27:35

    this is triller

  • 27:37

    right I didn't mean it's a head like

  • 27:39

    that no but I mean level but the point

  • 27:41

    is the point levels level levels it's

  • 27:44

    only it's a short list of people the

  • 27:46

    music business feel like they got to bow

  • 27:47

    down to or will realize after long long

  • 27:51

    uh litigation that you have to bow down

  • 27:53

    we already have a a that's YouTube a

  • 27:55

    fairly blanket licensing situation up so

  • 27:58

    it's not really no big deal to for you

  • 28:00

    to do this over here like it's already

  • 28:01

    kind of covered in the agreements that

  • 28:02

    we already have and it's going to help

  • 28:04

    generate more money through right

  • 28:06

    through your [ __ ] if it was on Apple you

  • 28:07

    could put the link right there to buy it

  • 28:09

    you know what I'm saying but if one of

  • 28:10

    y'all wanted to have a problem it's

  • 28:12

    still four y'all that we have to tap out

  • 28:14

    too yeah it's your triller is not is not

  • 28:18

    that no I agree with that shout out to

  • 28:21

    uh shout out to both Swiss and

  • 28:23

    Timberland uh ice and I were talking on

  • 28:26

    the way here I I do not think this is

  • 28:28

    the end of versus do you think that um I

  • 28:31

    don't do you think they'll just start

  • 28:32

    reneging it they're out yeah they're out

  • 28:34

    they're off to the next one they left

  • 28:36

    Apple had to find out what they was

  • 28:37

    going to do they announced it yo we

  • 28:39

    doing triller here's a spack break some

  • 28:41

    of this down give out 2% of much Equity

  • 28:44

    they gave out to the creators make it

  • 28:45

    look good I like how it looked yeah it

  • 28:47

    looked great I got a little bit awesome

  • 28:49

    but now where you going next their

  • 28:51

    mission is still the

  • 28:53

    same unless they fund it themselves and

  • 28:55

    it don't seem like that's what they're

  • 28:56

    trying to do you mean swi

  • 28:58

    Timber it's their [ __ ] I don't think it

  • 29:01

    is it still their [ __ ] that was my thing

  • 29:03

    didn't they did they sell it's their

  • 29:05

    [ __ ] if there are outs in both sides

  • 29:07

    that protect both sides in my theory I

  • 29:10

    have swiss and Timberland winning and

  • 29:12

    and ending with uh ownership of their of

  • 29:15

    their ICT

  • 29:16

    [Music]

  • 29:19

    okay and their money do you do you still

  • 29:22

    think it holds the same value though it

  • 29:24

    does I think it hold more value it does

  • 29:27

    it does it will if it goes to a more um

  • 29:29

    convenient platform versus is still

  • 29:31

    versus it's still it's still Swiss and

  • 29:33

    Tim it's still their relationships that

  • 29:35

    put this on is still their Savvy like

  • 29:38

    they do this they're just looking for

  • 29:40

    they're just talking to Distributors

  • 29:41

    Apple was an amazing distributor thank

  • 29:43

    you so much it didn't work out here we

  • 29:45

    got a big bag from triller oh y'all

  • 29:46

    don't have my bag give me my [ __ ] back M

  • 29:49

    all right what's who who's next who next

  • 29:51

    YouTube what's up yall see what we did

  • 29:53

    Revol what's up y'all see what we did

  • 29:54

    you can go and Netflix you can HBO this

  • 29:58

    their [ __ ] when it's yours and that's

  • 29:59

    the importance of ownership I'll spare

  • 30:02

    you my important ownership rant cuz you

  • 30:04

    [ __ ] just go sign slave deals anyway

  • 30:07

    uh yeah that's what they doing I think I

  • 30:11

    think that's how it will end I think it

  • 30:12

    has a value I don't think it has the

  • 30:15

    same value because I think what triller

  • 30:17

    is running into is a challenge in

  • 30:21

    monetizing it yo I had the best show on

  • 30:25

    complex and they told me they couldn't

  • 30:26

    sell it you know who problem is complex

  • 30:29

    you got to get with your ad who sells

  • 30:31

    ads here let me go speak to them I don't

  • 30:33

    I can't speak for who triller's ad team

  • 30:35

    is but that is what would be said you

  • 30:37

    know what's the hard thing with that

  • 30:38

    though with triller with complex it was

  • 30:41

    you and act in nesca right so we know

  • 30:44

    what we getting with triller and and

  • 30:47

    marketing that you never know who the

  • 30:49

    artist going to be so if I'm paying you

  • 30:51

    some money I'mma pay you money again for

  • 30:53

    Usher Chris Brown I'm not going to give

  • 30:55

    you the same monetary amount for or I

  • 30:58

    don't want to disrespect nobody but

  • 31:00

    other act if if you if you have the

  • 31:02

    numbers that they have and can show and

  • 31:04

    can show how they did it that's out the

  • 31:06

    window but no it's going like this

  • 31:08

    though but it's still it's not which is

  • 31:10

    why they made up that flyer not made up

  • 31:12

    but presented that flyer with the names

  • 31:14

    blurred out cuz at the deal I'm assuming

  • 31:17

    they hey what are we getting you're

  • 31:19

    getting this nine battles you don't have

  • 31:22

    to know who's there we're responsible to

  • 31:24

    bringing this amount of numbers back and

  • 31:26

    even even if it's an average yo this is

  • 31:28

    the average of what we do yeah that's

  • 31:30

    still numbers I agree with you what I'm

  • 31:32

    saying and it still Falls I don't I want

  • 31:34

    you to make your point but that Ad

  • 31:36

    Agency for triller is important if the

  • 31:38

    Ad Agency at complex can't deliver well

  • 31:41

    hey Spotify didn't have that problem I

  • 31:43

    just think it's variables no I I agree

  • 31:45

    with you with with regards to your your

  • 31:47

    complex talk I'm just saying with

  • 31:49

    triller I just think it's harder because

  • 31:51

    I think it's variables like what are we

  • 31:53

    going to pay the artist what if Amazon

  • 31:55

    get versus they have enough money to pay

  • 31:58

    the artist whatever dollar amount they

  • 31:59

    want but and they have a different uh

  • 32:02

    ideology when it comes to ads right we

  • 32:05

    own half of America true right we are

  • 32:09

    the ad we ad we don't we not calling

  • 32:11

    people they're calling us that makes

  • 32:13

    sense it just depends on who you are

  • 32:15

    partnering with that's true and at the

  • 32:16

    end of this I think they'll find a new

  • 32:18

    home hopefully it's too proven yeah yeah

  • 32:23

    it's still value going to check for that

  • 32:26

    [ __ ] are going to check for it and

  • 32:28

    even post pandemic it evolved yeah you

  • 32:31

    know it went from it went from just

  • 32:33

    Instagram you on your phone me on my

  • 32:34

    phone to full out concert production

  • 32:37

    you're selling audience and they proving

  • 32:39

    that they can get audience MH they even

  • 32:41

    got it live to the point where again I

  • 32:43

    bought up that's Revenue stream apple

  • 32:46

    all right so now I'm going to partner

  • 32:47

    with uh uh what's the [ __ ] that do all

  • 32:51

    Live

  • 32:52

    Nation like it's just so many different

  • 32:54

    things [ __ ] rolling loud you see them

  • 32:56

    jumping trying to make move like this

  • 32:57

    could go any any way yeah this is the

  • 32:59

    beginning of the road for Swiss and Tim

  • 33:01

    with this property and we see what it's

  • 33:03

    worth cuz that that number says $28

  • 33:05

    million right no 28 that they

  • 33:08

    owed yeah but they got they got no I

  • 33:10

    think they got no they got 50 oh great

  • 33:13

    CH said they gave already but all of

  • 33:16

    that is we we can't we don't know any of

  • 33:18

    that it's both sides it's both sides

  • 33:20

    arguing about money but either way the

  • 33:22

    numbers they're throwing around tell you

  • 33:24

    the value it ain't CHP that's true it's

  • 33:27

    far from chump actually I'm not getting

  • 33:28

    50 million in my last deal and then

  • 33:30

    running down to 10 and 15 in the next

  • 33:33

    one that ain't how this one goes the

  • 33:36

    pocket watch but that's what we are yeah

  • 33:38

    we are yeah I'm not going from I stopped

  • 33:40

    watching Swiss House when he was I mean

  • 33:42

    Swiss Pockets when he was roller skating

  • 33:45

    around the big [ __ ] puppets in his

  • 33:47

    living room and when I found out he

  • 33:49

    lived in Iron Man's house in Iron Man's

  • 33:51

    house hey at some point your pocket

  • 33:54

    watching days have to end with some of

  • 33:56

    these people they are out of here you

  • 33:59

    can't keep up with it what H say that

  • 34:01

    house is on my wall this little pretty

  • 34:02

    art picture right here and now that I'm

  • 34:04

    looking in the black art boy it's

  • 34:08

    expensive that [ __ ] so expensive I want

  • 34:10

    to put some of that [ __ ] out outside and

  • 34:13

    outside of the house got let let let

  • 34:14

    [ __ ] know what's up nah for real the

  • 34:17

    black black artists going crazy out here

  • 34:19

    getting money there so many ways to get

  • 34:20

    money out of here all right Le Joe again

  • 34:22

    come on we out of

  • 34:23

    here I a like well off of versus uh

  • 34:26

    Diddy and Jermaine do pre said they're

  • 34:28

    going to face off in a hit versus Hit so

  • 34:31

    it's not a versus it's a ver versus list

  • 34:34

    versus yeah no a triller lless versus

  • 34:38

    versus lless versus it ain't branded it

  • 34:40

    ain't branded no versus to it'll be

  • 34:43

    branded though oh no it's going to have

  • 34:46

    and it's going to be some Spanky behind

  • 34:48

    it if puff and JD GNA put their name on

  • 34:50

    it somebody GNA pay no question you out

  • 34:52

    your [ __ ] M I'm glad to finally see

  • 34:54

    it though I mean they've been talking

  • 34:55

    about this you know for I feel like

  • 34:57

    years now

  • 34:59

    come on

  • 35:01

    JD come on JD

  • 35:06

    what this [ __ ] about he GNA walk the

  • 35:09

    plank what excuse me you said he gonna

  • 35:12

    walk the plank he going to get kicked

  • 35:14

    off the

  • 35:15

    pl JD is JD it's in Atlanta though I

  • 35:19

    wouldn't care if it was in Augusta JD is

  • 35:21

    JD though JD is Yo be clear no I ain't

  • 35:25

    done enough to be able to say a bad word

  • 35:26

    about Jermaine PR on

  • 35:28

    no he is definitely on that list JD

  • 35:29

    going to talk so much [ __ ] it's going to

  • 35:31

    be you got to be at a certain level to

  • 35:34

    kick the [ __ ] back in you ain't kicking

  • 35:36

    I'm not I I that [ __ ] is top 10 all

  • 35:41

    time don't make him manad and pull out

  • 35:42

    his little his little Mariah [ __ ] right

  • 35:45

    don't make him go his Mariah run no

  • 35:47

    don't make him mad and he start yelling

  • 35:48

    [ __ ] you ain't produced that you ain't

  • 35:50

    do like he that the [ __ ] going to

  • 35:52

    come

  • 35:53

    out that's what I'm talking about I did

  • 35:55

    [ __ ] I told him put that symbol right

  • 35:56

    there

  • 35:58

    you hear that that's me I ain't produced

  • 36:00

    it I just jumped in the booth I'm almost

  • 36:01

    almost these songs that's it I'm

  • 36:04

    ad what you want yeah that's my voice

  • 36:07

    right there as we bro yeah yeah that's

  • 36:11

    me I don't care who did this beat I'm in

  • 36:13

    the booth on this smoker Chucky or one

  • 36:16

    of them [ __ ] did it but I said take

  • 36:17

    that take that you take that all I said

  • 36:20

    let me go in the booth hey give me 10

  • 36:21

    minutes let me find a [ __ ] that's going

  • 36:22

    to write this and I'mma teach me out say

  • 36:26

    m mhm that nigga's the man yo heartbeat

  • 36:29

    come on you tap one of the best Rapp yo

  • 36:32

    write something for me to this right

  • 36:33

    here right now no now

  • 36:35

    now go ahead PFF go ahead puff tell you

  • 36:39

    what I'll be watching oh I'm definitely

  • 36:41

    watching absolutely everybody here care

  • 36:43

    the platform is want to I'm watch

  • 36:45

    everybody in here might go thato yeah

  • 36:50

    that's worth Atlanta trip I'm on

  • 36:51

    clubhouse beating them in versus with

  • 36:53

    the puff catalog I yeah no it's real I

  • 36:57

    know Clubhouse still existed

  • 36:59

    really you on clubhouse I said a you're

  • 37:02

    doing too much no come on keep it

  • 37:05

    pushing keep it pushing keeping P doing

  • 37:06

    too much now too much Focus too much

  • 37:09

    Focus all right so y'all didn't give

  • 37:10

    y'all predictions for versus versus

  • 37:12

    versus puff it's puff no not this versus

  • 37:15

    versus versus triller um um Everybody

  • 37:18

    give a prediction come on I think they

  • 37:20

    end up at uh pick aide Amazon apple or

  • 37:23

    I'm I'm team versus either Amazon apple

  • 37:25

    or YouTube no I just think I'm asking in

  • 37:28

    terms of this versus who comes out on

  • 37:31

    the better triller or versus versus

  • 37:34

    versus it's over for Trill vers in fact

  • 37:36

    I think I I think be theil coffin for

  • 37:39

    think that triller doesn't have the

  • 37:41

    resources they already got smoked by Tik

  • 37:44

    Tok just demonetizing hang it up I just

  • 37:46

    think I don't know how they can make

  • 37:47

    money V 2.0 it's over yeah I agree with

  • 37:50

    and I'm sure the gentlemen behind it

  • 37:51

    they obviously created a big platform so

  • 37:53

    they figure something else out but that

  • 37:55

    name and brand is probably yeah

  • 37:59

    well I was home thinking

  • 38:02

    Dam if you offer a blink check and you

  • 38:05

    only get 50 million of it I mean how mad

  • 38:07

    would you be in a year and a

  • 38:11

    half

  • 38:13

    well no and a settlement is coming hold

  • 38:15

    on it's it's it's 50 million in cash and

  • 38:18

    stock we don't know how much was what

  • 38:21

    one and they trying to go public we

  • 38:24

    don't know [ __ ] that might not be that

  • 38:26

    much that's a good one on that's a very

  • 38:28

    good

  • 38:29

    point and we don't know if the 50

  • 38:31

    million included production fees we

  • 38:33

    don't know nothing about that 50 million

  • 38:35

    and I think it's I think there their

  • 38:37

    their response is worded that way for a

  • 38:39

    reason we hating I know that [ __ ]

  • 38:41

    that's a good one even the E Brothers

  • 38:43

    earthwind Fire cost a couple dollars to

  • 38:44

    get them them gentlemen out of bed on a

  • 38:46

    Sunday

  • 38:51

    listen you can say it's for the culture

  • 38:53

    if you want culture my my wire [ __ ]

  • 38:55

    they had nurse nurses in the back

  • 38:57

    anything

  • 39:00

    stupid Y how much you think it cost to

  • 39:03

    keep the ambulance back there

  • 39:07

    RN the

  • 39:12

    r damn nigg was looking at that sh like

  • 39:16

    oh he

  • 39:17

    alive all right man all right come

  • 39:21

    on holy [ __ ]

  • 39:25

    wrong yo

  • 39:27

    yo why y'all showing me Wayne Wonder yo

  • 39:30

    got go PL I got a list of things to talk

  • 39:32

    about before Wayne Wonder and ain't none

  • 39:33

    of them important now he got a gold plag

  • 39:36

    after 20 years huh excuse me no Letting

  • 39:41

    Go wow yeah no letting go just went gold

  • 39:44

    after 20 years that's impossible I'm

  • 39:46

    definitely calling Death Jam check on my

  • 39:48

    sh impossible yeah something wrong with

  • 39:50

    that's impossible I know extra 4,000

  • 39:52

    [ __ ] boy pump it I'm calling a there

  • 39:54

    over 20 years he got a point you got to

  • 39:57

    go back for them old PL heyy yeah yeah

  • 39:59

    hey what's that at now uhhuh yeah I'm

  • 40:02

    still here hold

  • 40:04

    up what I don't know who bought it but

  • 40:07

    this [ __ ] right here has at least 100

  • 40:10

    million

  • 40:11

    spins no no it don't you crazy it was

  • 40:15

    stuck on it was stuck on n

  • 40:19

    n you know how you do the old car you

  • 40:21

    roll the OD back a little bit they hit

  • 40:23

    him with that one man yeah they roll it

  • 40:25

    back man they rolled it back on you're

  • 40:27

    not going

  • 40:28

    gold probably some claws in there and

  • 40:30

    then after if if it's a gold record

  • 40:32

    after this record no no no no this is

  • 40:36

    one of them good records they cancel can

  • 40:37

    Boom by yeah yeah that's what they

  • 40:40

    cancel that's what they cancel there's a

  • 40:41

    couple of them can you say that boom say

  • 40:43

    that I can say that part

  • 40:46

    else this right here is one of the most

  • 40:48

    popular songs of the last these new

  • 40:51

    [ __ ] erasing get [ __ ] cold

  • 40:54

    catalogs classics

  • 40:58

    they changing the scoreboard boy they

  • 41:00

    used to go up in the par moners oh these

  • 41:04

    new [ __ ] came out and said you know

  • 41:06

    what we we like what you said you're not

  • 41:08

    on there spazzing are

  • 41:10

    you yo you was are you spazzing was

  • 41:13

    going to get a head standand when that

  • 41:14

    came

  • 41:15

    on oh man ROM Tok records too oh man

  • 41:19

    wait the TK records is out of here too

  • 41:22

    yes you can't say that no

  • 41:24

    more [ __ ] I don't know what they were

  • 41:26

    saying in the first

  • 41:28

    place why do that apply to me I don't I

  • 41:30

    never knew what they were

  • 41:33

    saying oh

  • 41:36

    man Tok song was chii you I don't know

  • 41:40

    what that is let's just leave it alone

  • 41:42

    then let's just leave it

  • 41:45

    Al I is Jamaican I know [ __ ] youve been

  • 41:49

    in we just going to move

  • 41:52

    on puff says R&B is dead

  • 41:58

    PFF also has a R&B album coming out

  • 42:00

    exactly so put that out there I'mma put

  • 42:02

    the resuscitation he got a R&B whole L

  • 42:05

    label everything yeah just this is ice

  • 42:09

    I's t-shirt yo hold on for a minute with

  • 42:12

    is um

  • 42:14

    Rob open that door pass me my

  • 42:18

    Cape we know you open that door back

  • 42:20

    there let me get my we know you got it

  • 42:22

    uh give me the blue one now you got to

  • 42:23

    get the shiny one yes shiny r okay I

  • 42:27

    think I I I got it thanks shiny cap Jun

  • 42:30

    amb Jun Ambrose designed it for you all

  • 42:33

    right you gentlemen was saying what were

  • 42:35

    you saying that puff has a R&B album

  • 42:37

    coming out label label coming out both

  • 42:40

    facts so for him to say R&B is dead okay

  • 42:44

    we going to push that narrative and then

  • 42:46

    guess who's going to resuscitate it old

  • 42:48

    puffster old good old puff so he didn't

  • 42:50

    say that he didn't say I will res

  • 42:52

    resuscitate it imp it's imply we are

  • 42:56

    grown men we not say another nigga's

  • 42:58

    implying come on let the girls do that

  • 43:00

    cool we he implied We Men yo that Cape

  • 43:03

    is flapping boy you see this [ __ ] I

  • 43:07

    hate charge me for what I said talk to

  • 43:10

    me about the words that came out of my

  • 43:12

    mind now what I implied Ain't No Way in

  • 43:14

    the world now that I have your now that

  • 43:16

    I have your attention I hope you all

  • 43:19

    understand how important R&B is to our

  • 43:20

    culture Exclamation point Exclamation

  • 43:23

    point Exclamation point we need more

  • 43:25

    love

  • 43:27

    hold up hold up what's the name of said

  • 43:29

    label no what's the what's his name his

  • 43:32

    name is Love Now love we need more of

  • 43:38

    me is that implication that's how you

  • 43:41

    interpreted that yo you good any [ __ ]

  • 43:43

    with some ears in well before he said

  • 43:46

    any of this The Talk of the Town and and

  • 43:47

    I think the cover of vibe the cover of

  • 43:49

    one of these shits is hey all here let's

  • 43:52

    the R&B toxic Kings but are they taking

  • 43:55

    it too far that's been the conversation

  • 43:57

    so I don't I'm not interpreting love as

  • 43:59

    him I'm interpreting love as love like

  • 44:02

    not that toxic [ __ ] that they're doing

  • 44:04

    one two I I I overstand all of your

  • 44:07

    points valid valid they're facts album

  • 44:10

    coming but puff has always been Mr R&B I

  • 44:13

    know that's why I don't understand y'all

  • 44:15

    saying that all of y'all know puff to be

  • 44:17

    Mr R&B puff is Mr music it ain't like he

  • 44:19

    just popping out of the blue and saying

  • 44:22

    yo R&B is whack and this is why he gave

  • 44:25

    us marry my life

  • 44:27

    Mary share my world [ __ ] uh come on

  • 44:30

    we know what he did got do this gotun

  • 44:34

    down I'm just saying he ain't a new

  • 44:36

    [ __ ] saying this at all no doubt but Z

  • 44:40

    wait wait time out let me ask each of

  • 44:41

    you a question and the floor is yours

  • 44:43

    puff don't have a license to talk R&B to

  • 44:45

    you course he does same question to you

  • 44:48

    CDL that's what I say my answer is the

  • 44:50

    same PhD floor Ys all right okay PFF is

  • 44:54

    also a businessman yes or no

  • 44:57

    marketer to okay you took I about say

  • 44:59

    puff is also a great marketer right fact

  • 45:02

    okay so if I am to he's announced

  • 45:05

    remember this was supposed to been

  • 45:06

    coming last year so if I'm gearing up to

  • 45:09

    get ready yeah so we here now if I'm

  • 45:12

    gearing up to get ready to launch my

  • 45:14

    label launch my R&B album change

  • 45:17

    everything what better way to do it than

  • 45:19

    to get some get this talk like this

  • 45:20

    going start a conversation little combo

  • 45:22

    and and and no no hold hold on what's a

  • 45:26

    better way to get y'all attention about

  • 45:27

    it okay cuzz that's what he said now

  • 45:30

    that I got your attention let me jump in

  • 45:32

    that is my only beef with this let me

  • 45:34

    hold let me take

  • 45:36

    my that's my only beef with that doctor

  • 45:38

    strange C that [ __ ] by itself he

  • 45:41

    late he

  • 45:43

    late every week I'm seeing Sean Stockman

  • 45:45

    say this but it's Sean boys the men icon

  • 45:48

    some of y'all don't know tank has been

  • 45:50

    doing this for since February me and him

  • 45:52

    me and him uh uh Bex been on the phone

  • 45:55

    jonte like the R&B [ __ ] have been

  • 45:58

    behind the scenes and trying to push

  • 46:00

    this conversation correct that's my

  • 46:01

    issue with this now why that's not an

  • 46:04

    issue for me is you need a puff you need

  • 46:07

    the person on the next level to Echo

  • 46:10

    your sentiment and make it a national

  • 46:12

    conversation my other beef will be that

  • 46:13

    there's a lot of good R&B it's just not

  • 46:14

    elevated to the point of uh public

  • 46:16

    awareness enough why is that I argue

  • 46:18

    that I argue that I don't I see people

  • 46:21

    say that I do too you play a lot of good

  • 46:23

    R&B on this podcast that's new it's not

  • 46:25

    in bulk

  • 46:27

    I disagree it's no one one genre of

  • 46:30

    music that just putting out great [ __ ]

  • 46:31

    and

  • 46:32

    bulk it ain't about quality of music no

  • 46:35

    more it's about the algorithms no that's

  • 46:37

    what they're playing they Market but

  • 46:39

    it's affecting the music so now people

  • 46:41

    ain't going in the studio saying I want

  • 46:43

    to put my heart and my soul and and I

  • 46:45

    want to put this pain on this record and

  • 46:46

    I want to put this amazing music out

  • 46:48

    people going into want to argue that

  • 46:51

    people are going into the studio I want

  • 46:52

    to argue that let them finish those who

  • 46:54

    are there's still some artists out there

  • 46:56

    I'm not said no one but people are going

  • 46:58

    into the studio and as directed by these

  • 47:00

    labels yo I need something that I could

  • 47:03

    sell that I could make go viral here

  • 47:05

    that I could do this and they got to

  • 47:06

    play that game so let me ask you this

  • 47:08

    right yes if if if if India IE Jill

  • 47:11

    Scott Brian mcnight put out an album

  • 47:13

    tomorrow do you think they playing an

  • 47:15

    algorithmic game no I just said there

  • 47:18

    are artists still but those same artists

  • 47:20

    could put out an amazing project and we

  • 47:22

    won't support it let me ask you a a lot

  • 47:24

    of people won't hear it so get support

  • 47:26

    it that's true because the algorithms

  • 47:28

    are not putting it on their playlists so

  • 47:31

    it's the it's the algorithm algorithmic

  • 47:33

    game but everybody don't necessarily get

  • 47:37

    their I come in here we all responsible

  • 47:39

    for a sleeper every week and y'all crack

  • 47:41

    on me sometimes with the sleepers that I

  • 47:43

    find because some of these sleepers

  • 47:44

    might have a 100 views that's not why we

  • 47:46

    crack yeah you don't even know why we

  • 47:48

    that's not why we crack no I the other

  • 47:50

    last week I played a sleeper ice

  • 47:52

    wrote where you find this cuz it only

  • 47:54

    had 245 that wasn't the joke that wasn't

  • 47:57

    a joke yeah and and we shouldn't expose

  • 47:59

    the joke you got a good you got a good

  • 48:01

    operation going on just make just make

  • 48:03

    just make your point just make your

  • 48:05

    point young make point R Rising get your

  • 48:08

    [ __ ]

  • 48:12

    off what's wrong can what they have to

  • 48:15

    offer you know what I mean like Talent

  • 48:18

    anyway right so but back to that

  • 48:20

    sometimes when the belt is in the groove

  • 48:21

    just let the belt go he got a good belt

  • 48:24

    going however you doing it what I'm look

  • 48:26

    but what I'm saying is some of those

  • 48:28

    sleepers out find based on something

  • 48:30

    that I'm already listening to mhm you

  • 48:32

    get what I'm saying so it could be an

  • 48:33

    artist that nobody ever heard of but

  • 48:35

    it's a similar type of music and they'll

  • 48:37

    recommend it to you so if you listening

  • 48:39

    the quality [ __ ] more quality [ __ ] is

  • 48:42

    going to be recommended to you sometimes

  • 48:44

    and let me jump in here let me jump in

  • 48:46

    let me jump in let me jump in let me

  • 48:47

    jump in and argue is just point a

  • 48:49

    different way because I agree with

  • 48:51

    him as genres and cultures I am holding

  • 48:57

    you to how how it was at Inception of

  • 49:01

    you if you are a rapper and you can't

  • 49:03

    get on a mic in a park and say things

  • 49:08

    and get [ __ ] done I'm looking at you

  • 49:11

    funny rap was NE rap we beef and rap now

  • 49:14

    that it's algorithmic cuz that's not how

  • 49:16

    we started right right the same for me

  • 49:20

    exists in R&B my beef now is if you are

  • 49:24

    R&B and you're playing the algorithm

  • 49:26

    rhythm game that's not how this started

  • 49:29

    R&B was the church the open mic the

  • 49:34

    panhandler singing with that it was

  • 49:36

    singing a microphone singing and puff

  • 49:39

    not even a mic yeah word yeah train

  • 49:42

    station one synthesizer inight now I

  • 49:44

    don't apply that to uh White formats

  • 49:49

    because from the start they always had

  • 49:52

    radio they always had video our so

  • 49:56

    singers had to go play the clubs you

  • 49:59

    just had to use your voice yo you

  • 50:01

    opening up a different level of

  • 50:02

    conversation but I'm let me but that's

  • 50:04

    with this is the new age version of that

  • 50:07

    so when puff was explaining himself he

  • 50:09

    said name me five singers today that can

  • 50:12

    sing without

  • 50:13

    autotune that is a valid question in

  • 50:16

    this R&B

  • 50:17

    conversation but the ones that can sing

  • 50:21

    and that would put out a good project we

  • 50:24

    won't support don't say we don't say we

  • 50:28

    talk speaking is the masses might not

  • 50:31

    hear it it might be dope [ __ ] to tanks

  • 50:34

    point to tanks point now tanks out I'm

  • 50:37

    ask you a question after that go ahead

  • 50:38

    tanks out on dream Champs and he quot it

  • 50:40

    Sam Smith's

  • 50:42

    song right yes Dope song I think all of

  • 50:45

    us can attest to Sam Smith being a

  • 50:47

    pretty good artist yeah fam how does he

  • 50:50

    sell a [ __ ] ton of Records but if tank

  • 50:52

    said if he had the same exact project he

  • 50:55

    wouldn't be as success successful so now

  • 50:57

    you start looking

  • 50:59

    at what's pushing that

  • 51:02

    artist somebody still got to buy it no

  • 51:05

    they don't today they really don't look

  • 51:07

    at yo look at these numbers today when

  • 51:09

    you when these when these sales numbers

  • 51:10

    come out it' be like this person did

  • 51:14

    60,000 first week right 18,000 be sales

  • 51:18

    okay they're not buying music but you

  • 51:20

    know what it's going to show when that

  • 51:22

    [ __ ] hit the tour bus it's going to

  • 51:24

    show cuz you can't fake them asses in

  • 51:26

    the seats I agree with you 100% there

  • 51:28

    there's act that's number one album of

  • 51:31

    the week that can't tore so what I'm

  • 51:32

    saying now is there's an appreciation

  • 51:34

    for a certain type of music because when

  • 51:36

    a [ __ ] go on tour Adele is selling out

  • 51:39

    tours Adele is selling hold let me

  • 51:42

    answer this question but the the tanks

  • 51:44

    the these are people that have long fan

  • 51:47

    bases that have they have fed for a

  • 51:49

    while they have real fans a brand new

  • 51:52

    artist today is hard for them they Up

  • 51:54

    Against the Machine I stop everyone stop

  • 51:57

    everyone stop everyone everyone stop for

  • 52:01

    a second Jesus it's

  • 52:04

    tough all right them first week numbers

  • 52:06

    and the projections and the sales of the

  • 52:09

    project from the people that just much

  • 52:10

    like the billboard spots much like the

  • 52:12

    Grammys who is that for oh that's for

  • 52:14

    the label that's for the labels that's

  • 52:16

    all label [ __ ] it's for the labels that

  • 52:17

    that's who that's for and fake most of

  • 52:19

    the time and because the labels got to

  • 52:21

    play that game the independent R&B

  • 52:24

    artists and trust me there's many of

  • 52:25

    them out there CU if you look at the

  • 52:27

    bottom of your favorite joint it's their

  • 52:29

    name yeah it's some other [ __ ] written

  • 52:31

    down it ain't the label we we never hear

  • 52:34

    what you saying about those artists we

  • 52:36

    never hear a such and Aon did this her

  • 52:39

    first week we don't never hear Cleo sold

  • 52:42

    did this her first week we don't hear

  • 52:44

    none of that not playing that game but

  • 52:46

    they're not playing that game because

  • 52:47

    they looking at a different set of

  • 52:48

    numbers when some [ __ ] come back so yeah

  • 52:52

    we so it's so yeah so but in y'all

  • 52:54

    conversation it's just right they got to

  • 52:56

    go on the road and get that money y both

  • 52:57

    right but in my conversation a road no

  • 53:01

    we seeing value from all over the place

  • 53:04

    because we not doing what you saying

  • 53:05

    needs to be done here so we don't need

  • 53:07

    to sell you don't need to acques and and

  • 53:10

    bust your ass and and do tick talk and

  • 53:12

    clout Chase and and and and wait pot

  • 53:15

    stir to have a interesting conversation

  • 53:18

    or uh trauma Bond or stir the emotional

  • 53:22

    P you don't need to do none of that when

  • 53:23

    the music is good that's true you and

  • 53:25

    you didn't sign your likeness away and

  • 53:27

    your publishing away and your [ __ ]

  • 53:29

    for uh imp perpetuity if you're not

  • 53:32

    moving like that you don't have to

  • 53:34

    become a slave to the game that you keep

  • 53:35

    describing is all I'm saying now what

  • 53:37

    I'm saying is when everybody keeps

  • 53:38

    saying killed R&B they talking about the

  • 53:41

    popular [ __ ] that they seeing at the top

  • 53:42

    levels they're not talking about those

  • 53:44

    those artists and acts that y'all list

  • 53:46

    exist they're going to always exist yo

  • 53:49

    and you know what they are ex but you

  • 53:51

    know what happens the people that are

  • 53:53

    doing it this way rely on the way that

  • 53:57

    independent great Music Makers do Word

  • 53:59

    of Mouth [ __ ] uh a hot tune here

  • 54:02

    that's what happens so let me ask you a

  • 54:04

    question let me let me wait no no but

  • 54:07

    wait I'm a pillow

  • 54:09

    fight last week two week I know but

  • 54:12

    y'all won't let me finish my point every

  • 54:13

    time last week or whatever that was I'm

  • 54:15

    going to strip club with youngberg he

  • 54:17

    says put on your hottest R&B person you

  • 54:19

    know he's industry executive man I start

  • 54:22

    just throwing names he ain't know no he

  • 54:25

    don't know and he now now now I'm on my

  • 54:29

    fifth sixth and seventh hard Cleo soul

  • 54:32

    song and he's just unfamiliar he didn't

  • 54:35

    know but yo I'm leaving here I'm going

  • 54:38

    go do my research oh she's a part of

  • 54:40

    salt all of that the same thing got to

  • 54:42

    happened for somebody like a puff yes

  • 54:44

    and who puff kind of puff got Stacy barf

  • 54:47

    with him Stacy I love you puff got Stacy

  • 54:50

    with him like the people we naming

  • 54:52

    should have people around them to point

  • 54:55

    out the who's who's what that's what a

  • 54:56

    an anr used to be right the person to

  • 54:59

    come to the executive and say this is

  • 55:02

    what you need him right here they not

  • 55:04

    going to [ __ ] know I ain't going to

  • 55:06

    know that's true the the fans kill me yo

  • 55:08

    y'all didn't break down such and such

  • 55:09

    I'm [ __ ] I'm busy I didn't hear it

  • 55:13

    maybe you not seeing the lane I'm trying

  • 55:14

    to go and I ain't sitting around

  • 55:16

    listening to

  • 55:18

    albums you need somebody around you to

  • 55:20

    point that's kind what I've been saying

  • 55:21

    that's what I'm saying like because it's

  • 55:23

    not I thought I was smoking you [ __ ] no

  • 55:25

    you're not smoking you're saying the

  • 55:27

    same thing somebody like a puff because

  • 55:30

    I don't have anybody around to point

  • 55:31

    that out to me I might think R&B is dead

  • 55:34

    because I don't hear it even though they

  • 55:37

    are going to continue making yo them

  • 55:38

    acts that the Cleo souls and all of them

  • 55:40

    they never going to stop it's going to

  • 55:42

    be more of them next year they're going

  • 55:44

    to keep coming with that same music but

  • 55:46

    if nobody Shine the light on it tank is

  • 55:48

    reti hear it tank is retiring you know

  • 55:50

    why that's so sad to me cuz that's one

  • 55:52

    [ __ ] off my list of people I can always

  • 55:55

    count on want to get R&B from except for

  • 55:58

    that one album he tried to bug

  • 56:00

    [Music]

  • 56:01

    Alum but I can always count on him to do

  • 56:05

    this exactly this listen to it the whole

  • 56:08

    thing and shout out to cardiac you back

  • 56:10

    again goddamn it with [ __ ] number

  • 56:13

    four no limit he's good Cardi's good

  • 56:16

    friend of the show friend of the show

  • 56:17

    friend of the show yeah cardiac got some

  • 56:19

    [ __ ] all over T join too boss oh yeah

  • 56:22

    yeah yeah n good talk yeah yeah I don't

  • 56:27

    think R&B is dead not not even close not

  • 56:29

    even close to thinkr is dead I was about

  • 56:32

    to say I think anr is out here stealing

  • 56:33

    money and young [ __ ] they're not

  • 56:35

    stealing money they just playing a

  • 56:36

    different game I look at the job uh

  • 56:37

    postings for them and it's it's data

  • 56:39

    they want data dat point so now you

  • 56:41

    going to go get yourself hot on it on

  • 56:43

    Instagram and we going to find a [ __ ]

  • 56:45

    that's already hot on Instagram and

  • 56:47

    bring him to the label instead of

  • 56:48

    finding a true talented [ __ ] that might

  • 56:50

    be a little quirky we got to work on his

  • 56:52

    image but he's talented you get what I'm

  • 56:54

    saying like so we gonna bring him some

  • 56:56

    that's because the when you talking a

  • 56:58

    anr to the label it's the anytime you

  • 57:00

    say label it's the algor algorithmic

  • 57:03

    game unforunately as opposed to the

  • 57:06

    talent game as opposed to the talent

  • 57:07

    game and that's what I've been saying

  • 57:08

    they're in the business of selling Rec

  • 57:10

    they are in the business and

  • 57:11

    unfortunately for today what sells the

  • 57:13

    record is the algorithms Brent's reply

  • 57:17

    to all this was that uh sub genres are

  • 57:20

    dead just create a Vibe put it out I

  • 57:24

    actually saw I forgot what the podcast

  • 57:25

    was they was talking about that uh that

  • 57:28

    in the future maybe near

  • 57:30

    future music may be genris and mood mood

  • 57:34

    based instead of genre based this R&B

  • 57:37

    this this is chill this is uptempo this

  • 57:40

    is agressive this is yo that's what they

  • 57:42

    if you go look at go look at any of

  • 57:45

    these streaming services they literally

  • 57:47

    have the playlist named that yeah

  • 57:48

    exactly it's it's this is the chill

  • 57:51

    playlist it's lit it's this it's this

  • 57:54

    and that's all it is it's all different

  • 57:56

    type of music for that mood mhm that's

  • 57:59

    the game they playing now and that's the

  • 58:00

    game that all the majors R&B Ain't dead

  • 58:03

    but it's severely injured I don't think

  • 58:05

    it's that either it's a little bruised

  • 58:07

    up name me 10 right now then stop man

  • 58:09

    Fam I'm not an R&B guy first off that's

  • 58:11

    not my that's not my that's not my main

  • 58:14

    genre to listen to but what I'm saying

  • 58:16

    is dead and not being pushed by

  • 58:22

    those the labels the algorithms is two

  • 58:24

    different things if you're not playing

  • 58:27

    that game like the artist you named and

  • 58:28

    they still out here getting it

  • 58:30

    independently and doing it their way

  • 58:32

    it's not dead to them let me ask you

  • 58:33

    does that come into fandom what you mean

  • 58:37

    and it I just keep saying this there's a

  • 58:39

    fan out here that wants certain [ __ ]

  • 58:41

    yeah mhm

  • 58:45

    cool certain artists are putting out R&B

  • 58:48

    [ __ ] ex what you want exactly what you

  • 58:50

    want and some of them are making great

  • 58:53

    money from doing it why aren't the other

  • 58:56

    people making great money at some point

  • 58:58

    I think it's a fan thing and who your

  • 59:00

    demo is so how do we describe Ed

  • 59:04

    Sharon you naming people that are signed

  • 59:07

    to Majors first off and that plays a

  • 59:09

    major part in that when you say Adell

  • 59:12

    and Sam Smith and Ed Sharon these are

  • 59:15

    people signed to Majors that they saw

  • 59:16

    that they could

  • 59:18

    Market get we can get you the right song

  • 59:20

    and we can Market it and blow it up so

  • 59:22

    why can't they do that for somebody else

  • 59:24

    they can do it for whoever they want

  • 59:25

    they choose not to yeah cuz it's easier

  • 59:28

    to find the guy that is already figuring

  • 59:30

    out how to get popular on his own and

  • 59:32

    get people on the internet half the work

  • 59:34

    is done yeah it's unfortunate but that's

  • 59:38

    that's the game that's the game they

  • 59:39

    don't want to develop no artist no more

  • 59:42

    yo come to us with a hit come to us

  • 59:44

    buzzing in the streets come to us

  • 59:45

    buzzing on the internet how many

  • 59:47

    followers you got what your they looking

  • 59:49

    at your numbers what's your impressions

  • 59:50

    what's this what's that okay cool now we

  • 59:52

    can work with you otherwise go get your

  • 59:54

    numbers up before you [ __ ] with us

  • 59:57

    go out there work harder it's sad but

  • 59:58

    that's not good business I don't know

  • 1:00:00

    the music business I look at that as

  • 1:00:02

    shitty

  • 1:00:03

    business I me personally the major label

  • 1:00:06

    business is I think fairly generally

  • 1:00:08

    looked at as shitty business I'm talking

  • 1:00:10

    about but they still in business to make

  • 1:00:12

    bread no doubt so when you establish a

  • 1:00:14

    long-term artist you going to eat off

  • 1:00:16

    that artist for a long time the

  • 1:00:18

    labbys is what they keep trying to tell

  • 1:00:21

    you in very nice ways is there's not

  • 1:00:25

    very many many people that the label's

  • 1:00:27

    looking at to establish as a long-term

  • 1:00:31

    artist the people that y'all named Adele

  • 1:00:33

    and Ed Sharon are long-term artists for

  • 1:00:35

    the

  • 1:00:37

    label how they get

  • 1:00:39

    there don't ask me but I'll turn into

  • 1:00:42

    something else up here no I'm just

  • 1:00:44

    saying I I kind of was steering us that

  • 1:00:47

    way I'll turn into something else no I

  • 1:00:48

    was steering us that way but all

  • 1:00:52

    right it's

  • 1:00:53

    cool I just think we it's a market for

  • 1:00:57

    everything there is there there

  • 1:00:58

    absolutely is and um take take take it

  • 1:01:02

    off of

  • 1:01:03

    R&B we we we all have our especially

  • 1:01:06

    being Parks have our different subg

  • 1:01:08

    genres of rap that we listen to the subg

  • 1:01:11

    genre that Parks listen to ain't the

  • 1:01:12

    most popular it ain't listed everywhere

  • 1:01:15

    but them dudes is

  • 1:01:16

    eating eating touring merch independent

  • 1:01:20

    vinyl eating probably making more than

  • 1:01:22

    the [ __ ] that I listen to eating as

  • 1:01:24

    relative but go ahead no no

  • 1:01:28

    okay but they

  • 1:01:30

    not he'll play some some [ __ ] that a lot

  • 1:01:33

    of people ain't heard never who the [ __ ]

  • 1:01:35

    is this so for that's like for someone

  • 1:01:37

    to now say listening to the [ __ ]

  • 1:01:39

    especially what I listen to or the autot

  • 1:01:41

    tuned rap or any of that that's been

  • 1:01:43

    popular as of late to say damn yo rap is

  • 1:01:45

    dead remember when it used to be this no

  • 1:01:47

    it's not it still exists it's just that

  • 1:01:50

    the companies that now own rap that own

  • 1:01:53

    music ain't pushing it mhm that's really

  • 1:01:55

    what it all

  • 1:01:57

    until it hit a certain point then they

  • 1:01:58

    going to come in sco it up water it down

  • 1:02:01

    or do whatever they want to do to it and

  • 1:02:03

    now we going to run for a little bit and

  • 1:02:04

    then toss it aside that's it we duck in

  • 1:02:06

    the smoke please please explain yeah

  • 1:02:08

    what's the smoke

  • 1:02:10

    is I don't never want to duck smoke and

  • 1:02:13

    if there's any [ __ ] out there that

  • 1:02:14

    think I'm ducking smoke tell me cuz I

  • 1:02:18

    want a tiptoe into that smoke think I

  • 1:02:20

    just think that certain certain

  • 1:02:22

    demos

  • 1:02:24

    um I I think your appearance plays a a

  • 1:02:27

    huge part

  • 1:02:29

    Elvis yep yeah I think your I think I

  • 1:02:33

    think that your your your appearance

  • 1:02:35

    plays and to me today in music your

  • 1:02:37

    appearance and your outer Persona plays

  • 1:02:40

    too much a part in your success I just

  • 1:02:42

    think that I think it's not about the

  • 1:02:44

    quality of the music no more it's about

  • 1:02:46

    what we can market and and your in your

  • 1:02:48

    physical and your outter appearance

  • 1:02:50

    plays into marketing of course as it

  • 1:02:52

    should and that's where the the the

  • 1:02:54

    tables tip I mean the scales tip to me

  • 1:02:58

    and that's kind of my and that's kind of

  • 1:02:59

    to piggy back off of is point I agree

  • 1:03:02

    with him one and two unfortunately the

  • 1:03:05

    same holds true for our

  • 1:03:07

    [ __ ] true like the more you step into

  • 1:03:11

    the [ __ ] and that's not a word of

  • 1:03:13

    course but we celebrate nigar rocity we

  • 1:03:16

    do and so the more you step into that

  • 1:03:18

    you can be successful but if you stray

  • 1:03:22

    stray away from that enough and are

  • 1:03:24

    fortunate enough to be handsome elected

  • 1:03:26

    then you have a different route planned

  • 1:03:28

    for a different path planned out for you

  • 1:03:30

    for a whole different true but that's my

  • 1:03:32

    beef with R&B R&B never had to acquest

  • 1:03:36

    to [ __ ] them true there you go that

  • 1:03:38

    wasn't y'all they got to come in and say

  • 1:03:41

    why we go yo you're good to the end of y

  • 1:03:47

    i [ __ ] I wasn't in no relationship but

  • 1:03:49

    was sad I couldn't I couldn't word it

  • 1:03:52

    the way you wor y when JY cried for you

  • 1:03:54

    came out I was in no relationship I sad

  • 1:03:58

    like it's certain s SWV week came out I

  • 1:04:01

    might have been a little weak but that

  • 1:04:03

    [ __ ] hit me I get

  • 1:04:07

    sooney I lose

  • 1:04:10

    control but that's what all the girls do

  • 1:04:11

    they never knew the worst of that hook

  • 1:04:13

    they S I get so weak in the knce I'm

  • 1:04:17

    a I lose all

  • 1:04:21

    control no they knew that come on dog

  • 1:04:23

    they knew that they just learned that at

  • 1:04:25

    these new age R&B parties I'm talking

  • 1:04:26

    about the '90s they didn't know what the

  • 1:04:27

    [ __ ] they were saying they know the

  • 1:04:28

    words now cuz title title put them up

  • 1:04:31

    there genius put them up there I'm

  • 1:04:32

    talking about when the song was out

  • 1:04:33

    today R&B artist you get looked at like

  • 1:04:37

    some [ __ ] ass [ __ ] if you make anytime

  • 1:04:40

    Corey off mik said Tory Lanes uh he

  • 1:04:43

    don't like Tory Lanes talking and puff

  • 1:04:44

    because Tory Lanz wouldn't make Making

  • 1:04:46

    the Band I counter that point with yes

  • 1:04:49

    he would he wouldn't have been in the

  • 1:04:50

    band he'd have been in that

  • 1:04:52

    studio he would have been working behind

  • 1:04:54

    the scenes like shorty teaching them

  • 1:04:55

    dance moves he would have been Puffs

  • 1:04:57

    number one man to to have them in the

  • 1:04:59

    studio cuz he can create the song so he

  • 1:05:02

    would have been there I also C to your

  • 1:05:04

    point about Tori even though I know what

  • 1:05:06

    y'all trying to say you can't use

  • 1:05:08

    autotune the way he uses it without

  • 1:05:11

    being able to somewhat sing that's fact

  • 1:05:14

    it's not possible you could tell the

  • 1:05:16

    difference I'm yeah you you can't use

  • 1:05:19

    that thing like that so he might not be

  • 1:05:21

    Freddy Jackson but he ain't some of

  • 1:05:25

    these other people that's playing around

  • 1:05:26

    with this autotune thing facts I C holda

  • 1:05:30

    note and got on that autotune and was

  • 1:05:31

    all [ __ ] up that [ __ ] was sounding

  • 1:05:33

    like Mr Robot or

  • 1:05:37

    somebody you can sing though yeah you

  • 1:05:39

    can sing a little bit but you got to

  • 1:05:40

    know there's a gift that but if you sat

  • 1:05:42

    in the studio and played around with it

  • 1:05:44

    for a week Auto auto tune have you

  • 1:05:46

    sounding like [ __ ] I'm just but

  • 1:05:48

    I'm pointed it out to the novice that's

  • 1:05:50

    never tried to sing that way they don't

  • 1:05:52

    know they just hear the finish product

  • 1:05:54

    they don't know the difference yeah yeah

  • 1:05:56

    which is most people by the way but even

  • 1:05:58

    in the Tor

  • 1:05:59

    argument his

  • 1:06:02

    musicianship supersedes most that [ __ ]

  • 1:06:05

    can make songs yo y'all didn't know lot

  • 1:06:07

    of these [ __ ] today can sing they that

  • 1:06:09

    can't necessarily make songs y'all

  • 1:06:11

    didn't know Bobby Carwell was white so

  • 1:06:13

    why I'm talking to y'all about

  • 1:06:16

    R&B like it's a few it's a few little

  • 1:06:18

    R&B facts that y'all be confused about

  • 1:06:20

    it's like why am I talking to you about

  • 1:06:22

    this yo Sean Stockman called me the

  • 1:06:25

    other day I was with my son he was with

  • 1:06:28

    his wife Joe off The Record can I just

  • 1:06:32

    speak to

  • 1:06:34

    you you feel

  • 1:06:36

    honored well I'm honored anytime

  • 1:06:38

    somebody that I put on my Christmas list

  • 1:06:41

    in 91 hey this album like speaks to me

  • 1:06:44

    bunby

  • 1:06:46

    Scarface uh puff another anybody that I

  • 1:06:49

    was rushing to the store for that values

  • 1:06:52

    my opinion I'm honored in that

  • 1:06:54

    especially when they know that they

  • 1:06:55

    could call me to have like a heart to

  • 1:06:57

    heart cuz I care about music see you get

  • 1:06:59

    back what you put out that's also in

  • 1:07:02

    this argument in R&B if you stop caring

  • 1:07:05

    about the algorithm and the Tik Tok and

  • 1:07:07

    the fans and put out what's truly in

  • 1:07:10

    your heart to put out mhm you'll be all

  • 1:07:13

    right that app to all genres by and I

  • 1:07:15

    think the numbers come that's all the

  • 1:07:16

    way across the board and I think the

  • 1:07:17

    numbers come division The Vision on

  • 1:07:20

    Twitter hit hit me or was hitting the

  • 1:07:22

    fan back and he was like you know Joe

  • 1:07:24

    just got to stand in being wrong when he

  • 1:07:26

    wrong like he ain't going to never come

  • 1:07:28

    back and say I was wrong and I said hey

  • 1:07:31

    no time will tell if I'm wrong I'll come

  • 1:07:33

    back and say I'm wrong and then he

  • 1:07:35

    replied with all of these stats yo this

  • 1:07:38

    is the most talked about song in the

  • 1:07:40

    last five years yo this is the most Play

  • 1:07:41

    song over the weekend over uh June this

  • 1:07:44

    is the most Play song he replied with

  • 1:07:46

    all of these little robot stats and I

  • 1:07:48

    read that [ __ ] and said what the [ __ ] do

  • 1:07:51

    that have to do with my point that's

  • 1:07:53

    some bronze stats

  • 1:07:56

    I mean Braun got real stats too no but

  • 1:07:58

    but you know they they don't come up

  • 1:07:59

    with the yo he has the most 50o games

  • 1:08:02

    with five assists in the month of

  • 1:08:04

    December also about to break that

  • 1:08:07

    Remy also about to break that

  • 1:08:10

    Remy huh huh huh Mike fans sh the [ __ ]

  • 1:08:15

    up about that mik [ __ ] yo I want to hear

  • 1:08:17

    that Mike Jordan [ __ ] no more yo quiet

  • 1:08:20

    on that man quiet on that mic [ __ ] yo

  • 1:08:26

    I'm about to back to REM me in the first

  • 1:08:28

    three months of the Season yo hey

  • 1:08:30

    highest paid player ever most points

  • 1:08:32

    ever most playoff games ever most years

  • 1:08:35

    ever played my son is in the league I'm

  • 1:08:37

    ushering it y don't talk to me about

  • 1:08:38

    Mike no more yo what he did against

  • 1:08:40

    craigo and

  • 1:08:41

    them talk to me about that [ __ ] yo I got

  • 1:08:44

    all the Jordan threes I need all right

  • 1:08:47

    huh I got all the cement threes I need

  • 1:08:49

    all

  • 1:08:50

    right I love ring up the old [ __ ] look

  • 1:08:53

    at the old [ __ ] go ahead get your

  • 1:08:55

    you're a podcast don't look at me this

  • 1:08:56

    ain't a look cast but look yo the same

  • 1:08:59

    [ __ ] you you love R the old [ __ ]

  • 1:09:01

    that's what that R&B argument is it's

  • 1:09:03

    the same [ __ ] bro they ain't ring me up

  • 1:09:05

    yo it ain't hey no why y let me tell you

  • 1:09:08

    why it ain't let me help y'all yo the

  • 1:09:09

    young [ __ ] Can't they don't have a

  • 1:09:10

    Braun no y'all know why you can't round

  • 1:09:12

    me up I wish I could scroll I got all

  • 1:09:14

    the R&B out all of the [ __ ] that can

  • 1:09:18

    sing I buy it I'm just scroll I don't

  • 1:09:20

    have to look most of this is armb it's

  • 1:09:23

    all arm [ __ ] you never heard of [ __ ]

  • 1:09:25

    that came out yesterday I'm waiting on

  • 1:09:26

    Tempest right now she got she just got a

  • 1:09:29

    deal I'm waiting on [ __ ] I'm waiting on

  • 1:09:30

    the future new crop you 204 to 2020

  • 1:09:35

    [ __ ] y'all had y' shot know what y'all

  • 1:09:37

    did put out one [ __ ] project that's

  • 1:09:39

    what y'all did the [ __ ] are we talking

  • 1:09:41

    my R&B is alive y'all got it and put out

  • 1:09:43

    two minute two packs I ain't trying to R

  • 1:09:46

    up old [ __ ] you [ __ ] stop doing the

  • 1:09:49

    work the game changed for them good hey

  • 1:09:52

    go get it I support everybody going to

  • 1:09:54

    get it Chang for them but the music

  • 1:09:56

    lovers will will will judge on music

  • 1:10:00

    lover judgments understandable not not

  • 1:10:02

    this new [ __ ] not this new [ __ ] going on

  • 1:10:06

    uhuh two turntables in a mic rules still

  • 1:10:08

    in effect facts SED AB rules still in

  • 1:10:11

    effect yo rules are still in effect if

  • 1:10:14

    you're changing that [ __ ] you're doing

  • 1:10:15

    that for the people that I used to

  • 1:10:16

    talking about the mainstream yeah that's

  • 1:10:18

    and if we talking about the mainstream

  • 1:10:19

    people most y'all trash y'all are bad

  • 1:10:22

    now I'm with you there yeah y'all are

  • 1:10:23

    bad that part

  • 1:10:26

    huh I have Leon Bridges I know what's

  • 1:10:30

    good I've heard Raheem Devon before I

  • 1:10:34

    know what's good and what's bad it's me

  • 1:10:36

    yo I talk R&B with any of you [ __ ] the

  • 1:10:40

    [ __ ] is we talking about [ __ ] is

  • 1:10:42

    horrible yo yall so bad I got to wait

  • 1:10:45

    two years for

  • 1:10:46

    scissor more than two years more than

  • 1:10:49

    two years but I'm saying two years since

  • 1:10:50

    I when I thought she was coming out I'm

  • 1:10:51

    still waiting

  • 1:10:53

    mhm whenever it come it come that's how

  • 1:10:55

    bad y'all are y'all suck yo that was his

  • 1:10:58

    response I didn't see that that was

  • 1:11:01

    terrible no that's marketing I'm not mad

  • 1:11:05

    at the marketers you're right Market I

  • 1:11:07

    don't want to see like a hater that is

  • 1:11:09

    the game that they're playing I'm not

  • 1:11:10

    mad at the marketers get y'all [ __ ] off

  • 1:11:13

    but when the music lovers start talking

  • 1:11:15

    mind your [ __ ] business stay on your

  • 1:11:18

    side of the club and we'll stay on our

  • 1:11:20

    side of the club we don't care what

  • 1:11:22

    y'all do over there but I'm talking

  • 1:11:24

    about music

  • 1:11:25

    as far as artists I don't give a enough

  • 1:11:28

    of a [ __ ] about most of y'all some of

  • 1:11:31

    y'all make really great Tunes though and

  • 1:11:33

    that's why I'm

  • 1:11:34

    here that needed to be said too man you

  • 1:11:37

    gave you gave it to him yeah that's

  • 1:11:39

    that's true I thought Sean was he was

  • 1:11:40

    going to tell us what Sean said I would

  • 1:11:42

    never I would never say what Sean said

  • 1:11:44

    but that the point was [ __ ] that let

  • 1:11:47

    be I've said we we having long talks

  • 1:11:51

    behind the scenes about yo what's up man

  • 1:11:56

    yo what's going

  • 1:11:58

    on that's when I could really get gigy

  • 1:12:00

    you heard started that [ __ ] song

  • 1:12:02

    that's that's what I really turn up on

  • 1:12:04

    it you he what the [ __ ] when was the

  • 1:12:05

    bridge the

  • 1:12:07

    second yeah man enough enough enough and

  • 1:12:11

    some of y'all I I open this seat to not

  • 1:12:13

    most of y'all but some of y'all but I

  • 1:12:15

    know R&B is dead because look at what

  • 1:12:17

    the [ __ ] that can sing have to do I

  • 1:12:18

    said that about division hey jaque start

  • 1:12:21

    trying to sing over other [ __ ] [ __ ]

  • 1:12:22

    y'all laughed him out the

  • 1:12:24

    gym I don't want to hear that y'all

  • 1:12:26

    [ __ ] love

  • 1:12:30

    R&B anyway I do believe puff loves

  • 1:12:34

    armb y he uh he added on to the

  • 1:12:37

    conversation he throw me a water out of

  • 1:12:39

    there please he added on to the

  • 1:12:40

    conversation while we were poding he

  • 1:12:42

    yeah he added uh added billboard and

  • 1:12:44

    said why was the R&B and Hip Hop put on

  • 1:12:46

    the same chart to compete with each

  • 1:12:48

    other what' you say Parks oh he right

  • 1:12:51

    there he said why was R&B and Hip Hop

  • 1:12:53

    put on the same chart to compete with

  • 1:12:54

    each other can in charge over there

  • 1:12:56

    explain us why this is why the [ __ ]

  • 1:12:58

    like me have to applaud when puff gets

  • 1:12:59

    involved because puff could call the

  • 1:13:01

    person that creates billboard no he can

  • 1:13:03

    make change he can make that's a very

  • 1:13:05

    valid question though he can make change

  • 1:13:07

    you know the answer to that

  • 1:13:10

    race y'all take the [ __ ] [ __ ] we'll

  • 1:13:14

    take

  • 1:13:18

    this that's all it is we'll give you

  • 1:13:21

    we'll give you a number one but a little

  • 1:13:22

    Aster next to it mhm you can get number

  • 1:13:25

    one over here

  • 1:13:26

    mhm we going to worry about this this

  • 1:13:29

    chart over here this our [ __ ] mhm it's

  • 1:13:31

    all it is bro it's a

  • 1:13:33

    game so you you need disruptors and it's

  • 1:13:36

    really to keep the uh it's really to

  • 1:13:38

    keep the middle class down actually

  • 1:13:41

    because artists in both R&B and hip-hop

  • 1:13:44

    that would normally chart in the top 10

  • 1:13:45

    or top five get pushed down because it's

  • 1:13:48

    both of them lumped together so someone

  • 1:13:50

    that may get that notoriety and the

  • 1:13:51

    Accolade of being a top 10 artist get

  • 1:13:54

    pushed out because now I'm competing

  • 1:13:56

    with Bren fir or whoever the [ __ ] else

  • 1:13:57

    is over here that's a good one that's a

  • 1:13:59

    good one yeah so the cream of the crop

  • 1:14:02

    is still up there but you push out the

  • 1:14:03

    the middle class I don't know what went

  • 1:14:05

    into that

  • 1:14:07

    process I met the criteria to be

  • 1:14:11

    selected but I wasn't it's the good R&B

  • 1:14:14

    [ __ ] nigg that can sink they got to

  • 1:14:17

    stand outside the club all right come on

  • 1:14:19

    y'all got me riled up enough somebody

  • 1:14:21

    else turn to take us out of here we come

  • 1:14:23

    on say something wild we did it huh

  • 1:14:25

    somebody say something wild and crazy

  • 1:14:26

    shoot these numbers through the roof

  • 1:14:29

    [ __ ] bazooka out of here on these

  • 1:14:31

    dudes one puff album dropping we don't

  • 1:14:34

    know yeah we don't know yet I'm waiting

  • 1:14:36

    on puff I'm waiting on Usher M yo he

  • 1:14:40

    that's another one been toying around

  • 1:14:42

    about to play yeah he's not about to

  • 1:14:43

    play at all every clip that you see just

  • 1:14:47

    look like yeah we getting ready to go up

  • 1:14:49

    mhm you think he's skating like that for

  • 1:14:52

    nothing you skate like that when you got

  • 1:14:54

    some [ __ ] on the way and you know it too

  • 1:14:57

    he ain't skating like yo I got to get

  • 1:14:58

    back to the studio at 9: he's skating

  • 1:15:01

    like yo what's up for the weekend he

  • 1:15:03

    outside you know what they just did in

  • 1:15:05

    the studio mhm that is a real good

  • 1:15:07

    feeling when you leave the studio after

  • 1:15:08

    smoking something absolutely and then

  • 1:15:10

    you get to go to sleep and wake up in

  • 1:15:11

    the morning listen to it again cuz it

  • 1:15:12

    sound better in the morning facts oh my

  • 1:15:14

    Lord sound better hey when it sounds

  • 1:15:16

    better you couldn't do that who you like

  • 1:15:19

    I did that all time I know to there was

  • 1:15:21

    a step in between that you missed you

  • 1:15:24

    got home and put

  • 1:15:27

    out word this [ __ ] Joe get home and

  • 1:15:29

    it's uploaded like your F what you doing

  • 1:15:31

    they should have never I was the first

  • 1:15:33

    uploader I was I was the first stream

  • 1:15:36

    Farm the first that [ __ ] all a few

  • 1:15:39

    places get this make sure this is

  • 1:15:41

    up uh all right tank dropped I know we

  • 1:15:46

    supposed to be off of music but here we

  • 1:15:49

    are not off of music all right and it's

  • 1:15:53

    good

  • 1:15:55

    standout tracks what do the whole thing

  • 1:15:57

    just go whole thing is a

  • 1:16:00

    Vibe if you like singing and like notes

  • 1:16:04

    hit where they're supposed to be hit and

  • 1:16:07

    harmonies that match that match each

  • 1:16:09

    other everything on key dance

  • 1:16:12

    synchronized that's crazy dancing with

  • 1:16:14

    each other y'all would really if you

  • 1:16:16

    like that type of R&B man take has

  • 1:16:19

    something for you the whole album is

  • 1:16:21

    this Vibe like mid lot of pianos lot of

  • 1:16:24

    harmonies lot of R&B so you know when we

  • 1:16:26

    when we spoke to him and he was saying

  • 1:16:28

    how he listens to like hip hop you tell

  • 1:16:31

    that's drip too hard tell well yeah we

  • 1:16:33

    know and it's just like you you can see

  • 1:16:35

    what he did with unfortunate that he

  • 1:16:37

    feels like he has to he yeah that's the

  • 1:16:39

    bad part this one I knew he wasn't going

  • 1:16:40

    to play they smoked this uh him and Jay

  • 1:16:42

    Valentine slow off this album we've

  • 1:16:45

    played it here so I won't leave it

  • 1:16:46

    on but just to prove a

  • 1:16:49

    point then I'm coming in disruptive

  • 1:16:53

    [Music]

  • 1:16:55

    oh man turn this off

  • 1:16:56

    here turn off what she did she know what

  • 1:16:59

    she can to do you know [ __ ] I'll be

  • 1:17:01

    doing a grease I'm out of here I'm gone

  • 1:17:04

    I might hire a photographer to tape me

  • 1:17:06

    hey tape this

  • 1:17:09

    move I might have to get wild for 42 42

  • 1:17:13

    Bud

  • 1:17:16

    might yo you got to stop yo I might have

  • 1:17:18

    to get W 42 Bud look they hating now

  • 1:17:22

    don't say that wow I can't be 42 bud

  • 1:17:25

    crazy 4 two but all right Gentlemen

  • 1:17:29

    let's do it uh what's up we're

  • 1:17:31

    discussing birthday

  • 1:17:34

    captions birthday captions for your

  • 1:17:37

    significant other I feel like the birds

  • 1:17:39

    drop need to just at some point but go

  • 1:17:42

    ahead go ahead come on on the birthday

  • 1:17:43

    cap I don't even know where you're going

  • 1:17:45

    I want to hear where you're going I just

  • 1:17:47

    told you where I'm going you love birds

  • 1:17:50

    oh my God I got to

  • 1:17:52

    lead what do you do when it's your sign

  • 1:17:54

    significant others

  • 1:17:56

    birthday and it's time to post a picture

  • 1:18:00

    and write a little caption underneath

  • 1:18:02

    lost me right

  • 1:18:04

    there right there I don't play the uh uh

  • 1:18:08

    do that Instagram showing off [ __ ] so

  • 1:18:11

    that's a no for you we have a no for you

  • 1:18:14

    right we have a hell no for that's a

  • 1:18:16

    hell no for

  • 1:18:18

    ice I play them games Cory ain't had a

  • 1:18:20

    girl since

  • 1:18:23

    jail when he put the sun some little

  • 1:18:27

    [ __ ] [ __ ] you mine

  • 1:18:30

    now you in this cell

  • 1:18:34

    [ __ ] I won't ask the young boys what's

  • 1:18:37

    wrong with you no that's what you should

  • 1:18:38

    ask they young boys I'm not I never am

  • 1:18:39

    coming to that's social media [ __ ] is a

  • 1:18:41

    young man's game it all right young men

  • 1:18:43

    in the back where do y'all stand on this

  • 1:18:46

    n you got to throw a little something on

Showing 2,000 of 4,157 lines