JBP
The Joe Budden Podcast
Episode 792

Best & Final

Joe Budden Podcast Episode 792, “Best & Final,” released January 20, 2025. The latest episode begins with a reaction from the JBP on Drake’s Universal Music Group defamation lawsuit (12:33) while discussing its impact on Hip-Hop, before taking a look UMG’s response (1:25:12). QueenzFlip states that every contract should have an end date as he questions Joe about production deals (1:46:40), accusations against Method Man (2:02:06), and the end of TikTok (2:05:38). Also, Wendy Williams appears on The Breakfast Club (2:13:20), Big Meech’s welcome home concert in Florida (2:22:27), the circulation of a video on the internet leads to a man’s death (2:36:55), and much more. Watch in Spanish: https://bit.ly/JBPSpanish Become a Patron - http://bit.ly/JBNPatreon Humans - https://bit.ly/JoeBuddenHumans JBP Shorts - https://bit.ly/JBPShorts Full transcript and searchable timestamps below.

Best & Final

In this episode

  • 12:33The latest episode begins with a reaction from the JBP on Drake’s Universal Music Group defamation lawsuit
  • 1:25:12While discussing its impact on Hip-Hop, before taking a look UMG’s response
  • 1:46:40QueenzFlip states that every contract should have an end date as he questions Joe about production deals
  • 2:02:06Accusations against Method Man
  • 2:05:38The end of TikTok
  • 2:13:20Wendy Williams appears on The Breakfast Club
  • 2:22:27Big Meech’s welcome home concert in Florida
  • 2:36:55The circulation of a video on the internet leads to a man’s death
Video Available
Audio Available
1,755 transcript lines

Joe Budden Podcast Ep. 792 Transcript

Full transcript of Best & Final (3:03:44 long). Search it, or click any timestamp to jump to that moment.

  • 0:00

    the thoughts views and opinions expressed by this podcast whose Willet its hosts are for entertainment purposes

  • 0:06

    only I repeat it is not serious it is not real no one is exposing revealing

  • 0:15

    indicting or telling you anything about themselves also we do not encourage you

  • 0:20

    to try this at home we are trained professionals who do not have your best interest at heart or our

  • 0:26

    own enjoy the show what's that [ __ ] he did at the [ __ ] uh the Super

  • 0:31

    Bowl yeah [ __ ] you look good son yall like them Shades yes we're on

  • 0:37

    if that's what you're asking yeah I like the I like you got the gold [ __ ] too what's that it's goldplated that [ __ ] is

  • 0:43

    fly [ __ ] Gold Member nice a I don't see how they look on cam they look good they look good they look good yo thank you

  • 0:50

    Blended well [ __ ] like some tinted dmer shits yeah yo you doing who you talking

  • 0:57

    yeah come on yeah yeah she had the text level the levels Tred to send a voice

  • 1:02

    note around me don't do that voice don't voice note around me oh

  • 1:08

    she yo hand me my tank top hey she didn't know how to be say anything yo she didn't know how to press select and

  • 1:13

    delete the whole thing so ma press her thumb deleted this whole year she deleted she got she got nervous what's

  • 1:21

    up how you doing I'm chilling how are you you look you look expensive thank you believe it's on from head to toe no

  • 1:29

    these are B oh my bad mhm still look I think that would

  • 1:35

    have been too tacky oh really yeah head to toe Louis n

  • 1:42

    that a nice little suit what is that called right all right come on a trucker

  • 1:48

    sweat go ahead go ahead I'm not stepping on N no get your [ __ ] off it's nice I'm I'm I'm compliment I don't know what

  • 1:54

    it's called dude compliments don't thank you thank you

  • 2:00

    thank you I woke up I had some other [ __ ] on but then I was like Friday you hit him with the Louis

  • 2:07

    the Louis cash me a Dicky suit you got it CU you look nice too you

  • 2:12

    got the ash black you got the ash blackit my [ __ ] a couple time [ __ ]

  • 2:17

    that's you act like you wash it but you made it like that yeah you he me a

  • 2:23

    p you look good bro I'm happy to see y'all for I'm I'm happy to see y'all too

  • 2:30

    man yeah man gang gang for sure yeah how y feeling yeah what's the vibe tell me

  • 2:35

    the temperament before this starts I would like to have a fun time today yeah but you know what type of vibe we on today

  • 2:41

    too damn fun we can't have fun ass freeze I'll come up with what I think

  • 2:46

    after you and freeze talk I don't think it's going to be fun no why what happened we can have some fun sad man

  • 2:53

    why same sad bluit got your sad I'm just sad you got to pay attention to freeze

  • 2:58

    when freeze walking with some different typ sneakers regular what you talking about it's a sad day he usually go

  • 3:04

    grocery shopping [ __ ] professional today listen [ __ ] the

  • 3:09

    DI the diagram of what's going on he ready to go in his backday free day pay

  • 3:14

    attention to his sneakers I'm sad bro we know I'm with freeze dog Joe said the

  • 3:20

    same thing over there in the corner I'm sad I'm hurt y'all see I I I wasn't talking much came here just sat down I

  • 3:25

    was just sitting here you had your iPad and [ __ ] yeah bro playing Roblox worse hoping some of the [ __ ] I was

  • 3:31

    reading was I was waiting for the joke to drop like a playing shot through the heart I can't wait to hear you guys love

  • 3:39

    this [ __ ] too much man I mean I feel you but let's make fun of it instead of being sad about

  • 3:45

    it I spent half my 2024 making fun of it

  • 3:50

    that's the problem with being ahead of things sometimes yeah I've been questioning all of this [ __ ] from Mad

  • 3:55

    long that's the other reason I'm sad a little bit like this is like the finale to My Views R yeah yeah damn like this

  • 4:03

    is a entire this is an entire closed chapter that played out damn like I just

  • 4:09

    been reminiscing and when I first got introduced to this nigga's music during

  • 4:14

    the Myspace days I'm in the car like damn Myspace I put the playlist on oh [ __ ] that was old school Charlene look

  • 4:21

    back in his bag back in his bag oh my God it's sad

  • 4:27

    man I put a little playlist on too m damn did you yeah to remember the good

  • 4:33

    times yeah [ __ ] [ __ ] gave us some some joints yeah no my new podcast Arc has

  • 4:39

    been you're the Drake hater that's true but the people that know

  • 4:45

    like damn man it's over for my man that's that my that guy I mean we're

  • 4:52

    jumping ahead this it you can't listen to the old [ __ ] no more like it's not the same it's not the

  • 4:57

    same corrupted damn that's the problem like he's stepping on his own

  • 5:03

    dope that's the problem but he's stepping on his he cutting his own

  • 5:09

    [ __ ] like he's he's having too much of an impact on his own fall off from his

  • 5:16

    style of jumping like this is this this this God damn it this [ __ ] says harassment Parks yeah I know as somebody

  • 5:24

    who just went through something with harassment it's like oh you got extra

  • 5:30

    kareny it's like no no some Karens out there in the world my friend yeah but

  • 5:36

    then that's hip-hop fault that's the label's fault everybody play a part it's the fans fault this [ __ ] is sad it I'm

  • 5:42

    so sad I was contemplating coming in here and not talking about it at all honestly like I was going to let y'all

  • 5:49

    just I'm not still mate I was going to let y'all have it I don't need the blogs

  • 5:54

    clipping me up like have I personally feel about it I want to be able to personally feel about it but I'm I'm I'm

  • 6:00

    I'm hurt like it's me I'm hurt like it's me in the suit [ __ ] that [ __ ] was oh

  • 6:07

    God [ __ ] Paris Morton music the [ __ ] are you talking about [ __ ] I start remember the first time I started

  • 6:12

    hearing these songs it's like your dog man let the Legacy be the

  • 6:19

    Legacy like at what point does PR come in at what point do you factor in how

  • 6:26

    you look and the effect this has on your fans than ain't just these new streamer that since you've been pandering all of

  • 6:32

    them all of them [ __ ] I ain't talking about that I'm talking about back in the day when the [ __ ] was quoting [ __ ] come on my God so far G for years you

  • 6:39

    can put it on stop playing with me down the highway oh I'm in real mode whatever early well

  • 6:47

    I'm I'm I'm shutting up later man I can't believe this how's everybody else doing ish I'm great yourself I'm doing

  • 6:53

    well little under the weather but I'm cool yeah you sound a little stuffy it's all right though you clear up you gave

  • 6:59

    me who walks around with Puda fed in their bag yo people with people like yo got it I got some drill a

  • 7:09

    whole pack of the 12h hour joints the over the- counter joints that don't do n the [ __ ] you got

  • 7:14

    to had him in his bag sh but why you come to work sounded

  • 7:19

    like that like you sound your sick voice ain't like saying your sick voice yours

  • 7:25

    y I don't think my normal voice is sexy on on a microphone so this might be an

  • 7:31

    improvement how about on the phones no that's a microphone no a so no girls ever said to

  • 7:37

    you they front I don't believe them if they said it they ly you can't get eyes in a voice all can't get you can't get

  • 7:45

    eyes and you got to pick something at the [ __ ] dick dealership

  • 7:52

    idiot right you got to get some roof for Le now some [ __ ] walking that dick dealers [ __ ] with that that cash on

  • 8:00

    he they come out with you they start bugging me listen uh take what you got

  • 8:05

    yeah I don't even know what I got I got some off behind off the counter [ __ ] you got some off [ __ ] I got some off the

  • 8:10

    menu [ __ ] this guy stupid oh all right certifi

  • 8:16

    pre you ain't designed you ain't designed [ __ ] stupid I went in there and

  • 8:22

    picked rough around ages what listen don't do that you know

  • 8:29

    it's a now your voes you got a nice voice for for for especially for broadcasting well that's what I'm saying

  • 8:35

    from years of Shame regrets and angel dust cigarettes drugs like you can get

  • 8:42

    the voice but do you want the life do you do you want to do what it takes to get the voice yeah you got to be careful

  • 8:47

    what you ask for that's true oh man Mel you look great thank you thank you I

  • 8:52

    appreciate that how you feeling flip I feel well feel great thank you that's

  • 8:58

    good to hear yeah feeling good lately trying to figure things out sure you know navigate

  • 9:04

    through the trenches you know you got them doing construction on the sleepover room yeah yeah yeah yeah you want to put

  • 9:10

    some walls up in there and [ __ ] n I'm not putting no walls I'm just you know safety just sleeping in the dorm see

  • 9:16

    [ __ ] this ain't the army that [ __ ] is not the army army is a step up damn that is

  • 9:24

    Hell got them [ __ ] in the jail D no worse

  • 9:29

    I'm in shock too big Jet Blue we in our bag today she got she got the Jet Blue

  • 9:35

    pouch remember that so old they put the headphones in you take the airplane

  • 9:41

    pouches with you home no that's my case for my greeters she St you got a jet

  • 9:46

    blue case for your readers no it's all right okay you know what I'm

  • 9:52

    talking about joke that was a nice little ad good good [ __ ] they give you some [ __ ] but [ __ ]

  • 9:58

    that who shout somebody else out she got ass [ __ ] off to and you can bleep that

  • 10:04

    [ __ ] out shout Harton yeah we SH now man microphone check one two what is

  • 10:16

    [Applause] [Music]

  • 10:23

    this flip and mail ma mail mail what

  • 10:28

    episode is this 792 welcome to episode 792 of the Joe Button podcast brought to

  • 10:33

    you by fueled by powered by prize pigs prize pigs gang I am your humble gracious grateful

  • 10:40

    really happy to be here host Joe Button here with some really amazing people to my right you know her name you know the Vibes you know a body big Melissa for M4

  • 10:48

    hoody how you doing M I'm great fabulous love to be here good good next to her

  • 10:56

    Queen you so dumb man next to her Queens flip Queens get the money you know what

  • 11:01

    time it is how you doing I'm good you know in the building I ain't going to say all that extra [ __ ] but yeah yeah

  • 11:07

    we'll get her later that was extra yeah we'll get her later next to flip come on King ww isses in the building [ __ ] like

  • 11:13

    charcoal [ __ ] let's get it a little under the weather but he's here yeah he is team player he is here

  • 11:20

    and I commend you I I commend you I did I didn't think you would come I didn't

  • 11:26

    think you would come cuz this this this is your man you got to be heard like me

  • 11:31

    you got to be heard like me well that's not my man well up here we think that's your

  • 11:37

    man yeah up here that's your man here the narrative if that your the N yeah we think that's your so I was like Dam know

  • 11:43

    it's kind of you got to come in and speak to some of this [ __ ] you don't care n no you you may look at it

  • 11:50

    different from how everybody else look at it right is it's just a man yo we'll talk

  • 11:56

    about man wow uh next to him Elizabeth's finest huh the freest of them all big

  • 12:03

    ices in the building took that Ravens gear off took that [ __ ] right off fast

  • 12:08

    right after the BET was over in a dog cage the shirt oh my Lord where's the Hat thre it out okay and last was

  • 12:15

    certainly not least big big parks is in the building El my is finest what's popping engineer to them all also cor is

  • 12:22

    here poets here Ericson is here ke is here Ian is here saon and tan are here

  • 12:27

    by remote last but certainly not least each and every one of you guys out there are here come on someone read these

  • 12:34

    charges come on let's let's get to it let's get to it I don't want I don't want to waste any time straight to it

  • 12:40

    [ __ ] what what are the what are the what's in the suit we left he dropped a

  • 12:46

    suit against uh umg and Spotify the uh no the wasn't a suit it was ation mean

  • 12:52

    the petition and and there was some wording in there listen I'm not fat guy somebody pull this [ __ ] up cuz I'm I'm

  • 12:58

    sitting I'm about to cry all right I am uneasy today I'm way too uneasy

  • 13:03

    nowadays yeah this is like the hip-hop I love is [ __ ] got it's just gone now

  • 13:10

    it's gone hip-hop must be I mean it's was early I just feel like I feel like when

  • 13:18

    when when Third Base was out and when MC Hammer was out and quame and kid play in

  • 13:25

    that era and I was in my bag and my uncles and my older cousins come over and just be like

  • 13:30

    disgusted it's like oh look what they did look what they're doing the [ __ ] it

  • 13:36

    like shut up old guy like I feel like that guy like whatever it is it's they

  • 13:42

    they got it dog we doing this for dis tracks

  • 13:47

    disgusting it's nasty man he like we said he dropped the um the petition

  • 13:52

    petition and has now filed the defamation and harassment suit but the interesting thing in there was wasg

  • 13:59

    position which is Spotify was like all right we agree go ahead and umg was like

  • 14:05

    n we we reserve our same position we not coping or nothing

  • 14:11

    whatever you're doing you just go do it you know what time it is with us that was

  • 14:16

    interesting and I've been saying forever that I mean I guess now so much has just come to light right like how long have

  • 14:24

    they been beefing for a while I'm sure what is that

  • 14:29

    I think I think what does it look like and when can you identify it in his career I would identify it around

  • 14:34

    certified lover boy when he started putting out leak record or as album I think that's

  • 14:40

    scorpion I I was always saying you can hear it that's the same thing I always say right after scorpion is where it

  • 14:47

    just after scorpion it wouldn't certified l boy be the next album yeah yeah next no not not next he did

  • 14:53

    projects after that he did dark demol but all of that to me just yeah that's all the same conversation I'm

  • 14:59

    having where he started just putting out leak records and demos and freestyles as

  • 15:04

    throw for better term yeah yeah yeah it was something there

  • 15:10

    where it's like I'm not giving y'all my my my top tier work no more yeah we be over something whatever it is whether

  • 15:16

    you know the the I want a bigger deal I'm I'm holding out in negotiate

  • 15:22

    whatever it be coincidentally that around the same time that he got that outrageous whatever that was half a

  • 15:27

    billion dollar deal or something like that wasn't that that same ballpark I think it was post scorpion that that's when I

  • 15:33

    came on the PT yeah MH what year was scorpion yeah and then they let's put

  • 15:39

    this in so we can get this in time order 2018 I believe and he got 400 from umg

  • 15:45

    in like 19 like 2019 check the deal was 2022 the $400

  • 15:55

    million yeah right there so yeah it could have been maybe I wasn't happy with that

  • 16:00

    deal what you say no they paid him or or we don't know the particulars of the deal we don't know [ __ ] you know say

  • 16:07

    here to pretend I do yeah cuz it it could be something bigger than just the bread you know what I mean it could be some other [ __ ] definitely something

  • 16:13

    bigger than the bread well I got umg's response well real quick I remember when when Joe came up here and he was saying

  • 16:21

    that h i remember when Joe came up here and he was saying that uh Drake is

  • 16:26

    traveling too much or or touring too much if you remember that Jo you know Jo like you're not even getting any rest

  • 16:32

    you're not resting you know what I mean you said that you have some issues with you personally you're not resting something is going on you know what I

  • 16:39

    mean that's something that stick out to me when I look at these complaints and look at the unhappiness and it was the

  • 16:45

    Rumblings when all those projects were coming out that all right he's trying to speed through he's trying to speed

  • 16:50

    through a contract he's unhappy he's something he's working on something but

  • 16:56

    again who knows we don't know know we don't know but I'm I just want to track it artistically as as well that's all

  • 17:04

    artistically for me it was after scorpion i'm with you but go ahead yeah right right after scorpion um that's

  • 17:10

    where you can hear the difference and I'm with you I I do think it was throwaways yeah I think he did the [ __ ]

  • 17:15

    on purp just my A1 work that I have I'm keeping it for whatever whether it be

  • 17:20

    post deal or independent whatever the case may be y'all not getting this right now but I still have contractual

  • 17:27

    obligations so I'm not doing a complete stoppage I think that's a mistake the [ __ ] he said to shorty it's a mistake

  • 17:33

    the [ __ ] the [ __ ] he said to shorty which part who Bobby um Johnny Blaze right wasn't that he was like yo I got

  • 17:41

    you know what I'm saying I'm on to I got to get out of this [ __ ] deal blah blah blah blah blah I think he really feels like that I think that was he was

  • 17:47

    talking about the touring deal I'm just saying Rock Nation I think that whatever his well not not Rock Nation Live Nation

  • 17:53

    whatever his circumstances are I think he has um I think he's got a peak into the

  • 17:59

    other side again this is money above our pay grade I just think that he's gotten a peak into the other side and the [ __ ]

  • 18:05

    that other people would be happy for he may not necessarily be happy for because I'm generating y'all [ __ ] way way way

  • 18:12

    more money than y'all giving me now I want more and y'all might be looking at me like an artist that shut up and dribble he might not want to is what's

  • 18:19

    way more money right if if if somebody give you 400,000 and you makeing him a billion if they if they give you 400

  • 18:24

    million and you make them5 billion okay so that's that's the okay you get what I'm saying it has to be that wide of a

  • 18:30

    margin because what I'm saying is that if you get 400 million and you make a billion they just breaking but that's

  • 18:36

    that deal I've made y'all billions before this deal yeah didn't we come up like a figure up here like

  • 18:43

    19 that deal that $400 million deal came before um certified lover boy and all

  • 18:50

    that look at his catalog before that got it I've been major we pass a b that's

  • 18:55

    the [ __ ] we were talking about with Michael Jordan yes Michael Jordan got 25 million $30 million in the last two

  • 19:01

    years but look at the money that Chicago Bulls have generated look at the city of Chicago and the money they generated

  • 19:06

    look at [ __ ] Pepsis in the league the league dog when you go buy Laker tickets

  • 19:12

    right now I looked at Laker tickets to go to the C uh the DC game dog Laker tickets be higher than every other

  • 19:18

    tickets so you got to kind of contribute some of that bread to LeBron and them even though it ain't necessarily in La

  • 19:24

    any City we go to we generating Revenue around the you know what I mean like Floyd said that Floyd was like yo when I

  • 19:30

    fight the cabs the hotels the [ __ ] casinos everybody benefits off of me

  • 19:35

    fighting right so for a [ __ ] to feel like they didn't get their just du they

  • 19:40

    might be right could be could be what are some of the complaints that

  • 19:46

    the the charges that Drake accus umg of doing and while

  • 19:51

    you do that I just want to

  • 19:57

    add he is the one that throughout multiple songs was telling you for years

  • 20:02

    about why he could never go independent he was the one for years

  • 20:09

    telling you how great of a relationship that he had with Lucien and

  • 20:15

    Universal he has thrown his status in every artist's face that's true to say I

  • 20:23

    am in a different position yeah the game is the game name

  • 20:29

    and know you are not there is nobody that we've seen or that I can think of

  • 20:36

    that has proved to ever be bigger than the system and when you volunteer to play in

  • 20:42

    that system in any field by the way you have there are the same way you

  • 20:47

    generated numbers the same way you generated

  • 20:52

    streams there are expectations quotas and money being

  • 20:57

    spent on on you you have been the proof of concept for

  • 21:08

    their Matrix for where the game was with there

  • 21:13

    he's been the streaming baby he's been the proof of concept for Apple Spotify

  • 21:19

    and the labels in terms of streaming correct when the music business was in a

  • 21:25

    disarray before streaming mhm so this day get back to the Napster fight to

  • 21:32

    me so don't ever think as proof of concept

  • 21:38

    that it's all you right like and that's the difference for me in some of the examples I heard you say with Floyd

  • 21:45

    there came a day where he knew it was all him it's all me the rest of y'all

  • 21:51

    could eat the town could eat vas can eat and he get those perks in Vegas they treat him like he does hey open up open

  • 21:58

    up the store yes the difference the difference between uh the boxing or NBA analogy and

  • 22:04

    the music analogy is that when the Lakers are playing

  • 22:09

    whoever the the Knicks right mhm that game is happening right now and that's the game when Drake is putting out

  • 22:17

    music all of the games in the history of Music are happening at the same time MH

  • 22:23

    it's not quite the same I was just giving it yeah no give to your point but if I put up up 16 championships

  • 22:30

    M I think like you said the other day everybody thinks they're the man and

  • 22:36

    they're the last to get to know that they may not be the man no more I'm not saying he's not the man no more but if

  • 22:41

    he ain't he going to be the last [ __ ] to know it maybe true so when you go into office now that treated you like

  • 22:47

    royalty for the last decade and now they talking to you a little differently you might feel some type of way so you feel

  • 22:53

    like he might have had a stronger position maybe 5 years ago I think that I think scorp yeah he he would have had

  • 22:59

    a stronger position and I think they might have sold him a bridge even if they was bullshitting with him they sold him on yo you him me and you baby we we

  • 23:06

    going to be big we going to be biggest but he was in The Bridge Business he was out looking for a bridge MH that's back

  • 23:13

    to my my point about independence and again you sound crazy

  • 23:19

    and or you sounded crazy talking about that with the biggest streamed artists in the universe mhm but this is why take

  • 23:27

    whatever equity they gained you there was a period where all of that 3 hey

  • 23:33

    3:00 a.m. spooky time the countdown [ __ ] whatever he was doing where he could press a

  • 23:38

    button the world stop yeah but bigger than that how we distributed music

  • 23:44

    changed yeah so we talked about it for years up here it didn't cost you anymore

  • 23:50

    to make a song and put it out there's no overhead there's no radio fees there's no this fees there's no storage fees

  • 23:56

    there's no V it's you now yeah you it's not just you were the man on

  • 24:02

    the music tip we were at the precipice of a change to where somebody that had

  • 24:07

    leverage and could dictate it could dictate it and that's why I was running around saying this boy is the one right

  • 24:13

    here but who was there somebody that you're referring to Drake yeah for me okay no I was ask no I was I didn't know

  • 24:19

    if you were talking about Drake or the no no I'm I'm talking about I'm talking about or to to your example though when

  • 24:24

    there was times where he would upload in the middle of the night scary hours excuse me that and like you said the

  • 24:30

    world will stop yeah I think the label saw that so part of the deal is you can't do that no more but that's part of

  • 24:36

    the deal is just like we we know other artists that like I said can't put a freestyle out now because of what they

  • 24:42

    signed the label now understands that it's not just about an iTunes or uh now

  • 24:49

    your value is also in what you upload on Instagram where any anytime you put your

  • 24:55

    voice on any beat there's some value there and the labels are now signed that too I want to control

  • 25:00

    it okay but what's consistent for me with him now

  • 25:07

    is I.E in the Kendrick battle I harped on or focused on his

  • 25:14

    inability to view that long term yeah like he focused on what was

  • 25:22

    directly in front of him with these 20 people mhm ignored the real threat

  • 25:27

    didn't see the real game that was being played and ultimately fell victim let me land let me land let me land no I agree

  • 25:33

    with you that I disagree the same way in this deal you have to know that if you are

  • 25:41

    the only person that these labels are offering 400 500 600 700 whatever the

  • 25:48

    number is you're the only person then that means you have to ask yourself why

  • 25:55

    and it can't just be hey I made them so much money or I'm so fly it can't be

  • 26:02

    that you can't be that self-centered because had he gotten the real answer

  • 26:07

    which is because if you walk away from us and with all your power it's over and

  • 26:15

    are independent it's over for the hierarchy why why do you think he hasn't come to

  • 26:21

    that realization he might have come to that realization late and now no I don't think that what are you talking about

  • 26:28

    when in the last four years or so you took I'm I'm speaking this way because you took deal after deal after deal like

  • 26:35

    today Kanye has come to whatever realization he needed to that's after a history of signing Amendment Amendment

  • 26:41

    Amendment you get your info how you get your info but he steady took the money

  • 26:46

    took the money took the money and now he's not he's not in the position anymore which is part of the labels

  • 26:51

    argument and you are on the down side and and you think you him

  • 26:59

    but you are negating that we made you him and the same way this team won a

  • 27:04

    championship hey when you retire is going to be the organization's job to put another championship team together

  • 27:10

    on the floor they don't give a [ __ ] go pull up the clips of how he

  • 27:16

    spoke and how Lucien spoke the [ __ ] was like the two ones in 11 I'm agreeing with you I think that it's one I'm sorry

  • 27:24

    I think the one small difference is this I think that especially we go keep rolling with the uh sport analogy Father

  • 27:31

    Time takes wins all battles physically when you are creating something and it's

  • 27:37

    coming from your brain Father Tom may not play as an important role I think that he thinks dog I can do this all day

  • 27:46

    and I think you're wrong I'm saying I say now you so I think that he threw them [ __ ] to throwaways like I heard

  • 27:53

    they got albums in the tuck fire is what I heard he got albums in the tuck and I think don't want to get the album's the

  • 27:59

    universal I think he trying to figure a way to sever ties with them and I got all these albums over here in the tuck

  • 28:04

    and now I'm going to tell y'all [ __ ] to suck my dick when I release him he might be looking for his Kanye out

  • 28:10

    that's what I was going to say with the Kanye might be looking for the Kanye out Kanye still was able to come out with a number one album number one single

  • 28:16

    without them without radio play y' all stop [ __ ] with me I still managed to get back up independently

  • 28:24

    independently yes I I I don't understand that's what I'm no I think that that's his out I think his out is you're saying

  • 28:32

    he played the card too late I'm think I don't think he thinks that I think he's trying to find his Kanye route I'mma

  • 28:37

    leave you [ __ ] alone and then I'mma hit the world with whatever I hit the world with directed consumer or whatever

  • 28:42

    the case may be okay but I want to be in my opinion because this is all

  • 28:48

    subjective we don't we don't know [ __ ] Drake is not in the same ball ballpark is Kanye West Drake has not proven

  • 28:56

    across the board that he can move units

  • 29:01

    Hardware any anything you're absolutely right uh across products to yeah Drake

  • 29:07

    is proven in music a lot easier to be independent when you got that [ __ ] Yeezy sneaker money yeah yeah yeah the

  • 29:13

    Kanye brand just that yeey brand him he

  • 29:18

    curated that over years you all right Drake has been and this is back to our

  • 29:23

    he's been the system baby MH so we don't know that we don't know seen he don't

  • 29:30

    know either but I would think that he would be confident enough to think that I could or arrogant enough to think that I could I have the same way I tolden

  • 29:38

    yeah that's what I'm about to say the same way I told Kanye hey dog I believe you independent when you really start

  • 29:44

    taking that Adidas money and buying your own warehouses and your own factories and your own you got to reinvest in the

  • 29:49

    business I say it all the time I have yet to see that from Drake he got all let me land he got all the money in the

  • 29:55

    world he does he has all the resour sources in the world albums and to get songs popping and moving cost money I'm

  • 30:04

    not sure that he know how much probably I'm not sure he know how much Universal has spent on making some of these songs

  • 30:09

    stick but if you know music today he's having a hard time making

  • 30:15

    something stick and that's not because he lost Talent it's not that it's not because he lost Talent no I don't

  • 30:21

    believe that he's still him but without that label and without that button that they

  • 30:27

    push he's dropped joints that some people feel could go I was just watching

  • 30:33

    somebody I was watching they was talking about yeah man they start naming records these records should have went hey if

  • 30:38

    this was 5 years ago this record would be a top 20 record guess what Playboy it's not anymore it's not five years ago

  • 30:46

    and there is a reason I know you fan so you're like oh why is this not good you don't know [ __ ] about [ __ ] this [ __ ] is designed and programmed

  • 30:53

    i'me with with with Drake with the Drake Brand it really leads more to the label is

  • 31:00

    kind of more important than he's putting credit on because look at the things he's done outside of the label the knct the Nike brand it ain't take off like

  • 31:07

    Kanye [ __ ] did nothing the oio Jordans ain't take off like that like the O

  • 31:12

    label the oo label respectfully everything that you've done outside of

  • 31:17

    Music ain't really hit like that and if music is only hitting because the label

  • 31:22

    is pushing not saying only but it's almost like and we seeing the label not push the button now and the music ain't

  • 31:28

    even hitting do you think the label suppressed it I think they just let it go they they suppressed where he tried

  • 31:34

    to drop on his own they snatch [ __ ] down like he tried to put some [ __ ] out they'll strike it they did that but that

  • 31:40

    was telling us how they felt yeah true that was telling us that's it's up already now where they stood on things

  • 31:46

    and that this relationship has soured uh to take it back to [ __ ] uh the battle

  • 31:52

    and Kendrick really quickly it's not just me I'm what the culture is feeling

  • 31:57

    how y'all inter interpret culture cuz it's subjective now but I would assume that Kendrick let me not say Kendrick

  • 32:04

    that somebody had a talk some with some people yeah and there was a word on the

  • 32:09

    curb in the great words of Melissa Ford and yo dog we were saying it hey this is

  • 32:15

    odd that this record won't leave number one why is this like that [ __ ] they

  • 32:21

    ain't shoot a video what did they do besides press a

  • 32:26

    button we don't know maybe they spent some money but when a record stays at number

  • 32:32

    one all that time these are clear indicators and he chose to I'm not getting back to his decisions during the beef but he chose to focus on artists

  • 32:39

    when that boy knew his real beef was higher than that it was higher than that but he been that yeah but he's been

  • 32:45

    saying that yeah but you can put too much dip on your chip you canb arrogance can make you saying he's

  • 32:52

    not blind to the point that the beef ain't with the beef is higher up he's been telling us this for years that's my

  • 32:58

    you would be spend time on ASAP Rocky them if but you knew who you're the way he was explaining it was

  • 33:04

    like yo whoever the higher up is y'all got them together to all attack me it's

  • 33:09

    still coming from above that the label is so powerful they're making the fall off look like it's self-inflicted that's

  • 33:15

    true that's how popular like he's still talented he still got it but they so they're

  • 33:22

    teaching him such a big lesson that they're making the fall off they put all these things in front of him they're making it seem like it's him that's

  • 33:28

    doing it he can't rap more because a lot a lot of people what he's doing now yes it's to the culture where we from yo you

  • 33:35

    R and you look nasty but there's a lot of artists that wish that they could have done that not basically off of

  • 33:41

    being dis but just go against a label that are moving things and to make them

  • 33:46

    look a certain way or helping the career become go on a decline my only beef with that is you had no problem when you were

  • 33:52

    the main recipient that's the only issue who would we SE say we SE a lot of [ __ ] lose to the labels you sat there

  • 33:58

    and talk like you was the king piece on the chess board which you were okay but

  • 34:04

    now it's it's it brings all of that in question cuz it's like all right so they if if you're telling us that they got

  • 34:10

    the power to make you look where you can't succeed in music no more yeah are you also telling us that all of your

  • 34:16

    success in music still came from them cuz your talent didn't change the answer is yes yes and see that's my other

  • 34:22

    problem with with with certain things that that he says in uh in the suit

  • 34:27

    about about just the systems in play and The Business of how music moves that are

  • 34:33

    now working against him what says to me well that means that you knew how they

  • 34:38

    not only did you know how they were working for you you benefit but yeah but that's that's a given but that's what

  • 34:45

    you were running around taunting in the streets along with I make the best music you know that your lawyer used to work

  • 34:51

    for the prosecutor in the town where you know that them people behind you they got all the Hammers they not even

  • 34:57

    letting push he said some [ __ ] like uh damn I got a brain freeze right now but

  • 35:03

    yeah that that's that's my other issue with with he knows he knows he knows so I think that and and and and I not I

  • 35:10

    think that his knowledge is way more than our knowledge about what the going on are right so let's just say if he was

  • 35:18

    The Golden Child and they was able to with his talent push a button and let him go uhhuh during the beef they wasn't

  • 35:24

    pushing a button on none of them songs which songs that he was putting out against with Kendrick in the beef

  • 35:30

    they Wen pushing a button on them songs at all so now he might have information I'm just guessing that's say yo y'all

  • 35:36

    doing [ __ ] that's not just let it go and see what happens but e y'all might be

  • 35:41

    trying to mute my [ __ ] at the same time well they're 100% probably going to try to mute all his [ __ ] or not mute the

  • 35:49

    record business is just going to have other records be heard so it's like a

  • 35:54

    phase out instead of promoting yours so I got seven songs know he Drake used to job hey everybody move everybody move it

  • 36:01

    wasn't just us saying it that was a path being cleared got you now that he's on the other side everybody we just

  • 36:08

    dropping or nobody's dropping we're going to freeze all this [ __ ] but you won't you won't uh benefit from [ __ ] so

  • 36:13

    now he trying to go the internet route I'm trying to put some [ __ ] out on oh also wait let me reply to you real quick no he never dropped a song see I'm not

  • 36:20

    talking fan talk today he never dropped a song now once what you

  • 36:25

    mean Family Matters was uh released it wasn't a song it wasn't a

  • 36:31

    song it was a a response there was there was something that listen they [ __ ] up the streets in the mixtape game so

  • 36:37

    nobody know what's what now but Savvy people know the difference between you going in the studio and you making a

  • 36:43

    song and you putting it out on your own versus something that's being worked by

  • 36:49

    millions of people like that is a song yeah MH this is on someone's album

  • 36:56

    people have hands invested in this this is a a artist that is largely responsible for some Market sh I'm

  • 37:02

    talking about future now yeah and then you add Kendrick that is a song being worked Drake was just home rapping and

  • 37:07

    pressing buttons and uploading there was nobody it was him on his own Then

  • 37:12

    Kendrick comes back with [ __ ] what everything that he did was attached to something where other arms and tentacles

  • 37:19

    are working this the only one that wasn't was probably uh 616 in LA and

  • 37:25

    meet the G the [ __ ] that I like uh euphoria relased that was reled all them

  • 37:30

    all them released except for 616 dog the only ones that matter are like that and not like

  • 37:36

    us those are the two that matter but I'm agreeing but all of those other songs

  • 37:42

    that y'all said wasn't released was still at the top of the charts so how did that happen what do you mean wasn't released

  • 37:49

    cuz Joe is saying it was only he said no they wereing they weren't work they weren't work they not worked it's just

  • 37:55

    you on your own uploading that piff so you think that organically all of cuz at some point he had like five or six songs

  • 38:02

    in the top 10 who Kendrick Kendrick he had like four or five songs in the top 10 yeah like that not like us

  • 38:09

    eup all of them was oh yeah everybody was listen I mean Drake's records was in there too yeah it ain't like that

  • 38:14

    Drake's records didn't pop up on there as well people were listening back and forth to these songs they just don't stay they don't stay they don't stay you

  • 38:21

    have to pay to stay got you okay no you might get enough I'm asking for information and a lot of times what

  • 38:27

    happens is they hear something and this [ __ ] is a Bop oh [ __ ] this could go uhhuh like when not like us dropped it

  • 38:34

    was a Bop true [ __ ] was up dancing I remember just the initial reaction video This Ain't No Label saying yo do this do

  • 38:41

    that people was like oh [ __ ] he gave us something that we could actually they said they said California shut down yeah

  • 38:47

    so now as a label if I see that oh [ __ ] now I'm put some money back we going to go put some money behind it true also in

  • 38:54

    his [ __ ] he he's saying y'all cut off demonetization for

  • 38:59

    reaction videos to not like us which incentivized people to make them or yada

  • 39:06

    Yad Yad yada and I'm like okay so they had a good

  • 39:12

    idea not only idea not only did they have a good idea they're well within

  • 39:18

    their right to flick off monetization for who they see fit and what song this

  • 39:24

    is not the first time it's happened sh some of them salute to y'all hit me they turn it off for an episode or two they

  • 39:31

    they they do that it's when it's yours which is what happens when you surrender your rights they can do that like and this is

  • 39:40

    this is also them playing the streamer game now now the labels is seeing okay

  • 39:45

    this streamer [ __ ] is really out here is is it's a major deal it's free promo this is this is the next step so now

  • 39:52

    it's like okay yeah let's incentivize the streamers to push our song for

  • 39:57

    not just a streamer any video if it's a Tik Tok if it's a whatever I'm saying cut it off about the reaction video part

  • 40:03

    like when that word got out there that yo they're letting us use this song in the reaction videos it's going to

  • 40:10

    incentivize more people to make the reaction videos and it's free Marketo for a smart move from a company I'm not

  • 40:16

    disagreeing with just a genius move that he put in here it's like oh my God you doing all the car but if they wasn't

  • 40:23

    true it is some car it's some it's some but that lead it's some brat [ __ ] [ __ ] it's some BR [ __ ] like yo y'all wouldn't

  • 40:29

    let me do this but yall let him do it you know what I'm saying like I tried to put my videos out y'all suppressed it

  • 40:34

    and y'all took it down off Instagram but y'all let him do what he was doing it's some it's some it's some brat [ __ ] like

  • 40:41

    I'm I'm used to doing this y'all said know to me now it's Brady [ __ ] but if it's actually happening and he can prove

  • 40:47

    that it's happening then it it changes his argument was the monetization it it goes It goes from he's not going to be

  • 40:53

    able to prove it he's not going to I think he is but from bu to now culture

  • 41:00

    to now business right like if if he's able to prove that you guys intentionally did this he has an

  • 41:06

    argument we have to stop acting like he doesn't have an argument talking about two different lawsuits too you guys are

  • 41:11

    talking about first why he doesn't have argument because he won't have an argument there is no argument in any of

  • 41:18

    the things that I read is what I'm saying got it what you're describing is the music

  • 41:26

    business understood but when I got to death JY okay I was going to yeah when I got to

  • 41:32

    death JY I was trying to have my records worked me web nitty SK shout out to the

  • 41:38

    gang we were trying to have our records worked and we were having a hard time the lesson back then for me was the

  • 41:45

    radio [ __ ] coming and saying yo you go and talk to your label they've sent us

  • 41:51

    13 records that have to be played before yours and unfortunately for you that's

  • 41:56

    job rule DMX ludicrous [ __ ] Method Man Ghost

  • 42:02

    Face had a smash back like it was a long list of people that you had Jay-Z we got to get these two records on oh oh got it

  • 42:11

    I'm in competition with all right they just saying what's the the the label is going to label yeah the label is not

  • 42:17

    your personal concierge but if if you had an opportun if you had a if you wasn't rolling with Street [ __ ] and

  • 42:23

    you had opportunity to sue them for that you wouldn't have sued them for that you there is that's my point there is

  • 42:30

    nothing but I think we conflating this in in his particular instance and I didn't read it uhuh so and his

  • 42:38

    defamation thing is fam y'all calling me a a pedophile on a national [ __ ]

  • 42:43

    National yall calling me a pedophile on a global stage that can be looked at as

  • 42:49

    defamation so can he be Su for defamation for calling Kendrick a woman beater on a record prior to that like my

  • 42:54

    whole thing is that bro [ __ ] have been saying yes you saying yes he could be looked at as if Universal put money

  • 43:01

    behind Drake's album where he's saying something about Kendrick's family or Kendrick's wife or Kendrick's whatever

  • 43:10

    yeah why we act why are we acting like the word the PDF why we acting like the PDF word is just is just some regular

  • 43:17

    stain you can wipe off it's not what say it's not a regular St you can wipe off people be turning eye that this [ __ ]

  • 43:23

    could be detrimental to your career of being known as that I'm not I have nothing I have no problem

  • 43:29

    with anybody who's on that side of the fence that's just not my hip-hop that's not my hip-hop that's not the hip-hop I

  • 43:35

    come from that is not the worst thing that's ever been said in a disc record uh or beef but it's the wor thing Jo

  • 43:43

    that's happened that's one two DV stain by the way also you what a DV stain is

  • 43:48

    also pretty difficult to get out if you look at H Jo talking about hip-hop and battles and stuff like that we seen what

  • 43:54

    what what 50 did to Jau like we seen different things that had effect these movements that had effect on people in

  • 44:01

    their career now we's watching another one where [ __ ] actually saying if 50 Cent would have sued Jau for anything

  • 44:07

    that he would have said he it would have turned out different the same for Jay n of get the same e Dr Dre like go listen

  • 44:17

    to the E Dr Dre beef again and the new [ __ ] is he is he is he um is he suing

  • 44:23

    Kendrick no he's suing Universal directly just Universal notri he didn't list in the defamation

  • 44:30

    um any of the streamers they weren't no what he's using he's not they're referencing okay they're referenced okay

  • 44:37

    he's using the captions that they used um because he he's he's including that

  • 44:42

    when the house got shot at and the security guard got shot MH that them having the picture of the house with the

  • 44:49

    uh uh with address the number they didn't put the address just they had the picture of the house with the little arrows on it like like sex offenders

  • 44:55

    live there yes that incentivized people to attack

  • 45:01

    him that's what he's claiming I just I think he got a claim I

  • 45:07

    think he has a claim and I think I'm not I'm sorry I'm not with don't the violence right I'm not with nobody crib

  • 45:14

    getting shot up I think it also said the day after somebody was trying to dig a hole and dig a tunnel through his crib

  • 45:20

    and yada yada yada y but I want to say [ __ ] I watched that

  • 45:26

    house be built for however many years one that house has been featured in

  • 45:31

    architectural digest every fly magazine that there is uh he's also himself

  • 45:38

    divulged stories of fans attempting to break in his home uh while while he's

  • 45:44

    had guests while he's had company I assume that that comes with being one of the biggest stars in the world one on

  • 45:50

    the flip side whenever him and I got into whatever we got into and them fans showed up to my house he inent vised

  • 45:57

    that he cheered them on he put them on a public platform he applauded that

  • 46:03

    behavior and that's my other beef with the Karen move got it cuz if you a Ken

  • 46:09

    be a Karen but you code switching because you at the game with you running around with this [ __ ] that has been

  • 46:14

    threatening Kendrick saying I'mma kill you I'mma do XYZ you want to get cool with I'm not naming no names but you

  • 46:21

    know who you running around with and you know what you're doing and you know what you're threatening so if you that then be that

  • 46:27

    but don't be that and also caring out see that's my problem that's my problem

  • 46:33

    that's part of the not like us uh uh Foundation that he was building that

  • 46:39

    part right there cuz you run around being mob tied Mafia mafioso all of this other [ __ ] saying you you know you know

  • 46:45

    what he been say put it on song he put it on the recent record you know what he been saying so you're doing all of that and then this is your

  • 46:53

    retaliation when something happens he's playing B I just play Both Sides he's playing both sides it's nasty what if

  • 47:00

    what if he's speaking for the people who always wanted to go against the label that that asking this is all very self

  • 47:06

    there's a lot of what if he what if he standing up for those people what if he saying that I am the one that can change this I am the one incentive it don't

  • 47:14

    matter what will change sorry man I'm sorry I didn't hear you man I was just going to say that's not his incentive

  • 47:20

    okay I understand what you're saying but I was with that with the first lawsuit yeah even though I thought it was

  • 47:25

    [ __ ] I was with that once you with Drew that and now are claiming defamation and harassment cuz

  • 47:31

    we've been hearing about the lab [ __ ] for years I'm with this one too the Super Bowl is coming up in a month I don't want you to get on the biggest

  • 47:37

    National platform in the world and say I'm a pedophile should took it there I we come up here and say argument with

  • 47:45

    that don't have nothing to do with what he talking about with the label if y'all [ __ ] is putting money behind a record that's claiming I'm a pedophile I have a

  • 47:51

    problem with y'all doing that it's not about it does have something to do with that it has a lot to do with that it has nothing to do with the lab get him

  • 47:57

    called the pedophile we don't know that we get that we don't know that you opened a door and you didn't like what

  • 48:03

    came out the door so what I'm not suing Kendrick Lamar I'm suing the record label that is promoting me being a

  • 48:09

    [ __ ] pedophile and I feel like Lamar record I have a I have a problem with the label promoting an album that says

  • 48:15

    I'm a pedophile he can have that feeling he can have all the feels he want Kendrick can have a feeling about him

  • 48:20

    saying yo you beat your wife if you beat your wife your kids all of that [ __ ] and if Kendrick wanted to Universal for

  • 48:27

    putting marketing dollarss behind That Then Kendrick will be well within his right to do so and so I have a question

  • 48:32

    about let me just jump in real quick well within your right to do so yes but no other artist would think about doing

  • 48:38

    it because it's the end of your career the same way it's it's going to be the end of his career that's a choice that

  • 48:44

    he got to make that b line in it you know what I'm saying he got to make that b line it I'm just saying but I don't think especially when it com if he sued

  • 48:51

    Kendrick he would be the [ __ ] goof of the goofiest but that's my biggest question is if he's

  • 48:58

    goofing a defam the machine Jo yeah Against the Machine so those of y'all running with that running I'm with you

  • 49:04

    but it no I I sorry ma excuse me I'm with you right I understand what you're

  • 49:10

    saying but I also understand how these These infrastructures are put in place

  • 49:16

    to make people look away and to [ __ ] up things in front of the masses I'm aware

  • 49:22

    of these things I hear the complaints all the time you hear them all the time [ __ ] Michael tried to go against so

  • 49:28

    many people we can name that tried to go against the system and the Machine and loss now we have a [ __ ] that says yo I

  • 49:35

    feel like I'm in a position to go Against the Machine and maybe the machine put it in in a way where it looks like he's on a downhill because of

  • 49:42

    the issues between them so now the the mass is looking like well he's falling off and that's why he's doing it but

  • 49:48

    maybe he's not even falling off for real they did that with Michael Jackson maybe they just made it like that and we've seen this for years and now somebody is

  • 49:54

    stepping up to say I'm not going to allow to do this I think he going to lose though but me too I think he's going to lose but I'm just you know I'm

  • 50:01

    with listen and I still think the record get played at the super lost and continues to lose in this is the artist

  • 50:07

    is him it's him it's him okay I agree with that and I just wish that he would find a different way to address all of

  • 50:13

    his grievances again this is above my pay grade so do we just accept the ab I don't pretend to know do we just accept

  • 50:20

    the joke but dog dog what y'all call abuse have at it bro you the battle

  • 50:27

    things were said you got hurt more than the other person true indeed mhm if this

  • 50:33

    is how you choose to deal with that and you instigated the fight and another [ __ ] hit harder than you I agree but I

  • 50:39

    was here when it was hey n [ __ ] I've been hearing about these threat records from over there for Mad years so now is

  • 50:45

    the time I got time I'm waiting I'm not letting you escape like you were persistent in that instigated and it

  • 50:52

    came from a fairly vanilla disc on the future record really

  • 50:57

    is just big me led to this that's theyve been shoo years and years and years but

  • 51:03

    it wasn't it didn't have to get have to get the pedophile got to get personal a

  • 51:08

    friendly fade keep it that way like and he's citing the lyrics I read the lyrics in this [ __ ] he he's like in Euphoria he

  • 51:17

    says don't tell no lies about me and I won't tell truth about you which has the public thinking that everything being

  • 51:23

    said is indeed true and yada yada y y I'm like it's nasty bro I y'all can have

  • 51:32

    it yo y can have this just ain't it ain't it ain't my hip hop maybe I aged out of

  • 51:39

    this [ __ ] faster than I thought I would but all this [ __ ] that y'all doing uh it

  • 51:45

    ain't no no not for me I love it too much part of my confusion is also if he's filing the def the petition made a

  • 51:51

    lot more sense but if he's filing a defamation claim against umg why isn't

  • 51:57

    named because he's saying from what my understanding is and y'all could correct me if I'm wrong he's saying that

  • 52:04

    Universal basically put steroids to the record I understand that and I completely understand it but he but

  • 52:09

    Kendrick's the one who said it he's trying to keep his foot still and Hip-Hop he's trying to keep his foot

  • 52:15

    he's trying to keep his foot in the culture as far as cuz the [ __ ] that he roll with that'll be frowned upon I think well then he's completely lost

  • 52:21

    sight of how of how he looks I think it's a desperation attempt by him to

  • 52:27

    silence the song at the Super Bowl I think Drake has billions of dollars of business worldwide that he is counting

  • 52:34

    on to provide for whatever and I think those business deals now become they get jeopardized by somebody calling you a

  • 52:41

    pedophile on a worldwide stage and even with that that song might

  • 52:47

    be pushing people to believe that ask you one quick question sure what do you

  • 52:52

    say to Drake himself on the tmade freestyle using the PAC AI uhuh saying talk about

  • 53:00

    him liking young girls I heard it on the button podcast it's got to be true

  • 53:05

    that's the first time this is mentioned on record okay before not like us I'm just saying you you yourself are yeah

  • 53:13

    yeah you're basically you keep no he's being he's being sarcastic saying yeah yeah yeah [ __ ] go ahead and talk about

  • 53:19

    yeah okay so I did it careful what you wish for I'm just I'm just want to get your response I think me and you having

  • 53:24

    two separate conversations I'm talking about global business I'm not talking

  • 53:30

    about a street fight between me and you and I'm calling your mother names and all that other [ __ ] I'm talking about on

  • 53:35

    a global business level my [ __ ] when people are running around saying that you are having sex with children it is

  • 53:41

    disparaging so but then and that means that y'all kind of are having the same talk because one affects the other

  • 53:47

    that's what I'm trying to get supposedly no we can and and cool order cool

  • 53:53

    Kendrick can say whatever you want again I'm telling you that Drake is bro I'm not Drake and Kendrick are the same he

  • 53:59

    said the [ __ ] beats his wife [ __ ] you said I beat my

  • 54:04

    wife if I never beat my best friend K yeah you said my

  • 54:11

    manager [ __ ] my wife that's his kid that's true I'm telling you that they are the same that was creative but that

  • 54:16

    was vow I'm not disagreeing that's I thought about that listening to I thought the same thing mudslinging

  • 54:23

    they was mudslinging and ALS I think that there's a different perception from both people as to what the rules of

  • 54:28

    engagement were he really Jake really likes the goalpost move for him yes I

  • 54:34

    think that I think Universal's involvement in this is the underlying piece okay so let me read um like I

  • 54:40

    think he's accustomed to Universal pushing the button for him and they didn't so let me read so now I see you pushing the button for another

  • 54:46

    [ __ ] I'm TI real quick before you read that it's not just they pushed the button they also silent [ __ ] for him

  • 54:51

    yeah that's the point that's what he's used to he's used to Universal changing rules for him there

  • 54:57

    was records that people said [ __ ] that he didn't like that he made a call and then they made a call and this got to

  • 55:03

    come off this song that's my point it it happened to him uh he couldn't take it

  • 55:08

    happening to him I'm not disagreeing with that piece but when the label

  • 55:13

    pushed the button on your [ __ ] silence my [ __ ] and your [ __ ] happens to be one of the most disparaging things in the

  • 55:19

    world if I want to get your [ __ ] silenced and I think I got enough power to do so I'm going go to the court

  • 55:25

    that's what [ __ ] doing bit business I agree with is that a large part of this is not having not like us played at the Super Bowl I I think it's

  • 55:32

    desperation attempt I've been hearing some things Universal ain't the only people

  • 55:38

    that he's acting like this with oh yeah no I know there's other [ __ ] going on listen when you caring publicly I got to

  • 55:44

    assume that you caring privately as well that's part of the caring profile that

  • 55:50

    you calling behind the scenes y y y and if you look at certain things like if

  • 55:55

    you look at at the last two super bowl halftimes that was what Usher and Rihanna Right

  • 56:02

    mhm the promo for them was a

  • 56:07

    lot you ain't seen much promo for this one outside of the Roll Out video it's

  • 56:13

    been really quiet for promo video for this halftime show mhm that's a good

  • 56:18

    point that's great Point why because behind the scenes he the he's he's

  • 56:23

    discussing [ __ ] with NFL lawyers now factor that in what just dropped a couple weeks ago wait what his line with

  • 56:32

    the NFL who's lying Dres L yeah out of

  • 56:38

    nowhere just popped up and dropped just start doing the math big boy

  • 56:43

    games what I will say to that and I agree with that that's that's deep

  • 56:48

    that's big boy games I was watching the typically I'm used to the NFL doing

  • 56:54

    their October announce chilling and then because we focused on the playoffs and

  • 56:59

    then the Super Bowl coming into a big deal when I was seeing that promo for us year I think for me I could be off it

  • 57:06

    was a lot of that tied to Apple with the Apple Apple has the halftime show Apple

  • 57:12

    does the halftime got it got it like but remember

  • 57:21

    when um Nas and Jay was going at it uhhuh Nas had a a thing where he was

  • 57:27

    gonna hang Jay at Summer Jam they silenced it Dame Dash admitted

  • 57:33

    yo I silence that [ __ ] [ __ ] you not g to hang my man on no stage Dame publicly

  • 57:40

    said he went to uh Hot 97 and told them [ __ ] if y'all allow that [ __ ] to go

  • 57:45

    down huh that was power no sum he was like yo if y'all allow this [ __ ] to go

  • 57:51

    down we going we going to retaliate y'all not going to be getting our [ __ ] y'all not going to be whatever ever he had to do and say to get that [ __ ] to go

  • 57:58

    away I think that's just big boy games and that's we watch all of these shows we watch billions succession all of

  • 58:04

    these shows all of that [ __ ] happens in Big Business dog I hear I think it's sucker [ __ ] from our perspective how we

  • 58:11

    were raised like yo you don't do that you take the bumps and bruises that come along with the fight yeah but when you

  • 58:17

    got billions of dollars and all that [ __ ] on the on the table and be clear as we y'all all keep saying Drake ain't

  • 58:23

    from where we from we expecting a [ __ ] could to potentially play by rules that we

  • 58:28

    have sometimes ignorantly adopted as a a way of moving around but he don't

  • 58:34

    necessarily have to adopt those rules then don't mob tize me to death that's that's that's my beef with mob tise

  • 58:40

    Drake I miss Drake like it's too many artists that are suffering from an

  • 58:45

    identity crisis or begin to lose themselves when they get in this [ __ ] I miss original corny Drake yes the the

  • 58:54

    [ __ ] with the Blackberry in the corny t-shirts that couldn't dress with no beard that everybody just wanted to get

  • 59:02

    next to and and get some of that corny sauce y'all knew that [ __ ] wasn't like

  • 59:07

    us but he had he had the magic touch that guy that guy that made people that

  • 59:13

    when they collabed they was joining his his world the guy that said [ __ ] I'mma

  • 59:19

    give you the verse and the hook look that's what every sound like Drake old him

  • 59:26

    this new caricature of himself where back to the not like us point that I

  • 59:32

    don't want to continue to reiterate reiterate or emphasize but all of this

  • 59:38

    I'm doing an album with him I'm flying with him a sound like him the London

  • 59:43

    drill the this yo why did you try to fix what what wasn't broken you don't think

  • 59:50

    it's Evolution mhm or it's really it's me being what I really want it to be it

  • 59:55

    could be I could really want to be that and the opposite of evolution is what

  • 1:00:00

    regression cuz that's that's what I see it as what evolved or maybe it evolved into

  • 1:00:07

    something that was that that was trash yeah I think it's it's it sounds evolved it doesn't nothing about it is evolution

  • 1:00:15

    to me got you okay to to me it's when you go make a song with popcorn in

  • 1:00:21

    Jamaica and you could go make a song with another artist in London you could make a Go song down south you could go

  • 1:00:26

    make a song with a pop artist or uh uh what's the girl name sabr claudo yeah

  • 1:00:32

    like when you could do all of those different things I don't necessarily know if Drake from uh yester year could

  • 1:00:39

    do those things I think the evolution now his personal Persona is one thing okay and I think I'm of I'm of the

  • 1:00:46

    belief that Drake from yester year could do anything in the world that he wanted

  • 1:00:51

    to musically got you I wouldn't disagree with that and to the evolution point of Music becoming Global because I

  • 1:00:58

    recognize that I wouldn't have my point if he were the one still dictating those

  • 1:01:05

    sounds to in increase us globally like the NBA doing a deal with China

  • 1:01:11

    but it seems like you it seems like you conformed you rode waves music is fickle

  • 1:01:19

    dog when Nory was doing his regone [ __ ] man him and Daddy Yankee that [ __ ] was

  • 1:01:24

    on fire I was home looking at at the clock man hurry this [ __ ] up dog sometimes you have a record

  • 1:01:31

    that's fire I'm not speaking about Drake now cuz he's bigger than life but for the rest of us we can have a record and

  • 1:01:37

    be holding it in a tuck and in a year the whole Sound of Music be be totally

  • 1:01:42

    different like music is a lot about timing so he conveniently and not just

  • 1:01:48

    conveniently because now in hindsight I feel like he got word from the curb from his business partners of what the target

  • 1:01:55

    is just like when I was in Spotify or wherever and them [ __ ] would say yo India it's like oh got it that's where

  • 1:02:02

    the focus is y the population is this over there so if we do that we'll see a 10% increase and they get back there and

  • 1:02:08

    they start talking their [ __ ] and if you are our streaming baby and we working in

  • 1:02:13

    alignment you going to get some going get some J to sh it's Barry Bond Joo

  • 1:02:19

    nothing could stop it but now if you're not dictating those things right like if he could go in the studio right now and

  • 1:02:25

    do a dance which everybody here I'm sure believe that he can still make a one

  • 1:02:30

    dance course why you not I say yeah M yeah huh oh he say why you not why you

  • 1:02:35

    not gotcha oh why why wouldn't you that goes back to the uh why won you that

  • 1:02:40

    goes back to the concept of he's potentially holding all this material which again I think is a mistake because

  • 1:02:46

    the world changes too fast music changes too fast so if you're holding on to all these great songs and great albums for

  • 1:02:52

    when you get out of your contract which you don't really have no definite date that's a mistake but that like when he go ahead you finish if the music is

  • 1:02:58

    changing too fast I think that it's a clever business move that he hops on each sound yeah I'm not right so that's

  • 1:03:05

    what I'm saying a lot of times you know when Joe says that I miss the old Drake I want that Drake but I think it's actually clever and you stay relevant

  • 1:03:11

    because a lot of artists the sound becomes outdated it's a trick and we laugh at them but that's a trick not

  • 1:03:17

    laugh like haa but but that's that's the trick it's a clever one Joe it's a clever it's just a risk wait hold up yes

  • 1:03:24

    and no okay explain yes and no because it's still the program doing

  • 1:03:31

    this it's still the program so why is Drake not on a a Bad Bunny

  • 1:03:39

    song right now or why is Drake not on uh a Bruno Mar song right now or an Adele song right now or a Taylor Swift song

  • 1:03:46

    right now or any of them the premium post Malone whoever those premium they going to keep you off the label is the

  • 1:03:53

    label is that's and so we going to ice you out so now when you go try to do it because he's done it I came in here and

  • 1:04:00

    was the only one in the world that likeed that [ __ ] with him and the Spanish dude or him and whoever that

  • 1:04:05

    dude was where I thought he got off in the verse I played that [ __ ] up here came and went came and went nothing

  • 1:04:10

    everything's coming and go everything that the white girl he just did it and the Brazilian he got records on the 100

  • 1:04:17

    Gig [ __ ] that if they [ __ ] with him would go but I'm not but yes but I'm not

  • 1:04:23

    talking about that I'm talking about collaboration and and the program program he could do whatever he want on

  • 1:04:29

    his own but they put him with the little racist white girl two times two times you

  • 1:04:35

    heard you heard them shits and then you heard for a second it's very different

  • 1:04:41

    than somebody powerful putting uh Rema with uh what's the Spanish girl that's

  • 1:04:47

    on the hit re Rema and uh that [ __ ] white girl that Spanish and when he won

  • 1:04:53

    everybody heard the song biggest song in the world I want to find it look it up Rema and one of them white girls they

  • 1:04:58

    went up there won the the the Caribbean award he brought her to the stage like these are are intentional collaborations

  • 1:05:08

    from people that are above the mascots gotcha and we are the mascots and at

  • 1:05:13

    some point we we expected Drake to take a hovik leap to

  • 1:05:19

    businessman and it's tough to have that talk with somebody that's as wealthy as him but I'm speaking from his

  • 1:05:26

    his world we were expecting him to take that but he kept drinking the Kool-Aid

  • 1:05:32

    of universal and Lucien they asked him Lucien hey Drake call ask for some money

  • 1:05:39

    he said it anytime Drake has ever called and ask for more money I give it to

  • 1:05:44

    him that's the Lucian grade a version of leor taking me

  • 1:05:51

    to the Nick game when Focus was out and guess what Joe

  • 1:05:56

    but when you stupid me hey but when you don't want this when you don't want to go to the game no more and you want the

  • 1:06:03

    box seats and you want equity and you start talking Jay-Z talk it's going to

  • 1:06:09

    be push back potentially from the same [ __ ] that put his arms around you and said yo you can have anything I got

  • 1:06:16

    because he's never going to think that you going to ask for what the [ __ ] he really got well you talking about the

  • 1:06:22

    the the want process you take me to the game what happens when I want uh Sky

  • 1:06:27

    what I'm saying is it starts with hey man why is that

  • 1:06:34

    happening right like a good businessman yo part of the reason I'm walking out here part of the reason I'm such a great

  • 1:06:39

    Spade player hey some of y'all out there know about me is because whatever my

  • 1:06:45

    opponent is trying to do I figured it out I figured it out by the time the first two cards are plays the same in

  • 1:06:51

    business in business hey you might get what you want you might get your deal and be clear I

  • 1:06:58

    know that most of y'all and I know for a fact most of y'all are back there asking

  • 1:07:04

    for pennies Pebbles and fruity uh fruity uh what fro Loops FR Loops Fruity Loops

  • 1:07:10

    y'all not back there asking for [ __ ] demanding [ __ ] I'm not talking about Drake he could be he might have been

  • 1:07:15

    back there bugging asking for up but the but the rest of y'all [ __ ] y'all ain't back there really

  • 1:07:23

    negotiating for nothing y'all are y'all are are and have been happy with receiving a look and a

  • 1:07:30

    $100,000 to for you to get by for your next 6 years and maybe get another 100,000 from the publisher and now you

  • 1:07:37

    got 300 and we're going to make you hot and you go get your money on the road and and through Brands y'all have been

  • 1:07:43

    totally pleased with that so it's like yeah if y'all are happy being high-priced mascots which 98% of you are

  • 1:07:52

    then when the when the team get to change in the colors of the mascot outfit you got you can't

  • 1:07:59

    say where that gold [ __ ] yo there's nothing that you could say dog this [ __ ] hurts this [ __ ] hurts this is like the

  • 1:08:06

    hip-hop version of the [ __ ] House Seats like the the seats that hey he's been dominated for 90 years and now we

  • 1:08:12

    got this one small window to where we can make a change something and see these labels take a fall and the few

  • 1:08:19

    [ __ ] that could have did it y'all end up fighting with each other taking a deal and only looking out for self

  • 1:08:24

    there's no Union and hi hop there's no unity in Hip Hop none of y'all know what culture mean actually they've been

  • 1:08:30

    telling y'all what culture mean cuz they own this [ __ ] now this [ __ ] is a [ __ ] mess out it's disgusting and if you love

  • 1:08:35

    this [ __ ] it hurts it hurts dict it does I ain't mad to come in and [ __ ] be vulnerable or

  • 1:08:41

    or sad about this [ __ ] I'm saddened as a Dis Track King as a [ __ ] who love to

  • 1:08:48

    get on the mic and tell lies about uh my opponent that was the [ __ ] [ __ ] Saigon

  • 1:08:54

    got in the mic said my kid was gay he did [ __ ] I can name all of the things

  • 1:09:00

    that people say l be I needed Rog gang I'm joking that's not that bad but

  • 1:09:05

    horrible things get said man I just don't like the Karen play Both Sides I

  • 1:09:11

    don't like the the aggressor and the victim especially going through what I just went through with these [ __ ] these racist pieces of [ __ ] like I just

  • 1:09:18

    see how the game is played with systems in place and when it don't go your way we end up here I agree but forget about

  • 1:09:25

    the effect or the impact on on everybody else I hope that it play I hope it plays out well well for him I honestly

  • 1:09:32

    personally don't see how it can I don't see how it can not saying it can't again above my pay grade I think let me ask

  • 1:09:38

    you I think it don't fan out well for me let me ask you one quick question do do y'all still think not like us gets played at the Super Bowl yes yes I don't

  • 1:09:45

    know if they said the line though no just the song period i def thought he was gonna play the song dog the beat has

  • 1:09:50

    been played the beat is at least coming on the beat has been played on on uh in

  • 1:09:56

    arenas the the the organ player plays it at the Nick game like the beat is played

  • 1:10:02

    the song even if he don't say a word I I always been on the side of he's going to edit come I always say he's going to

  • 1:10:10

    edit it and do it but in the event I'm wrong and he don't say a word the beat is going to come on like like Usher

  • 1:10:16

    doing my way for 5 seconds just walking out to it yeah I see dead that might be the intro I see dead

  • 1:10:22

    people and then into his behavior is singlehandedly making

  • 1:10:28

    the legacy of not like us he's making it the greatest disc record of all time it's so 7even Millions I wouldn't give a

  • 1:10:36

    [ __ ] I was never ready to call not like us the greatest disc record of all time getting hard and hard it's solely his

  • 1:10:43

    behavior that's making the legend of it grow that's a fact yeah what I was saying to you you know off camera um

  • 1:10:51

    well I actually you you're a man that goes against the system right especially now in your new life you just you still

  • 1:10:59

    keep that same sentiment y'all don't give a [ __ ] how high you are I'm going go against you if I feel that is wrong if I feel it's not right if I feel I'm

  • 1:11:06

    being treated unfairly I'm going to fight the system no matter how many resources I

  • 1:11:11

    have to use so that's why to me when you say it I understand what you're saying from a hip-hop perspective but from a

  • 1:11:18

    business perspective I don't understand why you're not understanding his angle

  • 1:11:23

    right like you you not going to if somebody anything that anybody do to you not taking the line down especially with

  • 1:11:29

    the new knowledge that you gained over the years you said you came up here and said it all the time yo if I would have read these contracts if I would have

  • 1:11:34

    understand what they were doing back there I would have moved totally different and then now we have somebody that listens to you that listen to

  • 1:11:41

    everybody else and decided to move differently so I would think that you not from a hip-hop perspective but okay

  • 1:11:46

    I get what you're doing a lot of [ __ ] 50 sues everybody it's my man shout out the fifth [ __ ] Sue and take [ __ ] to

  • 1:11:52

    court and a lot of things we may look at like uh taking them to call for that but it's it's business so that's that's

  • 1:11:58

    that's just the confusing part when I hear you speak about it like you're speaking from a fan perspective like yo I love Drake I missed the old Drake

  • 1:12:05

    don't do this because I'm a dis record King but then I'm not speak I'm not hearing you speak from the business side

  • 1:12:10

    of how things could be put in place to destroy you and that's just that's the

  • 1:12:16

    confusion for me when I when when I hear you speak about it if I smoke the weed in this f fentel

  • 1:12:24

    in it I I I face the repercussions it's hard for me to

  • 1:12:29

    empathize when you have been complicit with a system for so long and reaped the

  • 1:12:34

    benefits and gotten paid and gave everybody your as toiss and [ __ ] everybody's girl and said I'm taking a

  • 1:12:41

    piece of your contract and I'm taking a piece of your contract and I'm not clearing this record and you take that record off of there like it's hard to

  • 1:12:48

    empathize with somebody who's been down for the cause again above my pay grade for me

  • 1:12:55

    I've always been pretty transparent in where I stand in terms of independence

  • 1:13:00

    and why and that's no matter what that's that's a forever I don't like going

  • 1:13:05

    before a judge and the judge having the final say on what the rest of my life looks like I don't like going to work

  • 1:13:12

    and the them saying hey if you don't have a song in the next 10 days you're out of here I don't like going to work

  • 1:13:19

    and saying hey we saw a Blog so you're fired [ __ ] you I don't like complex

  • 1:13:24

    firing me while I have a baby coming in the same week I that's a uncomfortable and uneasy feeling for me I much rather

  • 1:13:32

    sleep with eating what I hunt and not missing what I never had and for me it's

  • 1:13:38

    worked out cool that's that's that's for me with all of this [ __ ] that's happened

  • 1:13:45

    maybe y'all can answer it I still don't think it's transparent as to what

  • 1:13:50

    Drake's end goal is like what he wants I don't think it's transparent what any anybody's been doing behind closed doors

  • 1:13:57

    whether that's Drake or Universal I think that I think that if Drake went

  • 1:14:03

    public with whatever information he has and told if he had proof of XYZ going on

  • 1:14:10

    we might look at it in a different way it's possible to what Joe was saying before and to what flip is saying I

  • 1:14:16

    think that Drake and Universal have always been Buddy Buddy uhhuh chummy

  • 1:14:21

    chummy uhhuh and now like Drake and LeBron like Drake and Demar D rozan you

  • 1:14:29

    not doing what we was doing before our relationship has changed and so now I'm looking at you like the op I think that

  • 1:14:36

    could potentially have happened or we seen that it happened and now he on the offensive with a [ __ ] that you might

  • 1:14:41

    have been fly with before him and Lucian might have never had an opportunity for him to see the things from the

  • 1:14:46

    perspective that you've seen him cuz he's never endured what you've endured mhm you wasn't the media darling that

  • 1:14:52

    complex you were for a second until they couldn't no until they couldn't use you no more and your information got up and you

  • 1:14:58

    asked for something else that might be where he is in his journey right now I'm not knocking him you know what I'm

  • 1:15:04

    saying so how he responds to it somebody would have said could have potentially said Yo Joe did some [ __ ] you have

  • 1:15:09

    admittedly said yo I trying to burn this whole [ __ ] down you get what I'm saying like that might be where he is right now

  • 1:15:15

    line the and when I and when I do or when anybody decides to make those

  • 1:15:22

    decisions you get on the phone with your team or your attorney and if they're

  • 1:15:27

    competent plenty of times they said to me okay sit your dumb ass down no no

  • 1:15:32

    they they they're your team they supposed to advise you if you do this

  • 1:15:37

    this is what can potentially be the black the the back blow true and I think he might be willing to deal with it and

  • 1:15:44

    I think his arrogance level being where he is at a 40 year old a 30 something year old man 40 year old man I think he

  • 1:15:52

    might need to be shown everybody not ever got punched in the face before fam and so until a [ __ ]

  • 1:15:59

    punch you back and they might hit harder than you it's a lesson that you might have to learn in your in your growth and

  • 1:16:04

    in your journey and Andes this might be the punch and does he care anymore about about being accepted by the core

  • 1:16:09

    audience of hip-hop right he does this [ __ ] this [ __ ] Chang every day weird isn't he trying to like he doesn't

  • 1:16:17

    engage in the battle if he doesn't care about the hipop no I get I said anymore think know he try he may try to be

  • 1:16:22

    appealing to the younger audience they don't care about anything all they care they don't care about [ __ ] that song he

  • 1:16:27

    just released didn't say I don't care about what they think about me what do you which one the Little Freestyle [ __ ]

  • 1:16:32

    he just did that don't say that that freestyle [ __ ] say I I give a [ __ ] oh you about the LeBron jointly Irish got

  • 1:16:40

    it okay and a one before that yeah the whole scary hours all that [ __ ] I care yeah it's all Alchemist and conductor

  • 1:16:45

    like yeah I care and I'm going show y'all we watch a lot like I said with the new audience new fans the

  • 1:16:52

    the the rules and morals and of yester year are no longer true that's true right with the new fans they don't give

  • 1:16:58

    a [ __ ] oh you Stitch aashi they don't care they don't care about that sh it came home got on the song they don't

  • 1:17:04

    care about that they may not care about a code but do you think that they care about what's considered corny no they

  • 1:17:11

    don't care think so care and it ain't just the new fans either because I I

  • 1:17:17

    just let me finish you're right Ross being outed as a corrections officer in the 90s would have ended him

  • 1:17:25

    we didn't give a [ __ ] because the slaps kept

  • 1:17:30

    coming it's a lot of crooked I'm not saying I'm I know it is I know and if

  • 1:17:36

    his ties I'm aware could could dispel that

  • 1:17:41

    I'm not on that side of the law Ross could have got it off he didn't even have to yeah because they didn't care

  • 1:17:48

    that's my point yeah like the [ __ ] that we talking about right now we I think we

  • 1:17:55

    minority absolutely looking at this like some caring [ __ ] or looking at it like you borderline ratting or snitching or

  • 1:18:01

    whatever the case may be I think we are minority in that and I think that also goes along with our age demo I think

  • 1:18:06

    that's also we're a minority because of his popularity I think if this was uh a much less popular artist they would all

  • 1:18:13

    be same way they jumped on Gunn his back but did they but we in a minority

  • 1:18:19

    because today we fans of hip-hop yeah today they fans of the person correct

  • 1:18:25

    true so we riding with you no matter what right that's that's the difference today a lot of they don't give a [ __ ]

  • 1:18:32

    like you can look corny so what we going ride with you Gunna sold out Madison Square Garden twice I don't know if they

  • 1:18:39

    jumped on his back he came home he was home by 6 months I want to jump I want to jump in on you guys' minority

  • 1:18:46

    conversation cuz I think all of that is contingent upon how you view the minority like y'all are just talking

  • 1:18:53

    numeric yall are just talking numbers numbers yeah numbers but that isn't that where hip

  • 1:18:59

    hop is today stop it it's about numbers but stop it for a second let me think my

  • 1:19:05

    brain is [ __ ] clustered and that's my problem with the number one Urban

  • 1:19:11

    podcast that hip hop to some is not only the minority but very

  • 1:19:19

    small insignificant Urban black not a factor because of numbers right and

  • 1:19:27

    population and market share and all of that

  • 1:19:32

    stuff when I go get to talking I argue the strength in that because of what

  • 1:19:39

    culture and that Minority dictates true I agree with that so yes it is small but

  • 1:19:46

    powerful smaller minority right but depending on how you view the strength

  • 1:19:52

    of that Minority we are the ones that dictate I'm speaking for my beliefs only right now we are the one well I'm saying

  • 1:19:59

    y speak for we are the ones that dictate what's fly what's hot what's fashionable

  • 1:20:05

    what can sell what can we drive them numbers back there we just not allowed to go back there in the room and have

  • 1:20:11

    access to the fax machine that's so I go back there and they try to they're going to always try to minimize you with yeah

  • 1:20:17

    you're the number one Urban or you one in Hip Hop or your demo is only black up

  • 1:20:24

    up up if I go get to telling these black people what's going on and they get to

  • 1:20:32

    makeing enough Ruckus the same way every one of y'all companies and corporations see everything every tweet every real

  • 1:20:39

    every y'all got y' done designed Tech and programs to watch everything that we buy everything that we say how we cuff

  • 1:20:45

    our sweats how we y'all know what time it is I know what time it is when I go in BGA and buy some [ __ ] and the price

  • 1:20:50

    went up from the last time I went in there yeah cuz I came in here and bought 17 of these mother [ __ ] and

  • 1:20:55

    then went on my show they did that [ __ ] to I I know when the price spikes be happening and why they happen I'm

  • 1:21:02

    speaking only for my belief so yeah I speak for these black people but do you

  • 1:21:07

    have any other black people uh on your on your network what are you doing black people so yeah the minority is powerful

  • 1:21:13

    and strong yeah culture always has been regardless of race or gender or whatever

  • 1:21:19

    it was th% I agree with that wholeheartedly it's small but powerful I agree pause if pause

  • 1:21:25

    and there some people that don't view it that way listen there's the team of of the the super wealthy all them [ __ ] is

  • 1:21:32

    being friendly they getting together now they sending each other flowers buying each other lunch [ __ ] Elon and Jeff

  • 1:21:39

    and [ __ ] Zuck and I imagine that that team is going to grow at Trump and all of that listen they they you know I mean

  • 1:21:46

    I forgot the point I was getting at just now like I forgot why I brought that up minority [ __ ] powerful I'm just saying

  • 1:21:53

    you got to get the companies and find out what side of the fence they on like I'm making my business to find out how a

  • 1:21:59

    company feels about a black person and a black person ascending now I'm off on a whole another tangent but it is a little

  • 1:22:05

    bit related right like and there's some that's going to put a ceiling over you and look at you like you have the

  • 1:22:10

    [ __ ] audacity when you come in here MH and there's some

  • 1:22:15

    that they're going to honor certain things because hey it's a whole bunch of

  • 1:22:20

    white people out there where where we vibing off shared and similar experience experiences I'm real fly with this white

  • 1:22:27

    dude in the building shout out to the people in the building listening we got podcast fans

  • 1:22:33

    in real fly with this white boy from Benson H we ain't talk about white or black we got shared experiences you got

  • 1:22:39

    jumped over there I got jumped over here it was rough coming up you find that money you laugh it's just it's [ __ ] it's

  • 1:22:44

    not about that so again off in the tangent I don't remember how I got there but important to find out how they will

  • 1:22:52

    view you and that that's going to tell you how they going to view your reach your communication who you talk to and

  • 1:22:59

    and yeah you're ceing yeah man this [ __ ] hurts oh that was my good that was my point get this [ __ ] off when you was

  • 1:23:05

    talking about the Jay-Z [ __ ] Jay-Z come from a different background absolutely it does Jay-Z has always been a CEO any

  • 1:23:12

    [ __ ] that's outside selling drugs you are the CEO of your own company MH you dictate what and how much money you can

  • 1:23:19

    accumulate and you going to also dictate the risks associated with your decision

  • 1:23:24

    you're going to dictate how to manage the money how to manage the reup that's inventory control all of that [ __ ] is

  • 1:23:31

    you literally running your own Corporation so when you look at Drake that's always been quote

  • 1:23:37

    unquote almost an employee right he's not an employee but he almost is an

  • 1:23:42

    employee cuz he keeps taking the check just put and put in position so now to shut you up I'm going just give you more money and you're going to go away so now

  • 1:23:49

    I think he has enough money to where he might want to step into the CEO shoes until your point The Audacity Of you

  • 1:23:56

    when I just gave you $400 million [ __ ] to want to get a piece of this pie no your ceiling is here you going to stay

  • 1:24:02

    an artist at all times and don't come looking for nothing else and I think these may maybe some of the fights he's

  • 1:24:08

    having now that Jay never had well well I agree and and I put a little bit of

  • 1:24:13

    this on him because we in the information era right like I can see them saying that I can see them saying that D hey you want to be a boss

  • 1:24:20

    congratulations you won't do it here true so now you got to go to like 50 didn't do it through music yep H they

  • 1:24:27

    did a pie of where all his income is he didn't he didn't do it through music Kanye didn't do it through music puff

  • 1:24:34

    didn't do it through music none of the people that you could figure out that none of the examples that we have before

  • 1:24:41

    Ranna didn't do it through nobody that's getting it today music is your opportunity and with that comes

  • 1:24:47

    opportunity cost true it's going to be on you one day until your point maybe he's there right now but it's on you one

  • 1:24:54

    day to leave that comfy living room with the couch and the big screen and the massuse and the

  • 1:25:01

    jerie and get out there and and get it now with with all of who you are true with all of your star power and your

  • 1:25:09

    [ __ ] oh my God I'm sad well this was the response from um from umg and it's

  • 1:25:15

    from all you know from all glasses on big MERS the readers on who they playing

  • 1:25:20

    with you really look like the librarian who they playing with Big M she hello

  • 1:25:28

    M sh I'll take a book from her and they'll bring the books back they'll bring the books back if me up did Big ma

  • 1:25:35

    all right check it well the gloves are off according to this uh this response is this new everything's new yeah not only are

  • 1:25:43

    these claims untrue but the notion that we would seek to harm the reputation of any artist let alone Drake is illogical

  • 1:25:48

    we have invested massively in his music and our employees around the world have worked tires tirelessly for many years

  • 1:25:54

    years to help him achieve historic commercial and personal financial success throughout his career Drake has

  • 1:25:59

    intentionally and successfully used umg to distribute his music and poetry to engage in conventionally outrageous back

  • 1:26:06

    and forth rap battles to express his feelings about other artists he now seeks to weaponize the legal process to

  • 1:26:13

    silence an artist's creative expression and to seek damages from umg for Distributing that artist's music we have

  • 1:26:20

    not and do not engage in defamation against any individual at the same time we will vigorously defend this

  • 1:26:26

    litigation to protect our people and our reputation as well as any artist who might directly or indirectly become a

  • 1:26:32

    frivolous litigation Target for having done nothing more than write a song and

  • 1:26:38

    that's you every that's why I'm saying very well said like every Everything Universal give me is it's up and it's

  • 1:26:45

    stuck it's not y let's amicably see if we can let's have a mediator let's see

  • 1:26:50

    if we can Rectify they pass no it's like they passed all they seem are like enough of you now mhm which is odd no I

  • 1:26:58

    don't think so really I don't think so you don't think that they're tired of the brat just I I think and stopping his

  • 1:27:05

    [ __ ] Fe we done have them conversations and you the line is drawn ain't no budget no more okay then [ __ ]

  • 1:27:10

    it's up do what you got to do you know you talk to somebody like all right that's what it is all right you do what you got to do then yeah oh no they call

  • 1:27:16

    that uh best and final highest and best they call they

  • 1:27:22

    call that best and final but I once that's said on the phone let's all go to our Corners see

  • 1:27:30

    what we with what we ain't I think he got back that that best and final and

  • 1:27:36

    just didn't like it and had enough the same way and got mad like we all get mad and now I'm going go and I'm going go show you 100 100 gigs and no face no

  • 1:27:43

    face no face I like that no face I I said it would it dropped if no face would have came out with record with

  • 1:27:49

    label support Cadian Rhythm record support is hard no fa is out of here but

  • 1:27:55

    poor khed don't know what to do for on album that's the album I'm waiting on we keep talking about Kendrick future week

  • 1:28:01

    and all the that [ __ ] where is C out Dirk is gone everybody going bro we

  • 1:28:06

    going to see damn Dirk oh my Lord and you really tight if you him if he can't

  • 1:28:13

    get out the deal y'all still holding me and I don't want to be and we beef what your thought

  • 1:28:20

    yo go you over there feeling like a half a billion dollar you over there feeling like a Cage Bird my n you we turn it

  • 1:28:27

    over turn the contract over for Life yeah like you over there and I think that might be part of

  • 1:28:33

    his plea too I mean yo let me go no no and that's my other line you

  • 1:28:40

    frustrated yo and again this this might be a

  • 1:28:46

    culture thing or you might have missed this in your travels at some point you got to learn if you learn how to win

  • 1:28:55

    you have to learn how to L lose you have to learn how to lose this is this is this this is on track for him you learn

  • 1:29:01

    how to win you have to learn how to lose even there's a such thing as hold on let

  • 1:29:06

    me have back this one one way there's a such thing as losing gracefully I know

  • 1:29:11

    there's a such thing as after the loss we go and we do the dab off the line and y y y like and if you just take the loss

  • 1:29:19

    and you run back to the locker room you start throwing [ __ ] you hook off on somebody

  • 1:29:24

    yeah that's not how you lose the great and and the championship Gods see again

  • 1:29:30

    again there Spade Gods there's Monopoly Gods if you believe in the universe

  • 1:29:36

    there's Gods to these things and if you play Bad you get bad hands if you lose

  • 1:29:42

    bad [ __ ] we won't send a win in your direction if you believe in that if you believe in that I do you got to learn

  • 1:29:48

    how to lose I disagree this is not how you lose this is just a really bad way to miss something this is what he does

  • 1:29:57

    go back to the theg grassy days no listen listen listen he was on the theg

  • 1:30:02

    grassy show shot his ass shot him in a wheelchair in the back and you know what he threatened he tried to roll action to

  • 1:30:10

    get out the wheelchair and do you know why because he said yo I'm I'm trying to rap and

  • 1:30:17

    this is going to make me look weak in rap if my character on TV is in a wheelchair that's crazy that he doesn't think this makes him look weak though

  • 1:30:25

    but it worked though they came you know that's what I'm thing so if if when I don't get my way yeah but it was such a

  • 1:30:31

    small scale well that's part of the caring profile exactly part the this is who you've always been get my way get my

  • 1:30:38

    way get my way this ain't new yeah but I mean [ __ ] it worked man

  • 1:30:43

    that's what I'm looking at y'all like y crazy why what did I say I ain't never lost so this is my this is my go-to I

  • 1:30:50

    don't have to know how to lose Michael Jordan is a sore loser Kobe Bryan is a sore loser every [ __ ] that's a great is

  • 1:30:55

    a sore loser them [ __ ] don't lose gracefully and they look at you like you crazy if you lose gracefully how dare

  • 1:31:01

    you come back to this locker room and not be pouting I oh I disagree with uh Michael and Kobe not losing gracefully I

  • 1:31:09

    totally disagree with that no I feel like KOB was very was in

  • 1:31:14

    the gym that night both of them Michael Jordan was punching [ __ ] in their face in the locker room bro it wasn't no

  • 1:31:20

    losing gracefully for the [ __ ] that are great they don't lose gracefully Joe competitor Joe competitor in the

  • 1:31:27

    public eye I think they lost more gracefully than what we know really no competitor me to death because you

  • 1:31:33

    nameing real competitors and they the loss adds to what makes them great with

  • 1:31:39

    what they do with it no I agree no I'm agreeing with that pie said Grace Nick

  • 1:31:44

    Anderson took the ball kicked Michael Jordan in the back of his ass went scored and layup sent him home

  • 1:31:51

    no he didn't do all of that but Nick they they sent him on they sent him on his way when he came back in his in his

  • 1:31:57

    return Season hey get the [ __ ] out of here you Rusty [ __ ] that's what they did and he came back and [ __ ] wasn't

  • 1:32:03

    that the uh that was the uh the second of the three the the first and the

  • 1:32:09

    second of three yeah you got to you got to take that you L they came back and whipped the magic ass yep they beat the

  • 1:32:16

    magic ass say I took it personally Dennis Scott come on the court [ __ ] get the out here yeah dog

  • 1:32:25

    when when when when the Lakers lost to Boston Kobe said yo he was [ __ ] up bro like he was [ __ ] up like yo I could

  • 1:32:31

    have lost to anybody but them I was [ __ ] up to y'all gun a point listen

  • 1:32:36

    LeBron walking out of Boston Garden in uh uh Cleveland that that last game we was wanting to see the the the resurgent

  • 1:32:44

    story from one of the greats we want to see the comeback we saw the L got it

  • 1:32:49

    everybody had a slice for a year [ __ ] got paid they talk [ __ ] they they they put smut on your name that comes with

  • 1:32:56

    being great we wanted to see the comeback Store The Comeback the oh my

  • 1:33:02

    God I'm sad the L A see and now I'm on your side a little bit with that because

  • 1:33:08

    the L ain't over [ __ ] the super the biggest stage in the country is coming up and y'all still about to play this

  • 1:33:13

    [ __ ] this his summer this his summer when we lost now I got to go home I got to be in the gym from [ __ ] when the

  • 1:33:20

    when the playoffs he going to be in Australia look from the playoff the playoff May the season start back in November Kendrick done kick my ass this

  • 1:33:27

    summer he going to kick my ass this winter and I'm back in the gym and I think that [ __ ] got some [ __ ] in the

  • 1:33:33

    gym I'm sure I think I think so yeah but will he pay for it what you mean pay pay

  • 1:33:38

    for this will he if he if he has something that he feels confident in and

  • 1:33:44

    has faith in will he dig in his own pocket hire his own independent team to

  • 1:33:51

    work and support this stuff it's no longer it's no longer just show up work

  • 1:33:56

    so you [ __ ] that like to just show up to work I know I got it press we coming hey the just show up to work days are

  • 1:34:02

    over yeah you talking I don't know I don't know how that stuff works like the music business and all [ __ ] is he allowed to do that with being time the

  • 1:34:09

    universal probably not probably can't do it you get what I'm saying like is he allowed to do that at some point you got to do some [ __ ] back door [ __ ] and

  • 1:34:15

    figure some [ __ ] out but that they keep my back [ __ ] I did back [ __ ] uploaded

  • 1:34:21

    100 Gig I drop over here on instagam a little credit my [ __ ] if I'm trying to come back from and take my L back or

  • 1:34:28

    try I mean how does this end this ends with the humbling part I'm sorry M The Humbling part is re recognizing when you

  • 1:34:36

    up against a different opponent or when you need someone yeah and other like guess what I could go and not to keep

  • 1:34:42

    using me cuz again above my pay grade but I could go and do XYZ on my own and

  • 1:34:50

    and we pull out the calculate and see how much it'll cost me and I can do mhm or I could get with a partner who we

  • 1:34:58

    kind of believe in each other's capabilities and they can help to offset some of this load that's on my back the

  • 1:35:05

    problem in his case is like y'all said if he try to do some other [ __ ] get with a partner some back door [ __ ] the times

  • 1:35:11

    have changed now everything is online so with the push of a button Universal could strike whatever you do that's hard

  • 1:35:17

    there's also the real world change now you can do different [ __ ] you you were the [ __ ] change you but we but but

  • 1:35:25

    hindsight I'm talking about right now how does univ how do you how does he [ __ ] how do he if I he can give away

  • 1:35:33

    free bootlegs on all his tours that he's been constantly going on for the past you could do a bunch of [ __ ] sneaky

  • 1:35:38

    fly [ __ ] that would actually look cool yo I got this 101 CD it's on a [ __ ] CDR or a flash drive or some [ __ ] you

  • 1:35:44

    could do some [ __ ] back door [ __ ] we're all just so addicted to this [ __ ] there's other way I know but there is

  • 1:35:50

    other ways there then you got to be on tour with another Master you got to be on toour with another slave master you

  • 1:35:56

    could be doing your own [ __ ] to build your own [ __ ] up not even trying to be funny today you give a [ __ ] a CD what you going to play it on if it's a drake

  • 1:36:02

    CD maybe not CD a flash drive whatever the [ __ ] it is a little card with a [ __ ] QR link I don't care what it is

  • 1:36:08

    yeah box dog you could humble yourself if you are in a contractual situation

  • 1:36:14

    that you tried to get out of and cannot the same way humbled himself when they

  • 1:36:19

    when they took that petition down and it says the day before on the deadline he went he called umg and Spotify to say

  • 1:36:26

    I'm taking this down do you guys agree that's a humbling thing that that is a change in position you could go to your

  • 1:36:33

    business partner humble and find something to say that says for the duration of this contract

  • 1:36:42

    I'm going to we can we're going to meet in the middle I'm going to give you what what whatever you need whatever they fighting about he has to come up off of

  • 1:36:48

    some of that just to end this because if he don't they are going to and him I'm

  • 1:36:54

    not saying it's right I'm not saying none of it is right but recognize who

  • 1:37:00

    you in the ring with true now when they say all right cool we going to play nice you signed this three album deal yeah no

  • 1:37:06

    no no no no what I'm saying is not for a new signature I'm under the premise of no I'm saying but for us to play nice we

  • 1:37:14

    want to keep you here we don't want to let you we not letting you fulfill you sign four albums my [ __ ] you got to

  • 1:37:19

    sign four more albums for us to even come to the [ __ ] cont contracts mean things so okay granted if the label

  • 1:37:26

    wants to say hey you don't want to sign our new contract we not keeping you hot

  • 1:37:32

    or making you hot going into it or letting you get yourself hot okay cool

  • 1:37:37

    uh sir or letting you complete it no see that's weird that's weird bro if contct

  • 1:37:43

    got a deadline if you don't got a deadine if you owe me two albums if you owe me two albums left on the contract and I say well we not dropping you could

  • 1:37:49

    have 15 albums done we're not letting you drop the two albums to complete the contract so I heard that's possible but

  • 1:37:56

    I know an artist personally that this happened too he had one album left on the deal with Def

  • 1:38:02

    Jam album done he a had the next album ready to go and they were like yo dogs

  • 1:38:08

    no we not dropping this unless you sign us with a two album okay so I'm playing along with your premise somebody tell me that's I want to go with him no that can

  • 1:38:15

    happen right like Ean a want to give me no money when it was my last album they Ain wanted to pay for a single Paper

  • 1:38:22

    nobody that labels do that [ __ ] so I got that and if that's happening then I

  • 1:38:28

    would say that the fight is not or not solely harassment and defamation cuz you

  • 1:38:35

    spending money on a fight that's a fight if hey I have been prepared to get out

  • 1:38:41

    of this contract I have these albums they are not counting them that would be listed in part of my fight is what I'm

  • 1:38:46

    saying you should fight that I AG I agree with you if that was the case and you you have all the you fighting

  • 1:38:52

    already see once you fighting already let's fight like you you have soiled the

  • 1:38:58

    relationship I don't really see a a let me not say never let me not say never I

  • 1:39:04

    don't I don't see a return but there could be a small Beacon of Hope or some loophole or Slither of light that's

  • 1:39:10

    coming from somewhere but this relationship currently as it stands is all the way all the way down the toilet

  • 1:39:17

    can I can I say something so get all your fights out the way if they're stopping you from completing your album which we've heard rumors about uh

  • 1:39:23

    stopping him from completing his contract then do something about that I agree I think this again it's just a desperation thing about the Super Bowl

  • 1:39:31

    what up in closing for me um I

  • 1:39:36

    feel we know somebody that's person that's personally that completed all their obligations but would not be led

  • 1:39:43

    out of a deal that lasted for a long time and I want to be careful what I say

  • 1:39:48

    and because of Street codes and principles they would not take they would not or will not Sue or take it to

  • 1:39:56

    court and that's where I'm conflicted at right I I do want to live by the street but I know somebody personally in in a

  • 1:40:02

    deal that is complaining and calling and the [ __ ] just won't let him out no matter how many years pass he just won't

  • 1:40:08

    let no I'm not I'm not budging even one of the partners say you budge no I'm not budging like these things happen

  • 1:40:14

    especially when you come privy to more information so arst every day we're in an era of learning different things re

  • 1:40:20

    rereading things and saying that okay I was at this point point in my life when I signed this and I made you guys this

  • 1:40:27

    amount of money and then now I feel like I want to be treated fairly or I want to be out this and there are some people

  • 1:40:33

    that stand strong no we're not I'm not letting you out that [ __ ] no I know somebody right now I just have to respect the game but it just clicked in

  • 1:40:40

    my head that this is happening every day all day see my take on that and I I it's

  • 1:40:46

    my upbringing a little different is the streets and business ain't the same thing we had put but you said they came

  • 1:40:53

    into it here that artist that you speaking about are they still in the streets no no but you're trying to

  • 1:41:01

    adhere to Street rules when y talking business when I say Street rules meaning that I want to get out of this but I'm

  • 1:41:07

    not going to sue you guys cuz how make me make me look that's what I'm talking about I'm talking for me just to make my

  • 1:41:14

    point clear I'm not mad at Drake or any artist in the world beefing with a label

  • 1:41:20

    fighting with a label or suing a label for Drake I'm mad at what he is fighting

  • 1:41:27

    with this label about I'm mad at how he's going about it and are mad at what

  • 1:41:32

    it stems from got it I'm with you Jo that's it all right that's it same if he's fine with uh all of the criticism

  • 1:41:40

    that is going to come from the move then who the [ __ ] is anybody else to say hey dog you a [ __ ] you corny what were you

  • 1:41:47

    do it's like listen especially if he gets his his his desired outcome whatever that is and I ain't pretending

  • 1:41:52

    to know I I ain't pretending to know he could want to get away from them he could want to get more money from from

  • 1:41:57

    them he could want to I don't I don't know he could just want to block this [ __ ] from the Super Bowl or he could just want that it could just be that it

  • 1:42:04

    could just be that and the only way to do that is legally I don't know we'll see I was I was hoping that Drake

  • 1:42:10

    Kendrick stuff wouldn't permeate my 2025

  • 1:42:15

    so I didn't want to talk about this all I didn't the fans would have had my ass if

  • 1:42:21

    I have came in here and said nope I don't give a [ __ ] yeah I thought about it and I

  • 1:42:27

    ain't I don't want them kicking my back in I'm I think our conversation was good it great I love our conversation I'm

  • 1:42:33

    just I just I'm I'm I'm having real real life effect I'm sad I'm sad for real I

  • 1:42:38

    feel like when I cry for de I Soul anybody don't love this [ __ ] to say

  • 1:42:43

    I love this [ __ ] I can't believe that we are here right now they got I'll be 45 anyway I guess

  • 1:42:49

    that's the age when you bring money into that [ __ ] dog all of the

  • 1:42:57

    passion and [ __ ] like that starts to get questioned because money is the the the

  • 1:43:02

    most important motivator in all of the [ __ ] when you start when you label it business at that point the the the

  • 1:43:08

    nature of businesses to turn a profit and so it becomes [ __ ] up all right well listen man it's time

  • 1:43:15

    for my favorite part of the show and what a great time it comes at PR

  • 1:43:25

    uh all right it's playoff time which means it's now or never that also means

  • 1:43:32

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    picks uh who's playing weekend bills Ravens we got oh give me Josh Allen for

  • 1:43:57

    everything give me Josh Allen and Lamar Lamar Odum and Lamar Jackson for

  • 1:44:02

    everything it's G be a shootout for sure it is they're going Eagles Rams I'm going Josh Allen for more than he got it

  • 1:44:09

    he got to throw it they ain't G this one of them games they gonna ISO James Cook move hey move James Cook give me Josh

  • 1:44:15

    Allen for more than 300 yards yep give me Lamar Jackson uh oh Buffalo's Run

  • 1:44:21

    game is weak yeah I mean not no not their run game their run defense I'm sorry their run defense is weak any

  • 1:44:27

    fantasy running back that was playing against the bills oh man last time they played Kaiser had Derrick Henry first

  • 1:44:34

    play of the game 89 yards give me Derrick Henry for more than 80 rush

  • 1:44:39

    yards easy easy uh who else y'all said is playing uh Chiefs Texans Jesus for

  • 1:44:45

    the Texans to be competitive Nico Holland niiko Collins will have to do something he got you give me Nico Collins for more than 70 receiving yards

  • 1:44:53

    uh the Chiefs are playing yeah Jesus yeah give me Pat M yeah yeah don't

  • 1:44:59

    give me Pat give me Pat momes does Kelsey show up yeah yeah I think so oh yeah that that Texans defense is good

  • 1:45:07

    mes for more than yeah but he going to have to talks Stars bro give me P my for

  • 1:45:12

    more than 250 pass yards I'll tell you the game where the the real points are going to be scored is that Commander

  • 1:45:17

    [ __ ] Lions game yeah they will oh give me Terry MCL give me Terry McLaren m uh for more than 80 receiving yards I

  • 1:45:25

    might do I might do six picks and give me Jaden Daniels just because he ain't failed me all year give me Jaden Daniels

  • 1:45:31

    I'll take him for more than 60 and I'm taking both of the Running Backs from Detroit because the commanders don't

  • 1:45:36

    have the greatest of run defenses either Whatchamacallit as back who's the second running back oh yeah he might not be back he's hurt he's outt yeah you're

  • 1:45:43

    right he's hurt give me Gibs Jameson Williams might break away for a long one

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  • 1:46:29

    there and run your game all right flip yes

  • 1:46:35

    sir what were we talking about um we were talking about why

  • 1:46:41

    somebody wouldn't let somebody else out of a recording contract or whatever production company contract or any

  • 1:46:47

    contract you have if you are fly with him and have been with him for years after so many years after coming up

  • 1:46:54

    together with them and if they call you about like 25 or 30 years later after

  • 1:46:59

    reviewing their contract and saying yo after 30 years you reviewed your contract after 30 years I'm just saying

  • 1:47:05

    like well just trying to find loopholes and asking to get out of it I feel like you should accommodate them especially

  • 1:47:12

    based on what uh time uh loyalty uh friendship you list in all

  • 1:47:20

    things that don't work in business yeah but we sign when when I sign off first that's what you're presenting to me

  • 1:47:26

    you're presenting those options loyalty friendship time I'm presenting a business contract true they put they put

  • 1:47:33

    ba on the hook when you go fishing yeah but then it's [ __ ] up right then then then you we got to get

  • 1:47:40

    we got to get the fish out the water smoking mirror is a lot Joe it's a lot of smoking mirror that's the music business and [ __ ] use love and and

  • 1:47:47

    this is and this is why this is why the new age uh the new age content creators

  • 1:47:53

    or New Age artists is winning because there's no more morals and principles and even if you try to implement them

  • 1:47:58

    [ __ ] negate them they forget about it I forget about all that I'm if if I was going through something if I was signing

  • 1:48:04

    you for a long time I would want to call you years later if something could happen for me if I can't if I can make

  • 1:48:09

    another move I would want to Yo Joe listen it's been a long time bro so I'm going let you do me a favor can you let

  • 1:48:15

    me go I'm going let you go and watch you make another move ask why wouldn't you ask you're making the move yourself why

  • 1:48:20

    would I do that flip I don't FP yes so I let you out of the contract yes so I can

  • 1:48:27

    go feed my family you go feed your family and I'm taking money out of my family's

  • 1:48:32

    mouth Yes cuz you made all the money already I went to web [ __ ] 6 s years

  • 1:48:39

    later when I didn't have a pot to told did everything was out the window I didn't see how anybody could even view

  • 1:48:44

    me as profitable and I'm like yo dog it's over yo let me out and he's like

  • 1:48:50

    why would I do that I put this am of money in you I was I bought the studio

  • 1:48:55

    equipment I was picking the records I fought with the DJs I ran around radio stations I did all of this [ __ ] for

  • 1:49:01

    years and and I ain't really Mak no money back so why would I let you out I was like well I guess you

  • 1:49:09

    wouldn't yeah but that doesn't make it right I mean Webb told me that on the phone and he he said how proud he you

  • 1:49:14

    found another way and you found a way to make it happen did the same thing that I just said the blueprint was laid out

  • 1:49:20

    before us the the people that I see make it happen they did it outside of music

  • 1:49:25

    but what if you okay so then then what you're saying if I would to stay in music I owe [ __ ] who I owe I owe some

  • 1:49:32

    [ __ ] now musically I probably owe some slaughterhouse albums I probably owe ow Empire album did my publishing deal oh

  • 1:49:38

    it's finished now salute salute but [ __ ] 20 years in the pub deal I got I got people that was fly

  • 1:49:45

    that I met up there shout out to Jessica R all the people that was working in that building hey y'all have made all the

  • 1:49:52

    money at least give me some money or let's just end this so I could go really feed my family no you know you know what

  • 1:49:58

    you know what bothers me a little bit I get it but it seems like somebody who was so headstrong once you got in

  • 1:50:05

    position you end up conforming to the same rules that was implemented that we were against now I'm I'm one of the only

  • 1:50:11

    ones that don't conform I say that all the time example yes you example is me I

  • 1:50:16

    don't sign off my rights I don't sign off my likeness I don't just willingly relinquish

  • 1:50:22

    I'm not talking about that that's what I'm probably saying the wrong thing what I mean conform is that you're now speaking from the other side that's what

  • 1:50:30

    I mean I don't mean for you're speaking from the other side of the table which is like why would I let you out but when you were the artist when you were going

  • 1:50:36

    through that you would hope that a web and nitty would say yo all right cuz I love you cuz we we

  • 1:50:42

    cuz we gave you these promises I'mma let you out you would hope that you keep kind of making that point you did a

  • 1:50:47

    little bit earlier I'm continue to highlight the difference is if you are complicit in the syst system then that's

  • 1:50:54

    on you okay yeah I from year three or four was trying to find a way out of

  • 1:51:01

    this [ __ ] to never return because because it wasn't acting in your

  • 1:51:06

    favor I was unhappy I know I was unhappy I was unhappy it's not what I wanted to

  • 1:51:12

    do I wanted to bet on me at all times I understand if I had an album I wanted to be able to just drop my album I didn't

  • 1:51:18

    want nobody telling me hey you you can't do this you can't do that we control your [ __ ] I didn't want that some people

  • 1:51:24

    want that what I've learned and I've said this before in this podcast is most the people that I'm preaching preaching

  • 1:51:30

    to the good fight of inde Independence and a union and unity and the power and numbers they want to be in the

  • 1:51:37

    situations that they in they don't want that [ __ ] talking about it's a safety it's a comfortability it's more risk involved bro it's a safety and

  • 1:51:43

    comfortability in getting a check every week it is facts [ __ ] can say whatever F get up and out the comfy living room

  • 1:51:50

    and go make it happen so I'm not try to convince you and I know that when I do

  • 1:51:55

    try to convince you if you hot enough somebody is on the other side offering you something that is undeniable for you

  • 1:52:03

    to feed your family we come from poverty so I could be telling you hey from experience hey do it yourself do it

  • 1:52:09

    yourself do it yourself get it out get out the mud if somebody else come and say yo here go a million dollars right

  • 1:52:14

    now here go 2 million here go 5 10 million doll yo I'm not going to be mad at nobody for making the best decision

  • 1:52:20

    for them let me ask but I also understand how the game is played now that I was a part of it fell victim to

  • 1:52:26

    it fought my way out of it and now watch from afar what if you were in a production deal right and then every

  • 1:52:32

    deal you try to go get what if you're in a production deal and then I guess I'm saying it right and if you try to go get

  • 1:52:39

    a new deal the people that have you in the deal from a long time ago is still eating off of you and eating a big chunk

  • 1:52:46

    no fam I invested in you you wouldn't be able to that youed years ago and you

  • 1:52:53

    made that money back and you made more than that that's not what a production deal I'm saying am I saying the wrong thing I'm saying if you're in a

  • 1:53:00

    production deal you then that's what you are agreeing to you're naming a production deal is you're going to C we

  • 1:53:07

    are going to be we we're going to build you and carry along with whatever deal

  • 1:53:12

    you go get popping because we a production deal we're not a label if you sign to a label you can't go sign to another label we're the production

  • 1:53:18

    company we're going to develop you build you up make you a star for the label and for the to come [ __ ] with what if you no

  • 1:53:23

    longer have a hand in making me a star what if you no longer have a hand in there's no such thing as that when I made you the star the star joke oh Jo

  • 1:53:30

    you understand what I'm saying but I'm I'm responding to you made you the star I'm agreeing with you but I get the

  • 1:53:37

    other side I get it too there's listen to this right let's just say hypothetic hypothetically yeah

  • 1:53:43

    if Jay-Z signed Rihanna to a

  • 1:53:49

    360 you can't become Rihanna that owns Fenty which is a billion dollar brand

  • 1:53:55

    yes if I never had umbrella I'm with you understand what I'm saying so in directly that person is

  • 1:54:02

    still responsible for some of all of your ongoing successes because if I

  • 1:54:07

    never put you in front of the spotlight before then you never become this I

  • 1:54:13

    don't I get it I'm not saying everybody suffers right so I'm no longer going to make music or get the deal so you could

  • 1:54:18

    like everybody suffers except the person that put their money out their pocket the first time to make you a star I'm

  • 1:54:23

    going to keep recouping some money because if it was not not for my money you wouldn't have what you got today and

  • 1:54:29

    I don't think everybody suffers I think you the only one that's yeah you might be the person that suffer you going to be you going to be the only one that's going to suffer yeah a manager can

  • 1:54:35

    manage his whole life yeah an artist can't artist his whole life a production company can go find anybody and do this

  • 1:54:42

    same thing again unless you're outlier like a whole or you know the one of one Drake is a one of one but other than

  • 1:54:49

    that the game the game is the game do do you feel like do you feel like when the

  • 1:54:55

    artist decides that they no longer want to be attached to the production company right do you feel like that's a mistake

  • 1:55:00

    or you should just always just go along circumstantial circumstantial got it I

  • 1:55:06

    think it's circumstantial I think that there's some marriages that seem to work right like there's a lot of production

  • 1:55:12

    companies that act as a TDE for whatever the artist is and it's it's silent and they they do it they work and you kind

  • 1:55:19

    of want that you you recognize the benefit of the relationship there's some where there's a lot of production

  • 1:55:25

    companies that don't do [ __ ] but but we we have the contract but do you do you thinked do you think it's predatory Joe

  • 1:55:32

    like the music business is predatory I don't think those contracts are predatory because again you don't you didn't get to that next step without

  • 1:55:38

    this company taking you in there trap door in it I don't think that because you helped me when I was 20 you should

  • 1:55:45

    own me when I'm 40 thank you I don't think that I think I think I think it's nuance and I get it if I put my money

  • 1:55:51

    out pocket I put you on a diet I put you with the nutritionist I paid them I put

  • 1:55:57

    you with the stylist I got your XYZ done you were not that when I walked when you

  • 1:56:02

    walked in my office you had a voice when you walked in my office I made you a brand I'm supposed to reap the benefits

  • 1:56:09

    of my hard work I still don't think though that I should be owning you for

  • 1:56:14

    the next 20 or 30 years what if it's fair deal hold on let me ask you a question if it's fair then it's fair cuz I don't think other people but what

  • 1:56:19

    makes it a fair like a low percentage or something like what if they just get a small cut of everything after they're

  • 1:56:24

    out of out of the equation I'm getting a piece of every I was going to ask y'all do you think that uh Jazz Prince should

  • 1:56:31

    be getting money off of Drake today he was the one who discovered Drake he was the one who called Wayne

  • 1:56:37

    and said yo I got this [ __ ] right here this nigga's ill I'mma bring him in you need to holler at him you need to hear

  • 1:56:43

    this [ __ ] yes and that was what 05 or something I sh the Jazz man I do think so and I

  • 1:56:50

    think that I think that's the say no wait wait let you say no really I think the time's passed already I think I made

  • 1:56:56

    you enough money man I I can get them and go do them my own do you think that every deal should have an expiration date I do yeah I do that's I was about

  • 1:57:03

    to say I do because it unless it's understood from the beginning a lot of times when we making this deal [ __ ]

  • 1:57:09

    make these deal and I don't know if anybody actually makes the deal and says the whole perpetuity thing like up front that's usually the finest of find I

  • 1:57:15

    understand but I I what the lawyers of lawyers you go get with your lawyers I agree that this business is pred

  • 1:57:22

    what I mean by this is we we target they target not we they target the younger

  • 1:57:28

    act and there's agism in this [ __ ] so yes but you have to go pay your attorney

  • 1:57:35

    you have to go pay your business accountant your business manager your road manager your production companies

  • 1:57:42

    hey sometimes [ __ ] try to keep the money from the production company Lord knows I did sometimes you got to pay the people what

  • 1:57:49

    you learn is a artist and most artists don't want to pay nobody most artists think they should get 100%

  • 1:57:56

    of the pie all of this is because of me and that's it but if you an artist

  • 1:58:02

    trying to make it let's say you got away from the production company yes in your

  • 1:58:07

    next phase you have to pay for services still that money that the production

  • 1:58:13

    company was taking for their service if you don't pay A4 Services you ain't

  • 1:58:19

    getting them sure you're not just taking this money and putting in your pocket that's true it's like in my in my field

  • 1:58:26

    property manager yo dog when somebody's managing your property you might be giving them a commission it's months

  • 1:58:31

    that they don't do [ __ ] but then it's months when it might be 3et of snow outside and they get the snow going and you ain't have to get out your bed it's

  • 1:58:38

    times where the grass be up here and the [ __ ] cuts the grass and you don't got get out of bed it's a service that you

  • 1:58:43

    paying for understand you know what I'm saying so you getting Optimum rent because they are doing a service for you

  • 1:58:49

    y'all I get it y'all artists out there to who this applies to all them times

  • 1:58:55

    that you pick up your phone to express either a grievance an

  • 1:59:01

    idea a thought an action that needs to be executed those ain't just phone

  • 1:59:11

    calls when you pick up the phone to call your lawyer I hate them [ __ ] invoices

  • 1:59:17

    them [ __ ] charge you on 15 minute increments 20 minute law when when Li know what somebody when somebody pick up

  • 1:59:23

    the phone with a problem with their Uber Eats order and want to get in touch with the owner of Uber Eats hey I'mma send a

  • 1:59:31

    tweet but contact Uber Eats and let them know contact Delta Airlines yo let them know that the airport treated me

  • 1:59:37

    unfairly you calling in somebody with the pull to do this and get anytime an

  • 1:59:44

    artist want somebody to get something done it is a service good point mhm pay for it true got it and that's how I feel

  • 1:59:51

    that's true mhm that's how I feel um I still think it should be a time a a terminating point on a bunch of these

  • 1:59:57

    contracts yo you got to work your way out of it like I agree with both of y'all on the Jazz Prince Point uh yes I

  • 2:00:02

    think Jazz Prince should still be compensated he should be compensated the whole ride or you buy your way out

  • 2:00:10

    yes true and it's been enough years to where listen Drake has successfully for

  • 2:00:15

    all we know handled the Jazz Prince [ __ ] Young Money

  • 2:00:23

    Young Money MH cash money oh that one too uh whom his OVO [ __ ] with these

  • 2:00:31

    people and un Universal is the final boss Universal is the Chess Master now

  • 2:00:37

    but he had successfully done these things this one this one will be a bit more difficult true I wish him all the

  • 2:00:42

    luck in the world I'll save the audience from from personal Jabs at theand like

  • 2:00:50

    all of that you a [ __ ] and you like y'all know where I'm from you know what I think I spent all last year telling

  • 2:00:55

    y'all what I think about some of the behavior this is sad to me this is sad to me I'm going to play outstanding or

  • 2:01:04

    something praise to all parties involved right ice yeah that's it man thoughts

  • 2:01:09

    and prayers yeah thoughts and prayers yeah man you got to read them contracts

  • 2:01:15

    free that that's it yo you lying if you say you ain't going to miss this guy I

  • 2:01:20

    don't give a [ __ ] I know y'all knew fans out there is trying to act like all the latest slaps is the same slaps you are

  • 2:01:26

    lying to me if you telling me you're not going to miss this guy miss him already better missing him fck you talking about

  • 2:01:32

    same that's what I thought on that last [ __ ] he put out when he uh when he was like uh I got a body double I was like

  • 2:01:38

    [ __ ] that's what the [ __ ] I've been saying that is not me yes [ __ ] no go

  • 2:01:45

    get you oh my Lord man go Sho is crazy uh what else we got that is important is

  • 2:01:52

    there anything else in music y'all want to talk about uh uh the assaults the

  • 2:01:57

    OG's is oging boy which one you want to start with storing the feeling for real play around

  • 2:02:03

    play around with these [ __ ] if you want I don't like that I don't either I'm just joking I like Method Man's I

  • 2:02:09

    don't like Buster ryes no his yeah the situation yeah I love him I don't like

  • 2:02:14

    what he did what meth did I I get it yeah methed his daughter's ex allegedly at

  • 2:02:20

    Crunch Fitness crunchit and punched him in the face and I think even that's very Method Man being at Crunch

  • 2:02:28

    Fitness early in the morning is that who I think I ain't in life I ain't in lifetime yeah yeah [ __ ] I'm From The

  • 2:02:34

    Bottom I'm in crunch [ __ ] is it $29.99 was there a reason given as to why he punched him in the face it's just his

  • 2:02:40

    daughter's ex and he sometimes sometimes ain't no re you don't need to give a reason a talking about it okay I got to

  • 2:02:46

    tell the media why I'm merry fistmas you up sometimes I read enough in just seeing that it's daughter's ex from over

  • 2:02:53

    a decade ago and she's 28 that's it yeah that was enough for me that's it some

  • 2:02:58

    sometimes the punishment tell you what the crime was meod man catching you in Crunch fitness and punching you nine

  • 2:03:04

    times upside your head seven times that's what they report you know G him two more nah he 5 perent he only gave him

  • 2:03:13

    seven seven you know what I mean n you take this seven goad told him today's math

  • 2:03:19

    [ __ ] yeah that was all I needed say yep I'm with him dad's being a dad that's

  • 2:03:24

    right girl dads whoop his ass yeah so shout out to me man I have

  • 2:03:32

    no problem with catching somebody in Crunch fitness and putting the Beats on them yeah Buster ryes however beating

  • 2:03:41

    his [ __ ] beat up your 50-year-old assistant is not quite the same to me I didn't realize your assistant was 50 he

  • 2:03:47

    was 50 years old oh yeah bust on I'm about to say hold on bust 50 somebody say he was on the phone at work or [ __ ]

  • 2:03:54

    the article read I a mad at 250 y old getting getting shaking might but 250 Old didn't get it shaking one

  • 2:04:00

    50-year-old assaulted somebody and they ran down the street why they want to

  • 2:04:05

    shake back then it's not two people getting shaking I'm I agree with you no I'm just saying there could hey you hey

  • 2:04:11

    yo you got to keep your eye on the the 50 plus year olds that get it

  • 2:04:17

    shaken like there's 50 year olds that be like yo I'm 50

  • 2:04:22

    I'm 50 now N A lot of these 50y old [ __ ] that came from the time that came from the time when you had to put your

  • 2:04:29

    hands up they they come from that which means if for me if you violate them you

  • 2:04:37

    will you will learn you will know I'm talking about the 50 plus year exactly

  • 2:04:42

    you will know I'm talking about the 50 plus year olds that are initiating oh

  • 2:04:48

    violence got got got out there and I'm not saying that that's Buster rymes the assistant would say it's

  • 2:04:55

    Buster Rhymes but you might have caught that assistant doing some [ __ ] the assistant didn't make uh PTA another

  • 2:05:01

    case of uh bad PTA or scenario or what's it going to be put your hands with my

  • 2:05:07

    eyes can see yeah he yeah now he did he put him he did so hope hopefully the assistant is well that's funny uh

  • 2:05:14

    hopefully all parties are well except for the the uh ex-boyfriend though yeah I I'm not with that I'm not with that

  • 2:05:21

    that's my take yeah that's it yeah salute that's my take on that salute I want I wonder to SPL star

  • 2:05:29

    was there kicking in there I don't think split star was there

  • 2:05:37

    kicking yo y'all hear um the Supreme Court upheld it the uh

  • 2:05:42

    Tik Tok band is officially going into effect Sunday I've heard varying uh yeah I've

  • 2:05:48

    heard I heard that varying stories uh they're not doing nothing in Trump Trump is going to try to save it I don't know

  • 2:05:53

    what the [ __ ] going on I know my wife found some other there's some new sh that they found new afterward there's a new no there's a new app that's like oh

  • 2:06:00

    yeah some other [ __ ] the Chinese chines the Chinese people are

  • 2:06:05

    mad who on who they over there crying cuz white people came Chinese Chinese they came over there and they started

  • 2:06:12

    trolling the CH wait what happened no it's not to they started drum my bar was telling me the Chinese people are mad

  • 2:06:18

    and they're making videos crying because white people have invaded note that's what's going on but some them are being

  • 2:06:23

    like welcoming like come on Americans like cool over here they're writing in Chinese and they showing pictures of

  • 2:06:29

    them crying on on Twitter tight like leave us alone you came over here with your same [ __ ] red is not Christopher

  • 2:06:37

    Columbus Behavior come sh discover Beijing get

  • 2:06:43

    your [ __ ] ass you can't

  • 2:06:48

    say put your Nina and your PIN get the [ __ ] out my country they Joe you know

  • 2:06:54

    they upset what your B told you Joe he was really excited about that red note uh he said he likes it a lot said a lot

  • 2:07:00

    of the people that really enjoyed Tik Tok or were sad to see it Go boun an alternative and they they enjoyed just

  • 2:07:06

    the same yeah REM said all her little people that do the book clubs and all that [ __ ] on Tik Tok it's a big deal apparently they're all over there so

  • 2:07:12

    she's like I'm good R yeah they moved it right over so what's the I thought it was so the red note is owned by Chinese

  • 2:07:19

    people as well I believe so yeah yeah it's not English no I'm just saying but wasn't the argument this was a Chinese

  • 2:07:25

    owned brand yes that posed a security risk correct yeah so we just transition to a different Chinese own brand yeah

  • 2:07:32

    yeah I just finished saying that people will relinquish their rights and want to be there people volunteer to do these

  • 2:07:38

    things said that I just said that and maybe they don't take as much data or something I don't know maybe probably

  • 2:07:45

    not why the Chinese are mad though that's the funniest [ __ ] bro they they are tightish get out you heathens get not

  • 2:07:53

    saying that but that's what they saying on X get out my barber thought that he found a friend in me he's like yo man

  • 2:07:59

    you you use Tik Tok no no no no never had it never downloaded it I watched the

  • 2:08:06

    Tik Tok joints when they make it to other platforms and and uh I got my girl

  • 2:08:13

    loging just in case yeah yeah which doesn't make for the best

  • 2:08:19

    time during breakups either I bet not stupid ass me we had broke up but it was

  • 2:08:25

    a light break up we knew we'd be back together in like 5 days but she want attention so every time we break up she

  • 2:08:32

    got to go put on some video and go out and shake her ass and tit somewhere and she going to film it right in the bedroom in front of a little stupid

  • 2:08:38

    miror and she going to post it somewhere so I can see it but she posted a Tik Tok link on Twitter ah and I was in bed

  • 2:08:45

    miserable and sad I clicked the Tik Tok link can't get in buddy can't get

  • 2:08:52

    click the Tik Tok link can't get in they ask me a series of questions I answer

  • 2:08:57

    them I get in 3 minutes later she she sent me a text with the code that it

  • 2:09:04

    sent her phone she she she said she said yo dog here go the code in case she was looking

  • 2:09:10

    for I didn't I have it I have it thanks I'm in I'm in

  • 2:09:16

    thanks you looking for do that's funny that's hilarious no

  • 2:09:23

    y'all skipped the major part what was that they asked me a series of questions no the the prompts The Prompt yeah you

  • 2:09:30

    got [ __ ] whatever's there and then they then they let you in but it send the email Oh I thought it was who was your

  • 2:09:36

    dog in third grade no I I thought it was too that'll make it a [ __ ] creep oh

  • 2:09:42

    you thought that was the capacha the cap the Capa C [ __ ] wait that's what you talking about me wow you talking to me

  • 2:09:49

    bro you might know where she went to elementary school what her favorite food is

  • 2:09:55

    girl element all right just to clear the record I don't know nothing about my girl as it doesn't pertain to me I don't

  • 2:10:03

    know where she went you don't know you don't know your child favorite color no stop I'm joking right now I say still

  • 2:10:09

    talking to me yeah her favorite s her favorite song is Barry W this [ __ ] know all them security question answers [ __ ]

  • 2:10:15

    you ain't fooling nobody you didn't hear the story the [ __ ] got past the second password on the phone I didn't know they

  • 2:10:22

    had a possibility of who said that oh back in the day yeah oh oh he is

  • 2:10:30

    unwavering this [ __ ] takes persistance to another level bro I used to be off I

  • 2:10:35

    used to be off and back back before they had Advanced the tracking systems and you had to just drive to her job hide in

  • 2:10:43

    in the car and wait till she get off duck you got to duck and then she start speeding you start speeding stupid ass [ __ ] I got caught at the light no

  • 2:10:49

    license she up seven just

  • 2:10:56

    get oh I did all that sick old [ __ ] listen Joe did that so hopefully you all

  • 2:11:01

    have to go through that sure got something wrong with you and we grow we listen and we don't judge we

  • 2:11:07

    grow you still crazy you still B out no I'm not Joe stop it I'm not you just met somebody crazier didn't you and I love

  • 2:11:14

    it I love to watch stuck shot is your match bro you met your match yeah for 44

  • 2:11:19

    year old Joe yeah she couldn't [ __ ] with 30 Old Joe that's not you she could pop it up on you like that the way she be

  • 2:11:25

    popping up I think she would had a handful with 33 year old 34 year old Joe

  • 2:11:31

    but I'm in settle down mode I'm in that's what they say now right much C

  • 2:11:36

    now I'm going give I'm going give him that much you gave her a headache yeah I ain't even trying she had more frequent fly mouths than anybody in the world you

  • 2:11:43

    would have gave her a headache K typeit flying around try we was we was in starless hey yo look sh

  • 2:11:54

    I said it's funny to me I love it I love my B it's just funny that's funny I let

  • 2:12:01

    her do it for 20 minutes she ain't put that phone up

  • 2:12:06

    yet yo that's crazy no I'm no I'm I swear I'm looking at this Tik Tok band stuff I swear to God I'm looking at this

  • 2:12:13

    Tik Tok band show these [ __ ] that you go but you got the up [ __ ] man you press up and go to the the different section

  • 2:12:19

    shut up okay watch the room you swipe up do the swipe up real quick you want to tell us about your

  • 2:12:25

    findings uh I mean it's a whole lot of nothing put your reading glasses on like

  • 2:12:31

    tell us what what's happening I'm trying to since you're reading for 20 minutes like what' you come up with the Pod that

  • 2:12:37

    was why it took me 20 minutes cuz I don't have my [ __ ] readers on what happened what did what did they say uh they're just basically saying that the

  • 2:12:43

    law takes a effect [ __ ] off she said why you li man give me this

  • 2:12:49

    I'm not lying you I'm not lying you're lying about

  • 2:12:55

    lying I'm she's the legend Sono read what's on my phone right now because you

  • 2:13:01

    know it's not going to support what you're saying right now so what were you reading and thinking about something else because you just said the [ __ ] on

  • 2:13:07

    the surface she'll be in box no but the thing is let her read it January 19

  • 2:13:13

    that's a good one ice anyways uh what else what else what else what else what

  • 2:13:19

    else what else is going on did y'all see um did well here uh Wendy on The Breakfast Club yes I did I didn't hear

  • 2:13:24

    her yet I actually sat an alarm cuz I wanted to hear the whole I don't ever listen to radio but I wanted to hear the whole thing and and how was it ice she

  • 2:13:32

    did sound she sounded good I mean she sounded distressed in all that [ __ ] but

  • 2:13:37

    she sounded good she sounded yeah coher I guess a good word yeah uh after listening I I mean I'm not an expert or

  • 2:13:44

    anything I don't think she needs that Guardian guardianship [ __ ] that they have her in this looks really bad for

  • 2:13:50

    the judge and for the that sounds crazy she like she's up there like dude they control like if I if I if you

  • 2:13:58

    don't call me I can't even call out yeah they got rid of cats yeah she was like they someone has to unlock my door for

  • 2:14:05

    me to walk out like she described this [ __ ] like she's literally in jail some fancy jails what she described it as and

  • 2:14:11

    then she's saying the people that she's on the floor with are really having you know like mental problem she's like I I

  • 2:14:17

    shouldn't even be here with these people it was [ __ ] up yeah she she she made it sound like she was like

  • 2:14:23

    in a convalescent home where everybody was like around like 80 and 90 and that sort of thing but um she also

  • 2:14:29

    indicated by what she didn't say that there was a lot she could not say for legal reasons so she had her niece on

  • 2:14:35

    the phone with her and obviously she's had a lot of conversations with Charlamagne so she relied on her niece

  • 2:14:41

    and for Charlamagne to say the things that she couldn't say got it yeah so but the thing the thing that most people

  • 2:14:48

    took away from it is that she did sound very coherent and so it just kind of made you

  • 2:14:54

    wonder about all the reports that were coming out about the dementia and and whatnot what we saw I think when people

  • 2:15:00

    see stuff it hits harder the A&E documentary and when they had that documentary on she did not look well she

  • 2:15:07

    didn't in all fairness I'm not trying to we just having conversation yeah they talked about that too during the interview yeah I think that

  • 2:15:14

    um like when you go to court sometimes MH you don't ever sit with the judge Doo

  • 2:15:20

    right you get know what I'm saying like you don't sit with the judge so whoever hires the best attorney that's the

  • 2:15:25

    depiction that they going to give you in your case I'm telling you even with your case if that film was not available to

  • 2:15:33

    be seen my [ __ ] now is after who could present the argument the best you get what I'm saying so if she never had an

  • 2:15:39

    opportunity to sit with the judge they got this big ass A&E dock that's showing her not seemingly in the best light and

  • 2:15:47

    in the best state of mind then the judge is going to be like all right cool you a couple I don't know the process so

  • 2:15:54

    y'all correct me from wrong but there should be some level of experts on each side to at least evaluate you and there

  • 2:16:01

    should be a re re-evaluation period or something when it comes to this because the person I heard on the radio like I

  • 2:16:07

    said I don't think that person you watch a doc I saw the doc I saw do talked

  • 2:16:13

    about the dock up here remember now one thing I will say she did get a little confused at times in inie interview yeah

  • 2:16:20

    like she'll she quieted everybody so she could talk and then got a little jammed up or confused

  • 2:16:26

    and was just like telling her nie yo you you talk you talk you talk but she still seemed in right mind though the way they

  • 2:16:32

    made it seem like is she don't know what day it is and what's going on and the reason why I think she said for her niece to talk is because again the legal

  • 2:16:39

    issues that she can't speak on you know so but it just really and she has a family that loves her so why am I in

  • 2:16:45

    this like I have family members that are coherent they are able and willing this

  • 2:16:50

    is all information they can take care of me up until my final days what's going on here yeah surely there must be some

  • 2:16:56

    at home care that you could get that would allow her to live a relativ she was there saying how she was trying to

  • 2:17:02

    get down to to Florida to Miami where her family is 94th birthday and they're making it seem like we'll let you know

  • 2:17:09

    if we're going to let you go she's like yo my family are is not up here yeah y'all know me from New York radio all of

  • 2:17:15

    that but she's like years ago her her mom and uh her mother and father were the first ones that moved to Miami and

  • 2:17:22

    then the rest of the family went like we're not my family's not up here her son was in Florida for a while on the

  • 2:17:28

    dock her some was in college in Florida you're going to learn about these different businesses when you need to

  • 2:17:34

    same way we keep saying the music business is a business this conservative [ __ ] [ __ ] is also it's a system and it's

  • 2:17:40

    broken yeah a exactly this is one that Kanye is spoken about Britney has spoken

  • 2:17:46

    about some people have tried to bring awareness to it Wendy is next in line M if you think that them people are not

  • 2:17:52

    paying themselves handsomely for whatever is or is not going on consultation fee all and they already

  • 2:17:58

    receive like a really really Hefty commission or payment for their role as

  • 2:18:04

    guardian well I believe you so which is the Grimmy [ __ ] of now why would they now come forward and say nah she good

  • 2:18:12

    they not right yeah yeah there's no in bro Wendy said she got $15 to her name

  • 2:18:18

    she got $15 oh I believe you well not her name has absolutely she has no access to

  • 2:18:24

    her money whatsoever like she has access to she got $15 her name that's crazy that's how I took it the conservative

  • 2:18:30

    ship is in somebody else name and they got to give me the okay to get my own Spanky what I mean how how does that

  • 2:18:37

    happen though based on what you sign when you get in bed with these people yes they said the bank set that up like

  • 2:18:43

    it was the bank that so if I make a lot of money and I and I'm getting old they

  • 2:18:48

    can make a decision to like that don't you sign over stuff to your family and put names like you can stuff like that

  • 2:18:57

    but if you don't have that in place so let's say you don't have these things in place right and a bank starts to see an

  • 2:19:06

    excessive amount of money moving out of your account that's not

  • 2:19:11

    normal they may ra it may raise a red flag they said her some was [Music]

  • 2:19:17

    whing said her son was whing her son was taking money Etc Etc and I we just

  • 2:19:23

    objectively speaking but you might have been saying no that wasn't me I want to charge about you know what I mean and then they like yo

  • 2:19:29

    dog but she was like yes I know he had these things I know this was happening

  • 2:19:35

    that's my son and let him yeah a judge in a Probate Court decides whether to

  • 2:19:40

    establish a conservatorship reviewing evidence to determine if someone is incapacitated and needs a conservator to

  • 2:19:46

    manage their personal affairs or finances they also choose the suitable individual ual to serve as the

  • 2:19:51

    conservative if necessary listen none of us here are experts on conservative so I don't want

  • 2:19:58

    to put ourselves in a position to to speak on it true and we don't know how it happened how it started we don't know

  • 2:20:04

    anything we wish Wendy Williams well for sure from what we heard and and saw it sounds like a really [ __ ] up

  • 2:20:10

    predicament and hopefully them doing that interview and bringing some awareness to it can make a change it was

  • 2:20:16

    good to hear from her like her own words and mhm it was good shout out to Wendy to her yeah no Legend and she still

  • 2:20:22

    managed to get her puff shot see she did that's what I said oh yeah she yeah yeah she good she good there she go

  • 2:20:30

    that's the windy yeah what else we got I got a question

  • 2:20:36

    for y'all since flip want to keep talking about loyalty

  • 2:20:42

    uh using people that are not family members

  • 2:20:49

    okay just describe to me what your perfect version of loyalty looks

  • 2:20:56

    like for example uh off the top of my head I

  • 2:21:02

    would say uh Alonzo morning/ Udonis Haslam to

  • 2:21:07

    Pat Riley

  • 2:21:13

    okay um an example is what you're asking for

  • 2:21:19

    roughly using people yes your version of loyalty or loyalty

  • 2:21:27

    that you would like to have looks like what through people uh push a t to F

  • 2:21:33

    real tat to Jay Kendrick to TD Bleak DJ Bleak DJ Big CJ because what I like

  • 2:21:41

    about the Kendrick TD thing is he seems like he's doing his own thing yet is still loyal I like that I like that one

  • 2:21:47

    and vice versa and vice versa yeah and vice versa I like that um it's some better ones Kelly De

  • 2:21:59

    Beyonce you got more no and I'm not going to question yall so [ __ ] Jordan the Phil Jackson

  • 2:22:08

    no right it's not no but again because some of these are in question we really don't know some of us

  • 2:22:15

    might be more privy to behind the scenes [ __ ] that they might have went through

  • 2:22:20

    diversity you know what I'm saying that they might have been through I don't know just a question yeah just a

  • 2:22:25

    question what else we got uh Big Meech concert I don't know

  • 2:22:30

    anything about this me there's a welcome home Big Meech concert taking place um

  • 2:22:36

    in Florida in Florida Sunrise Florida it's on February the 13th and it is

  • 2:22:42

    basically like a who's who of current hip-hop everybody from Lil Baby Raw sexy

  • 2:22:51

    red money bag yo um I'm trying to boss

  • 2:22:56

    man Dow it it's just a who's who of the the the current hip-hop scene um welcome

  • 2:23:02

    home show notably missing which everybody pointed out Jeezy there's no Jeezy on the show there's no Fab on the

  • 2:23:10

    show just wanted to you know I hate when the interet do that I but it's de to be

  • 2:23:15

    pointed out yeah that's all you don't know what these guys got going on but what does that what does that mean

  • 2:23:21

    it don't mean anything or it could mean something might show up you have no idea the the full lineup ISC little baby Rick

  • 2:23:27

    Ross 21 Savage sexy red Kodak Black 42 Doug estg money bag yo Boss Man Dow T

  • 2:23:32

    Grizzly baby face Ray ice were vzo skilla baby pey payro Giovani um booy

  • 2:23:38

    Young Scooter and it says more artists to be added that's a big show well there's your out right there more more

  • 2:23:44

    artist to be added you know putting it you putting this out you know what putting this out

  • 2:23:49

    is going to say without certain names on there yeah even if they are added later on seeing it right off the bat without

  • 2:23:56

    certain names attached to it is hey that looks odd and people are going to point that out it's a promoted event

  • 2:24:04

    yeah that's fly though hell of that's a hell of a come home yeah listen good for him yeah good

  • 2:24:12

    for him I hope everybody attends has a blast but I'm not about to make nothing yeah for real no violence I'm not about

  • 2:24:18

    to make nothing of names that are missing or not yet added potentially

  • 2:24:25

    yeah yeah what's wrong with a [ __ ] just not wanting to go ain't nothing wrong with it it's again my [ __ ] I might have

  • 2:24:31

    took care of you your whole time like we again all the [ __ ] be internet interneting yeah exactly it be the

  • 2:24:38

    internet interneting like you don't know what I did for you the whole time you was locked up right you my man for real

  • 2:24:43

    I don't got to go to no show to show you you're my man you maybe I'm going I'm just not performing or I I might not be

  • 2:24:49

    going I I want to be around them crowds I'm just not doing that yeah cuz all them people on that list is

  • 2:24:57

    newer acts mhm you know what I'm saying so I'm not signing up to no

  • 2:25:03

    Festival yeah I ain't I ain't that's what it is lowkey a festival yeah big ass lineup you know what I'm saying so

  • 2:25:09

    if we got a relationship in real life [ __ ] I don't have to come there to show internet that I'm support in support of

  • 2:25:15

    you yeah not at all my opinion agree they was tearing five of your ass up for

  • 2:25:22

    misspelling demonic yeah that was I swear that was on purpose swear it was

  • 2:25:27

    on purpose why demonic did you see how we spelled it

  • 2:25:33

    let me D was it demonic n i quu e n i q e yeah that

  • 2:25:40

    sounds a little intentional like there's more ways you could [ __ ] up demonic that was without going that far that was AI

  • 2:25:47

    he [ __ ] up some words got history of [ __ ] up some words he [ __ ] up Miami he was talking in the phone

  • 2:25:52

    said Dominique I'm I think he's leaning in he's just

  • 2:25:58

    leaning into the [ __ ] I ain't going to laugh too hard cuz I'm at the age where you know I'm forgetting everything

  • 2:26:04

    that I've ever learned and certain words be kicking my [ __ ] I was stuck for 40 minutes with aesthetic the other

  • 2:26:11

    day I was stuck sitting there sounding it out got a hoodie coming out look up

  • 2:26:16

    orves that's a [ __ ] that's AER or yeah I got a hoodie coming out I

  • 2:26:23

    couldn't figure it's my [ __ ] my [ __ ] I couldn't spell the word to save my life what was the word

  • 2:26:30

    is [ __ ] yeah that's it like yo [ __ ] was crazy the word tell us coming out he

  • 2:26:35

    can't tell us [ __ ] by brain yeah this [ __ ] they was on Lil Kim ass too phones make us dumb yo oh yeah they were that

  • 2:26:41

    was funny though that was hilarious bro what Kim Lil Kim put a post up saying um been sending strong players up for LA

  • 2:26:47

    and everyone affected by the fires please send heartbreaking I pray to Jesus that God make it monsoon in

  • 2:26:54

    La God bless her heart because she really just like you know send some rain

  • 2:26:59

    I know it but yeah yeah you a mons would kind of fck it would make it worse mud

  • 2:27:06

    slide mud slides La the it's also a natural disaster so we be praying for La

  • 2:27:12

    again right shout out to Kim man it was good intentions yeah your heart was in the

  • 2:27:17

    right place and our prayers are still with everybody out for sure for sure let's not forget to say that that is true yo I was in the

  • 2:27:24

    news recently not the news I didn't call anybody go my Pat I

  • 2:27:31

    show the receipts [ __ ] you started that [ __ ] son I don't like that I like that I'll let you slide

  • 2:27:37

    I'm say I'll let you slide you start that came behind I don't like that

  • 2:27:44

    disrespectful using your mouth to put me down but I got something for y'all I got something for yall at the right time I'm

  • 2:27:50

    going get both of y'all all that they don't put don't use your mou to put them down listen zja got mad at me and said

  • 2:27:56

    she made a video say flip I don't [ __ ] with you you're not loyal to stack I never saw you around she said that the interview that I did with her years ago

  • 2:28:04

    um I uh I only invited her up there to discredit her information on Stack

  • 2:28:11

    Bundles and gym and then I wrote a tweet not a tweet but I wrote on her post and

  • 2:28:16

    I and I was apologetic I'm like you know cuz she said because of me because of you flip I don't want to ever do

  • 2:28:21

    interviews again because of [ __ ] like you and I apologize and I and I stand in my apology because her story is is

  • 2:28:28

    important to that movement you know what I mean what happened and I don't want to discredit her just my angle at that time

  • 2:28:34

    was playing The Devil's Advocate that's just all my interviews it wasn't intentional to her had a plenty of

  • 2:28:40

    arguments with with Charleston white uh with with all the drug dealers Alpo King

  • 2:28:45

    like all this just Just My Style of interviewing so I don't I didn't want I don't want anyone feel like I don't like

  • 2:28:52

    to hear that yo cuz of you that interview I don't want to talk to nobody [ __ ] reached out and showing the receipts your [ __ ] reached out but I

  • 2:28:58

    don't want to talk to nobody cuz you how you made me feel I kind of felt bad cuz I don't know if I'm in a new place but i

  • 2:29:03

    a mean to do that shout out to her you know what I'm saying prayers and thoughts and I you know I hope that she'd be able to tell a story without sitting across a [ __ ] like me that

  • 2:29:10

    would do that and I was your man and stack yeah rest in peace stack for sure and that's big you stack I love you my

  • 2:29:16

    boy because the stories be different right and that's what I learned up here though like I learned up here that everybody have their own version of the

  • 2:29:22

    story if I hear something if I witness something with Jim and stack and I know a story cuz the story is that Jim left

  • 2:29:28

    stack in the hood not knowing that stack called Jim for some money and the bank was closed right like yo we get the I

  • 2:29:34

    was theread me and bider was there but people don't want to acknowledge that it's easier to paint that about Jim yo you left stack out there no stack wanted

  • 2:29:40

    to stay out there cuz stack has his own movement just like a queen flip some [ __ ] just in their own bag and if I need something I can call my man he call

  • 2:29:47

    his man hey yo the bank is closed right now gez I'm going get it to you it's just so happened my man got killed the

  • 2:29:52

    next day you know what I'm saying so people take these stories and they mix it up so when zaja was telling the story

  • 2:29:58

    I wasn't discrediting her I'm just like yo this is what I've been through and by being up here I learned that yo her truth is her truth and at that time it

  • 2:30:05

    was an intenal I was just being a devil's advocate and that's it so shout out to her I just wanted to say that I support it I'm still laughing a

  • 2:30:12

    little bit though adult this [ __ ] said you yeah I made the news recently like oh [ __ ] what happened yeah zaha tweeted

  • 2:30:22

    well I'm mad at that's not y if you happen to hear that story in the New

  • 2:30:28

    York Post of the daily news on page six please take Queen Flip's organic word up

  • 2:30:33

    here instead of that your question you let your man get away with all that you let these two [ __ ] get away with all

  • 2:30:39

    that TMZ call TMZ you let these [ __ ] get away with all that call TMZ and on top of that because you

  • 2:30:45

    thought I shouldn't have these two [ __ ] I was on your side and you thought I shouldn't have did it right you ain't come out defend like now flip

  • 2:30:52

    wouldn't do that you know that Joe I call TMZ on myself you know me man I like I said I disagreed with the streets

  • 2:30:59

    you wrote a tweet [ __ ] everybody biging me up you and the your white counterpart

  • 2:31:04

    put a tweet out to discredit me I said the street said this and I said that they were lying that's nasty would it

  • 2:31:09

    affect our friendship if I maybe did think that you would call T on yourself

  • 2:31:16

    Joe I'm saying I don't love you no less Joe what I'm not saying I think that but

  • 2:31:21

    with our relationship in your mind you saying why would they go to Queen flip and not a Melissa Ford no I never said

  • 2:31:27

    that meaning like somebody not this you man I'm talk about like you're more you know give you a comment girl God thank

  • 2:31:34

    you thank you holy [ __ ] man don't touch me all right I like you touch me yo why

  • 2:31:40

    you did that though why you put that news out that's you did that you behind that I'm not behind it I promise you

  • 2:31:45

    yeah I going get yo I'm not behind it okay I had your back I'm just for the always got you back no that's just nasty

  • 2:31:51

    I sold you yeah you sure did you show her you didn't call I read your Tweet like wait what my

  • 2:31:57

    my bad if if you saw that yeah is there anything else that is pressing on our

  • 2:32:03

    minds bodies and souls our Spirits is there anything that's super important to

  • 2:32:09

    get out there I started L man that [ __ ] is absolutely fire I don't have a take cuz I'm still early in K tosa King is

  • 2:32:18

    fire season one or two now almost two that [ __ ] is pretty short you can kind of run quick yeah like 30 minutes you

  • 2:32:24

    see SE uh season saving it got it I'm watching it tonight I'm going rewatch it

  • 2:32:29

    actually they never going to give me with the episodic drops watching one episode no no no no I'm storing them up

  • 2:32:37

    I like the episodic a little bit me too it's when when it's something that I'm anticipating seeing like otherwise I

  • 2:32:43

    could wait and just catch a couple if I have something that has my attention then I could win and land man land man

  • 2:32:49

    has me did you watch the uh joint I sent you no I it was it was a Hulu series it's called Uh scam queens or something

  • 2:32:56

    like that oh I just saw the ad for that yeah I'm like you just audition for that I mean

  • 2:33:01

    shut right you just got hey I am Melissa F and I scam my team out of $700 the

  • 2:33:08

    white tit just get the white titty cake and pull it off black you're the greatest that was a ill scam I a going

  • 2:33:14

    CRA yo we really sit down amongst ourselves and talk about that like how you pulled that [ __ ] off oh my God you

  • 2:33:19

    guys are have to let this go it's 2025 yo what episode you on in L Man

  • 2:33:25

    four all right I'm I'mma Thug through one yo I'm a thug why I fell asleep on one like three or four and I think that

  • 2:33:31

    is so disrespectful to land man yeah I'mma Thug My Way episode one I feel

  • 2:33:37

    like they get to so many story lines popping especially between one and two but just try I not am I'm I'm going

  • 2:33:42

    force myself but you might fall asleep cuz it ain't so action it's a lot of dialogue and understanding all of that

  • 2:33:48

    oil business I I'll get through it you heard cut the closed captions on cuz like [ __ ] like that hey Clos captions

  • 2:33:56

    when the [ __ ] I'm watching start talking in Spanish I don't need you to say

  • 2:34:01

    Spanish espola in Spanish no that no tell me what the [ __ ] yeah yeah I hate that yeah

  • 2:34:09

    y'all ain't going to hold you I love having a bilingual Queen next to me what they well you've already proven to me

  • 2:34:15

    and Cory that that [ __ ] has its perks sure it does that [ __ ] has its perks listen and when I was watching denner

  • 2:34:21

    thieves too and the Coming Attractions let me be phony real quick hey the res of this part ain't about [ __ ] let me be

  • 2:34:26

    phony real quick I know I've had a lot to say about John Wick this a new John Wick please no I'm

  • 2:34:35

    not going to lie to you the ballerina spin-off looks great

  • 2:34:41

    wait really or at least I'll say that ballerina trailer you got to watch it

  • 2:34:48

    yes I'm watching got you I'm watching it they showed about three or four movies that I do want to see the Russian and

  • 2:34:54

    ballerina is one of them and she is the pro to J or the this is the next the

  • 2:35:00

    next she's girl John Wick she in there kicking ass Janetta I'm not the biggest John Wick

  • 2:35:07

    guy so me NE I like it me neither okay me neither yeah I'm good I think I saw the first one I SP it I saw but if I'm

  • 2:35:13

    going watch an action flick I want to watch it from a a movie company that is going to pay to put action in it for

  • 2:35:19

    sure and they and they spend the whole bunch yeah they going to spend on action he kill about, 1400 [ __ ] per movie per

  • 2:35:25

    scene head shot too per scene he he don't run out of bullets that [ __ ] gun

  • 2:35:30

    is different I was flicking through the channels in Rush Hour 2 I think whatever it was with Chris Rock and uh Jack I

  • 2:35:37

    watch tuck I watch another one that you should just shouldn't watch with adult eyes and ears

  • 2:35:45

    it's another one that we should just leave wherever the [ __ ] it was that movie Boy Part Two is the one where

  • 2:35:52

    they went to China yeah yeah that's one with rosn Sanchez them [ __ ] saying I

  • 2:35:58

    watch they're not making another Rush Hour girl sit down sit down but I watch

  • 2:36:03

    it to they was getting a lot of [ __ ] off they going to take you to B that little fight scene between that [ __ ] was just a

  • 2:36:10

    mess hey yo joe you know what's so crazy he might be the horny just said what he made a Bangkok joke made a Bangkok

  • 2:36:18

    J yo I got do the horny iin going hold you from n n you you he never one I'm

  • 2:36:25

    [ __ ] what anyway that's funny we could talk about this that [ __ ] is juvenile it's some juvenile [ __ ] it is in

  • 2:36:32

    film [ __ ] rest in peace David Lynch brilliant director peace rest in peace peace we could we could talk about this

  • 2:36:39

    on you guys one of the biggest David fans I don't even know who that

  • 2:36:44

    isee velvet Elephant Man Lost Highway weird [ __ ] we rest in peace yeah rest in

  • 2:36:52

    peace um before we get out of here though speaking of rest in peace yeah did y'all hear about the dude that um

  • 2:36:58

    pulled up to the bikini coffee shop joint got caught and then well first I

  • 2:37:04

    don't think anybody knew about the bikini coffee yeah so apparently there's a there's a coffee coffee spot

  • 2:37:10

    where the women that serve are in bikinis where is that kind of like in

  • 2:37:16

    land man right a little bit okay anyways

  • 2:37:22

    so um the the young lady posted a video the guy pulls up in the car and she like uhuh like he ain't had no pants on he

  • 2:37:29

    was he was he was getting M he was getting money while he pulled up to the to the window he pulled off real fast it

  • 2:37:37

    was actually a couple of cars that they they did this to and the video got to circulating so out of embarrassment the

  • 2:37:44

    next day to do self transition whoa this one I kind of been

  • 2:37:50

    uh confused about I'm going to give him the benefit

  • 2:37:55

    of the doubt and assume that there was a lot more going on in his life it sounds like it I would hope

  • 2:38:01

    so because the act of masturbating at

  • 2:38:07

    the local Hooters or whatever the [ __ ] that is and getting caught and taking your own life when you're married with

  • 2:38:15

    child I'm befuddled I'm I'm not I'm not not today it's the same thing we say

  • 2:38:21

    about internet bullying yeah yeah like yo it's different [ __ ] used to happen

  • 2:38:27

    when we was in school you know the little neighborhood story something it'll be local right today something

  • 2:38:33

    happens the whole world knows instantly so to do that video getting out there meant

  • 2:38:41

    what your wife is worldwide humiliation for you and your entire family some people out there that got a video on me

  • 2:38:47

    sleep walking butt ass necket in the hallway not to compare Joe but you are comp no

  • 2:38:54

    you are you you come from a different era too yeah somebody else is different I think as fathers we have a a

  • 2:39:01

    responsibility and an obligation for to not for our

  • 2:39:06

    Behavior to not do anything that would put us in a predicament to make us want

  • 2:39:11

    to remove ourselves from our child life now I'm talking about predicting a predicament I'm talk not talking about mental health that's why I said I'm

  • 2:39:17

    going to assume and give him the benefit but if it's just this isolated act and

  • 2:39:24

    it was the embarrassment then my man dog a lot of people can't deal with that [ __ ] Bro

  • 2:39:30

    public humiliation for being humiliated in public and they went and got a gun and did somebody that embarrassed them

  • 2:39:36

    and now they doing life doing it to you and doing it to myself I don't view the same uh there's a lot of people in this

  • 2:39:43

    your life is gone I mean one your life might be spent Behind Bars and another one your life is gone but it's a

  • 2:39:49

    privilege to wake up even Behind Bars true tell your kids that tell your family that cuz you you use that and

  • 2:39:55

    they have to no understand but you use that as the Catalyst like yo if you have a wife and you have kids and you allow

  • 2:40:01

    that thing that you are saying is small I'm agreeing with you it's not worth um you taking your life I'm not saying it's

  • 2:40:08

    small it's small when regards to you taking your life I think if that's an

  • 2:40:13

    isolated act yeah true I'm agreeing with you I'm just play we having a conversation so what I'm saying is now

  • 2:40:19

    nowadays with the viral moments and all of that [ __ ] my [ __ ] you could be a meme from from now to Eternity [ __ ]

  • 2:40:26

    can't handle that playing with your dick over some Tim Hortons you know what I'm saying like everybody not prepared to

  • 2:40:31

    deal with that level of public embarrassment and scrutiny not just that now your kids is getting picked on your

  • 2:40:38

    wife co-workers see it your wife's family memb see her husband now you can't never go to the cookout and get

  • 2:40:44

    looked at the same when your sausage been on TV what did he think was going to be the outcome though I don't think he somebody was going to put him on

  • 2:40:51

    TV [ __ ] just pull up get his [ __ ] off and what's going you're a little freak booty horny [ __ ] you going to jerk off to the

  • 2:40:56

    ladies with the with the pikinis on but you never thinking it's going to go viral well one in New Jersey not that

  • 2:41:04

    cuz we getting serious I'm going be ignorant no me too I said sausage y'all miss my joke Cook Out

  • 2:41:09

    sausage you you trying to little pun in New Jersey Big Pun in New Jersey at

  • 2:41:17

    Hooters they sto hiring the hoes Hooters like so it made it tough yeah

  • 2:41:23

    and ass so it made it tougher for you to go over there and hit your hit your one two right quick they stop hiring him

  • 2:41:30

    what happened then the strip clubs got him cuz it was more bread [ __ ] you talking about I ain't giving out no

  • 2:41:35

    wings and two to whoever out there needs to hear this add somebody that's beat

  • 2:41:40

    off in my car a few times you got to drive to the far end of the parking lot

  • 2:41:48

    where you are alone and you got to face the for me it was the multilex don't back in don't back in you got for me it

  • 2:41:54

    was the multiplex when I'm at the movie yeah come on I'm at the movie theer early got to go back there got to go

  • 2:42:01

    back there you back all the way to Yo ask you a question oh yeah a little beat

  • 2:42:06

    off in the movie let me ask you a question what's up man what you was beating off to uh something on my phone

  • 2:42:11

    yeah [ __ ] I had to do it oh yall different no I had to do it I did that [ __ ] on the highway you never beat off in the car

  • 2:42:18

    never well you stand up and beat off you can't stand up you never beat off in a sprinter I lay down I lay down and beat

  • 2:42:23

    off too beat off in the U-Haul or something y dogs sometimes you gotta let it out ish something come my [ __ ] so

  • 2:42:29

    when was when the multiplex was open this cuz this is a long time ago yeah you lived around the M go go home the

  • 2:42:36

    movie starts in 5 minutes 10 minutes 15 minutes I ain't got ain't got the time theyig guy you got to get this out yo is

  • 2:42:43

    I take it in movie I've lived life you ain't never beat off in a car ever ever

  • 2:42:48

    vanilla ass [ __ ] I've lived life I don't want to talk about it but I'm just giving advice to the people out there that want to beat off in the car you

  • 2:42:53

    can't do it at the where they [ __ ] shaking ass and wearing skirts on the roller skates and pulling up you you

  • 2:42:59

    can't can't do that [ __ ] at Sonics [ __ ] yeah you can't do Sonics that's what I was thinking about you can't do that you

  • 2:43:04

    can't do that I you got to beat off over there you got to you got to watch yeah

  • 2:43:10

    you got to be isolated no but when they start getting good you ain't checking the mirror fix yourself oh my what are you

  • 2:43:18

    talking about this [ __ ] had no pants on see that's the problem too when you beat in the car you just got to scoot them

  • 2:43:24

    down you can't be pantsless right you got listening to Y down hey the car seat

  • 2:43:31

    that leather seat get cold but get your [ __ ] off pull them up back up be on

  • 2:43:36

    point be on point and go on about your business I don't know who needs to hear all of that but money ped up with NOS

  • 2:43:44

    y'all [ __ ] is fre bab giving jerk off 101 in the car I'm done I'm done I just

  • 2:43:49

    listen if people going to take their lives behind this then we could speak to it yeah that's it rest in peace to

  • 2:43:56

    homeboy um I'm praying for his family for his mom his mom's came out she she's

  • 2:44:03

    actually trying she's blaming the girl that recorded it I disagree with that I

  • 2:44:09

    disagree too I I disagree as well mhm she just cuz he was going around they was getting called she wasn't the girl

  • 2:44:16

    she was the manager of the spot and your son might have traumatized this girl Jing off in front of her with but if

  • 2:44:21

    it's just a girl then maybe you make a case of somebody just coming up to you and table oh my God who's this girl

  • 2:44:27

    she's the manager of this place and she sees a car out here suspicious it's my

  • 2:44:32

    job to walk over there hey dog did you order something can I help you why oh [ __ ] you getting your [ __ ] off no that's

  • 2:44:38

    not they've been getting calls of this car going around doing it they got a call so that's why she said you been

  • 2:44:44

    here before yeah and then she got them yeah you've been going around doing this and now we got you my [ __ ] who's just

  • 2:44:51

    driving around with no pants on that's not ey [ __ ] had must what kind

  • 2:44:58

    of car he had too must it was a Mustang Y what kind of car was it on the leather I don't know I was pocket I wasn't

  • 2:45:04

    pocket watching that matters no it it wasn't no it wasn't CH was it a charger I thought I thought it was a challenger

  • 2:45:10

    or Camaro one of them it looked like one of them y'all better get 42 Doug his Hellcat back yeah yeah hey yo my [ __ ]

  • 2:45:16

    if I get if I get a Ferrari like you I might be I might look I might be riding around in some boxes yo I ain't

  • 2:45:23

    going to hold you you have tents or you just y I might be riding around you fish bowling huh you fish

  • 2:45:31

    bowling yo you the you fish bowling I'm just saying bow what's that no t no t no

  • 2:45:37

    tents of course I ain't buying no tents [ __ ] so if you jerk off then you going to let them see I'm not jerking off in my car when she get when she get in the

  • 2:45:44

    car heyo is you know what I mean I'm starting to think about I'm St through the little box Hole by mistake on

  • 2:45:51

    purpose he a freak you move he nasty son this nigga's

  • 2:45:58

    nasty I think you do that other [ __ ] I got we got really good sleepers lined up for y'all oh [ __ ] before we get to

  • 2:46:04

    sleepers I have I have one question for ish it's my only question I'm not arguing I'm not beefing

  • 2:46:11

    shoot when the when the uh pandemic and [ __ ] was going on you didn't get a PPP

  • 2:46:17

    loan for a different company you couldn't get PP loans for Real

  • 2:46:25

    Estate but you did get a p loan I did okay but you couldn't get PP loans

  • 2:46:30

    as landlords for Real Estate purposes PP loans I read something that said y' I

  • 2:46:37

    got some little landlord Kickback I wanted to come in here and read it to you I won't cuz you a landlord yeah well

  • 2:46:43

    I'm a landlord I mean I've been getting these shits all the overwhelming majority cuz they've been going crazy on

  • 2:46:49

    Twitter the overwhelming majority is yo you're right and then other people that challenged me behind closed doors they I

  • 2:46:55

    tapped them out and they said yo you're right I'll Stand the biggest point to contention I saw with your argument was

  • 2:47:02

    uh that the uh that money that you was talking about that wasn't theti was not

  • 2:47:08

    for the entire year one the second was that the yeah they dropped it to 400 in

  • 2:47:13

    some state from some places and 300 in other Jersey stopped in July of that year kicked it them 300 instead of six

  • 2:47:21

    uh they brought up the median income in New Jersey which was high that was the real beef of what you were saying what

  • 2:47:27

    what I saw people say you were making it sound like there was this overwhelming group that were paid more than what they

  • 2:47:33

    were making during the time and they were saying you should isolate the median income in New Jersey Which is

  • 2:47:38

    higher so these people were struggling y Yad y I don't bother I don't care to get back into no but again I was I was

  • 2:47:45

    speaking generally so when you speak generally people in New York make more money than people in Ohio you understand

  • 2:47:52

    what I'm saying but overall nationally landlords were affected so I didn't want to say yo in New Jersey yeah we have a

  • 2:47:58

    higher cost and standard of living but that also means that landlords have higher mortgages right and and so the

  • 2:48:06

    landlord's cost of living is high too when when when eggs got high [ __ ] eggs

  • 2:48:11

    was high they high for the landlord they still are high they still are high you right when gas is high pop just pulled

  • 2:48:17

    me to the side and said Joey I told your mother the eggs I buy cost $18 17 I buy

  • 2:48:24

    the The Duel the 12 and 12 and it's a class of eggs don't it's a different

  • 2:48:30

    level of eggs that [ __ ] time lose that time [ __ ]

  • 2:48:35

    [ __ ] you got get old you got to get old enough to have the tough talks with your parents depending on how we signed up

  • 2:48:40

    for it they just put the click the cancel [ __ ] into effect finally meaning like people that sign up for gyms uh

  • 2:48:46

    Planet Fitness all that type of [ __ ] but you know how it was hard to now sign you juston Fant

  • 2:48:55

    that's cuz they was holding [ __ ] to membership like that's crazy you got to call a number and do some free oh no

  • 2:49:01

    [ __ ] and [ __ ] will be like nah well what that happened was you ain't read that far print at the bottom sorry y

  • 2:49:08

    it's my DJ skill [ __ ] getting [ __ ] up out here now you getting better at I don't know what y'all are doing Monday

  • 2:49:14

    night me and Cory been talking about let's go hit that new ball in alley up there there one Monday night I'm with it

  • 2:49:20

    theall now yep freeze I'm with it [ __ ] it

  • 2:49:25

    yeah when y'all say it like that it seem like I'm forced y'all to hang out no no no yeah but then the audience you mean

  • 2:49:31

    [ __ ] them we know what it is [ __ ] I'm with it I never been there I just be driving right dash told me it's fire

  • 2:49:36

    Dash should be going they said it's fire oh if Dash going Dash taste is typically my taste too shout out to dash shout out

  • 2:49:42

    to him CL classy gentleman and live right there by my son's school so he' be letting me use a driveway sh the dash

  • 2:49:50

    what transactional are we going to talk about on patreon yeah or you going to run and cower who you I don't even

  • 2:49:57

    know Joe you just asking I'm not trying to be funny asking if my man answer you are you going to acknowledge the fact

  • 2:50:02

    that you have that effect on people that you have that effect that you become friends with [ __ ] and you don't value the friendship as much admitted that I

  • 2:50:09

    didn't know that I didn't know that you don't value friendships as much as [ __ ] to value at all but you value

  • 2:50:15

    family at all family is the only one that get a pass my real friends is my

  • 2:50:21

    family tricks right get that [ __ ] I'm not trying to be funny my friends that are friends yo I know him for how many years

  • 2:50:28

    you know he can Shady sometimes uh I know him for a whole lot of years I know him for a lot of years him for a lot of years him for a lot of years you you

  • 2:50:34

    clock 15 or more with me and we on the other side Still Standing we survive some [ __ ] you family you family now but

  • 2:50:41

    you if you fall out you'll still have some [ __ ] to say that would downplay it though no not true I ain't say nothing

  • 2:50:46

    about is when we fell out I don't say nothing about about I try not to talk about people

  • 2:50:52

    after we out I I ain't trying to diminish you yo if you were a part of my history in any type of way I do

  • 2:50:59

    appreciate it I'll show that respect and I speak about it me I'm not saying everybody got to do that but yeah my

  • 2:51:05

    real friends is family my mom call free hey the C it's something happened St can

  • 2:51:12

    you come hey dadar my iPod won't take all the OJ's music that I got

  • 2:51:19

    that yeah my friends yeah yeah but friends what's a [ __ ]

  • 2:51:25

    friend a lot of people get hurt by that though it's a track record a lot of people when they come out yo I realize

  • 2:51:31

    later on or in the business transaction we never get closure I don't give closure I don't I don't I don't believe

  • 2:51:37

    that you need somebody else to get closure too though not just that most people age with that don't cond you agree with him with that most people

  • 2:51:42

    don't conduct business do you agree that you don't believe that you need to get you don't need somebody else to get the closure that you need it depends on the

  • 2:51:48

    circum a lot of times [ __ ] will step you carted anyway look a lot of times [ __ ] will step over a line where I'm

  • 2:51:54

    never going to speak to you again in my life so I it can never return how was that's the closure when you see me in

  • 2:52:00

    the street and I look like I ain't see you that that should be your closure or you know what you did so what if they

  • 2:52:06

    apologize or try to I don't need some sh you can't apologize some [ __ ] is unapologize I agree with that keep your

  • 2:52:13

    apology I don't even need that you're apologizing for you I don't want your apology even even if you're not

  • 2:52:19

    apologizing for you even if you mean it I know that you have the ability to

  • 2:52:24

    behave this way with people that you love I'm good I think humans All Humans I believe to be pieces of [ __ ] we can we

  • 2:52:30

    all adapt we can all get Shady if we need to but when you get Shady with somebody that you love like was there

  • 2:52:36

    for you I know the audience got a blast Joe you're the shadiest [ __ ] in the world that's not true I just once it's over I don't speak to why it's over

  • 2:52:43

    how it's over how I felt about it how you hurt me it's over does it give you you s sort of like a not I want to say

  • 2:52:50

    thrill but no I don't get any thrill so what I'm saying is that I be I be hurt more than anything when say sentence cuz

  • 2:52:57

    I think I know where you're going but this give you a thrill that people mess up with you and then end up regretting

  • 2:53:02

    it later and then they talk about yo the only thing that they use is that I don't think Joe valued his friendship as much

  • 2:53:09

    as we did or I did uh sometimes oh than sometimes thank you that's [ __ ] up to

  • 2:53:15

    me but I like it no it's not no no meaning why people cross you right people will cross you we got talk about

  • 2:53:21

    on patreon but yeah we are people will cross you right and the only reason that they really feel regretful because you

  • 2:53:28

    ascended now you getting the mud in your face because I'm up if I was still down you'll still be cool your decision I

  • 2:53:35

    know I know that I I don't know there been people that's lower than me that I felt bad being around people being

  • 2:53:42

    around friends and they and they point they they may tell a story you cross them and I might have crossed them and I

  • 2:53:48

    go home and think about it and like oh [ __ ] you didn't realize how much value they added to your life how much value or I might have took advantage of a

  • 2:53:54

    situation I've been on this journey of correcting advantages that I made my you have been that's gross you know what I'm

  • 2:53:59

    saying so I and I thank y'all yeah but even in that you got to live with the loss of a good friend if they on the

  • 2:54:05

    other side of yo you did some [ __ ] that there's no coming back from lost a good person they don't have to accept it's

  • 2:54:11

    hard to accept that because you would try to apologize I Chang you want to show them I change let me show you and

  • 2:54:17

    then you start to think because if you then you start to trick yourself and manipulate yourself to get mad all over again okay you never really value me cuz

  • 2:54:24

    my apology isn't valueable to you so talk about on patreon cuz this [ __ ]

  • 2:54:30

    cold blooded this [ __ ] ice [ __ ] Silver Surfer [ __ ] he N N I

  • 2:54:36

    don't think that [ __ ] what I think that [ __ ] the way this [ __ ] my man I'm trying to you think I'm a good guy no

  • 2:54:42

    I'll be looking at there like he a sucker see that I think you a good guy no you're a sucker sometimes like me dog

  • 2:54:49

    not you talking about me he said it twice go no when you no when somebody do certain [ __ ] to you my [ __ ] yeah we

  • 2:54:54

    could go to patreon I ain't with that but he needs to he don't say it though so he let you that's a [ __ ] trick

  • 2:55:01

    it's like some [ __ ] maze it's not my fault I feel like Joe is a good stock to

  • 2:55:06

    have that's how I view myself [ __ ] oh that Bitcoin if if you if you in it for

  • 2:55:11

    if you in it for the wrong if you in it for the wrong reasons I say Joe is a good stock to

  • 2:55:17

    have that [ __ ] going up up I always felt like that how many Bitcoins you if you're not in it um [ __ ]

  • 2:55:22

    I don't know I told you what I made already pocket white I told you I three three x whatever it was no it was more

  • 2:55:28

    than three n it was three or four five or six who count I had to account for it

  • 2:55:33

    in my estate plan it's that much yeah but if you're not in it for

  • 2:55:40

    the wrong reasons then there's no reason for any of this to ever come up we just friends

  • 2:55:47

    um all right

  • 2:55:52

    man biggie I don't give a [ __ ] what y'all

  • 2:55:58

    got to say out there this guy will be missed and that's

  • 2:56:04

    why I be hating when [ __ ] like yo he only make bubble gum pop that [ __ ] a now this [ __ ] this [ __ ] this man will be

  • 2:56:11

    missed I don't like to fall off I don't like how the breakup is going between my

  • 2:56:17

    love for for him and his catalog I don't love it but this man right here yo it's one of

  • 2:56:24

    the best times in music in your lives in your entire

  • 2:56:30

    lives listen man yeah I missed a [ __ ] that was getting hurt dubbed played

  • 2:56:37

    that's why he did what he violated that's why he that's why he [ __ ] everybody girl yep that's why you [ __ ] everybody

  • 2:56:44

    girl but you did that to me I want to talk about that I do you lose them how you get them how you come in is how you

  • 2:56:50

    go out [ __ ] don't want to talk about that I love you say you bed out something's

  • 2:56:56

    wrong with you I may be I may be I got some wild ideologies but this one hurts man this had to be

  • 2:57:04

    somebody but before somebody in your life that might have and when you went up you might have shot at the back Jay-Z

  • 2:57:11

    over Drake the versus Jay-Z over everybody to me Jay-Z over everybody to me it's a hor

  • 2:57:17

    look how Jay you got Jake B and J to say Kanye

  • 2:57:22

    West I mean I think H might have a hard time with Kanye just because his producer bag

  • 2:57:28

    he's got so much of his great like JayZ has a very j a hard time very hard 20

  • 2:57:34

    songs anybody in the world has a hard time with this boy that pin bag it's over everybody has a hard time who

  • 2:57:41

    everybody it's no winning well who I am in my spirit and soul would never let me

  • 2:57:46

    say that everybody has a hard time with him but cuz it's going to be it's going to be about what people's personal

  • 2:57:53

    preferences are at that point song match up you know what I'm saying it's about the your preferences at that point oh this [ __ ] is great Drake man

  • 2:58:02

    this boy is good boy yo keep us in your prayers Lord knows we need to be there keep him in your prayers too fall off is

  • 2:58:09

    horrible until then I bid you a do fwell adio Sera dery AA Vista arvo so long

  • 2:58:16

    goodbye with simple head no suffice hopefully you've enjoyed this broadcast as much as we enjoyed delivering it to

  • 2:58:22

    you remember that life is a series of moments and this was a long moment and

  • 2:58:29

    moments pass so let's make this one last as if it's all we

  • 2:58:34

    have last but certainly not least the baddies are insecure the stagnant women

  • 2:58:39

    want to travel the closed-minded women want you to teach them things she ain't got ass she's just

  • 2:58:45

    sitting on the countertop have you with Tylenol you might need

  • 2:58:51

    it what say by's weekend plans talk to me talk to me talk to me

  • 2:58:57

    work put things together some family [ __ ] family [ __ ] all right family [ __ ] we got work [ __ ] big Mel staying in town

  • 2:59:03

    huh uh-huh is some working [ __ ] some house [ __ ] I thought you going out of town man I'm not going out of town no no

  • 2:59:10

    she here mhm love will be keep sneak I'm not sneaking around

  • 2:59:18

    sneak yo man would you take the Am track this this this point in your life I'm just would you take the Am track yeah oh

  • 2:59:25

    I'm saying am goat [ __ ] yo everybody enjoyed their weekend stay safe head on a swivel at

  • 2:59:33

    all times at all times we will be back same time same place next week yo my man

  • 2:59:40

    my man worked for uh Am track speaking of excel listen this is amazing bro no

  • 2:59:46

    keep it look [ __ ] on a aell train going from New York to DC [ __ ] gets on a

  • 2:59:52

    train looking weird like they said he was mad suspicious they kept asking him for his

  • 2:59:57

    ticket for his ticket for his ticket he ain't give nobody a ticket they stopped they ain't stopped they made a detour to

  • 3:00:03

    a seller in Philly the cops came the [ __ ] had a bag of guns this big on the sell train when was this just recently

  • 3:00:12

    yeah last week your man my man works for air and he on a seller and they going to

  • 3:00:18

    D so your man wasn't a [ __ ] that got locked up no no my man works for amtr they said yo luckily the the the

  • 3:00:25

    conductor took it upon his own discretion to get off in um Philly they

  • 3:00:31

    don't know what would have happened but they caught this [ __ ] I got the pcture the guns a bag of guns three hand guns

  • 3:00:36

    two rifles I got the back I got the picture in my phone that's crazy that's crazy so keep your head on the swivel

  • 3:00:42

    when you bought up the Amtrak it was like I B up shout out to your manit is crazy a ticket first class ticket joint

  • 3:00:49

    again head on a swivel at all times we praying for the people inside and outside of these rooms we praying for

  • 3:00:56

    the homeless we praying for the sick both physically and mentally all of y'all are in my prayers man let's do our

  • 3:01:02

    best to get back here next week same time same place we've enjoyed this hopefully y'all have enjoyed it as

  • 3:01:09

    well we going man I don't know what I'm getting into this weekend I got to see shout out to the [ __ ] that just

  • 3:01:16

    go with the Wind Blows uh I'm just going with the flow it's going with the vibe of the

  • 3:01:23

    night Vibe of the night going to get you cracked like some crab

  • 3:01:29

    legs going to the Nicks game probably go get some Garden glizzies hey I love a

  • 3:01:35

    garden Gizzy with the little Seafood what you want me to do man go home watch a little hot dog is isra

  • 3:01:44

    Savage c crab crab C that's CRA that's even worse crab oh I don't think that crab tastes great with the

  • 3:01:50

    Gizzy whatever if he on it no [ __ ] I'm not you might no the seafood spot is

  • 3:01:56

    next to the Gizzy spot a surf and turf in the garden you do a surfing Turf I thought it was crab meat in the Gizzy

  • 3:02:04

    [ __ ] Mel get Tupperware shut the [ __ ] up that's what you need to go do this weekend when your birthday oh we don't

  • 3:02:10

    know November we don't want to know big mail 52 I mean [ __ ] off 50 50 the big

  • 3:02:17

    not how 49 yes [ __ ] you close you going to be 49 you will sneeze at

  • 3:02:22

    50 y wor under okay y'all can you just can we throw you a 50th birthday party I'm

  • 3:02:29

    talking about me actually yes exactly but we not inviting we not invting none of your friends we going invite our own

  • 3:02:34

    friend you know who we inviting oh man it's the

  • 3:02:41

    Sketchers blank do Carter turn rapper in Father da

  • 3:02:48

    hey sketches

  • 3:02:53

    terrible more terrible might be a [Laughter]

  • 3:03:01

    one I heard peep about Mandy out of you since she moved to [ __ ] Mississippi you've never heard of people about Mand

  • 3:03:07

    out of me she moved I don't know I'm just talking [ __ ] stop doing that to the girl you getting in now nowadays oh [ __ ]

  • 3:03:14

    getting in what anywhere anywhere you want to go oh same way I got him for the last 48 years parking on the sidewalk

  • 3:03:21

    [ __ ] [ __ ] you talking about you can't park on the sidewalk

  • 3:03:33

    stupid would you be without the jbp no

  • 3:03:41

    [Music]