Streets Need A Body
Joe Budden Podcast Episode 878, “Streets Need A Body,” released November 17, 2025. The latest release from the JBP starts with the wave of apologies after the internet continues to resurface old tweets (15:35). In new music, the room shares their thoughts on Summer Walker’s new album ‘Finally Over It’ (33:23), Wale’s new project ‘everything is a lot.’ (49:28), along with new records from Meek Mill (57:05) and Jeezy (1:01:25). The crew then has a debate following appearances at Max B’s welcome home party (1:13:35), Kevin Gates responds to criticism of the age gap in his relationship (1:33:12), and the sports media’s portrayal of Mavs guard Klay Thompson (1:48:36). Also, Target has a new 10-4 policy (2:06:53), **spoiler alert** Joe shares his thoughts on the show ‘All Her Fault’ (2:48:15), and much more! Full transcript and searchable timestamps below.

In this episode
- 15:35The latest release from the JBP starts with the wave of apologies after the internet continues to resurface ol…
- 33:23In new music, the room shares their thoughts on Summer Walker’s new album ‘Finally Over It’
- 49:28Wale’s new project ‘everything is a lot.’
- 57:05Along with new records from Meek Mill
- 1:01:25Jeezy
- 1:13:35The crew then has a debate following appearances at Max B’s welcome home party
- 1:33:12Kevin Gates responds to criticism of the age gap in his relationship
- 1:48:36The sports media’s portrayal of Mavs guard Klay Thompson
- 2:06:53Target has a new 10-4 policy
- 2:48:15**spoiler alert** Joe shares his thoughts on the show ‘All Her Fault’
Joe Budden Podcast Ep. 878 Transcript
Full transcript of Streets Need A Body (58:54 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
only. I repeat, it is not serious. It is
- 0:09
not real. No one is exposing, revealing,
- 0:13
indicting or telling you anything about
- 0:14
themselves. Also, we do not encourage
- 0:16
you to try this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:31
Microphone check. What is this
- 0:36
JB? Back to business
- 0:41
right now. We should start the show.
- 0:45
>> Oh, you don't do the whole reenactment
- 0:46
thing.
- 0:47
>> Hey, Barts.
- 0:48
>> Oh, hey, Mona. How are you?
- 0:49
>> I'm fine. How are you?
- 0:50
>> I'm wonderful.
- 0:50
>> It's always nice to see you.
- 0:52
>> Likewise. You look great.
- 0:53
>> Thank you.
- 0:53
>> You're welcome. You all right with your
- 0:55
your tweets is cool. I think so. Did you
- 0:58
check?
- 0:58
>> They tried to get you this morning.
- 1:00
>> They did?
- 1:00
>> Yeah. I mean, they tried. They tried
- 1:02
>> for real.
- 1:03
>> Yeah. It didn't work. It didn't work. It
- 1:05
didn't It didn't take
- 1:06
>> They can't get us. No,
- 1:07
>> I got your back.
- 1:08
>> We put Grim right on the stand. Get him.
- 1:12
>> Y'all talking about What's up?
- 1:14
>> What's up? What's popping? What's
- 1:16
>> up? What up? What up? What up in here?
- 1:19
>> Yeah. Wake it up. F. All right, Mona. I
- 1:21
see you now. You're looking good.
- 1:22
>> These be talking [ __ ] about my outfits.
- 1:25
I see those comments
- 1:26
>> and I picked I'm talking about you.
- 1:32
>> Oh, me
- 1:34
>> you are.
- 1:35
>> No, that one Angelina Jolie outfit that
- 1:38
that that was the one that the Angelina
- 1:41
>> I think I look cute that day.
- 1:42
>> The one where she was going to M
- 1:44
wrestling or some
- 1:46
>> white. I don't know what she was doing.
- 1:48
>> Oh, that was last week, right?
- 1:50
>> Yeah.
- 1:51
>> Like the cargo short with the boot with
- 1:53
the knee.
- 1:54
>> Ah. The fans didn't don't keep saying
- 1:56
me. The fans
- 1:57
>> I didn't read that [ __ ]
- 1:59
>> That comment section got a little scary
- 2:01
and I don't go in it no more. I find
- 2:03
this to my guy here Ice. I got the [ __ ]
- 2:05
about that.
- 2:05
>> That's good.
- 2:06
>> After my 10th death threat. I was like
- 2:08
I'm done with this.
- 2:09
>> Yeah. Know that's smart.
- 2:10
>> You feel me? After my 10th inbox meet me
- 2:12
in Patter, I let it go.
- 2:15
>> Shut Patterson.
- 2:16
>> That [ __ ] I mean it's like everybody
- 2:17
here do a different I be want to fight.
- 2:18
I ain't going to lie. Like people go too
- 2:20
far with the [ __ ] they say.
- 2:21
>> Yeah, that's what I'm hearing. be want
- 2:23
to punch the screen right.
- 2:24
>> No, I want to meet up at a target and
- 2:26
punch you.
- 2:29
>> Sally, you
- 2:30
>> or Gap.
- 2:31
>> Or G.
- 2:32
>> We got to go in first. I like G. I don't
- 2:34
know if you're being funny, but I like
- 2:35
to
- 2:35
>> I'm not being funny.
- 2:36
>> Do you wear gap?
- 2:37
>> Huh? No.
- 2:39
>> You wouldn't wear gap.
- 2:40
>> I didn't Now you just changed the
- 2:41
question. I didn't say I wouldn't wear
- 2:43
G.
- 2:43
>> Same answer though.
- 2:44
>> I don't
- 2:49
stop cuz I don't like when y'all paint
- 2:50
me like that. I would wear it. I make
- 2:52
faces. I don't wear I go in baby gap.
- 2:54
>> I have a goal. Everybody,
- 2:56
>> how about my son gap?
- 2:58
>> No, we somehow I still don't never see
- 2:59
that on
- 3:01
baby.
- 3:01
>> That's another conversation. Gap is the
- 3:04
gap I give my kid is like
- 3:07
chrome hearts compared to mother. This
- 3:10
mother
- 3:12
this mother I feel like she trying to
- 3:14
out cheat me.
- 3:16
>> How what?
- 3:17
>> Like out cheap me like I found the deal.
- 3:21
I got the deal. 100 hoodies for
- 3:24
whatever. Here you come with some
- 3:29
silk shirt and silk shirt and
- 3:32
>> winter time. Like, oh [ __ ]
- 3:34
>> that's that's that boy's culture. Or did
- 3:36
you ever play the game where you drop
- 3:38
the baby off back with the she sent him
- 3:40
in cuz you don't ever see the costume
- 3:42
>> the game?
- 3:43
>> Yeah.
- 3:43
>> Yeah, that's that's
- 3:45
>> Yeah, that's it.
- 3:46
>> I've never participated in that.
- 3:47
>> Oh, no. I watched the outfit. She come
- 3:48
in and day one. It's folded and ready.
- 3:50
>> Oh, you washing. I send it back dirtier.
- 3:54
>> Spaghetti sauce.
- 3:55
>> I want my child to look cute all the
- 3:57
time. I don't give a So, I'm sending
- 3:59
this [ __ ] I want my child in there, you
- 4:01
know.
- 4:01
>> No, that's that's piece.
- 4:02
>> Yeah. No, you going back in this.
- 4:05
>> I want I buy I want
- 4:06
>> underwear, socks, the everything. I buy
- 4:09
I want to see on my child.
- 4:11
>> So, it don't matter if I keep sending
- 4:13
you back in the [ __ ] if you don't never
- 4:15
come back in the [ __ ]
- 4:16
>> That's the problem. They don't return in
- 4:17
it.
- 4:18
>> Yeah.
- 4:20
And the fit looked different when I put
- 4:22
it together.
- 4:23
>> That's what all dads say.
- 4:25
>> I think that I think there's a little
- 4:26
bit of truth to that. The way dad's
- 4:27
dressed the kid and how mom dressed the
- 4:29
kid is going to be
- 4:30
>> I think it's a boy thing, though. I
- 4:31
think dad dress the boys nice. I think
- 4:33
dad's like Yeah,
- 4:35
>> she be having my daughter look fly.
- 4:36
>> Yeah, that's what I think it's
- 4:38
>> Well, maybe that's true with girls.
- 4:38
>> Yeah, it's girls.
- 4:39
>> Also, y'all, it's way easier to find
- 4:42
baby um girl stuff than boy. You know
- 4:46
what I mean? It's cheaper. It's easier.
- 4:47
Boy, you got to do a little more effort
- 4:48
in. Put a little more effort in. You
- 4:50
talking about I don't know. All them
- 4:52
children, you know.
- 4:52
>> We just They wear uniforms.
- 4:55
You the main one.
- 4:56
>> Oh, they wear uniforms.
- 4:57
>> They wear uniforms.
- 4:58
>> Oh, okay.
- 4:59
>> So, it's just getting money. Them
- 5:00
children in private school.
- 5:02
>> They love them kids.
- 5:05
Private school. Yeah.
- 5:06
>> Yeah. Be all surprised.
- 5:09
>> He's assuring his future.
- 5:12
>> He doing well. Ice doing well. Damn, we
- 5:15
were talking about
- 5:16
>> my kids stay in the boys and girls club
- 5:17
till 8 o'clock at night.
- 5:21
>> Pick them up sometimes.
- 5:26
>> Yeah, they ain't g no peanut butter
- 5:27
jelly.
- 5:27
>> Since you ate spaghetti 8:00
- 5:32
eat spaghetti for a month.
- 5:37
>> Yo, like black people hate spaghetti
- 5:39
because of that. Like our moms tortured
- 5:41
us with spaghetti. Y'all [ __ ] some
- 5:42
spaghetti.
- 5:42
>> Who ate spaghetti?
- 5:44
>> Y'all never was tired of spaghetti?
- 5:45
>> Hell no.
- 5:46
>> You had some spaghetti right now?
- 5:47
>> Tired of spaghetti? You can't be
- 5:48
>> So your mom didn't make y'all eat
- 5:50
spaghetti every day for a week then?
- 5:52
>> Definitely.
- 5:52
>> Oh, no. We ate it.
- 5:52
>> Oh, then y'all was rich.
- 5:54
>> But I ain't never tired of it either. It
- 5:56
was the same. It was the same pot. Yo yo
- 5:58
spaghetti.
- 5:59
>> What spaghetti though,
- 6:00
>> huh?
- 6:00
>> Just the noodles with the sauce.
- 6:02
>> You meat sauce. Come on, bro. I look
- 6:05
like a Italian. I don't call it gravy,
- 6:07
baby. I put sugar, ground beef, and
- 6:09
green pepper onion. You wasn't broke
- 6:11
then.
- 6:12
>> Stop.
- 6:12
>> We still ain't get that food. You
- 6:14
promise you broke. What's your point?
- 6:15
Got a point.
- 6:16
>> Listen, first of all, happy birthday,
- 6:19
Shade.
- 6:20
>> That's true. Most importantly, my
- 6:21
birthday. That's a good save. That was
- 6:23
good. That was good. That was good.
- 6:24
>> She had that to talk to.
- 6:26
>> Yeah, she did. This girl was good.
- 6:27
>> Yeah, she's good.
- 6:28
>> Listen, I ain't new to this.
- 6:30
>> Used to this and true to this? I
- 6:33
>> with your Yan on.
- 6:34
>> Thank you.
- 6:36
>> You want to pet it?
- 6:37
>> Yeah. No,
- 6:38
>> I'm good.
- 6:38
>> Touch it. It's a box, right? It's a fox,
- 6:41
right?
- 6:42
>> It's a fox.
- 6:45
>> No, it's a fox.
- 6:46
>> Shout out to my girl.
- 6:48
>> Well, we do have to start.
- 6:49
>> Do we?
- 6:50
>> Little Rottw wallers.
- 6:51
>> We do have to start
- 6:54
a record show. That was him.
- 6:56
>> That wasn't me. That wasn't me.
- 7:00
>> It's all in good fun, guys.
- 7:05
>> But a house is not a home.
- 7:07
>> Why would I stay at a friend's house for
- 7:09
any reason? I don't stay at people's
- 7:10
houses if they invite me on vacation.
- 7:13
Why would you stay at a friend's house
- 7:15
when if you can afford a hotel? Why
- 7:17
would you put yourself through that?
- 7:19
Just being up at night wondering like,
- 7:21
can I use this towel?
- 7:24
>> Why would you do that?
- 7:26
>> Got a point.
- 7:27
>> And then you wake up and they're all
- 7:28
downstairs. We made breakfast. You want
- 7:30
a pancake? I'm like, no, I don't want a
- 7:33
pancake. I want a hotel. Is there a
- 7:35
hotel around here? I don't want to be
- 7:37
rude, but I just need my space. And I
- 7:39
jerked off in that towel upstairs.
- 7:53
Keep this applause going for the best
- 7:54
crew in the universe.
- 7:57
>> Let me get these drops out the way.
- 7:58
Y'all know what the [ __ ] time it is.
- 8:01
>> Y'all know who we be. Y'all know what we
- 8:03
here to do. What's that?
- 8:05
>> It's been over decades. Stop playing
- 8:07
with [ __ ]
- 8:09
>> Always for the ladies. Always for the
- 8:12
ladies.
- 8:13
>> Who is that? Who is that? Who is that?
- 8:14
Who is that? Who is that? Who is that?
- 8:15
Who is that? Who is that?
- 8:20
>> And
- 8:22
Mona. Mona. Mona. Big Mona. Mike Shack.
- 8:26
What episode is this?
- 8:27
>> 878.
- 8:28
>> Uh-uh. 878 was yours?
- 8:30
>> Yep. Welcome to episode 878 of the Joe
- 8:33
Button podcast brought to you by fueled
- 8:36
by powered by Prize Fix Price Fish Gang.
- 8:39
I'm your humble, gracious, grateful,
- 8:41
really happy to be here. Host here with
- 8:42
the best crew in the world. To my right,
- 8:44
Big Mona Philly in the building. You
- 8:46
know the vibes. How you doing, Mona?
- 8:48
>> I'm great.
- 8:49
>> Good. Happy to have you. Next to her,
- 8:50
our good brother, Dr. Dark Lamont Hill,
- 8:52
in the building. Uh, did you sleep? You
- 8:55
up?
- 8:56
>> Yeah. Yeah, I got a little upset
- 8:57
stomach, but other than that,
- 8:59
>> I used like four public bathrooms as a
- 9:01
[ __ ]
- 9:01
>> Oh, we don't want to hear about that
- 9:03
kind of upset stomach.
- 9:04
>> Trying to tell you, man.
- 9:05
>> Yo, you you thought the need to tell
- 9:07
[ __ ] that. Why?
- 9:07
>> Cuz that's how I was doing.
- 9:08
>> Do you say how your guts do
- 9:10
>> how your butts do?
- 9:12
>> No, that's how you're doing. Four public
- 9:14
bathrooms.
- 9:15
>> I I looked in I went to four to like
- 9:17
find a good that one that was
- 9:18
acceptable.
- 9:19
>> Cat.
- 9:20
>> No, I did
- 9:20
>> [ __ ] in four of them.
- 9:21
>> No, that's how you presented it.
- 9:22
>> I'm willing to.
- 9:23
>> It wasn't that serious.
- 9:24
>> And your [ __ ] wasn't that serious?
- 9:25
>> No. Well, it got that serious. I ended
- 9:27
up having to go into a a nursing home.
- 9:29
>> Huh.
- 9:30
>> This is getting crazy.
- 9:31
>> Yeah. And some work.
- 9:33
>> Yeah, it should be. I went in there.
- 9:35
Shout out to
- 9:35
>> I so confused.
- 9:36
>> Yo, my my
- 9:39
really got the card.
- 9:40
>> Well, cuz I told him I was going to take
- 9:41
my mother to the
- 9:42
>> Margaret is in here.
- 9:43
>> Wait, wait, wait, wait.
- 9:44
>> All right. Y'all have to let him talk.
- 9:45
>> Yeah. Yeah. Well, cuz I got to this last
- 9:47
bathroom cuz I went to the 7-Eleven and
- 9:49
I was like, "This is just I'm not I'm
- 9:50
not sitting on this. I can't do this."
- 9:52
>> Oh, that [ __ ] wasn't that bad.
- 9:53
>> Yover.
- 9:53
>> No. No. There was like crack on the
- 9:54
floor. It was like it was like crazy. So
- 9:56
then I finally
- 9:57
>> even better
- 9:57
>> and I was driving out trying to I was
- 9:59
trying to make it home. Then the beat
- 10:01
was about to drop. So I was like, "Let
- 10:02
me go.
- 10:03
>> Let me go to somewhere." And then I
- 10:05
drove past Sunrise Senior Living and I
- 10:07
walked in and they were looking at me
- 10:08
like I was a crack addict. I think cuz I
- 10:10
was at this point I was sweating and I
- 10:11
was, you know, I dressed like somebody
- 10:12
who's homeless sometimes. And I walked
- 10:14
in and they were looking at me crazy and
- 10:15
I said, "I'm just trying to take my
- 10:16
mother into a nursing home." And so I,
- 10:18
you know, they gave me a little speech.
- 10:19
They talked me walked me around a little
- 10:21
bit. Thank God.
- 10:21
>> Oh, it was not that bad. had to [ __ ]
- 10:23
that bad.
- 10:24
>> And then I had to in the middle thing I
- 10:25
said, "I'm sorry, can I use a bathroom?"
- 10:26
And I stayed in there for like 20
- 10:27
minutes.
- 10:28
>> Okay.
- 10:28
>> Yeah.
- 10:28
>> It still wasn't that bad.
- 10:29
>> Mark, you did all of that to use a
- 10:31
public restroom to take a [ __ ] I
- 10:33
>> I was still 25 minutes from my house and
- 10:35
I was about 35 minutes from here.
- 10:36
>> I have a question. You give me raw ass
- 10:39
on seat. Do you line it?
- 10:41
>> Um,
- 10:42
>> is that too much? We talking about a
- 10:44
great question.
- 10:44
>> No, it's the right question.
- 10:46
>> You give me raw ass on seat. Well, cuz
- 10:48
when she first heard it, I heard that
- 10:49
different and I was I was
- 10:51
>> You give me your raw ass on the seat
- 10:52
with nothing.
- 10:53
>> I would never. I'm a squatter.
- 10:55
>> Okay. D with the poop.
- 10:57
>> Well, I've learned my lesson from that.
- 10:59
>> You got good knees.
- 11:00
>> Yeah. So,
- 11:01
>> squatting while [ __ ]
- 11:02
>> But, but in the living room,
- 11:03
>> squatter like you find homes
- 11:06
>> that are empty and you try.
- 11:08
>> No, cuz sometimes they don't have the
- 11:10
paper.
- 11:11
>> You got to just use the toilet paper.
- 11:12
Doctor it up.
- 11:13
>> I was afraid you meant that. You know,
- 11:14
you know the kind But sometime the paper
- 11:16
kind you got to take one sheet at a
- 11:17
time.
- 11:18
>> That's true.
- 11:18
>> So I just squat. But today
- 11:20
>> they had night it was a nursing home so
- 11:22
they were super clean. Nice. Again,
- 11:23
shout out to Sunrise. Man,
- 11:24
>> you put bare ass on the nursing home
- 11:25
seat.
- 11:25
>> No, no, no. They had they had liners.
- 11:27
They had liners. And I'll call him
- 11:29
tomorrow and tell them I'm not really
- 11:30
bringing my mother in on Sunday.
- 11:31
>> Squatting requires a shower after
- 11:34
>> the doodoo splash. But let's It's true.
- 11:37
But yeah, so
- 11:38
>> but I'm better now. All right. It uh Ish
- 11:42
is also here.
- 11:43
>> Ish is also here with us.
- 11:45
>> How was your morning?
- 11:46
>> Good day, sir.
- 11:46
>> Stomach not shitty.
- 11:49
>> Jesus. We got
- 11:51
>> our good brother Freeze is here. Ice
- 11:52
going to change the whole flow of how we
- 11:54
intro these things with that [ __ ]
- 11:56
>> [ __ ] That was crazy. It's a weird ad
- 11:58
just
- 11:59
>> Yeah, really.
- 12:00
>> And he named the place. Uh Big Parks is
- 12:02
here. Po is here. Cory's here. My dad is
- 12:04
here. Erikson is here. Tanner and
- 12:06
Savannah are here by remote last, but
- 12:08
certainly not least, each and every one
- 12:09
of you guys are here. As Mona has
- 12:12
already stated, happy birthday to my
- 12:14
baby. I love you. Uh, how's everybody's
- 12:16
week?
- 12:17
>> How was your night? Cuz you I know you
- 12:19
was outside. You had to be.
- 12:20
>> Yeah,
- 12:21
>> that's what I want to hear about.
- 12:22
>> That is a good question.
- 12:23
>> I thought you was going to limp in here
- 12:24
cuz you know you got throw special dick
- 12:25
on the birthday. You heard me?
- 12:29
>> So you can't walk straight.
- 12:30
>> I'm He's supposed to be limping. He
- 12:32
older guy, you know what I mean? Was a
- 12:33
bust ass last night. You hear me? No
- 12:36
excuses on my birthday, [ __ ]
- 12:40
>> No excuses on my birthday. I don't want
- 12:41
to hear none of that [ __ ] Tired. I need
- 12:44
a nap. None of that.
- 12:45
>> I be scared.
- 12:45
>> Round one, it's my birthday. Parks, it's
- 12:48
12:00 a.m. Let's get it.
- 12:50
>> Happy birthday. Yeah, let's hear about
- 12:53
it.
- 12:54
>> Is that a Patreon?
- 12:57
>> No, we here.
- 13:00
>> We went to dinner.
- 13:02
>> A We went to dinner, man. Man, we had we
- 13:04
had a good day. We had a good day.
- 13:06
>> You look happy.
- 13:06
>> We had a good time. Yeah. No,
- 13:08
>> freaky.
- 13:09
>> How many more days do you have planned?
- 13:10
Or does she have planned? More
- 13:11
importantly,
- 13:12
>> I mean, it's going to be her birthday
- 13:13
till Christmas numbers. Oh, I'm enjoying
- 13:17
it.
- 13:17
>> It's going to be a birthday till
- 13:19
December. And all that [ __ ] you named,
- 13:21
it's coming. Just got to start the car
- 13:24
and go back in the house for a little
- 13:25
bit.
- 13:25
>> Let it warm up a little bit.
- 13:26
>> Let it Let it
- 13:28
>> You did good with the gifts.
- 13:29
>> Oh, I crushed the gift
- 13:30
>> so far.
- 13:31
>> Giving is my love language. Is it?
- 13:33
>> I don't know.
- 13:34
>> Damn.
- 13:35
>> I don't think anything else in the world
- 13:40
that
- 13:41
>> I said that once once I started
- 13:42
tricking.
- 13:44
>> No, you did really good though. They
- 13:46
were nice.
- 13:47
>> Yeah. Yeah. More on the way. You heard?
- 13:48
>> Yeah. G number. That's how I know. Talk
- 13:50
about that part. You heard more on the
- 13:52
way.
- 13:53
>> Their gifts are numbered and they're not
- 13:54
even like cuz you know us poor people,
- 13:56
we'll like work, you know, work it up.
- 13:58
So it's like the gift card first then
- 14:00
the big boom is the last one. This [ __ ]
- 14:02
started out with big booms.
- 14:04
>> Oh,
- 14:05
>> it might not be. There might be a bigger
- 14:07
might be bigger.
- 14:08
>> It is. That's what I'm saying. Like her
- 14:09
intro was like, you know what I mean?
- 14:12
>> How many days of gifts do you do
- 14:14
>> or stuff or big things?
- 14:15
>> 365.
- 14:18
>> She deserves it.
- 14:19
>> 365 days.
- 14:21
>> Fair enough.
- 14:23
>> You know what she get off that I'm not
- 14:24
able to get off? And this is the only
- 14:27
[ __ ] that I'll talk cuz she think that I
- 14:29
come on my podcast and just talk [ __ ]
- 14:30
>> What you do a little bit?
- 14:33
Yeah, let's that way a little bit.
- 14:35
She duda just cuz spoiled
- 14:39
you give her a great gift. She cry, "Oh,
- 14:42
baby, you're the best. Love you so
- 14:44
much."
- 14:47
Then in the morning
- 14:49
she'll like just walk by and say, "Yeah,
- 14:52
I I did think uh
- 14:55
I mean uh I did think that that such and
- 14:59
such was going to be part of the thing."
- 15:01
>> Oh wow.
- 15:02
>> Yeah. She one of those. She wanted one
- 15:03
of those. I ain't mad cuz I did it too.
- 15:05
Whatever the [ __ ] she gave me for my
- 15:06
birthday, I was like, "All right,
- 15:07
school." But where's jellyfishes at?
- 15:08
I've been talking been talking about
- 15:09
jellyfishes for the last eight months.
- 15:11
You hit
- 15:12
>> You've been paying attention. Do y'all
- 15:14
do like she makes a list or do you pick
- 15:16
everything out? Like how do y'all do it?
- 15:17
>> A list of what?
- 15:18
>> What she wants? Whatever birthday.
- 15:20
>> No, the [ __ ] she like it can't be a list
- 15:22
of you going get one of them. There's no
- 15:26
list. But she had a great day. She had a
- 15:28
great day. That's what's up.
- 15:30
>> It was just tough. It was just it it was
- 15:33
tough. I ain't going to sit here and act
- 15:34
like tough Tony. It was tough giving her
- 15:37
my undivided and full attention and
- 15:40
keeping Rory's name in MY SEARCH BAR.
- 15:46
I CAN'T I'M NOT GOING TO LIE TO Y'ALL.
- 15:48
Don't you hate when the drama land right
- 15:51
when you're doing some [ __ ] you got to
- 15:52
do?
- 15:53
>> Oh my god.
- 15:54
>> I in the class early yesterday.
- 15:57
>> I was like, I'm sorry. I got something
- 15:59
to do. I was right in spaces listening.
- 16:00
But where do y'all want to start?
- 16:02
>> There.
- 16:04
>> Is that where you want to start?
- 16:07
>> Okay.
- 16:07
>> I don't know what y'all talking about. I
- 16:08
want to know.
- 16:09
>> Oh,
- 16:11
take it away. Hey,
- 16:12
>> brother Nuke.
- 16:16
>> Uh, a couple of days ago now,
- 16:19
>> uh, there was a, uh, a little bit of a
- 16:22
halaloo on social media.
- 16:26
>> I'm trying to do this gently, carefully.
- 16:29
U, it's actually started in a really
- 16:31
interesting place, which was, uh, they
- 16:33
were having a debate. Rory uh and his
- 16:35
co-host were having a debate about or
- 16:38
having a conversation about um GNX
- 16:40
versus the Clips winning what would win
- 16:43
the Grammy. And Roy had said that, you
- 16:44
know, he wanted he was rooting for the
- 16:46
Clips to win the Grammy.
- 16:49
>> See, I love when somebody say something
- 16:52
that I said too, but they get all the Oh
- 16:56
my god. I was like, "Oh [ __ ] that's
- 16:58
what they doing to him."
- 17:00
>> WELL, THAT'S WHAT WAS CRAZY ABOUT CUZ I
- 17:02
FEEL THE SAME WAY. I I think I don't
- 17:04
know how felt about it, but Rory felt
- 17:06
that way about it. And the the the the
- 17:09
fans the Kendrick fans went went hard.
- 17:12
>> They started tweeting and trolling. They
- 17:14
they were coming after me this week,
- 17:14
too, for some stuff that, you know, they
- 17:16
they do that. If you say one thing, they
- 17:17
take it as like a act of violence.
- 17:19
>> Kendrick has a hive, huh?
- 17:20
>> Yeah. Okay. Oh, him. Yeah. Yeah. And if
- 17:22
you say anything about Drake, it seems
- 17:23
like anti- Kendrick and Kendrick is anti
- 17:25
all that kind of [ __ ] But all the fans
- 17:26
are crazy these days to me. So,
- 17:28
>> so anyway, so then they started digging
- 17:30
into old tweets as part of their
- 17:33
>> full on assault [ __ ]
- 17:35
>> against our brother Rory.
- 17:37
>> And uh they went in the old tweets and
- 17:40
they found tweets that were um
- 17:44
>> what
- 17:45
>> problematic to people?
- 17:47
>> What what
- 17:48
>> uh
- 17:48
>> you trying, boy? I'm giving it to you.
- 17:51
>> And so
- 17:52
>> but what kind of problematic?
- 17:53
Homophobic, transphobic, racist? They
- 17:55
were they were interpreted as racist.
- 17:58
>> What?
- 17:58
>> Yeah. Now, to be clear,
- 18:02
>> I am.
- 18:03
>> Yeah. I I to
- 18:05
>> that [ __ ] up.
- 18:06
>> What's funny is you're not even being
- 18:07
funny. Like people will think you're
- 18:08
doing it. People think we set this up,
- 18:09
but we really didn't.
- 18:10
>> I didn't know.
- 18:11
>> Yeah. So So basically, and I don't want
- 18:13
to rehash all the tweets, but some of
- 18:15
them were like they were like from 15
- 18:17
years ago. That's first thing. Second,
- 18:18
some of them were RTS, right? So back in
- 18:21
the day, old school Twitter, there was
- 18:22
no retweet, but you typed RT and then
- 18:24
wrote what the other person said. So
- 18:26
sometimes people were interpreting him
- 18:27
as saying something that he actually
- 18:29
didn't say. He was retweeting somebody
- 18:31
else. A couple times he tweeted a rap
- 18:32
lyric, you know, your chick is is
- 18:34
looking at my rim. Some, you know, the
- 18:37
lyric that they thought he was saying.
- 18:38
So
- 18:39
>> Mark, you doing like a word salad right
- 18:40
now.
- 18:41
>> So there was a whole she asked what the
- 18:42
tweet said. So there was a bunch of
- 18:43
tweets. Some of them were offensive to
- 18:45
celebrities, some were uh seen as
- 18:48
anti-black woman, etc. That's what
- 18:50
happened. Uh and then the the the other
- 18:53
piece of it was he he defended himself.
- 18:55
He went on spaces to explain his
- 18:57
position uh and had a long very long 4
- 18:59
and 1/2 hour
- 19:00
>> and put on an absolute master class in
- 19:04
how you should not defend yourself.
- 19:05
>> Yeah.
- 19:06
>> 4 and 1/2 hours is way too long.
- 19:08
>> An absolute boy that was
- 19:10
>> you said and how you should not
- 19:13
that
- 19:14
>> it is a way to do that. It really is.
- 19:16
There's a science to it and apologizing.
- 19:18
People don't know how to do it though.
- 19:19
>> So I I think what he did right. So then
- 19:22
the and then the fourth step was finally
- 19:23
he went on his show and offered an
- 19:25
apology particularly for the
- 19:27
dismissiveness with which he dealt with
- 19:29
the opening partation in the spaces
- 19:31
>> in the spaces. Dismissive, smug,
- 19:34
>> condescending,
- 19:36
>> snarky,
- 19:36
>> arrogant, snarky.
- 19:38
>> His position was uh his position was
- 19:42
anybody that knows me knows that I don't
- 19:44
hate black people. I'm not a racist.
- 19:46
yada yada yada. People were trying to
- 19:48
tell him, "We all don't know you,
- 19:50
right?" And
- 19:51
>> these this is how these tweets come off.
- 19:53
A lot of the tweets were a lot worse
- 19:54
than the looking in my rim rap lyric
- 19:56
part that
- 19:57
>> I want to know the worst.
- 19:58
>> I wouldn't read them.
- 19:59
>> I don't feel comfortable. I would I
- 20:00
wouldn't even read them, but they they
- 20:01
they were pretty bad. So I think people
- 20:04
were just trying to hold him accountable
- 20:05
and get him to at least acknowledge that
- 20:08
in them resurfacing there are people
- 20:10
that weren't around back then that are
- 20:12
hurt that feel away that listen to you
- 20:15
that follow you that look up to you yada
- 20:17
yada yada all of the
- 20:18
>> even the people that do know you they
- 20:20
still be hurt about it even if they like
- 20:22
people people get hurt by stuff like
- 20:24
that especially when they support you
- 20:25
>> I think some people gave him grace
- 20:27
because they know him like I know he's
- 20:29
not racist so I'm going to look at the
- 20:30
tweet differently and somebody know a
- 20:32
white boy enough He can't say, "Nigga, I
- 20:34
don't care."
- 20:35
>> He didn't.
- 20:36
>> Oh, well, I'm just saying I usually just
- 20:37
want to be clear white person enough
- 20:39
that they could do racist [ __ ] but
- 20:40
whatever.
- 20:41
>> Yeah. I I I thought some of the the more
- 20:43
tweets I saw, the more I was like,
- 20:44
"Yeah, that's that's even if I'm being
- 20:47
generous, that's too much, right?" And I
- 20:49
think that I think that he will likely
- 20:52
address that. It got big. The story got
- 20:53
bigger than I thought it would be. When
- 20:54
I saw on TMZ
- 20:55
>> Yeah, it was crazy.
- 20:56
>> Damn.
- 20:56
>> Yeah. When I saw on TMZ, I was like,
- 20:58
"Oh,
- 20:58
>> TM TMZ ball a lot." They It grew legs.
- 21:02
It grew legs rather rather quickly.
- 21:05
>> Yeah.
- 21:05
>> Yeah, it did.
- 21:06
>> Yeah. And um mentioning Beyonce doesn't
- 21:08
ever stop things from growing legs. So
- 21:11
>> So that's its own
- 21:12
>> He mentioned Beyonce.
- 21:13
>> Yeah.
- 21:14
>> Yeah. The Beyonce tweet.
- 21:16
>> Yeah. Rory's getting his [ __ ] off.
- 21:18
>> Yeah.
- 21:18
>> Rory's getting his [ __ ] off.
- 21:19
>> Yeah. 2011 was a different time.
- 21:20
>> Y'all agree that Twitter was like a
- 21:21
whole another place back then.
- 21:22
>> It was. It was. It was.
- 21:24
>> It was. I I wasn't doing
- 21:26
>> that. Just don't excuse anything.
- 21:27
>> Yeah. Yeah. No,
- 21:28
>> it was. I was there for it. I
- 21:31
participated.
- 21:33
It just doesn't excuse anything if they
- 21:35
ever if the tweets ever come up, which
- 21:37
number one, I'm confused how people that
- 21:40
have some stuff going on are not doing a
- 21:44
forensic
- 21:45
>> bro
- 21:45
>> cleanse on their across their social
- 21:47
media and deleting everything.
- 21:49
>> Well, you know, some people use there's
- 21:50
there's devices and tools you can use to
- 21:52
find stuff even after delete it.
- 21:54
>> Yeah. But that's different. I feel like
- 21:56
you making an effort to delete it that
- 21:57
changes the narrative. But I'm just
- 21:58
wondering if people if I don't even know
- 22:00
if this stuff was still
- 22:01
>> any step you can implement to make those
- 22:04
tweets harder to come across for the
- 22:07
casual. You should take those you should
- 22:09
take those tests.
- 22:10
>> I'm just wondering I was wondering if he
- 22:11
deleted his and they found them anyway.
- 22:12
That's all I'm wondering. I don't know.
- 22:13
No.
- 22:14
>> Oh no. They they just sitting there.
- 22:15
>> I don't I don't I mean I don't think so.
- 22:16
>> Okay. Got you.
- 22:17
>> I haven't asked him that. But
- 22:18
>> got you.
- 22:19
>> Yeah. In 2011
- 22:22
>> them tweets are so bad they start
- 22:23
kicking my deck.
- 22:26
Hey, them tweets are so bad. THIS
- 22:28
[ __ ] JOE But
- 22:30
I was like, I didn't know this [ __ ] in
- 22:32
2011.
- 22:34
I had no idea who he was in 2011. But I
- 22:37
do I think Rory's racist. No,
- 22:39
>> of course not.
- 22:40
>> Do I Do I Do I think that
- 22:45
there must always
- 22:50
people have to listen to black people in
- 22:54
black spaces. I I feel
- 22:55
>> period.
- 22:56
>> Yeah.
- 22:57
>> Like
- 22:57
>> I agree.
- 22:58
>> If you if you if you hurt someone with
- 23:01
with your words and when the words are
- 23:04
of a certain you know you know context
- 23:08
>> Yeah. I don't think it's your right to
- 23:09
be smug in that instance. And I think he
- 23:12
acknowledged that. I think he
- 23:13
acknowledged that.
- 23:14
>> He did. He did. I I think when it first
- 23:16
happened because it was there was a
- 23:17
couple moving parts. One was some of the
- 23:20
things they said he did was like a fake
- 23:21
tweet that somebody had made and so he
- 23:22
was responding to that. The other thing
- 23:24
was I think he thought he was in a room
- 23:25
full of like weirdo Kendrick stands
- 23:27
>> who were just attacking him and being
- 23:28
unreasonable and then
- 23:30
>> to your point the people who came the
- 23:32
room was filled with crazy people sane
- 23:33
people who didn't know what was going
- 23:35
on. So it was like the Kendrick person
- 23:36
was a person like you who's like yo what
- 23:37
the [ __ ] just happened I don't know then
- 23:38
it was people who were just hurt and
- 23:39
want to answer
- 23:40
>> and I think you know some don't know how
- 23:43
spaces works it might be there wasn't
- 23:45
equal representation on the stage at
- 23:46
first so I think part of it was he was
- 23:48
responding to a certain kind of person
- 23:49
and I think that that contributed to the
- 23:51
dismissiveness. It still was dismissive,
- 23:53
but it it I think that contributed to
- 23:54
it. And then as it got bigger, you know,
- 23:56
sometimes you get in situations, you dig
- 23:57
your heels in and you just keep you just
- 23:59
double down on the [ __ ] you already
- 24:00
doing.
- 24:01
>> And I think that's what happened and it
- 24:02
just got worse. But I you absolutely
- 24:04
should not defend yourself in that way.
- 24:06
Especially when you got a platform. I
- 24:07
want him to just step out the room and
- 24:08
think about it. And then
- 24:09
>> that's the thing, the platform part and
- 24:11
this is this is thing with when you that
- 24:15
happened to me years ago and they was
- 24:16
like ripping me apart at first. So
- 24:18
sometimes you responded to the insult
- 24:19
you got like you walking in that room
- 24:21
but you still remember somebody calling
- 24:22
you a small head [ __ ]
- 24:23
>> So you coming at people because they
- 24:24
talking about your sneaks and your head
- 24:26
size and all that but in actuality in my
- 24:29
person in my opinion
- 24:31
>> he Rory is somebody that's usually in
- 24:32
black spaces since he started right.
- 24:34
It's like he's in black stuff. Correct.
- 24:37
>> So if you're white and you benefit off
- 24:39
of [ __ ] like that you have to be super
- 24:41
villigent about what you say and do.
- 24:43
That's my personal opinion. Especially
- 24:44
if you making money off the [ __ ] I
- 24:46
shouldn't be able to find you saying no
- 24:48
crazy [ __ ] that I would be offended
- 24:49
about. Period. Me, I got 8,000 followers
- 24:52
and went backwards and deleted stuff
- 24:54
like it's if it's it's a thought
- 24:56
process. You get to a point where you
- 24:57
take that extra effort. Also, I think
- 25:00
the average person doesn't know how to
- 25:02
apologize. And I get that. But when you
- 25:03
have a platform, I don't think it's
- 25:04
anything wrong with trying to figure it
- 25:06
out. I literally Google how to apologize
- 25:08
cuz there's really ways not to do it.
- 25:09
Like a lot of people [ __ ] up when they
- 25:10
apologize because they'll say something
- 25:12
that sounds like an excuse or close to
- 25:14
it. You just focus on yourself. You you
- 25:16
just be accountable for what you did and
- 25:18
you apologize. You don't bring up
- 25:19
nothing else in the story. And most
- 25:21
people don't know how to do that.
- 25:22
>> Spaces was also just not the place to do
- 25:23
it.
- 25:23
>> Yeah, agreed.
- 25:24
>> Especially when you I think someone said
- 25:26
that it was a 4 hours worth of spaces
- 25:28
cuz he may have said the right thing at
- 25:29
some point.
- 25:31
>> It was more than that.
- 25:32
>> Yeah. Then it was after
- 25:33
>> 4 hour 4 hour space might have been
- 25:35
there after
- 25:36
>> it was then it was the other one with
- 25:37
the homeboy and it was another it was it
- 25:39
was it was a it was several of them.
- 25:40
Especially when you have a platform like
- 25:42
he has like you could just do it right
- 25:44
there and
- 25:45
>> and and you would be buying yourself
- 25:47
time to think
- 25:49
>> that too.
- 25:49
>> Buy yourself time to think about how you
- 25:52
would like to respond. The stuff don't
- 25:54
look good. It don't look good.
- 25:56
>> So and a lot of people love you. So how
- 25:59
do I want to address this? Right. Like
- 26:02
responding immediately on Yeah. on
- 26:05
space. It was like I said it was
- 26:06
absolute master class in how you should
- 26:08
not deal with something. I'm not gonna
- 26:10
kick his back. And I think he
- 26:11
acknowledged that. No, I do not believe
- 26:13
Rory to be a racist. I think a lot of
- 26:15
people was getting [ __ ] off back then.
- 26:17
That was the whole point of the fake
- 26:18
retweet game. And and I ain't going to
- 26:20
sit there and lie. It was fun. The fake
- 26:24
retweet game used to be fun. Used to be.
- 26:27
I'm talking about 08 I'm 0809 2010
- 26:31
around that era. But them but and that's
- 26:34
what I'm saying.
- 26:36
>> 15 years is a long time. Yes. And this a
- 26:38
lot of
- 26:39
>> you can't people that pop up now see
- 26:41
these things you say oh it was wild back
- 26:44
then. No that's that's not that's not
- 26:46
how it works.
- 26:47
>> Curious 15 years ago he's around what
- 26:48
age?
- 26:49
>> He was youngest.
- 26:50
>> He's 35 now. So he was like 1920 21.
- 26:54
>> I always thought it was stupid when they
- 26:55
find people teenage tweets. I think
- 26:56
that's kind of ridiculous when they're a
- 26:58
kid. Also I think as a white person that
- 27:00
has black friends and black culture it's
- 27:02
probably really frustrating to be called
- 27:03
a racist. But I think that you should I
- 27:06
think every white person should have a
- 27:08
certain amount of guilt.
- 27:11
>> I I I'm I'm fine with that. The guilt.
- 27:13
I'm also want accountability from white
- 27:15
people in. I'm not talking about Roy
- 27:16
now. I'm just talking about white people
- 27:17
in general.
- 27:18
>> You a tan panther.
- 27:20
>> It always be them ones.
- 27:21
>> Yeah.
- 27:22
>> Down with whitey.
- 27:24
>> No. They said all my emojis is dark
- 27:27
skin. I had to re I had to redo them.
- 27:30
>> It's true. They like the emojis is dark
- 27:33
skin.
- 27:35
you would say, Mark.
- 27:36
>> Yeah. Um, it's it's about accountability
- 27:38
and like you said earlier, awareness of
- 27:40
who you are in a space. Um, and I think
- 27:43
every every interaction I've had with
- 27:44
Roy and everybody I know who's been
- 27:45
around him says that that he does have
- 27:48
that. So, the tweets were surprising to
- 27:49
me. Um, I don't think that's who he is.
- 27:51
You know, I'm not going to cape and say,
- 27:53
you know, you all got it wrong. I think
- 27:54
people have a right to be hurt. I think
- 27:56
people have a right to be hurt. People
- 27:57
have a right to want account to want
- 27:59
accountability, to want answers, to want
- 28:00
an apology. I think all that's true. Um,
- 28:03
you save yourself a lot of trouble with
- 28:06
a quick a quick apology. Get right to
- 28:08
it. Yeah.
- 28:08
>> Yo, I'm sorry. I know how this looks. I
- 28:11
was a dick. I don't uh that doesn't
- 28:14
represent my views and my back. Now, I'm
- 28:16
saying that, but at the same time, Rory
- 28:18
was getting his kick back kicked in.
- 28:19
Kayla Nicole was getting her back kicked
- 28:21
in for apologizing,
- 28:22
>> right?
- 28:25
>> I didn't see that.
- 28:25
>> There's a way to do it, though.
- 28:27
>> We should find that apology. We should
- 28:29
since we're in the
- 28:30
>> yeah apology section
- 28:31
>> apology segment of the show and trust me
- 28:34
I'm not going to hold y'all hostage with
- 28:35
uh this apology [ __ ] too much longer but
- 28:37
I just think it's interesting that two
- 28:39
different approaches.
- 28:41
>> Yo dog I my belief is on if you on the
- 28:44
internet looking for a response they
- 28:46
going to kick you back in regardless
- 28:48
>> they going to kick you back in. It don't
- 28:49
really matter what you do.
- 28:50
>> I think it's the worst place to go to.
- 28:51
>> Me too.
- 28:52
>> To Park's point you have a platform. you
- 28:54
can sincerely address your your apology
- 28:57
on your platform without the Q&A part.
- 29:00
You know what I mean? Because somebody
- 29:01
like Tamona said, somebody will be like,
- 29:03
"Man, [ __ ] you, you white bastard." And
- 29:05
then now you immediately get tilted.
- 29:07
That's literally what happened. Did you
- 29:08
hear it? That's
- 29:09
>> That's literally what happened. Dude's
- 29:10
like, "I'MMA [ __ ] YOU UP, WHITE." SO, so
- 29:12
now there's this dude yelling on the on
- 29:14
the spaces. I'm like, "I'mma [ __ ] you
- 29:17
up." And he's like, "Do it or don't."
- 29:19
Right? So, they going back and forth.
- 29:21
And again, like now it's a distraction
- 29:23
from the thing that should actually
- 29:24
happen because if you worry, what else
- 29:26
can you do in a situation when a [ __ ]
- 29:27
saying he gonna [ __ ] you up? I don't
- 29:28
think he handled that wrong.
- 29:30
>> The wrong part was what got you in
- 29:32
there.
- 29:33
>> Yeah, exactly. You just can't be in
- 29:34
there.
- 29:35
>> So they just going back and for [ __ ] you
- 29:36
up. Do it. Do it. [ __ ] you up. Do it.
- 29:38
>> Kind of. Yeah, it was.
- 29:40
>> All right. I do have Kayla Nicole's
- 29:41
apology. She says, uh, I want to take a
- 29:45
moment to sincerely apologize for the
- 29:47
hurtful tweets I posted so many years
- 29:49
ago. Seeing them resurface last week has
- 29:51
been incredibly difficult, and reading
- 29:53
them now, I'm ashamed that I ever
- 29:54
thought or spoke that way. They were
- 29:57
ignorant, hurtful, and completely wrong.
- 29:59
The woman I am today would never use
- 30:00
those words or express those kinds of
- 30:02
views. Over the years, I've seen
- 30:04
firsthand how cruel and harmful online
- 30:06
hate can be, and I would never want to
- 30:07
add to that world of pain in any form. I
- 30:10
have since deleted those tweets and my
- 30:12
ex account entirely because I refuse to
- 30:14
keep that energy alive or contribute to
- 30:16
a cycle of hate. I take full
- 30:18
responsibility for what I posted and I'm
- 30:19
truly sorry to anyone I may have hurt.
- 30:21
My heart, values, and perspective are
- 30:24
completely rooted in empathy, love, and
- 30:26
respect for others. I can't change the
- 30:28
past, but I will continue showing
- 30:30
through my actions who I've become and
- 30:32
what I stand for today. [ __ ]
- 30:35
for what?
- 30:36
>> Boy, did they [ __ ]
- 30:37
>> That was awful. What the [ __ ] you I
- 30:39
think that's master. I can't say
- 30:40
anything else.
- 30:42
>> It don't matter.
- 30:43
>> What y'all missing is like you said.
- 30:45
They want a pound of flesh. They want a
- 30:46
pound of flesh. But I'll tell you one
- 30:47
thing. I rather them be bad at me for my
- 30:48
apology than my non-apology.
- 30:50
>> Yo, ain't it from the wire? What? I
- 30:52
forgot the show. Now I got brain free.
- 30:53
Streets need a body.
- 30:54
>> Yeah.
- 30:55
>> Streets need a body.
- 30:57
>> The internet is going to get their body
- 30:59
no matter what.
- 30:59
>> What are they saying in particular
- 31:01
though? Is it certain specific about
- 31:02
what they made about her apology? Like
- 31:03
it sound like AI. What's the problem?
- 31:04
>> Well, a lot of them said that that was
- 31:06
chat GPT.
- 31:07
>> Yeah. It was a good drawing though. It
- 31:08
was a good draw.
- 31:08
>> Even if it is, she started to read it
- 31:09
and like she still had to post it.
- 31:11
>> She post it, right? Stop it. Stop it. I
- 31:13
would The only thing I would have left
- 31:14
out is I wouldn't do that.
- 31:16
>> When she says I wouldn't do that, if I
- 31:18
was this age, I would just leave that
- 31:19
out.
- 31:19
>> For for a matter that you're taking
- 31:21
seriously,
- 31:23
like if I'm taking these words like you
- 31:25
truly mean them and they're from your
- 31:27
heart, then they should come from your
- 31:28
heart, not from
- 31:31
>> me, [ __ ] I ain't say it.
- 31:32
>> No, no, I'm not attacking. But but
- 31:34
>> do you feel that way? to to a world
- 31:36
that's looking to already misinterpret,
- 31:37
misunderstand you. If if she say the
- 31:40
wrong thing coming from the heart, it
- 31:42
could it could read much worse than that
- 31:44
and they're going to attack you. So,
- 31:45
it's like, let me try to at least I
- 31:47
might run this may may not be chap GPT,
- 31:49
but let me run it past you. Yo, Mark,
- 31:51
I'm trying to say this. You're better
- 31:52
with words than I am. Help me with that.
- 31:53
Then you lose that and it's still not
- 31:55
good enough when they want you. It don't
- 31:56
matter, bro. It really don't matter.
- 31:58
>> I keep saying that. I'm just saying I do
- 32:00
understand people being angry at your
- 32:03
apology being from Chad.
- 32:05
>> If it feels like you put the effort into
- 32:06
I get I get why they would be but at the
- 32:08
end of the day we're word we work with
- 32:10
words. Everybody don't. So I get that
- 32:11
people need support.
- 32:12
>> I was going to say that
- 32:13
>> but I'm with you. If it looked like you
- 32:14
just mailed it in. I get it.
- 32:15
>> And they learning this after Kayla
- 32:17
Nicole is the is the one that pulled the
- 32:19
black woman card against Taylor Swift.
- 32:21
So they just saying it just nothing. It
- 32:23
feels genuine.
- 32:24
>> That's all. That's all. We can move on
- 32:25
from the apology segment unless
- 32:28
>> I want to say one thing that there's
- 32:29
something uh if there's different people
- 32:31
who have different views on it uh
- 32:32
different descriptions of but it's
- 32:33
called the anatomy of an apology. It's
- 32:35
basically like here's what apology
- 32:36
should be. I'm sorry.
- 32:38
Here's my understanding of what I did
- 32:40
wrong.
- 32:41
I'll never do it again. Here's how I'm
- 32:43
going to make this right. If you follow
- 32:45
those bullet points that gets you out
- 32:47
like everything she did in that apology.
- 32:48
>> That's what I'm saying. It it felt like
- 32:50
that to me. No excuses, no this, you
- 32:52
know, all that other [ __ ] don't matter.
- 32:54
Just get to those points which again I
- 32:56
think she did and and and that'll get
- 32:58
you out of there and that's it.
- 33:00
>> We got you on the steak already,
- 33:02
>> right?
- 33:02
>> We got you on We got you on the steak.
- 33:04
>> Fire is lit.
- 33:04
>> Exactly. Sorry. Can't take you down.
- 33:07
>> You still got You still got to take do
- 33:08
your time. Yeah. You still going to take
- 33:09
Yeah.
- 33:10
>> Exactly. Be be sorry on the steak.
- 33:14
>> Right.
- 33:14
>> Oh man. Uh what else? What else
- 33:17
important? Want to get right to new
- 33:18
music?
- 33:19
>> Get right to new music, man.
- 33:21
>> Let's do it.
- 33:22
a lot of music.
- 33:23
>> You put you had me hyped for Summer
- 33:25
Walker's album. So, I want to thank you
- 33:27
cuz I would have not I was wait I've
- 33:29
been waiting for W's album, but I said,
- 33:30
"Let me put Summer Walker in." You know
- 33:31
what I mean? This morning, I listened to
- 33:33
the the whole thing. I loved it.
- 33:36
>> I I love the first half. I like the
- 33:38
second half. That's
- 33:40
>> Well, I like the first half. The middle
- 33:42
I'm cool. The end was also good.
- 33:44
>> Yes, that's actually more accurate.
- 33:46
Yeah.
- 33:46
>> Yeah. And I don't know why they did a
- 33:48
double disc. It's only 15 minutes long.
- 33:50
Like that was a weird uh arrangement,
- 33:52
but
- 33:53
>> I think for the themes of it cuz one was
- 33:55
just one is for better
- 33:57
>> and just two is for worse.
- 33:58
>> Got it. Got it.
- 33:59
>> So I think it was more to be like the
- 34:00
concept of the album.
- 34:02
>> Got it.
- 34:03
>> Either way, I don't care. You triple
- 34:04
disc, whatever you want to do. Give me
- 34:06
the music. And this this is a great
- 34:07
[ __ ] album.
- 34:08
>> I was I was really uh I was really
- 34:10
pleased. I wasn't even I was like I'll
- 34:12
let Joe handle this review. I was caught
- 34:13
up in De La Soul, which doesn't come out
- 34:15
till next week. It's phenomenal. We'll
- 34:17
talk about it next week. Uh, but I play
- 34:20
on Summer Walker in the morning, so I
- 34:21
was like, let me at least give it a
- 34:22
little bit of a listen. And I I really
- 34:24
loved that whole first half.
- 34:27
>> Yeah, it was just the second half. It
- 34:28
got a little too uh
- 34:31
I don't know, like cliche R&B, I guess,
- 34:32
for me. Yeah, a little bit. I I actually
- 34:35
like the FMT and after that it started
- 34:37
to go into cliche R&B. The the the first
- 34:39
the first track of this. Yeah. Then
- 34:41
after that, I was like, I could live I
- 34:43
could live without this. And then toward
- 34:44
the end, it got good. I like the first
- 34:45
half because she was so I liked her
- 34:48
voice, you know what I mean? Like like
- 34:49
uh robbed you and all the songs were
- 34:50
like I'm basically she's over this dude
- 34:52
and now she's making moves. It felt it
- 34:54
felt good. It remind me a little bit of
- 34:55
Jasmine Sullivan stuff.
- 34:57
>> Okay. Yeah, that's fair.
- 34:58
>> In terms of the the narrative and stuff
- 34:59
like that,
- 35:04
>> Joseph, what I thought you made a face,
- 35:07
I might have misread you.
- 35:07
>> Yeah, you definitely probably misread.
- 35:09
>> I do that a lot.
- 35:09
>> You're you're trying to do something to
- 35:11
me and I'm not going to let you do it.
- 35:14
Something's going on with you, my good
- 35:16
brother. Dar,
- 35:16
>> can I say something?
- 35:17
>> Yes, please. Men,
- 35:19
>> I'm proud of Summer. Summer had I'm a
- 35:21
fan of Summer. Summer had social anxiety
- 35:23
real bad. And to watch her promo and
- 35:24
move around and do cuz the stuff that
- 35:26
she doing, she never did stuff like
- 35:27
that. Summer would go on stage and be in
- 35:30
tears. She was so [ __ ] freaked out
- 35:32
for them people. She grew a lot. Did she
- 35:33
go through six, seven [ __ ] to get
- 35:35
there? Yes.
- 35:36
>> Is your dream man coming? Yes, [ __ ] We
- 35:38
proud of you, girl.
- 35:41
[ __ ] that. That's one thing about
- 35:42
Summer. She going to try the [ __ ] out.
- 35:45
>> Um,
- 35:45
>> it's a good trilogy, man.
- 35:48
>> And I love the picture like cuz that's
- 35:50
the playoff Anna Nicole. I love that cuz
- 35:51
I loved Anna Nicole.
- 35:53
>> R&P Anna.
- 35:57
>> I don't have too much to say about this
- 35:58
project because I've only heard it
- 36:01
>> one and a half times.
- 36:04
Uh, off first listen, I don't know if I
- 36:07
love it as much as you guys.
- 36:09
>> Yeah. Really?
- 36:10
>> Really? What' you listen on?
- 36:12
>> What did I listen on?
- 36:13
>> Just phone or speakers?
- 36:15
>> Uh, Wurn.
- 36:17
>> I don't know if that sounds fancy.
- 36:20
>> Sounds expensive.
- 36:21
>> A little brown Bluetooth.
- 36:22
>> So, a speaker.
- 36:23
>> A speaker. Yeah, that's all I need. You
- 36:26
need a brand
- 36:28
plug in. But
- 36:30
>> well, it's a different sound than Sonos.
- 36:34
>> BS. You like BS?
- 36:36
>> Oh, yeah. I still got still got a Bose
- 36:38
Bluetooth box that they don't make
- 36:40
anymore.
- 36:41
>> Yeah, they don't make the B.
- 36:42
>> Get the old Bose the little [ __ ] with
- 36:45
the CD player at the top. Yeah,
- 36:46
>> I still got mine.
- 36:47
>> But y'all know I've been waiting for
- 36:48
this album and and and and part of that
- 36:50
is on me too, right? I normally don't
- 36:52
have a lot of albums that I go in with
- 36:53
such high expectations.
- 36:55
>> Yeah, you've been you've been set. I
- 36:57
listen to it.
- 36:58
>> I I have really really really high
- 37:00
expectations for Summer after her two
- 37:03
projects. Right. You should. So you come
- 37:05
on with Scars. Track one. I'm listening
- 37:08
from track one.
- 37:09
>> Yeah.
- 37:10
>> The [ __ ] you are. Are you playing with
- 37:11
me already?
- 37:12
>> I don't know.
- 37:13
>> Really?
- 37:13
>> I like Scars. I wish it was longer.
- 37:16
>> But it wasn't.
- 37:17
>> I think that's at the time. That was
- 37:18
yours is Oh, your issue was songs.
- 37:20
>> But it wasn't.
- 37:21
>> You said that about a couple.
- 37:22
>> This is Scars. At this point, I'm not
- 37:24
even looking at my phone. I'm making
- 37:25
coffee and waiting for the drums to
- 37:27
drop.
- 37:31
>> A 50-second joint. Just intro.
- 37:33
>> Yeah, I loved it. Intro.
- 37:35
>> It's just an intro.
- 37:36
>> It's an intro. Okay. Okay.
- 37:37
>> It's 15 seconds.
- 37:38
>> You're setting the tone.
- 37:39
>> [ __ ] you.
- 37:42
>> Yeah.
- 37:43
>> I definitely was expecting the whole
- 37:44
track. I definitely check to see if I
- 37:45
hit the skip button by accident.
- 37:47
>> Like, I'm not let these streaming
- 37:49
services trick me out of what I expect
- 37:52
to hear from one of my favorite artists
- 37:54
in the song. It was 50 [ __ ] seconds
- 37:56
of something that sounds phenomenal.
- 37:58
It's 50 seconds.
- 38:01
>> Got it. Cool.
- 38:05
>> Actually, I don't even need you to play
- 38:06
all these songs, right?
- 38:07
>> Yo, play the fourth joint, man.
- 38:10
That that that was my [ __ ] A go girl.
- 38:12
>> Yeah, I like
- 38:13
>> I was expecting to hate it and I loved
- 38:15
it. Don't believe it.
- 38:16
>> I was Man, I was turning up in a nursing
- 38:18
home bathroom listening to this [ __ ]
- 38:21
>> I could have fought them.
- 38:23
>> Wow.
- 38:24
>> What? I could have absolutely fought.
- 38:25
>> We about to fight you. Sorry.
- 38:27
>> I got to hear this. What's the wrong
- 38:28
with this one?
- 38:29
>> There's There's nothing There's nothing
- 38:30
wrong with it. There's nothing wrong
- 38:31
with it,
- 38:32
>> [ __ ] This when I was like, I love
- 38:33
this. I start texting [ __ ] after this.
- 38:35
>> You text [ __ ]
- 38:38
>> You got to get back.
- 38:40
>> Tit is real.
- 38:41
>> Did you hear that Six Flags line?
- 38:44
>> Yo, [ __ ]
- 38:45
>> you got the hook on the
- 38:53
>> It sound like this should have been a
- 38:55
hard R&B song.
- 38:57
>> Oh, I disagree.
- 38:58
>> This should have been a fire R&B song.
- 39:00
That would have been
- 39:01
>> this flow that they doing again. Maybe I
- 39:03
have too high expectations. This flow
- 39:05
that all of them did for one of the
- 39:08
longer records on here
- 39:10
>> and then I'm in my go y'all. You got
- 39:12
it's like it's like we needed another
- 39:13
joint to put on here. Let's get some
- 39:15
features. So now
- 39:17
so now I get even less Summer Walker on
- 39:20
the Summer Walker album that ain't but
- 39:21
58 Minutes. Anyway,
- 39:23
>> cool. It's too early for me to have a
- 39:25
beef. I said I only heard it one and a
- 39:27
half times.
- 39:28
>> Wow. That [ __ ] is fire.
- 39:29
>> Yeah, you.
- 39:30
>> But right after that was Chris Brown, so
- 39:32
I was happy.
- 39:33
>> I didn't love this record.
- 39:34
>> You met first?
- 39:35
>> Oh, okay.
- 39:36
>> You mean to you mean to tell me you went
- 39:39
and got the
- 39:41
>> Mariah Flair and and did a twominut song
- 39:44
with [ __ ] Chris Brown? You're
- 39:46
trolling me now.
- 39:48
>> You're trolling me, lady.
- 39:49
>> This lady This lady is trolling me. Yo,
- 39:52
>> that's an expensive sample for two
- 39:53
minutes.
- 39:54
>> Yeah, for sure.
- 39:55
>> I don't know what they doing.
- 39:57
I don't like it.
- 40:00
>> I don't like it.
- 40:00
>> I don't care about the length of the
- 40:01
song. I just didn't particularly love
- 40:02
this record.
- 40:03
>> I just didn't love the song. I don't
- 40:04
think about the
- 40:04
>> I love that one.
- 40:05
>> I love this [ __ ]
- 40:07
>> All right. So, I guess my main problem
- 40:09
so far is length. Boss,
- 40:10
>> let me just cuz you keep the script. You
- 40:13
keep mentioning the the the like the
- 40:14
length of the project and everything.
- 40:15
I'm just looking at her last two.
- 40:17
>> Over it was 18 songs, 49 minutes.
- 40:21
>> Still over it.
- 40:22
>> She's always been a short song.
- 40:23
>> Yeah, that's what I'm saying. She still
- 40:24
over it is 20 songs.
- 40:27
an hour, four minutes. So you what you
- 40:29
think 64? She's in that range, dog. The
- 40:32
very first song she ever put out like
- 40:35
that first project. She This has been
- 40:37
her bag. I'm saying on her previous two
- 40:39
projects, the songs that felt like they
- 40:41
should have been songs were songs.
- 40:42
>> Well, longer.
- 40:43
>> That's what I'm saying. It's not that
- 40:45
she does this. I know she does this
- 40:46
because I'm not stupid. But the songs
- 40:48
that I felt should have been a song was
- 40:51
too short
- 40:51
>> for me. I for me
- 40:54
>> on one listen. And I'm going back cuz
- 40:56
Summer gets that from me. But Summer is
- 40:58
one of the better singers we have. I
- 41:00
heard the songwriters on there like
- 41:03
don't rap bop me out.
- 41:05
>> It was only one.
- 41:07
>> That's not true.
- 41:09
>> She didn't do that majority of the
- 41:10
album.
- 41:10
>> I didn't say majority.
- 41:12
>> You're saying don't rap bop me rap bop
- 41:14
me out as if she did that on a good
- 41:17
portion of the album.
- 41:18
>> I don't want to hear that [ __ ]
- 41:19
>> It's R&B album.
- 41:21
>> It felt like a RV album.
- 41:22
>> R&B is hybrid damn near today. Anyway,
- 41:24
that's a fact.
- 41:25
>> I do think as the album went along, she
- 41:28
started to get more in an R&B,
- 41:31
traditional R&B bag,
- 41:34
>> which is probably why y'all don't [ __ ]
- 41:35
with it. Yeah.
- 41:37
>> See, this what I mean. Anderson Pac
- 41:40
record. 5 minutes.
- 41:42
>> 5 minutes.
- 41:42
>> You know Anderson wasn't going to let no
- 41:43
two minutes [ __ ] go out. You're not
- 41:45
doing that.
- 41:45
>> Uh yeah.
- 41:46
>> He's going to take a minute 30 himself.
- 41:48
>> Yeah.
- 41:49
>> Easy.
- 41:49
>> Like like make a song, right?
- 41:53
Oh my god,
- 41:54
>> you old, yo.
- 41:57
>> Listen, it's hard.
- 41:58
>> That's That's
- 41:59
>> It's hard. Like I said, as the album
- 42:00
went on, I appreciated it more, but I
- 42:04
I'll go back I'll go back and give it
- 42:06
another cool.
- 42:08
>> It's just cool. I don't I don't think
- 42:09
it's on par with the first two.
- 42:11
>> And to her to to your whole, you know,
- 42:13
oh, don't rap bop me out and everything.
- 42:15
I'm giving her some benefit of the doubt
- 42:17
because again, she's been snubbed for a
- 42:19
Grammy bad. So maybe and I see what's
- 42:23
winning.
- 42:24
>> Last the the last part.
- 42:25
>> Two years ago. Yeah.
- 42:26
>> Yeah. Two years ago. Snow.
- 42:28
>> Which album is that? The last one.
- 42:30
>> Still over it.
- 42:31
>> Got it.
- 42:31
>> Big time snow.
- 42:32
>> That was the one.
- 42:33
>> So maybe I switched the Okay, this is
- 42:36
what y'all are awarding this type of
- 42:38
sound here. Let me play that game a
- 42:39
little bit too. Like that's possible.
- 42:42
She could be going for hers.
- 42:44
>> And it's And the music is still good.
- 42:47
Like it's not like I don't like when
- 42:48
people try to do that and then it's bad.
- 42:50
It's like, yo, stick to your sound. This
- 42:52
ain't really you. This [ __ ] sounds
- 42:53
great.
- 42:54
>> She sound like she made this when she
- 42:57
truly was over someone.
- 42:59
>> Yes.
- 42:59
>> Yeah,
- 43:00
>> that's an issue.
- 43:03
I need
- 43:05
Hey, I need you I need to get you.
- 43:07
>> I need you to be front. I tried earlier.
- 43:11
>> I TRIED IT EARLIER. SHE'S VERY
- 43:12
EMPOWERED. YEAH. COME TO THE DARK SIDE,
- 43:14
BABY. NO, let Can we just tell the truth
- 43:18
in a [ __ ] space in parks and Mona? Can
- 43:21
we just tell the truth? Can I? No. No,
- 43:24
you can't. No, you can't.
- 43:26
>> Mark is trying to set me. Mark don't
- 43:27
love you as much as y'all. I'm asking
- 43:28
y'all.
- 43:29
>> You can't tell the truth. A lot of
- 43:30
people This has been a thing. So, yes,
- 43:32
you can tell the truth. It ain't just
- 43:34
her. It's It's been a thing.
- 43:36
>> I don't want to hear this [ __ ] happy.
- 43:38
She really sound like she's over it with
- 43:40
these [ __ ] So, I applaud her in real
- 43:43
life. You sound like
- 43:45
>> But is that when the
- 43:47
>> is that when the slaps get made?
- 43:49
>> Sound like a Joe Button fan.
- 43:50
>> OR OR DO THE SLAPS get made when there's
- 43:53
a [ __ ] spitting you around, putting a
- 43:55
car in your name, DRAINING THE [ __ ]
- 43:58
BANK ACCOUNT. COME ON. COMING IN AT 5 IN
- 44:01
THE MORNING, LEFT YOUR FOOD on the table
- 44:03
cold. I hate already.
- 44:06
I hate already is crazy.
- 44:08
>> You had to be a man to get that. I get
- 44:10
that. You know what it reminds me of?
- 44:12
When rappers on drugs and the music real
- 44:14
good when they drugged out
- 44:15
>> and miserable and depressed how I feel
- 44:17
about Kodak like the drug like I like I
- 44:20
like meth Kodak.
- 44:21
>> Yo, somebody else turn
- 44:24
>> I'm with you.
- 44:25
>> No, but no, they said what you ask me.
- 44:27
>> But that's what I'm saying. This album
- 44:29
So yo, don't listen to me out there. I'm
- 44:31
psycho
- 44:32
>> and this album is very good
- 44:36
>> and I'm musician psycho. I'm nuts all
- 44:38
the way around the board. Please find
- 44:40
someone else to uh to listen to or look
- 44:43
up to.
- 44:43
>> Nuts.
- 44:45
>> I want to hear uh her next album.
- 44:49
>> All right, y'all. I I want to hear I'm
- 44:52
back under it again. Right.
- 44:55
>> I want to hear All right, y'all. He text
- 44:56
me and we met up.
- 44:59
>> Just make the album title How y'all We I
- 45:02
met up with him.
- 45:02
>> This the same [ __ ] they said about Mary.
- 45:04
Same
- 45:06
thing.
- 45:09
>> Nobody like, "All right, we cool. You
- 45:11
got out of that and you happy?" But
- 45:12
that's not
- 45:13
>> When did we ever
- 45:13
>> But dog Mary gave us albums and albums
- 45:17
and albums of the [ __ ] managing. I love
- 45:21
So, let me shut up. Yeah, we
- 45:23
>> But you you know got to the death suare.
- 45:26
>> Summer gave us Don't do that, Mark.
- 45:28
Summer gave us two classics.
- 45:31
>> Why you got to be happy now?
- 45:33
>> Classics, my [ __ ] You don't give you
- 45:35
one classic.
- 45:36
>> Yo, do you know how much happiness I
- 45:38
sacrificed to go in the studio and make
- 45:40
good music? I could have chose to go try
- 45:42
TO BE HAPPY. [ __ ] THAT.
- 45:43
>> You did. [ __ ] that.
- 45:44
>> You remember what happened?
- 45:45
>> Hey, they hated it.
- 45:46
>> Yeah,
- 45:46
>> they hated it. And it was bad.
- 45:49
>> It was It wasn't bad. There was some
- 45:50
slaps.
- 45:51
>> I made fire way more fire music when I
- 45:54
>> Yeah,
- 45:54
>> that's just a fact. Listen, you take the
- 45:56
good, you take them both in.
- 45:58
>> We want our musicians [ __ ] up
- 46:00
>> and comedian.
- 46:00
>> I think that's a fact.
- 46:01
>> Torture comedians are funny as [ __ ]
- 46:03
Yeah. Yes.
- 46:05
>> True. Honestly, that's really what it
- 46:07
is. We want our entertainment from
- 46:08
people that's [ __ ] Oh, can we do like a
- 46:09
dark side of comedy on you?
- 46:11
>> Do you know how many jokes I have, but
- 46:13
black people don't like that and I don't
- 46:14
have a white audience yet. I'm coming
- 46:16
for y'all
- 46:17
>> cuz they because white people with dark
- 46:19
humor, they're just a little open to it.
- 46:20
Now, don't get mad at home. I know we
- 46:22
like dark humor, too. But like,
- 46:24
>> right, when I do jokes like abortion
- 46:26
jokes, like I see people stiffen up
- 46:28
sometimes. Abortion, suicide. Black
- 46:29
people don't like that.
- 46:30
>> Yeah.
- 46:31
>> Yeah. And I have so many abortions.
- 46:34
I mean, I can't run out of them.
- 46:37
>> Me, too. But
- 46:38
>> what we dark night
- 46:43
>> [ __ ] early mornings, AB in the morning,
- 46:45
get it.
- 46:47
>> Anyway. Anyway,
- 46:49
>> um I want to hear those jokes.
- 46:51
>> Yes.
- 46:52
But great album.
- 46:54
>> I'm gonna give I'm gonna give it time to
- 46:56
grow on me. I'm gonna go listen in the
- 46:58
car again. I only heard it one and a
- 47:00
half times.
- 47:01
>> I think you'll enjoy it in a different
- 47:03
setting or something. Maybe
- 47:04
>> I was in a nursing home bathroom
- 47:10
like city boys up 10. This [ __ ] was
- 47:12
crazy.
- 47:13
>> They god damn I almost want to start a
- 47:15
group chat with Summer and Lil Meche
- 47:16
again. Like somebody like somebody's got
- 47:20
to [ __ ] come in and and what the [ __ ]
- 47:23
get Larry back. Grocery still on
- 47:25
Larryondon.
- 47:27
What's my other man? The producer in
- 47:28
London. London. Come on.
- 47:31
>> Where's London? You know you know this
- 47:32
album is different. Scissor ain't on it.
- 47:34
Sizzle on track three last time.
- 47:37
>> Hey sad [ __ ] go get with sad [ __ ]
- 47:40
She got all the [ __ ] that just broke
- 47:41
up with a [ __ ] is outside. She got sexy
- 47:43
bread. They at the brunch spots hookah
- 47:46
lounges. THEY GOT THE CLUBS. NO. NO.
- 47:53
>> Great album, Summer.
- 47:56
The rest of us, we love this.
- 47:57
>> We love it. Summer, I'm happy that
- 47:59
you're happy.
- 48:01
>> Oh, not really.
- 48:04
>> I'm going to go listen to it. I'm going
- 48:05
to go listen to different.
- 48:08
>> I don't think it's bad cuz I don't think
- 48:09
that her or her crew or those writers,
- 48:11
the people that performed on that
- 48:12
project, can make a bad album. So,
- 48:14
please don't twist my words around. They
- 48:16
can't make a bad album. It's just the
- 48:18
pain. The pain is
- 48:20
>> Every time I see LVR right at the bottom
- 48:21
of the thing, I I just assume that
- 48:23
Leverne, even though I know it's not.
- 48:25
>> Oh my god.
- 48:28
Lever.
- 48:30
>> Who the [ __ ] is Leverne?
- 48:35
That's funny.
- 48:36
>> Actually, I had I had kind of a reverse
- 48:39
experience listening to music this
- 48:40
morning because of course I went to
- 48:42
Summer First.
- 48:42
>> Okay.
- 48:43
>> Of course I went to Summer First.
- 48:44
>> What time? Uh 5.
- 48:47
>> Okay.
- 48:47
>> 5:00 a.m. But I had snuck a little bit
- 48:49
when I went to take a [ __ ] at 2:00 in
- 48:51
the morning. But then I went back in bed
- 48:53
back, oh it's your birthday. Uh
- 48:57
>> no shower.
- 48:57
>> The [ __ ] I was excited about. I woke up
- 49:00
I WOKE UP YESTERDAY AND TWEETED, "HEY,
- 49:02
THAT'S SUMMER WALKER." I GOT A TEXT in a
- 49:04
half a second later. Summer Walker.
- 49:06
[ __ ]
- 49:07
>> you know what today is? You know what
- 49:09
you said?
- 49:09
>> You know what this month is?
- 49:10
>> You didn't just say You ain't tweet that
- 49:12
before.
- 49:12
>> See my next tweet. You see my next
- 49:14
tweet?
- 49:14
>> Yo, we did it.
- 49:16
>> My baby.
- 49:19
You can't be excited about some [ __ ]
- 49:22
Especially another woman.
- 49:23
>> Anyway, so I go So I go listen some
- 49:25
Walker [ __ ]
- 49:26
>> Cool. Cool. And when I went to W, I was
- 49:31
blown away.
- 49:32
>> I was absolutely blown away by Wle and I
- 49:34
didn't go into that expecting that. So
- 49:36
>> Oh, go ahead.
- 49:36
>> Oh, no. I I had the same experience. I I
- 49:39
had been waiting for it um since I
- 49:41
didn't get the early copy like you did.
- 49:42
I was I was salty. I was listening to
- 49:44
the early tracks like you know they
- 49:46
released like five of them on and and I
- 49:48
loved each and every one of them
- 49:49
>> but I was like these might be the only
- 49:51
good ones on there and it might be
- 49:52
filler for the rest of the thing. I
- 49:53
always worry about that these days. I
- 49:55
liked every song on there.
- 49:57
>> I thought not every song. I liked almost
- 49:58
every song on there. I thought he killed
- 49:59
it. I thought it was an amazing album.
- 50:00
>> There's only two records that I hate and
- 50:03
I told him he was he one of them he was
- 50:05
like yo when I laid the record I said I
- 50:06
just going to hate this. So cool. We
- 50:08
know.
- 50:09
>> Oh, the be ready.
- 50:12
>> I didn't use the skip button at all
- 50:13
until I got to those. But I was more so
- 50:15
worried because I'm not going to say
- 50:17
worried, but I wanted to see where this
- 50:19
album would go because I know it's not
- 50:21
even though he's whipped jam. We talked
- 50:24
about the state of Death Jam. So, I'm
- 50:26
like, it's I don't imagine like big
- 50:28
production budget and I want to hear he
- 50:31
has a great ear for beats, but I just
- 50:32
want to hear what this sounds like. I
- 50:34
don't I know it's not going to be your
- 50:35
A-list features and all of that. from
- 50:38
track one uh which is Conundrum. I was
- 50:41
like, "Oh, okay. You you getting into a
- 50:44
uh a very introspective
- 50:47
bad like you you going deep off the
- 50:49
rip."
- 50:50
>> Yeah.
- 50:51
>> And then I hear the sample to be I'm
- 50:52
like, "Oh, yeah. We we I'm cool."
- 50:54
>> He was off. We off, right?
- 50:55
>> Yeah. Yeah. Yeah. Yeah. We we off we
- 50:57
right off to the races. First line, I'm
- 50:59
like, "We don't need the scratchy voice
- 51:01
intro. Let the music play now."
- 51:05
>> That's my point.
- 51:07
That's my point. What's actually
- 51:10
opening bars?
- 51:12
>> Mhm. Yeah. First line.
- 51:15
>> Yeah.
- 51:16
>> At that point, I walked away.
- 51:17
>> Yep. He
- 51:18
>> at that point I walked away.
- 51:19
>> Yeah.
- 51:20
>> I did not expect to going into Wle for
- 51:22
him to do that.
- 51:23
>> I didn't especially not on the intro
- 51:25
>> and then it continued.
- 51:26
>> Yes.
- 51:26
>> Yes.
- 51:27
>> It continued.
- 51:28
>> Yes.
- 51:28
>> It kind of kept continuing.
- 51:30
>> The whole album is
- 51:31
>> pretty special, bro.
- 51:32
>> He is.
- 51:33
>> Yeah. Yeah. Like I don't really be
- 51:34
shocked when he deliver. That nigga's
- 51:36
really special.
- 51:37
>> He makes great music
- 51:38
>> and highly underrated
- 51:39
>> consistently. Yeah,
- 51:40
>> it's highly underrated. W is special,
- 51:42
bro.
- 51:42
>> He is.
- 51:43
>> Dog, hold up for a minute, man. [ __ ]
- 51:46
these [ __ ] talking about, man. Where's
- 51:49
this [ __ ] at? Where is Oh my god.
- 51:54
>> Yo, he continued the theme of finding a
- 51:57
dope sample, flipping it. Yeah.
- 51:59
>> Throughout the album. I like that
- 52:01
because Wle actually knows R&B. So he
- 52:03
knows the records to go and flip. Hey De
- 52:06
Jam, you really dropped the [ __ ]
- 52:08
ball. I just want to tell you again
- 52:10
while the clips are nominated for all
- 52:11
these Grammys and while they got all of
- 52:13
these records on here. All of these
- 52:15
records on here. Let me close this for a
- 52:17
minute. All of these records on here and
- 52:19
y'all got him. Y'all didn't do [ __ ]
- 52:22
Actually, what did they do?
- 52:24
>> What did they do? Whatever he put out
- 52:25
was him rapping over some [ __ ] A quick
- 52:27
freestyle here. Quick freestyle. He came
- 52:29
up here. I'm like, "Yo, where all this
- 52:30
freestyle [ __ ] A record. A record. A
- 52:31
record. Where's the records? But I know
- 52:32
you got records. We know you like you. I
- 52:35
know you have records.
- 52:36
>> No way. He's at Def Jam playing some of
- 52:39
these.
- 52:39
>> They did Blanco as the single and uh
- 52:43
Mirror on the Benz.
- 52:44
>> Yeah.
- 52:45
>> And I'm hearing this album like, bro,
- 52:46
did y'all missed it.
- 52:47
>> Y'all didn't hear the rest of this
- 52:49
album.
- 52:50
>> I love Blanco.
- 52:51
>> And y'all know
- 52:53
the top three song of this album.
- 52:55
>> Yeah. Exactly.
- 52:55
>> Yeah. Top three.
- 52:57
>> And that's why I'm like, Right. Right.
- 52:58
There's no way y'all heard this album
- 53:00
and said these are the singles.
- 53:02
>> There's no way y'all ever heard any W
- 53:04
album.
- 53:05
>> Yep.
- 53:07
>> I could stay here all day with this wall
- 53:09
album.
- 53:10
>> That That's what I did. It's a real good
- 53:13
It's a very good vibe like vibe album.
- 53:15
>> Yeah. Yeah. Yeah. You could just put
- 53:18
this on.
- 53:18
>> Yeah. Yeah.
- 53:19
>> With people around outside nighttime,
- 53:22
daytime.
- 53:23
>> But he talking about some [ __ ] in there.
- 53:25
Like they might they might like you said
- 53:26
it's a vibe. You could throw it on, they
- 53:28
might not catch it. But when you sit and
- 53:30
listen to what he's actually saying, yo,
- 53:32
he's really every record is just like
- 53:34
dig deep, dig deep, dig deep.
- 53:35
>> Yeah. I didn't even get to the lyrics
- 53:37
cuz I was just vibing with it. Like I
- 53:39
haven't really broken it yet.
- 53:41
>> I was forced to get in the lyrics cuz he
- 53:43
kept saying [ __ ] that was like God.
- 53:45
Yeah, I was lying and [ __ ] back.
- 53:46
>> That was hard.
- 53:48
>> U
- 53:49
she really hurt you. Yo, I don't know
- 53:51
who this lady is cuz you keep your
- 53:54
relationships private except for that
- 53:56
one time you tried to pop out. Um, but
- 53:59
somebody see this what I like.
- 54:02
>> This what I like the pain.
- 54:03
>> I like when you met somebody that ain't
- 54:05
really good for you.
- 54:08
They got you out of character, bugging
- 54:10
the [ __ ] out. Now you go. You ain't got
- 54:11
no choice but to go to studio and do
- 54:12
pour your heart out as a as a poet. As
- 54:15
an artist as an artist.
- 54:17
>> Did you hear Survive on that album?
- 54:19
>> Oh, whatever. bar album
- 54:22
>> like that's to me is the one
- 54:23
>> you'll see
- 54:24
>> like it's
- 54:27
like survivors remorse like making it
- 54:28
out type record and my god yo
- 54:35
>> yeah what do you want me to say great
- 54:39
project from a great man pause
- 54:41
>> yeah man shout out to
- 54:42
>> great great great project
- 54:43
>> know he showed out he showed out tonight
- 54:46
I'm going to give it a shot on something
- 54:47
I'm going to go back I'm going go back
- 54:49
Friday night. I had to see. I got
- 54:50
>> I had to put this one on and take a ride
- 54:52
and I was like, "Yeah,
- 54:53
>> which one? While summer?" Yeah,
- 54:55
>> summer [ __ ] Summer [ __ ] I played it
- 54:57
soon as it dropped. I threw the I was
- 54:59
trying to get it early. Couldn't get it.
- 55:00
>> Soon as soon as it dropped, threw the
- 55:01
headphones on. It was like, "Oh shit." I
- 55:03
just had a plan.
- 55:04
>> I like that getting that [ __ ] early
- 55:05
[ __ ] I'm not going to lie.
- 55:07
>> I used to be against it, but it's nice
- 55:08
getting up a little early.
- 55:09
>> [ __ ] that sit with it.
- 55:10
>> Are you still able to do that? That's
- 55:12
impressive.
- 55:12
>> What?
- 55:14
>> Hear hear some music and All right,
- 55:16
babe. I'm going to the car. I'm taking a
- 55:18
ride. to hear this album. You You still
- 55:21
get that off?
- 55:21
>> Yeah.
- 55:22
>> [ __ ]
- 55:25
You You can't. Don't you try it. Hey.
- 55:30
>> Hey. Some Hey, I used to really love
- 55:32
you. He you my brother is Don't you even
- 55:36
listen to some music.
- 55:37
>> Boy, if you don't get your high yellow
- 55:40
ass back in this house and burp this
- 55:43
baby.
- 55:44
>> So stupid
- 55:45
>> to listen to an album.
- 55:48
Certain albums trying to [ __ ] while the
- 55:50
album on
- 55:54
that [ __ ] man.
- 55:56
>> All right.
- 55:57
>> Certain certain albums you need that
- 55:59
though. Like certain albums it just
- 56:00
calls for I got to hear it in the car.
- 56:02
>> Facts.
- 56:02
>> The house the headphones the speakers.
- 56:04
It's it's not going to hit the
- 56:05
>> car is the best.
- 56:06
>> It's the best. That's the best place.
- 56:07
Yeah. I need to I need to just hear
- 56:09
>> with the dick suck.
- 56:12
>> The dick.
- 56:12
>> That's dangerous. First of all,
- 56:13
>> it's very dangerous.
- 56:14
>> No. W album sound like a suburban and a
- 56:17
dick suck
- 56:20
>> dangerous.
- 56:21
>> I mean I ain't going to do it.
- 56:23
>> We ain't going to do it but that is what
- 56:25
it sound like. It sound like that's what
- 56:26
he wants you to do.
- 56:27
>> Damn. Who heard W? Yo, somebody [ __ ]
- 56:30
him up.
- 56:32
>> Famous person.
- 56:33
>> I mean I knew that in Starless the other
- 56:34
night too.
- 56:37
>> He was in there sad.
- 56:39
>> No, that's the problem.
- 56:41
>> The bounce back after the sag. Yeah. Oh
- 56:44
my god. Was in there sad at all.
- 56:46
>> That's one of the best times right
- 56:47
there.
- 56:48
>> I can't I can't snitch cuz you know
- 56:49
broke old but he he was having a blast.
- 56:52
>> Yeah, that's important.
- 56:53
>> As I just snitched
- 56:55
crazy son.
- 56:57
>> It's snitching. I had a good time.
- 56:59
>> Shout out to W. That's what you're
- 57:00
supposed to do.
- 57:01
>> Shout out to Summer Walker. I did not
- 57:02
hear Mario's project yet. I'm getting to
- 57:04
it. Me either.
- 57:05
>> Or Meeks. I I do want to listen to I
- 57:07
listen to Meeks. That That one kind of
- 57:08
threw me for a loop for a minute because
- 57:10
for a while Meek was talking about a
- 57:12
record he was dropping.
- 57:13
>> Yeah. And then maybe a couple hours
- 57:15
before midnight, he's like, "I got a I
- 57:17
got a a indie pack dropping."
- 57:19
>> Yeah. Four four records um at midnight.
- 57:23
It's like, "All right." Like, but I get
- 57:25
it. Meek is completely independent. So,
- 57:27
>> do what you want.
- 57:28
>> Yeah. I do what I want.
- 57:29
>> Um I did listen
- 57:30
>> and I want to drop when they drop.
- 57:33
>> I thought it I'm like, nah, I don't
- 57:36
think so.
- 57:36
>> I don't think so either. But it was it
- 57:38
was a fleeting thought.
- 57:38
>> You got to think it.
- 57:39
>> Yeah, you it was a fleeting thought. But
- 57:41
um three out of the four I I [ __ ] with.
- 57:43
It's it's the Meek I like. It's um it's
- 57:45
the the pain Meek.
- 57:47
>> Which Meek you like?
- 57:48
>> Oh, okay.
- 57:48
>> Slow flow. Not Shut up.
- 57:52
>> But
- 57:54
But yeah, I [ __ ] with three out of four
- 57:56
records.
- 57:56
>> Okay. I'm going check it out.
- 57:58
>> Yeah. It's quick little and I'm not mad
- 58:00
at that. You You want to keep dropping
- 58:02
>> EPs? I I I'll take it
- 58:04
>> for sure.
- 58:05
>> Fire fire review freeze. Almost like we
- 58:08
don't even have two Philly people over
- 58:09
here.
- 58:10
Look, look at the Philly segment.
- 58:13
Hey, Meek. Hello.
- 58:16
>> I don't listen to Meek like that.
- 58:17
>> No,
- 58:18
>> I like the I like the Friday joint. I
- 58:19
was real impressed by it. That
- 58:20
>> [ __ ] was incredible.
- 58:21
>> Yeah, I really was. Yeah.
- 58:23
>> And he probably still versed here, too.
- 58:24
>> Oh, no. Cuz he has Friday on this.
- 58:26
>> Oh, he does.
- 58:26
>> Yes. Okay.
- 58:27
>> The last song, which is the one that he
- 58:28
was promoting, that he was dropping a
- 58:30
video and everything for is him
- 58:31
featuring Friday.
- 58:32
>> Him and Friday ain't stopped working
- 58:33
since he met Friday.
- 58:35
>> I'm not bad.
- 58:36
>> Why wouldn't I know Friday from Philly,
- 58:38
too?
- 58:38
>> Yeah. Why would he?
- 58:39
>> I [ __ ] with Friday.
- 58:40
>> Yeah, Friday's dope.
- 58:41
>> Come here. Do these 700 songs.
- 58:45
>> You knew, right? A word.
- 58:47
>> Yo,
- 58:48
>> I need hooks.
- 58:48
>> Yo, come here.
- 58:49
>> A lot of them.
- 58:50
>> You see, you said nobody ever heard
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