JBP
The Joe Budden Podcast
Episode 883

Not Violins

Joe Budden Podcast Episode 883, “Not Violins,” released December 5, 2025. Joe kicks off the latest episode with his review of the Sean Combs ‘The Reckoning’ documentary on Netflix executively produced by 50 Cent (21:10) before the JBP asks Marc Lamont Hill about his latest interviews (1:12:36). A new Game project with DJ Drama & Mike N Keys (1:25:28), Cassidy vs. Eazy The Block Captain (1:38:17), and the room reacts to some revealing news about Frank Sinatra (1:47:20). Also, Meg Thee Stallion wins her defamation case against Milagro (2:02:28), Trevone Boykin criticizes Russell Wilson over a Thanksgiving he hosted (2:11:29), Ariana Grande & Cynthia Erivo’s press run continues (2:31:45), Jussie Smollett’s appearance on Cam Newton’s ‘Funky Friday’ (2:37:50), Max B’s New Jersey club performance (3:03:56), a trillion dollars or 10 minutes with God (3:21:52), and much more! Full transcript and searchable timestamps below.

Not Violins

In this episode

  • 21:10Joe kicks off the latest episode with his review of the Sean Combs ‘The Reckoning’ documentary on Netflix exec…
  • 1:12:36Before the JBP asks Marc Lamont Hill about his latest interviews
  • 1:25:28A new Game project with DJ Drama & Mike N Keys
  • 1:38:17Eazy The Block Captain
  • 1:47:20The room reacts to some revealing news about Frank Sinatra
  • 2:02:28Meg Thee Stallion wins her defamation case against Milagro
  • 2:11:29Trevone Boykin criticizes Russell Wilson over a Thanksgiving he hosted
  • 2:31:45Ariana Grande & Cynthia Erivo’s press run continues
  • 2:37:50Jussie Smollett’s appearance on Cam Newton’s ‘Funky Friday’
  • 3:03:56Max B’s New Jersey club performance
  • 3:21:52A trillion dollars or 10 minutes with God
Video Available
Audio Available
7,276 transcript lines

Joe Budden Podcast Ep. 883 Transcript

Full transcript of Not Violins (1:00:26 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:36

    JB. Back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:45

    >> I don't got I don't got a

  • 0:47

    You don't want to talk to me cuz you

  • 0:49

    feel I got a cold. That's That's a new

  • 0:51

    all these new lines of not wanting to

  • 0:53

    speak to a [ __ ] Communicate. Yo, you

  • 0:54

    got a cold saying Mark ain't really

  • 0:56

    really kicking it.

  • 0:57

    >> Let me get my shades, too. I'm on pure

  • 0:58

    [ __ ] today.

  • 0:59

    >> I never seen you sh [ __ ]

  • 1:05

    >> Okay.

  • 1:10

    Little Stevie, but a little nerdy.

  • 1:12

    >> She went to the IMAX.

  • 1:13

    >> Oh,

  • 1:15

    hey, you being there.

  • 1:17

    >> They give you an

  • 1:20

    in the back. I know. I know your type.

  • 1:22

    Hey, girl. You know. Oh yeah, they

  • 1:24

    married. Pardon me.

  • 1:25

    >> One of us is. Yeah.

  • 1:27

    >> Both. Both. Ask.

  • 1:29

    >> How you doing, man? It's good to see

  • 1:30

    you brother.

  • 1:30

    >> Likewise, man.

  • 1:31

    >> I love you, Flip.

  • 1:32

    >> I love you, too, man.

  • 1:34

    >> Got a complaint, though. Yo, um, just

  • 1:36

    want to ask, can I start off asking Mark

  • 1:37

    some questions? Yo.

  • 1:38

    >> Oh, please.

  • 1:39

    >> Listen, so I just want to let you know

  • 1:41

    I'm on pure [ __ ] today, but

  • 1:44

    >> as opposed to you.

  • 1:45

    >> Yeah, my normative faith.

  • 1:47

    >> Yesterday I went to parents.

  • 1:48

    >> This is very serious.

  • 1:49

    >> Yesterday I went to parents teacher. M

  • 1:51

    okay. My daughter had the nerve to pull

  • 1:54

    her teacher to the side after school

  • 1:55

    because he kept saying the word Negro

  • 1:59

    after teaching about the Negro League.

  • 2:01

    Now I had to tell her like I almost

  • 2:03

    called you to tell my daughter to calm

  • 2:05

    like he's teaching about the Negro

  • 2:07

    League. She said he used the word Negro

  • 2:08

    excessively. You can't pull a teacher.

  • 2:10

    Who the [ __ ] you think you are?

  • 2:11

    >> WHAT KIND OF KENDO? WAS SHE saying like

  • 2:12

    you negro sit down?

  • 2:13

    >> Huh?

  • 2:14

    >> Like was it like after he was the lect?

  • 2:16

    >> Yeah, she said that. She said, "Daddy, I

  • 2:17

    understood he was explaining it but he

  • 2:18

    he used it excessively." I'm looking at

  • 2:20

    Princess like, "Wait,

  • 2:21

    >> I'll stay with Princess."

  • 2:22

    >> He's talking about the Negro League and

  • 2:24

    you talking I didn't like that.

  • 2:26

    >> I felt the way real quick. I felt a

  • 2:27

    little racist towards my daughter. I

  • 2:29

    almost sold out. I was almost on your

  • 2:31

    side, but not cuz you would

  • 2:34

    say Ricky over here.

  • 2:36

    >> No, but what I'M SAYING IS I FELT the

  • 2:38

    way in my in my mind. It's like, come

  • 2:40

    on, princess. Like some battles you you

  • 2:41

    could battle and some not. But she said

  • 2:42

    that she said it like seven times. She

  • 2:44

    counted it and you pressing teachers.

  • 2:46

    >> So you were at parent teacher night.

  • 2:47

    >> I was at parent teacher.

  • 2:48

    >> Yeah. So I almost called you to see if

  • 2:50

    they she did something right cuz I

  • 2:52

    didn't know if I wanted to scold her or

  • 2:53

    champion her champion your daughter

  • 2:55

    >> and then and then I came in there with

  • 2:56

    THE MALCOLM X HOODIE. SO THEY LIKE, "OH,

  • 2:57

    this they they this family is ON PURE

  • 3:00

    BUT I'M NOT UP WITH Y'ALL A LITTLE BIT."

  • 3:03

    You know what I'm saying? So that

  • 3:04

    happened yesterday, man. I was tired a

  • 3:06

    little bit. Joe,

  • 3:07

    >> I'm sorry. What grade?

  • 3:09

    >> Say it again. What grade?

  • 3:10

    >> Uh 11th.

  • 3:12

    She's a junior.

  • 3:13

    >> Oh,

  • 3:15

    great. As a junior, I was observing

  • 3:17

    things. Wait, I was never a junior.

  • 3:19

    >> So,

  • 3:21

    no, my question is that if the teacher

  • 3:24

    if the teacher is teaching about the

  • 3:25

    NBA, the negro, whatever, the NLB, is he

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    not supposed to use the word negro?

  • 3:29

    >> I'm laugh I'm Listen, I'm laughing

  • 3:31

    because of all the things they could

  • 3:33

    teach about us. They in there talk about

  • 3:37

    they played baseball.

  • 3:40

    >> The school system and how they represent

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    black people. Come on. Don't start me

  • 3:45

    today. Don't start me today. Please, not

  • 3:47

    today. I'm in a good mood.

  • 3:49

    >> I saw Ammani as parks the hard-hitting

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    questions.

  • 3:53

    >> All eyes on me. All eyes on me.

  • 3:56

    >> Oh man. What's up with y'all, man?

  • 3:58

    What's up, man?

  • 3:59

    >> You be in here for too long before you

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    say what up, man. You be in here for

  • 4:02

    like 30 minutes before me and you even

  • 4:03

    speak to each other.

  • 4:04

    >> That's the old school bag.

  • 4:05

    >> I hate when he get a shape up.

  • 4:06

    >> Yeah, you look good. We acknowledge it.

  • 4:09

    >> You got the clarity sweats on.

  • 4:11

    >> I thought you was in there to pull a gun

  • 4:12

    on the barber, [ __ ] He light-kinned

  • 4:14

    like you. But you good. Yeah, I just saw

  • 4:16

    it.

  • 4:18

    >> You look good. What's up?

  • 4:18

    >> How much? How much is that hoodie?

  • 4:21

    >> Uh,

  • 4:23

    >> that's vintage, man.

  • 4:24

    >> Like a G.

  • 4:25

    >> A G?

  • 4:27

    >> $1,000.

  • 4:30

    $1,000

  • 4:32

    >> for a hoodie, bro.

  • 4:33

    >> What it do?

  • 4:33

    >> I'm not being I'm up like

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    >> they got wings or some [ __ ] that grow.

  • 4:36

    What? What it do? It's bulletproof.

  • 4:40

    >> Get money in here. A THOUSAND. I RESPECT

  • 4:42

    IT. I I was I That's not my world.

  • 4:46

    He got like 30k worth of clothes, [ __ ]

  • 4:48

    He that

  • 4:48

    >> hoodies.

  • 4:49

    >> Yeah,

  • 4:50

    >> but I knew a lot of them was like that.

  • 4:51

    That's that is merch. But I didn't know

  • 4:53

    you had like thousand hoodies in that

  • 4:54

    [ __ ] man. That's what's up, man.

  • 4:58

    >> Must be nice.

  • 5:00

    >> Yo, this

  • 5:01

    >> Freeze, how you doing, man?

  • 5:02

    >> I'm great, man. Glad to be here. How

  • 5:04

    y'all doing?

  • 5:05

    >> Feel great. Feel great.

  • 5:06

    >> Feel good. I was sick, but now I'm over

  • 5:08

    it. I feel good, man.

  • 5:08

    >> I thought I was getting sick again, but

  • 5:10

    not. No, I definitely got a little chest

  • 5:13

    cold, sore throat is coming.

  • 5:16

    >> Whole house coughing.

  • 5:17

    >> They going to keep sending a kid over

  • 5:19

    this.

  • 5:19

    >> It's the kid not say a word. I I had

  • 5:22

    enough one time and said something back.

  • 5:25

    >> I tried to fight up for dad rights like

  • 5:26

    your dog.

  • 5:27

    >> They Huh?

  • 5:28

    >> Huh?

  • 5:29

    >> They going to send the kid.

  • 5:31

    >> No. Okay.

  • 5:31

    >> Yeah. The primary with the Got

  • 5:34

    >> I don't get it.

  • 5:35

    >> No. Go ahead.

  • 5:38

    Anyway,

  • 5:40

    to step on a moment this [ __ ] with

  • 5:43

    muteness this mother.

  • 5:45

    >> Yes, they'll send

  • 5:47

    one. I said, "What the [ __ ] did I say?

  • 5:49

    This guy throw me off with this stupid

  • 5:51

    he just did." Uh,

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    >> everybody,

  • 5:53

    >> oh, Isaiah,

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    >> I can't get sick. As the that's out here

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    working and moving around, I don't have

  • 6:00

    time to get sick. I'm the last person

  • 6:02

    that both of us should want to get sick.

  • 6:04

    Talking about But you're a dad.

  • 6:08

    But you're a Y.

  • 6:14

    >> Anyway, I'll be fine though.

  • 6:15

    >> Hey, you send your kids to school sick

  • 6:16

    on purpose?

  • 6:18

    >> How sick?

  • 6:19

    >> A [ __ ]

  • 6:21

    >> How sick is the no fever?

  • 6:24

    >> Yeah, maybe. Or light fever.

  • 6:26

    >> You going to school?

  • 6:27

    >> Okay.

  • 6:27

    >> Yep. The daytime nanny. You going to

  • 6:29

    school, bro? Oh, school.

  • 6:32

    >> I do it, too. I ain't know if I was the

  • 6:33

    only

  • 6:34

    >> n as long ain't no fever. Yes, you do.

  • 6:35

    >> My stomach hurt. Don't worry about it.

  • 6:36

    You be all You'll be all right.

  • 6:37

    >> My son was cough. I had to give him a

  • 6:38

    steroid to stop the cough.

  • 6:40

    >> God damn.

  • 6:40

    >> No, but it was good. I just needed to

  • 6:42

    stop till he got through the door.

  • 6:45

    >> Once I hit Once I hit 80, I was good.

  • 6:50

    >> Oh [ __ ]

  • 6:53

    >> man. Is that weather? And it's supposed

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    to snow.

  • 6:55

    >> Yeah, state of emergency or some [ __ ]

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    over a little snow.

  • 6:59

    >> Yeah,

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    >> I miss the snow.

  • 7:01

    >> Yeah, me too.

  • 7:02

    >> All right, y'all got to have that

  • 7:03

    [ __ ]

  • 7:04

    >> Just saying.

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    I miss the snow. What you I like a

  • 7:08

    little bit snow. What you miss about it?

  • 7:09

    >> I'm a New Yorker. True and true and

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    true. I I'm here for the change of

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    weather. The contrast seasons changing.

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    It's a beautiful thing. I can have

  • 7:19

    winter without the snow.

  • 7:19

    >> Are you going out there?

  • 7:20

    >> We've had winters without the snow.

  • 7:21

    >> And I'll take that.

  • 7:22

    >> They ain't They ain't really been

  • 7:23

    winterish to me. It don't got to be a

  • 7:25

    blizzard snow. Just some snow.

  • 7:26

    >> Are you going to play in the snow?

  • 7:28

    >> Why you not going?

  • 7:29

    >> All right. So [ __ ] you don't miss the

  • 7:30

    snow, [ __ ] Are you going to sit

  • 7:31

    outside?

  • 7:32

    >> Might I might

  • 7:32

    >> Okay. Well, let me see.

  • 7:33

    >> I might sit outside. Yeah, let me see.

  • 7:35

    >> I might sit on a balcony. I might I

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    might take a trip, [ __ ] I might go to

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    Colorado somewhere where

  • 7:42

    >> Who the [ __ ] are you talking? I love the

  • 7:43

    snow.

  • 7:43

    >> All right, let me see. I just want to be

  • 7:45

    >> snow police words.

  • 7:47

    >> CUZ [ __ ] JUST BE SAYING [ __ ] MAN. I

  • 7:49

    missed the snow. No, you don't miss the

  • 7:51

    snow [ __ ]

  • 7:52

    >> No, you [ __ ] could go to [ __ ] Y'all

  • 7:53

    can move to Florida or somewhere where

  • 7:55

    it's [ __ ] sun is out all year.

  • 7:57

    >> That's me.

  • 7:57

    >> N I don't want that either.

  • 7:59

    >> If I could live in LA, I would I would

  • 8:00

    be there 12 months.

  • 8:01

    >> And Ice, I know where you live. You not

  • 8:02

    even shoveling nothing

  • 8:04

    >> at all. No, I ain't shoveling [ __ ] It's

  • 8:06

    a d your car. Your car got that good

  • 8:08

    defrost.

  • 8:09

    >> Your car got that good that you Yeah,

  • 8:11

    that [ __ ] come right off.

  • 8:12

    >> It's a dub for that. I ain't shoveling

  • 8:14

    [ __ ]

  • 8:14

    >> Say

  • 8:15

    >> really? No.

  • 8:16

    >> I don't either.

  • 8:17

    >> Hell no.

  • 8:17

    >> You going to tip? You going to tip the

  • 8:18

    [ __ ] that shovel us out?

  • 8:19

    >> I don't even see the [ __ ] that do it. I

  • 8:20

    don't know when it's done. Ain't nobody

  • 8:22

    to tip.

  • 8:22

    >> Yeah, they do that [ __ ] early, right?

  • 8:25

    >> Is Do you shovel your build? All your

  • 8:26

    properties do you shovel for the

  • 8:27

    tenants?

  • 8:28

    >> Yeah,

  • 8:29

    >> you yourself.

  • 8:29

    >> Yo, is all right. If it's close,

  • 8:31

    >> that's dedication.

  • 8:32

    >> That is dedication.

  • 8:34

    >> Yo,

  • 8:34

    >> landlord of the year right there.

  • 8:36

    >> Get in the car and drive them.

  • 8:38

    >> Come on, bro.

  • 8:39

    >> You got to get a guy.

  • 8:40

    >> You not out there.

  • 8:41

    >> You got guys.

  • 8:42

    >> I shovel, [ __ ] If it's his clothes

  • 8:44

    out,

  • 8:44

    >> YOU NOT OUT THERE SHOVELING, BOY. STOP.

  • 8:46

    Y'ALL [ __ ] BE LYING, [ __ ]

  • 8:47

    >> I don't believe it either, but I was

  • 8:48

    going to let it ride.

  • 8:49

    >> YOU KNOW WHY HE BE BODYING THE STONE

  • 8:51

    FACE? YOU BELIEVE HIM? NO, WE DON'T

  • 8:52

    BELIEVE YOU. YOU NOT OUTSIDE SHOVELING,

  • 8:54

    [ __ ]

  • 8:54

    >> OKAY.

  • 8:54

    >> What time you getting in your car and

  • 8:56

    driving their house to shovel? going

  • 8:58

    >> at one time.

  • 9:00

    >> Okay, I apologize if

  • 9:01

    >> I believe that before I believe he

  • 9:03

    paying somebody to go out to get in

  • 9:04

    trouble. He going to get some trouble.

  • 9:05

    >> Well, that guy he got that I saw him

  • 9:07

    with don't charge much.

  • 9:10

    Mr. Dish is freezing.

  • 9:13

    Hey yo, take these gloves. He kind of

  • 9:15

    [ __ ]

  • 9:18

    TAKE THESE LITTLE SOCKS. M FACT, DOUBLE

  • 9:20

    IT UP. LET ME TAKE MY [ __ ] OFF. I GOT A

  • 9:23

    HE SIT OUT THERE WATCHING [ __ ] SHOVEL,

  • 9:25

    TOO. IN THE CAR. Just watching

  • 9:28

    >> just shoveling or or the salt? What you

  • 9:30

    saling to?

  • 9:33

    >> Calcium with rock salt.

  • 9:35

    >> Yeah. If you want to get fancy and how

  • 9:38

    much of it?

  • 9:38

    >> No, I leave a [ __ ]

  • 9:39

    >> How much salt? You trying to tell people

  • 9:42

    to take a little scoop?

  • 9:43

    >> I leave a bucket at each house. I leave

  • 9:45

    a bucket. A 5 lb a big bucket.

  • 9:47

    >> Okay. That's cute.

  • 9:49

    >> But do you Is that extra? Did you salt

  • 9:52

    it?

  • 9:52

    >> Yeah, I salt it. [ __ ] you leave it by

  • 9:54

    hand. You got to leave the cup. The

  • 9:55

    little the little little [ __ ]

  • 9:56

    >> and you leave a cup in there.

  • 9:57

    >> Black ice.

  • 9:58

    >> What the [ __ ] is that?

  • 9:59

    >> Is there any black ice in your province?

  • 10:01

    >> Oh, that's the fancy salt.

  • 10:02

    >> Yeah, that's the [ __ ]

  • 10:04

    >> Yeah. No, no, no. Rock salt.

  • 10:09

    >> Got the dollar salt, right?

  • 10:11

    >> I don't need no pellets. Give me Give me

  • 10:14

    $13 bag, that $40 bag. Stay in the

  • 10:16

    depot. I'm good.

  • 10:18

    >> Damn. I got to do the calculation,

  • 10:19

    [ __ ] each house

  • 10:22

    of work.

  • 10:22

    >> You show. You show me. I want to You

  • 10:24

    show me. Yo, bro. You show off here. I

  • 10:27

    get it.

  • 10:27

    >> Even when it's deep.

  • 10:29

    >> Yeah.

  • 10:31

    >> It's It's laws for snow. For landlords.

  • 10:34

    You got a snow.

  • 10:34

    >> That's why you need a guy, though. So,

  • 10:35

    you ain't got to drive in that [ __ ] when

  • 10:37

    it's

  • 10:37

    >> a blizzard out there.

  • 10:38

    >> Go ahead. You do that. Put Put your

  • 10:40

    faith in the guy.

  • 10:41

    >> Oh, yeah. The guy not going.

  • 10:43

    >> Put your faith in the guy.

  • 10:43

    >> Well, you paid him enough and then I got

  • 10:45

    >> Yeah, you got to pay him right.

  • 10:46

    >> Got people that come by every time it

  • 10:47

    snow. Mhm.

  • 10:48

    >> You pay them right, don't you?

  • 10:50

    >> Yeah.

  • 10:52

    >> Yo, who's got you this thing?

  • 10:53

    >> I have to figure I can't I get and I I

  • 10:56

    ain't going to lie. I know this guy.

  • 10:58

    >> A lot of people.

  • 10:58

    >> Yo, WHY WHY DO YOU THINK THAT people be

  • 11:01

    lying? Yo, I didn't say nothing about

  • 11:02

    lying.

  • 11:03

    >> You like, "Yo, who's watching this?" Cuz

  • 11:04

    you I'm saying some kind of No, I'm not

  • 11:08

    saying you're lying. I shovel my snow,

  • 11:10

    bro. It's nothing wrong with shoveling

  • 11:12

    snow. Who the [ __ ] is watching this? I

  • 11:14

    got to get to the I'mma figure it out

  • 11:16

    like the chair company [ __ ] Yo, that's

  • 11:19

    going to be my cheer company purpose.

  • 11:21

    >> It's just got somebody that's [ __ ]

  • 11:23

    looking at it

  • 11:25

    >> and he know it.

  • 11:26

    >> You crazy.

  • 11:26

    >> Look at this.

  • 11:27

    >> Yo, you're crazy, bro.

  • 11:29

    >> Every time you get a [ __ ] like when you

  • 11:31

    look [ __ ] up, you you let [ __ ] look.

  • 11:33

    You look sharp.

  • 11:33

    >> I look [ __ ] up sometimes.

  • 11:34

    >> Sometimes you be so stupid.

  • 11:36

    >> Ever seen a talkative mysterious

  • 11:39

    like I'm about to get into this [ __ ]

  • 11:40

    now. He pissing me the [ __ ] off cuz I

  • 11:43

    know him for too long for this to even

  • 11:45

    still be for what?

  • 11:48

    specific.

  • 11:49

    >> Oh, all right. Cool.

  • 11:50

    >> I don't know. How you talkative and

  • 11:52

    mysterious?

  • 11:53

    >> It's impressive,

  • 11:55

    >> my [ __ ] People ask me direct

  • 11:57

    questions. I answered the questions. Yo,

  • 11:58

    you shovel your own snow? Yeah. No. No,

  • 12:00

    you don't.

  • 12:01

    >> But look how you do.

  • 12:02

    >> I do though.

  • 12:03

    >> Yeah, I shovel it.

  • 12:04

    >> And y'all said no. I do this a face.

  • 12:06

    >> I ANSWERED YOU,

  • 12:07

    >> [ __ ] COMMUNICATE. Do you? Yes, I do.

  • 12:09

    And let me tell you how. You don't do

  • 12:11

    that. YOU DO EVERY MIC DROP. LIKE,

  • 12:14

    >> it was No, no, you don't. Can't possibly

  • 12:16

    shovel you on snow. You lying. Mr. East

  • 12:18

    gave him socks. ALL THAT [ __ ] NO,

  • 12:21

    [ __ ]

  • 12:23

    I put on my old North Face. I get

  • 12:25

    outside with my ski pants on.

  • 12:28

    >> Dope one, too. And shovel my own snow.

  • 12:30

    Bro, how early?

  • 12:33

    >> You got to wait until it's finished

  • 12:34

    snowing. You got a certain amount of

  • 12:36

    time after it finish snowing at the

  • 12:37

    show.

  • 12:37

    >> So, if it snows overnight, are you out

  • 12:38

    there at 600 7:00 a.m.?

  • 12:40

    >> Nah, I probably get out there like

  • 12:41

    10:00.

  • 12:42

    >> I ain't bad.

  • 12:42

    >> No, it's fire. Okay.

  • 12:44

    >> You're a good landlord, man. Yeah, I

  • 12:45

    try.

  • 12:46

    >> You cut the grass, too.

  • 12:47

    >> That's why you wanted to rent.

  • 12:49

    >> Yeah, sometimes

  • 12:49

    >> he probably used that too. Freeze. I

  • 12:51

    SHOVEL YOUR SNOW, [ __ ] WHERE MY WHERE

  • 12:54

    MY RENT AT?

  • 12:55

    >> I don't think he refers to his tit.

  • 12:57

    >> Oh, yeah. Pardon me. Shove your snow be.

  • 13:00

    >> A little more ll. Yeah, a little more ll

  • 13:02

    than that.

  • 13:03

    >> I shovel your snow be. Where am I at?

  • 13:06

    >> Yeah, that's what I do, bro. You got it.

  • 13:08

    >> You too cool. Look at that [ __ ] I love

  • 13:10

    you. I think about you when I go home.

  • 13:11

    >> For real.

  • 13:12

    >> You shovel your

  • 13:13

    >> I do. That's cute. You show your snow.

  • 13:16

    Send the people.

  • 13:20

    >> He don't know what snow is.

  • 13:22

    >> I'm lost. He used to Joe, you want me to

  • 13:25

    wipe the car down? That [ __ ] don't be in

  • 13:26

    the snow. They still wipe it down.

  • 13:27

    >> I I have managers.

  • 13:28

    >> Gotcha. The people Yeah.

  • 13:30

    >> Yeah. They get Yeah,

  • 13:31

    >> they get to it.

  • 13:33

    >> They get to Gotcha.

  • 13:36

    >> Yo, I had the wildest podcast dream. I'm

  • 13:39

    listening to y'all. It's kind of like my

  • 13:41

    dream a little bit.

  • 13:42

    >> Oh, man. No, for real.

  • 13:43

    >> That's funny when you have the work

  • 13:44

    dream.

  • 13:45

    >> Yo, dog.

  • 13:47

    >> I ain't even the dude to be remembering

  • 13:49

    his dreams either.

  • 13:50

    >> Me neither.

  • 13:50

    >> Do y'all?

  • 13:51

    >> No, not often.

  • 13:52

    >> Some of them. Do y'all dream a lot?

  • 13:54

    >> Yeah. But if they go out as soon as I

  • 13:55

    wake up, it's it's over.

  • 13:58

    >> I don't even think I really neither. I

  • 14:00

    used to. I don't dream no

  • 14:01

    >> no more. Taking that melatonin.

  • 14:04

    >> Yeah.

  • 14:04

    >> [ __ ] got a lot going on in my life.

  • 14:07

    Parks.

  • 14:07

    >> I I ain't going to lie. I don't remember

  • 14:08

    the last time I had a drink.

  • 14:10

    >> Damn. Damn.

  • 14:11

    >> Wow. That's way depressing

  • 14:12

    >> for real.

  • 14:13

    >> Yeah. Damn. So,

  • 14:14

    >> let me guess. Life is just kicking.

  • 14:17

    >> I don't know what that means, but I

  • 14:18

    don't be dreaming a lot. When I was

  • 14:20

    young, I did.

  • 14:20

    >> Just be darkness.

  • 14:22

    >> Yeah.

  • 14:23

    >> I just go [ __ ] them all.

  • 14:24

    >> Then I wake up

  • 14:27

    to dream.

  • 14:33

    >> I [ __ ] once I [ __ ] them all, it was

  • 14:35

    like more drinks, tomato, tomato.

  • 14:39

    Oh

  • 14:40

    >> yeah, we was somewhere pardoning and we

  • 14:43

    was it was all of us though

  • 14:46

    >> like all of us Mona the whole everybody

  • 14:51

    right

  • 14:52

    >> but we was somewhere remote pardon and

  • 14:54

    it was a big ass space and it was

  • 14:56

    somebody that we whoever we was talking

  • 14:58

    to we had to do that interview it wasn't

  • 15:00

    booked but we had to do it and as we was

  • 15:04

    doing that Dr. Unmar walked in. Oh [ __ ]

  • 15:07

    Okay.

  • 15:08

    >> And now I'm trying to rush whoever the

  • 15:10

    [ __ ] this is, but they won't get up. And

  • 15:13

    then Rory and [ __ ] more people come

  • 15:17

    in. And I'm like, "Oh [ __ ]

  • 15:21

    >> and then Mandy came."

  • 15:23

    >> Oh, that's the home for you.

  • 15:25

    >> Podcasters just started [ __ ] the JBN

  • 15:28

    >> showing. No, it's not. No, no, it's not.

  • 15:32

    Not at all. Why was that happening?

  • 15:35

    Then a fight broke out outside right

  • 15:39

    broke out outside. So then then the

  • 15:42

    interview was over but then I couldn't

  • 15:44

    interview. It was able to break it up.

  • 15:45

    >> Who was fighting you? I assume

  • 15:47

    >> I don't be dreaming about work.

  • 15:49

    >> Who was fighting?

  • 15:50

    >> People outside.

  • 15:51

    >> Oh. Oh, not inside.

  • 15:53

    >> Oh, okay. Okay. People outside. But then

  • 15:55

    we rushed outside

  • 15:57

    >> and then it got hectic outside and then

  • 15:59

    I couldn't interview nobody. It was

  • 16:01

    over.

  • 16:02

    >> Wow. That's a wonderful dream.

  • 16:05

    >> What lesson did you take from that

  • 16:06

    dream?

  • 16:06

    >> Thank you for that dream. None [ __ ]

  • 16:09

    dark.

  • 16:09

    >> What? I just

  • 16:10

    >> none.

  • 16:12

    There was no lesson. We should interpret

  • 16:14

    how many dreams we have. We should

  • 16:15

    interpret all that stuff. Well, I didn't

  • 16:17

    take anything away from it. I just woke

  • 16:18

    up like, damn, that was interesting.

  • 16:20

    >> He's the king.

  • 16:21

    >> I forgot all about it, too. Y'all

  • 16:22

    started talking.

  • 16:23

    >> The umbrella. You know what I'm saying?

  • 16:24

    >> Wait. Huh?

  • 16:25

    >> He's the king. He's the umbrella. He

  • 16:26

    talked about that partnership. A lot of

  • 16:28

    people ain't going to survive,

  • 16:30

    >> right? Then you know the people that

  • 16:31

    came in, you know, it wants under the

  • 16:32

    umbrella. So it's just God showing them,

  • 16:34

    [ __ ] look what you start, look what

  • 16:35

    you did, [ __ ] egotistical

  • 16:37

    dream. I slap the [ __ ] out of you, bro.

  • 16:39

    Don't ever come with no dream like that

  • 16:40

    again.

  • 16:40

    >> I didn't pull that from a dream.

  • 16:42

    >> Rory and and Mandy, [ __ ] all the

  • 16:44

    [ __ ] over there. Oh, the people that

  • 16:45

    apparently was on the [ __ ] Shut the

  • 16:47

    [ __ ] up, [ __ ]

  • 16:47

    >> I mean, I started with Umar

  • 16:49

    >> cuz you you you want you wanted them.

  • 16:52

    That's our guy.

  • 16:53

    >> Oh my god.

  • 16:54

    >> That's our guy.

  • 16:55

    >> I'm done with you.

  • 16:57

    >> I was in here [ __ ] with knobs. Hold

  • 16:59

    up man.

  • 17:01

    >> All right.

  • 17:03

    >> You doing your off time is your

  • 17:04

    business.

  • 17:06

    >> Abdul Carter situation. We're good.

  • 17:09

    >> How is that?

  • 17:11

    >> These [ __ ]

  • 17:12

    >> [ __ ] with knobs.

  • 17:13

    >> [ __ ]

  • 17:13

    >> How? Explain it to me.

  • 17:15

    >> Knob is a a slang word for the penis.

  • 17:18

    >> Where? Never heard.

  • 17:21

    >> It's a famous song by a group called

  • 17:24

    360. They're from Memphis, Tennessee.

  • 17:27

    You got me.

  • 17:29

    You got me. You got Oh my god. Over here

  • 17:33

    with

  • 17:35

    >> Okay, that's crazy.

  • 17:36

    >> I've been over here [ __ ] with N.

  • 17:40

    >> Oh my. See, look.

  • 17:43

    >> That's crazy.

  • 17:45

    >> Okay, I'm done with y'all for real. That

  • 17:47

    was funny.

  • 17:54

    >> I don't know how that got sped up like

  • 17:55

    that. Enough

  • 17:58

    daddy.

  • 18:11

    >> Who is that? Who is that?

  • 18:13

    Who is who is that?

  • 18:17

    [ __ ] [ __ ] [ __ ]

  • 18:18

    >> And flip flip flip flip flip. Yo. Hey,

  • 18:21

    put some bass in y voice. Flip. Flip.

  • 18:24

    Flip. Flip. Flip. Game over, [ __ ]

  • 18:26

    >> Flip, flip, flip.

  • 18:28

    >> Yeah, that was It was It was You're

  • 18:30

    right.

  • 18:32

    >> Can we do it again? Can we do it again?

  • 18:33

    Let's do it again. Let's do it again.

  • 18:34

    >> Count of three. One, two, three.

  • 18:36

    Andipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipipip..ip.ip.ipip.

  • 18:37

    Flip flip flip flip

  • 18:41

    >> I [ __ ] up flip my flip [ __ ]

  • 18:48

    too close to the rim

  • 18:49

    >> I know

  • 18:51

    that

  • 18:52

    >> I know

  • 18:56

    I know

  • 18:58

    Joe what episode is this

  • 18:59

    >> uh 883

  • 19:00

    >> 883 welcome to episode 883 of the Joe

  • 19:03

    button podcast brought to you by fueled

  • 19:05

    by power by prize piss prize pitch

  • 19:08

    I'm Joe Button. This is Queens Flip.

  • 19:11

    Queens get the money. That's our good

  • 19:12

    brother Dr. Mark Lamont Hill. That's our

  • 19:14

    good brother ish right there. That's

  • 19:16

    Freeze the Freeziest of them all. Y'all

  • 19:18

    know him. That's Parks. That's Po. This

  • 19:20

    is Cory.

  • 19:22

    >> What happened?

  • 19:24

    >> What happened?

  • 19:24

    >> I'm not going to do it to you. I love

  • 19:26

    you

  • 19:26

    >> now. What happened?

  • 19:27

    >> Now,

  • 19:30

    I love you too. I love him, too. What

  • 19:32

    you call him?

  • 19:32

    >> What you did? This is my man, man. Do

  • 19:35

    >> some [ __ ] He was doing some

  • 19:36

    [ __ ]

  • 19:37

    >> Absolutely some [ __ ]

  • 19:37

    >> Look. Yep. Look at him though.

  • 19:39

    >> Look at him. Some [ __ ] Guilty face.

  • 19:41

    Such a guilty face.

  • 19:42

    >> Yeah.

  • 19:43

    >> Did it.

  • 19:44

    >> Oh no. Well, that part ain't in

  • 19:46

    question.

  • 19:47

    We seen him do it.

  • 19:49

    >> Oh, we seen him do it.

  • 19:52

    >> Old [ __ ] too. Now we got to talk about

  • 19:54

    it a little bit for a second now. Cuz

  • 19:56

    first of all, you should put a minute

  • 19:57

    work sign on the door or uh Oh [ __ ]

  • 19:59

    >> Or uh uh do not disturb or some [ __ ]

  • 20:03

    Put a sock in the handle.

  • 20:04

    >> But he don't. So he got THE DOOR JUST

  • 20:06

    WIDE OPEN. You getting crazy was in here

  • 20:10

    wide open crazy right? So they went

  • 20:13

    >> he was [ __ ] with the knob

  • 20:16

    was IN WITH THE ADABI.

  • 20:17

    >> SO then when you hear when you hear a

  • 20:19

    door slam or some [ __ ] like that should

  • 20:22

    be like okay

  • 20:22

    >> let me put it away.

  • 20:23

    >> Someone's coming.

  • 20:25

    >> Let me do something. Let me get up close

  • 20:27

    the door. I'll get back to this I get

  • 20:29

    back to this [ __ ]

  • 20:30

    >> He old [ __ ] here couldn't do that.

  • 20:33

    So now the door was wide open. So

  • 20:35

    somebody walked by, he got the blanket

  • 20:38

    over there.

  • 20:40

    >> Oh [ __ ]

  • 20:43

    >> Oh [ __ ]

  • 20:48

    >> What the [ __ ]

  • 20:49

    >> This nigga's a old [ __ ] man. The

  • 20:52

    Terminator pumps

  • 20:55

    back.

  • 20:57

    >> So anyway, Cory is here.

  • 21:00

    >> Erikson is here. Tanner Savani here by

  • 21:02

    remote. Last, but certainly not least,

  • 21:03

    each and every one of you guys

  • 21:05

    >> are here, man. Everybody look good,

  • 21:07

    smell good. Come on, let's get right to

  • 21:08

    it.

  • 21:09

    >> Let's get right to it. I I was up at

  • 21:11

    5:00 a.m.

  • 21:12

    >> watching The Reckoning.

  • 21:14

    >> Right to it.

  • 21:14

    >> That is the Puff Daddy piece, executive

  • 21:17

    produced by 50 Cent. I don't even think

  • 21:18

    that's fair because there's a lot more

  • 21:20

    names involved in this piece.

  • 21:21

    >> Oh, yeah.

  • 21:22

    >> But 50 is kind of

  • 21:23

    >> he's the star name.

  • 21:25

    >> Yeah, but it's mad other names.

  • 21:27

    >> So, but [ __ ] it. Executive produced by

  • 21:29

    50 Cent on Netflix. It's a four-part

  • 21:32

    series.

  • 21:33

    >> Was there any other industry names on

  • 21:34

    there or just other names?

  • 21:35

    >> That's what I was about to say.

  • 21:37

    >> Let me see if I can

  • 21:38

    >> just out of curiosity like

  • 21:39

    >> any names. No.

  • 21:41

    >> No.

  • 21:41

    >> Oh, okay.

  • 21:42

    >> No, if that's what industry name.

  • 21:45

    >> Yeah. Yeah. Yeah. I was thinking like

  • 21:47

    record exacts or anything like that.

  • 21:49

    >> Oh, they No, but it's not just by one

  • 21:53

    person is is what I'm saying. like I'm

  • 21:56

    sure those people are accomplished and

  • 21:59

    have, you know, so this is them coming

  • 22:01

    together and it it's my point is it's a

  • 22:04

    very well done piece.

  • 22:07

    >> Dope.

  • 22:08

    >> It's a very

  • 22:09

    >> Well, well, depending on who you

  • 22:12

    >> I like well done documentaries. Let me

  • 22:14

    put it that way.

  • 22:15

    >> Me, too.

  • 22:16

    >> Um

  • 22:16

    >> I'm glad it wasn't a quick hack rush job

  • 22:19

    >> cuz they did a bunch of

  • 22:20

    >> They didn't come off like that at all.

  • 22:21

    >> Yeah. Yeah, they did. Hulu was going

  • 22:23

    crazy. Everybody just had a bunch of

  • 22:25

    >> And yeah, just show the same footage

  • 22:27

    over and over again.

  • 22:27

    >> It was a bunch of [ __ ]

  • 22:28

    >> Yeah.

  • 22:29

    >> Yeah.

  • 22:29

    >> Now, this one was very well done. I

  • 22:31

    watched when episode one was on, I said,

  • 22:34

    "Okay,

  • 22:37

    >> you're recapping. I've I've heard all of

  • 22:39

    this. They're going they're starting at

  • 22:41

    his earlier years and background and

  • 22:44

    >> yada yada and just how he the early

  • 22:46

    stages of and I'm like, "All right,

  • 22:48

    we've seen all of this

  • 22:49

    >> before."

  • 22:52

    And I mean, most of the footage we've

  • 22:53

    seen, part two was about, like I just

  • 22:57

    saw it a couple hours ago, so bear with

  • 22:58

    me. Part two was about

  • 23:03

    Biggie and the West Coast and Pac and

  • 23:06

    >> more [ __ ] than we've seen before.

  • 23:08

    >> Yeah, but told differently.

  • 23:10

    >> Okay. Okay.

  • 23:11

    >> Told differently.

  • 23:13

    This one did more.

  • 23:16

    >> It basically blames Puff for Biggie and

  • 23:19

    Pac. Okay.

  • 23:22

    Wow.

  • 23:22

    >> This piece, which is something we've

  • 23:24

    heard before.

  • 23:25

    >> Yeah. This piece take takes a lot of the

  • 23:29

    reasonable doubt away. Like

  • 23:32

    >> they do a good job of laying it at his

  • 23:35

    feet. I was pissed by episode two.

  • 23:37

    >> I was absolutely pissed by

  • 23:39

    >> pissed at the dock or pissed at Puff.

  • 23:40

    >> Yeah,

  • 23:41

    >> Puff.

  • 23:42

    >> Oh, okay.

  • 23:44

    Because the way the doc is framing it

  • 23:48

    was big didn't want to go to LA at all.

  • 23:51

    >> Like that little segment and we maybe

  • 23:53

    have heard that before. This doc did a

  • 23:55

    good job of making you say

  • 23:58

    >> right after Pac dies. Why would Biggie

  • 24:01

    want to go to Yeah.

  • 24:03

    >> LA to finish recording the album? Like

  • 24:05

    that just

  • 24:06

    >> sounds real stupid today.

  • 24:08

    >> It does a little bit. It does. And then

  • 24:09

    they got interview and then they got

  • 24:11

    interviews with all these key people

  • 24:13

    where even if they are saying something

  • 24:15

    you heard before they saying a little

  • 24:17

    more indepth. So they got the guy saying

  • 24:20

    I forgot his name. Sorry. Uh they got

  • 24:22

    him saying yo Biggie was supposed to go

  • 24:25

    to LA and then run with me over to

  • 24:26

    London two days later but

  • 24:30

    that didn't happen. He was urged to

  • 24:33

    stay. I mean and then they get into the

  • 24:36

    uh swapping of the Rolling Stone cover

  • 24:38

    again. more things that you have heard

  • 24:41

    >> but how it how

  • 24:43

    >> it's framed differently

  • 24:44

    >> somebody and again maybe that's 50

  • 24:46

    there's somebody in the no putting this

  • 24:49

    timeline together

  • 24:51

    >> yeah I was saying [ __ ] him for the big

  • 24:53

    by episode two

  • 24:54

    >> really I got to watch this I'm watching

  • 24:57

    today for sure

  • 24:59

    >> episode three then they get into the

  • 25:03

    >> women and just you know where this

  • 25:05

    >> that you know where it goes and four is

  • 25:07

    the end

  • 25:08

    >> okay

  • 25:08

    >> and For his stand,

  • 25:09

    >> how was it in like at him?

  • 25:11

    >> At Okay, now. Okay. Now, Cassie, they

  • 25:14

    got footage of They just got They got

  • 25:16

    all the footage. They got footage of

  • 25:18

    >> Ryan Leslie bringing Cassie in the

  • 25:21

    conference room and then Puff at the in

  • 25:23

    the studio with Puff saying, "Yeah, I

  • 25:26

    like this song, but I want to love it. I

  • 25:28

    need a rapidity to do this part that you

  • 25:30

    on Ryan Leslie." And then there was no

  • 25:32

    more Ryan Leslie. Then it was Kim Porter

  • 25:34

    was the wife, but then Cassie was the

  • 25:37

    wifey. And then when Kim Porter would

  • 25:39

    come around, he was saying Cassie to go

  • 25:40

    to the spa or some [ __ ] cuz they

  • 25:42

    couldn't be around each other. Then they

  • 25:43

    got [ __ ] Albby Shore in there. Got

  • 25:46

    Eric Surman in there talking about Misa.

  • 25:48

    >> Wow.

  • 25:49

    >> Talking, yo, when Puff met Misa, yada

  • 25:51

    yada. Like it's just

  • 25:53

    >> wow

  • 25:53

    >> a whirlwind of [ __ ]

  • 26:00

    >> I won't call it a hit piece because they

  • 26:02

    did focus on his success as well. Okay.

  • 26:04

    And that's the story they were telling.

  • 26:06

    It's like,

  • 26:07

    >> but the success drove him to be a

  • 26:09

    monster. Is that how they framed it?

  • 26:10

    >> No. No, I won't say that. But

  • 26:14

    the guy you just the guy that got away

  • 26:16

    at at every turn

  • 26:18

    >> and continued to rise

  • 26:21

    >> and rise more. And then when this guy

  • 26:24

    got dead, the Danny Kane, they went into

  • 26:25

    the whole making of the making a band

  • 26:27

    [ __ ] and what that looked like with

  • 26:29

    today's ears and climate.

  • 26:32

    uh his relationship with Aubrey

  • 26:36

    >> and how he was sending her [ __ ] on some

  • 26:38

    >> Did they put her in?

  • 26:39

    >> Yo, I'm masturbating tonight. I'm gonna

  • 26:42

    think of you and y I want to [ __ ] And

  • 26:45

    when that didn't go right, uh

  • 26:49

    then they pan right through the footage

  • 26:51

    of him kicking out the group and she

  • 26:53

    looking at him like,

  • 26:54

    >> "Oh,

  • 26:55

    >> she looking at him like, "Yo,

  • 26:56

    >> did she speak? Did she speak in the

  • 26:57

    dock?"

  • 26:58

    >> Huh?

  • 26:58

    >> Did she speak in the dock? Uh, I think

  • 27:01

    so.

  • 27:02

    >> It's all fuzzy.

  • 27:03

    >> It's all fuzzy.

  • 27:05

    >> Rewatch. You have to rewatch.

  • 27:06

    >> Oh, no. This is

  • 27:07

    >> It's all fuzzy. But she looked at him

  • 27:09

    like, "My man,

  • 27:12

    really?" Cuz he's in sitting there

  • 27:14

    saying, "You're not provocative enough.

  • 27:15

    You're not promiscuous. You

  • 27:17

    >> [ __ ] right."

  • 27:21

    >> Yeah. And then it got into when I was

  • 27:23

    done with Danity Kane, he [ __ ] exed

  • 27:26

    that whole group, took Dawn, put in

  • 27:28

    dirty money. now is him in the group. So

  • 27:31

    it's he's the focus. The story they kept

  • 27:33

    trying to tell was he always wanted to

  • 27:34

    be the focus.

  • 27:35

    >> The executive who had all these artists

  • 27:38

    but

  • 27:39

    >> wanted to be the

  • 27:39

    >> I'm the I'm the Yeah, I'm the star.

  • 27:42

    >> So was insert the Suge speech from

  • 27:45

    awards.

  • 27:46

    >> Well then they got into Suge. They got

  • 27:48

    into what he said at the Source Awards,

  • 27:50

    what Puff said at the Source Awards, how

  • 27:53

    Suge was Albby Shore's bodyguard and and

  • 27:55

    how that turned to executive. And this

  • 27:58

    was just a very

  • 27:59

    >> well done piece involving a lot of info

  • 28:03

    that you know but

  • 28:05

    >> framed

  • 28:06

    >> framed a certain way and with some more

  • 28:08

    [ __ ] cuz cuz now cuz they have footage

  • 28:11

    of and this is what I guess Puffs people

  • 28:13

    was beefing about. They have footage of

  • 28:16

    like 6 days before the arrest.

  • 28:18

    >> Yeah.

  • 28:19

    >> Uh they got fresh footage of him in the

  • 28:21

    car.

  • 28:22

    >> Oh [ __ ]

  • 28:23

    >> God damn.

  • 28:23

    >> Him talking to lawyers. I saw him

  • 28:25

    arguing.

  • 28:25

    >> Yeah. talking to lawyers. That's the

  • 28:27

    clip that was going viral uh yesterday

  • 28:29

    was him in Harlem hugging people. Oh,

  • 28:32

    that they didn't do that no good either.

  • 28:33

    The doc was like and when everybody

  • 28:35

    turned their back on it was totally

  • 28:36

    over. Now you're back in Harlem. Now

  • 28:39

    you're walking around. You're a man of

  • 28:41

    the people on all of these like they was

  • 28:43

    making it seem

  • 28:45

    No, they're not making it seem. At one

  • 28:46

    point he was they said he don't [ __ ]

  • 28:48

    with black people. Oh [ __ ] Damn. Yeah.

  • 28:52

    They said that [ __ ] Wow. I hate that

  • 28:55

    I'm the only one that saw it. So, y'all

  • 28:57

    just like

  • 28:59

    we'll have the report cuz I'm kind of

  • 29:00

    scatterbraining this whole thing because

  • 29:03

    I was just taken aback.

  • 29:05

    >> Well, it seemed like Diddy's people were

  • 29:06

    taking a back, too. When the piece came

  • 29:08

    out with the footage, they said, first

  • 29:10

    of all, they called it a shameful hit

  • 29:11

    piece.

  • 29:12

    >> Uh, but they said, his lawyer said,

  • 29:14

    quote, stolen footage uh was never

  • 29:16

    authorized for release. So, there's a

  • 29:20

    either there's a rat or somebody's

  • 29:22

    lying. I thought that from what I know

  • 29:24

    is that the person that records the

  • 29:26

    footage, the footage belonged to them. I

  • 29:28

    don't think that puff

  • 29:29

    >> unless they signed some

  • 29:32

    I don't think that he had time or he had

  • 29:34

    the person sign anything cuz in my mind

  • 29:36

    I met the person at the I met the

  • 29:38

    person.

  • 29:38

    >> Don't usually they how you sign that

  • 29:39

    [ __ ] before you even start recording.

  • 29:41

    Yeah, but not when you going through all

  • 29:42

    that [ __ ] I don't think hasty or

  • 29:44

    whatever.

  • 29:45

    >> Well, a person like Puff,

  • 29:46

    >> I don't think he thought about it

  • 29:47

    though, Free. I thought the same thing

  • 29:48

    as just before you going to jail. You

  • 29:50

    know they coming to get you. So you

  • 29:52

    trying to put out some [ __ ]

  • 29:53

    >> You just record. Well, here's what

  • 29:54

    Alexandria Stapleton said, which speaks

  • 29:55

    to what y'all said. Alexandra Stapleton

  • 29:57

    is the uh the director of the docu

  • 29:59

    series.

  • 29:59

    >> She's the one that was doing the press

  • 30:00

    with 50 and all that.

  • 30:02

    >> She said, "It came to us. We obtained

  • 30:04

    the footage legally and have the

  • 30:05

    necessary rights. We moved heaven and

  • 30:07

    earth to keep the filmmaker's identity

  • 30:09

    confidential." One thing about Shawn

  • 30:11

    Combmes is that he's always filming

  • 30:12

    himself and it's been an obsession

  • 30:14

    throughout the decades, which might

  • 30:15

    answer the other question. We also

  • 30:17

    reached out to his legal team for an

  • 30:19

    interview and comment multiple times but

  • 30:21

    did not hear back. So it sounds like

  • 30:23

    like to your point like he they ain't

  • 30:24

    getting no illegal footage.

  • 30:26

    >> No, it wasn't illegal. It's just it's

  • 30:27

    just the person that gave it to them.

  • 30:29

    You might look at them funny,

  • 30:30

    >> right? And the reason Puff might do that

  • 30:31

    like if you're obsessed with filming

  • 30:32

    yourself and you know you going to

  • 30:34

    prison in 4 days that might be why

  • 30:35

    >> he may have had his own doc plans or

  • 30:38

    >> I'm sure

  • 30:38

    >> or especially be one. Well, that's the

  • 30:40

    other thing I said to myself watching is

  • 30:42

    like there's footage from 89. Like,

  • 30:46

    >> wow.

  • 30:47

    >> I was outside in '94. I can't find a

  • 30:50

    [ __ ] a video of me doing [ __ ] It's a

  • 30:54

    It It's a lot of footage

  • 30:56

    >> of him doing everything. That's the

  • 30:59

    other part that was I'm telling you

  • 31:02

    they had one of his male escorts on

  • 31:06

    and the dude said every March 9th

  • 31:10

    religiously no matter where I was him

  • 31:13

    and Cassie flew me out to be where they

  • 31:16

    was at specifically on March 9th.

  • 31:19

    >> Wow.

  • 31:21

    >> That's a little creepy.

  • 31:22

    >> That's a little

  • 31:23

    >> That's what I'm saying. there's a lot of

  • 31:24

    other [ __ ] that was just like And then

  • 31:27

    later on he goes on to say

  • 31:30

    uh he goes on to say that toward the end

  • 31:34

    of their whatever they were doing

  • 31:38

    they would collect his semen

  • 31:42

    in a cup

  • 31:45

    >> and he didn't say nothing for a few

  • 31:48

    times and then finally he did he was

  • 31:49

    like yo what the [ __ ]

  • 31:51

    >> are you doing with my semen.

  • 31:54

    >> Yeah.

  • 31:55

    >> And they said Puff was like, "Yo, I like

  • 31:58

    to make her drink it, play with it,

  • 32:01

    douse it." Why? What? What's the problem

  • 32:03

    with it?

  • 32:06

    >> And then they have some They have him on

  • 32:08

    that type of [ __ ] very early too,

  • 32:10

    earlier than

  • 32:11

    >> all of this. But you know that that's

  • 32:12

    there.

  • 32:13

    >> You know that that's there. But back to

  • 32:14

    the Dirty Money [ __ ] from Megan the Band

  • 32:16

    to Dirty Money. The story that they were

  • 32:18

    telling in there, the other girl from

  • 32:20

    Dirty Money, I forgot her name.

  • 32:22

    Kala.

  • 32:24

    >> And let me just say the Dirty Money

  • 32:26

    album is a classic. Great album.

  • 32:28

    >> The Dirty Money album is a classic.

  • 32:29

    >> And the remix album too.

  • 32:31

    >> Fire.

  • 32:32

    >> They did a remix album.

  • 32:33

    >> So they got her saying that the

  • 32:35

    relationship between Puff and Dawn was

  • 32:38

    very strange as well.

  • 32:40

    >> Like

  • 32:43

    like if you ever met a billionaire, what

  • 32:46

    would you do to be his girl or be in his

  • 32:50

    >> concubine? Whatever. Yeah, Kina.

  • 32:52

    >> All while Cassie is there. So, it's just

  • 32:55

    it painted. It's a lot of facts. It's a

  • 32:58

    lot of footage.

  • 33:00

    However, they got the footage, it

  • 33:02

    certainly helped in this in this story

  • 33:04

    they were telling. It did, right? It

  • 33:06

    did.

  • 33:06

    >> Wow.

  • 33:07

    >> It did make you feel like at the end he

  • 33:10

    didn't get enough time.

  • 33:11

    >> Really?

  • 33:12

    >> Really?

  • 33:13

    >> It would have to. They show the shine

  • 33:15

    [ __ ]

  • 33:17

    >> They showed a girl. They show too much

  • 33:19

    [ __ ] to where it's like

  • 33:24

    if you don't believe this or if this

  • 33:26

    didn't do it for you or if this didn't

  • 33:28

    do it for you. It's like certain [ __ ] is

  • 33:30

    too consistent in the story that they

  • 33:32

    tell.

  • 33:32

    >> Did they mention anything about the

  • 33:33

    trial like where the state [ __ ] up or

  • 33:35

    the feds or whoever was

  • 33:38

    >> trying it or anything like that?

  • 33:39

    >> No. Before every episode they give you

  • 33:41

    they did the black screen with the

  • 33:44

    puppet serving such and such. He is

  • 33:45

    charged with such and such and such.

  • 33:47

    >> Got it. he wasn't charged with such and

  • 33:49

    whatever they said on the black man. I

  • 33:50

    don't even read them [ __ ] after once I

  • 33:52

    see it saying the same thing. But

  • 33:54

    >> right.

  • 33:55

    >> Yeah. What a [ __ ] up start to the

  • 33:57

    morning to to to to watch it. It wasn't

  • 34:00

    heavy.

  • 34:00

    >> And then it's banger after banger after

  • 34:02

    banger after banger in this.

  • 34:05

    >> Oh, they the music.

  • 34:07

    >> I mean, yeah. You can't tell the story

  • 34:10

    without

  • 34:10

    >> I don't know. They had license for it.

  • 34:11

    That's why I was Oh. Oh, that's

  • 34:12

    >> some of the music. I mean, Benjamin's

  • 34:14

    came on, More Money, More Problems came

  • 34:16

    on. The awards with him performing with

  • 34:19

    Sting coming out. It's like every and

  • 34:21

    even that is real sinister if you get

  • 34:23

    into what they're trying to say.

  • 34:25

    >> I wonder how they got that. I guess

  • 34:26

    that's fair use.

  • 34:28

    >> Fair fair use that whoever whoever was

  • 34:30

    in charge of collecting the footage and

  • 34:32

    the

  • 34:34

    >> and the paper clipping did the right

  • 34:36

    thing. They did their thing.

  • 34:37

    >> Yeah. You went crazy.

  • 34:38

    >> Yeah. But I can't wait to watch. And

  • 34:40

    then Puff is saying this [ __ ] is a hit

  • 34:42

    piece because of that that little clip

  • 34:44

    they got going around of him saying I

  • 34:47

    need a shower and

  • 34:49

    150 people so I need to bathe and

  • 34:51

    cleanse myself. I need to stand hand

  • 34:53

    sanitizer. Oh buddy,

  • 34:56

    >> that ain't it.

  • 34:57

    >> Who cares about that?

  • 34:58

    >> No, that's absolutely nut. I actually

  • 35:00

    agreed with him.

  • 35:01

    >> Oh, he was right about that.

  • 35:02

    >> I absolutely agreed with him. If I'm out

  • 35:04

    here just hugging and kissing and I'm I

  • 35:06

    want hands shake 50 hands. Yeah. I mean,

  • 35:09

    but he seem to shake 50 other things at

  • 35:10

    these parties. I mean, I'm saying you're

  • 35:12

    a germaphobe. It just Yeah. A lot of

  • 35:13

    knobs. I'm like,

  • 35:14

    >> but I'm telling you, that was part of

  • 35:15

    them attempting to frame it like, "Yo,

  • 35:18

    dog, you like them. You don't [ __ ] with

  • 35:20

    them." I get that.

  • 35:22

    >> I can take that with it. I could be with

  • 35:23

    anybody. But I get what you say

  • 35:25

    >> cuz I would do the same thing.

  • 35:26

    >> Yeah.

  • 35:26

    >> No matter what the what the crowd,

  • 35:28

    that's enough.

  • 35:29

    >> I'm willing to wash my hands. Like, it's

  • 35:30

    not the craziest. Then the the the from

  • 35:33

    the that to the S rock deal like this

  • 35:35

    guy has been the pinnacle of success for

  • 35:39

    they got into Shawn John. It's like this

  • 35:41

    guy

  • 35:42

    >> elevated

  • 35:43

    >> has had no I had 60 80 and 100 million

  • 35:48

    in

  • 35:48

    >> the 90s.

  • 35:50

    >> Yeah.

  • 35:50

    >> Late 90s.

  • 35:51

    >> Yeah. That's a long time now. But

  • 35:54

    >> a lot of [ __ ] money.

  • 35:55

    >> In the in the recent footage he's like

  • 35:56

    yo I'm on my way to the bank to deposit

  • 35:58

    200 million. They they holding the bank

  • 36:00

    open for me.

  • 36:02

    >> Yeah.

  • 36:02

    >> God damn.

  • 36:04

    >> Some light. Hold the bank open. I hold

  • 36:06

    the bank open too for 200. You

  • 36:07

    >> got to hold the bank.

  • 36:08

    >> Oh, for sure.

  • 36:10

    >> You want the man? You want the boss?

  • 36:11

    >> Especially if you if you if you

  • 36:13

    understand how banks work. Word.

  • 36:15

    >> What? They going to take the bank 200.

  • 36:17

    >> The bankers stay open for a week,

  • 36:19

    >> bro. You bring in 200 million.

  • 36:20

    >> Off of 200. They going to make 2

  • 36:22

    billion, $4 billion. Whatever the [ __ ]

  • 36:24

    they going to make off your 200 million.

  • 36:26

    >> Mhm.

  • 36:26

    >> Yeah.

  • 36:27

    >> They open. We'll leave this [ __ ] open.

  • 36:29

    You can come next Thursday. We won't

  • 36:31

    close.

  • 36:31

    >> You want flat or sparkling?

  • 36:34

    >> We'll leave it open whenever you feel

  • 36:35

    like it. Just show up.

  • 36:37

    >> Crazy.

  • 36:39

    >> It left me saying I wish he had like

  • 36:42

    real friends at some point.

  • 36:46

    >> But when you making that much and you

  • 36:47

    worth that much, you don't get that.

  • 36:49

    >> And you that type of

  • 36:50

    >> You don't get that if they

  • 36:51

    >> And I'm not saying that he don't. But

  • 36:53

    I'm saying if if you're that type of

  • 36:55

    person, can you even have real friends?

  • 36:56

    What? Well, that was going to be my

  • 36:57

    question because I mean we see other

  • 36:58

    billionaires.

  • 36:59

    >> You can have real friends if you're that

  • 37:00

    type of person. I'm saying

  • 37:01

    >> you can have real friends.

  • 37:02

    >> I disagree. You can I don't think so.

  • 37:04

    >> I think I think that the narcissism in

  • 37:06

    these people will

  • 37:08

    >> real friend. We saying it under the it

  • 37:10

    it implies that the real friend is a

  • 37:14

    good guy.

  • 37:16

    >> Yeah. But the real friend to hold you to

  • 37:18

    the fire or make you accountable for

  • 37:20

    certain [ __ ] And certain narcissistic

  • 37:22

    people with that level

  • 37:23

    >> going to kick the people away from you.

  • 37:24

    >> Yeah. you get away from me if you're

  • 37:26

    telling me the truth.

  • 37:26

    >> Not necessarily.

  • 37:27

    >> Well, let me ask you a question.

  • 37:28

    >> I'm not I'm not saying that because I I

  • 37:30

    do think that I do think that he has

  • 37:34

    somebody somewhere that is a real

  • 37:37

    friend. I was going to be my question.

  • 37:38

    Does anybody know who that person is?

  • 37:39

    Cuz I've never heard, you know, like

  • 37:40

    people like Hov, you know, he has a crew

  • 37:41

    that he came up with. A lot of other

  • 37:43

    Dre. I mean, there are people who have

  • 37:44

    who are billionaires who have crew. I

  • 37:45

    just never I never heard of like a

  • 37:47

    >> a long-term close

  • 37:49

    >> puff friend. Drock, you say?

  • 37:52

    >> Okay. Yeah. I'm asking cuz I don't know.

  • 37:53

    I don't

  • 37:54

    >> I think there are names out there the

  • 37:56

    same way he just said Drock. I'm not

  • 37:57

    going to name names here, but I I do

  • 37:58

    think one that

  • 38:00

    >> that could be

  • 38:01

    >> that will hold him accountable.

  • 38:02

    >> Yeah,

  • 38:03

    >> that's good.

  • 38:04

    >> It may not be many and I don't want to

  • 38:06

    sound like I'm vouching saying

  • 38:07

    confirming. I can't confirm but I ain't

  • 38:10

    going to say your name by hearing some

  • 38:11

    of these people talk a lot of people uh

  • 38:13

    looked at it as a as a benefit. I I

  • 38:16

    sense a lot of fear also. You know what

  • 38:18

    I mean? He instilled fear in some way. I

  • 38:20

    was just telling JR the same thing. Like

  • 38:22

    people were scared of Puff, you know

  • 38:24

    what I mean? And and and this is why

  • 38:26

    somebody would record footage and he

  • 38:28

    wouldn't have to sign a document cuz a

  • 38:30

    [ __ ] would even play with Puff and do

  • 38:31

    that. You know, Puff would have to be

  • 38:33

    incarcerated in order for a person to

  • 38:35

    even play with him like that to even

  • 38:36

    give up footage. [ __ ] wouldn't do that

  • 38:38

    regular. He wouldn't even need any

  • 38:39

    contracts. You know what I mean? Cuz as

  • 38:40

    I stated, JR and I met the person who

  • 38:43

    was capturing the footage, you know what

  • 38:45

    I mean? So, but

  • 38:47

    >> did you get a sense of what the footage

  • 38:48

    was for? Did they say anything to you

  • 38:49

    about it? Yeah. Well, it was it was full

  • 38:51

    recording. I mean, it was outside the

  • 38:52

    courthouse. They recording the Suns.

  • 38:53

    Like, it was a thing that like Joe was

  • 38:55

    saying, he was trying to record. It was

  • 38:57

    told to us that they trying to get a

  • 38:59

    documentary. Puff wanted to record this,

  • 39:01

    want to record his whole journey cuz

  • 39:02

    Puff felt that he would be he was coming

  • 39:05

    home.

  • 39:05

    >> So, that's what he wanted to do, but it

  • 39:08

    just did a a whole 360.

  • 39:11

    >> 180

  • 39:12

    >> 180 bomb me.

  • 39:14

    >> Sorry.

  • 39:14

    >> The world has never seen nothing like

  • 39:16

    Puff.

  • 39:17

    >> Puff is in that. Puff is in that

  • 39:21

    that

  • 39:22

    >> Yeah. a different the the world has

  • 39:25

    never seen nothing like this before.

  • 39:27

    Like even watching it, you never seen

  • 39:29

    you never saw a sinister

  • 39:34

    mega talented, more talented than

  • 39:36

    everybody slash by gangster that so like

  • 39:42

    this guy is is in his a league of his

  • 39:46

    own. M

  • 39:47

    >> he is it's dark and it's twisted and

  • 39:52

    there's some other words that come to

  • 39:54

    mind but you ain't never seen

  • 39:56

    >> I mean you know that's that's been the

  • 39:58

    thing that's been said you know

  • 39:59

    whispered for for years when it was like

  • 40:02

    everybody that left there had to run to

  • 40:04

    some religion at some point like what

  • 40:06

    did you see there that was that bad

  • 40:08

    >> that I got to get away from this [ __ ]

  • 40:10

    and get religion

  • 40:13

    >> when you and I'm telling you with all of

  • 40:15

    this [ __ ] I still think

  • 40:18

    that if he comes out and says the right

  • 40:24

    rehabilitative [ __ ]

  • 40:27

    America loves

  • 40:29

    a path.

  • 40:30

    >> I think for sure.

  • 40:32

    >> Absolutely.

  • 40:32

    >> His resilience, his persistence,

  • 40:36

    and his just overall

  • 40:40

    willingness and drive to win is

  • 40:42

    something you can't teach. He's also

  • 40:44

    really smart at doing things like buying

  • 40:46

    a thousand turkeys for the jail. Like

  • 40:48

    he's gonna do some [ __ ] like that like,

  • 40:50

    "Oh, he's not such a bad guy."

  • 40:51

    >> And he also got powerful friends. The

  • 40:53

    winner, we keep forgetting that.

  • 40:55

    >> Well, he has dirt on.

  • 40:56

    >> Yeah. And they know that.

  • 40:58

    >> Yeah.

  • 40:58

    >> But I think there make Puff be the black

  • 41:02

    gain.

  • 41:02

    >> I ain't saying it like that, but I'm Yo,

  • 41:04

    Nick. Nick, I'm sure there's a couple

  • 41:05

    cups floating around, but

  • 41:08

    >> I'm talking about what he possesses.

  • 41:10

    >> Yes. I think the [ __ ] that he possesses

  • 41:12

    and just again, yo, we heard the stories

  • 41:15

    of him going to Howard, but he's driving

  • 41:17

    from DC to New York

  • 41:20

    in a rabbit, you know what I mean? He's

  • 41:23

    interning. He's going to college full

  • 41:24

    time and coming back to New York in a

  • 41:26

    [ __ ] Volkswagen rabbit. Like, that

  • 41:28

    just speaks to his drive and his

  • 41:29

    dedication to be great. Like, everybody

  • 41:32

    won't do that. And I think that certain

  • 41:33

    [ __ ] just got that in them.

  • 41:35

    >> Yeah, they just got that in them. That

  • 41:36

    [ __ ] is a different level of

  • 41:37

    persistent.

  • 41:38

    >> That [ __ ] said, "Can't stop, won't

  • 41:39

    stop."

  • 41:39

    >> Yeah, bro. Like it's different. I think

  • 41:41

    if Puff hit the ground today and he was

  • 41:42

    broke, I think in 5 years Puff would be

  • 41:45

    back at multi-million easily, like 100

  • 41:48

    million in 5 years if he was dirt floor

  • 41:50

    poor. And it makes you think a little

  • 41:51

    bit is like he he had to be confident in

  • 41:56

    the outcome because he preserved the

  • 41:57

    relationships, right? I'm going to use

  • 41:59

    these relationships if he does have dirt

  • 42:00

    on anybody at when I need to. Not at a

  • 42:03

    time like this. It makes you think a

  • 42:05

    little bit deeper like okay he if we say

  • 42:07

    he do got dirt on people

  • 42:09

    >> he ain't use it at all he took the brunt

  • 42:11

    of it I took everything or he has

  • 42:13

    >> or he might have used the

  • 42:15

    >> maybe more people didn't come forward

  • 42:16

    cuz of dirt maybe more people didn't

  • 42:17

    sign on to

  • 42:18

    >> I'm talking about the execs

  • 42:19

    >> that's what I'm talking about I'm saying

  • 42:21

    I don't know one way or the other I'm

  • 42:22

    not saying that's the case I'm just

  • 42:23

    saying puff is so sophisticated and

  • 42:26

    power is so powerful

  • 42:28

    >> that there's no way to know what's

  • 42:29

    happening behind the scenes unless

  • 42:30

    you're back there all I'm saying I

  • 42:31

    wouldn't know one way or the other

  • 42:32

    >> I think there's also like a billionaire

  • 42:34

    code where he probably is like, I'm

  • 42:35

    going to go do my little five years or

  • 42:37

    whatever. It's going to eat it. I'll be

  • 42:39

    I'll be fine. I'm not about to piss off

  • 42:40

    these other billionaires.

  • 42:41

    >> Right. That's what I mean.

  • 42:42

    >> Like that they're going to be useful to

  • 42:43

    me in the 5 years. That's the point.

  • 42:45

    >> Or they may aren't being useful to me

  • 42:47

    now.

  • 42:47

    >> True. True. I agree with that.

  • 42:48

    >> Can I ask a question about this code?

  • 42:50

    Because that was one of the things that

  • 42:51

    came up during the press run. I was

  • 42:52

    watching um Good Morning America, for

  • 42:55

    example, Robert Roberts interviewed the

  • 42:56

    director and 50 Cent and other people.

  • 42:59

    Uh 50 Cent to your point, Joe, is one of

  • 43:01

    many people who are part of this series,

  • 43:03

    but he's been the face of it. And

  • 43:05

    obviously, he's been using it to promote

  • 43:08

    the documentary, but also to troll a

  • 43:09

    little bit on on social media, actually

  • 43:10

    a lot bit for a long time.

  • 43:12

    >> That's what he does.

  • 43:13

    >> And some people are like, "Oh, you got

  • 43:15

    him. You're the petty king." Other

  • 43:16

    people have been like, "This is not

  • 43:17

    okay." For example, J Rule, another one

  • 43:18

    of his enemies, tweeted today, you know,

  • 43:20

    this is rat [ __ ] You're a rat. There

  • 43:22

    were a lot of people echoed that you

  • 43:24

    know in terms of the code is it if one

  • 43:26

    of your colleagues does something like

  • 43:27

    this one of your peers does something

  • 43:28

    like whatever Puff is involved in and

  • 43:30

    been convicted of is there some is there

  • 43:33

    any violation from 50 side to make a

  • 43:35

    documentary about it?

  • 43:36

    >> Is he doing anything wrong?

  • 43:37

    >> 50 plays by a different set of rules

  • 43:40

    when it come to that [ __ ] though like

  • 43:42

    you my enemy. It's up for you forever. I

  • 43:45

    want to do whatever I can to see you

  • 43:46

    down. And there's some people that roll

  • 43:48

    with that. I don't think it's rat [ __ ]

  • 43:50

    because

  • 43:52

    he wasn't involved in it with him and

  • 43:53

    like I I think rat was so much rat is

  • 43:56

    the definition of what rat is.

  • 43:57

    >> But I don't even mean just a rat thing

  • 43:58

    because we always debate. I mean kind of

  • 44:00

    like is it just violating any kind is

  • 44:01

    there anything [ __ ] up about it.

  • 44:03

    >> If you're puff

  • 44:04

    >> Yeah. I mean if if you did that [ __ ]

  • 44:07

    >> it dep it depends on what side you stand

  • 44:08

    on.

  • 44:09

    >> Yeah. Yeah.

  • 44:09

    >> It depends on what side you stand on.

  • 44:11

    Like if if you my pard me Joe if you my

  • 44:13

    enemy for a long time I'm going to do

  • 44:15

    whatever if if because we can say I

  • 44:18

    don't think Puff did anything that

  • 44:19

    detrimental to make you do that. Some

  • 44:21

    people can say that in his mind it's

  • 44:23

    like if you my enemy for a long time

  • 44:24

    [ __ ] I'm going to do whatever it takes

  • 44:25

    to kick you down keep you down or

  • 44:28

    whatever it takes to kick your back in.

  • 44:29

    And if you on the other side you be like

  • 44:31

    yo [ __ ] what are you doing? Like I

  • 44:32

    wouldn't do this to you. What are you

  • 44:33

    doing that's not part of the game?

  • 44:34

    That's not part of the code. you know,

  • 44:36

    you're participating or hopping on a

  • 44:38

    bandwagon to keep a another man down, a

  • 44:41

    black man, you know, whatever. It's just

  • 44:43

    depend on what side of the coin you you

  • 44:44

    stand on. What you saying, Joe? My

  • 44:45

    fault.

  • 44:46

    >> No, exact exactly what you said. Either

  • 44:48

    you're on the side of

  • 44:50

    it's you're going to feel something when

  • 44:52

    you see a black man

  • 44:54

    >> kicking down a black man when he's at

  • 44:56

    his worst,

  • 44:58

    or you're on the other side of this is

  • 45:01

    run of the show. And I don't think that

  • 45:03

    they're enemies. I think that 50 is in

  • 45:05

    this is his uh line of work.

  • 45:08

    >> That's where it gets tricky.

  • 45:08

    >> I think he's in television now.

  • 45:10

    >> Yeah, that's where it gets tricky, too.

  • 45:12

    >> I think it's more than that.

  • 45:13

    >> Huh?

  • 45:13

    >> I I I I think he views Puff as his

  • 45:16

    enemy. And this is my line of work. So,

  • 45:18

    I can use this to

  • 45:20

    >> if my enemy anybody else in this line of

  • 45:23

    work, we not calling into question their

  • 45:26

    emotions behind when they are doing a

  • 45:28

    piece.

  • 45:28

    >> The rules change when you play a

  • 45:29

    different game. He's he's in a different

  • 45:31

    sport now. Yeah, he he's in movie and TV

  • 45:34

    and that's the gig.

  • 45:36

    >> Yeah, but you ain't did this for nothing

  • 45:38

    else. Like you are specifically

  • 45:40

    targeted. We know you've been had beef

  • 45:42

    with this man for years.

  • 45:43

    >> Less money and everything else.

  • 45:45

    >> I'm just saying if if that's my enemy

  • 45:47

    and I see the opportunity

  • 45:50

    and this is my line of work here. It's

  • 45:52

    just a perfect storm. But that's still

  • 45:53

    my enemy.

  • 45:54

    >> I'm not saying he's never done this

  • 45:56

    before. I I think that a lot of what

  • 45:59

    he's done has been his interpretation or

  • 46:02

    interpolation of something that

  • 46:03

    happened. The [ __ ] life series on ABC

  • 46:06

    true story [ __ ] the BMF [ __ ] is a

  • 46:08

    true story. So

  • 46:09

    >> yeah, but I'm talking about trying to

  • 46:13

    again with enemies, you know, you look

  • 46:15

    at J every chance he get, he tries to

  • 46:17

    step on

  • 46:17

    >> J.

  • 46:20

    But you inserting the word enemies

  • 46:22

    >> because I believe that to be his enemy.

  • 46:24

    That's all I believe.

  • 46:26

    How? Okay. Then why are the enemies?

  • 46:28

    There's there's there could be some

  • 46:30

    there's some there's some whisperings.

  • 46:32

    >> Oh, I have heard those. I'm I'm not

  • 46:35

    I don't want broadcast them, but

  • 46:37

    >> but and if that were to be true, I could

  • 46:39

    understand it.

  • 46:39

    >> Well, I think one way to think about ICE

  • 46:41

    is like there's certainly evidence that

  • 46:43

    he would have an issue with him. It's

  • 46:45

    just a question whether that issue rises

  • 46:46

    to the level of enemy

  • 46:48

    >> cuz you have beef with somebody but not

  • 46:50

    not enemy cuz with 50 as an enemy, it's

  • 46:52

    up forever. Is the puff [ __ ] that

  • 46:54

    intense or is it also just competition?

  • 46:55

    >> That's for him to decide.

  • 46:57

    >> And some [ __ ] you know what I'm

  • 46:58

    saying? That's that's the line for me,

  • 46:59

    right? Like if if I'm in the TV business

  • 47:01

    >> and I could shoot anything, docu make a

  • 47:03

    documentary about anything and there's

  • 47:05

    this one thing that

  • 47:07

    >> could be put out about an enemy. Yeah, I

  • 47:10

    might take that opportunity.

  • 47:11

    >> You just did.

  • 47:13

    >> Yeah, that's different, which we'll get

  • 47:15

    to too.

  • 47:16

    >> But if but if it's just somebody who I

  • 47:17

    have a friendly competition with, then I

  • 47:20

    might I might I might not double down on

  • 47:22

    it. Some people are different and

  • 47:23

    >> say it depends.

  • 47:24

    >> Some people are better at playing chess,

  • 47:25

    Mark. That's how I look at it.

  • 47:26

    >> But what's what's the what's the endg

  • 47:27

    game? What's what does victory look

  • 47:28

    like?

  • 47:28

    >> Because I'm I'm I'm pretty sure that

  • 47:30

    there were things that if we look at it

  • 47:32

    from a different scope that Puff did to

  • 47:35

    take shots at fifth at certain times,

  • 47:37

    you know what I mean? If you if you just

  • 47:38

    know the No. So, but

  • 47:40

    >> wasn't Puff on the I Get Money remix?

  • 47:43

    >> That's And it was funny cuz when they

  • 47:44

    were in that studio together, I mean,

  • 47:45

    all right. So, that's the difference to

  • 47:46

    me. And I'm not saying like that means

  • 47:49

    >> but even cuz I mean 50 and Jay have had

  • 47:51

    tensions but there's no beef,

  • 47:53

    >> right? And I think that's the

  • 47:54

    difference.

  • 47:55

    >> Yeah. I'm that's what I'm saying.

  • 47:57

    >> Yeah.

  • 47:57

    >> I think the beef started after that by

  • 47:58

    the way.

  • 47:59

    >> Uhhuh.

  • 47:59

    >> From what I remember. Yes.

  • 48:00

    >> When when Ho went through this [ __ ]

  • 48:02

    funny [ __ ] recently. Fifth put it on his

  • 48:04

    >> Yeah. He was going at him.

  • 48:05

    >> Was at him.

  • 48:06

    >> That's say he does a little bit of troll

  • 48:08

    and he's always competing.

  • 48:09

    >> And we start this with the the we start

  • 48:11

    this with knowing that he don't give a

  • 48:12

    [ __ ] right?

  • 48:13

    >> Yeah. We start this just with a common

  • 48:16

    knowledge that 50 don't give a [ __ ]

  • 48:18

    >> right?

  • 48:18

    >> And for me, it's hard to find any

  • 48:21

    blame or assign any blame to 50 cuz Puff

  • 48:24

    did all this [ __ ]

  • 48:25

    >> Exactly.

  • 48:25

    >> That part, too.

  • 48:26

    >> So, it's like it's one thing if like

  • 48:28

    Puff just went broke. Let's just say he

  • 48:29

    developed a terrible heroin addiction

  • 48:31

    and he had gone broke. No crimes, just

  • 48:32

    went broke.

  • 48:33

    >> If you make a documentary about that, to

  • 48:35

    me, that's that's like petty.

  • 48:37

    >> That's petty and like unnecessary. But

  • 48:38

    like making a documentary about somebody

  • 48:39

    who actually did harm to people

  • 48:40

    >> and was found guilty in the court of law

  • 48:42

    and Yeah. Well, that's why calling it a

  • 48:44

    hit piece uh is laughable because you'll

  • 48:47

    call the piece on it a hit piece but not

  • 48:51

    the piece in it.

  • 48:52

    >> Right.

  • 48:52

    >> Yeah.

  • 48:53

    >> Right.

  • 48:55

    >> Right.

  • 48:57

    >> I'm watching.

  • 48:58

    >> I'm definitely going to watch it.

  • 48:59

    >> Oh, I'm definitely watching.

  • 48:59

    >> I'm definitely going to watch. I I

  • 49:00

    thought I was watching 50 do the press

  • 49:02

    run. Did y'all see him do the press run?

  • 49:03

    Cuz they were He was basically

  • 49:04

    downplaying all the beat. He was like,

  • 49:05

    "There's no beef. We had a little

  • 49:06

    competition or you know, there was no no

  • 49:08

    competition. I just didn't like the fact

  • 49:10

    that he came after, you know, he was

  • 49:11

    trying to holl at me."

  • 49:12

    And he was explaining this to Roberts

  • 49:14

    and I don't think he was like, you know,

  • 49:15

    he just came at me a little side, you

  • 49:16

    know, he kept trying to take me shopping

  • 49:17

    and see what he could he could play with

  • 49:18

    me, you know, implying that that Puff

  • 49:20

    was gay. I'm like, you tell us to

  • 49:20

    Roberts who may be the gayest announcer

  • 49:24

    on TV. So, it didn't go the way I think

  • 49:26

    he wanted it to. And then I saw the

  • 49:28

    director kind of jump in and say, "No,

  • 49:29

    no, it's not about that. It's also about

  • 49:30

    all this other [ __ ] A lot of people

  • 49:31

    were involved in it." So, I think

  • 49:33

    they're going to have to be very careful

  • 49:34

    how they

  • 49:36

    >> frame the wise.

  • 49:37

    >> How they frame Yes, that's exactly

  • 49:39

    right. on this press run because you

  • 49:40

    don't want it to look like a hit piece.

  • 49:41

    You also don't want it to be about diddy

  • 49:43

    sexuality, all these other things. If

  • 49:44

    you want the mainstream to to embrace

  • 49:46

    this cuz this could win a lot of awards

  • 49:48

    if it's as good as you're saying it is

  • 49:50

    cuz people love to give awards to [ __ ]

  • 49:51

    like this. Just like the R. Kelly.

  • 49:53

    >> True.

  • 49:53

    >> You know, they love to give awards stuff

  • 49:55

    like this.

  • 49:56

    >> Kelly [ __ ] was appointment viewing.

  • 49:59

    >> Kelly [ __ ] had each and every one of us

  • 50:01

    at the TV.

  • 50:02

    >> I know. I need to go finish watching. I

  • 50:04

    never I never got through it for real.

  • 50:06

    >> I never watched it. I I've seen enough.

  • 50:09

    >> Okay.

  • 50:10

    >> I didn't watch being around enough

  • 50:11

    molesters in my day. I've you know, it

  • 50:12

    was hard to watch. It wasn't It was It

  • 50:14

    was great the in terms of cine, you

  • 50:16

    know, in terms of the the doc. I just

  • 50:17

    sometimes I got to take a break from

  • 50:19

    >> that stuff.

  • 50:20

    >> I can dig it. That makes sense.

  • 50:22

    >> Yeah. And I feel like I should close

  • 50:24

    this by saying with all of that said,

  • 50:28

    none of that was my personal experience

  • 50:30

    with P

  • 50:31

    >> cuz I hate when people do that. M

  • 50:33

    >> like you think because somebody was with

  • 50:34

    somebody that now they saying something

  • 50:36

    that they saw and No, I'm talking about

  • 50:40

    the peace and

  • 50:43

    it's damaging.

  • 50:46

    Sheesh.

  • 50:47

    >> You got what you about to say

  • 50:48

    >> now? You know what I and I know you

  • 50:50

    closed it cuz you get you don't like

  • 50:51

    that, but what I battle with is that um

  • 50:55

    when you know someone

  • 50:57

    and you know what side of of the

  • 51:01

    coin you'll stand on to watch someone

  • 51:03

    that you know and then you you you look

  • 51:05

    up to or whatever when they just take

  • 51:08

    another turn or do something that you

  • 51:09

    may not do. It's very like life is very

  • 51:12

    tricky sometimes. It's not tricky, but

  • 51:14

    it's it's a hard pill to swallow because

  • 51:17

    like what

  • 51:19

    do I respect this because of the respect

  • 51:23

    that I have because I wouldn't do it or

  • 51:26

    >> do I understand it? And that's where it

  • 51:28

    becomes like for me

  • 51:30

    >> me I'm only speaking for me personally,

  • 51:31

    you know what I mean? It it doesn't

  • 51:33

    matter. But it's it's it's a battle cuz

  • 51:35

    then you try to find if you like

  • 51:36

    somebody, you try to make excuses of why

  • 51:38

    they're doing it. But then to say that

  • 51:40

    there was a lot of opportunities for me

  • 51:41

    to do things to people, which I'm not on

  • 51:42

    that level, but I never did it. So,

  • 51:45

    >> it's crazy. That's all I want to say.

  • 51:46

    I'm sorry.

  • 51:46

    >> Well, it's all about what you believe.

  • 51:48

    >> Mhm.

  • 51:48

    >> Yeah. But even if it was all about what

  • 51:50

    your belief system is.

  • 51:51

    >> Yeah. But then your belief system may

  • 51:53

    change depending on the person that's

  • 51:54

    doing it.

  • 51:55

    >> Mhm.

  • 51:55

    >> Like if

  • 51:56

    >> that happens all the time.

  • 51:57

    >> It happens all the time. We don't People

  • 51:59

    don't want to admit that, but that's a

  • 52:00

    thing.

  • 52:00

    >> It shouldn't, but it does. You're right.

  • 52:02

    It happens all the more times than

  • 52:04

    >> than we know. Yes.

  • 52:05

    >> It's like I would never do that. Do you

  • 52:06

    see like ah then you try to cuz you like

  • 52:10

    them so much or because the relationship

  • 52:11

    you try to make a reason of oh I can see

  • 52:14

    them doing that when in all reality

  • 52:16

    [ __ ] it's like it still is what it is.

  • 52:18

    You know what I'm saying? So

  • 52:19

    >> not many people stick to the it is what

  • 52:21

    it is all the way across the board.

  • 52:22

    >> I got it. Yeah. It's almost impossible.

  • 52:24

    >> We all hypocrites. I say it every chance

  • 52:26

    I get.

  • 52:26

    >> The number one

  • 52:28

    >> somehow I think y'all doing that

  • 52:31

    minimizes something.

  • 52:33

    >> I don't know that I agree with y'all.

  • 52:35

    explain what do you

  • 52:36

    >> and again everyone's belief system is

  • 52:39

    made up

  • 52:41

    I understand that right

  • 52:46

    but triggers are triggers and fears are

  • 52:49

    fears I think when you start having that

  • 52:51

    conversation it's deeper than

  • 52:54

    everybody's a hypocrite or we accept

  • 52:57

    this from this person and not this

  • 52:59

    person no there's some people who across

  • 53:02

    the board have a healthy fear fear of

  • 53:05

    anything sinister that does not change

  • 53:08

    contingent on who the person is. But for

  • 53:10

    a lot of people, like Flip saying, a lot

  • 53:12

    of people, it's things that they have

  • 53:14

    this across the board feel about until

  • 53:17

    it's at their front door.

  • 53:18

    >> And then they might not necessarily

  • 53:20

    agree, but they'll go out their way to

  • 53:21

    try to justify it or to understand it

  • 53:23

    more because it's somebody that's close

  • 53:26

    to them or it's happening directly to

  • 53:27

    their family or something like that.

  • 53:29

    >> Yeah.

  • 53:29

    >> Where I could be, I would never go with

  • 53:31

    this. Never, never, never, never. And

  • 53:32

    now it's your little brother or your

  • 53:34

    son, your daughter, some or your mother,

  • 53:36

    something that hits you real close to

  • 53:37

    home.

  • 53:38

    >> You get a little you get a little bit

  • 53:39

    more room for understanding than you

  • 53:41

    normally would.

  • 53:42

    >> Our capacity for nuance expands the more

  • 53:44

    we love somebody. I think

  • 53:46

    >> Yeah.

  • 53:47

    >> And I don't think that means that we

  • 53:48

    wrong for doing this. Maybe it should

  • 53:49

    mean we should be more nuanced with

  • 53:51

    people we don't know.

  • 53:51

    >> Yeah. See, to me that that that ain't

  • 53:53

    changing my belief system if I'm against

  • 53:56

    murder. And that's how I feel across the

  • 53:58

    board. And I don't want to drag this,

  • 54:00

    >> but that's how I feel across the board.

  • 54:01

    And now my son comes home and he's

  • 54:03

    murdered. Yes, I'm going to be there for

  • 54:06

    him. Yes, I'm going to have uh

  • 54:08

    understanding maybe. Uh yes, I'm going

  • 54:11

    to support him and try to see him for

  • 54:12

    >> Would you turn him in?

  • 54:13

    >> Huh?

  • 54:14

    >> Would you turn them in?

  • 54:15

    >> I think I answered this before.

  • 54:16

    >> I know, but I'm just saying. But there's

  • 54:17

    a lot of people that

  • 54:18

    >> But what did you say?

  • 54:19

    >> They might have See, but you say But the

  • 54:21

    fact you're saying maybe.

  • 54:22

    >> No, he said year before.

  • 54:23

    >> But look, the fact I'll say maybe.

  • 54:25

    >> The fact you're saying

  • 54:25

    >> I think I lean closer to the year, but

  • 54:28

    you're stunning me.

  • 54:29

    >> I think it was depend of the

  • 54:30

    circumstance. You got I don't think so.

  • 54:32

    >> But look, just the fact that you say

  • 54:33

    >> I'm raising men to be to be accountable

  • 54:35

    for their actions. I'm raising men to

  • 54:37

    make decisions that help before they get

  • 54:40

    to that spot. I'm ra I'm raising men

  • 54:42

    differently than trying to be a coward

  • 54:45

    or hide them when they do some [ __ ] I

  • 54:47

    can see not hiding. I'm just not making

  • 54:48

    the call.

  • 54:50

    >> Oh [ __ ] [ __ ] you.

  • 54:51

    >> I'm not hiding you, but I'm not. I can

  • 54:54

    see not hiding.

  • 54:54

    >> What did he do? Your kid go shoot up a

  • 54:56

    school. He come home to you. What do you

  • 54:58

    do? You're not turning him in. turning

  • 54:59

    him in. No,

  • 55:00

    >> you're not calling the police. No.

  • 55:02

    >> Okay, then we build different.

  • 55:03

    >> Yeah, we are.

  • 55:04

    >> We just we just build different.

  • 55:05

    >> Shooting up at school. I don't know.

  • 55:06

    >> What I'm saying is I wouldn't I wouldn't

  • 55:08

    protect him. He get

  • 55:10

    >> I can understand

  • 55:13

    school is also not where we started. It

  • 55:14

    was initially when you when you came

  • 55:15

    home with murder, I was thinking more

  • 55:16

    like a street beef. You shot somebody,

  • 55:18

    not

  • 55:18

    >> Coline. Well, then I asked a new

  • 55:20

    question, which to me is in the same

  • 55:22

    realm.

  • 55:23

    >> I don't have your kid if your kid do

  • 55:25

    something. You said there was no world

  • 55:26

    in which I'm turning them in. I

  • 55:28

    challenge that. I challenge that. Or

  • 55:30

    >> I wouldn't say in no world, but I think

  • 55:32

    it would have to be something as extreme

  • 55:33

    as extreme as a school.

  • 55:35

    >> Yeah, but if you just tell me he got a

  • 55:36

    beef with somebody over some [ __ ] and he

  • 55:38

    shot somebody and he comes home like,

  • 55:39

    "Yo, dad, I shot somebody. The police is

  • 55:41

    looking for me." You can't hide here.

  • 55:43

    >> Your kid raped. Your kid raped the

  • 55:44

    neighbor four houses down from you. God

  • 55:46

    forbid, of course. But now I'm just

  • 55:48

    throwing extreme situations.

  • 55:49

    >> I I would force him to be part of an

  • 55:51

    account. That Yeah, that's different.

  • 55:53

    >> That falls into

  • 55:55

    extreme.

  • 55:55

    >> So you're making you're making a call in

  • 55:57

    that in the instance.

  • 55:58

    >> All right. There's a more I'm doing

  • 55:59

    something. Yeah.

  • 56:00

    >> I'm specifically talking about making a

  • 56:01

    call determining. But again, more

  • 56:03

    police.

  • 56:03

    >> Honestly, I probably call the neighbor

  • 56:04

    and say, "Yo, he's here."

  • 56:06

    >> I don't know if I called the police, but

  • 56:07

    again, I'd be part of the accountability

  • 56:10

    >> don't believe in police. I forgot.

  • 56:11

    >> I'm saying that I'd call the neighbor

  • 56:14

    like "Yo

  • 56:14

    >> that got deep."

  • 56:15

    >> It did.

  • 56:16

    >> Yeah, it did. Sorry.

  • 56:17

    >> You went too extreme.

  • 56:18

    >> I'm sorry.

  • 56:18

    >> Cuz I started to think

  • 56:19

    >> I closed the topic and then you brought

  • 56:21

    it back. I JUST THINK I THINK Y'ALL GOT

  • 56:23

    these I think some of y'all parts got

  • 56:25

    these like

  • 56:26

    >> like hold on too long to these

  • 56:30

    >> I can't call it hood ideologies cuz we

  • 56:32

    all approaching 50. I think that we

  • 56:34

    should start challenging some of the

  • 56:35

    [ __ ] that we've been raised to think.

  • 56:38

    I'm not talking about Mark cuz he don't

  • 56:39

    believe in the cops. But no, I'm not you

  • 56:41

    can't just come in my house having done

  • 56:43

    anything. I'm sorry.

  • 56:44

    >> No, we we agree on that. But hold on.

  • 56:46

    And I think a [ __ ] just

  • 56:47

    >> You ain't going to be in the house where

  • 56:48

    where I'm scared of you now. Yeah, ass

  • 56:51

    the [ __ ] out. I think a [ __ ] difference

  • 56:52

    between not hiding you and telling you.

  • 56:53

    >> I think a [ __ ] should say,

  • 56:54

    >> "All right, so what you going to do?

  • 56:55

    Your kid grow up and he he already bad

  • 56:57

    as hell. He He start beating.

  • 57:00

    >> I'VE BEEN THINKING THIS THROUGH A LOT.

  • 57:04

    >> Why you think you're still trading?"

  • 57:05

    >> Exactly.

  • 57:07

    Y'all saw that [ __ ] in the basement. It

  • 57:08

    wasn't It for outside as God. Like what'

  • 57:12

    you do if your kid just start beating

  • 57:13

    your ass? You flip.

  • 57:15

    >> I'mma figure it out.

  • 57:17

    >> No, he's winning.

  • 57:18

    >> I'm going to figure it out. I'm going to

  • 57:19

    figure what out your combination

  • 57:23

    for you. I think I think I think THE

  • 57:25

    PROBLEM WITH [ __ ] BUT YOU AIN'T

  • 57:26

    CALLING THE police call the police. But

  • 57:28

    I think a [ __ ] should

  • 57:30

    >> I'LL BE CALLING SOMEBODY.

  • 57:31

    >> I THINK YEAH I AM CALLING SOMEBODY but I

  • 57:32

    think a person like you should say cuz

  • 57:34

    you have the same you had the same

  • 57:36

    beliefs yo with age with maturity with

  • 57:39

    life experience. I never had those

  • 57:41

    beliefs about that he had those beliefs.

  • 57:45

    >> To call police on [ __ ] THAT HE KNOW

  • 57:47

    THAT THAT'S MURDEROUS.

  • 57:50

    >> I don't

  • 57:50

    >> to call police ON [ __ ] THAT HE BEEN

  • 57:52

    AROUND MURDERERS. TO CALL POLICE ON THE

  • 57:54

    [ __ ] THAT HE KNOW THAT'S MURDEROUS. HE

  • 57:55

    NO, HE HE WASN'T DOING THAT. WE GOT TO

  • 57:56

    STOP THAT. HE grew as a man and he did

  • 57:58

    that. All right. I grew

  • 58:01

    >> SAYING HE'S BEEN AROUND FOR A LONG TIME.

  • 58:03

    IT'S NOT around with the rap.

  • 58:05

    >> Hold on. Hold on. Hold on. He could have

  • 58:07

    been around people that he knew did

  • 58:09

    criminal [ __ ] He ain't never Let me

  • 58:11

    finish, bro. That don't mean he that

  • 58:13

    don't mean he witnessed nobody do some

  • 58:15

    [ __ ]

  • 58:16

    >> You could have knowledge of people doing

  • 58:18

    [ __ ] or you could know these people are

  • 58:19

    involved in certain things, but he ain't

  • 58:22

    necessarily never witness it. It's two

  • 58:23

    totally different things. You're right.

  • 58:25

    And somebody coming to you saying, "I

  • 58:26

    just did a murder is different."

  • 58:27

    >> Or you hearing through the street, "Yo,

  • 58:28

    such and such did such and such." Oh,

  • 58:30

    back in the day they did this. The

  • 58:31

    murderers I know were brilliant enough

  • 58:34

    to never murder around me.

  • 58:37

    IT WASN'T LIKE THE DAVE STREET [ __ ]

  • 58:39

    NO. AND IF THEY DID, it would put ME IN

  • 58:42

    THE BIND.

  • 58:43

    >> AND I'M letting y'all know early. Don't

  • 58:45

    do it around me cuz I'm not going to put

  • 58:47

    me in the bind.

  • 58:48

    >> STOP, BRO.

  • 58:48

    >> WHAT? I'M NOT GOING in the bind.

  • 58:51

    >> CRAZY.

  • 58:52

    >> I'M RESPECTING doing your dirt over

  • 58:54

    there. You can't tell me how. You're

  • 58:56

    right. You're right. I'm

  • 58:58

    >> No, I've had detectives come knock on my

  • 59:00

    door.

  • 59:00

    >> And you ain't say [ __ ]

  • 59:02

    >> No, I went to rehab like a real [ __ ] in

  • 59:04

    the '90s.

  • 59:05

    Catch me here. I volunteered. The only

  • 59:08

    one that volunteered in there. They were

  • 59:10

    so confused.

  • 59:11

    >> Yo, why don't worry about it. We down.

  • 59:14

    I'm here with you. That's what I did.

  • 59:16

    Oh,

  • 59:17

    >> god damn it. Anyway. Anyway,

  • 59:20

    >> now it's too

  • 59:25

    confrontation and I DON'T LIKE [ __ ] I

  • 59:28

    don't like No, CUZ MAN, I'M THINKING I'M

  • 59:31

    THINKING I don't like us covering a

  • 59:34

    topic when nobody saw it but me. I don't

  • 59:36

    like that.

  • 59:37

    >> I think we did great.

  • 59:38

    >> No, that was great.

  • 59:39

    >> That [ __ ] We did an hour talking about

  • 59:40

    [ __ ] we don't know about.

  • 59:42

    >> I was over here like a church spouse

  • 59:44

    peeing on cotton.

  • 59:49

    a church mouth being on tell

  • 59:53

    you been the spokesperson for this whole

  • 59:54

    dock. JOE,

  • 59:57

    >> YOU GAVE ME A LITTLE BREAKDOWN, [ __ ]

  • 59:58

    YOU MADE US WANT TO SEE IT.

  • 1:00:00

    >> MHM.

  • 1:00:01

    >> I was a well done.

  • 1:00:02

    >> You know, you know Puff doing pull-ups.

  • 1:00:05

    >> Oh, they going to do pull-ups when he

  • 1:00:07

    get that [ __ ] in there doing diamonds.

  • 1:00:10

    >> Joe Button.

  • 1:00:12

    >> Can't wait to see you, boy. What? No, I

  • 1:00:14

    don't think so. Anyways,

  • 1:00:17

    >> anyways,

  • 1:00:18

    >> now it's time for my favorite part of

  • 1:00:20

    the show.

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