JBP
The Joe Budden Podcast
Episode 884

The Top Package

Joe Budden Podcast Episode 884, “The Top Package,” released December 8, 2025. The latest episode from the JBP begins with the news of Netflix acquiring Warner Bros. for $82.7 billion (28:59) before the rest of the cast shares their thoughts on the new Puff documentary (42:40). Ray J calls out Beyoncé & JAY-Z for not taking photos with Brandy on her and Monica’s tour (1:08:23), Daz Dillinger & Snoop Dogg’s beef (1:24:45), and in sports, the LA Clippers waive Chris Paul in his retirement year (1:39:08) while Lebron’s 10-point game streak comes to an end at 1,297 games (1:54:12). Also, Klay Thompson names a boat after Megan Thee Stallion which leads the room to discuss moving fast in relationships and dating famous people (1:59:50), Pharrell responds to the controversy over his recent political comments (2:14:33), Meek Mill voices his frustrations with the industry (2:19:45), another delay on Roddy Ricch’s new album (2:39:59), Part of the Show (2:52:06), and much more! Full transcript and searchable timestamps below.

The Top Package

In this episode

  • 28:59The latest episode from the JBP begins with the news of Netflix acquiring Warner Bros. for $82.7 billion
  • 42:40Before the rest of the cast shares their thoughts on the new Puff documentary
  • 1:08:23Ray J calls out Beyoncé & JAY-Z for not taking photos with Brandy on her and Monica’s tour
  • 1:24:45Daz Dillinger & Snoop Dogg’s beef
  • 1:39:08In sports, the LA Clippers waive Chris Paul in his retirement year
  • 1:54:12While Lebron’s 10-point game streak comes to an end at 1,297 games
  • 1:59:50Klay Thompson names a boat after Megan Thee Stallion which leads the room to discuss moving fast in relationsh…
  • 2:14:33Pharrell responds to the controversy over his recent political comments
  • 2:19:45Meek Mill voices his frustrations with the industry
  • 2:39:59Another delay on Roddy Ricch’s new album
  • 2:52:06Part of the Show
Video Available
Audio Available
6,551 transcript lines

Joe Budden Podcast Ep. 884 Transcript

Full transcript of The Top Package (57:50 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:37

    Back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:45

    >> Shut the

  • 0:45

    >> I hate everybody.

  • 0:47

    >> Yeah, you should. You should.

  • 0:48

    >> You're bullies.

  • 0:49

    >> You start every episode like that.

  • 0:51

    >> I hate everybody up here twice a week.

  • 0:55

    But they up here bullying the Philly

  • 0:56

    people.

  • 0:56

    >> They bullying the Philly people.

  • 0:57

    >> Now when we back to back and get to

  • 0:59

    swinging in

  • 1:00

    >> the Philly people got a different type.

  • 1:02

    Now I can't even say that cuz what up

  • 1:04

    Philly

  • 1:06

    >> my sneakers too. I can't even say man.

  • 1:10

    >> I used to go to the Mitchell Nest store

  • 1:12

    over there. So

  • 1:13

    >> see what else y'all got?

  • 1:15

    >> And Philadelphia is very sought after.

  • 1:19

    >> That's unique to Philly.

  • 1:21

    >> Yes.

  • 1:22

    >> Oh, okay. No, a couple Philly chicks.

  • 1:24

    Well, they wasn't Philly chick, but they

  • 1:25

    was working in Philly. They had they had

  • 1:27

    me on that on that phone at 4 in the

  • 1:29

    morning trying to get them Uber.

  • 1:32

    >> Everybody like Philly girls. It's a

  • 1:33

    fact.

  • 1:36

    >> Okay.

  • 1:39

    >> Ice can't say nothing. They moved to PA.

  • 1:41

    >> It had nothing to do with Philly.

  • 1:42

    >> I know. I'm just going to

  • 1:43

    >> was in R. You live in R, right?

  • 1:44

    >> I want to know. Damn right. That was in

  • 1:46

    the Lancaster. He was in Lancaster. Same

  • 1:48

    [ __ ]

  • 1:49

    >> Puerto Rico.

  • 1:50

    >> With his relocation. And they kind of

  • 1:51

    just Puerto Rico by you tell everything.

  • 1:54

    >> I'm I'm a Rico.

  • 1:55

    >> I'm a Rico.

  • 1:56

    >> Half Puerto Rican. Half respect.

  • 1:59

    >> I was like, I don't think you should say

  • 2:00

    that on a broadcast.

  • 2:03

    >> You got a new tag?

  • 2:04

    >> I got a couple.

  • 2:06

    >> How often do you get them?

  • 2:07

    >> I don't know. I wanted to I I have took

  • 2:09

    years off. So, I just wanted to get my

  • 2:10

    [ __ ] together and then, you know, I like

  • 2:12

    tattoos. I got Don't Call Me White Girl.

  • 2:14

    >> I got JBP.

  • 2:18

    >> Come on. Eyes lit up.

  • 2:20

    He was ready to take that to the Patreon

  • 2:22

    preview street.

  • 2:25

    >> This is what I really think about Mona's

  • 2:27

    new tattoos.

  • 2:27

    >> When I first saw Mona's tattoo, I felt

  • 2:29

    like

  • 2:30

    >> I saw you got juice up there. I didn't

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    know if that was for your home girl or

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    that something different.

  • 2:33

    >> It's for my the movie.

  • 2:34

    >> Yeah, Juice Box.

  • 2:36

    >> Wait, you got juice box on your arm?

  • 2:38

    >> I got a juice box, but it's for juice.

  • 2:41

    >> It's not about juice box. It's not about

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    juices box.

  • 2:44

    >> That's what it sound like. You got juice

  • 2:45

    box on your arm.

  • 2:46

    >> But I just thought it would be cute to

  • 2:47

    get a juice box for my girlfriend. Hey,

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    can the Philly people shut the up? Like

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    honestly, y'all get into this little

  • 2:53

    Venus and Serena Phillies ping pong game

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    that the rest of the world don't give a

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    we

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    >> cat they they love it.

  • 3:01

    >> And you said not you said

  • 3:05

    >> like say the girl is crazy like that's

  • 3:07

    prevents them from him.

  • 3:09

    >> No go depends on what stage you are in

  • 3:12

    your last say

  • 3:13

    >> that's not true.

  • 3:14

    >> What's not true?

  • 3:16

    >> I'm not with that. If a [ __ ] told you,

  • 3:19

    "Yo, she crazy as hell, but she was

  • 3:21

    bad." You you you leaving it alone?

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    >> No. I'm I'm I'm want you to elaborate on

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    what crazy.

  • 3:26

    >> Yes.

  • 3:26

    >> Cuz it's levels to crazy. Like, yo, she

  • 3:28

    bust my windows in my car. Crazy. Or she

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    got me

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    >> It's other [ __ ] crazy.

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    >> What's the kind of crazy you could deal

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    with?

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    >> I don't like, honestly speaking, I

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    really don't like none of it.

  • 3:42

    >> Mhm.

  • 3:42

    >> Well, what's the kind you would deal

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    with?

  • 3:44

    >> Yeah. What's the kind of how you say,

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    "All right, now we ain't got We ain't

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    talking about dealing with it. We

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    talking about

  • 3:48

    >> I tell I tell you

  • 3:49

    >> taking it down.

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    >> Every dude deals with the crazy of who

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    is that? Why you hit like 17 times? You

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    know that the girls that over like watch

  • 3:56

    everything you do. If she bad enough,

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    you would deal with that.

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    >> I hit it. But I'm not dealing.

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    >> That's what we talking about. That's

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    what we talking about. But dealing with

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    I don't got to deal with

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    >> that. We're not talking about dealing

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    with

  • 4:05

    >> Yeah. I pop and and but at times then

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    you pop the crazy chick and she becomes

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    extra crazy. But you knew ahead of time

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    that this was a crazy chick. That's what

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    we talking about. that knows she crazy

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    and still go in and do it. And then now

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    you stuck with super crazy.

  • 4:22

    >> All right,

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    >> dog. I done told a couple of my homeboy

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    after after having like, you know, they

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    they run somewhere and then the girl is

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    is at the crib talking to you for 90

  • 4:33

    minutes and I'm in my head like, "Oo, I

  • 4:35

    can't wait till my friend get back. Get

  • 4:37

    my friend back." And I know my friend

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    get back. I pull him aside.

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    >> Yo yo,

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    >> get out of there.

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    >> I shorty pulled me to the side to talk

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    for 90 minutes. I'm telling you this

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    chick is a different level of

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    >> get out of crazy. Get out of me. What

  • 4:51

    happened? Okay.

  • 4:53

    >> I know what you're talking about. So I

  • 4:54

    remember.

  • 4:55

    >> Well, he love it.

  • 4:57

    >> He absolutely.

  • 4:58

    >> Yeah. That that means like go a word.

  • 5:00

    Thank you.

  • 5:01

    >> I think some men like it.

  • 5:02

    >> Used to be some men like it and but I

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    think it's a age.

  • 5:06

    >> It's levels man. That's a thing for

  • 5:07

    sure. For sure. Younger guys might, you

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    know, they like it. But I think once you

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    older, you know, already had your

  • 5:12

    windows busted and had a couple

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    disorderly, you know what I mean? Cuz

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    that's what happens. You y'all go to

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    jail. Think, you know,

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    >> once you go cut all your electronics up

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    in your house, you know, all this stupid

  • 5:21

    [ __ ]

  • 5:21

    >> That sounded like a personal story.

  • 5:23

    >> He's he's told

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    I can remember when I was crazy like

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    that and how like

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    >> when you back back back I don't wait

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    like what

  • 5:33

    >> when you was getting sausage.

  • 5:35

    >> Exactly. THAT'S HOW YOU KNOW

  • 5:37

    >> WATCHING HOW crazy out of crazy pills.

  • 5:40

    >> But no, I remember like like having that

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    feeling like he enjoys this which almost

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    like take the crazy out of it cuz I'm

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    like what the like that's weird but some

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    men like that.

  • 5:50

    >> Mhm.

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    >> Are you drawn to dudes that are like

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    that?

  • 5:51

    >> Huh?

  • 5:52

    >> Are you drawn to dudes that got a little

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    crazy in them?

  • 5:54

    >> I don't think that that's a dude that

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    has a little crazy in them. Those I

  • 5:57

    don't know what that is that you like

  • 5:59

    that. I don't know if they get it

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    confused with like attention or if it

  • 6:01

    make them feel they feel sought after or

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    whatever. But that's weird to me. It's

  • 6:06

    always been

  • 6:06

    >> I don't like none of that.

  • 6:07

    >> Yeah. And then the whole like destroying

  • 6:09

    property thing like that. I That's

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    weird.

  • 6:11

    >> That's what I say all the time. If you

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    into crazy girls, you probably ain't got

  • 6:14

    enough experience with

  • 6:17

    you ain't feel the crazy.

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    You ain't match. You think you think her

  • 6:23

    blowing your phone up or doing you think

  • 6:26

    that's crazy. You ain't dealt with old

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    girl from thin line between love and

  • 6:29

    hate crazy ass. You haven't gotten to

  • 6:30

    that level. You know, had them boys show

  • 6:32

    up at the crib or had for either of

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    y'all,

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    >> right?

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    >> Crazy is when they don't show up. [ __ ]

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    You scared to call

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    it in the bed doing a Cindy Lober video

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    having an exorcist and [ __ ] You don't

  • 6:46

    know what to do.

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    >> Have y'all ever had that crazy where you

  • 6:49

    were scared of the [ __ ] a little bit?

  • 6:50

    >> Yes.

  • 6:51

    >> Really?

  • 6:52

    >> That's so funny.

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    >> I I wasn't scared. I wasn't physically

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    scared, but I've had crazy where

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    >> I knew that there were no bounds for the

  • 7:00

    person. It wasn't nothing that they

  • 7:02

    would do. I mean, that wouldn't do. And

  • 7:04

    that and that right there is just some

  • 7:05

    [ __ ] that

  • 7:06

    >> I've been physically scared. Like, you

  • 7:08

    better not you better not fall asleep.

  • 7:10

    >> Don't close your eyes.

  • 7:11

    >> And don't let her drive.

  • 7:12

    >> I've definitely had maybe slightly

  • 7:14

    irrational fears of falling asleep. For

  • 7:15

    sure. For sure. Certain you can't go to

  • 7:17

    sleep, right? The [ __ ] out of you.

  • 7:19

    >> The stabbing that you worry about.

  • 7:20

    >> When you said don't let her drive, they

  • 7:22

    used that be my favorite drone. Like I

  • 7:23

    would drive and be like I smash this

  • 7:25

    [ __ ] right. That was my thing

  • 7:27

    >> in that moment. Did you mean it?

  • 7:29

    >> No.

  • 7:29

    >> I don't know if I meant that.

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    >> But I always say but I would always say

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    like I'mma smash it but I would on his

  • 7:35

    side. You know what I mean? Like it was

  • 7:36

    never I'm going to kill when you say

  • 7:38

    >> smash this side.

  • 7:40

    >> Yeah.

  • 7:40

    >> You think you think you can drive like

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    that?

  • 7:42

    >> I could drive. I'm a good driver. I just

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    had this conversation with somebody. I'm

  • 7:45

    a great driver.

  • 7:46

    >> You seem like you might got

  • 7:46

    >> like I don't drive like I'm from Jersey.

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    You know what I mean?

  • 7:48

    >> Whoa. Whoa. You're not a good driver.

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    >> Jersey people can't drive. And it's a

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    known thing. We're not going to waste

  • 7:52

    time on

  • 7:53

    >> that being said, number two in the

  • 7:54

    country in my personal experience is the

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    square state, PA.

  • 7:59

    >> Oh,

  • 8:00

    >> y'all number two on the list

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    >> of bad drivers.

  • 8:02

    >> Correct.

  • 8:03

    >> Wow. But Pennsylvania.

  • 8:05

    >> Wait, we ain't about to let Buffalo and

  • 8:08

    Philly [ __ ] talk about Jersey drivers.

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    >> Y'all are terrible. That's not true.

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    Nationally regarded as terrible drivers.

  • 8:15

    >> Like, why would everybody say it every

  • 8:17

    >> nationally got to mind their business?

  • 8:19

    >> Nationally, don't bring up nationally.

  • 8:21

    Don't bring up.

  • 8:22

    >> Don't bring up the nations.

  • 8:22

    >> It's only because you stolen car

  • 8:25

    stole a car. That's actually how it

  • 8:27

    feels when I when I'm around Jersey

  • 8:28

    people.

  • 8:29

    >> You were from New York.

  • 8:30

    >> We drive.

  • 8:32

    >> Cap. And then me and Parks talked about

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    it last night.

  • 8:34

    >> LA drivers, DC drivers, and Atlanta

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    drivers are on this list. Atlanta driver

  • 8:39

    got the cake.

  • 8:40

    >> Atlanta is the worst place.

  • 8:42

    >> When me and Parks talked about it, we

  • 8:43

    were finishing each other's sentences

  • 8:44

    about Jersey drivers. Like literally

  • 8:46

    knew exactly what like what I don't

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    know. Y'all suck at that.

  • 8:49

    >> All right. So y'all bonded one night,

  • 8:51

    right?

  • 8:53

    >> And y'all can be wrong. Mike all right

  • 8:55

    with that.

  • 8:55

    >> Us and everybody else.

  • 8:56

    >> Yeah, everybody else is wrong, right?

  • 8:57

    >> Just us and everybody.

  • 8:58

    >> I came on here and said, I'm back to the

  • 9:00

    stalker [ __ ] now cuz it's a movie in my

  • 9:02

    head. I came on here and said when the

  • 9:04

    stalker girl was a jogger and she was

  • 9:08

    jogging just by my house,

  • 9:10

    >> happened to be jogging by your

  • 9:12

    >> and she said, "Hey, do me a favor. We

  • 9:14

    need a bottle of water out there for me.

  • 9:16

    I'm by your house with my kids. red

  • 9:19

    dress. You remember?

  • 9:21

    >> Scared the [ __ ] out of us, [ __ ]

  • 9:22

    >> Oh, please. It scared me so much I was

  • 9:24

    trembling getting her number.

  • 9:27

    >> All right. Be my man. Be my man. You You

  • 9:31

    my guy.

  • 9:32

    >> She's scared. Yo, she scared ME SO MUCH.

  • 9:34

    I ALMOST DIDN'T GET THE NUMBER. I HATE

  • 9:36

    these [ __ ] boy.

  • 9:37

    >> No, that was some [ __ ] that day. I

  • 9:39

    don't care. And then pass crazy because

  • 9:41

    I ain't gonna call it crazy, but when

  • 9:43

    you when you uh when you meet the girl

  • 9:46

    that really only like girls,

  • 9:49

    but then she likes your dick and now

  • 9:52

    she's open to men. You're the first guy

  • 9:54

    to have opened her up to men. That

  • 9:55

    girl's a nutcase.

  • 9:58

    >> That girl is a absolute stalker.

  • 10:00

    Deranged.

  • 10:02

    >> She's also a lesbian.

  • 10:02

    >> I don't think I [ __ ] that many

  • 10:03

    lesbians

  • 10:04

    >> about say I argue that they're not

  • 10:06

    lesbians.

  • 10:07

    I guess sexual technical the first you

  • 10:10

    think that they're not lesbian.

  • 10:12

    >> You being the first penis that they

  • 10:13

    enjoy. You think they're not lesbian?

  • 10:15

    >> No. Your behavior from penis

  • 10:17

    >> Oh,

  • 10:18

    >> tells me that you're not a lesbian.

  • 10:20

    >> Okay.

  • 10:21

    >> Oh,

  • 10:22

    >> guess what? I didn't know y'all.

  • 10:24

    >> Um, lesbians like the harder versions. I

  • 10:26

    don't know if you're allowed to say like

  • 10:27

    stud or whatever.

  • 10:29

    >> I like to say Zeke with a Z. I think

  • 10:31

    that I think so. My people like it. Um,

  • 10:35

    they like dick. They be sneak [ __ ]

  • 10:38

    It's been hearing about that a lot, bro.

  • 10:40

    Late nightmate night at the Waw Wa and

  • 10:43

    they get the Waw Wa separately. They get

  • 10:45

    in the same car. They bros, but she got

  • 10:47

    a fat ass under the Methodas. You know,

  • 10:49

    >> first of all, I've always thought that

  • 10:51

    it suck. Like imagine being a stud and

  • 10:53

    you got this whole male persona, but you

  • 10:54

    got a fat old ass on you. Titties, they

  • 10:57

    try to take the titties down. They be

  • 10:58

    having fat ass.

  • 10:59

    >> But they put three sports bars on. They

  • 11:01

    got one titties, but it's one. It's one

  • 11:02

    titty in the middle. But when you walk

  • 11:04

    past with that fat ass and you sagging

  • 11:06

    on some tough [ __ ] you know what I

  • 11:07

    mean? It's like, bro, yeah, it's fat as

  • 11:08

    [ __ ] bro. You know what I mean? That

  • 11:10

    has to suck. Or you real hippie.

  • 11:12

    >> Shout out to y'all.

  • 11:13

    >> The hippie studs. Yeah, the hippies.

  • 11:14

    >> The hippie studs.

  • 11:15

    >> But no, they sneak dick and I'm telling

  • 11:17

    you, they have a craving for it.

  • 11:19

    >> Okay, thanks for that information.

  • 11:21

    Taught me that.

  • 11:21

    >> But can I also add this? I always

  • 11:23

    thought it was strange men that were

  • 11:24

    attracted to them because it's like they

  • 11:26

    get the whole persona is male. You know

  • 11:28

    what I mean? So what's up with you?

  • 11:30

    >> I concur.

  • 11:31

    >> You feel me? I think and when I say that

  • 11:32

    people are always still a girl, but I'm

  • 11:34

    just saying her her exterior gives men.

  • 11:36

    So what attracted you? Like what made

  • 11:38

    you look through the at the bed?

  • 11:41

    >> This [ __ ] under the [ __ ]

  • 11:44

    car.

  • 11:46

    >> You put on all the do-aggs you want. You

  • 11:49

    want this [ __ ] under there.

  • 11:50

    >> Have any of y'all ever like dated a stud

  • 11:52

    or had sex with you different words

  • 11:56

    around here?

  • 11:56

    >> None of you ever hit a stud?

  • 11:57

    >> No. Ever?

  • 11:59

    >> No. Put it on your freeze.

  • 12:01

    >> Freeze. Why you making a face?

  • 12:02

    >> I ain't making no I'm laughing at Mona.

  • 12:04

    Bro,

  • 12:04

    >> you Mark pop one.

  • 12:05

    >> Do you know something?

  • 12:06

    >> You said so you know something, [ __ ]

  • 12:08

    >> Mark one, too.

  • 12:10

    >> What?

  • 12:11

    >> Mark pop the stud. Huh?

  • 12:14

    >> Mark. Mark and Ice. MARK 46 YEARS OLD.

  • 12:17

    >> WHY AM I IN THIS CONVERSATION?

  • 12:19

    >> YOU DIDN'T SAY NOTHING.

  • 12:20

    >> WAIT, that's my thing. WHY Y'ALL DON'T

  • 12:22

    COP TO IT? I WAS ABOUT TO, BUT THEN ICE

  • 12:24

    MADE THE FACE. I DIDN'T MIND IT AND THEN

  • 12:25

    HE JUST SOLD ME THE [ __ ] OUT.

  • 12:27

    >> I'M MINDING MY BUSINESS.

  • 12:28

    >> CAN I HEAR FROM Y'ALL? This is

  • 12:29

    interesting.

  • 12:31

    >> You took the wave cap off before you

  • 12:32

    pop.

  • 12:34

    >> Oh, one of them Newark studs.

  • 12:37

    >> One of them Newark studs that play bid

  • 12:39

    whit.

  • 12:43

    >> He was ABOUT TO TELL THE TRUTH IF Y'ALL

  • 12:44

    SHUT UP. HE WAS ABOUT to give it up.

  • 12:47

    I WANT TO HEAR.

  • 12:48

    >> WAIT, WHERE Y'ALL WHERE Y'ALL MEET ME

  • 12:49

    AT?

  • 12:51

    >> Mutual friend.

  • 12:53

    She spotted you.

  • 12:59

    >> She's charing the [ __ ] up.

  • 13:01

    >> [ __ ] [ __ ] UP AT the

  • 13:05

    pooping [ __ ]

  • 13:06

    >> That is hilarious.

  • 13:07

    >> No, really. What happened,

  • 13:09

    >> bro? We were really good friends and she

  • 13:11

    was curious.

  • 13:12

    >> Okay.

  • 13:13

    >> Ah,

  • 13:13

    >> that's it.

  • 13:13

    >> Did she love it?

  • 13:14

    >> So, you were like the entry. That makes

  • 13:15

    sense to me. That's a good way to start.

  • 13:17

    I love what I tell

  • 13:19

    story.

  • 13:20

    >> He simplifies everything.

  • 13:23

    >> By the time you tell it,

  • 13:24

    >> you mean to tell me

  • 13:26

    >> he's entry level dick.

  • 13:28

    Entry level dick.

  • 13:29

    >> He got a start. She got a start basic.

  • 13:33

    >> Whatever. Now

  • 13:34

    >> I know his brain.

  • 13:35

    >> I know it's it's early. So my brain

  • 13:37

    ain't functioning all the way yet. So I

  • 13:39

    got to be wrong. I ain't And I hate that

  • 13:41

    I'm the guy that always highlighted.

  • 13:42

    >> I know your brain. What do you mean to

  • 13:45

    tell me?

  • 13:47

    Out of all the [ __ ] in Nebraska.

  • 13:51

    She got curious and said, "You know

  • 13:53

    what? I need some a little freeze."

  • 13:56

    >> Yeah, [ __ ]

  • 13:57

    >> All right. Yes.

  • 13:58

    >> Big dog [ __ ]

  • 13:59

    >> Damn right.

  • 13:59

    >> Big dog [ __ ]

  • 14:00

    >> Damn right.

  • 14:01

    >> All right. Well, what say you, brother

  • 14:02

    Mark? My situation was different. She

  • 14:04

    What happened was when I met her, she

  • 14:05

    wasn't a stud.

  • 14:07

    >> And then I circle back like 5 years

  • 14:09

    later and she looked different. Like I

  • 14:11

    bumped into her like at at a at a bar

  • 14:13

    >> barber shop.

  • 14:14

    >> At a barber shop.

  • 14:16

    >> They got line up together.

  • 14:17

    >> Yo, tape me up.

  • 14:19

    >> Taping that thing.

  • 14:20

    >> No, she was she I was like, "What

  • 14:22

    happened to you?" She was like, "Mark,

  • 14:24

    you can't do that.

  • 14:25

    >> What happened to you?"

  • 14:25

    >> I didn't say it like that, but I was

  • 14:27

    like, "Oh, you look different." Like,

  • 14:28

    she was like, "Oh, you know, I'm in the

  • 14:29

    girls." We exchanged info actually just

  • 14:32

    to get up. You know what I mean?

  • 14:33

    >> And you got up and then she sent me a

  • 14:35

    text at night. Like, you know, I'm still

  • 14:37

    in the [ __ ] So, we got we I mean,

  • 14:39

    that was it.

  • 14:40

    Did she come to boxes in a beater?

  • 14:43

    >> Word.

  • 14:43

    >> Only five times.

  • 14:46

    >> Three.

  • 14:47

    >> Only three times.

  • 14:48

    >> Why? Now see, hey, you did your thing.

  • 14:50

    >> Now, after after y'all were done with

  • 14:52

    your three times, did she [ __ ] with

  • 14:54

    dudes more? Did she go back to girls?

  • 14:55

    >> I thought you

  • 14:56

    >> I don't know.

  • 14:56

    >> I think say she

  • 14:57

    >> No, she No, no, I take that back. Well,

  • 14:59

    I don't know. This is

  • 15:00

    >> friends. But this is

  • 15:02

    >> 20 years ago. Damn there. So, she's

  • 15:05

    >> she's into girls. She's

  • 15:08

    >> she

  • 15:12

    don't bring

  • 15:15

    >> you ain't rep for the [ __ ]

  • 15:17

    >> Hey, listen.

  • 15:18

    >> Got to read the Y review on that one.

  • 15:19

    >> When y'all were friends, for her to

  • 15:21

    approach you as friends, I know it

  • 15:22

    [ __ ] you up. Like you was shocked like

  • 15:24

    what? Like cuz that's your bro. That

  • 15:25

    [ __ ] your homie.

  • 15:26

    >> Yeah, it did. It was.

  • 15:28

    >> Hey Joe,

  • 15:29

    >> I'm sorry.

  • 15:30

    He was like looking behind.

  • 15:32

    >> All right. And what type of pond we

  • 15:34

    having today? I think you already know.

  • 15:37

    NO, BUT I NEED I NEED IT CLEAR. I NEED

  • 15:39

    IT CLEAR THOUGH. I NEED IT CLEAR.

  • 15:40

    >> But wait, I see like I'm on [ __ ]

  • 15:42

    but I do have a serious question for

  • 15:44

    y'all. Ice and Mark,

  • 15:47

    was there ever a time where y'all was on

  • 15:49

    top

  • 15:51

    and she just was leaned back on some

  • 15:52

    chills like

  • 15:54

    >> while you was doing your numbers?

  • 15:56

    >> You think she was hitting from behind?

  • 16:01

    >> When I see you,

  • 16:03

    >> I'm serious. You're never serious. I

  • 16:05

    promise you I want to know if y'all was

  • 16:06

    on top.

  • 16:07

    >> You be on your Pac-Man [ __ ] She was

  • 16:09

    like "Yeah kid.

  • 16:12

    I'm not doing this. I free the eater.

  • 16:17

    >> I'm no longer sharing."

  • 16:18

    >> Oh man,

  • 16:19

    >> you can't be the stud eater.

  • 16:21

    >> She stood up on that [ __ ]

  • 16:26

    Put her leg up and [ __ ]

  • 16:29

    >> Oh man.

  • 16:32

    Would y'all do it again? Would y'all do

  • 16:33

    it again? No.

  • 16:35

    >> Mark.

  • 16:35

    >> Well, if you weren't,

  • 16:37

    >> I know what you mean.

  • 16:38

    >> No, I know what you mean. But no.

  • 16:39

    >> Yeah. No. Even if we were single, we

  • 16:40

    would do.

  • 16:42

    >> Yeah, I would. I was tell you [ __ ]

  • 16:44

    >> You wouldn't do it cuz that particular

  • 16:46

    girl was a fire.

  • 16:47

    >> I'm not talking about her.

  • 16:48

    >> Home girls that was just

  • 16:50

    >> just a fire stud.

  • 16:53

    >> They do be fire. I

  • 16:54

    >> I see if if they open to it. If I was

  • 16:57

    single and open to it, it' be different.

  • 16:59

    Yeah. Yeah. Probably. Probably.

  • 17:01

    >> You wouldn't, Joe?

  • 17:03

    I mean, I can't say that I would. I'm

  • 17:05

    not attracted to that aesthetic.

  • 17:06

    >> No, but remember, I seen her before she

  • 17:08

    was that. So, I had the memory of the

  • 17:10

    the pre

  • 17:10

    >> She ain't that no more.

  • 17:12

    >> Oh, she was that when she when I saw

  • 17:13

    that night,

  • 17:14

    >> that's the thing. If I got to wait till

  • 17:16

    you get naked to be attracted to you, um

  • 17:18

    >> I I But I'm not I'm not knocking.

  • 17:20

    >> How about you, is not my thing.

  • 17:22

    >> Like, I can't

  • 17:23

    >> Me and is [ __ ] bad [ __ ] our whole

  • 17:25

    life, [ __ ] Like, is you want tell us?

  • 17:28

    You want to tell them? You want to sip

  • 17:29

    your little tea and be cute in your

  • 17:30

    little quarter zip? Listen, me and put

  • 17:32

    up and put numbers on the board our

  • 17:34

    entire lives. We didn't go through like

  • 17:36

    dull spells like anybody else.

  • 17:39

    >> Every

  • 17:43

    me and ish anything we wanted to hit

  • 17:46

    different and if you got it like that my

  • 17:48

    man I just let you like that. Right.

  • 17:51

    >> I let him cook.

  • 17:52

    >> Why would it be a stud? You know what I

  • 17:53

    mean?

  • 17:53

    >> So if y'all hit bab life y'all never

  • 17:55

    y'all never hit nothing ugly ever.

  • 17:57

    >> I definitely hit something ugly. I

  • 17:59

    definitely did something ugly, but I

  • 18:00

    don't tell people about it.

  • 18:01

    >> Ugly with

  • 18:02

    >> All right. I was about to say, please

  • 18:03

    say no. She was ugly. She was ugly with

  • 18:04

    that heat.

  • 18:09

    >> Up for it, right?

  • 18:09

    >> She was ugly with that heat.

  • 18:12

    >> One in particular. I was like, this

  • 18:13

    [ __ ] Joe is tripping.

  • 18:15

    >> I ain't hold up now. It ain't a whole

  • 18:16

    bunch of them.

  • 18:17

    >> I ain't saying a bunch. I'm just talking

  • 18:18

    about that. That one.

  • 18:19

    >> What was What was up with that one?

  • 18:21

    >> It was just It It was very different

  • 18:24

    than what I was used to seeing him

  • 18:26

    around. Oh, but he be putting imaginary

  • 18:27

    people on my body. You talking about

  • 18:28

    that bodyguard, [ __ ] I DID NOT. YES,

  • 18:30

    YOU DID.

  • 18:31

    >> NO, I DID NOT. I did not.

  • 18:33

    >> You ain't got to do this. Yo,

  • 18:34

    >> I did not. You [ __ ] bodyguard.

  • 18:37

    >> You [ __ ] female Kevin Cosce.

  • 18:41

    I did not [ __ ] that bodyguard.

  • 18:43

    >> This [ __ ] be lying, bro.

  • 18:44

    >> I promise you I asked me TO TAKE A

  • 18:46

    FRIEND OUT SO he could, you know what I

  • 18:47

    mean, with the chick

  • 18:48

    >> and I still didn't [ __ ] a bodyguard.

  • 18:53

    She have like the boots and the whole

  • 18:54

    black uniform. I can assure you

  • 18:59

    some bell on my kids.

  • 19:00

    >> Them bodyguards be having fat asses

  • 19:01

    under them uniforms.

  • 19:02

    >> Right back to the right.

  • 19:05

    >> Them asses be fat. So you bodyguard.

  • 19:08

    >> I seen her knock [ __ ] out.

  • 19:10

    >> Security guard. Police.

  • 19:11

    >> I was afraid.

  • 19:12

    >> Police be having fat asses under them

  • 19:14

    police.

  • 19:14

    >> You have to step from a stud.

  • 19:16

    >> No. Wait. You are crazy. They look like

  • 19:20

    women.

  • 19:21

    >> Women, [ __ ]

  • 19:22

    >> with the fat ass bugging out. [ __ ] a

  • 19:24

    police officer with a fat ass is about.

  • 19:26

    All right. No way.

  • 19:28

    >> You can't even make it make sense with

  • 19:30

    your PS. That's not

  • 19:31

    >> I'M SAYING THEY BE

  • 19:33

    >> THEY DON'T HAVE TO BE A BODYGUARD.

  • 19:35

    >> [ __ ]

  • 19:37

    we talking about two different things.

  • 19:38

    We talking about two different things.

  • 19:39

    >> I SAID ALL OF THAT IS IN the territory.

  • 19:41

    >> No. Chick I'm talking about was 64

  • 19:45

    290.

  • 19:46

    >> That's the one you and I knock YOU OUT.

  • 19:48

    >> THAT'S THE ONE YOU [ __ ] NO, not at all.

  • 19:49

    You climb up on my kids. Don't play with

  • 19:52

    me. Don't ruin MY LIFE.

  • 19:54

    >> I LOVE WHEN [ __ ] LIE ON THEIR KIDS.

  • 19:55

    >> WELL, I was going to say on God, but

  • 19:57

    that don't work here.

  • 20:00

    >> It work for you when we say that [ __ ]

  • 20:03

    >> Oh, man. That's crazy.

  • 20:05

    >> 6'4.

  • 20:06

    >> Yeah, I was.

  • 20:07

    >> That's being generous.

  • 20:08

    >> Wow. No.

  • 20:08

    >> Were you intimidated?

  • 20:10

    >> A little.

  • 20:11

    >> A little. She took it. She took it for

  • 20:13

    sure.

  • 20:15

    pinned his ass down.

  • 20:18

    >> Fed him and [ __ ] him.

  • 20:21

    >> Yes, she did.

  • 20:23

    >> Oh, man. Fristo,

  • 20:26

    >> I'm sorry that happened to you.

  • 20:28

    >> Yeah, but nothing happened to me. It's

  • 20:29

    cool, bro. You You can admit it. It's

  • 20:31

    all right. But it didn't sound like it

  • 20:33

    wasn't your fault.

  • 20:35

    >> It's okay.

  • 20:37

    >> Well, no, I was an adult. I was a child

  • 20:39

    when the babysitter took advantage. Oh

  • 20:42

    my god. And that's not okay.

  • 20:44

    >> That's wrong person. First of all,

  • 20:45

    >> none of it is okay. The bodyguard taking

  • 20:46

    it ain't okay. No, no, no. I'm saying I

  • 20:48

    I know you and the bodyguard were

  • 20:50

    consensual. I confirm that.

  • 20:53

    >> I'm glad for you, man.

  • 20:56

    >> Yo, that is hilarious, man.

  • 21:00

    >> [ __ ] the bodyguard.

  • 21:03

    >> Was it his bodyguard? Like, was it

  • 21:06

    >> damn That's just weird. The funny [ __ ]

  • 21:08

    if you ask her, she ain't even going to

  • 21:10

    lie and say that that happened.

  • 21:12

    >> She wouldn't even lie on it.

  • 21:14

    >> That one night they slammed the [ __ ]

  • 21:16

    down and took it.

  • 21:16

    >> I ain't talked to her.

  • 21:18

    >> Y'all both better stop playing with that

  • 21:20

    [ __ ] when she find.

  • 21:22

    >> Yeah, I know who she is.

  • 21:23

    >> She know exactly what

  • 21:24

    >> ain't that many 6'4" too.

  • 21:27

    >> She just rolled the window up and turned

  • 21:29

    the radio up. Is these [ __ ] talking

  • 21:30

    about me? [ __ ] must have forgot her.

  • 21:33

    the money [ __ ] The the the the black

  • 21:35

    Twitter streets know who the [ __ ] we

  • 21:37

    talking about. She got a long-term

  • 21:38

    relationship after and put that [ __ ]

  • 21:40

    Why you now you doing the most?

  • 21:43

    >> She put that [ __ ]

  • 21:45

    for years. YOU [ __ ] BOOM, [ __ ] What

  • 21:48

    you say?

  • 21:49

    >> They still going.

  • 21:50

    >> They still not I'm talking about I'm

  • 21:53

    talking about

  • 21:54

    >> Yeah, they they tumble.

  • 21:55

    >> Yeah.

  • 21:56

    >> To this day.

  • 21:57

    >> Love.

  • 21:57

    >> See? All right. Love

  • 22:00

    >> now. They Yo, you wild.

  • 22:02

    Play something, please.

  • 22:04

    >> Here we go. I mean, let's get some fairy

  • 22:06

    tales going for the lies being told up

  • 22:08

    here.

  • 22:09

    >> It's a lot of lies being told.

  • 22:11

    >> I thought you were going to play Paul

  • 22:12

    Simon or came to the compound, but I

  • 22:15

    ain't hit though.

  • 22:16

    >> Shout out to all the police women out

  • 22:18

    there for sure.

  • 22:19

    >> All the crazy women, all the stalkers,

  • 22:21

    all the beautiful studs. Indeed,

  • 22:24

    >> if I [ __ ] a stud, they going to have to

  • 22:25

    have some waves. You know what I mean?

  • 22:28

    They have to have some waves.

  • 22:29

    >> Smell like Murray.

  • 22:30

    >> That That's weird, bro.

  • 22:32

    Hey yo, you look look look that is

  • 22:34

    funny. Think about this. I remember I

  • 22:36

    was [ __ ] with the chick with the real

  • 22:38

    real short haircut. That [ __ ] was

  • 22:39

    awkward.

  • 22:41

    >> That [ __ ] is awkward. Cory, I'm lying.

  • 22:42

    That [ __ ] is awkward. Not the Put your

  • 22:44

    hand. Not the Halib Berry cut. I'm

  • 22:46

    talking about short. Not no Tony

  • 22:48

    Braxton.

  • 22:49

    >> That [ __ ] tripping.

  • 22:50

    >> We had this conversation yesterday. Me

  • 22:52

    and him.

  • 22:53

    >> You awkward.

  • 22:54

    >> I said the same thing.

  • 22:55

    >> Oh, let the man.

  • 22:56

    >> How about saying

  • 22:58

    he just want some more ammo? I'm on your

  • 23:00

    side of it. Oh yeah, you crazy.

  • 23:01

    Especially in the in the in the 2000s.

  • 23:03

    >> Yeah. I want to I want TO HEAR THE OLD

  • 23:04

    SOUL TIME GIRLS HAD THE LITTLE JOHN A

  • 23:06

    JOINT. You know what I mean? Like the

  • 23:07

    the shortcuts they had the little

  • 23:08

    >> What's awkward about it?

  • 23:09

    >> You grab him by the

  • 23:11

    >> nothing. THAT'S THE [ __ ] That's the

  • 23:12

    part.

  • 23:14

    >> That's the part they missing.

  • 23:15

    >> No, you just got You might not be It's

  • 23:17

    cool.

  • 23:17

    >> Yeah, right.

  • 23:19

    >> I wish I had some excuse.

  • 23:20

    >> That [ __ ] is weird, my [ __ ] I ain't

  • 23:21

    going

  • 23:22

    >> But but you can't Why

  • 23:24

    >> they got a low ass haircut and you you

  • 23:27

    know what I mean? You get wiped down.

  • 23:29

    You

  • 23:30

    >> [ __ ]

  • 23:32

    like you know [ __ ] getting the good

  • 23:34

    head you start being a hairdresser

  • 23:36

    you

  • 23:37

    >> word yeah different is looking at the

  • 23:40

    body from the back when the shorty give

  • 23:41

    >> you know you do you know when a chick

  • 23:44

    with a low haircut give you good head

  • 23:46

    there's other things that can happen

  • 23:48

    besides you being a hairdresser

  • 23:49

    >> no I'm making a joke

  • 23:51

    >> you can touch their body there's also

  • 23:52

    less interference

  • 23:54

    I'm sure they'll be on me touch

  • 23:57

    >> the chick got that go here and you get

  • 23:59

    to feel a scalp. That's a different type

  • 24:01

    of intimacy. First of all, when you get

  • 24:03

    to rub on their [ __ ] scalp and it's

  • 24:05

    like, "Oh, God, that is beautiful."

  • 24:08

    Shout out to all my short queens out

  • 24:09

    there. I absolutely love y'all. I love

  • 24:13

    that short.

  • 24:15

    You You pitched it to him wrong. Like

  • 24:16

    you said, Neo soul.

  • 24:18

    >> I was doing that time

  • 24:21

    like Ivory Soul or some [ __ ]

  • 24:23

    >> Oh, right. I got you.

  • 24:24

    >> There you go. Get

  • 24:26

    >> Yeah. Bold white [ __ ] and change his

  • 24:28

    world

  • 24:30

    kind of

  • 24:32

    >> exactly. I'm good.

  • 24:34

    >> Demi Moore [ __ ] a

  • 24:38

    >> yo when y'all [ __ ] the studs.

  • 24:40

    >> When when y'all [ __ ] the studs if y'all

  • 24:42

    went out like the damn pay

  • 24:46

    hold the door.

  • 24:49

    >> Pull the chair off.

  • 24:51

    >> Put your jacket on for you.

  • 24:53

    >> Oh wait. Yo girl, ever smack your ass?

  • 24:55

    >> Yeah. Like afterwards? No. After after

  • 24:57

    the act like

  • 25:01

    Got it. Got it. Got it. All right. This

  • 25:03

    is a family show.

  • 25:04

    >> Yeah.

  • 25:05

    >> Big time.

  • 25:12

    Let me keep this applause going for the

  • 25:14

    best show on turf.

  • 25:27

    that

  • 25:28

    was that

  • 25:36

    was that

  • 25:39

    >> all right 884.

  • 25:41

    >> That's right.

  • 25:41

    >> Welcome to episode 884 of the JBP

  • 25:45

    brought to you by fueled by power by

  • 25:47

    prize pitch prize pitch gang. I'm your

  • 25:50

    humble, gracious, grateful, super happy

  • 25:51

    to be here. Host Joe Button here with

  • 25:53

    some really amazing people to my right.

  • 25:55

    You already know the vibes, huh? In

  • 25:57

    Tacoma, Washington, they going to know

  • 25:59

    the vibes this weekend. Big show this

  • 26:02

    weekend out there. Make some noise.

  • 26:04

    Don't call me white girl. Big Deona in

  • 26:06

    the building.

  • 26:09

    >> Next to her, we have our good brother uh

  • 26:11

    our good I can't talk today. Our good

  • 26:14

    brother Dr. Mark Lamont Hill is in the

  • 26:16

    building. Next to him we have [ __ ]

  • 26:18

    king Wa Mr. Thousand Doors and up.

  • 26:21

    That's that is in the quarters in

  • 26:26

    Damn

  • 26:27

    >> already.

  • 26:27

    >> Is this any of this [ __ ] out yet in the

  • 26:29

    streets?

  • 26:30

    >> Yo, this week testing [ __ ]

  • 26:32

    >> Got it. Got it.

  • 26:33

    >> They got the quarter zip on them

  • 26:35

    already. Killing them

  • 26:36

    >> this week. Got the Y ready.

  • 26:39

    >> That [ __ ] turn [ __ ] around fast.

  • 26:40

    >> Not even think about that.

  • 26:41

    >> Fast and Fashion Nova boy. If he

  • 26:43

    thinking that [ __ ] is out being mailed

  • 26:45

    to you in 24 hours or less, stupid.

  • 26:51

    >> Yeah.

  • 26:54

    Hey, wait a minute now. Hey.

  • 27:00

    All right. Come on. That's too much fun.

  • 27:02

    Uh, next to him, we got the freeziest of

  • 27:04

    them all. Mr. Take Further. Ice is in

  • 27:06

    the building. Next to him, Big Park

  • 27:08

    finest is in the building. We got Po in

  • 27:11

    the building. Cory is here. Erikson is

  • 27:12

    here. Tanner and Sabon are here by

  • 27:14

    remote. Last but certainly not least,

  • 27:17

    each and every one of you guys are here.

  • 27:20

    How's everybody doing? What's popping

  • 27:21

    though? What's popping though? What's

  • 27:22

    up man?

  • 27:24

    >> Feel great, man. Busy week, but feel

  • 27:25

    great.

  • 27:25

    >> Busy week.

  • 27:26

    >> Good. Good. Glad everybody is feeling

  • 27:28

    great.

  • 27:28

    >> Can I say [ __ ] y'all just real fast?

  • 27:30

    Because

  • 27:30

    >> who who's y'all?

  • 27:31

    >> Everybody.

  • 27:32

    >> Oh, all of us.

  • 27:33

    >> Except Oh, yeah. MULTITUDE. LAST WEEK I

  • 27:36

    PASSED OUT ON SET.

  • 27:37

    >> YEAH.

  • 27:38

    >> YEAH.

  • 27:38

    >> Nobody checked them

  • 27:39

    >> and [ __ ] woke you up. You've been doing

  • 27:41

    it for a year.

  • 27:42

    >> No, no, I didn't fall asleep. I actually

  • 27:44

    passed out.

  • 27:45

    >> You didn't pass out.

  • 27:46

    >> What did I do?

  • 27:46

    >> You fell and I thought you hit your head

  • 27:49

    on the thing.

  • 27:50

    >> So, you were sitting there like this.

  • 27:52

    >> Yeah. I was caught being knocked out

  • 27:53

    >> looking like CD Lamb and I was like,

  • 27:54

    "Yo." Me and Mona looked at each other

  • 27:56

    like, "Yo, is this [ __ ] going?

  • 27:58

    >> I wasn't sure if you if it was for the

  • 28:00

    TV."

  • 28:01

    >> Yeah. No, I was out.

  • 28:03

    >> Yeah.

  • 28:03

    >> And I'm about to hit you. But

  • 28:04

    >> And then when you woke up, you like,

  • 28:05

    "No, no, no. I'm good. I'm good. I'm got

  • 28:06

    finished working cuz I'm professionals."

  • 28:08

    But a little you how'd you pass out?

  • 28:11

    >> I I really don't know. I don't know. I

  • 28:13

    was a little sick last week. That was

  • 28:14

    too good of a you building a case. What

  • 28:15

    the [ __ ] is

  • 28:18

    someone here take advantage?

  • 28:21

    >> Yo, what's wrong with you, dogs?

  • 28:23

    >> It's a little Are you all right? Mon

  • 28:25

    asked me today like, "Hey, you all

  • 28:26

    right? You was knocked out last week.

  • 28:28

    >> It's been seven days."

  • 28:28

    >> Well, we we know you was all right. We

  • 28:30

    saw you posted.

  • 28:30

    >> Well, are you all right?

  • 28:32

    >> I think so. I haven't passed out since.

  • 28:34

    >> Good. There you go.

  • 28:35

    >> Good.

  • 28:35

    >> Is that your first time passing out?

  • 28:37

    >> Yeah.

  • 28:37

    >> Wow. Oh, wow. Yeah, it was weird.

  • 28:39

    >> Yeah.

  • 28:40

    >> Well, we're glad you're all right.

  • 28:41

    >> Yes.

  • 28:42

    >> Some doctor eaters, huh?

  • 28:47

    >> Um, anywhere y'all want to go, I'm down

  • 28:49

    to go. Pause.

  • 28:51

    >> Um, we we got we got we got big news in

  • 28:54

    the entertainment.

  • 28:55

    >> This is absolutely crazy.

  • 28:56

    >> Yeah, this is absolutely crazy.

  • 28:57

    >> This news is absolutely nuts.

  • 28:59

    >> Um, it was announced that Netflix is

  • 29:01

    acquiring Warner Brothers.

  • 29:04

    >> Acquired. Did it

  • 29:05

    >> acquire? Yeah. Not even acquired.

  • 29:07

    billion right?

  • 29:08

    >> Yeah. 87 or $82 billion.

  • 29:11

    >> Insanity.

  • 29:12

    >> It's It's crazy to me to think about how

  • 29:14

    this could even happen. I remember when

  • 29:15

    Netflix was just, you know, they mailed

  • 29:16

    you a CD or DVD [ __ ]

  • 29:18

    >> You know what I'm saying? And then they

  • 29:20

    fighting Blockbuster. Now they are the

  • 29:22

    behemoth on the landscape. That's crazy

  • 29:23

    to me to see just how far they've come.

  • 29:25

    >> Speaks to some of these CEOs and their

  • 29:26

    vision.

  • 29:28

    >> Dead ass. Like nobody could have ever

  • 29:30

    thought that this was going to turn into

  • 29:31

    that.

  • 29:32

    >> Yeah.

  • 29:33

    >> You know what I mean? Like that's crazy.

  • 29:35

    I I looked at this as a pivot move or or

  • 29:37

    a response move because I remember um we

  • 29:41

    all remember a couple years ago Netflix

  • 29:42

    had that movie Bright with Will Smith.

  • 29:45

    >> Yeah. It failed.

  • 29:47

    >> But at the time it was like if this

  • 29:49

    works because you got A-listister Will

  • 29:51

    Smith and this movie was straight to

  • 29:54

    Netflix. If this works, this could

  • 29:56

    literally change the game. And you saw a

  • 29:59

    lot of um all I mean the movie wasn't

  • 30:02

    the greatest, but it did look like it

  • 30:04

    was a lot of oomph put on it. So that

  • 30:06

    this did not work. So with that not

  • 30:08

    working, all right, the our next option

  • 30:10

    is now we going to we going to come over

  • 30:12

    here and we going to buy up a studio.

  • 30:14

    >> Yeah.

  • 30:15

    >> We going to get in this way.

  • 30:16

    >> And not a studio.

  • 30:17

    >> Yeah. No, the studio them.

  • 30:20

    >> Yeah.

  • 30:20

    >> So now cuz now they got

  • 30:22

    >> I mean that that's that's HBO. It's HBO

  • 30:24

    Max

  • 30:25

    >> like that.

  • 30:26

    >> So now you got the whole eyes Entourage,

  • 30:30

    Sex in the City, The Wire. You got all

  • 30:32

    of those cataloges for [ __ ] to just

  • 30:33

    stream. [ __ ] that never heard about

  • 30:35

    it, they could go I mean [ __ ] that

  • 30:37

    heard about it, never saw it, it's right

  • 30:38

    there and way more movies. Not just

  • 30:43

    >> the game is subscriber base. So

  • 30:45

    >> now you phase out the HBO Max app.

  • 30:49

    >> You could my about to be two apps,

  • 30:51

    >> right? Well, that we going to get there,

  • 30:53

    too, cuz that's that's that's part of

  • 30:54

    the problem for me. But, and I know a

  • 30:56

    lot of stuff is going to get uh

  • 30:57

    developed in Q3. So, even though they

  • 30:59

    made the acquisition, it was happening,

  • 31:00

    >> you'll see it in like in the third

  • 31:02

    quarter 2026, you'll see a lot of this

  • 31:03

    stuff. One of the things they said was

  • 31:04

    they're going to keep Warner Brothers,

  • 31:06

    the the the brand because it's and I

  • 31:08

    think that's smart. You know, some

  • 31:10

    people the ego, you just want to take

  • 31:12

    over everything and have your name on

  • 31:13

    everything, but Warner Brothers is a

  • 31:14

    brand name. It's an American tradition.

  • 31:16

    So, you're still going to see Warner

  • 31:17

    Brothers in the movie theater. I think

  • 31:18

    that's brilliant. You know what I mean?

  • 31:20

    Same HBO. Hold on to those those titles

  • 31:22

    for sure which is always

  • 31:23

    >> what happens is you'll see Warner

  • 31:24

    Brothers and then underneath it'll say a

  • 31:26

    Netflix company.

  • 31:27

    >> Yeah, that's okay. As long as you still

  • 31:29

    Yeah,

  • 31:29

    >> but I need to see that Warner Brothers.

  • 31:30

    >> I was watching certain shows and I'm

  • 31:33

    used to seeing like u you know whatever

  • 31:35

    the logo is and then underneath it'll

  • 31:37

    say such and such. Now it's changing

  • 31:38

    Sundance these like cuz they're buying

  • 31:40

    up these these um these networks.

  • 31:42

    >> They buy these studios.

  • 31:43

    >> I ain't mad, bro.

  • 31:44

    >> Do you think this is going to change the

  • 31:46

    like the kind of programming they do?

  • 31:48

    >> Original programming?

  • 31:49

    >> Yeah. like will you see like a prequels

  • 31:51

    for things and you know like Netflix

  • 31:53

    like producing a lot of content like

  • 31:54

    right now in the same way like after HBO

  • 31:56

    we had HBO Max and you started to see

  • 31:58

    different kinds of content coming HBO

  • 31:59

    label. I'm just wondering will it take

  • 32:00

    shape the kind of shows we going to see?

  • 32:02

    >> I think you acquire HBO for their back

  • 32:04

    catalog cuz the HBO not necessarily

  • 32:07

    doing what Netflix does. You know what

  • 32:08

    I'm saying? So now I'm going just go get

  • 32:10

    all the HBO [ __ ] now put that up under

  • 32:12

    my umbrella but we can still keep doing

  • 32:14

    what we've already been the greatest and

  • 32:16

    master at. You know what I'm saying? I

  • 32:18

    think that's dope. I think it would they

  • 32:19

    would have to like back catalog is

  • 32:22

    awesome but if Netflix is has done built

  • 32:25

    built their own studio they getting into

  • 32:27

    original [ __ ]

  • 32:29

    >> I could see a world where they take a

  • 32:31

    story that they didn't have access to

  • 32:33

    and now prequel it like you said or or

  • 32:36

    make it go further like you said

  • 32:37

    >> that's what I'm expecting it

  • 32:38

    >> at that number I'm I'm thinking more

  • 32:40

    than back they have to have a plan

  • 32:42

    >> but even that right their plan has been

  • 32:44

    right in front of us right they're doing

  • 32:46

    this which is incredible This is

  • 32:49

    >> what they announced with their that

  • 32:51

    they're doing with those video podcasts.

  • 32:54

    >> Yeah.

  • 32:54

    >> Their football games.

  • 32:56

    >> Netflix went live just that Netflix

  • 32:59

    going live and they tested it out with,

  • 33:01

    you know, little comedy special here,

  • 33:03

    boxing match here. But

  • 33:05

    >> Oh, yeah. They got Netflix sports.

  • 33:06

    >> You get what I'm saying? Like like they

  • 33:08

    are. This is a full-on takeover

  • 33:10

    >> for sure.

  • 33:10

    >> We covering every We got sports, we got

  • 33:13

    this. I mean, what's next? News.

  • 33:14

    >> It's big dogs on the block now.

  • 33:16

    >> Yeah. Yeah.

  • 33:16

    >> No. No. This is our block now.

  • 33:18

    >> Yeah. And it's a long block.

  • 33:20

    >> We not even We're not even battling you

  • 33:21

    on this block. We bought the block. We

  • 33:22

    bought the Battlefield. I can't be mad.

  • 33:24

    >> It's exciting. I do I do like the HBO

  • 33:28

    app.

  • 33:29

    >> I do. I hope they leave it there.

  • 33:32

    >> Consolidated way. Yeah. Consolidated

  • 33:34

    app. It's just to me cuz when I said I'm

  • 33:36

    thinking about what what uh Hulu did, I

  • 33:39

    mean what Disney did with the Hulu and

  • 33:40

    all that. They they integrated

  • 33:42

    everything into the Disney app.

  • 33:43

    >> I could see HBO doing the same thing. I

  • 33:46

    think that's

  • 33:46

    >> I mean, excuse me. Netflix doing the

  • 33:47

    same thing. And

  • 33:49

    >> if they do that, what old show becomes

  • 33:51

    number one right away? The Wire.

  • 33:53

    >> Uh, Game of Thrones.

  • 33:56

    >> I can't hear any of you.

  • 33:57

    >> Game of Thrones, Sopranos, Squire. Yeah.

  • 34:00

    >> Probably in that order,

  • 34:01

    >> bro. You got 10 like HBO had a run of

  • 34:05

    like a good 12 shows that just was True

  • 34:09

    Blood,

  • 34:10

    >> [ __ ] uh Soprano, Sex in the City,

  • 34:13

    Entourage. They just had the wire eyes.

  • 34:15

    They just went crazy for a good

  • 34:18

    >> 15 years, two decades. So you got now

  • 34:21

    all of that stuff to people that's 28,

  • 34:23

    29 years old that wasn't around. You

  • 34:25

    like, "Yo, I'm watching Oz."

  • 34:27

    >> Yeah.

  • 34:27

    >> This deal was the first time I thought

  • 34:29

    about how much money Netflix has.

  • 34:31

    >> 80 billion.

  • 34:32

    >> Because when I went to bed, all of the

  • 34:34

    reports said Netflix is thinking about

  • 34:36

    acquiring. And when I woke up,

  • 34:39

    >> it said Netflix has acquired. Yeah,

  • 34:41

    >> that's literally

  • 34:42

    >> Netflix has it now, you guys. That's

  • 34:45

    what it said.

  • 34:46

    >> Now, not everybody's happy. I know you

  • 34:47

    said you can't get mad at that. Um, but

  • 34:50

    a lot of people are getting mad at that.

  • 34:51

    >> Who's mad at that?

  • 34:53

    >> Uh, some politicians, Elizabeth Warren,

  • 34:55

    for example,

  • 34:56

    >> Mark, don't politician me to death.

  • 34:57

    Anybody else, man?

  • 34:58

    >> Some content creators.

  • 35:00

    >> Well, what's the argument?

  • 35:01

    >> It's the it's an antitrust argument,

  • 35:03

    right? at um and it'll it'll be

  • 35:06

    ultimately up to the the feds to find

  • 35:08

    out whether it's true or not, but uh the

  • 35:10

    idea that they have that market

  • 35:11

    dominance, right, that they basically

  • 35:13

    have a monopoly over the entire

  • 35:14

    streaming industry, which is not what

  • 35:16

    you're not supposed to have, reduced um

  • 35:18

    um reducing competition. Uh and then

  • 35:21

    also having too much control. So, the

  • 35:24

    idea is that they can dictate terms to

  • 35:26

    directors in Hollywood or or content

  • 35:28

    creators now because they got you got no

  • 35:30

    place else to go. And so, it's hard to

  • 35:31

    get a fair deal. That's the argument.

  • 35:33

    content creators are worried about and

  • 35:35

    from the political side which I do think

  • 35:37

    matters um the question is does this

  • 35:40

    stop um are they too powerful are they

  • 35:43

    too big that's the thing that people are

  • 35:44

    worried about now Netflix has said in

  • 35:45

    their defense this is going to create

  • 35:47

    more opportunities for creatives this is

  • 35:48

    going to create more opportunities and

  • 35:50

    more avenues through the various things

  • 35:51

    they're acquiring it's up to the world

  • 35:53

    to decide but but people are not happy

  • 35:55

    about some people are not happy about it

  • 35:56

    >> I mean there was a I'm reading here from

  • 35:58

    from Variety um it says a group of major

  • 36:01

    industry players has sent an urgent open

  • 36:03

    letter to Congress warning of an

  • 36:06

    economic and institutional meltdown in

  • 36:08

    Hollywood right

  • 36:09

    >> if Netflix succeeds in acquiring Warner

  • 36:11

    Brothers/Discovery.

  • 36:12

    >> And that's what I heard when you were

  • 36:14

    talking about the content creators and

  • 36:15

    politicians. Hollywood.

  • 36:17

    >> Yeah, that's what I'm thinking.

  • 36:18

    Hollywood guard.

  • 36:20

    >> Yeah, but what does this mean for the

  • 36:22

    movie theaters? Like, like this this

  • 36:23

    could be a this could be way more than

  • 36:25

    just streaming. Like now if we got

  • 36:27

    Warner Brothers,

  • 36:29

    the act their studios, we have

  • 36:31

    everything. We can literally create new

  • 36:33

    films and bring them straight to

  • 36:34

    Netflix. We don't have to put them in

  • 36:35

    there.

  • 36:36

    >> But yo, have we aren't we already there?

  • 36:38

    >> No.

  • 36:38

    >> I mean, the the transition is slow, but

  • 36:40

    it the writing's on the wall, bro. A

  • 36:42

    movie comes out and in a month that [ __ ]

  • 36:46

    is on pay-per-view and being able to be

  • 36:48

    streamed. I don't

  • 36:50

    >> That's a month if it's doing bad in

  • 36:51

    theaters.

  • 36:52

    >> The average it used to be

  • 36:53

    >> That's not true. It used to be 6 months.

  • 36:56

    The average right now is a 3 months. if

  • 36:58

    it's doing okay, if it's doing bad in

  • 37:01

    theaters, if if they had a horrible

  • 37:03

    first week, if if the you know, if

  • 37:05

    they're taking a L on it, they'll pull

  • 37:06

    it from theaters and then they'll shoot

  • 37:08

    it straight to streaming.

  • 37:09

    >> Oh,

  • 37:09

    >> but on average, it's about 3 months now.

  • 37:11

    >> Wow. And that's I mean that's still

  • 37:14

    short.

  • 37:15

    >> I don't like it.

  • 37:16

    >> When we were growing up,

  • 37:17

    >> it was a while.

  • 37:19

    >> Some [ __ ] came out January. It might hit

  • 37:21

    the VHS or DVD like by the summer, maybe

  • 37:23

    late spring.

  • 37:23

    >> That's different though. You had to

  • 37:24

    actually physically make all this [ __ ]

  • 37:25

    and distribute it, right? Bro, Sinners

  • 37:27

    did well.

  • 37:28

    >> Yeah,

  • 37:28

    >> Sinners came out April 18th.

  • 37:30

    >> It was able to be streamed in July,

  • 37:32

    first week of July.

  • 37:33

    >> That's fast. Sinners was And Sinners was

  • 37:37

    a hit.

  • 37:38

    >> Yeah. I don't like it. It makes to me it

  • 37:39

    makes it takes the the thing out of the

  • 37:41

    movies. Like you don't have that thing

  • 37:42

    of really wanting to go see it in the

  • 37:44

    theater. And I always enjoy going to the

  • 37:46

    movie theater. If you didn't the movie

  • 37:47

    theater wasn't your thing, you know what

  • 37:49

    I mean? If you've been going to the

  • 37:49

    movie theater as a kid, your first date

  • 37:51

    at the movie theater, you got a hand job

  • 37:52

    movie theater, it's a thing for you. I

  • 37:54

    mean movie theaters sticking around and

  • 37:57

    everyone thinks it's the end of the

  • 37:58

    world. I don't think I think my movie

  • 38:00

    theater that I go to which is not a I

  • 38:02

    picker one of the fancy ones. They just

  • 38:03

    renovated the whole [ __ ] So clearly

  • 38:04

    there's still some money coming in.

  • 38:05

    >> It has to be.

  • 38:06

    >> But I think I think I look at what

  • 38:07

    you're saying about movie theater we

  • 38:09

    live in right now in the a lot of people

  • 38:11

    are in the I want it right this second

  • 38:13

    thing.

  • 38:14

    >> So

  • 38:15

    >> the same way malls took a hit because

  • 38:17

    now you could go on Amazon and order

  • 38:19

    everything and it comes next day or same

  • 38:20

    day. [ __ ] want to be able to hear this

  • 38:22

    is available and I could just go home

  • 38:24

    and push a button and watch it. It's

  • 38:25

    that convenience. But I'm just saying

  • 38:27

    the level of convenience and people

  • 38:28

    wanting everything immediately, right?

  • 38:30

    There's a lot of people that would, you

  • 38:32

    know, it's certain movies where it's

  • 38:33

    like I don't want to go to the movies to

  • 38:34

    see it. And if I knew it dropped today

  • 38:36

    and I could go home and just hit a

  • 38:38

    button and watch it,

  • 38:40

    >> I I personally I would take that.

  • 38:42

    >> To be clear, that's not Netflix's fault.

  • 38:43

    That's just to be clear. That's just the

  • 38:45

    way the tech is moving. all of that

  • 38:47

    progression, all of that the world's

  • 38:49

    changing cuz I'm pro world changing. But

  • 38:51

    I just feel like the direction we go to

  • 38:53

    is just less human contact. And I just I

  • 38:55

    don't think it's a good thing. And we do

  • 38:57

    not see you in your house on a [ __ ]

  • 38:59

    watching a movie versus you go have a

  • 39:01

    little conversation with the popcorn

  • 39:02

    girl, you say hi to the movie guys. Like

  • 39:04

    we just we're never going to see each

  • 39:06

    other.

  • 39:06

    >> And the other side of that

  • 39:07

    >> popcorn girl popcorn girl was a [ __ ]

  • 39:09

    >> She was you at my popcorn [ __ ]

  • 39:13

    >> Don't ask for extra butter now.

  • 39:14

    >> My popcorn girl was the best. On the

  • 39:16

    other side to that, how much it cost to

  • 39:18

    go to movies?

  • 39:18

    >> Yeah. Million expense today.

  • 39:21

    >> You going to spend 100 bucks if you go

  • 39:22

    with some whereas I could pay y'all

  • 39:24

    this. What is it? I think Netflix right

  • 39:26

    now if you got the the top package it's

  • 39:28

    $24.99 a month or something.

  • 39:30

    >> Don't say that again.

  • 39:31

    >> Yeah, that was crazy.

  • 39:32

    >> Top package if you have their best.

  • 39:35

    >> I mean, I I get it. I get it. For a lot

  • 39:38

    of people that makes more sense, I could

  • 39:41

    go home and watch the movie with my

  • 39:43

    family for even if they selling the

  • 39:45

    stream independently for $20, I could go

  • 39:47

    home with my family of five for $20.

  • 39:50

    >> I'll be breaking that Netflix up to like

  • 39:51

    five other people.

  • 39:52

    >> Can't do that no more.

  • 39:53

    >> They shut that [ __ ] down.

  • 39:54

    >> That [ __ ] is a dub.

  • 39:55

    >> Yeah. And then I love that they shut it

  • 39:57

    down for that like at all. Can't do it.

  • 39:59

    >> The message comes on the screen like,

  • 40:00

    "Nigga, you know it's five of y'all

  • 40:02

    using this."

  • 40:02

    >> Nah, that [ __ ] pop up. Yo, this is not

  • 40:04

    the house

  • 40:05

    >> where this account is registered. either

  • 40:08

    put a code in or sign up for your own

  • 40:10

    [ __ ]

  • 40:10

    >> You make so much money. I don't know

  • 40:12

    what y I don't know what y'all talking

  • 40:13

    about.

  • 40:14

    >> That is a bonafide fact that Netflix

  • 40:16

    shut that [ __ ] down. They definitely

  • 40:17

    did.

  • 40:18

    >> You cannot share your password and

  • 40:19

    everybody watch it. You would have to

  • 40:21

    get on a schedule and everybody to pick

  • 40:23

    times to watch it. But when you clicking

  • 40:24

    at the same time, they know and they

  • 40:25

    shut it down.

  • 40:26

    >> And now what they do, they give you two

  • 40:27

    weeks. So they'll send you a code.

  • 40:30

    >> You got it for two weeks. In two weeks

  • 40:31

    from now, we going to lock this [ __ ] out

  • 40:32

    again.

  • 40:33

    >> We make too much money to be doing this.

  • 40:34

    >> Well, I I I signed up. I was watching a

  • 40:37

    puff dock. They sent the [ __ ] on the top

  • 40:40

    of the screen.

  • 40:42

    >> My peoples hit their peoples the email

  • 40:44

    dude.

  • 40:44

    >> Wait, you don't got your own Netflix?

  • 40:45

    You use somebody's

  • 40:46

    >> I mean my girl uses

  • 40:48

    >> I thought you were the the the owner and

  • 40:49

    you distributed to your mans and them.

  • 40:51

    >> No.

  • 40:52

    >> No. He's the password borrower.

  • 40:53

    >> You don't have Netflix?

  • 40:54

    >> No, I don't [ __ ] in my house.

  • 40:57

    >> I'm really surprised.

  • 40:58

    >> My girl deals with y'all surprised.

  • 41:00

    >> It don't deal like that's not my [ __ ]

  • 41:03

    Yeah, that's I don't care about that.

  • 41:05

    What do you do for fun is

  • 41:07

    >> what you mean? On the phone [ __ ]

  • 41:09

    >> So much fun monopoly they have.

  • 41:11

    >> Yo, no, I don't care about I don't care

  • 41:13

    about like techy stuff and all that.

  • 41:15

    Like the apps and all that. If I got a

  • 41:17

    question, I'll call

  • 41:17

    >> cuz I know you don't do social media

  • 41:19

    like that.

  • 41:19

    >> It's not really my back.

  • 41:20

    >> Yeah.

  • 41:21

    >> So, you don't do social media like that?

  • 41:23

    You don't have Netflix? Not really. Oh,

  • 41:26

    you have it, but you're not really into

  • 41:27

    the TV shows.

  • 41:27

    >> You got a phone.

  • 41:28

    >> Do you read the paper?

  • 41:30

    >> I read books. I don't read the paper.

  • 41:32

    Talk to

  • 41:32

    >> book reader. Mona's having a hard time

  • 41:35

    figuring out what you really enjoy.

  • 41:38

    >> What could it be?

  • 41:39

    >> Damn, man. What is it?

  • 41:41

    >> There's a missing element that is

  • 41:43

    element.

  • 41:44

    >> I can't. We can't quite put our finger

  • 41:46

    on.

  • 41:46

    >> I don't get the joke.

  • 41:47

    >> He can't.

  • 41:49

    >> Hey, Mona.

  • 41:50

    >> Want to explain it?

  • 41:51

    >> Hey, Mona. I got you, girl. Hey, look at

  • 41:53

    me. Look at me. The [ __ ]

  • 41:55

    >> I WAS THINKING THAT. I was thinking

  • 41:59

    that.

  • 42:00

    >> Hey, the Mona. It's the [ __ ]

  • 42:01

    >> He like talking about

  • 42:04

    This [ __ ] idiot is a [ __ ]

  • 42:07

    >> Is a born potter. You said that last

  • 42:08

    week. He is born for podcast

  • 42:10

    >> and [ __ ]

  • 42:12

    >> He born for podcast.

  • 42:17

    >> Yo, what is wrong with this guy? Yo.

  • 42:19

    >> Oh man. Y'all should stop sharing

  • 42:21

    passwords though. And I'm not mad at

  • 42:22

    Netflix cracking down. If you trying to

  • 42:24

    buy some [ __ ] that cost 84 billion, I'm

  • 42:26

    coming

  • 42:27

    from every one of y'all.$

  • 42:30

    13.99.

  • 42:32

    All of my subscribers. Oh, just wait.

  • 42:34

    They going to get it back.

  • 42:35

    >> Oh, yeah.

  • 42:35

    >> Oh, yeah.

  • 42:37

    >> I already thought about that [ __ ] Yeah.

  • 42:39

    >> Yeah. It made sense going up. You said

  • 42:41

    you watched the puff dot, right?

  • 42:43

    >> Yes, I did.

  • 42:43

    >> Did everyone here watch the puff do?

  • 42:45

    >> All four episodes.

  • 42:46

    >> All right. You five, take it away.

  • 42:49

    >> I didn't really get that much more

  • 42:51

    information from this. I think it was

  • 42:52

    really well done. I didn't get a lot

  • 42:54

    more information than we've gotten in

  • 42:55

    the doc that we got a couple years ago

  • 42:57

    and through all the press coverage of

  • 42:58

    the last year. Personally,

  • 43:00

    >> it was just better done like you said.

  • 43:02

    >> Yeah, this was really well done. And

  • 43:03

    they painted the picture they were

  • 43:04

    trying to paint.

  • 43:05

    >> Yeah.

  • 43:05

    >> Oh, for sure. For me.

  • 43:06

    >> Oh, for sure.

  • 43:07

    >> They tried they were trying to paint or

  • 43:08

    the picture that it is. Cuz you say

  • 43:10

    trying to paint, it's like they got a

  • 43:11

    narrative and they or is that just what

  • 43:12

    it is?

  • 43:12

    >> Well, they I think whatever their

  • 43:14

    intention was with this doc, they nailed

  • 43:16

    it.

  • 43:16

    >> They did it.

  • 43:17

    >> Yeah.

  • 43:17

    >> That's what I'm saying. I I I think when

  • 43:19

    you tell a story about anybody, you

  • 43:20

    could tell multiple stories. There

  • 43:22

    there's another story about Puff you

  • 43:23

    could tell uh that would leave you feel

  • 43:26

    indifferent about him that would also be

  • 43:27

    true.

  • 43:28

    >> Okay. I agree. I get it.

  • 43:29

    >> But this one felt true, you know, and

  • 43:32

    this one needed to be told given

  • 43:33

    everything that's going on. I'm not

  • 43:34

    defending it. I'm just saying like I do

  • 43:36

    think there's multiple stories and they

  • 43:37

    had a particular story they wanted to

  • 43:38

    tell which I thought was good. And for

  • 43:39

    me, I agree with y'all. Like it wasn't

  • 43:41

    so much that it was new information. And

  • 43:42

    I think you said this the other day,

  • 43:43

    Joe. It wasn't that it was new

  • 43:45

    information, but the storytelling was so

  • 43:46

    good.

  • 43:46

    >> Yeah. And a lot of these docs,

  • 43:48

    especially ones that come out fast,

  • 43:50

    >> this is not good storytelling. Yeah.

  • 43:52

    >> Yeah. I was I don't

  • 43:53

    >> And again, remember y'all My bad. y'all

  • 43:55

    speaking for y'all demo. Like my parents

  • 43:57

    called me.

  • 43:58

    >> Mhm.

  • 43:59

    >> Fair. Yeah. And was like, "Yo, I had no

  • 44:02

    idea about a lot of the stuff that they

  • 44:05

    mentioned in this."

  • 44:06

    >> I It was [ __ ] that that was new to me.

  • 44:08

    But I looked at this. Excuse me,

  • 44:11

    >> [ __ ] This [ __ ] was higher than

  • 44:12

    Stranger Things.

  • 44:14

    >> Yeah.

  • 44:14

    >> Oh, no. They made some

  • 44:15

    >> Well, cuz the Stranger Things [ __ ] is

  • 44:17

    is 39.

  • 44:18

    >> I know that, but but that's beside the

  • 44:20

    point.

  • 44:20

    >> I don't know how y'all still getting

  • 44:22

    this. Later, we'll talk about the

  • 44:23

    Stranger Things. But my point though

  • 44:25

    with that just recently

  • 44:26

    >> and they grew up weird now.

  • 44:27

    >> They did. Yo,

  • 44:30

    >> they grew up weird and nobody wants

  • 44:32

    that.

  • 44:33

    >> So they trying to put these [ __ ] on a

  • 44:34

    promo run. They look like Stranger

  • 44:36

    Things.

  • 44:37

    >> You can't really go ahead. Season was

  • 44:39

    pretty good though.

  • 44:39

    >> But yeah, but the fact is, you know, a

  • 44:41

    lot of people were waiting for Stranger

  • 44:42

    Things and this was higher than that. So

  • 44:45

    this tells me there's going to be a lot

  • 44:46

    of eyes getting a lot of new

  • 44:48

    information. Some of us, yeah, we might

  • 44:49

    know certain things. I gained new

  • 44:51

    information like and they painted this

  • 44:53

    [ __ ] as

  • 44:54

    >> that was his MO.

  • 44:56

    >> Yes.

  • 44:56

    >> Yo,

  • 44:56

    >> right.

  • 44:57

    >> Oh, okay. That's your girl. I want her.

  • 45:00

    >> Whoa.

  • 45:01

    >> And I'm going to whatever. I'm taking

  • 45:03

    like that Eric Servin stuff.

  • 45:05

    >> I never

  • 45:07

    know. I didn't know when you said my man

  • 45:09

    was like on the window. I was like this

  • 45:10

    [ __ ] crazy.

  • 45:11

    >> Yeah, he a little

  • 45:12

    >> I didn't know that. I didn't know um

  • 45:15

    that he got bad like he cuz the the

  • 45:18

    neighbor the one that cuz they live in a

  • 45:19

    duplex and she's renting out they

  • 45:20

    renting out the downstairs to the other

  • 45:22

    family. He alluded to that he went

  • 45:24

    through like rough beatings as

  • 45:26

    >> right but he like he was like it was

  • 45:28

    like oh like he don't want to remember

  • 45:29

    it like it was so traumatic or whatever.

  • 45:31

    Um, I love that part. Him and his mom

  • 45:33

    was so close and his mom was like so

  • 45:36

    like in love with him. Like whenever you

  • 45:37

    would see him, I just didn't I didn't um

  • 45:39

    know that. And I like the fact that they

  • 45:41

    really went into to me. I I took it like

  • 45:44

    Janice was still street connected after

  • 45:46

    the dad died. You know what I mean?

  • 45:47

    Before it's real smooth,

  • 45:49

    >> right? Cuz before it's like, okay, they

  • 45:51

    from Harlem, he this big drug dealer, he

  • 45:53

    gets murdered. They in Mount Vern and

  • 45:54

    they excluded from it. He going to

  • 45:56

    private school. But no, she's driving

  • 45:57

    into Harlem and she her and she can

  • 45:58

    leave her car. She really was outside

  • 46:00

    for real. So

  • 46:01

    >> that that's the brilliance of it to me

  • 46:03

    when you tell a story like that where

  • 46:04

    you leave the audience understanding it

  • 46:06

    without having to be heavy-handed with

  • 46:07

    it like some of these other docs. Like

  • 46:08

    my man was like, "Yeah, she just leave

  • 46:09

    the car there, leave it running, and

  • 46:11

    nobody mess with it." Like just saying

  • 46:12

    it like that, we got it without Yeah.

  • 46:15

    Like to me that's that's that's what

  • 46:16

    made the storytelling. So

  • 46:17

    >> it must have been pretty wild for Puff

  • 46:18

    to have found out his mom was working in

  • 46:20

    the after hours spot on a show.

  • 46:23

    >> I don't THINK HE I THINK I don't think I

  • 46:25

    didn't think that was real. I thought

  • 46:26

    that that he just reacted that way. I

  • 46:28

    >> You ain't got to tell the world.

  • 46:29

    >> Yeah. Hey, I think he knew his mind was

  • 46:30

    going on. That's just some cutie [ __ ]

  • 46:31

    for TV. That's how I took it per that

  • 46:33

    was some cutie TV [ __ ] because like they

  • 46:36

    in tune and they tight. You know what I

  • 46:37

    mean? Like I don't know. That one part

  • 46:39

    that was a little confusing what but it

  • 46:41

    might have been because you know we in

  • 46:42

    this we in the industry [ __ ] So, you

  • 46:44

    know, you say what you supposed to say

  • 46:45

    or what the publicist tell you to say.

  • 46:46

    But at one part, he's doing some kind of

  • 46:48

    interview that I've never seen before.

  • 46:49

    And it's like from the late '9s or the

  • 46:51

    early 2000s. And um he says something

  • 46:54

    about um that he he that his mom was

  • 46:58

    that's it's the same it's the same scene

  • 47:00

    from when he was talking about that he

  • 47:02

    had to fight like he had to whoop ass or

  • 47:04

    he would get in trouble. That interview

  • 47:05

    I had never seen that before ever. And I

  • 47:07

    was like a puffy fan. Like I've seen

  • 47:08

    every little when they show clips of his

  • 47:10

    interviews and [ __ ] I've already seen

  • 47:11

    it. You know what I mean? I had never

  • 47:12

    seen it before. I want them to drop that

  • 47:14

    cuz the way he was talking about

  • 47:15

    candidly, it seemed like he was being

  • 47:16

    real honest in that interview. You know

  • 47:17

    what I'm talking about?

  • 47:17

    >> Yeah, I know exactly what you're talking

  • 47:18

    about.

  • 47:18

    >> And it was at the bottom it says

  • 47:19

    something. It was a title. So almost

  • 47:21

    like that was a documentary that never

  • 47:22

    came out.

  • 47:22

    >> Yeah, that part I I don't know the

  • 47:24

    source of it. But I I agree and all the

  • 47:27

    childhood stuff having people tell

  • 47:29

    stories from his childhood.

  • 47:30

    >> It it gave you a sense of his mindset.

  • 47:32

    They were building a case about his

  • 47:33

    mindset

  • 47:34

    >> for sure

  • 47:34

    >> that I thought was helpful. I I when Joe

  • 47:37

    came in and talked about it, I thought

  • 47:39

    it was gonna be worse than what it was

  • 47:41

    for me. To Parks' point, I had heard 97%

  • 47:44

    of that [ __ ] already. A couple things

  • 47:46

    were

  • 47:47

    >> new, like I never heard the [ __ ] say,

  • 47:49

    "Yo, he really gave us a million. He

  • 47:51

    hired us for a million dollars." I never

  • 47:53

    heard that before,

  • 47:54

    >> right? Um that was new for me. But I

  • 47:57

    think the part about him getting his ass

  • 47:59

    whooped by his mom and I think the whole

  • 48:02

    episode 4

  • 48:04

    >> I think they shot him some bail. They

  • 48:06

    they they were pretty they tried to be

  • 48:07

    fair. I think episode 4 really shot him

  • 48:10

    a whole bunch of bell. Like

  • 48:11

    >> where was the bail?

  • 48:13

    >> Uh the drawers, they didn't have to do

  • 48:15

    that in that dock.

  • 48:16

    >> Yeah, true.

  • 48:17

    >> They didn't have to talk to the drawers

  • 48:18

    cuz the jurors were like, "Nah, we

  • 48:19

    thought she was lying and we love Yeah.

  • 48:22

    They didn't have to display that in the

  • 48:24

    dock." Um, I think uh the dude Rod,

  • 48:28

    >> Lil Rod,

  • 48:29

    >> nobody took him seriously.

  • 48:31

    >> No.

  • 48:32

    >> Um,

  • 48:32

    >> which is a shame.

  • 48:33

    >> I think that I think that um

  • 48:35

    >> not saying that as somebody that didn't

  • 48:36

    take him seriously.

  • 48:37

    >> And then

  • 48:38

    >> I have a question for all of y'all

  • 48:40

    about.

  • 48:40

    >> We reported on that. We was we were

  • 48:42

    >> I didn't take him serious at all.

  • 48:43

    >> And then hearing that I was like,

  • 48:44

    >> you got to change his name.

  • 48:46

    >> Damn. Sorry.

  • 48:47

    >> When he came when when I always thought

  • 48:49

    that Rod was the one that got it jumping

  • 48:51

    because Rod wanted his money or

  • 48:52

    whatever, he said, you know, give me my

  • 48:53

    [ __ ] money or else. And then he went

  • 48:55

    and told is that really true that Rod's

  • 48:56

    the one that got the [ __ ] got

  • 48:59

    the dock.

  • 49:00

    >> Rod happened in January. Cassie happened

  • 49:01

    like 3 months earlier.

  • 49:02

    >> Oh, okay. Okay.

  • 49:04

    >> And then everybody looked at Rod like,

  • 49:05

    "Oh, you saw what happened while

  • 49:09

    there was like a hundred more."

  • 49:11

    >> Yeah.

  • 49:12

    >> I definitely think they was [ __ ]

  • 49:13

    though. Puffy and Rod for sure. I think

  • 49:15

    he hit that.

  • 49:16

    >> I I I don't know. I can't speak personal

  • 49:18

    opinion. What I took from it is that

  • 49:20

    Puffy is a shitty businessman on the

  • 49:22

    side of paying people.

  • 49:24

    >> Yeah.

  • 49:25

    >> And I think a bunch of these people have

  • 49:27

    been working with him for a long time.

  • 49:31

    >> Go ahead. No. Go.

  • 49:34

    >> No. And I just think a lot of them

  • 49:35

    [ __ ] I think a lot of them [ __ ] was

  • 49:36

    mad. I think bitter. You could hear the

  • 49:38

    anger in some of their voices as they

  • 49:40

    talk about what he did to them in

  • 49:42

    business. You know what I'm saying? And

  • 49:43

    so I think that

  • 49:44

    >> it was almost like all right this my

  • 49:46

    time to get back.

  • 49:47

    >> Yeah. The Rod story did come off like a

  • 49:49

    love story.

  • 49:50

    >> It did. They was They were I'm not I'm

  • 49:53

    not taking nothing away from him. His

  • 49:55

    his claims I wish him the best, but it

  • 49:57

    just gave they go together a little bit.

  • 50:00

    >> They went together.

  • 50:00

    >> The [ __ ] that really got me was when he

  • 50:02

    was talking about big funeral. I never

  • 50:04

    heard that before.

  • 50:05

    >> Yeah.

  • 50:06

    >> Some people have come out to say that

  • 50:08

    was somebody say it wasn't it wasn't

  • 50:11

    true. But I mean like just just seeing

  • 50:14

    it in that moment,

  • 50:15

    >> seeing the way he was presenting himself

  • 50:18

    and then hearing the other things beh

  • 50:22

    who who really are you?

  • 50:23

    >> What part of that disturbed you the

  • 50:24

    most? The money part of it

  • 50:26

    >> the whole [ __ ] like just seeing

  • 50:28

    >> big play for his own funeral. I think

  • 50:29

    >> that's what I'm saying. The money part

  • 50:30

    that part

  • 50:31

    >> that would be [ __ ] up. Yes, that would

  • 50:32

    be very [ __ ] up.

  • 50:33

    >> Yes. If I if I went on record saying

  • 50:36

    that I'm going to pay for this,

  • 50:38

    >> I'm going to have this.

  • 50:38

    >> And then when I see the expenses start

  • 50:40

    piling up cuz I'm trying to do this [ __ ]

  • 50:41

    big, no pun intended, and now it's too

  • 50:44

    much. And I'm like, I ain't paying for

  • 50:46

    that.

  • 50:46

    >> You're not saying it's [ __ ] up to not

  • 50:47

    pay for it. You say it's [ __ ] up to

  • 50:49

    say you're going to do it and not do it.

  • 50:50

    >> No, it's [ __ ] up to say we going to do

  • 50:51

    this bigger than anybody's ever seen.

  • 50:53

    >> We going New York stroll big through

  • 50:55

    Manhattan, Brooklyn, whatever. And then

  • 50:58

    when you start seeing the expenses pile

  • 50:59

    up, you say, "Yo, I want nothing to do

  • 51:01

    with that [ __ ] He got to pay for it."

  • 51:02

    No, I'm with you. I'm with you. But I'm

  • 51:03

    saying if that hadn't I'm just curious a

  • 51:05

    curiosity I had when I was watching it.

  • 51:07

    >> If he hadn't said all that and they just

  • 51:08

    did a normal funeral and he had and he

  • 51:10

    paid for that a big estate instead of

  • 51:11

    his own pocket. Would that be [ __ ] up

  • 51:12

    for me? Yes.

  • 51:14

    >> Especially when I feel like Buffy, but

  • 51:16

    one thing bad businessman or not, the

  • 51:18

    [ __ ] got a vision. He knew what he was

  • 51:20

    about to do after that [ __ ] died as far

  • 51:21

    as all the songs missing you the big he

  • 51:23

    knew he was going to go hard on the

  • 51:24

    death part. That was that was a known he

  • 51:26

    knew and I feel like Puffy wanted that

  • 51:28

    rap thing and I think with Vicky going

  • 51:30

    he knew he could rap a little more like

  • 51:31

    you know I could be the rapper so I was

  • 51:33

    like yeah so if you know that the least

  • 51:35

    you could do is pay for the [ __ ]

  • 51:36

    funeral and look out for the kids like

  • 51:37

    what the [ __ ] is this your man or not?

  • 51:38

    Is that your friend or not?

  • 51:39

    >> Like did some is it confirmed that that

  • 51:41

    wasn't true?

  • 51:43

    >> Hard to say at this point it sounds like

  • 51:44

    a

  • 51:45

    >> cuz if it's not true I think that's

  • 51:47

    horrible bro spoke out um he said he was

  • 51:50

    speaking on behalf of Vio Violet

  • 51:53

    Wallace. Yeah. And everything and said

  • 51:56

    that is 100% not true.

  • 51:59

    >> That Biggie paid for his own funeral.

  • 52:00

    >> Yes. That that did not happen. Now, a

  • 52:03

    lot of people you could go further down

  • 52:04

    that rabbit hole if you want

  • 52:06

    >> and say, "Yes, you could.

  • 52:08

    >> Is it possible somebody said, "Yo, my

  • 52:10

    man, I need you to say this and clear

  • 52:11

    this up." We don't know.

  • 52:14

    >> Exactly.

  • 52:15

    >> Yeah. And there's been other allegations

  • 52:16

    of

  • 52:17

    >> stories changing from that side after

  • 52:19

    some

  • 52:20

    >> other agreements were made. I don't know

  • 52:22

    what's true. Yeah, but [ __ ] if it's true

  • 52:23

    or not. If if any two things in this

  • 52:26

    fourpart thing is true,

  • 52:28

    >> he's a monster.

  • 52:29

    >> Wow.

  • 52:29

    >> I think Pump is a monster regardless. By

  • 52:31

    the way,

  • 52:32

    >> he nothing comes across as he's a good

  • 52:35

    dude.

  • 52:36

    >> Some of that footage there with him and

  • 52:37

    his son saying, "Yo, we need to call

  • 52:39

    such and such and have her do this."

  • 52:41

    Like, it's some of that [ __ ] was hard to

  • 52:43

    watch bro.

  • 52:44

    >> The Orio Day [ __ ] was riveting.

  • 52:47

    >> Yeah.

  • 52:47

    >> Or Day. Am I saying that name right?

  • 52:50

    Oreo Day episode 4 having to listen to

  • 52:54

    somebody tell her for certain what was

  • 52:56

    happening with her cuz she was passed

  • 52:58

    out and blacked out and don't remember

  • 53:00

    any of it.

  • 53:00

    >> As someone who also doesn't drink, she

  • 53:02

    said,

  • 53:02

    >> "Yeah." No,

  • 53:03

    >> that's crazy.

  • 53:05

    >> You know what was [ __ ] shocking to

  • 53:06

    me? Because growing up as a Puffy fan

  • 53:09

    and, you know, being a person, you know,

  • 53:10

    separating artist from the person, I

  • 53:13

    just wanted to assume that that happened

  • 53:15

    to him from the money and it happens

  • 53:16

    from Hollywood. Nah, he was just [ __ ]

  • 53:19

    Like, you know what I mean? From the

  • 53:20

    gate. That's

  • 53:20

    >> I think it's the combo.

  • 53:22

    >> That's why

  • 53:22

    >> like it got worse.

  • 53:23

    >> That's what I thought made the

  • 53:24

    storytelling so good. It's like, okay,

  • 53:25

    he's born into this really unusually

  • 53:27

    unusual situation. In some ways,

  • 53:29

    privilege, in some ways, really [ __ ]

  • 53:30

    up, a lot of trauma,

  • 53:32

    >> and then you add on to that this whole

  • 53:34

    world that almost no one in the history

  • 53:35

    of the world has ever experienced.

  • 53:36

    That's a hell of a combo cuz even the

  • 53:38

    guy said there was that moment where he

  • 53:39

    felt the switch off of who Puffy became,

  • 53:42

    >> and he was like, "Oh, that was the last

  • 53:43

    time I saw the Puffy I grew up with.

  • 53:44

    Suddenly, he looked." So, I I think it's

  • 53:46

    both. I think it's like trauma mixed

  • 53:47

    with power that just turned you into

  • 53:49

    somebody else.

  • 53:49

    >> They did a really good job cuz even when

  • 53:52

    they started showing like video music

  • 53:53

    box, they showed the nerdy kid dancing

  • 53:56

    on the steps that was just thirsty as

  • 53:58

    hell trying to get into the industry by

  • 54:01

    any means. And then they showed this

  • 54:03

    transition of him now being a party

  • 54:04

    promoter, being the hottest party

  • 54:07

    promoter, and then transition into Andre

  • 54:09

    Herell's assistant. And then like I

  • 54:11

    think they just did a really good job of

  • 54:12

    telling the story of who he was and who

  • 54:14

    he became. But [ __ ] we was outside.

  • 54:18

    Like, bro, it's hard to find somebody

  • 54:21

    that was as popular as Puff in the late

  • 54:24

    90s, early 2000s, bro. Like, we talking

  • 54:26

    about pre

  • 54:29

    >> social media. So, you still could

  • 54:31

    maintain a level of mystery and

  • 54:33

    mystique.

  • 54:34

    >> You know what I'm saying? Like, yo, dog,

  • 54:36

    >> them [ __ ] was just something that

  • 54:38

    we've

  • 54:41

    I think Russell Simmons kind of passed

  • 54:42

    the torch to puff, right? I I'mma jump

  • 54:44

    over Andre Herel. No disrespect

  • 54:46

    intended.

  • 54:47

    >> No disrespect intended. But I just think

  • 54:50

    that Puffy took black music somewhere

  • 54:53

    that that we haven't seen it go.

  • 54:55

    Especially as far as the money goes

  • 54:56

    >> by saying Blend is stealing.

  • 54:58

    >> Well, that was the other thing. I mean,

  • 55:00

    I mean, they said it explicitly at

  • 55:01

    times. He's like, he's not that

  • 55:02

    talented.

  • 55:02

    >> He's not. And that's

  • 55:03

    >> No, I'm not saying that. I'm saying

  • 55:04

    that's what they said. I actually think

  • 55:05

    he is talented. I think they're

  • 55:06

    underestimating how

  • 55:07

    >> But back then they would say that back

  • 55:08

    then a lot of people didn't like the

  • 55:10

    fact that that's all he did was sample

  • 55:11

    [ __ ] People would, you know, say that

  • 55:13

    about him. And back then [ __ ] and back

  • 55:15

    then people didn't like when he was

  • 55:16

    running around doing the biggy [ __ ]

  • 55:17

    People said that [ __ ] back then. I was a

  • 55:19

    wealthy fan. I remember people would say

  • 55:20

    like he was exploiting him and and it

  • 55:22

    was questioning what he did for the

  • 55:24

    family.

  • 55:24

    >> But I I think it's I always am skeptical

  • 55:28

    of those narratives of like almost like

  • 55:30

    anybody could have done this and it's

  • 55:31

    like they could. It's a unique person,

  • 55:33

    unique talent to do what he did.

  • 55:34

    >> Well, Puff's ear for music alone is

  • 55:36

    unique,

  • 55:37

    >> right?

  • 55:37

    >> Finding talent, talented people is a

  • 55:39

    talent is a talent. Yeah. and developing

  • 55:41

    them,

  • 55:42

    >> but having having producers in the room,

  • 55:44

    other producers in the room every single

  • 55:45

    time you produce [ __ ] and then it's you

  • 55:47

    already we already know that he would

  • 55:49

    take things from you. So, it's like to

  • 55:51

    assume that maybe the good ideas came

  • 55:53

    from the [ __ ] he sat with and he just

  • 55:54

    put his name on.

  • 55:56

    >> If I'm the conductor

  • 55:57

    >> and y'all are the orchestra, I'm still I

  • 56:01

    might not I might I ain't got to be able

  • 56:02

    to play a single instrument, but I'm the

  • 56:04

    one that's arranging and doing all this

  • 56:06

    [ __ ] that's making it all come together,

  • 56:08

    >> right? Right. And I get

  • 56:08

    >> that is a talent. Everybody can't do

  • 56:11

    that.

  • 56:11

    >> Right. I get that. But that guy being

  • 56:13

    also the guy that comes in your office

  • 56:15

    with a bat and say sign off your sign

  • 56:17

    over your [ __ ] stock. Like to me it's

  • 56:19

    just like how the [ __ ] do we know what

  • 56:20

    he added into it? Who the [ __ ] he found?

  • 56:22

    But

  • 56:22

    >> I mean it's a good point.

  • 56:24

    >> Let me ask you this.

  • 56:26

    >> And I'm a a puppy and die hard back in

  • 56:28

    the day.

  • 56:28

    >> The hitman was the hitman. Yeah.

  • 56:32

    >> Did any of them

  • 56:33

    >> kind of has a different

  • 56:36

    >> kind of has a different ring to it.

  • 56:38

    >> Damn.

  • 56:38

    >> Where the [ __ ] is Stevie J?

  • 56:40

    >> My point is this. All of those [ __ ]

  • 56:42

    was talented.

  • 56:44

    >> Where did they go on to?

  • 56:47

    >> Where did they go on? Like when you take

  • 56:49

    me out the studio now, if I'm still the

  • 56:52

    genius [ __ ] like I think Kanye West is

  • 56:54

    a genius. I think Kanye West could

  • 56:55

    create music with some [ __ ] bongos

  • 56:57

    and some cocoa. Like I just think he a

  • 56:59

    genius and so I think that when you take

  • 57:00

    him away from whomever that might have

  • 57:02

    been steering the ship I think his

  • 57:04

    genius is gonna still just be there.

  • 57:05

    >> I mean Stevie Jay had some hits.

  • 57:06

    >> Yes he did.

  • 57:07

    >> Outside of the hitman

  • 57:08

    >> all the hitman had all of them.

  • 57:09

    >> That's what I'm saying. So I think

  • 57:10

    Chucky Booker all them [ __ ] was dope.

  • 57:12

    They all had the talent.

  • 57:13

    >> Very talented.

  • 57:14

    >> But Puff did have a unique thing. I

  • 57:15

    think I think that's the point. I think

  • 57:16

    in the doc sometime they underplayed how

  • 57:18

    that skill set because he was like oh he

  • 57:20

    couldn't rap or he couldn't. No he

  • 57:20

    can't. But like there's things he can do

  • 57:22

    that nobody else can do.

  • 57:23

    >> Exactly.

  • 57:23

    >> Doc was the first time I heard somebody

  • 57:25

    say yo puff ain't do drugs. Puff was

  • 57:28

    never into drugs,

  • 57:29

    >> right?

  • 57:29

    >> Yeah. They said after he cut after he

  • 57:31

    cut

  • 57:32

    >> Yeah.

  • 57:32

    >> that even got him hooked on um

  • 57:34

    painkillers and [ __ ] That was

  • 57:35

    >> after he what?

  • 57:36

    >> Um the [ __ ] with his wrist. It was like

  • 57:38

    they couldn't tell if it was an attempt

  • 57:40

    or

  • 57:41

    >> whatever. But the doctor he got hooked

  • 57:43

    on painkillers after that. Okay.

  • 57:44

    >> And then that's where it just

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