Fed Gala
Joe Budden Podcast Episode 886, “Fed Gala,” released December 16, 2025. The latest episode from the JBP kicks off with new music releases starting with new albums from 21 Savage (31:00) and Conway the Machine (38:29). Mona then addresses the new JBP commercial (52:14) before the room recaps Nas & DJ Premier’s new project ‘Light-Years’ (58:34), Michigan has fired football coach Sherrone Moore who has since been arrested and charged (1:05:47), and footage releases of comedian Andy Dick overdosing (1:39:12). Also, is taking a doggie bag home on a first date a red flag (1:48:24), Ice discusses The Game vs. Kendrick (2:07:41), Big Bank’s interview with 21 Savage (2:26:34), Ebro In The Morning comes to an end at Hot 97 (2:39:49), and much more! Full transcript and searchable timestamps below.

In this episode
- 31:00The latest episode from the JBP kicks off with new music releases starting with new albums from 21 Savage
- 38:29Conway the Machine
- 52:14Mona then addresses the new JBP commercial
- 58:34Before the room recaps Nas & DJ Premier’s new project ‘Light-Years’
- 1:05:47Michigan has fired football coach Sherrone Moore who has since been arrested and charged
- 1:39:12Footage releases of comedian Andy Dick overdosing
- 1:48:24Is taking a doggie bag home on a first date a red flag
- 2:07:41Ice discusses The Game vs. Kendrick
- 2:26:34Big Bank’s interview with 21 Savage
- 2:39:49Ebro In The Morning comes to an end at Hot 97
Joe Budden Podcast Ep. 886 Transcript
Full transcript of Fed Gala (59:41 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
[music] only. I repeat, it is not
- 0:08
serious. It is not real. No one is
- 0:11
exposing, revealing, indicting or
- 0:14
telling you anything about themselves.
- 0:15
Also, we do not encourage you to try
- 0:17
this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:24
[music]
- 0:29
>> [music]
- 0:31
>> Microphone check. What is this?
- 0:36
JB [music]
- 0:37
back to business.
- 0:41
I guess right now we should start the
- 0:42
show.
- 0:45
>> But why you couldn't But why you
- 0:46
couldn't just start with that?
- 0:47
[laughter] I want to read this.
- 0:49
>> Now he not talking to me cuz y'all
- 0:51
teasing him.
- 0:52
>> That's what happens when we tease him.
- 0:53
Cut this [ __ ] off. We on I was going to
- 0:56
chill on him cuz he's just getting back
- 0:57
and he's a little under the weather. I'm
- 0:58
going still chill on him.
- 1:00
>> I'm going to chill on him cuz this is
- 1:01
too funny though.
- 1:02
>> Chill on him. Chill on.
- 1:03
>> I got to move over.
- 1:03
>> No, I'm chilling on y'all.
- 1:04
>> You said they ain't got ain't no your
- 1:06
blood from
- 1:07
>> now. What is wrong with men? Yo.
- 1:09
>> Yeah.
- 1:09
>> What is wrong with men?
- 1:10
>> We ain't running for no what?
- 1:12
>> Your eyes look [laughter] at you. We
- 1:15
love you.
- 1:16
>> He's beautiful.
- 1:17
>> If we say
- 1:19
we lasted 10 seconds,
- 1:21
jump on fast.
- 1:23
>> Oh my god. Let the boy breathe. That's
- 1:24
why we sent the email because he be he
- 1:26
be watching.
- 1:27
>> I need everybody in here to know that I
- 1:28
compliment all my brothers. Don't I
- 1:30
compliment y'all?
- 1:31
>> If you I'm just a compliment. I can't
- 1:33
help it. And this looks better than all
- 1:34
of us.
- 1:35
>> Thank you.
- 1:36
>> I'm tired of just saying it's me. He
- 1:37
look better than y'all too. And y'all
- 1:39
know it.
- 1:40
>> Okay.
- 1:41
>> You too. Bump it up. Don't [laughter]
- 1:44
listen.
- 1:46
>> But he know he know how I feel.
- 1:48
>> Nate.
- 1:50
He know how I [clears throat] feel. Come
- 1:51
on.
- 1:53
Man,
- 1:53
>> I take him up to the court right now.
- 1:56
>> That's why I have my battles with him
- 1:57
and Michael Paul.
- 1:59
>> I love y'all so much. I'm happy to see
- 2:01
you guys.
- 2:01
>> She ain't met Michael Paul, has she?
- 2:03
>> I don't know. I can see her doing the
- 2:05
same thing.
- 2:07
>> Mona Yeah, Mona's [laughter] f a fast
- 2:09
little thing. I could definitely see it.
- 2:12
Mona [clears throat] little. Uh
- 2:15
yeah, is I am going to chill on you cuz
- 2:17
I love you and you're my man. You need
- 2:19
to feel better. But that the why why you
- 2:21
know his name man it was it was instant
- 2:24
like what's his name? I don't even know
- 2:27
it after you just said it and I don't
- 2:28
know his name.
- 2:29
>> What's his name?
- 2:29
>> What's his name?
- 2:30
>> You watch porn
- 2:31
>> is Jason Lee or Jason Los.
- 2:34
>> Okay.
- 2:34
>> No my point is
- 2:37
[laughter]
- 2:38
>> I don't watch porn with men in it.
- 2:40
>> You watch porn live.
- 2:43
>> That's dope.
- 2:44
>> Okay.
- 2:45
>> Now how many of those do you get before
- 2:47
I start chilling?
- 2:48
>> [clears throat]
- 2:49
>> You don't have to chill.
- 2:50
>> How many do you get before I'm no longer
- 2:52
in chill [laughter] mode? That's my man.
- 2:55
>> Chilling. That's okay. We miss.
- 2:59
What? What? What? What's the dude's
- 3:00
name?
- 3:00
>> His name is uh Jason Love.
- 3:02
>> Jason Love. We got the same name.
- 3:05
>> Huh? That See, that's more the reason.
- 3:07
>> Yeah. No, I ain't number 10 in Man, man.
- 3:10
Please.
- 3:14
>> Thank you. I don't you Come on. We've
- 3:15
already decided.
- 3:16
>> The guy Jason Love sent the email and
- 3:18
said, sent his people sent an email said
- 3:20
would we like to have him on as a guest
- 3:22
and he was going to bring a custom
- 3:26
>> well [laughter] God don't even like
- 3:28
>> God don't even like me saying that say
- 3:31
it a custom
- 3:34
fora in case you want read
- 3:38
>> um would you guys at the JBP be
- 3:39
interested in having adult film star
- 3:41
Jason Love as a guest he'll be in the
- 3:43
tri-state area on and gives a date let
- 3:45
me know your thoughts he can have some
- 3:46
honey packs and other goodies sent the
- 3:48
studio
- 3:49
>> and he has a custom tent in for Mona to
- 3:51
try out if she's interested.
- 3:53
>> What does he think this pot is? I don't
- 3:55
know. Say a cam soda.
- 3:58
>> My initial [laughter]
- 3:59
My initial reaction would be to call.
- 4:03
>> He's going to bring Honeyax.
- 4:04
>> Wait, hold up. You don't know what THAT
- 4:06
IS. WHY DO [laughter] WE NEED TO BE
- 4:07
>> I DIDN'T KNOW WHAT THAT WAS. You don't
- 4:08
know what C game is, do you? No.
- 4:11
>> Yes, you do. [laughter]
- 4:14
>> No, I have no idea.
- 4:15
>> Yes, you do.
- 4:16
>> Yes. [laughter] do is funny.
- 4:18
>> Yes, the you do.
- 4:20
>> Yes, the you do.
- 4:21
>> I don't know what it is though.
- 4:22
>> Me neither. It's cams like a webcam
- 4:25
corn.
- 4:25
>> Oh, okay. Okay.
- 4:26
>> Some sodas on the side.
- 4:28
>> I'm not sure what the soda's about. But
- 4:30
>> yeah,
- 4:31
>> you know that fast, too.
- 4:32
>> A 10-in dildo sounds like assault.
- 4:35
>> But the the funny part in all of that is
- 4:37
once I said that,
- 4:39
>> she immediately said,
- 4:40
>> "Takes you out the game."
- 4:42
>> Oh [ __ ]
- 4:43
>> What? [laughter]
- 4:44
>> Yo, your man. Hey, what's up with the
- 4:46
day? Jo,
- 4:50
you know,
- 4:51
>> it's cool. You know, [laughter]
- 4:52
>> he like he know
- 4:53
>> you're saying that.
- 4:57
>> You know, [laughter] y'all disgust.
- 4:59
>> You got it, bro.
- 5:04
>> That's not That's a real bromance.
- 5:06
>> I ain't going to say nothing. Yo,
- 5:07
>> you don't got to say you know, right?
- 5:10
[laughter]
- 5:11
You don't take anything.
- 5:13
Mona, do you want it or not?
- 5:15
>> Well, I'm not
- 5:16
>> the joint. You want it? The custom joint
- 5:18
from homeboy.
- 5:19
>> I can't do anything with that to be
- 5:22
honest.
- 5:23
>> You know what I mean? And you know what?
- 5:24
I assume that it was made like as him,
- 5:27
right?
- 5:28
>> We ain't investigating. He just
- 5:31
>> We didn't inquire according to you.
- 5:33
>> Wait, wait for a reply to that. I didn't
- 5:35
reply.
- 5:36
>> They kind of the balls. I don't know if
- 5:38
it's exactly right. [laughter]
- 5:40
>> Reward the email. report that report
- 5:45
like why why me? Why would I want the 10
- 5:47
incher?
- 5:48
>> Well,
- 5:48
>> you know what I mean?
- 5:50
>> I don't think any of us else would.
- 5:53
[laughter]
- 5:53
>> They don't know. So, to be fair, they
- 5:54
just said, "I'mma send a few 10 inches
- 5:56
up there to be fair."
- 5:58
>> No, they don't know. No, they are pretty
- 6:00
fair. Pretty good. They know. They They
- 6:02
read past the joke. They know.
- 6:03
>> Maybe I want a honeybag.
- 6:06
>> What does that do? What does that do for
- 6:07
>> Hey,
- 6:08
>> it might Yeah, maybe I
- 6:10
>> That Honey Back said it all, bro.
- 6:12
>> I didn't know that. I didn't know
- 6:14
>> what
- 6:14
>> I never [ __ ]
- 6:17
>> All that. You
- 6:19
>> got order that [ __ ] off Amazon or
- 6:20
something, right? Honey pack.
- 6:21
>> I think they got at the gas station.
- 6:23
>> You [ __ ] have a [ __ ] 10 pack of
- 6:26
them. [laughter]
- 6:28
>> Bro, why you looking at me, bro? I don't
- 6:29
want
- 6:30
>> Cuz you smirking at me, bro. What? I
- 6:32
don't want
- 6:32
>> the only man in here that doesn't have a
- 6:34
big 10ack box at the house is parks.
- 6:37
>> I've never used uh performance enhancing
- 6:39
drugs.
- 6:40
>> I know you look all natural.
- 6:41
>> Not not that anything's wrong with that.
- 6:43
>> My [clears throat] all natural.
- 6:44
[laughter]
- 6:46
>> You on the seamos version.
- 6:48
>> Oh no. I've taken the gas station [ __ ]
- 6:50
too.
- 6:51
>> I ain't up here trying to hide my who I
- 6:53
am. [ __ ] [ __ ] you talking about.
- 6:54
>> Yeah, he's taking
- 6:56
>> Don't call. [laughter]
- 6:59
He's taking it before. Yo, [laughter]
- 7:02
>> every [ __ ] in here is taking them too.
- 7:04
>> Taking what? The honey pack. No way that
- 7:07
performance.
- 7:08
>> Y'all never take the honey back. Did
- 7:09
y'all ever take the pink pink horse to
- 7:11
Cam John?
- 7:12
>> No.
- 7:12
>> Oh, the pink horse power. I've had that.
- 7:14
>> I heard good things about that.
- 7:15
>> I've had that.
- 7:16
>> That's from Africa.
- 7:17
>> And
- 7:17
>> that's from a small plant in Africa.
- 7:19
>> And
- 7:19
>> are we reviewing uh dick pills?
- 7:24
[laughter]
- 7:24
>> Yeah. I just want to see an interesting
- 7:25
segment.
- 7:26
>> Joe first.
- 7:27
>> I never used the cam cam either. You've
- 7:29
never used no type of nothing?
- 7:31
>> Oh yeah, I've used something. It's just
- 7:32
it's not these things.
- 7:34
>> I never I never used cam [ __ ] neither,
- 7:36
but I did hear that it was all right,
- 7:37
but I ain't never use it.
- 7:39
>> It's
- 7:39
>> So what's your go to when you
- 7:41
>> Honey [ __ ] didn't work.
- 7:42
>> Oh honey,
- 7:43
>> [ __ ] be saying that [ __ ] That [ __ ] is
- 7:44
cocka.
- 7:45
>> Wow.
- 7:46
>> So what works? A
- 7:48
>> little bit of this, a little bit of
- 7:49
that. [laughter]
- 7:51
>> [ __ ] you talking about.
- 7:52
>> For each his own though, right? What
- 7:54
work for one person? You know what I was
- 7:56
good for the goose. Might not be good
- 7:57
for
- 7:57
>> They have girl honey packs though. They
- 7:59
do.
- 8:00
>> Yeah. Um
- 8:00
>> it's still called a honey pack.
- 8:02
>> No,
- 8:02
>> I don't know. Something like it. I ate a
- 8:04
regular
- 8:05
>> some pink [ __ ] Some pink pink pussycat
- 8:07
or something like that.
- 8:07
>> Yes, I ate a regular honey pack before.
- 8:10
>> And what happened?
- 8:11
>> Nothing.
- 8:12
>> You didn't get rocked up. [laughter]
- 8:13
>> No.
- 8:15
Like I thought like my nipples would be
- 8:17
real hard, but no. If anything, I I felt
- 8:20
angry.
- 8:20
>> Angry. Full of rage.
- 8:22
>> Yeah. You got to beat that
- 8:23
>> cuz you know Mona took it and didn't get
- 8:24
laid.
- 8:25
>> I ain't no dick.
- 8:26
>> Mona took IT AND WAS JUST TOOK IT.
- 8:29
[laughter]
- 8:29
>> I took it and [ __ ] gave me a ghost.
- 8:31
>> Hey yo dog. I've been there before.
- 8:33
>> Bro, that's [ __ ] up, bro. A [ __ ] like
- 8:35
me. Now I got to send you a voice note.
- 8:38
[laughter]
- 8:38
>> Y'all know how I am with them voice
- 8:39
notes. It might not be no record. I [ __ ]
- 8:42
with a [ __ ] but this [ __ ] got at
- 8:43
least 13 voice notes. My lost my voice
- 8:46
vibes for sure.
- 8:47
>> What? Definitely.
- 8:48
>> Hit look. Hands free. First of all,
- 8:51
[ __ ] That's how it [laughter]
- 8:52
starts. You got to wait a second, Parks,
- 8:54
cuz it won't catch you. So, you give it
- 8:56
a little one, two, three. First of all,
- 8:57
[ __ ] So, you can hear that
- 8:59
first.
- 8:59
>> And that's supposed to make them want to
- 9:00
beat it up.
- 9:01
>> I don't know. But this what's going on.
- 9:05
>> You won't get this work. I'm saying.
- 9:06
>> What do y'all think about the chicks
- 9:07
that send voice notes? Like, honestly, I
- 9:09
hate them.
- 9:10
>> I don't care for voice notes.
- 9:11
>> I don't like voice.
- 9:13
>> No, period.
- 9:14
>> Like, at that point, you
- 9:15
>> What do you think about chicks with with
- 9:17
voices? [laughter]
- 9:21
There you go.
- 9:21
>> Let's get into real podcasting.
- 9:24
>> Keep hearing like, "Oh [ __ ] I know."
- 9:26
[ __ ] I was listening to Jeffrey
- 9:27
Osborne. [laughter] Now I got to pause
- 9:29
Jeffrey Osborne. Press play.
- 9:31
>> They always want to talk.
- 9:32
>> Disconnect from the Bluetooth. Right
- 9:34
when you jamming, [laughter] there'll be
- 9:37
less sad songs. Here she go.
- 9:40
>> God damn. And you can't tell your girl,
- 9:42
yo, I'm jamming right now.
- 9:44
>> It's always
- 9:44
>> Why you can't say that,
- 9:46
>> dog?
- 9:47
>> I'm a [ __ ] I [laughter] always me too.
- 9:50
>> I'm a [ __ ]
- 9:52
>> I always
- 9:52
>> Why you can't just say
- 9:55
>> I'm in the middle of a mean set.
- 9:57
>> That's [ __ ] If anybody
- 10:01
I just cut high five on like the album
- 10:04
cuts [ __ ] that I don't I got to be alone
- 10:07
to listen to
- 10:08
>> and then when he finally listened it's
- 10:10
like so you stopped me for that.
- 10:13
[laughter]
- 10:13
>> Absolutely nothing. It'd be absolutely
- 10:16
nothing. They always
- 10:19
>> they always say stuff that makes me
- 10:21
about [laughter]
- 10:24
>> you know what I mean? It's always
- 10:25
moments here where I say something off
- 10:26
my chest off top of my little heart
- 10:29
>> and y'all sit there real you especially
- 10:31
you be real stuffy cuz the laugh about
- 10:32
to burst out and then y'all just make me
- 10:35
re-evaluate everything I've done for the
- 10:37
last four or five years and it hurts. It
- 10:38
stings a bit. I've been doing voice
- 10:40
notes consecutively for years and it
- 10:42
ain't really been working out and now
- 10:44
you telling me these [ __ ] don't like
- 10:45
voice notes. Like what the [ __ ] do the
- 10:46
[ __ ] like? But this is the key thing.
- 10:48
They don't like women with voices.
- 10:50
[snorts] You know what they want? They
- 10:51
just want you to eat the dick and shut
- 10:53
the [ __ ] up.
- 10:54
>> Well,
- 10:55
>> I've done a lot of research.
- 10:57
>> Honestly,
- 10:57
>> eat the dick and shut your mouth.
- 10:58
>> Even do that if the NerS is playing the
- 11:01
Lions [laughter]
- 11:02
depending on the game that's on. You can
- 11:04
keep that mouth too. [laughter]
- 11:06
>> Steal his Dolphin Monday night.
- 11:08
>> Oh, yeah. Keep that open.
- 11:09
>> There's no There's no hope for people
- 11:12
like me. Lover
- 11:14
>> at heart. Sweetheart.
- 11:16
>> Mhm.
- 11:17
>> At heart.
- 11:18
>> I got to keep up with this. It's fantasy
- 11:20
playoff week one. I got to know
- 11:22
>> how the run how how Blake Corum feel.
- 11:25
>> I got to know who hamstring acting up.
- 11:28
>> Who played on who practiced on
- 11:30
Wednesday?
- 11:31
>> The Thursday night game [laughter] was
- 11:33
snuck up on me.
- 11:34
>> What that wind look like for the
- 11:35
Thursday game?
- 11:35
>> Got to check the weather. It's a lot
- 11:37
going on. I can't get head and do this.
- 11:40
>> No, not at all. No, not this week.
- 11:42
>> Not this week. You wouldn't rather hear
- 11:43
this raspy voice over just a simple
- 11:46
text. Hey, how are you?
- 11:49
>> No,
- 11:50
>> it's happening in
- 11:52
>> How many [ __ ] on the roster sound
- 11:53
like me?
- 11:54
>> I want to hear that voice. If I'm If I'm
- 11:56
ordering black eyed peas [laughter]
- 11:59
>> and and [ __ ]
- 12:02
>> Let me tell you when I want to hear this
- 12:04
voice.
- 12:04
>> I'm not talking. I can't make no voice
- 12:06
jokes more. I'm with you.
- 12:07
>> I'm not talking [ __ ] up, too. And I
- 12:09
call a hole in the wall hood spot with
- 12:12
the good food. And I said, "Yo, this is
- 12:15
the voice I want in." What's up, Joe?
- 12:18
You want your regulars? [laughter]
- 12:22
>> Yo, I put I put some extra on the side
- 12:24
for you. Come on, Joe.
- 12:25
>> Isa, are you okay?
- 12:26
>> You know, we got we got turkey wings.
- 12:28
[laughter]
- 12:31
>> Oh, I'm with you.
- 12:32
>> I'm not laughing with them.
- 12:34
>> Oh, man.
- 12:34
>> It's a sensitive spot, Parks. There's a
- 12:37
lot of trauma. I'm sorry.
- 12:38
>> attached to it. Um
- 12:40
>> I'm sorry you went through that.
- 12:41
>> I'm the only child. I would answer the
- 12:44
phone um as a kid. My mother was at work
- 12:47
and they [laughter] would say, "Hello,
- 12:49
is Wanda available?" And I would say,
- 12:51
"No, my mommy's not home." And they
- 12:54
would say, "Oh, is this her son?"
- 12:57
>> Oh [laughter] [ __ ]
- 12:59
>> And I would say, "No." You know what I
- 13:02
mean? And they would just talk over you.
- 13:03
And eventually, you know what that
- 13:04
morphed into?
- 13:05
>> What it morphed into? Oh, is this her
- 13:07
son? [ __ ] you, [ __ ] NO, IT'S HER
- 13:09
DAUGHTER.
- 13:09
>> OH [laughter] [ __ ]
- 13:11
>> I'm sorry.
- 13:12
>> That's the voice I wanted. Yo, y'all got
- 13:13
the half and half in there. Y'all got
- 13:15
the [ __ ] Yo, I want to hear
- 13:17
that voice. They got mystics.
- 13:19
>> What am I supposed to do? [laughter]
- 13:21
>> Yo, let me Yo, let me get a Kiwi
- 13:23
Strawberry Mystic.
- 13:24
>> My hood. It's a mystic in the cooler.
- 13:25
That's crazy.
- 13:27
>> A mystic.
- 13:28
>> It's just so hateful though cuz I was
- 13:30
born with this rasp.
- 13:32
>> Oh my goodness. [snorts] Little tea.
- 13:34
Baby,
- 13:35
>> this voice is changing my life. People
- 13:36
love the podcast listeners love my
- 13:38
voice. Shout out to all the tractor
- 13:40
trailer drivers out there in JBPville.
- 13:42
>> Look at your girl.
- 13:44
>> Oh god. Okay.
- 13:45
>> Pick you up a lot. Lizard tonight on me.
- 13:48
>> Have a good time.
- 13:49
>> Mona, shut up. [laughter]
- 13:51
Godamn.
- 13:52
>> Just looked at your girl. You know what
- 13:53
I'm saying? Just stared at her. Thought
- 13:55
about it.
- 13:58
Like, damn. I passed all my hoes up to
- 14:00
you.
- 14:01
>> Look at the [ __ ] out of my face, dude.
- 14:02
You know doing some weird ASS [ __ ] MOVE.
- 14:06
>> [laughter]
- 14:07
>> MIC check 1212. Mic check. Mic mic check
- 14:11
121212.
- 14:14
Let's keep this applause going right
- 14:15
quick.
- 14:20
Let me get these drops out the way real
- 14:22
quick.
- 14:31
Yes sir.
- 14:37
>> And Mona, Mona. Yes, sir. Uh 885.
- 14:42
>> 886.
- 14:43
>> Welcome to episode 8.86 of the Joe
- 14:46
Button podcast. I'm your humble,
- 14:48
gracious, grateful, happy to be here
- 14:50
host Joe Button. Here with some really
- 14:51
amazing people. This episode is brought
- 14:53
to you by Fueled by Power by Price Fix
- 14:55
Price Fish Gang.
- 14:57
>> Next to me, my girl Big Mona, Philly's
- 15:00
finest. She's in the building. How you
- 15:01
doing Mona?
- 15:02
>> I'm great. How are y'all?
- 15:03
>> Couldn't be better. Couldn't
- 15:04
[clears throat] be better. Glad Glad you
- 15:05
could be here with us. Next to her, huh?
- 15:08
Pretty boy Floyd. [laughter]
- 15:11
Huh?
- 15:12
>> Greeneyed Bandit.
- 15:14
>> Greeneyed Bandit. Look at him.
- 15:17
[laughter]
- 15:18
>> Receding Ricky.
- 15:20
>> Oh, white boy.
- 15:22
>> No. Big. [laughter]
- 15:24
You know I'mma do it. [ __ ] him.
- 15:27
>> White boy.
- 15:27
>> Don't call him white boy. [laughter]
- 15:29
We could be a dynamic duo.
- 15:30
>> No doubt.
- 15:31
>> I think y'all already a dynamic duo. Mr.
- 15:34
Thousand Doors and big issues here. How
- 15:35
you feeling is
- 15:36
>> good.
- 15:38
But I'm cool.
- 15:39
>> Yeah. You feeling better?
- 15:40
>> Nah, not really. Oh,
- 15:41
>> but I'm cool.
- 15:42
>> You still caught the socks with the fit.
- 15:44
>> You don't feel that bad when you match
- 15:46
the socks. I see the socks boy coming
- 15:48
outside. Come outside without the socks
- 15:50
matching wrong with you.
- 15:51
>> No, he don't play.
- 15:52
>> Who looks at another [ __ ] socks?
- 15:53
>> Me. [laughter] Me. That [ __ ] got the
- 15:56
one the Rockport socks. Boy, them good
- 15:59
socks.
- 15:59
>> Got the heels on.
- 16:00
>> Them the socks that be in the front by
- 16:01
the register. [laughter]
- 16:04
That's the socks with the product
- 16:05
placement. Yeah, you know the good socks
- 16:07
with the [ __ ] on the ankle. Come on,
- 16:08
don't play with me.
- 16:09
>> That's how they get you to
- 16:10
>> next to him. Big freeze in the building.
- 16:12
Mr. Take a further himself. Uh, King
- 16:15
Omra Parks is here. Po is here. Cory is
- 16:17
here. Erikson is here. Savon Savon I
- 16:20
think is here.
- 16:20
>> Yeah, Savon.
- 16:21
>> Savon is here. Tanner is here by remote.
- 16:23
Last but certainly not least, each and
- 16:24
every one of you guys are here. What's
- 16:27
popping though? What's going on?
- 16:28
>> Chilling, man. How you feeling?
- 16:30
>> I feel amazing. We got new mic stands.
- 16:32
I'm super excited about it. They've
- 16:34
absolutely made my week.
- 16:35
>> That's good.
- 16:36
>> It's the little things.
- 16:37
>> It is the little things.
- 16:38
>> Yeah, these are dope.
- 16:39
>> Yeah, these are fly.
- 16:40
>> I've been looking for this type of mic
- 16:41
stand for a while.
- 16:42
>> It's hard to find.
- 16:44
>> Yeah,
- 16:44
>> these are these are some new [ __ ]
- 16:45
>> Yeah, these are these are
- 16:47
>> some
- 16:47
>> I'm really excited about.
- 16:48
>> Rolls-Royce of mic stands.
- 16:52
>> No, these are really good mic stands.
- 16:53
Much cleaner. It's I like it. I love it.
- 16:55
I love it. I love it. I'm excited about
- 16:57
that. Uh, still smoking on that fourth
- 16:59
quarter pack.
- 17:02
>> I see. I see.
- 17:03
>> Smoking on that fourth quarter pack. I
- 17:06
see.
- 17:06
>> Yeah, man. What's not to celebrate?
- 17:08
What's not to feel good about, man? This
- 17:10
is much better than my December last
- 17:12
year where I was [ __ ] evicted and
- 17:17
living in a hotel.
- 17:18
>> [ __ ] Was a year.
- 17:20
December.
- 17:21
>> It was around Christmas time. Yeah.
- 17:22
>> Y'all was at Parks Crib. Yeah,
- 17:24
>> I was watching from home. Sad.
- 17:27
>> Went to the mall. [ __ ] did retail
- 17:30
retail therapy. Bought y'all a bunch of
- 17:31
gifts.
- 17:32
>> Thank you.
- 17:33
>> Crying.
- 17:33
>> Did that feel better?
- 17:34
>> Crying. Yeah, it did.
- 17:35
>> Yeah, retail therapy works. I don't give
- 17:37
a [ __ ] what nobody say.
- 17:38
>> No, it does. So, yeah. This de this
- 17:40
December is going way better than my
- 17:41
last. God is good all the time. And
- 17:44
that's what I got for y'all, man. How
- 17:45
y'all doing?
- 17:46
>> Feel amazing, man.
- 17:46
>> Great.
- 17:47
>> Yeah, I I can tell the fourth quarter
- 17:48
kind of kicking up. I see commercials
- 17:49
out there.
- 17:51
>> I see commercials, my [ __ ]
- 17:52
>> Yeah. Hey,
- 17:54
>> I love him. Come on, jump in. Jump in.
- 17:57
>> I know. That's why. And we That's
- 17:58
[laughter] why we can count on to not
- 18:01
have seen our sick anything at all.
- 18:04
[laughter]
- 18:04
>> This is where you supposed to see it.
- 18:05
>> I'm not a TV dude like that. I don't be
- 18:08
watching TV like that.
- 18:08
>> Simon ain't send it to
- 18:09
>> you. Do you have the internet?
- 18:11
>> Yeah.
- 18:12
>> It was all over.
- 18:12
>> It was everywhere.
- 18:16
>> My algorithm is different, bro.
- 18:18
>> Just ass.
- 18:19
>> Was no ass in our [laughter] commercial.
- 18:22
That's what it That's what it was.
- 18:23
>> That's what it was.
- 18:24
>> Was no ass in the commercial.
- 18:25
>> It was exciting.
- 18:26
>> 2x4s construction [ __ ]
- 18:29
>> I'm thinking about how I want your
- 18:30
birthday to go when we record up here.
- 18:33
>> Thinking about if anybody need to fly
- 18:34
in.
- 18:34
>> Oh, cuz it's a pod day. Yeah,
- 18:36
>> it's a pod day. There's nothing he can
- 18:37
do about it.
- 18:37
>> Nope.
- 18:38
>> He can't He can't leave. He can't
- 18:39
escape. Can't say, "I'm going to see
- 18:41
Johnny Gil with a fan to DM me."
- 18:43
[laughter] He can't do none of that
- 18:45
[ __ ] he be doing.
- 18:47
>> So, be be nice to me. Be nice to me,
- 18:50
>> Joe. How how up can I How up can I turn
- 18:53
it without you getting in trouble at
- 18:54
all?
- 18:55
>> Oh, I don't even know what that means.
- 18:57
>> It means that I want to have
- 18:58
>> Talk about balloons.
- 18:59
>> Balloons and bottles and the other one.
- 19:03
That [laughter] That other
- 19:04
>> the box one.
- 19:05
>> Come on. Come on.
- 19:06
>> The box.
- 19:07
>> Yeah. Yeah. I want to have somebody come
- 19:10
out, blow out a birthday candle. 50
- 19:13
candles. Bend over, drop some.
- 19:16
>> I want a lot going on for my man
- 19:18
birthday. Midnight ballerinas
- 19:20
>> in the daytime.
- 19:22
>> I love that. Midnight baller. A lot of
- 19:23
them, too. So, so a lot of them, too.
- 19:25
>> What's the limit before you?
- 19:26
>> Now, my only problem is, you know, I got
- 19:28
to call somebody to find the white ones.
- 19:31
[laughter]
- 19:32
>> For real. I've been thinking about this
- 19:34
cuz I've been trying to piece it
- 19:35
together, but nobody I know knows knows
- 19:37
the the white ones that cuz [laughter] I
- 19:40
got
- 19:40
>> the PS the Pauls that were talking about
- 19:42
the white strip club. There you go. A
- 19:44
couple things. Ballerina.
- 19:45
>> He know them. [laughter]
- 19:47
>> I DON'T KNOW. RIGHT UNDER THE BUS.
- 19:49
>> I don't know. Number two, that ain't
- 19:51
>> Yo, that's my bag sometimes.
- 19:53
>> You like everything.
- 19:54
>> You like I think I like everything.
- 19:55
>> Yeah, that's what I'm saying. You like
- 19:57
Carbell. You like Baskin Robbins. You
- 19:58
like to see all 32 of them. If something
- 20:00
is missing, then I'mma eat the other 31.
- 20:05
[laughter]
- 20:08
>> This is not my [laughter]
- 20:10
That's why we stopped doing that
- 20:11
together.
- 20:14
>> He start making it uncomfortable.
- 20:17
[laughter]
- 20:17
me.
- 20:19
You know, I've never been there. You
- 20:21
just as me, [ __ ]
- 20:22
>> If I would assume anyway.
- 20:24
>> If I would assume
- 20:25
>> who's eating them,
- 20:26
>> I would think I would even think eating,
- 20:28
but I feel like one of them will
- 20:29
probably be kissing them all in the
- 20:30
mouth making out. I would think Joe.
- 20:32
[laughter]
- 20:34
>> I don't think Joe made out with him.
- 20:36
>> My mother.
- 20:36
>> Just to be clear, I want Mona to be the
- 20:39
judge [laughter] and nothing between me
- 20:40
and
- 20:42
>> just in case nobody knew. No, it could
- 20:45
be fair, but I just feel like
- 20:47
>> that's
- 20:47
>> he would probably kiss him.
- 20:49
>> Yo, white joints out there, hit the pod
- 20:51
page. [laughter]
- 20:52
>> If you super bad
- 20:54
>> thick,
- 20:55
>> you know what I mean? You without no
- 20:57
curves, us without no breaks, you know.
- 20:59
Hit the pod page. Tanner will get back
- 21:01
to you. Somebody will get back to you.
- 21:03
>> Can they be natural? They got to be like
- 21:04
them thick ass white girls with the big
- 21:06
coochis.
- 21:07
>> You know, the white girls with the tummy
- 21:08
tuck in the BBL and their [ __ ] sit out
- 21:10
real heavy like a boxing glove.
- 21:13
>> [laughter]
- 21:13
>> I have you nervous.
- 21:14
>> Why you act like you don't know THE
- 21:15
WHITE GIRL I'M TALKING ABOUT. THE WHITE
- 21:16
GIRL AESTHETIC.
- 21:17
>> The BBL the fat ass and the [ __ ] sit
- 21:19
out heavy.
- 21:19
>> I know what you talking about.
- 21:20
>> You can see the [ __ ] from the side
- 21:21
[ __ ]
- 21:23
>> Never mind.
- 21:24
>> I've never seen a [ __ ] from the side.
- 21:25
>> That's [laughter] a lie. The tummy tuck
- 21:27
BBL [ __ ]
- 21:28
>> He seen a lot of them.
- 21:29
>> Whatever. [laughter] We all have seen a
- 21:31
lot of them.
- 21:32
>> But we talk about you. Never seen a
- 21:34
[ __ ] from the side.
- 21:35
>> We talking about your birth. You seen a
- 21:36
[ __ ] from everywhere you could
- 21:37
[laughter] see possibly see. I don't
- 21:39
know who the [ __ ] you talking. You've
- 21:40
seen
- 21:41
>> there's no more ways to see a [ __ ]
- 21:43
>> Something's wrong with
- 21:44
>> you. Never seen a [ __ ] so fat that it
- 21:46
it pokes out from the side. When you see
- 21:48
her from the side, you can see it.
- 21:49
>> That absence check for this episode. Get
- 21:51
[laughter] out of here. It's gone. If
- 21:53
it's funny,
- 21:54
>> I'm not saying.
- 21:55
>> No, it's totally fine. I don't care. Yo,
- 21:56
how up can we How much can we up it?
- 21:58
That's all I need to know.
- 22:00
>> Do what you do, bro.
- 22:01
>> Get some poles in there.
- 22:02
>> All he can take you all the way to the
- 22:03
moon.
- 22:04
>> I don't give a [ __ ] where he go. Ice.
- 22:06
What that guy doing to me? My
- 22:08
>> Because we don't want you to get in
- 22:08
trouble. That's what he's saying.
- 22:09
insecure bro.
- 22:11
>> Oh, she going to be in Portugal or some
- 22:12
[ __ ] [laughter]
- 22:14
>> She don't watch no more.
- 22:16
>> Oh, yeah. She don't watch.
- 22:17
>> She don't watch no more. Yeah, she and
- 22:18
she told She gave a speech, too. Like, I
- 22:20
don't even watch it anymore because All
- 22:21
right bet.
- 22:22
>> Can we get [laughter] somebody to jump
- 22:23
out of a cake?
- 22:25
>> Like a small person.
- 22:27
>> No, that's my birthday. That's his
- 22:28
birthday.
- 22:29
>> You like freaky [ __ ] That's what I'm
- 22:31
[ __ ] Let's get some small [laughter]
- 22:32
[ __ ] up here. How many times you seen
- 22:34
tall [ __ ] trippers? A thousand.
- 22:36
How many times you trip a [ __ ] this big
- 22:38
with little elbows? But how big the cake
- 22:39
got to be for the wheelchair to to hop.
- 22:42
[laughter]
- 22:43
All right, man. She kind of got to know
- 22:44
how to wheelie out the
- 22:46
>> roll out the cake.
- 22:49
>> I did not say nothing about that.
- 22:51
>> See, [laughter] that's
- 22:53
bad.
- 22:53
>> No, when you think about it, automated
- 22:55
chair ballerina would be crazy. Yo,
- 22:58
>> she hit the 360 titties out
- 23:01
>> in the chair. That would be crazy cuz
- 23:04
how him I feel like most of the girls
- 23:05
that Ice follow is a it's a hop
- 23:07
situation. Oh, you like the ampute porn
- 23:10
girls? I love that.
- 23:11
>> Wait, what?
- 23:12
>> The handicap porn girls. I
- 23:14
[clears throat] love that cuz they them
- 23:16
some resourceful [ __ ]
- 23:17
>> Niness.
- 23:18
>> They pop that [ __ ] by
- 23:20
>> I seen a [ __ ] on all nubs pop [ __ ]
- 23:22
She wasn't popping nothing but [ __ ]
- 23:24
[laughter]
- 23:24
>> All right. This is definitely this
- 23:25
family show.
- 23:27
>> HE KNOW WHAT SHE TALKING ABOUT.
- 23:28
>> I JUST SEE IT. [laughter] YOU EVER SEEN
- 23:29
A PERFUME BOTTLE
- 23:31
>> where it's just chess and [ __ ]
- 23:34
>> John Paul Guardian.
- 23:35
>> I'm tell Izzy Miyaki. This [ __ ] live.
- 23:37
Disney popping [ __ ] good too locking
- 23:40
OUT CUZ YOU GOT TO BE YOU GOT TO BE LIKE
- 23:42
SEXY WITH THAT CUZ YOU CAN'T DO nothing
- 23:44
with your hands so you just staring at
- 23:45
the [ __ ] special you know what I mean
- 23:47
little tongue [ __ ] no arms no legs this
- 23:50
[ __ ] get [laughter] crazy cut this out
- 23:51
if it's too much for my fellas
- 23:54
>> yo this guy is crazy
- 23:55
>> I ain't saying nothing else for the rest
- 23:56
of the show guys
- 23:59
about me no we there
- 24:01
>> I say this all the time and just keep
- 24:03
going it's so crazy [laughter]
- 24:05
it's a real threat when I say it then
- 24:06
nobody body cares. So I start talking
- 24:08
[clears throat] again.
- 24:08
>> No. And you be on go. Anytime you go
- 24:10
away for a weekend and do some shows,
- 24:12
when you come back, it's lit. It's being
- 24:14
you. You still think that you doing it.
- 24:16
>> I'm sorry.
- 24:17
>> And then I'm going to look like the bad
- 24:18
guy.
- 24:19
>> Then they going to make pizza. So I'm
- 24:20
supporting.
- 24:21
>> Okay.
- 24:22
>> Go ahead and talk, [ __ ]
- 24:23
>> Thank you. So [laughter]
- 24:25
Washington was great. Um,
- 24:27
>> how was it? Yeah. Yeah,
- 24:28
>> it was lit. It was lit. The energy was
- 24:31
so crazy cuz I've never been there and
- 24:33
they I mean I couldn't even talk. That's
- 24:34
how hype they they wouldn't let me, you
- 24:36
know, I couldn't start. They just was
- 24:37
like [ __ ] with me.
- 24:39
>> Far, do you know Mona? Mona went to
- 24:41
Washington, did the show invite
- 24:44
>> us.
- 24:44
>> Well, yeah, but and then got right on
- 24:47
the plane after the show and came home.
- 24:49
>> Those are my favorite kind of shows,
- 24:51
bro. I got
- 24:52
>> from Washington. That's a That's a low
- 24:54
from Washington. She did that show.
- 24:56
>> 2:00 p.m. I landed, did the show, did
- 24:59
the meet and greet. It was only one
- 25:01
show. I my flight left at 10:58.
- 25:04
>> Why didn't you stay in?
- 25:05
>> They closed the flight. I had begged
- 25:06
them to open it. I was in Philly by 6:00
- 25:08
a.m. Bad [ __ ]
- 25:11
>> No, you're not a bad Well, actually, ask
- 25:14
her how the meet and greet went.
- 25:15
>> How's the meet and greet go?
- 25:16
>> It was great. But well,
- 25:19
[laughter]
- 25:20
>> now I don't mean it.
- 25:20
>> If you have an 11 p.m. flight that you
- 25:23
have to make.
- 25:23
>> Oh, the meet and greet was after the
- 25:24
show.
- 25:25
>> Yes.
- 25:26
>> Oh, so you had to cut some people rushed
- 25:28
them.
- 25:28
>> Oh, you ain't greet them?
- 25:29
>> Of course. Not at all. She didn't meet
- 25:30
or greet them. met him
- 25:31
>> and that's about a group meet and greet.
- 25:33
>> She gave him a deuce. She chucked deuces
- 25:34
at him
- 25:35
>> and it listen and it's crazy because um
- 25:37
>> and she had the big [ __ ] security
- 25:38
guard standing on the side rushing him
- 25:40
being an [ __ ] and she wasn't speaking
- 25:42
up in the fans defense. So the [ __ ] was
- 25:44
like, "Hey, get the [ __ ] OUT OF HERE.
- 25:45
YOU GOT A FLIGHT TO CATCH.
- 25:47
>> THESE ARE AMAZING.
- 25:50
>> PUT CUT THAT OUT. I DON'T KNOW WHAT THE
- 25:53
[ __ ] THIS [ __ ] TALKING ABOUT. MY MEAT
- 25:54
GREASE ARE AMAZING. YOU HAVE NEVER YOU
- 25:56
THINK CHRIS BROWN PICK YOU UP? I'M
- 25:58
PICKING YOU UP. BY ME. [laughter] BUY A
- 26:00
TICKET. I GOT TWO SHOWS IN CONNECTICUT
- 26:03
NEXT WEEK AT THE STRESS FACTOR. I DON'T
- 26:04
KNOW WHAT THE [ __ ] JOE WASN'T talking
- 26:05
about.
- 26:09
>> So, I draw a goddamn line. Might come
- 26:11
up.
- 26:12
>> No, it was too fast. And I mean, is like
- 26:14
my favorite part. And then it was like
- 26:16
um one of the comics told another guy, I
- 26:18
remember his name, his name's Chris
- 26:19
Crazy. This nigga's literally like he
- 26:21
ran that [ __ ] like a caseworker. Like,
- 26:24
dope down there. We get where your
- 26:26
MONEY'S UNDER. I WAS LIKE I WAS SCARED.
- 26:27
MOST OF THE PICTURES I'M TALKING to the
- 26:28
person like, "Bitch, is you, you know
- 26:30
what I mean?"
- 26:32
>> And [ __ ] was like, "Woo!" But me and
- 26:34
Gree my favorite part.
- 26:35
>> We always have conversations, hugs, you
- 26:37
know what I mean? These people are
- 26:37
saying, "I'm the girl that went to
- 26:39
college with." And I remember a lot of
- 26:41
them, you know what I mean? So, it was
- 26:42
unfortunate, but I feel like
- 26:44
>> nobody left pissed. Like, I made sure
- 26:46
anybody look pissed that I told him to
- 26:47
go back around just so we could try to,
- 26:48
you know,
- 26:50
>> but he was like, "No selfies, no
- 26:51
whatever." I appreciate him cuz he got
- 26:53
the job done, but that's not really, you
- 26:55
know what I mean? You agree literally is
- 26:56
like one of the best parts for me.
- 26:59
>> Why didn't you spend the night? Seattle
- 27:00
and the surrounding areas is is a great
- 27:02
time. That's that's what Joe was leading
- 27:04
into.
- 27:05
>> It's who I'm with and then it's like you
- 27:07
feel safe.
- 27:07
>> I like to get back. You know what I
- 27:09
mean? Normally I just like to get in get
- 27:10
out. Get like a robbery road [ __ ] That
- 27:12
was just probably the wrong drawing cuz
- 27:14
it's like
- 27:14
>> that's a long way for a robbery and it's
- 27:16
a long way. Yeah. But I'm glad I got a
- 27:18
red eyee cuz I hate that 6 hour flight.
- 27:20
I hate that with the time change in the
- 27:22
air. Oh, it's the worst. Pass the
- 27:25
[ __ ] ball. Pass the ball.
- 27:29
>> God damn. Pass the [ __ ] ball.
- 27:34
>> Haven't had that one in a while.
- 27:36
>> Word. [laughter] We ain't We ain't
- 27:37
needed it. But it
- 27:39
>> So basically in my dating life where I
- 27:40
am. [laughter]
- 27:43
>> Yo, no. It's a lot of new music came
- 27:45
out. Mo, we'll get to your dating life
- 27:46
later, but a lot of music came out. Big
- 27:48
release day. Big release day. When
- 27:50
there's a release day like this, we
- 27:52
we're a music podcast. So,
- 27:56
>> are we for on these type of days?
- 27:58
>> On some days. Yeah.
- 27:59
>> On these type of days.
- 28:00
>> On someday. We're not really
- 28:02
technically. No, not anymore. But on
- 28:04
these days,
- 28:05
>> we got to be
- 28:06
>> dog. I went to bed at 6:00 p.m. took a
- 28:09
nap. I got to take a nap to be up at
- 28:11
that midnight.
- 28:13
>> You took a nap to be up at midnight.
- 28:16
>> Do I be in bed at 3:30? I be I be I get
- 28:19
into bed. I think you're just ignoring
- 28:20
my calls. You're sleep.
- 28:22
>> No, I get in bed. I rest. I nap. I went
- 28:25
to bed at 6:00. Woke up at
- 28:28
12:45. Bought everything. Bought
- 28:30
everything I could buy. Bought Nas.
- 28:33
Bought 21 Savage. Bought Conway. I
- 28:37
bought Yay uh Yay Ali. I bought Fridays.
- 28:41
>> Chris Patrick dropped the dude from the
- 28:43
uh Kais stream that went crazy with the
- 28:45
uh
- 28:46
>> Oh. Oh, really? Yeah.
- 28:47
>> Oh, get out.
- 28:47
>> Yeah. Shout out to Chris.
- 28:48
>> Project.
- 28:49
>> Yeah. project.
- 28:49
>> Okay.
- 28:50
>> Nice. I think
- 28:51
>> somebody else dropped. Uh Pushist
- 28:53
dropped.
- 28:55
>> Uh so I let it all run.
- 28:57
>> It was a lot of [ __ ]
- 28:59
>> And I let it all run. That's what the
- 29:00
nap was for.
- 29:01
>> This is one of them weeks. I needed the
- 29:03
advances, man. It was too much music to
- 29:04
try.
- 29:04
>> I was about to hit you like, "Yo, you
- 29:06
can't get the
- 29:07
>> Yeah.
- 29:07
>> God damn. This is too much dropping at
- 29:09
one time."
- 29:09
>> Yeah. That should be annoying. It's too
- 29:12
much to take in. Pause.
- 29:13
>> Yeah. [laughter]
- 29:15
>> I thought back to 10. I thought I
- 29:18
thought everybody was pretty kind in
- 29:20
terms of
- 29:23
track list, right? Like 21 was modest.
- 29:28
12 13 songs.
- 29:29
>> True.
- 29:30
>> 47 minutes. Nas I had already heard, but
- 29:34
>> 15 joints.
- 29:35
>> Mhm.
- 29:35
>> And not a super long project either.
- 29:37
>> Yeah. Not not Yeah. Wasn't too long.
- 29:40
>> Yeah. I I started getting sleepy again
- 29:42
toward the end of Conway and Conway was
- 29:45
a little that was what 22 somewhere
- 29:48
around there. But
- 29:49
>> really good. Listen. Really good.
- 29:51
Listen. Where do y'all want to start?
- 29:54
>> The most anticipated
- 29:56
>> or do you want to save that for?
- 30:01
>> Well, what's the most anticipated?
- 30:02
>> I mean, the last premiere was announced
- 30:05
in 2003 [laughter]
- 30:07
>> or four, whatever year that was. Yeah,
- 30:09
that's true.
- 30:10
>> That's a really hard thing to live up
- 30:11
to. That is a real like just the
- 30:13
anticipation and the previous track
- 30:16
record of five, six, seven
- 30:20
absolute classics.
- 30:21
>> Yeah.
- 30:22
>> I didn't think like for a lot of people
- 30:23
still just yo, we finally getting it,
- 30:26
>> right?
- 30:26
>> Wait, it's really happening. So yeah,
- 30:28
you you go here first.
- 30:30
>> Yeah, it's a it's a art piece.
- 30:32
>> It is.
- 30:32
>> It's a art piece for sure. Like you
- 30:34
would buy the vinyl of this. Oh, I'm
- 30:36
definitely hope to get it autographed
- 30:38
and just hang it up somewhere like it is
- 30:40
one of those.
- 30:41
>> Yeah, you're right about the amount of
- 30:43
time P is on the road right now. I'm
- 30:45
having fun watching Nas
- 30:47
>> outside and this I certain people on
- 30:50
release day I get excited.
- 30:51
>> Yeah, like
- 30:52
>> release day is still a big deal if you
- 30:55
know if it's a big deal. Anyway, yeah,
- 30:57
we can wait for Nas. We can wait for
- 30:58
Nas. Let's start with something else.
- 30:59
Okay,
- 31:00
>> start 21.
- 31:01
>> Let's do it. Let's do it.
- 31:03
>> Okay, 21. Um he well he announced it
- 31:06
last week.
- 31:07
>> Uh yeah. Yeah.
- 31:08
>> So a very short window. Uh what happened
- 31:10
to the streets?
- 31:12
Uh how many?
- 31:12
>> 14 joints.
- 31:14
>> 47 minutes.
- 31:17
>> Any any take? Well, you can play first.
- 31:19
Go ahead. Go ahead.
- 31:20
>> I only got one little skim through. So I
- 31:22
don't have the deepest dive on on on
- 31:24
this one yet.
- 31:24
>> I didn't get a deep dive for anything
- 31:26
cuz again, it was too much to try to
- 31:28
listen to. True. I gave I got 21's
- 31:30
album. I listened to the entire project.
- 31:34
I there was nothing that I wanted to
- 31:35
skip.
- 31:37
Nothing. Um it started off with I I like
- 31:40
when he has that really dark production
- 31:43
>> and you know his subject matter. So it's
- 31:45
like a good marriage.
- 31:46
>> Oh, good. You can play.
- 31:48
>> Yeah. Enough with all this [ __ ] His
- 31:50
music came out.
- 31:52
>> WE AIN'T GOT TO EXPLAIN NOTHING.
- 31:53
>> YEAH.
- 31:56
>> I like this tempo from him. Yes. This
- 31:58
tempo this tempo exists a lot on this
- 32:00
project. I I enjoy
- 32:03
legible understandable
- 32:07
letting it breathe 21 Savage.
- 32:09
>> Me, too.
- 32:10
>> So, this is a lot of like going back to
- 32:13
uh like the last couple 21 Savage albums
- 32:15
I felt like had more um
- 32:17
>> I don't know, I guess like soul samples
- 32:18
and
- 32:19
>> this is a lot darker, which I I like.
- 32:22
>> It was a little hard to uh get into it
- 32:24
at 9:00 a.m. in the morning when I
- 32:26
pressed play.
- 32:27
>> This feels like a nighttime album to me.
- 32:28
So, I'm going to have to live with this
- 32:30
one for a little bit, but it sounds
- 32:31
good.
- 32:32
>> Uh, that was the intro. I'm going to
- 32:33
play the Young Nudie joint. Steph love
- 32:36
this. Love that one. [music]
- 32:38
>> Absolutely love this.
- 32:42
>> That's hard. Yeah.
- 32:43
>> Yeah, it is.
- 32:44
>> Ain't a Ain't nothing to say about it.
- 32:46
>> I love when they do songs together.
- 32:48
>> I just like that dark, menacing sound to
- 32:51
this [ __ ] It's like a [ __ ]
- 32:52
soundtrack to a scary movie.
- 32:54
>> Yeah, a little bit. [laughter]
- 32:56
>> No, that that beat. What is Who's is
- 32:57
that? DMX.
- 32:59
I thought it was DMX. Okay.
- 33:01
>> I am uh I'm hopping around here. I'm
- 33:03
hopping around here. I'mma play I'mma
- 33:05
play the lotto record
- 33:07
>> because
- 33:08
you you can already tell.
- 33:09
>> Yep.
- 33:12
>> That's hard.
- 33:12
>> She said [ __ ] on this British man. I
- 33:14
ain't hear that the first time. I love
- 33:16
when they do that little [ __ ]
- 33:18
>> That joint. That joint. You're gonna
- 33:20
hear it. I'm gonna hear it.
- 33:23
Yeah, I'm gonna hear that for sure. Uh,
- 33:25
Freeze, I wasn't even going to mention
- 33:26
that record. I I won't I'll give you the
- 33:30
runway, too, and I'll play it.
- 33:31
>> Okay,
- 33:32
>> I'll play it.
- 33:32
>> I know a lot of people don't like it. I
- 33:34
I've been seeing a little bit of talk
- 33:35
about it. I like the switch up in the
- 33:37
flow. It It's I love this beat.
- 33:41
It's It's very different, very dark
- 33:43
again.
- 33:45
But let it let it get a little bit of
- 33:46
burn. Go ahead. Go ahead. Get in your
- 33:48
bag. This don't [music]
- 33:51
>> like like to me this doesn't sound like
- 33:53
their usual records where they pair up
- 33:54
together. And I I appreciate the
- 33:57
difference.
- 33:58
>> I love this slow flow [ __ ] though. Like
- 34:01
do I have to? You got to what? I want to
- 34:04
get to the flip. Like I don't want to
- 34:06
out.
- 34:06
>> Yeah. Where's the bus?
- 34:09
>> Not my favorite.
- 34:10
>> I I I I love it.
- 34:12
>> That be crazy. I love it. I love it. And
- 34:14
I I'm looking forward I want to hear
- 34:15
that outside somewhere. That first
- 34:17
versus
- 34:18
>> where where do you want to be?
- 34:19
>> Just anywhere
- 34:20
>> somewhere dangerous.
- 34:21
>> Yeah,
- 34:21
>> that feels like something the the spots
- 34:23
that I shouldn't be in that I be in at
- 34:25
the hour.
- 34:26
>> No, I ain't going to thes. I'm I'm I'll
- 34:28
go to the hood clubs, but I'm when it's
- 34:30
regular time to be over then I'm done.
- 34:31
[laughter]
- 34:32
>> Before it's done.
- 34:34
>> Yeah, before that.
- 34:35
>> Yeah, I don't have anything positive to
- 34:37
say about that song. So, I'm going to
- 34:39
reserve
- 34:40
thought.
- 34:41
>> Okay.
- 34:43
>> I personally don't like that beat.
- 34:45
>> Yeah. What don't you like?
- 34:47
I like the beat for 21, not as much for
- 34:50
Drake, but I do feel like I need to
- 34:51
listen to it a little bit more. I don't
- 34:53
know. It It off rip it don't jump out to
- 34:55
me.
- 34:55
>> I just like the L I like, like I said, I
- 34:57
like that lazy flow they use.
- 35:00
>> It's It's a [ __ ] talking song.
- 35:01
>> I do think it was it was important for
- 35:04
Drake to be featured on this project.
- 35:06
>> For sure.
- 35:08
>> Absolutely. And I think in sequencing,
- 35:12
if you're just letting it rock, then it
- 35:15
fit.
- 35:15
>> Maybe you won't be mad. The beat it
- 35:17
fits.
- 35:19
>> It's not my particular favorite on on
- 35:21
here.
- 35:22
>> I thought that Drake probably
- 35:26
>> it's time for the heat, man. Enough of
- 35:28
this. Like, it's
- 35:30
>> I just knew that Drake on 21 Savage
- 35:34
album meant more than this.
- 35:37
See, I think See, I one, like I said, I
- 35:40
have a different take on this song. So,
- 35:41
I appreciate this. I I like this song.
- 35:43
So, I'm not mad at that. But where you
- 35:45
say Time for the Heat Heat,
- 35:48
if I'm Drake, I'm not doing I'm not
- 35:50
putting the heat on anybody's project.
- 35:52
>> I would have I would have I'm not
- 35:54
>> I would have especially a 21 project
- 35:56
that you know everybody going to listen
- 35:57
to. I would have tried my best to smoke
- 35:59
that [ __ ] to let them know I'm here and
- 36:01
I'm coming.
- 36:02
>> And they have a fire music together.
- 36:04
Y'all have a fire project. Yeah,
- 36:06
>> Drake featured Drake featured
- 36:09
>> 21 dropping after the [ __ ] they album
- 36:12
together just I expected 21 to be on
- 36:14
some [ __ ] which he was to me. I just
- 36:16
think that two of them together means
- 36:18
more than what they did here. Like they
- 36:21
could have took that moment, not to be
- 36:23
not to compare it because I hate to
- 36:25
compare it, but the moment that the
- 36:28
moment that Drake made with JCole, first
- 36:30
person shooter, the moment that Kendrick
- 36:32
made on like that on somebody else [ __ ]
- 36:34
like you can make a moment on somebody
- 36:35
else [ __ ] that they missed opportunity
- 36:37
to me.
- 36:39
>> But not about that.
- 36:40
>> Yeah, not about that because the rest of
- 36:42
this [ __ ] is all heat.
- 36:43
>> It's all heat. It's all heat. I do see
- 36:45
people giving mixed reviews on it.
- 36:48
>> I really love this project.
- 36:50
>> I got one complete listen and then I was
- 36:52
on a second one. I There's nothing that
- 36:54
I skip on here. I love this project.
- 36:57
>> This is
- 36:58
>> Yeah. I want to give you and shout out
- 37:00
to G Herbo.
- 37:01
>> Killed it.
- 37:02
>> Who not only killed this feature on the
- 37:04
21 project, killed this feature on
- 37:06
Conway [ __ ] as well. G Herbo is on a
- 37:09
little run.
- 37:10
>> And his album that we didn't really talk
- 37:11
about.
- 37:12
>> I didn't listen to it yet.
- 37:13
>> His album is Heat.
- 37:15
>> [laughter]
- 37:17
>> You know what time it is.
- 37:18
>> Yeah. Yeah. That's That one's going to
- 37:20
do it.
- 37:21
>> That's right. 21. I ain't rapping behind
- 37:23
none of them girls.
- 37:26
>> I ain't mad at them.
- 37:27
>> Get out. Get out the way.
- 37:28
>> I'm not mad at him. One. I don't know
- 37:29
too many rappers that would
- 37:31
>> on a song where where you featuring one
- 37:33
of them.
- 37:34
>> Yeah.
- 37:34
>> With that type of song.
- 37:36
>> That's their song. That's their song.
- 37:38
>> You right.
- 37:40
>> Yeah. Would you start with some damn
- 37:41
glory? Look. Go 21, man. [laughter] I'm
- 37:44
so happy for him.
- 37:45
>> This is a really good project, man.
- 37:47
Like,
- 37:47
>> yeah. No, this is this is this is a fire
- 37:49
project. Me, I told I told you I would
- 37:52
hear it soon.
- 37:54
>> And this is this is heat. I got to sit
- 37:56
with this over the weekend to really
- 37:58
come back with my You know what I mean?
- 38:00
But this whole project, I really enjoy
- 38:02
it. I don't quite understand some of the
- 38:05
criticism that I'm seeing out there for
- 38:06
it.
- 38:07
>> I would like to know like with the
- 38:08
criticism, what exactly are you
- 38:10
comparing it to? cuz I hear people
- 38:12
probably last. Yeah.
- 38:13
>> Yeah. But if you go before that, which
- 38:15
is what a lot of people
- 38:17
>> consider some of his best works, it's
- 38:19
this. This is right there.
- 38:21
>> Yeah.
- 38:21
>> So,
- 38:22
>> I missed this personally.
- 38:24
>> This was missed.
- 38:26
>> So, good to get it back.
- 38:27
>> Yeah.
- 38:28
>> Um, this Conway album was really,
- 38:31
really, really, really, really good.
- 38:32
Also,
- 38:33
>> it is. It is.
- 38:34
>> What I liked about the release day is it
- 38:36
was age appropriate for everybody.
- 38:39
>> Mhm. Yeah,
- 38:39
>> like
- 38:40
>> the OG's had Nas and
- 38:42
>> P.
- 38:44
>> New York had our boom bap Nas and
- 38:47
>> P.
- 38:49
>> Atlanta got their
- 38:52
one of their staple artists
- 38:54
with a lot of really important features
- 38:56
and what I think is a really important
- 38:58
album for him.
- 39:00
The heads got it with Conway for sure.
- 39:03
>> The R&B [ __ ] got a little bit I I like
- 39:06
I like when it's that. I like when his
- 39:07
dad on
- 39:09
>> listen though. I did not expect this.
- 39:11
Shout out to the Justice League.
- 39:13
>> Yeah, boy.
- 39:13
>> I did not expect Oh my god. Oh my god.
- 39:19
>> I let this one just rock on repeat for a
- 39:22
little bit.
- 39:22
>> This Conway.
- 39:24
>> This is Conway.
- 39:26
>> Justice League do keep that down.
- 39:28
>> Yeah,
- 39:28
>> that's Justice League right there. Come
- 39:30
on.
- 39:31
>> I might got I might got to call them
- 39:33
[ __ ] that got to be seen. There ain't
- 39:35
a rapper in the world that will hear
- 39:37
something like that and not be inspired.
- 39:41
God damn.
- 39:42
>> Yeah, man. I I mean this with no like no
- 39:45
disc to anybody, but
- 39:48
>> that's what for me for a person like me,
- 39:50
>> that's what's been missing from like the
- 39:52
Conways and them.
- 39:54
>> He's had some Justice League. I'm just
- 39:56
saying. But
- 39:58
>> this is what I be looking for. Okay.
- 40:00
Like I I I get it. You can you know
- 40:02
y'all you're spitters. You can rap like
- 40:03
crazy. Yeah,
- 40:04
>> but I don't always want to hear certain
- 40:08
production.
- 40:08
>> I think you should go back to some of
- 40:09
the Conway records. He's got a lot of
- 40:11
records that are not necessarily 100% in
- 40:13
the Griselda
- 40:15
uh for sure.
- 40:17
>> There was an album
- 40:18
>> I don't think it was his last album.
- 40:19
That was my first time hearing it. I'm
- 40:21
like, "Oh [ __ ] you went a different
- 40:22
route with a there's a bounce to this."
- 40:24
There's a
- 40:25
>> I like for for those who can really rap.
- 40:28
To me, that's the difference. I want to
- 40:29
not only hear you on the darker no drum,
- 40:33
you know, not that production.
- 40:34
>> Yeah, he's got some of that on here too,
- 40:36
but he also and again on most of his
- 40:38
projects, at least in the last four
- 40:41
years, it's been a pretty good variety
- 40:43
of music on there. Yeah,
- 40:44
>> I have to I definitely have to go back.
- 40:45
I remember the last project and it it
- 40:47
blew me away. But this is that was my
- 40:48
first time hearing this. Okay. And I'm
- 40:50
like,
- 40:51
>> "Wow,
- 40:52
>> this album's really good."
- 40:53
>> Wow.
- 40:55
>> He spoke he spoke this album.
- 40:56
>> Yeah, I just bought it. [laughter]
- 40:59
Yeah, he got uh the Who Kid joint with
- 41:01
Tony Yo, which sounds like some OG unit
- 41:05
like
- 41:06
>> Rock Marcy on here. [ __ ] again. Herbo
- 41:09
absolutely smoked his feature.
- 41:12
>> Uh
- 41:13
toward the end again, I love when you
- 41:16
rappers take the take toward the end of
- 41:18
your album to get introspective and
- 41:19
start telling the truth about [ __ ]
- 41:21
toward the end on I never sleep into
- 41:25
hold back the hold back tears.
- 41:28
>> I'm a guy got to play one.
- 41:29
>> Yeah. Let me hear when he gets in his
- 41:31
introspective bag is one of the best.
- 41:34
>> He's
- 41:34
>> I wish they tell me. I mean I do
- 41:36
appreciate you crews out there holding
- 41:38
it down dealing with whatever y'all deal
- 41:41
with dealing with internally and the
- 41:43
public never knowing. I do be wanting to
- 41:46
know though. [laughter]
- 41:47
I do be want to know. But I appreciate
- 41:49
it. Like if the locks ever went through
- 41:52
that, I wouldn't know. And then at the
- 41:54
end of the day, we'd be like, "Look at
- 41:56
that. That's how it should be done."
- 41:57
>> Mhm. Indeed.
- 41:59
>> But they the only ones probably
- 42:03
la.
- 42:05
>> Mhm.
- 42:07
>> They the only two. It's a short. Yeah.
- 42:10
Everybody else, if you're in a group, I
- 42:12
want to know the problems. I was in
- 42:14
[laughter] a group. It was problems. And
- 42:16
a lot of it was me, but it was problems.
- 42:18
It was a problem. It was problems when
- 42:21
you in a group. I understand it. So
- 42:23
>> yeah, if something is going on like
- 42:26
where the [ __ ] is the song at cuz I
- 42:28
start on that.
- 42:29
>> I I start feeling like you talking about
- 42:31
it in the music.
- 42:32
>> One other side.
- 42:33
>> Yeah. In house business is in house
- 42:34
business.
- 42:34
>> Y'all don't want to know
- 42:37
air.
- 42:38
>> Don't air it out.
- 42:39
>> Yeah. Here we go. See, I wrote verses
- 42:41
like this before. You can't trick me,
- 42:42
[ __ ] You can't trick me. I wrote
- 42:45
verses like this.
- 42:47
Here we go.
- 42:49
>> On one of these verses in one of these
- 42:50
songs, it I heard something that I could
- 42:54
interpret like it's something going on.
- 42:57
But those my [ __ ] so I ain't going to
- 42:58
pry about it. But when you keep seeing
- 43:01
albums pop up and and not a feature,
- 43:02
>> I say, are they featured on the album at
- 43:04
all?
- 43:04
>> No.
- 43:05
>> No.
- 43:06
>> It's it looked like some some
- 43:08
separation. And it looked like that for
- 43:10
a minute now.
- 43:13
>> And they won't tell me.
- 43:15
Every time I see them [ __ ] I ask.
- 43:17
>> People don't ask in interviews. Media
- 43:19
doesn't ask.
- 43:20
>> They might instruct you. They might
- 43:21
instruct you not to.
- 43:21
>> We respect We respect the guys.
- 43:24
>> Like they not trying to be messy. They
- 43:26
They being real [ __ ] about this [ __ ]
- 43:27
>> When people being real [ __ ] you got
- 43:29
to do it, too.
- 43:31
[laughter]
- 43:33
>> You such a messy [ __ ]
- 43:36
>> Hell, I hate when [ __ ] is being real
- 43:37
[ __ ] A [ __ ]
- 43:40
>> You got to appreciate that [ __ ] today.
- 43:41
No, it's true. I'm joking. that [ __ ] out
- 43:43
when you talk about it.
- 43:44
>> When y'all both said that you're on the
- 43:46
other side and you don't want to hear
- 43:47
about it, my initial reaction was, uh,
- 43:50
[clears throat] they're lying.
- 43:51
>> But now that I think about it, um, maybe
- 43:54
not because I feel like sometimes you
- 43:56
you can't work that [ __ ] out right when
- 43:57
you talk about it too fast cuz you talk
- 43:58
about it and everybody else bring their
- 44:00
opinions and blah blah blah.
- 44:01
>> It's just it ain't anybody business.
- 44:03
Like if if we if we if we love each
- 44:04
other and we fall out, that's our
- 44:08
fallout. We don't have to now go and I
- 44:10
ain't got to air you out. You ain't got
- 44:11
to air me out. Like I think it's grown
- 44:14
man [ __ ] to have differences and keep it
- 44:16
between us.
- 44:18
>> I'm telling somebody.
- 44:20
>> We know. We know. [laughter]
- 44:21
>> Yeah. Sorry,
- 44:24
[ __ ]
- 44:24
>> Y'all telling somebody, too. I'm just
- 44:25
going to weigh it on the pod. It just be
- 44:27
me. It'll just be me. I'm just Somebody
- 44:29
going to hear what this [ __ ]
- 44:31
did. [laughter]
- 44:33
It may not be on a recorded song.
- 44:36
>> That's what we I'm talking about
- 44:37
publicly. Like [ __ ] fall out and run
- 44:39
to the public with it. It ain't got to
- 44:40
be a recorded song. They go to
- 44:41
Instagram. Yeah. All they go to social
- 44:43
media. Just anything to go and
- 44:44
>> and you're definitely putting a song.
- 44:46
>> Yeah. He Oh, for sure.
- 44:47
>> Yeah.
- 44:47
>> That night.
- 44:48
>> Yeah.
- 44:48
>> He going to the studio.
- 44:50
>> If I came back to the game, then I I
- 44:52
couldn't I'd have to like be mature.
- 44:54
>> I can't put my family's business in the
- 44:56
song game.
- 44:56
>> Oh.
- 44:57
>> Or my girl like I can't
- 45:00
[laughter]
- 45:00
>> I'm just letting them talk.
- 45:01
>> Yeah.
- 45:02
>> That wouldn't be that sounds good.
- 45:03
>> That would that wouldn't be fair. I
- 45:04
can't do that. Um Conway, great project.
- 45:08
Yo salute.
- 45:09
>> Great project. Salute. This joints on
- 45:11
here. I wanted to play the Herbo joint.
- 45:14
Uh, this whole end of this project is
- 45:16
just crazy. But
- 45:16
>> it is real.
- 45:18
>> Lady London Record is dope, too.
- 45:19
>> Oh, the Lady London record. Yes. Another
- 45:22
one. You ain't jump in front of that. I
- 45:24
mean, you ain't jump behind that train.
- 45:26
Another one. Shout out to Jersey Lady
- 45:27
Lond. Now I'm playing that now.
- 45:28
[laughter] Now, now I'm playing. Sorry.
- 45:30
Sorry. Sorry.
- 45:31
>> Lady London, my girl. Let's see.
- 45:39
>> Here we go. I'm playing that.
- 45:40
>> Let me hear that.
- 45:42
>> I love when [music] the street [ __ ] do
- 45:43
a girl record.
- 45:45
>> That's why rappers is funny. He said all
- 45:47
this big dick daddy [ __ ] and she dubbed
- 45:48
him in the next eight bars. [laughter]
- 45:50
>> She said all this who [ __ ] you
- 45:52
better. My dick is the best. Yeah.
- 45:53
>> Can't do that with her on the record.
- 45:54
>> And then look and then look. Then she
- 45:56
>> Any [ __ ] that's ever tried to do that
- 45:57
with Lady London on the record.
- 45:58
>> She dubbed him two seconds later. Why
- 46:00
you ain't answer my look [ __ ]
- 46:03
That's crazy. Yeah.
- 46:04
>> When I do it, it's not homework.
- 46:06
>> It's home improvement.
- 46:09
>> That was crazy.
- 46:10
>> She been hard for so long consistently.
- 46:13
You could tell she got a roster and
- 46:15
she's spinning them around.
- 46:17
>> All Lady London is spinning them around
- 46:19
out there. You can tell every
- 46:22
>> in every verse she's spinning [ __ ]
- 46:24
around
- 46:25
>> and they're falling for it.
- 46:26
>> Yeah.
- 46:28
>> Young generation. It's
- 46:29
>> young [snorts] generation, man.
- 46:32
Yeah. Yeah. Told that [ __ ] he he cheat
- 46:34
with regular [ __ ] [laughter]
- 46:36
>> and she don't so she don't care what he
- 46:38
do.
- 46:41
>> Lady London is you got you can't play
- 46:43
with her on them type of songs. Yo.
- 46:45
>> Yeah.
- 46:45
>> Yo, shout out to Lady London. Shout out
- 46:47
to Conway. Listen, really good project.
- 46:49
Really good release day yesterday
- 46:50
>> for sure.
- 46:51
>> Uh we'll get back to the music in two
- 46:53
seconds, but it's time for my favorite
- 46:56
part of the show.
- 46:58
Prize Pix.
- 47:01
>> All right, this episode is brought to
- 47:03
you by Prize Picks. Whether you're
- 47:04
starting a new routine or making player
- 47:07
picks for the first time, trying
- 47:09
something new can be hard. But in life
- 47:11
and on Prize Picks, it always feels good
- 47:14
to be right. With high pressure playoff
- 47:16
matchups every weekend and elite hoops
- 47:19
action almost every night, the action
- 47:21
never stops and prize picks let you take
- 47:24
control. Really easy and simple to play.
- 47:27
All you have to do is select two or more
- 47:29
players, look at their projected stat
- 47:30
line, and pick more or less for your
- 47:33
chance to win big. Also, new feature
- 47:36
alert. Prize Pix now has early payouts.
- 47:38
If your player gets off to a hot start,
- 47:41
you now have the option to cash out
- 47:43
those winnings before the game is even
- 47:45
done. Prize Pix is now available in all
- 47:47
50 states, including California, Texas,
- 47:50
Florida, and Georgia. And the Joe and
- 47:54
Ish picks of the week, we are going with
- 48:00
Drake May for uh more than 230 and a
- 48:04
half uh passing yards, I'm assuming.
- 48:07
>> Okay.
- 48:07
>> Drake May's on a run.
- 48:08
>> He is.
- 48:09
>> Uh Christian McCaffrey for more than 43
- 48:12
and a half receiving yards. I'm assuming
- 48:13
Christian, you didn't say you got a
- 48:15
brother. Luke
- 48:16
>> Luke Christian or some [ __ ]
- 48:18
>> Luke McCaffrey.
- 48:18
>> Who knows?
- 48:19
>> I mean, yeah, Luke McCaffrey. I don't
- 48:20
know if I know people know Luke
- 48:22
McCaffrey.
- 48:23
>> I don't know Jake.
- 48:25
His brother named Luke Christian
- 48:27
[laughter] Laff.
- 48:30
>> Uh Stefon Diggs for more than 48 and a
- 48:32
half uh yards.
- 48:35
>> It's sick. What type of yards?
- 48:38
>> It's Stefon Digs receiving.
- 48:40
>> I don't know.
- 48:42
Passing
- 48:42
>> might line up somewhere else.
- 48:43
>> Yeah. Yeah. Trick play. and Rico Dattle
- 48:47
for more than 73 and a half rushing and
- 48:49
receiving yards.
- 48:51
>> Not bad.
- 48:52
>> Yeah, not bad.
- 48:53
>> Not bad.
- 48:54
>> They already starting with [ __ ]
- 48:56
Devonte Adams ain't practiced all week.
- 49:00
>> I wouldn't even made the playoffs
- 49:01
without Devonte Adams.
- 49:02
>> He been killing lately.
- 49:03
>> He ain't practiced all week. A
- 49:06
hamstring. He's such and such years old.
- 49:09
I will be sick this weekend if one of my
- 49:12
players is carded off the [ __ ] field
- 49:15
in my fantasy matchup. I already bet
- 49:16
Kaiser on the side. That's my That's my
- 49:18
matchup.
- 49:19
>> That's who you playing.
- 49:20
>> Yeah, I already bet him on the side.
- 49:23
>> I got to see the teams.
- 49:26
>> Kais team tough.
- 49:28
>> Cut.
- 49:30
[laughter]
- 49:31
Cut. He's got Matthew Stafford.
- 49:34
He's got uh
- 49:36
uh Christian Rodriguez from the
- 49:39
Commanders.
- 49:41
Who else does he has his running back?
- 49:42
He's got another running back that's not
- 49:44
the Trayvon Henderson from the Pats.
- 49:48
>> He's got Juan Jennings. KD.
- 49:51
>> That's not the greatest of squads.
- 49:52
>> Yeah, you said cute. I'm waiting to see
- 49:54
who cute.
- 49:55
>> All right. Now, I'll read it to you just
- 49:56
[laughter] what you want to know. Let's
- 49:57
see. Matt Stafford, Trayvon Henderson,
- 49:59
Chris Rodriguez Jr., Nico Collins. Okay.
- 50:02
Juan Jennings, Greg KD, Aaron Jones,
- 50:05
Will Lutz, kicker from Denver, and the
- 50:07
Bears defense. It's not a bad team.
- 50:09
>> It's not bad, but
- 50:10
>> it's not a bad team. What's your squad?
- 50:12
I'm going with Purdy. I'm starting over
- 50:14
Herbert.
- 50:15
>> You're bugging.
- 50:16
>> Yeah. No, keep going.
- 50:18
>> He's got Tennessee. Herbert's got a
- 50:20
broke hand.
- 50:24
>> You see what he did last week?
- 50:25
>> Yeah. 13 points.
- 50:27
>> Okay.
- 50:28
>> Oh, you talking about Herbert or Party?
- 50:30
>> Herbert. 13 points. I started him. Uh I
- 50:34
got Sam Darnold, too, on my bench.
- 50:36
>> Anyway, Brock Pie starting Sam Darnold.
- 50:39
>> What are you talking about?
- 50:41
>> Uh it's against the Colts
- 50:43
>> and the Titans are horrible.
- 50:45
>> The Titans are horrible.
- 50:46
>> The Titans are absolutely horrible,
- 50:48
y'all. Everybody goes off against the
- 50:50
Titans.
- 50:51
>> Yeah, I'm playing.
- 50:51
>> And that'll be the exact reason. Watch.
- 50:53
>> I'm playing Sam. I'm just letting you
- 50:54
know.
- 50:55
>> Brock Py, I got I got Will Marks uh from
- 50:58
Houston. I got Jonathan Taylor, Devonte
- 51:01
Adams, Rashid Rice. I got Hannon Fannon
- 51:03
Jr. from Cleveland.
- 51:04
>> Justin Jefferson is not starting for me
- 51:06
this weekend.
- 51:07
>> I'm not at all.
- 51:08
>> No,
- 51:08
>> I'm not.
- 51:09
>> Yeah, I'm not. Uh, he's coming out of
- 51:10
here. Uh, Dicker the kicker
- 51:12
>> from the Chargers and I'm going with the
- 51:14
Jags defense over the Broncos defense.
- 51:17
>> I have Hampton on my I have who the Jags
- 51:19
play? The Jets.
- 51:21
>> Okay. Yeah.
- 51:22
>> Yeah.
- 51:22
>> I got uh Hampton on my bench, Amar from
- 51:24
[ __ ] the Chargers. I got D Neil from
- 51:27
New Orleans. Jefferson's getting out of
- 51:29
here. But anyway,
- 51:30
>> yeah. Yeah, I wouldn't.
- 51:32
>> It sound like it was, you should smoke
- 51:33
his boots.
- 51:35
>> If his best play they best and your best
- 51:37
play your best,
- 51:38
>> you should still win. You should smoke.
- 51:39
>> And that's why fantasy is fantasy.
- 51:42
Fantasy. And if Devonte Adams don't
- 51:44
play, Dicker the kicker is the man. He's
- 51:45
in he's in on San Diego. Got me 22
- 51:48
points last week.
- 51:49
>> Listen, uh yeah, I won my match up cuz
- 51:51
uh and Phantom Phantom went off at 30.
- 51:54
Uh, don't forget to download the prize
- 51:55
pack. Uh, don't forget to download the
- 51:57
app right this second and use promo code
- 51:59
JB
- 52:00
and you get $50 instantly when you play
- 52:03
your first $5 lineup only on Prize Picks
- 52:07
where it's good to be right.
- 52:09
>> All right,
- 52:11
>> that's what you would have did in a
- 52:12
commercial. [laughter] Speaking of
- 52:15
commercials, um, we briefly breeze past
- 52:18
that this [ __ ] the boss,
- 52:21
icon, legend, has a commercial.
- 52:24
>> Um, I don't know if you guys saw it or
- 52:27
if you're excited about it.
- 52:28
>> Yeah. Yeah. Yeah.
- 52:30
>> I parked the watch it all y'all. All
- 52:33
y'all. I know. I know. It's quick.
- 52:35
[laughter]
- 52:35
>> Right there. Right there. That was Yeah.
- 52:37
>> That's my issue, Parks.
- 52:38
>> What's the issue?
- 52:39
>> I'm not in it. Like, not even an elbow.
- 52:42
You know what I mean? Like not even like
- 52:43
a [laughter]
- 52:44
>> what was all footage?
- 52:45
>> It doesn't matter.
- 52:48
We know what's going on.
- 52:49
>> Do we know when the commercial was cut?
- 52:51
>> We know what's going on here now.
- 52:52
>> Did you work here when it was cut?
- 52:54
>> It don't matter. You better put a little
- 52:56
puff of black and mouth smoke at
- 52:57
[laughter] the end.
- 52:59
>> Y'all know what's up.
- 53:00
>> Have you had [snorts] Have you had any
- 53:01
standout moments?
- 53:04
[laughter]
- 53:08
>> Well, luckily for you, there'll be many
- 53:09
more commercial.
- 53:10
>> You are the Jews. There'll be many more
- 53:12
commercials. We'll get you involved.
- 53:14
>> You look good. I like the part when you
- 53:16
um when you're, you know, doing your
- 53:18
joke, you know, the rage thing. Um
- 53:21
>> it felt good. Listen, this is the first
- 53:23
time This is the first time that we've
- 53:25
ever done this.
- 53:26
>> It's amazing, man. You
- 53:27
>> excited?
- 53:28
>> Yeah. Yeah. It's part part of the fourth
- 53:31
quarter blitz.
- 53:32
>> Yeah.
- 53:33
>> Yeah.
- 53:34
>> See the big the big billboard.
- 53:36
>> Mhm.
- 53:36
>> Seen it.
- 53:37
>> Seen it.
- 53:38
>> Oh, the billboard. Wait a second. Back
- 53:40
back to this commercial. [laughter]
- 53:42
Okay. Back to this commercial for the
- 53:44
for the rest of the month. For the rest
- 53:45
of the month.
- 53:47
>> A little a little pricey.
- 53:48
>> I bet.
- 53:49
>> Of course. A a little pricey.
- 53:51
>> First it was a first take like
- 53:53
>> Yeah, that's probably a
- 53:55
>> I mean, yeah, that's when the fun
- 53:56
starts, but uh I don't know how much I
- 53:59
can say. [ __ ] it. I'm going to say it
- 54:00
anyway. Me and Ian were tearing our
- 54:01
[ __ ] hair out the whole week before
- 54:03
cuz it was some other places, too.
- 54:05
>> Oh, okay.
- 54:05
>> And we ain't never done this,
- 54:06
>> right? So, um,
- 54:08
>> is it more than just
- 54:09
>> putting [ __ ] on the MLB network, putting
- 54:12
[ __ ] over here on the [ __ ] [laughter]
- 54:14
They, you know, the old radio game. You
- 54:16
know the old radio. You want some spins?
- 54:18
>> All right, we got you.
- 54:19
>> We'll get you some spins, [ __ ] Me and
- 54:20
Ian sitting by the TV. Ain't seeing us.
- 54:23
[laughter] We on the internet. Ain't
- 54:25
nobody saying a word. I'm like,
- 54:27
>> they got us.
- 54:28
>> And it Well, well, cuz prime time is 8
- 54:33
to midnight. Yeah.
- 54:35
But if you watch TV, I'm like, "Listen,
- 54:37
dog. Check it out. 8 in the morning on
- 54:40
ESPN to 2:00 p.m. I don't care about
- 54:43
what prime time is.
- 54:45
>> Put it there and just watch." So now
- 54:47
he's screaming at whoever he's screaming
- 54:48
at. Poor he been yelling open. And right
- 54:51
as he was screaming, [clears throat]
- 54:52
[ __ ] hit. Bomb. ESPN first take. Oh
- 54:56
[ __ ] Pandemonium. Finally. That's it.
- 54:58
That's my money's worth.
- 55:00
>> Yeah.
- 55:00
>> That's my money's worth right there. I'm
- 55:01
done.
- 55:02
>> Absolutely. Go ahead now with your TNT
- 55:04
and all that
- 55:04
>> whatever
- 55:05
>> all that other [ __ ] I think we doing a
- 55:06
CNN blitz this weekend.
- 55:09
>> Yeah, buddy. You [laughter] news
- 55:12
>> got to for my man. Hell yeah.
- 55:14
>> Got to for my man. They they fired him.
- 55:16
>> You absolutely right. Put him back.
- 55:19
>> Put him back. I'm petty like that.
- 55:20
>> That's
- 55:24
fired my man. Put him back up there for
- 55:26
the weekend. Let him run.
- 55:27
>> [ __ ]
- 55:28
>> Bloomberg. All that newsy [ __ ]
- 55:30
>> Mhm. MSNBC. Yeah. And just a radical
- 55:35
commercial that shouldn't be on TV. It's
- 55:36
fly. [laughter] It's fly. I'm I'm with
- 55:38
you.
- 55:39
>> They got us right in between Kit Kats
- 55:41
and and some dick drugs. [laughter]
- 55:45
>> I mean, everything is a drug.
- 55:46
>> That tracks.
- 55:47
>> That's true.
- 55:47
>> Yeah. No, they got us. But but it looks
- 55:49
good. It felt good. It felt good to do.
- 55:51
Definitely looking forward to doing this
- 55:53
more. You know what I mean?
- 55:55
>> It's a right off.
- 55:57
>> Sure. Got amazing, man. Got any plans
- 55:59
for February commercials?
- 56:01
February.
- 56:02
>> I see what you're alluding to there.
- 56:03
>> February.
- 56:04
>> Something super perhaps
- 56:05
>> anything super
- 56:07
>> super exciting.
- 56:10
[laughter]
- 56:11
>> Holy [ __ ]
- 56:14
>> No, no, no. Let's not get [laughter]
- 56:16
No, let's not get carried away now.
- 56:19
Let's not You know what I mean?
- 56:20
>> It's a real Yeah, it's a real [laughter]
- 56:23
>> I should have been like,
- 56:25
>> are you [laughter]
- 56:29
That's it right there. the Super Bowl.
- 56:30
We'll We'll wait a second.
- 56:32
>> That [ __ ] be like
- 56:35
>> I know that [ __ ] caught what
- 56:38
>> at the Super Bowl? Yeah.
- 56:39
>> Yeah, of course,
- 56:39
>> bro. 30 second spot at the Super Bowl is
- 56:41
some other money.
- 56:43
>> Yeah.
- 56:43
>> And I don't have it.
- 56:45
>> I don't have it. And if And the second
- 56:48
that we do get money for a Super Bowl
- 56:50
day commercial, it'll be before the
- 56:52
game. [laughter]
- 56:54
>> The puppy bowl.
- 56:55
>> No. Yes. Yep. Right in the morning.
- 56:58
afternoon time somewhere around there. I
- 57:01
hope you got the TV on while you cooking
- 57:02
or ordering pizza, bro.
- 57:05
>> Yeah, man. But I did feel good about Did
- 57:07
y'all Did y'all Did y'all see it? Did
- 57:09
y'all get any calls? Anything?
- 57:10
>> I got calls.
- 57:12
>> I saw y'all on TV. I saw y'all on ESPN.
- 57:14
I'm like, "Oh, shit." Then I saw the
- 57:16
commercial. I was like, "So, I I was
- 57:17
proud."
- 57:18
>> That's amazing, man.
- 57:19
>> I got a lot of I saw a commercial. Why
- 57:21
you ain't in it?
- 57:24
>> And you said what you tell?
- 57:26
>> I just joined the C. That's why I ain't
- 57:27
got no tagline.
- 57:29
>> And
- 57:30
>> you know,
- 57:30
>> but we working on it.
- 57:32
>> And Mona.
- 57:34
>> True. Yeah.
- 57:35
>> But we working on it.
- 57:36
>> We got We say Mona. Mona. We say like
- 57:40
y'all been stretch. Yeah. We stretch it
- 57:43
out.
- 57:43
>> Like it.
- 57:44
>> We going to get you together.
- 57:45
>> Yeah.
- 57:46
>> Yes. I had faith.
- 57:47
>> And I seen your home girl pretty excited
- 57:49
to come up here.
- 57:50
>> Yes.
- 57:50
>> Throw goat.
- 57:51
>> Yes. Aka Janice. She's super excited.
- 57:53
>> Yes. You tweeted.
- 57:55
>> I know. It went it kind of got a big
- 57:57
>> she hit the message boards. She hit that
- 57:59
[ __ ] [laughter]
- 58:00
Instagram, Facebook. I think I saw that
- 58:03
[ __ ] on threads.
- 58:04
>> How' you feel? How'd you feel when you
- 58:05
saw that?
- 58:08
>> Like that? [laughter]
- 58:09
Just Just like that.
- 58:10
>> Just like that.
- 58:11
>> Just like that.
- 58:12
>> She's the greatest. You're going to love
- 58:14
her. She's such a sweetie and she's
- 58:16
funny. She's hilarious. You know, she
- 58:18
does stand up.
- 58:22
[laughter]
- 58:22
>> Well, we look forward to Indeed. We look
- 58:25
forward to having Miss Goat.
- 58:27
>> Miss Goat.
- 58:27
>> Miss Goat. Miss Miss Goat up here. Um,
- 58:33
>> who do you want to go?
- 58:34
>> Feels like we should get to Nas.
- 58:35
>> Let's do Let's do Nas
- 58:39
and Pre.
- 58:40
>> I chose
- 58:41
>> Everybody's been waiting for Nas.
- 58:43
>> All right, let's see here.
- 58:45
>> Let me pull something up. Lightyears is
- 58:48
out now. Highly anticipated. Uh, again,
- 58:51
it's it's it's tough to live up to the
- 58:53
expectations, but for me, I enjoy it
- 58:57
because I I I try to disassociate the
- 58:59
history from today
- 59:02
personally, which I'm seeing a lot of
- 59:04
people having trouble doing,
- 59:05
>> and I understand why.
- 59:07
>> What What are people having trouble
- 59:08
doing?
- 59:09
>> Just comparing it to Nas is like, and
- 59:12
New York State Mine Part One and
- 59:15
Second Childhood and all of the classic
- 59:18
records that they have together.
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Um,
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let's start with New York State of Mind.
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Yo,
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>> that's such a pre beat to me.
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>> Yeah, it is. It is.
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>> This is a real
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New York
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pre just
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