JBP
The Joe Budden Podcast
Episode 896

Young Men That Carry Arms

Joe Budden Podcast Episode 896, “Young Men That Carry Arms,” released January 22, 2026. The JBP kicks off its latest episode covering an internet debate of Common vs. Jadakiss (18:05) before turning to new music from T.I. (38:20). The room then has a conversation about creating and evaluating friendships (43:15), Clarissa Shields calls in to a show to defend herself (1:14:24), and the crew shares their thoughts about two wedding stories (1:34:08). Also, Nike’s new MLK sneaker (1:58:02), Keith Lee visits the viral ‘tenderism’ BBQ restaurant (2:06:39), Joe has a question for his castmates about the YMCA (2:20:07), Marc Lamont Hill recaps the back and forth between Nicki Minaj & Don Lemon, and much more! Full transcript and searchable timestamps below.

Young Men That Carry Arms

In this episode

  • 18:05The JBP kicks off its latest episode covering an internet debate of Common vs. Jadakiss
  • 38:20Before turning to new music from T.I.
  • 43:15The room then has a conversation about creating and evaluating friendships
  • 1:14:24Clarissa Shields calls in to a show to defend herself
  • 1:34:08The crew shares their thoughts about two wedding stories
  • 1:58:02Nike’s new MLK sneaker
  • 2:06:39Keith Lee visits the viral ‘tenderism’ BBQ restaurant
  • 2:20:07Joe has a question for his castmates about the YMCA
Video Available
Audio Available
6,112 transcript lines

Joe Budden Podcast Ep. 896 Transcript

Full transcript of Young Men That Carry Arms (55:11 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    [music] only. I repeat, it is not

  • 0:08

    serious. It is not real. No one is

  • 0:11

    exposing, revealing, indicting or

  • 0:14

    telling you anything about themselves.

  • 0:15

    Also, we do not encourage you to try

  • 0:17

    this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:24

    [music]

  • 0:29

    >> [music]

  • 0:31

    >> Microphone check. What is this?

  • 0:36

    JB [music]

  • 0:37

    back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:44

    >> Yo, salute. Salute. Salute. Salute. You

  • 0:47

    know what it is. We in the building. We

  • 0:49

    talking. Look at Mark. Yo, Mark. It was

  • 0:52

    It was Martin Luther King Day uh a few

  • 0:54

    days ago.

  • 0:55

    >> Oh, that's okay. Yeah, this makes sense.

  • 0:57

    >> And that's when Mark goes and does 20

  • 1:00

    speaking engagements. He woke up,

  • 1:02

    started posting all his old pastor

  • 1:04

    clips.

  • 1:05

    >> That's true.

  • 1:06

    >> I was up at 5 in the morning on his

  • 1:09

    Insta story and seen he was up posting.

  • 1:12

    I'm [laughter] like, "Yo, Mark, my

  • 1:14

    brother, look at you, man. Now you're

  • 1:16

    sitting there miniature."

  • 1:18

    >> Yes. You like when you don't sleep, you

  • 1:21

    look more miniature than you nor

  • 1:23

    [laughter] you know. Like you shrink in

  • 1:25

    the chair. You got your coffee like

  • 1:27

    that's going to help. You didn't The

  • 1:29

    hoodie shrunk somehow. The jeans.

  • 1:32

    >> Everything is tinier. Pause.

  • 1:34

    >> Yo, not everything, man. You know the

  • 1:36

    the the bills are getting paid.

  • 1:37

    >> No shape up. Look at your mustache.

  • 1:39

    >> No, you got a haircut.

  • 1:40

    >> I got a haircut.

  • 1:41

    >> I got a haircut.

  • 1:41

    >> You got a cut?

  • 1:42

    >> Well, dude, did they skip your face? I'm

  • 1:44

    talking about your face. [laughter] Look

  • 1:45

    at your beard. Did they not do Look at

  • 1:48

    you. Wow.

  • 1:50

    Thank you for coming in to work, Mark.

  • 1:51

    That's what [laughter] I expected. God.

  • 1:54

    Madison, Wisconsin. Negative7 this

  • 1:56

    morning.

  • 1:56

    >> Oh god.

  • 1:57

    >> I got up at 5:00 a.m. Flew here.

  • 1:59

    >> You sound like [ __ ]

  • 2:00

    >> Made it on time. I had no voice. I would

  • 2:02

    have called out, but I didn't know who

  • 2:03

    else. You know I mean I wanted to make

  • 2:04

    sure everybody, you know, there's enough

  • 2:05

    people here. You know what I mean? Cuz

  • 2:06

    it's six season. So I thought, you know,

  • 2:07

    >> we show up

  • 2:08

    >> unless people get sick. You know what I

  • 2:09

    mean?

  • 2:10

    >> Well, yeah. If you hop from airport to

  • 2:13

    dirty ass airport speaking at gate B52,

  • 2:17

    we can't all afford to find private.

  • 2:19

    Joseph,

  • 2:20

    >> no, I'm not flying. I ain't been

  • 2:21

    nowhere. I'm not flying. Man, I don't

  • 2:23

    have a trip booked.

  • 2:24

    >> It is stay in season for sure.

  • 2:26

    >> Word.

  • 2:26

    >> Oh, I The phone this morning said 17,

  • 2:29

    but it feels like three.

  • 2:30

    >> Yeah, I'm tired of that. Feels like Tell

  • 2:32

    me what the

  • 2:32

    >> I'm not going nowhere. I woke up ate

  • 2:34

    some tuna fish the other night.

  • 2:36

    [laughter]

  • 2:37

    >> Like when you plan to be in that's some

  • 2:39

    black people bunker [ __ ] Like you smoke

  • 2:40

    this tuna some old

  • 2:43

    days.

  • 2:44

    >> Look, you look at the weather and you

  • 2:45

    see all right, it's going to snow or

  • 2:47

    it's going to be cold and [ __ ] You

  • 2:48

    stock up. You ain't going to win. No,

  • 2:50

    I'm not leaving tuna.

  • 2:52

    >> I made some tuna

  • 2:55

    salt crackers.

  • 2:59

    >> Tuna hell crackers. And my girl was

  • 3:01

    like, "Yo, you on your you on your Let's

  • 3:03

    do the lettuce wraps on them." I said,

  • 3:05

    "Woo!" [laughter] She upgrading the

  • 3:07

    lettuce cups with the tuna smoked.

  • 3:10

    >> I'm not a big fan of the lettuce wrap.

  • 3:12

    >> It's good.

  • 3:12

    >> I love a good lettuce wrap.

  • 3:13

    >> Good. She slice some tomatoes, put them

  • 3:15

    on. It was good. It was good.

  • 3:17

    >> Joe, I knew you was on that on Saturday.

  • 3:18

    That's why I didn't call you. We

  • 3:19

    supposed to We talking about going to uh

  • 3:20

    truck out to Simona in in New Brunswick.

  • 3:23

    My girl, ain't you going out with Joe? I

  • 3:24

    was like, "Is he on call?" I'm not

  • 3:27

    calling him cuz it was cold and it was

  • 3:29

    snowing. Yeah. But the funny thing about

  • 3:31

    that like we should we should have

  • 3:33

    communicated cuz I think you got it in

  • 3:35

    reverse. Like Mona's thing was Sunday.

  • 3:38

    >> Oh, was it a Sunday? I'm sorry. I said I

  • 3:39

    meant Sunday. I'm sorry.

  • 3:40

    >> It was a long weekend. Sorry.

  • 3:41

    >> When when Mona was here, it was you you

  • 3:44

    prompted you was like, "Yo, Mona, I'm

  • 3:46

    going to see you Sunday." Yeah.

  • 3:47

    >> And then I said, "If you go,

  • 3:50

    >> I'll go." So it's not, "If I call you,

  • 3:53

    that's backwards."

  • 3:54

    >> It is backwards.

  • 3:54

    >> Oh, no. It's totally

  • 3:55

    >> He was trying not to go. He was just

  • 3:56

    like, "As long as Joe call, I call."

  • 3:58

    >> I know it's going to happen. That's the

  • 3:59

    move.

  • 3:59

    >> Joe's a team player. Joe be like, "Oh,

  • 4:01

    yeah, let's roll." And then I'd be like,

  • 4:02

    "No,

  • 4:03

    >> and I want to see Mona." I just It was

  • 4:04

    It was snowing outside and cold as And I

  • 4:07

    couldn't get off.

  • 4:08

    >> Yeah. The weather was The weather was It

  • 4:09

    was bad. It was bad.

  • 4:10

    >> That's how I ended up in the Toro Loco.

  • 4:12

    >> When it's cold like that, you look for

  • 4:13

    any reason to not go. I said that's how

  • 4:16

    I ended up in the Toro Loco. The Hunawa.

  • 4:18

    What is that? It's a local bar. It's a

  • 4:19

    little local bar around our You back at

  • 4:21

    the bar.

  • 4:22

    >> You're back at the bar.

  • 4:24

    >> What's up with you? [laughter]

  • 4:26

    >> Oh, that was a real spirit.

  • 4:30

    >> The spirit lingers. [laughter]

  • 4:32

    >> No, Christmas.

  • 4:36

    >> I have been in a bar five days in a row.

  • 4:37

    It's just coincidence.

  • 4:38

    >> Are you okay?

  • 4:39

    >> I'm not even drink. I I have I order one

  • 4:41

    drink.

  • 4:42

    >> All right, man.

  • 4:42

    >> And I nurse it the whole time.

  • 4:43

    >> Lying. I'm dead. I keep cuz it's whiskey

  • 4:46

    and I don't really love whiskey like

  • 4:47

    that. So I I can just I can just sit

  • 4:48

    with it the whole time.

  • 4:49

    >> That Mallen six.

  • 4:51

    >> Yo, [laughter]

  • 4:53

    that Mallen Mallen 3.

  • 4:55

    >> The Doritos Locos does not have Mallen.

  • 4:57

    >> They did not. They did not. But the

  • 4:59

    other spot I did has some fly. I was at

  • 5:00

    two bars that night. But

  • 5:01

    >> wait wait wait.

  • 5:03

    [laughter]

  • 5:03

    >> That said the Doritos loc.

  • 5:06

    >> So you bar hopping?

  • 5:07

    >> I was bar hopping. I was meeting two

  • 5:09

    sets of friends that were

  • 5:10

    >> just two different bars. Well, how you

  • 5:12

    got big? It's too cold for this

  • 5:14

    behavior. [laughter]

  • 5:15

    >> I go out like five times a day.

  • 5:16

    >> You don't have the coats to do this.

  • 5:18

    >> I even have a coat on this.

  • 5:20

    >> Time out. So you can't go see Mona, but

  • 5:22

    you can go bar hop.

  • 5:23

    >> The to loco was a block away. She was in

  • 5:26

    New Brunswick. That's was once you in

  • 5:28

    the car, you were in the car. [laughter]

  • 5:31

    >> To loco crazy.

  • 5:33

    >> Why you didn't answer flip? I didn't

  • 5:34

    hear the question cuz I thought

  • 5:35

    >> you heard what I said.

  • 5:36

    >> I really didn't, bro.

  • 5:37

    >> What time did you get back in the house?

  • 5:38

    >> Oh yeah, I didn't hear you. I'm sorry.

  • 5:39

    >> Oh yeah, you outside.

  • 5:40

    >> No, everything good, man. This video is

  • 5:42

    great. HYPE IS GREAT. WE ALL GO THROUGH

  • 5:44

    THE SAME TYPE OF [ __ ] AT THE SAME TIME.

  • 5:45

    [laughter] EVERYTHING. EVERYTHING I

  • 5:47

    >> NO, WE DO. NO, WE DON'T. WE DO. WE GET

  • 5:49

    TRICKY when you start doing that content

  • 5:51

    [ __ ] [laughter]

  • 5:52

    >> You bought hot. YOU WAS YOU AIN'T WANT

  • 5:54

    TO LEAVE THE HOUSE BEFORE, [ __ ]

  • 5:55

    >> I hate leaving the house, but I I had

  • 5:56

    friends in town. We went to work out. We

  • 5:57

    just end up invite them over. You could

  • 5:59

    have just invite them over

  • 6:00

    >> cuz my my wife had her girlfriends over

  • 6:01

    >> and you have the whole gym. There you

  • 6:02

    go. What?

  • 6:05

    >> That's even better.

  • 6:06

    >> Your friends get with my friends and we

  • 6:08

    can be friends. [laughter] Uh, did he

  • 6:10

    reference a side? I decided that

  • 6:14

    How'd that work out for him? [laughter]

  • 6:17

    >> That was a good one.

  • 6:19

    >> That was a good one.

  • 6:20

    >> That was good. That was I I needed some

  • 6:23

    time and space. You know what I'm

  • 6:24

    saying? You need time and space for your

  • 6:25

    significant just to clear your mind,

  • 6:26

    right? Clear your thoughts. I know what

  • 6:27

    that is. Yeah, exactly. You don't know

  • 6:29

    what time and space is. [laughter]

  • 6:31

    We know how you use it.

  • 6:32

    >> Love our space.

  • 6:32

    >> I'M GOING DOWN TO THE BASEMENT. NO ONE

  • 6:34

    COMES DOWN HERE. THIS TRUCK OUT WITH US

  • 6:36

    ON FRIDAY NIGHT though for A MINUTE. HE

  • 6:37

    WHAT? YEAH. OH, YOU [ __ ] ASS [ __ ]

  • 6:40

    [laughter] YOU GOT THE HOUSE, TOO.

  • 6:41

    >> I DIDN'T.

  • 6:42

    >> HUH? NO.

  • 6:43

    >> When light-skinned [ __ ] pop up wearing

  • 6:44

    [laughter] ALL THIS. WELL,

  • 6:46

    >> LOOK. I WAS THERE. I WENT, the fella

  • 6:49

    said, "Yo, let's go across the street

  • 6:50

    and get a drink." I said, "I don't

  • 6:52

    drink." They said, "Well, [ __ ] come

  • 6:54

    get a ginger for your birthday."

  • 6:55

    >> Yeah. Ginger beer. He went across the

  • 6:58

    street and got a drink.

  • 6:58

    >> How you feel? Show an hour after we did.

  • 7:00

    I'm like, "Nigga, it's across the

  • 7:01

    street." [laughter]

  • 7:02

    >> An hour. Yo, [ __ ] just

  • 7:03

    >> It was a solid 4 hours.

  • 7:04

    >> It was at least 45 minutes,

  • 7:06

    >> right? I was like, "How did he get lost?

  • 7:07

    Ice melted in my

  • 7:09

    >> He had a phone call. Yo, the pie just

  • 7:11

    lying. [laughter]

  • 7:12

    >> Yo, the eyes have rubbed OFF ON

  • 7:14

    >> HOW DO YOU FEEL, [ __ ]

  • 7:15

    >> I'm good, [ __ ] What you mean?

  • 7:18

    50,

  • 7:18

    >> man. You was looking spry, though. You

  • 7:20

    was in there looking. I

  • 7:21

    >> was looking spry. This [ __ ] trying to

  • 7:22

    wear the You know, I see I see you.

  • 7:24

    >> He had his all black on. I see. Yeah,

  • 7:26

    he's looking fresh.

  • 7:27

    >> Yeah, but it's good to hang out with

  • 7:28

    you man.

  • 7:29

    >> We got the toasting for his birthday.

  • 7:31

    >> He held up the orange pills while we

  • 7:32

    held up the the drinks.

  • 7:33

    >> It was too cold. Sorry, y'all. No, we

  • 7:36

    was like 10 minutes. No, we wasn't.

  • 7:39

    That's [laughter] his point. That is my

  • 7:40

    point. WE WERE THERE FOR A LONG TIME.

  • 7:43

    >> We had two trays of [laughter]

  • 7:45

    THREE TRAYS OF NACHOS before this

  • 7:47

    [ __ ] got here.

  • 7:48

    >> And we love you, gang.

  • 7:49

    >> Oh, man. Thank you.

  • 7:50

    >> Love us.

  • 7:51

    >> Sure.

  • 7:51

    >> Slap the [ __ ] out of you.

  • 7:53

    >> You need your ass whooped.

  • 7:55

    >> You can't You can't I'm glad to see

  • 7:57

    everybody's in a great mood.

  • 7:58

    >> Yeah, man.

  • 7:59

    >> What's up with you, man?

  • 8:00

    >> I'm good, man. I'm good.

  • 8:01

    >> How's your weekend?

  • 8:02

    >> It was reflective. You know how you Oh,

  • 8:06

    [laughter]

  • 8:06

    >> it's good. Yo, look at my man. Hey,

  • 8:10

    >> my [ __ ] right here.

  • 8:12

    >> Yo, you know

  • 8:15

    [snorts]

  • 8:15

    >> I love you, bro.

  • 8:16

    >> And I love you, too.

  • 8:17

    >> I love you, man. You when you calm and

  • 8:19

    mellow means, you know, you things was

  • 8:21

    just going smooth. You know, yeah, he

  • 8:23

    could he can't go outside, you know. He

  • 8:25

    can't go outside. [laughter]

  • 8:27

    >> Seriously, you ain't going outside.

  • 8:28

    >> He can't go outside, [ __ ]

  • 8:28

    >> Going to win.

  • 8:30

    >> Yeah, I stay right for a hot second.

  • 8:32

    That's what I said. Actually, we went

  • 8:34

    out and saw it. I thought you meant like

  • 8:35

    for the weekend.

  • 8:35

    >> We went and saw Marty Supreme. It was

  • 8:36

    actually really good.

  • 8:37

    >> Really?

  • 8:38

    >> Yeah.

  • 8:38

    >> Definitely recommend it.

  • 8:40

    >> Go check it out there.

  • 8:41

    >> Yeah. No, it was in the crew.

  • 8:42

    >> Joe, I saw you.

  • 8:43

    >> So, you posting your 2016 reflections,

  • 8:45

    you [ __ ] ass [ __ ] [laughter]

  • 8:47

    >> He fried me up last week on it and they

  • 8:49

    posted the exact same pictures.

  • 8:51

    >> 2016 # working. [laughter]

  • 8:55

    >> Now, you know what happened when I fried

  • 8:57

    you up about that 2016 post? I had so

  • 9:00

    much fun doing that. [laughter]

  • 9:03

    That's true.

  • 9:03

    >> I don't know why people think cuz I'm

  • 9:05

    frying them up about something that I

  • 9:06

    won't turn around and do it.

  • 9:08

    >> Oh, no. We expect that.

  • 9:09

    >> I do that [laughter] often.

  • 9:12

    >> But then when I type 2016 in my phone

  • 9:15

    and looked at the pictures,

  • 9:16

    >> [ __ ] was awesome, right?

  • 9:18

    >> I'm like, damn, I'm so old. I thought my

  • 9:21

    2013 was like 2016. 2016 was a It

  • 9:25

    started to come back to me.

  • 9:26

    >> Yeah. Yeah.

  • 9:27

    >> It started to come back. So I'm like,

  • 9:29

    you know what, man?

  • 9:31

    And then my phone started showing me how

  • 9:34

    some of my 2016 went.

  • 9:37

    And because I have a healthy respect for

  • 9:40

    my relationship and a lot of y'alls,

  • 9:42

    [laughter]

  • 9:45

    >> I just kept it cute.

  • 9:47

    >> Gave him a couple of tour photos,

  • 9:50

    me, my cousin,

  • 9:53

    my son. It was a lot of fun with y'all.

  • 9:56

    Yo, and y'all [ __ ] with that on

  • 9:58

    Instagram, but be clear.

  • 10:02

    There was another side to 2016

  • 10:03

    [laughter]

  • 10:05

    and I took all the pictures of it.

  • 10:08

    They all still in there. [laughter]

  • 10:10

    >> She deleted everything else, but

  • 10:13

    somehow that's still there. [laughter]

  • 10:15

    >> Yo, real rap. When I looked through the

  • 10:16

    2016 photos, the ones I didn't put in,

  • 10:19

    >> boy. [ __ ]

  • 10:20

    >> I had some [ __ ] going on in 2016. Yo, to

  • 10:24

    any man over 40, just go on your phone

  • 10:26

    or your little Apple if you got Apple

  • 10:27

    and just type 2016 in your photos.

  • 10:29

    >> Oh my lord.

  • 10:30

    >> And just spend like 15 minutes missing

  • 10:32

    your pass.

  • 10:33

    >> I don't miss it. I'm very happy with

  • 10:35

    where I am.

  • 10:35

    >> I don't miss it either. Shout out to the

  • 10:36

    Toro Loco. I uh [laughter]

  • 10:39

    >> Everything's great. Everything's fine at

  • 10:41

    home.

  • 10:42

    >> Oh man.

  • 10:43

    >> Flip, how you feel? You good?

  • 10:44

    >> I feel great.

  • 10:44

    >> What's popping, Flip?

  • 10:46

    >> I'm all right, man.

  • 10:46

    >> Miss you, man.

  • 10:47

    >> Miss y'all, too. What y'all did Friday

  • 10:49

    for my man is?

  • 10:50

    >> Just what he wanted. Talked.

  • 10:51

    >> Exactly what he wanted. Talked. [ __ ]

  • 10:53

    ass [ __ ] Yo,

  • 10:54

    >> it's his favorite pastime.

  • 10:55

    >> What do I got to do with that,

  • 10:56

    >> [ __ ] Cuz come on, bro. It's your

  • 10:58

    birthday. You should have asked for

  • 10:59

    something.

  • 10:59

    >> I don't have nothing to do with that,

  • 11:00

    bro.

  • 11:00

    >> I'mma celebrate you, bro.

  • 11:01

    >> Thank you, brother. Thank you. You're

  • 11:03

    welcome.

  • 11:04

    >> You saw Danny this weekend?

  • 11:05

    >> I did not.

  • 11:06

    >> All right, good.

  • 11:07

    >> What that got to do with you?

  • 11:08

    >> Just nothing at all, man. I'm just

  • 11:10

    trying to have a good time. [laughter]

  • 11:11

    >> I'm just trying to have a smooth

  • 11:13

    >> How many you got? A lot.

  • 11:14

    >> How many what?

  • 11:15

    >> You got a lot of calls and stuff like

  • 11:16

    that.

  • 11:17

    >> That's true.

  • 11:20

    >> We got yours.

  • 11:22

    >> I appreciate You guys, you guys know we

  • 11:25

    chill out, [ __ ]

  • 11:26

    >> Okay, good. I'm just

  • 11:26

    >> I'm just saying we chill out.

  • 11:27

    >> I'm saying we 30 minutes in.

  • 11:29

    >> Yeah, get [laughter] your [ __ ] We

  • 11:30

    ready. We ready. I'm sorry. We ready.

  • 11:32

    Let's get it.

  • 11:32

    >> Oh my god.

  • 11:33

    >> Nah, I don't got nothing. Are we ready?

  • 11:35

    Let's get it. God, man.

  • 11:36

    >> Let's get to it, baby.

  • 11:38

    >> Oh, I don't want to smoke with you, man.

  • 11:40

    >> Please. I know you dropping.

  • 11:42

    >> Smoke is already in the air. Yo,

  • 11:43

    >> I see you dropping your tracks.

  • 11:45

    >> Smoke is already in the air, gang.

  • 11:46

    >> That was dope. Soon as dudes become a

  • 11:48

    rapper, they start looking for rap beef

  • 11:50

    immediately.

  • 11:51

    I'm not your rap beef dog

  • 11:57

    can't attach the movie to the [ __ ]

  • 12:05

    YOUR

  • 12:09

    DADDY.

  • 12:12

    What's that?

  • 12:20

    Who is that?

  • 12:23

    >> Pussing. Pussing. Pussing. [ __ ]

  • 12:24

    >> All right. Uh, what episode is this? 96.

  • 12:27

    Flip. Flip. Flip. Big Flip is in the

  • 12:29

    building. Welcome to episode 896 of the

  • 12:32

    Joe Button podcast brought to you by

  • 12:34

    Fueled by Powered by Price Pitch Price

  • 12:36

    Pitch Gang. I'm your humble, gracious,

  • 12:38

    grateful, extremely happy to be here.

  • 12:40

    Host Joe Button here with some very

  • 12:41

    important people in my life. To my

  • 12:43

    right, Queens get the money. Queens Flip

  • 12:45

    is in the building. Next to him, our

  • 12:47

    good brother Dr. Mark Lamont Hill is in

  • 12:49

    the building. Next to him, Big is Mr.

  • 12:52

    Thousand Doors and Up is here. Next to

  • 12:53

    him, the freeziest of them all, Alo

  • 12:55

    Down. Stop playing with him. Big Ice is

  • 12:58

    in the building next to him. Elmyra's

  • 13:00

    finest Parks is here. Po is here. Cory

  • 13:03

    is here. Erikson is here. Tanner Savani

  • 13:05

    here by remote. Last but certainly not

  • 13:07

    least, each and every one of you guys is

  • 13:10

    here. What's popping y'all?

  • 13:12

    >> Man, what's popping gang? Wake it up in

  • 13:14

    here. Get the energy high in here.

  • 13:16

    Please wake it up in here.

  • 13:18

    >> What's up, New York? I hate [ __ ] New.

  • 13:20

    Can I tell you I hate Newark?

  • 13:21

    >> Oh [ __ ] That's a That's a start.

  • 13:23

    >> This weekend and I don't know if I

  • 13:24

    handled this wrong.

  • 13:25

    >> Yo, dog. I'll be keeping them off you.

  • 13:27

    >> Yeah, you gotta go through North. Let

  • 13:29

    the man tell you.

  • 13:30

    >> I don't have to go through north.

  • 13:31

    >> Oh, good. Keep through Moody East

  • 13:33

    handover.

  • 13:33

    >> All right. Well, go ahead, [laughter]

  • 13:35

    >> [ __ ] Man, I So, I'm taking my

  • 13:37

    mother-in-law to church. Every Sunday I

  • 13:38

    take my mother-in-law to church, right?

  • 13:39

    >> I drop her and then I wait for her.

  • 13:41

    >> Damn. This [ __ ]

  • 13:42

    >> what?

  • 13:42

    >> He worked more. God damn. Get a break,

  • 13:44

    [laughter] [ __ ]

  • 13:45

    >> I take your grandmother the

  • 13:47

    mother-in-law to church. Then

  • 13:49

    >> you wait for

  • 13:50

    >> what? I leave her.

  • 13:52

    >> Go ahead.

  • 13:53

    >> Nah, [laughter] I'm good. Oh, you said

  • 13:55

    the call.

  • 13:56

    >> YEAH. YEAH. I don't go to church. Yeah.

  • 13:58

    It's a black church.

  • 13:59

    >> No.

  • 13:59

    >> Oh, okay.

  • 14:00

    >> Well, it's it's a it's a mixed. It's

  • 14:01

    like uh black people and and some um uh

  • 14:05

    uh Spanish speakers.

  • 14:07

    >> It's a Catholic church in in Newark. So,

  • 14:08

    it's they they they punctual

  • 14:11

    >> anyway. That ain't the point, right?

  • 14:12

    Yeah. Yeah. They super punctual. You get

  • 14:13

    that 11 yard out of 12. So, I went to

  • 14:15

    get a pizza

  • 14:16

    >> cuz I was hungry and I went to get a

  • 14:17

    little bit of food. So, I go to the the

  • 14:18

    uh the the Blaze Pizza on on Broad

  • 14:21

    Street

  • 14:22

    >> and I know the people in there cuz I go

  • 14:25

    there pretty regularly, you know? So, I

  • 14:26

    pull up. I'm there about 10 minutes

  • 14:28

    early for my food cuz I ordered it

  • 14:30

    through the app. And I'm waiting and

  • 14:32

    then suddenly I see two brothers come in

  • 14:34

    who frankly didn't look like they should

  • 14:36

    be in Blaze Pizza.

  • 14:38

    >> What What was that mean?

  • 14:39

    >> Um they didn't look like they were there

  • 14:41

    to buy and they didn't look like

  • 14:43

    employees. I know you rolling your eyes,

  • 14:45

    but some I know we shouldn't make

  • 14:46

    judgments about each other.

  • 14:47

    >> You sure?

  • 14:48

    >> But I waited.

  • 14:49

    >> Okay, Tim.

  • 14:49

    >> Now, you a pro in a judgment game if

  • 14:51

    you're doing that in a pizza place.

  • 14:53

    >> Well,

  • 14:53

    >> this guy look like he should have

  • 14:55

    ordered pizza.

  • 14:56

    >> Blaze pizza at

  • 14:57

    >> that

  • 14:58

    >> at 11:30 in the morning. So I So, so I

  • 15:00

    don't go in to get my pizza and I have

  • 15:01

    my son with me. He's in he's in the

  • 15:02

    child seat. So So I wait to do

  • 15:04

    >> he could have took them.

  • 15:05

    >> Well, so I wait I wait like a couple

  • 15:07

    minutes and then they make a right and

  • 15:09

    I'm like they don't work here and they

  • 15:10

    didn't wait get in line. I said, "I

  • 15:12

    think they're stealing my pizza." Now, I

  • 15:15

    could be wrong, but this is just what

  • 15:16

    came to my mind. About 30 seconds later,

  • 15:19

    they come, they go out the store holding

  • 15:21

    a pizza that looked mysteriously like my

  • 15:24

    large plain tomato pie.

  • 15:25

    >> How could you tell in a box?

  • 15:27

    >> You need some sleep.

  • 15:29

    >> Why is this crazy?

  • 15:30

    >> Yes.

  • 15:30

    >> Yes. So far,

  • 15:32

    >> it's 11:30 in the morning. These [ __ ]

  • 15:34

    did not have A APP. NOTHING ABOUT THEIR

  • 15:36

    attire [laughter]

  • 15:37

    or the seven bags they had on them said

  • 15:39

    that they know how to use a app or have

  • 15:41

    the ability to pay through a app.

  • 15:43

    >> It's crazy talking.

  • 15:43

    >> So I'm like I think they have my pizza.

  • 15:46

    >> So I get out the car. Not cuz of that.

  • 15:47

    Cuz they're going now. I can go get my

  • 15:49

    food.

  • 15:49

    >> They left them. I wasn't scared but I'm

  • 15:53

    [laughter]

  • 15:55

    of course

  • 15:55

    >> before I go out get my son out the car.

  • 15:57

    And before I can even get to the door,

  • 15:59

    the two girls who work there are at the

  • 16:00

    door of the joint. And I before I they

  • 16:03

    were looking left and right said, "Did

  • 16:04

    he just steal my pizza?" They said,

  • 16:05

    "Yeah."

  • 16:07

    So then and this girl had to be from New

  • 16:10

    York.

  • 16:11

    >> She said he went that way.

  • 16:15

    >> So okay.

  • 16:16

    >> And you said you go that way back to the

  • 16:18

    kitchen.

  • 16:19

    >> This is where the wrong instincts kick

  • 16:20

    in. This is where Joe might have been

  • 16:21

    right. One time on the on the phone. You

  • 16:23

    told me that

  • 16:25

    >> I might overreact to things.

  • 16:28

    >> So my first instinct kicked in. So I

  • 16:30

    start going up the street. No.

  • 16:32

    >> Oh my.

  • 16:32

    >> Cuz he has my pizza.

  • 16:33

    >> YOU CAN'T FIGHT for a pizza.

  • 16:34

    >> I DIDN'T WANT TO FIGHT FOR A PIZZA. I

  • 16:36

    JUST HE HAD MY PIZZA.

  • 16:37

    >> [ __ ] would have turned you into

  • 16:39

    mozzarella.

  • 16:40

    Been tossing you off.

  • 16:41

    >> So I get to THE CORNER AND THERE'S LIKE

  • 16:42

    FIVE POLICE officers there and AND AND

  • 16:44

    THEY SAW WHAT THEY THEY CLEARLY SAW YOU

  • 16:46

    HAD A PIZZA CUZ THEY SAID, "YO, he went

  • 16:48

    that way." And at that point it hit me

  • 16:49

    like I'm not following no police

  • 16:50

    directions. I go back to the store and

  • 16:52

    say, "Well, you know, since my pizza was

  • 16:54

    stolen, can I have another one?" And she

  • 16:55

    said, "Well, you couldn't catch him."

  • 16:57

    And I said, "Well, that's not my job.

  • 16:59

    >> I just ordered a pizza. I just want my

  • 17:01

    pizza. And then I got my pizza. But that

  • 17:03

    whole ordeal reminded me told me that I

  • 17:05

    needed to get a little bit of therapy.

  • 17:07

    >> Yeah.

  • 17:07

    >> Um maybe some anger management.

  • 17:09

    >> They needed the pizza more than you.

  • 17:11

    >> Yeah. YEAH.

  • 17:12

    >> I DIDN'T CARE. That's what I'm saying.

  • 17:13

    >> It was freezing, too. Like they want

  • 17:15

    pizza man.

  • 17:16

    >> But my first instinct was to go after

  • 17:17

    when I thought it was mine. And that's

  • 17:18

    the [ __ ] that I got to work through.

  • 17:20

    >> I agree with you.

  • 17:21

    >> But that only happens no nowhere else

  • 17:22

    but a New York Pizzeria where they tell

  • 17:23

    me to go catch the ball. That's all I'm

  • 17:25

    saying.

  • 17:25

    >> Got you.

  • 17:26

    >> Yep. That's all. You're welcome.

  • 17:29

    I [laughter] feel like every week I

  • 17:30

    learn like a few of y'all are ghetto

  • 17:32

    than I thought.

  • 17:34

    >> Like just buy another pizza, man.

  • 17:36

    >> No, let them have it. Evidently, they

  • 17:37

    need the [ __ ]

  • 17:39

    >> They'll make you a new pizza. Their

  • 17:40

    pizza would have

  • 17:41

    >> I am not doing this with with Mark. Tell

  • 17:43

    me about the internet argument.

  • 17:45

    [laughter]

  • 17:46

    >> Let tell me about the internet argument

  • 17:48

    that a few of you are attempting to

  • 17:49

    bring to real life. Let's do it.

  • 17:52

    >> It's a good old MC MC ranking.

  • 17:56

    >> Oh, okay. We'll start with this. Let's

  • 17:57

    do it.

  • 17:57

    >> Yeah, let's do it.

  • 17:59

    >> I mean,

  • 18:01

    you're right. It ain't too much going

  • 18:02

    on. Come on.

  • 18:03

    >> So, somebody tell me about this.

  • 18:04

    >> The the the trending has been J the kids

  • 18:06

    verse comment.

  • 18:07

    >> Where did this come from?

  • 18:08

    >> I don't know. That's what I was

  • 18:09

    >> The internet.

  • 18:09

    >> The internet.

  • 18:10

    >> The internet. There was a reason why it

  • 18:11

    came up on people's lists, but I don't

  • 18:14

    it took a life of his own and then it

  • 18:15

    didn't was no longer about lists or the

  • 18:16

    origin of it. It just became about

  • 18:19

    >> Jakus versus comment. Who's higher on

  • 18:21

    the alltime MC list? And people had

  • 18:23

    strong feelings on each side. And I

  • 18:24

    think it's a crazy argument because

  • 18:25

    there's only one right answer

  • 18:27

    >> and that is

  • 18:28

    >> I think we all know on the count of

  • 18:29

    three we can all just say it. One, two,

  • 18:31

    three.

  • 18:33

    >> Jakus.

  • 18:35

    >> I love how you anticipate.

  • 18:37

    >> I [laughter] was just listening to your

  • 18:38

    [ __ ]

  • 18:39

    >> Lay out the arguments here. Let me

  • 18:41

    >> Here's the argument. These are two names

  • 18:43

    that I would have never even thought to

  • 18:46

    pair up pair or

  • 18:48

    >> so if I'm like cuz when we start ranking

  • 18:50

    all time, everybody's in the mix, right?

  • 18:51

    So the different genres, different

  • 18:52

    styles, all that. But if we rank at all

  • 18:54

    time, common to me is higher than Jada

  • 18:55

    Kissus. It's not a tough argument.

  • 18:57

    Here's the argument for me.

  • 18:58

    >> Well, where where do both of them sit on

  • 19:00

    your alltime list? Start. Start. Give me

  • 19:02

    that.

  • 19:03

    >> Neither is in my top 10,

  • 19:06

    but anywhere under that, I wouldn't

  • 19:08

    fight nobody for it. On my list, they're

  • 19:09

    probably around somewhere between 15 and

  • 19:11

    20.

  • 19:12

    >> Both.

  • 19:12

    >> So, they're about five spots apart.

  • 19:15

    >> Yeah. The most?

  • 19:16

    >> Yeah. The most.

  • 19:17

    >> I think they're both in the 20s

  • 19:18

    regardless for me.

  • 19:19

    >> Okay. Yeah, that's probably more if I

  • 19:20

    thought about it more now with more

  • 19:21

    rappers, but I'm just saying they're

  • 19:23

    they're definitely top 25. I think

  • 19:24

    everybody would agree with that,

  • 19:25

    >> but and they're toward the bottom half

  • 19:26

    of my top 25, but I think Common is a

  • 19:29

    very strong case of being above JD Kiss.

  • 19:31

    >> Uh, one, it's if you talk about

  • 19:35

    >> uh classic albums, which I do think

  • 19:38

    should matter.

  • 19:38

    >> Yeah. Discography albumwise,

  • 19:40

    >> it's not even close.

  • 19:41

    >> It's not close.

  • 19:42

    >> It's not even close.

  • 19:43

    >> Solos.

  • 19:44

    >> Solo.

  • 19:44

    >> Yeah. Common has three

  • 19:46

    indisputable to me classic albums.

  • 19:49

    But at least two, right? Resurrection

  • 19:51

    literally changed the way hip-hop people

  • 19:53

    thought about hip-hop. It marked a major

  • 19:54

    turn in hip-hop for classic. I'm with

  • 19:56

    you on that.

  • 19:56

    >> You're all about to be me to death, huh?

  • 19:58

    >> B is to me is is one of the

  • 20:02

    >> I just knew it was coming. B is

  • 20:03

    incredible.

  • 20:04

    >> B is incredible.

  • 20:05

    >> I'm agreeing with you guys on

  • 20:07

    Resurrection for sure and be is great.

  • 20:09

    >> Those are two those are both I know

  • 20:11

    y'all hate mics, but those are the five

  • 20:12

    mic albums for me. And then for me like

  • 20:14

    water for chocolate for chocolate which

  • 20:16

    is amazing which album one of my

  • 20:17

    favorite albums of all time and finding

  • 20:19

    forever one wasn't weak. It just wasn't

  • 20:21

    beat.

  • 20:21

    >> Yeah that's four.

  • 20:22

    >> I don't know what's on that one.

  • 20:24

    >> You when you hear it you know you would

  • 20:25

    know

  • 20:25

    >> which one is finding forever.

  • 20:26

    >> It was one right after

  • 20:29

    knock it off.

  • 20:30

    >> Knock it off.

  • 20:31

    >> It wasn't B but it was still

  • 20:32

    >> I'm not doing this with y'all.

  • 20:33

    >> Then then you got the you got the battle

  • 20:35

    resume right? He was because when you

  • 20:39

    think about his battle versus Ice Cube.

  • 20:41

    This battle for his Ice Cube was

  • 20:42

    important. It was important to hip-hop.

  • 20:44

    I mean, Minister Farrakhan intervened. I

  • 20:45

    mean, it wasn't just a small battle. It

  • 20:47

    was a huge battle that affected black

  • 20:48

    culture, hip-hop culture again. And you

  • 20:51

    [clears throat] can make the case he

  • 20:51

    won. You might not say think that. Some

  • 20:53

    people say, "No, Vaseline, some say

  • 20:54

    they're bitching you." Whatever. It was

  • 20:55

    a major battle. I'm not going to put the

  • 20:57

    Drake battle as a major battle. Although

  • 20:58

    he held his own, he's battle tested.

  • 21:00

    >> So, he was tough. Yeah.

  • 21:01

    >> Yeah. And and he's been in a he's he's

  • 21:04

    had a great features, great possibility.

  • 21:05

    >> Yeah. Slow down before you rush to the

  • 21:07

    features. So on the battle front,

  • 21:10

    >> he did that versus Ice Cube. One of the

  • 21:12

    greatest battles of all time

  • 21:14

    >> against Ice Cube, right? One of the

  • 21:16

    greatest rappers of all time.

  • 21:17

    >> One man.

  • 21:19

    >> I mean, you could say against Yeah,

  • 21:20

    sure.

  • 21:20

    >> Just one person, right?

  • 21:22

    >> Uh-huh.

  • 21:23

    >> Mark, you need some sleep. I'm telling

  • 21:24

    you, [laughter] you spilling coffee all

  • 21:26

    over yourself. You got the jitters.

  • 21:28

    >> Was hot.

  • 21:32

    >> This [ __ ] was hot. And the Drake, if you

  • 21:34

    want to count the Drake battle, that

  • 21:36

    would have to be a loss, right?

  • 21:38

    >> No.

  • 21:38

    >> Yeah, he lost that. Canada Dry. You

  • 21:40

    think he lost that?

  • 21:41

    >> Yeah, he lost. He lost it.

  • 21:42

    >> He lost that mark. So, all right. So,

  • 21:44

    >> Sweet was fire. It wasn't like a

  • 21:46

    blowout.

  • 21:47

    >> I'm not saying it was, but he lost that

  • 21:49

    one, right? All right. So, go ahead to

  • 21:50

    the future.

  • 21:52

    >> Uh, you think about some of the greatest

  • 21:53

    posy cuts of all time like Respiration.

  • 21:54

    >> Oh, no. Stop. This is where he loses

  • 21:57

    like [laughter]

  • 22:04

    let him go. [laughter]

  • 22:05

    >> Respiration is amazing, but please

  • 22:08

    I think every vers of Restoration was

  • 22:10

    dope, but I'll take Respiration off. My

  • 22:12

    point is he's been in multiple moments

  • 22:13

    of hip hop. He's lasted through the '9s.

  • 22:15

    >> Oh, he left. He left. He left.

  • 22:16

    [laughter]

  • 22:19

    The only person S and [ __ ] up. If the

  • 22:23

    only PERSON ON MY SIDE is saying don't

  • 22:24

    go res [laughter]

  • 22:26

    >> I love that record but features he's not

  • 22:28

    winning against Jakus.

  • 22:30

    >> No I'm not saying he's winning against

  • 22:31

    Jakus on features. I'm saying I'm

  • 22:33

    talking about this comm's resume. Take

  • 22:34

    Jissus off the table for a second. I'm

  • 22:35

    saying he's he's battle tested elite

  • 22:38

    albums been on classic songs great

  • 22:40

    features has one has one of maybe the

  • 22:43

    greatest hip-hop love song of all time

  • 22:44

    to light. So you talking about you

  • 22:46

    talking about classic tracks too. I mean

  • 22:48

    also I used to love her. They make

  • 22:49

    movies after that [ __ ] Using hip-hop as

  • 22:51

    a metaphor for woman comes from comedy.

  • 22:52

    So his long-lasting impact on hip hop is

  • 22:54

    also cemented. I And he's part of the

  • 22:58

    Soul Aquarians, which is one of the

  • 22:59

    greatest hip-hop collectors of all time.

  • 23:01

    >> Yeah. Okay. Yeah. I mean, you're

  • 23:03

    >> I'm just saying I [laughter] think I

  • 23:04

    think Thomas is a hip-hop legend and I

  • 23:06

    think

  • 23:08

    Soulquaria [laughter]

  • 23:11

    >> and he's in cocaine 80s.

  • 23:15

    >> Fire. But he is in cocaine 80s.

  • 23:17

    Soulquarius. I love music. I thought one

  • 23:20

    of the greatest hip-hop collectors ever.

  • 23:21

    What' you say Parks?

  • 23:22

    >> I love Soul Aquarius but I'm not putting

  • 23:23

    them in one of the greatest hip. And I

  • 23:25

    might shout out to Quest Love is his

  • 23:26

    birthday today. But

  • 23:27

    >> happy birthday.

  • 23:28

    >> Happy birthday Quest Love

  • 23:31

    >> and rest in peace dealer.

  • 23:33

    >> But I'm not doing that. And [ __ ]

  • 23:36

    >> Yeah.

  • 23:36

    >> Damn. These are all the people yall

  • 23:38

    saying are part of the greatest hip

  • 23:39

    music collective, right? D'Angelo.

  • 23:40

    >> There's just not enough uh

  • 23:42

    >> do work.

  • 23:43

    >> There's not enough work.

  • 23:43

    >> There's not enough work.

  • 23:44

    >> There's only like three or four maybe

  • 23:46

    tops albums. I don't want to go down

  • 23:48

    this rabbit hole, but we always say they

  • 23:50

    ain't got enough work when we don't want

  • 23:51

    to choose them because when we get to

  • 23:52

    Biggie, all of a sudden he's he's in

  • 23:54

    goat conversation.

  • 23:55

    >> I stay in the same I I say the same

  • 23:57

    thing. He's in that same conversation.

  • 23:58

    >> Same thing with Jimmy Hendricks. I mean,

  • 23:59

    there's people who are goated without a

  • 24:01

    whole lot of material. But let's argue.

  • 24:03

    >> Yeah, but Biggiey's short list of

  • 24:05

    material is way bigger than Soulquarius

  • 24:07

    respectfully cuz I love Soulquar. Unless

  • 24:09

    you talk about Erica Badu's mom's gun.

  • 24:12

    Unless you talk about unless you talk

  • 24:13

    about D'Angelo. Unless I mean you got to

  • 24:15

    throw in Circus Electric or whatever

  • 24:17

    that [ __ ] was too. So

  • 24:18

    >> which I think

  • 24:20

    >> Don't do it. Don't do IT ON YOUR SIDE.

  • 24:22

    [laughter]

  • 24:22

    >> I WILL DIE ALONE.

  • 24:24

    >> HE WILL.

  • 24:24

    >> ELECTRIC Circus was ahead of his time.

  • 24:26

    That's all of you now. Where's the

  • 24:28

    >> once we get to Electric Circus?

  • 24:30

    >> I'm not I'm not repping Electric Circus,

  • 24:31

    but it wasn't a terrible album. That's

  • 24:32

    all I'm saying.

  • 24:33

    >> It wasn't good.

  • 24:33

    >> Let's do it now. I bet you

  • 24:35

    >> I have recently actually that and the uh

  • 24:38

    Comet has a pretty interesting

  • 24:39

    discoraphy in that he has multiple

  • 24:40

    albums produced by No ID. He has an

  • 24:41

    album produced by Pete Rock. He has an

  • 24:43

    album produced by uh Kanye. He has an

  • 24:44

    album produced by the Neptunes. The

  • 24:46

    Neptune one was horrible.

  • 24:49

    >> Beyond horrible. I don't know what the

  • 24:51

    [ __ ] they was thinking on that [ __ ]

  • 24:52

    >> After find I'm like that's the end of

  • 24:54

    his run for me.

  • 24:55

    >> Yeah. That's why it's cheating for me to

  • 24:57

    be in these cuz my views are not my

  • 24:59

    views are unique to me and me. What

  • 25:02

    y'all talking about is is one of the

  • 25:03

    reasons that I probably am not going to

  • 25:05

    rank common above Jedakus is Common wins

  • 25:09

    the relationships battle by far. And

  • 25:11

    that matter,

  • 25:14

    >> huh?

  • 25:14

    >> Common wins was the corporate

  • 25:15

    relationships, but I think Jedakus,

  • 25:17

    everyone loves Jedakus.

  • 25:18

    >> Not what I'm saying.

  • 25:19

    >> No, I know what you're talking about.

  • 25:20

    >> Yeah, it's different.

  • 25:21

    >> Not what I'm saying.

  • 25:22

    >> Media darling [ __ ]

  • 25:23

    >> Yes.

  • 25:24

    >> I'm saying

  • 25:25

    >> I'm thinking ignorant.

  • 25:26

    >> I'm saying Jedakus came in on a on a

  • 25:29

    [ __ ] deal. He did on a [ __ ] deal. Had to

  • 25:32

    fight to get off that deal. Then paid to

  • 25:34

    get to be a part of his next run, which

  • 25:38

    was the Rough Riders run. That's when

  • 25:39

    we've got the real real music.

  • 25:43

    >> And then from there, he's just been him

  • 25:46

    coasting

  • 25:47

    >> like relying on his skill set and what

  • 25:51

    other MC's think of him. There's been no

  • 25:54

    comment. And a large part of and he wins

  • 25:56

    the longevity battle, but a large part

  • 25:58

    of that is his relationships and his

  • 26:01

    label situations. I know that the masses

  • 26:03

    will never count that stuff.

  • 26:04

    >> I think that's a fair point.

  • 26:05

    >> The masses will never, but

  • 26:07

    >> yeah, come on.

  • 26:08

    >> But that to me, that's just why Common

  • 26:09

    is ranked high.

  • 26:09

    >> I was on Def Jam when Common B came out.

  • 26:14

    >> And we [snorts] know what time it was

  • 26:17

    with getting one Kanye beat at that

  • 26:19

    time.

  • 26:20

    >> Yeah. So for him to pop up with a album

  • 26:23

    >> and it be fire and Kanye's piping

  • 26:27

    [ __ ] hot, he was out of here. Colin

  • 26:29

    was gone, man. And again, one of the

  • 26:30

    greatest MC's, so please don't get but

  • 26:32

    I'm just not sure if I personally, but

  • 26:34

    I'm from New York, too. Like I'm I'm

  • 26:37

    sure

  • 26:39

    >> Jedakus features Jedakus appears on more

  • 26:43

    songs that are important to my hip-hop

  • 26:45

    lineage

  • 26:47

    >> than Comet.

  • 26:47

    >> Yeah. the B the banger list common

  • 26:49

    loses.

  • 26:50

    >> Yes.

  • 26:50

    >> Like the bangers that Jedica is on is

  • 26:52

    it's not even close.

  • 26:53

    >> But I think if if I had to

  • 26:56

    if you left me with five common songs

  • 26:58

    and five Jedus songs,

  • 27:00

    >> right?

  • 27:01

    Or three or two or one or whatever. For

  • 27:03

    me, the common ones are a little more

  • 27:04

    important. Like like to me there are

  • 27:06

    very few songs in in hip-hop that are

  • 27:07

    more important than The Light. There are

  • 27:08

    very few songs important. I used to love

  • 27:10

    her. I mean I'm just going that would be

  • 27:12

    number one. They're not [laughter] not

  • 27:13

    in that order. I used to love her to me

  • 27:14

    is top top top top. The light for me is

  • 27:17

    the hip-hop's greatest love song along

  • 27:18

    with maybe like Renee and a couple other

  • 27:19

    but very very small. All of that [ __ ] is

  • 27:22

    100 slots behind Benjamin's

  • 27:24

    >> and

  • 27:25

    >> I'm not Yeah, I don't

  • 27:26

    >> all that [ __ ] about that.

  • 27:28

    >> The light is 100 slots behind Benjamin.

  • 27:30

    >> You can't put the Benjamins in the same

  • 27:32

    conversation.

  • 27:32

    >> That's just different genres to me.

  • 27:33

    >> That's a posi cut with

  • 27:35

    >> I think they're both puff.

  • 27:36

    >> I think they're both different genres.

  • 27:39

    >> And I think that's fair. And I think

  • 27:40

    that's why

  • 27:41

    >> that's why I would have never thought to

  • 27:42

    even to do this. It's interesting

  • 27:46

    headto-head. Yeah.

  • 27:46

    >> And I think they're very close, by the

  • 27:48

    way. I think they're within two or

  • 27:49

    three. I think Red Man's probably in

  • 27:50

    that same kind of stratosphere.

  • 27:53

    >> Yes. But I got them both above Red Man,

  • 27:55

    >> but not by much.

  • 27:56

    >> Okay.

  • 27:57

    >> Again, I don't think you're wrong if you

  • 27:58

    have Red Man higher. I think they're all

  • 27:59

    in the same conversation. There's not a

  • 28:00

    wrong answer. But I haven't heard what's

  • 28:03

    hell no, man. I'm from New Jersey. I

  • 28:04

    can't sit here. [laughter] I can't

  • 28:07

    say.

  • 28:08

    >> There's no way I can sit here quietly

  • 28:09

    and let y'all say don't say y'all.

  • 28:11

    >> Even if y'all are right. Even if y'all

  • 28:13

    are right, cuz I'm not going to argue

  • 28:15

    it. But I'm from New Jersey. I can't let

  • 28:17

    y'all do that for red man. No way.

  • 28:20

    >> No, y'all.

  • 28:21

    >> You don't think common is better than

  • 28:22

    red man, my [ __ ]

  • 28:24

    >> All right. So, there's also a different

  • 28:25

    conversation.

  • 28:26

    >> And even if you say common is better

  • 28:28

    than red man. I'm just not going to do

  • 28:29

    that while sitting in [laughter]

  • 28:31

    hold.

  • 28:33

    I didn't say

  • 28:35

    y'all changed the conversation. I didn't

  • 28:37

    say better.

  • 28:37

    >> Sure.

  • 28:38

    >> When we when we talk about great like on

  • 28:40

    MC list, we're not we're not talking

  • 28:41

    about skill. We're not talking about

  • 28:42

    who's a better rapper. We're talking

  • 28:43

    about to me greater involves the whole

  • 28:45

    career.

  • 28:45

    >> The whole collective.

  • 28:46

    >> Let me ask you, let me ask you this.

  • 28:48

    >> I think Red Band comment. Sorry to

  • 28:49

    interrupt. I think that that's a pretty

  • 28:50

    fun argument because they both went into

  • 28:52

    film and you know the later part of

  • 28:54

    their careers

  • 28:55

    >> and they're both in the same peer group

  • 28:57

    and the same era.

  • 28:58

    >> Yeah, it's the same era.

  • 29:00

    >> They both didn't go into film. And I was

  • 29:02

    about to ask that question. If you pull

  • 29:04

    Common's filmography with IMDb, whatever

  • 29:07

    you want to call it, away from this,

  • 29:09

    Common's public persona definitely

  • 29:11

    diminishes by some.

  • 29:13

    >> For sure. Yeah.

  • 29:13

    >> Okay. So, it's it's kind of unfair at

  • 29:16

    that point.

  • 29:17

    >> But that's I'm going I'm going just by

  • 29:18

    the music. A lot of people can't you

  • 29:20

    can't separate what Come in the sphere

  • 29:24

    versus what he's done in the music.

  • 29:26

    [ __ ] was in John Wick, bro.

  • 29:28

    >> Like that [ __ ] is has

  • 29:30

    >> a [ __ ] on his on his resume.

  • 29:32

    >> I'm with you. And that's the same

  • 29:33

    argument for L. We can say about LL,

  • 29:34

    Latifah, all the people who are great

  • 29:35

    anyway. We can't separate them, but I

  • 29:37

    still want to be able to have them high

  • 29:38

    on the great list. But what is the J?

  • 29:40

    >> They have common high and most deaf.

  • 29:42

    >> Yes.

  • 29:43

    >> Yes. But but but most is a better much

  • 29:46

    to me a better rapper, a better MC, but

  • 29:48

    just when we talk about body of work and

  • 29:49

    impact and all the other things we just

  • 29:50

    talked about, as much as I love Most

  • 29:52

    Deaf when he's rapping, it's just not

  • 29:54

    enough of it.

  • 29:54

    >> There's not enough material.

  • 29:55

    >> If a track comes on, if a track if a

  • 29:57

    track comes on and common and kiss are

  • 29:59

    on the track,

  • 30:00

    >> who who does what? Depends on who what

  • 30:02

    track it is.

  • 30:03

    >> No. No, it don't. It does a little bit.

  • 30:05

    It does. Absolutely does. Ain't going to

  • 30:07

    just get smoked though. I ain't going to

  • 30:09

    get smoked.

  • 30:09

    >> I mean, you think he did a restoration,

  • 30:10

    but like

  • 30:11

    >> No, he didn't get smoking restoration.

  • 30:12

    That was what I was saying.

  • 30:14

    >> I was just So, don't put posy cuts in

  • 30:15

    this conversation cuz Benjamins exists

  • 30:17

    and major look remix exist. There's too

  • 30:19

    much reservoir.

  • 30:22

    Hold up.

  • 30:22

    >> Hold up you guys cuz I'm taking this

  • 30:24

    call.

  • 30:26

    >> Hello.

  • 30:27

    >> What up, bro?

  • 30:27

    >> All right. There we go. I'm live on air,

  • 30:30

    so don't say anything that'll get either

  • 30:32

    one of us in trouble. Sean Stark, man,

  • 30:34

    how you doing, man? [laughter]

  • 30:36

    >> I'm good, man. Happy New Year to all

  • 30:38

    y'all man.

  • 30:38

    >> Happy New Year.

  • 30:39

    >> Happy New Year, bro. Happy New Year. We

  • 30:40

    were in the middle of a spirited hiphop

  • 30:43

    uh hiphop discussion, but I did want to

  • 30:45

    answer your call because uh I need a lot

  • 30:49

    of tickets to [laughter] that that Boys

  • 30:51

    to M New Edition [ __ ] I'm not going to

  • 30:52

    lie to you. My mom won eight. I need

  • 30:55

    about nine. So, this is more tickets

  • 30:58

    than I have ever asked for in my life.

  • 31:00

    And I'm going to buy some, but I'm still

  • 31:01

    going to come to you for some, too.

  • 31:03

    [laughter]

  • 31:03

    >> Okay. That's a lot to unpack. Um,

  • 31:08

    [laughter]

  • 31:10

    uh, I'm assuming I'm I I heard that you

  • 31:12

    guys had a conversation and I want to

  • 31:15

    say that Parks mentioned about uh the

  • 31:18

    post that I I I I put up on my page.

  • 31:21

    >> Indeed.

  • 31:22

    uh know that these tickets that you're

  • 31:25

    asking for, you know, I have to pay for

  • 31:28

    >> Oh, no. I'll pay for them. We're

  • 31:30

    comfortable with that. I'll pay for

  • 31:31

    them. [laughter]

  • 31:33

    >> I I'll pay for mine.

  • 31:35

    >> Okay. So, realistically, how many

  • 31:37

    tickets do you really need?

  • 31:38

    >> Oh, I don't know. I'm talking [ __ ] Uh

  • 31:40

    Sean, I'll figure it out in real life

  • 31:42

    and text you in real life [laughter]

  • 31:43

    about it.

  • 31:45

    >> Okay.

  • 31:46

    >> But are are you all right?

  • 31:48

    >> I'm good, man. I I didn't know you

  • 31:50

    called. I was probably right in the

  • 31:51

    middle of rehearsal when you called me.

  • 31:53

    >> Oh, okay. Cool. Cool. Y'all are kicking

  • 31:55

    ass. But you're kicking ass on that

  • 31:57

    podcast.

  • 31:57

    >> Podcast is great.

  • 31:58

    >> Thank you, brother. I appreciate it. And

  • 32:00

    and and Mark, man, thank you for the for

  • 32:02

    the shout. Thank all thank all y'all,

  • 32:04

    man. For real, though. Like, I I

  • 32:06

    appreciate you guys even mentioning it,

  • 32:08

    man, on y'all big big big platform. I I

  • 32:12

    it helps a lot. So, I I I thank y'all so

  • 32:15

    much for that, man.

  • 32:16

    >> Anytime. Anytime. And um and yo Joe, I

  • 32:19

    if I'm if I'm in town, I I would love to

  • 32:21

    stop by if you guys are filming around

  • 32:23

    the time that

  • 32:24

    >> Oh, yeah.

  • 32:26

    >> Well, I would absolutely love that. I

  • 32:28

    would absolutely love that.

  • 32:30

    >> I would love to pull up. Say say hello

  • 32:32

    to the folks.

  • 32:33

    >> So, please please do. My my door is

  • 32:36

    always open. Please.

  • 32:37

    >> I I appreciate you. But yeah, but but

  • 32:39

    hit me later, man. and we'll we'll talk

  • 32:41

    about, you know, tickets and everything

  • 32:42

    and and anybody else that's, you know,

  • 32:45

    on the team that wants to, you know, uh,

  • 32:47

    pull up.

  • 32:48

    >> Yeah, it's probably just going to be me.

  • 32:51

    [laughter]

  • 32:51

    >> It's probably just going to be me. I'll

  • 32:53

    text you, Sean. Thank you.

  • 32:56

    [laughter] Terrible.

  • 32:57

    >> All right, Sean. Your man.

  • 32:58

    >> All right, y'all. Love, man. Take care.

  • 33:02

    [laughter]

  • 33:02

    >> Yeah, you terrible.

  • 33:03

    >> Yeah, bro. Y'all don't [ __ ] with that

  • 33:04

    [ __ ] right?

  • 33:04

    >> Shut up.

  • 33:05

    >> I'm definitely going to that one.

  • 33:06

    >> I am there. Got my tickets two months

  • 33:08

    ago. [laughter]

  • 33:08

    >> Y'all lying. Man, you vicious, bro.

  • 33:10

    >> Give me the first two sentences on

  • 33:12

    Benjamin.

  • 33:14

    That's what I mean about you. Yo, you're

  • 33:15

    [laughter] not See, that's what I mean.

  • 33:17

    Look, stuck them. Stumped them real. You

  • 33:20

    still talking. I

  • 33:21

    >> I got to just

  • 33:22

    >> Just give me the first two on Bend.

  • 33:24

    >> Give me the chorus. The Four Seasons,

  • 33:26

    you [ __ ] ass [ __ ] [laughter]

  • 33:29

    >> Reverse. But you didn't answer mine.

  • 33:31

    >> I'm trying TO REVERSE.

  • 33:32

    >> I HEAR IT. I'MMA SAY IT.

  • 33:33

    >> I reverse the four.

  • 33:36

    [laughter]

  • 33:38

    That's what [ __ ] do.

  • 33:41

    [laughter]

  • 33:41

    >> That's it, you [ __ ]

  • 33:43

    >> Oh, man. All right. Uh, back to

  • 33:45

    >> What is I need to hear the Jakus

  • 33:46

    argument BECAUSE I WANT ALL I'M GETTING

  • 33:47

    IS I'm going just throw I'm going just

  • 33:49

    throw a few jabs out.

  • 33:49

    >> Oh, wait. I thought I started that

  • 33:50

    already.

  • 33:51

    >> No. You think you think the You think

  • 33:52

    the common ice cube battle was bigger

  • 33:55

    for hip hop and than Jay and Beans?

  • 33:58

    >> Kiss and beans.

  • 34:01

    >> Yes.

  • 34:01

    >> Uh, no.

  • 34:03

    >> Yeah, I think so.

  • 34:04

    >> Hell no.

  • 34:04

    >> I think it's it's it's apples and

  • 34:06

    oranges.

  • 34:07

    >> It is. It's apples and oranges.

  • 34:09

    >> The best battles.

  • 34:09

    >> That was the best battle ever.

  • 34:10

    >> What

  • 34:11

    >> to me? Well, one of the best battles

  • 34:12

    ever.

  • 34:12

    >> Which one? Kiss.

  • 34:13

    >> Kiss be

  • 34:15

    win that.

  • 34:15

    >> And this is the problem. This is why

  • 34:17

    they don't. This is why they're not

  • 34:18

    paired. Well, I'm not asking. Nobody

  • 34:20

    near Ice Cube battle was bigger in

  • 34:23

    commercialized [ __ ] The Kiss, but the

  • 34:26

    Kiss and Jada battle was some

  • 34:28

    underground. Let's get these lyrics out.

  • 34:31

    >> I think that's fair [ __ ] If you saying

  • 34:33

    again, if you say I wouldn't die on the

  • 34:36

    and I would say Comm's battle was

  • 34:37

    bigger, but I also think

  • 34:39

    >> I'm not I don't think Jedus won that

  • 34:41

    battle.

  • 34:41

    >> It don't matter. It was a tie.

  • 34:42

    >> But you saying

  • 34:44

    like Yeah. He didn't lose. He

  • 34:46

    >> didn't lose. I just

  • 34:48

    >> cuz you're from Philly.

  • 34:49

    >> I'm from Philly. So I'll take that as a

  • 34:50

    bias. Just like y'all from New York.

  • 34:51

    >> That's part of why that battle was so

  • 34:52

    great because who knows who won.

  • 34:54

    >> No, I didn't give a like it ain't just

  • 34:56

    us. There's a lot of [ __ ]

  • 34:57

    outside of both of these cities that'll

  • 35:00

    say, "Damn, I really can't call that

  • 35:01

    one."

  • 35:02

    >> Yeah, it's it's it's

  • 35:04

    >> one some years I say kids, some years I

  • 35:05

    say beans. I change my mind all the

  • 35:07

    time. [laughter]

  • 35:09

    >> Every day I say beans.

  • 35:10

    >> Of course you would.

  • 35:11

    >> See, but still all y'all still doing is

  • 35:13

    is chipping away at the

  • 35:13

    >> common cube to me was so big because was

  • 35:16

    already dissing them [ __ ] on. I used

  • 35:18

    to love her so

  • 35:20

    >> Yeah. Well, sort of. I think

  • 35:23

    Yeah. Who won that battle?

  • 35:26

    You think? Yeah, a little bit.

  • 35:27

    >> I don't think he was dissing the West

  • 35:28

    Coast. I don't think that was his

  • 35:30

    intention.

  • 35:32

    >> Yo, this is one of my favorite hip-hop

  • 35:34

    songs of all time. If I heard that, what

  • 35:37

    he was saying, that was a West Coast

  • 35:39

    disc.

  • 35:39

    >> It was thousand%.

  • 35:41

    >> A thousand%.

  • 35:42

    >> I get what you say. I know. I know why

  • 35:44

    people say that.

  • 35:45

    >> Now she popping tops and hitting

  • 35:46

    switches. Now she's a gangster hanging

  • 35:48

    with G. I think he was I don't think

  • 35:49

    that was about

  • 35:50

    >> I don't think that's a myth at all.

  • 35:51

    >> I don't think so either. I think he's

  • 35:53

    more just talking about the the twists

  • 35:54

    and turns of hip-hop.

  • 35:56

    He might not like all them, but I don't

  • 35:58

    think he was saying like [ __ ] the

  • 35:59

    Westside Connection, which is basically

  • 36:00

    how they took it. I don't think he was

  • 36:02

    saying [ __ ] Ice Cube.

  • 36:04

    >> No, he said hip hop used to be this pure

  • 36:07

    beautiful uh to you

  • 36:11

    went over there and now that [ __ ] is

  • 36:13

    cheap selling [ __ ] It's it's whack.

  • 36:16

    It's

  • 36:16

    >> But he said that about everybody. He

  • 36:18

    said y'all slamming and taking it to the

  • 36:19

    sewer. That wasn't about the West Coast.

  • 36:20

    was about. I mean, I'm just saying

  • 36:22

    there's a there's a

  • 36:22

    >> that that's a metaphor.

  • 36:24

    >> So,

  • 36:24

    >> one one was a whole verse. It was a

  • 36:27

    whole story in the song.

  • 36:28

    >> I'm with you. I I saw it as a conscious

  • 36:30

    hip hop head saying it's not pure no

  • 36:32

    more and everywhere and everywhere but

  • 36:34

    this pure thing. Pure. Why is it not

  • 36:35

    pure?

  • 36:36

    >> Well, not pure. Why though?

  • 36:36

    >> Because of commercialization. Cuz all

  • 36:38

    the things he's talking about. I'm just

  • 36:38

    saying I don't think he was trying to

  • 36:39

    diss West Coast rapper. I get why it's

  • 36:42

    pure and now you over here and you not

  • 36:43

    pure.

  • 36:44

    >> I don't think he thinks it's pure over

  • 36:45

    here either. That's I don't think he

  • 36:46

    thought the East Coast kept it pure.

  • 36:47

    That's what I'm I think he's I think

  • 36:48

    it's an elitist hip-hop position more

  • 36:50

    than it is an anti-W coast position.

  • 36:52

    >> Well, after that song, I just don't

  • 36:53

    think it's such a big coincidence that

  • 36:55

    they started beefing.

  • 36:56

    >> No, that's what they took it personally.

  • 36:58

    >> They took it personally. [laughter] If

  • 36:58

    you from the West Coast rapper like

  • 37:00

    that,

  • 37:00

    >> I'm saying if I was from the West, I

  • 37:01

    would have took that person. I get that.

  • 37:03

    I I ain't mad at that. But that made a

  • 37:05

    great to me that was to me that is one

  • 37:06

    of hip- hop's greatest battles. Maybe

  • 37:08

    the best. You know, certainly top three

  • 37:10

    for me.

  • 37:10

    >> Yeah. That was the [ __ ] in you was a

  • 37:12

    shock. It was like, oh [ __ ] coming

  • 37:13

    >> and that's part of it too is people

  • 37:14

    didn't know Common could do that.

  • 37:15

    >> Yeah. And they because they forgot about

  • 37:17

    can I borrow a dollar. They forgot about

  • 37:18

    the original comment.

  • 37:20

    >> We didn't listen to that.

  • 37:21

    >> The album wasn't great. But [laughter]

  • 37:22

    the persona was great and then yeah, you

  • 37:26

    remember you was in the Jeep then.

  • 37:27

    [laughter]

  • 37:29

    >> But tell me just before we wrap this.

  • 37:30

    Can somebody tell me why JD make the

  • 37:32

    case for JD? Not just the case of guest

  • 37:33

    >> the locks. Very simple. The locks the

  • 37:36

    guest features the uh the his discoraphy

  • 37:39

    ain't bad. It ain't ch. You just don't

  • 37:41

    really have the classic album like

  • 37:44

    that's all he's miss.

  • 37:44

    >> Yeah. has him wiped down on the albums.

  • 37:46

    >> Yeah, that's it.

  • 37:47

    >> And you think everything else Jed has

  • 37:49

    got him wiped down

  • 37:49

    >> personally? Yes.

  • 37:50

    >> Or wiped down?

  • 37:51

    >> I'm not going to say wiped down.

  • 37:52

    >> It's higher. He's higher.

  • 37:54

    >> I have Jakus ranked higher on my alltime

  • 37:56

    list. Fair enough.

  • 37:58

    >> You can just go to Jakus, you know,

  • 38:00

    whatever wherever you listen to your

  • 38:01

    music and just hit shuffle.

  • 38:03

    >> Yeah.

  • 38:03

    >> And it'll it'll answer the question for

  • 38:04

    you.

  • 38:05

    >> Yeah. And I think that uh back in the

  • 38:07

    height of verses, I was saying that I

  • 38:10

    don't I don't know if there's too many

  • 38:11

    people that can beat Jay Kiss in verses.

  • 38:13

    >> That also is true. He literally has

  • 38:14

    songs for any situation.

  • 38:16

    >> Anything.

  • 38:17

    >> Come on. I want to get to this other

  • 38:19

    argument we was about to have.

  • 38:20

    >> Oh, I was going to stay in the 20s

  • 38:21

    rappers cuz we got some new TI for me.

  • 38:23

    He's in my 20s. Uh, we got we got a new

  • 38:25

    record.

  • 38:26

    >> Speaking of verses, that's the only one

  • 38:27

    that can't be [ __ ] with.

  • 38:28

    >> Yeah.

  • 38:29

    >> So hard. It's a hard day.

  • 38:32

    [music]

  • 38:33

    >> God damn.

  • 38:35

    >> God damn this.

  • 38:37

    >> No, I never heard this.

  • 38:38

    >> It just came out.

  • 38:39

    >> It just came out. Just came out.

  • 38:40

    >> Fire when yesterday.

  • 38:42

    >> Yeah, yesterday. some [ __ ] like that

  • 38:44

    snippet came out and the next thing you

  • 38:45

    know the song came out the video of him

  • 38:46

    cutting his threads off, cut his braids

  • 38:48

    off and [ __ ] I put my

  • 38:51

    >> I put my thumb on the screen and scroll

  • 38:54

    if I see something that say Tia's

  • 38:55

    cutting his head when it comes with this

  • 38:58

    >> turn sound up.

  • 39:00

    >> [ __ ] was fire was fired from when your

  • 39:01

    girl was around.

  • 39:03

    >> [ __ ] this might work.

  • 39:05

    >> Yeah.

  • 39:05

    >> No, I [clears throat] just mean having

  • 39:06

    the sound up. [laughter]

  • 39:08

    >> I was too quick. Point made.

  • 39:12

    Yo, this [ __ ] fire, man.

  • 39:13

    >> This is amazing.

  • 39:14

    >> I can't wait to see.

  • 39:15

    >> This is nuts. Yo,

  • 39:16

    >> this is nuts. And he announced his new

  • 39:17

    album.

  • 39:18

    >> Yep.

  • 39:18

    >> Yeah. So,

  • 39:19

    >> I can't wait for it.

  • 39:19

    >> I thought he retired.

  • 39:21

    >> Well, [ __ ] all that.

  • 39:22

    >> What Park say? Don't nobody ever retire.

  • 39:24

    Only you.

  • 39:24

    >> And now he's saying this is my final

  • 39:26

    album.

  • 39:26

    >> Yeah, [ __ ] Yeah.

  • 39:28

    >> Let him know.

  • 39:30

    I don't [laughter] care who did this.

  • 39:31

    Who did that beat? For real. And I hope

  • 39:32

    he does a lot more of this one. I

  • 39:34

    >> hope he do the whole damn album.

  • 39:35

    >> Word.

  • 39:35

    >> Whoa. I don't hope he do the whole

  • 39:38

    album. I do. I mean, I love Tomb and and

  • 39:40

    the million people that he's worked

  • 39:41

    with, but he always has top flight

  • 39:43

    production. I just love his song so

  • 39:45

    much.

  • 39:46

    >> From the top, he won't pick up where we

  • 39:47

    stopped.

  • 39:48

    >> From the top.

  • 39:49

    >> No, that [ __ ] is

  • 39:50

    >> I wanted to hear from the top, but you

  • 39:51

    saying that made me feel like I

  • 39:53

    [laughter] need to hear.

  • 39:53

    >> He was kind He was kind of flowing on

  • 39:55

    the second verse.

  • 39:57

    >> I just really want to hear the drum drop

  • 39:59

    again.

  • 40:00

    That's ignorant.

  • 40:01

    >> That flow is [ __ ] amazing.

  • 40:03

    >> That's a pocket. It is amazing.

  • 40:07

    >> That's Vinc right there.

  • 40:09

    >> Yo, pause this.

  • 40:11

    >> Yo, [laughter] dog. What y'all saying is

  • 40:13

    true? But whatever he did to these

  • 40:15

    drums,

  • 40:16

    >> he's stupid.

  • 40:17

    >> These drums are doing a whole different

  • 40:19

    type of boogie. No, [ __ ] ain't got

  • 40:21

    these drums in they [laughter] in they

  • 40:23

    [ __ ] Triton.

  • 40:26

    It

  • 40:26

    >> ain't 2001. Logic or something.

  • 40:29

    [laughter] Hey, them ain't the Triton

  • 40:30

    drums. They actually might be. They

  • 40:33

    might be. Yo, don't

  • 40:34

    >> put their logic something. This [ __ ] is

  • 40:36

    go go go. [music]

  • 40:39

    >> Anybody buy that [ __ ]

  • 40:40

    >> This [ __ ] is incredible. Fire.

  • 40:41

    >> This is This is

  • 40:42

    >> This is absolutely incredible.

  • 40:43

    >> That's vintage TR right there, man.

  • 40:45

    >> Yeah, that's that's a reminder record

  • 40:47

    for everybody talking slick. And I know

  • 40:49

    y'all ain't seen Y'all ain't heard me

  • 40:50

    rap in a minute.

  • 40:52

    >> You see the comedy, you see all this

  • 40:53

    other [ __ ] This is what I do. Just in

  • 40:56

    case you forgot. Yo, I wouldn't be

  • 40:57

    surprised that [ __ ] put that comedy

  • 40:58

    show out just as to

  • 41:00

    >> get a little talk going.

  • 41:01

    >> Yeah.

  • 41:01

    >> Yeah. Let me show you what was really I

  • 41:03

    really was working on the word.

  • 41:05

    >> That's that what you know the first time

  • 41:07

    I [ __ ] that's that.

  • 41:09

    >> Yeah, I know there's no such thing as a

  • 41:11

    hit anymore. But whatever the new word

  • 41:14

    is.

  • 41:16

    >> Yeah. Flames.

  • 41:17

    >> They was in the studio dancing. He was

  • 41:19

    in there saying we back.

  • 41:20

    >> Word.

  • 41:21

    >> Word.

  • 41:21

    >> And then Forel was like, "Yeah, let me

  • 41:22

    get in the boo quickly." [laughter]

  • 41:28

    >> God damn. I need to hear Shabuzzi and

  • 41:31

    Young Drow on this [ __ ]

  • 41:33

    >> Okay.

  • 41:34

    >> I need Young Dro on this. That's a Young

  • 41:36

    Dro. Oh, come on. Give me Young Dro.

  • 41:40

    >> That's crazy.

  • 41:40

    >> That [ __ ] is crazy.

  • 41:41

    >> That [ __ ] is amazing.

  • 41:42

    >> That's nice right there.

  • 41:43

    >> That's amazing. That was good to hear.

  • 41:44

    >> Absolutely.

  • 41:45

    >> I just said I was going to stay in the

  • 41:47

    house now. You [laughter] got to hear

  • 41:49

    that outside.

  • 41:49

    >> Yo, dog. The only reason I went out was

  • 41:51

    cuz a TI joint. I got to hear this

  • 41:53

    outside.

  • 41:54

    >> I got a Florida trip in my future. I got

  • 41:56

    a Vegas trip in my future. And

  • 41:58

    unfortunately, I have an LA trip in my

  • 41:59

    future.

  • 42:00

    >> Why you say unfortunately?

  • 42:01

    >> I hate going out there.

  • 42:03

    >> It could be tough sometimes.

  • 42:04

    >> It's It's It's not I'm

  • 42:05

    >> I love it.

  • 42:06

    >> If there were ever people that were like

  • 42:08

    true to where they live at, like I'm so

  • 42:11

    New York that LA is just

  • 42:13

    >> It's hustle and bustle time. It's a

  • 42:15

    million meetings in three days. It's

  • 42:18

    crowded lobbies. It's It's waiters that

  • 42:21

    are waiting for their shot at fans.

  • 42:23

    Although in I think it was 2016 when we

  • 42:25

    did the [ __ ] crib in the hills with

  • 42:28

    zombie and all them that [ __ ] was that

  • 42:29

    was that gave me a different

  • 42:31

    >> view of LA.

  • 42:32

    >> That is better to me than doing like the

  • 42:34

    Mandrea the regular [ __ ] Like

  • 42:36

    >> I mean don't get it twisted. I've had a

  • 42:38

    lot of fun in LA. Some would say too

  • 42:40

    much fun. [laughter]

  • 42:42

    >> Especially the Valley. Shout out to the

  • 42:43

    Valley. Um

  • 42:45

    >> yeah, but I'll be back.

  • 42:47

    >> I'll be back.

  • 42:48

    >> Um that song was sick.

  • 42:49

    >> That [ __ ] is amazing.

  • 42:51

    >> You can't just pull that out. That went

  • 42:52

    on the board.

  • 42:53

    >> Oh [ __ ] Yes, it was right there.

  • 42:55

    [laughter] We got to pull that out.

  • 42:56

    >> God damn.

  • 42:57

    >> Made fun of the comedy [ __ ] You know

  • 42:58

    what I'm saying?

  • 43:00

    Right. Here's this.

  • 43:01

    >> Yeah. Yeah.

  • 43:02

    >> Here's a little something.

  • 43:02

    >> That's my second job.

  • 43:04

    >> Yeah. Right. My first one is this right

  • 43:05

    here. Laugh.

  • 43:06

    >> Laugh at that [ __ ]

  • 43:07

    >> Yeah. Don't retire.

  • 43:08

    >> You got any more heat like that in the

  • 43:09

    talk before we get [laughter] to the

  • 43:10

    next argument?

  • 43:12

    >> Uh, no. That was the only new music I

  • 43:14

    think I got through this weekend.

  • 43:15

    >> Okay. [clears throat] Now we got another

  • 43:17

    classic Joe and is argument. This time I

  • 43:19

    don't feel like it should take too long.

  • 43:20

    Me and you.

  • 43:22

    >> Yeah.

  • 43:23

    >> Oh, go ahead. Right.

  • 43:24

    >> I'm listening.

  • 43:25

    >> How did this come up? Me.

  • 43:28

    >> Ice was telling me he he was asking

  • 43:30

    everybody for their shoe size.

  • 43:32

    >> Oh, yeah.

  • 43:32

    >> Back in the sneaker game.

  • 43:34

    >> And I said, "Yo, I wear 11." But next to

  • 43:38

    my shoe size, tell them I might not rock

  • 43:41

    it.

  • 43:41

    >> Mhm.

  • 43:42

    >> I was just playing around with Freeze,

  • 43:44

    just making jokes. Yo, tell them I don't

  • 43:46

    know how you construct these deals, but

  • 43:47

    let them know I ain't just putting

  • 43:49

    anything on my foot. Don't promise the

  • 43:50

    joke but no guarantees. Yo, send jagged

  • 43:53

    edge promise. Nothing is promised when

  • 43:55

    you send my [ __ ] over there. So me and

  • 43:57

    Freeze are joking back and forth. And

  • 43:59

    then Freeze tells me who the person is

  • 44:00

    that's asking for the shoe sizes.

  • 44:02

    >> So I say to him, "Oh, this is someone

  • 44:05

    that I've worked with previously."

  • 44:07

    >> Sure.

  • 44:08

    >> Someone who has given me merchandise uh

  • 44:10

    previously. I tell him that prior

  • 44:12

    history is very important to me.

  • 44:13

    >> Someone's on the upswing now. Now that I

  • 44:16

    did go into that I said prior history is

  • 44:18

    important when deciding these things so

  • 44:20

    I may wear it now.

  • 44:21

    >> Future projections are important as

  • 44:22

    well.

  • 44:22

    >> Uh this was a good guy with good

  • 44:24

    product. I think that this person's

  • 44:26

    stock is headed up.

  • 44:28

    >> Count me in.

  • 44:29

    >> Mhm.

  • 44:30

    >> To which my good brother is chimed in

  • 44:33

    which who the [ __ ] was talking to him?

  • 44:35

    [laughter] But my good brother is chimed

  • 44:37

    in and am I lying so far?

  • 44:40

    >> Yeah, you are. You bought me in this.

  • 44:41

    You said yo tell them [ __ ] I'm not

  • 44:43

    ishinging them. I don't be doing X,

  • 44:44

    [laughter] Y, and Z.

  • 44:45

    >> Oh, I said that.

  • 44:47

    >> I said that.

  • 44:48

    >> That's what happened. And this [ __ ] Yo,

  • 44:50

    this [ __ ] a great absolutely right.

  • 44:53

    >> Framing the entire picture. But go

  • 44:55

    ahead.

  • 44:55

    >> I did say that. Yo, I'm not ishing them

  • 44:57

    who just put anything on their feet when

  • 44:59

    it come to me. Like, let them know it

  • 45:01

    might not go down.

  • 45:03

    >> Uh, but then you chimed in and said,

  • 45:05

    "Yo, that matters to you about someone's

  • 45:08

    stock going up."

  • 45:09

    >> This nigga's great. So, and I said,

  • 45:11

    >> "So, crowd crowd," he added a whole

  • 45:13

    bunch of [ __ ] that wasn't there to

  • 45:15

    make it sound great. He said, "Oh, yeah,

  • 45:17

    homeboy going going places,

  • 45:19

    >> count me in." And I said, "That's a

  • 45:21

    deciding factor on whether you want to

  • 45:22

    wear somebody's [ __ ] is if they going

  • 45:24

    places or not?" And then he said, "It's

  • 45:27

    a factor."

  • 45:28

    >> Yeah, it's it's a big factor. And and to

  • 45:30

    me, you said, "Yo, so it's not a factor

  • 45:33

    for you?" And I said, "No." And then I

  • 45:35

    said, "Yes, it is." fam. I've warned

  • 45:37

    people [ __ ] here that

  • 45:40

    forgive me. [laughter] Forgive me. I

  • 45:42

    KNOW THESE [ __ ] AIN'T GOING NOWHERE

  • 45:44

    AND I'M JUST BEING SUPPORTIVE OF THE

  • 45:46

    PEOPLE. That's not a deciding factor on

  • 45:48

    me or whether I'm going support

  • 45:49

    [laughter] somebody's [ __ ]

  • 45:50

    >> That's not so what you said was right.

  • 45:54

    >> What you just throw [laughter]

  • 45:57

    if I'm being supportive of somebody's

  • 45:59

    [ __ ] Yeah. Like they they trajectory

  • 46:01

    ain't a deciding factor on whether I

  • 46:03

    want to be supportive or not.

  • 46:04

    >> Just one question. What is the What is

  • 46:05

    the deciding factor for you?

  • 46:07

    >> If I like the [ __ ] [ __ ] send us

  • 46:09

    clothes all the time, my [ __ ] If I

  • 46:10

    don't like it, I'm not going to wear it.

  • 46:11

    But if I like your [ __ ] I'll wear your

  • 46:13

    [ __ ] And I don't need no Poliola. I

  • 46:15

    don't need none of that. If I [ __ ] with

  • 46:16

    you, I like your [ __ ]

  • 46:18

    >> I never never took taking a dollar, but

  • 46:20

    I wear your [ __ ] That's just payola in

  • 46:22

    other ways,

  • 46:23

    >> right?

  • 46:24

    >> And be clear, I wasn't just talking

  • 46:26

    about wearing [laughter] somebody's

  • 46:28

    [ __ ] Like I was saying if somebody is

  • 46:32

    going places then that factors and and

  • 46:35

    we have a previous history. Yes. That I

  • 46:38

    factored that in on if we if I'm [ __ ]

  • 46:40

    with you or not. Got you.

  • 46:41

    >> 100%.

  • 46:42

    >> Got you.

  • 46:42

    >> Not about just wearing the sneakers. And

  • 46:44

    then you said you don't do that. Right.

  • 46:46

    >> I say yeah. If he like it, he put it on.

  • 46:48

    Yeah.

  • 46:48

    >> No, but just on a broader sense cuz

  • 46:50

    that's real that's real narrow.

  • 46:52

    >> But there's a difference between liking

  • 46:53

    something and putting it on and liking

  • 46:54

    something putting it on in front of

  • 46:55

    three million people every week.

  • 46:56

    >> Yeah. If you just wear it cuz you like

  • 46:58

    the [ __ ] like that's cool. But like

  • 46:59

    >> y'all are narrowminding

  • 47:02

    my fight with is [ __ ] the clothes.

  • 47:04

    >> What I what I took that as the way I

  • 47:06

    took it, you were saying

  • 47:08

    >> [ __ ] the I know this person, I like

  • 47:10

    this, all of that.

  • 47:12

    >> If I know this person's going somewhere

  • 47:14

    and they got something that I might rock

  • 47:15

    with, oh yeah, that then I could I I'll

  • 47:18

    wagon.

  • 47:19

    >> I don't want to call it hitch, but I'll

  • 47:22

    [ __ ] with it.

  • 47:23

    >> That's what he's saying.

  • 47:23

    >> I'll [ __ ] with I'll [ __ ] with it.

  • 47:25

    >> Yeah. Is that kind of what you were

  • 47:26

    saying?

  • 47:27

    >> Yeah, I'm I may support it. This is

  • 47:30

    somebody that's given me [ __ ] in the

  • 47:31

    past. I rock with them. We've

  • 47:32

    established something and I believe them

  • 47:34

    to be going somewhere. I'm [ __ ] with

  • 47:35

    it. I'm [ __ ] with that.

  • 47:37

    >> Okay.

  • 47:37

    >> And if I like the [ __ ] more

  • 47:38

    importantly,

  • 47:39

    >> you got to like that's first, right?

  • 47:41

    Both got to like it.

  • 47:42

    >> Even if you don't like it, you going to

  • 47:43

    [ __ ] with it. You say

  • 47:44

    >> no. No, I'm not. No, I have to like it.

  • 47:46

    >> Listen, they both got to like it.

  • 47:47

    >> I have to like it.

  • 47:48

    >> Okay.

  • 47:48

    >> I got a lot of [ __ ] I don't like and it

  • 47:51

    don't it stays in the boxes

  • 47:52

    >> unless we get that.

  • 47:53

    >> That's true. People send me terrible

  • 47:54

    stuff. You trying to win on on clothes

  • 47:57

    and I'm trying to put you in the corner

  • 48:00

    of how do you establish your new

  • 48:02

    relationships and does that person's

  • 48:06

    stock factor in to how you [ __ ] with

  • 48:08

    them?

  • 48:09

    >> No.

  • 48:09

    >> No.

  • 48:10

    >> I'm answering you for the 14th time. No.

  • 48:13

    I got friends that are going nowhere.

  • 48:15

    >> Major money. I got friends that don't

  • 48:17

    have no money. I don't pick and choose

  • 48:18

    my friends based on what their

  • 48:20

    trajectory is.

  • 48:21

    >> He just loves

  • 48:22

    >> I got friends. I talk to [ __ ] saying

  • 48:24

    Yeah. Yeah. Yeah. New people

  • 48:26

    on this part. I just think there's a

  • 48:28

    difference.

  • 48:28

    >> I have people I have new friends that

  • 48:30

    don't have no money. I have new friends

  • 48:32

    that I think, no disrespect to nobody

  • 48:35

    that are just plateaued and they got

  • 48:37

    >> that's where they going to be.

  • 48:38

    >> Yeah. So, not just money,

  • 48:39

    >> you can still be a quality individual

  • 48:41

    and that [ __ ] don't matter to me what

  • 48:43

    your trajectory is.

  • 48:44

    >> Oh, yeah. See, this is a different

  • 48:45

    conversation to me. We're talking about

  • 48:47

    friendship versus putting something off.

  • 48:49

    >> He said that. Okay.

  • 48:50

    >> I was never talking about friendship.

  • 48:51

    >> He He moved it into I'm never talking

  • 48:53

    about friendship. not friendship,

  • 48:54

    relationship. He moved into

  • 48:56

    relationships. He took it off of

  • 48:57

    clothing and all other [ __ ] and moved

  • 48:59

    into relationships. And I'm saying, "Yo,

  • 49:01

    I don't pick and choose the people that

  • 49:02

    I [ __ ] with based on what I think they

  • 49:05

    going to ascend to be."

  • 49:06

    >> Oh, me either.

  • 49:06

    >> Yeah.

  • 49:07

    >> I think that's fine.

  • 49:08

    >> And you do. I think where [laughter]

  • 49:10

    someone

  • 49:11

    >> Yes, that

  • 49:15

    see why I said

  • 49:16

    >> if we're not doing that, then what the

  • 49:18

    [ __ ] is the point of a new friendship?

  • 49:20

    Look, I'm going to tell you this.

  • 49:21

    quality people. He's quality people

  • 49:23

    without quality.

  • 49:25

    >> I think Joe said in the room of quality

  • 49:26

    people, he's going to pick the one.

  • 49:29

    >> This is why I said this is why I said I

  • 49:31

    didn't agree with that cuz you're a

  • 49:33

    person that will say like, "Yo,

  • 49:35

    >> you don't even know that conversation

  • 49:37

    could lead to XYZ. That means that that

  • 49:40

    person has some level that could take

  • 49:41

    you to another level." True.

  • 49:43

    >> So, they got some you see something in

  • 49:44

    having that relationship or

  • 49:46

    >> building that relationship with that

  • 49:48

    person.

  • 49:48

    >> Cool. Anyone can bring

  • 49:49

    >> That's not a deciding factor on whether

  • 49:51

    I [ __ ] with somebody or not

  • 49:53

    >> or support them.

  • 49:53

    >> Yeah, I think that's all very different

  • 49:54

    from wearing someone's clothes.

  • 49:57

    >> That's not a deciding factor on whether

  • 49:58

    I I I enter into a relationship.

  • 50:00

    >> All right. Then I had you pegged wrong.

  • 50:01

    Pause.

  • 50:02

    >> I bet you did. I had [laughter] you

  • 50:03

    wrong. I just seen how you act with like

  • 50:06

    I So, but I mean

  • 50:09

    [laughter] you had

  • 50:11

    this [ __ ]

  • 50:14

    see how he act. Say more.

  • 50:16

    >> Mark, you trying to give me the fire at

  • 50:17

    my brother. I'm asking for clarity for

  • 50:19

    the audience. We don't understand.

  • 50:21

    >> Uh

  • 50:21

    >> we don't have your relationship.

  • 50:22

    >> Look at here. Yo, [laughter]

  • 50:26

    >> I have seen I've seen I've seen is

  • 50:29

    communicate when

  • 50:32

    when

  • 50:33

    the girl looked like she worked on Wall

  • 50:35

    Street

  • 50:37

    and I've seen him communicate when the

  • 50:40

    girl looked like she worked on Canal.

  • 50:44

    >> Same with men. You think the

  • 50:46

    communication is different?

  • 50:49

    >> The twinkle in your eye. [laughter]

  • 50:52

    >> Everything. I think not just the

  • 50:54

    communication. I think everything is

  • 50:58

    >> your whole swag is different. You

  • 51:00

    [laughter] You ride with that?

  • 51:01

    >> No. You ride with that. I've seen No,

  • 51:04

    that that's why I'm breaking this couch

  • 51:06

    up soon, too. Anyway, don't worry about

  • 51:07

    it. This is one of the reasons this

  • 51:08

    couch is getting broke up. You riding

  • 51:10

    with that? I don't give a [ __ ] why he's

  • 51:11

    riding with

  • 51:12

    >> Flip ain't riding with that.

  • 51:13

    >> No, no, I'm with you, [ __ ] flipping a

  • 51:15

    wrong with you, [ __ ]

  • 51:16

    >> I don't I don't think so.

  • 51:17

    >> We just never stopped the car from

  • 51:18

    moving. [laughter]

  • 51:19

    >> Also, we just never stopped the car from

  • 51:21

    moving.

  • 51:22

    >> You know better.

  • 51:23

    >> All right. That was a quick fight. That

  • 51:25

    That was a quick fight.

  • 51:26

    >> Good dude. That's it.

  • 51:28

    >> [ __ ] you accept everyone.

  • 51:30

    >> That's why you have a lot of friends

  • 51:31

    around the [laughter] world.

  • 51:32

    >> Trying to paint me with the shitty

  • 51:33

    brush.

  • 51:34

    >> Everybody like bristles.

  • 51:35

    >> No, you just like talking.

  • 51:36

    >> There's not one bad thing I heard about

  • 51:37

    you outside.

  • 51:38

    >> I I would say that people love you. I've

  • 51:40

    heard bad things, but

  • 51:41

    >> Well, what type of bad things?

  • 51:42

    [laughter]

  • 51:43

    >> You heard that? I be shooting at [ __ ]

  • 51:45

    girls.

  • 51:46

    >> Oh, yeah. That's bad. A few [ __ ] I

  • 51:47

    heard about that, too. I heard about

  • 51:48

    that. I don't I don't consider

  • 51:50

    [laughter] that bad. That's just It's

  • 51:52

    bad. I don't I don't consider that bad.

  • 51:55

    Is it your friend? [laughter]

  • 51:57

    >> Was it your friend? Were you shooting at

  • 51:58

    your friend?

  • 51:58

    >> Whoever do that.

  • 51:59

    >> This one [ __ ] was telling me a story

  • 52:01

    for 20 minutes while cutting my I had to

  • 52:02

    tell him, "Yo, [ __ ] it. You good? I'm

  • 52:04

    good. I [laughter]

  • 52:06

    like I was like, I can't hear no more.

  • 52:08

    He's about to [ __ ] my head up talking.

  • 52:09

    >> It's like they introduce you to the girl

  • 52:10

    and then you you go and shoot at them

  • 52:11

    like what? How you doing is or they

  • 52:13

    shoot at you? This [ __ ] had to he was

  • 52:15

    like she was we were in the freezer

  • 52:16

    aisle. [laughter]

  • 52:17

    >> Yeah. Go ahead.

  • 52:19

    >> She was that [ __ ] was in tears.

  • 52:21

    >> You took the [ __ ] chicken to

  • 52:22

    supermarket.

  • 52:22

    >> He said she was in THE SUPERMARKET.

  • 52:25

    >> I'M LYING OR DUDE was lying.

  • 52:26

    >> YO DOG

  • 52:27

    >> I CALLED YOU WHEN YOU TELLING me

  • 52:28

    personalized segment on you did this.

  • 52:31

    >> He trying to move on from it. Is trying

  • 52:33

    to move on from it.

  • 52:34

    >> Yeah. I don't want to center on ish.

  • 52:35

    It's the Joe podcast. 8 million

  • 52:37

    listeners. That's a fact. That's a fact.

  • 52:39

    That's a fact.

  • 52:40

    >> But no, actually I I think you do have

  • 52:43

    >> But if we say that you're such a great

  • 52:44

    scholar, we could talk about it for a

  • 52:45

    long time. But this [ __ ] we can't talk

  • 52:47

    about.

  • 52:47

    >> I'm with you for all jokes aside, like

  • 52:49

    when I meet people who know is from all

  • 52:51

    walks of life, from the high-ups to the

  • 52:52

    to everyday people like

  • 52:53

    >> they have great things to say about him.

  • 52:55

    >> Yeah. He don't he don't got pics like

  • 52:56

    that.

  • 52:57

    >> Joe, do you think like in the next 5

  • 52:59

    years you'll make any friends and build

  • 53:01

    any relationship with somebody who's not

  • 53:02

    going anywhere?

  • 53:03

    >> No. [laughter]

  • 53:06

    Watch your [ __ ] mouth. Stop trying to

  • 53:07

    get rid of what I got. [laughter]

  • 53:09

    >> No, I don't think that's going to

  • 53:10

    happen.

  • 53:11

    >> He's a nice guy. I listen to this [ __ ]

  • 53:13

    >> Do you actively try to like get rid of

  • 53:15

    some of the people you've Do you look at

  • 53:17

    inventory and say, "You know what? Mike

  • 53:19

    ain't going nowhere."

  • 53:19

    >> I just got views on on on new new

  • 53:22

    friendships. I just got views on new

  • 53:24

    friendships.

  • 53:24

    >> Do people get grandfathered in though?

  • 53:25

    Like

  • 53:26

    >> we pass that point. I'm weary of all you

  • 53:27

    [ __ ] Okay.

  • 53:28

    >> I'm I'm I'm weary of them all.

  • 53:30

    >> Don't say that.

  • 53:31

    >> You got to give you got to give me

  • 53:32

    reason to not be weary. And part of that

  • 53:34

    is what's going on with you, what you

  • 53:36

    got going on. The same with women that

  • 53:38

    you had to learn that lesson. Start

  • 53:39

    [ __ ] with women that had something

  • 53:41

    going on.

  • 53:43

    Yeah. You got to look a little

  • 53:45

    >> from that side, which is how I heard it

  • 53:46

    first when I agree with you.

  • 53:48

    >> I get it. Like it's hard to build

  • 53:50

    relationships with people ain't going

  • 53:50

    nowhere when you going somewhere. And I

  • 53:52

    don't mean money or nothing like that. I

  • 53:53

    just mean life-wise.

  • 53:54

    >> Mhm.

  • 53:54

    >> Because that's a recipe for disaster and

  • 53:56

    trouble. It's one thing if you got them

  • 53:57

    people in your life from 20 years ago

  • 53:59

    cuz you kind of know them, you trust

  • 54:00

    them. But new people that ain't doing

  • 54:01

    [ __ ] don't usually it don't usually end

  • 54:03

    up

  • 54:03

    >> where does the conversation go after

  • 54:04

    after a while

  • 54:05

    >> cuz my whole life is

  • 54:06

    >> redundant. Yeah.

  • 54:07

    >> Most of my whole life is work. By the

  • 54:09

    time you get to Well, let me speak for

  • 54:11

    me at 45 heading into 46. Every all the

  • 54:16

    boxes in my life are are there. Got my

  • 54:18

    friend box, my work box, my relationship

  • 54:20

    box, kids, dad, like a new box, a new

  • 54:24

    person.

  • 54:24

    >> I feel you.

  • 54:26

    >> I'm cool.

  • 54:26

    >> Where where did they come from?

  • 54:28

    >> A new box. [clears throat]

  • 54:28

    >> And why? And why at a [ __ ] And and

  • 54:31

    what do you like to do? Like where you

  • 54:32

    come? You going to call me when you get

  • 54:33

    out of Sears?

  • 54:35

    [laughter]

  • 54:37

    >> Yo, I just picked up a microwave.

  • 54:40

    >> What the What the [ __ ] are you talking

  • 54:42

    about?

  • 54:42

    >> Don't do that, [ __ ] Stop that. I get

  • 54:44

    what you say, but stop. That's not nice.

  • 54:47

    >> That's not nice.

  • 54:48

    >> You're el leader show.

  • 54:49

    >> I'm not at all.

  • 54:50

    >> Are you trying? But

  • 54:51

    >> I'm not. I'm not. And

  • 54:53

    >> answer Mark's question, [ __ ] Are you

  • 54:54

    Are you trying to get rid of any

  • 54:55

    friends? Yeah,

  • 54:56

    >> I'm not trying to get rid of No, I love

  • 54:57

    my friend group just the way that it is.

  • 54:59

    >> I love them. I don't have any friend

  • 55:01

    that I sit and think about how to 86.

  • 55:04

    [laughter]

  • 55:05

    >> Do y'all?

  • 55:06

    >> Yes. Yes.

  • 55:08

    >> I got three on the bubble [laughter]

Showing 2,000 of 6,112 lines