JBP
The Joe Budden Podcast
Episode 899

Gossip & Parlaying

Joe Budden Podcast Episode 899, “Gossip & Parlaying,” released February 2, 2026. In the latest episode, the JBP dives right into new freestyles from J. Cole hosted by DJ Clue (7:58) which leads to Lloyd Banks vs. Fabolous (53:32). Friend of the Show Zaire Franklin joins the crew to discuss the upcoming Shakur Stevenson & Teofimo Lopez fight (1:24:27) as well as Grammy weekend (1:28:55), the internet is frying up Steph Curry for his Timbs (1:37:26), and Ray J discusses his health (1:43:20). Also, the JBP sends their thoughts to Don Lemon (1:49:26), Joe shares a story about a divorce that leads to a debate among the room (2:04:52) before then asking a few Hip-Hop questions about Sexyy Red & Young Thug (2:33:38), and much more! Full transcript and searchable timestamps below.

Gossip & Parlaying

In this episode

  • 7:58In the latest episode, the JBP dives right into new freestyles from J. Cole hosted by DJ Clue
  • 53:32Which leads to Lloyd Banks vs. Fabolous
  • 1:24:27Friend of the Show Zaire Franklin joins the crew to discuss the upcoming Shakur Stevenson & Teofimo Lopez figh…
  • 1:28:55As well as Grammy weekend
  • 1:37:26The internet is frying up Steph Curry for his Timbs
  • 1:43:20Ray J discusses his health
  • 1:49:26The JBP sends their thoughts to Don Lemon
  • 2:04:52Joe shares a story about a divorce that leads to a debate among the room
  • 2:33:38Before then asking a few Hip-Hop questions about Sexyy Red & Young Thug
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5,733 transcript lines

Joe Budden Podcast Ep. 899 Transcript

Full transcript of Gossip & Parlaying (1:00:01 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    [music] only. I repeat, it is not

  • 0:08

    serious. It is not real. No one is

  • 0:11

    exposing, revealing, indicting or

  • 0:14

    telling you anything about themselves.

  • 0:15

    Also, we do not encourage you to try

  • 0:17

    this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:24

    [music]

  • 0:29

    >> [music]

  • 0:31

    >> Microphone check. What is this?

  • 0:36

    JB [music]

  • 0:37

    back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:45

    >> 5° out here. Mark don't have a coat on.

  • 0:48

    Welcome welcome welcome welcome

  • 0:50

    welcome, welcome. So happy y'all could

  • 0:51

    be here, man. Blessed, blessed, and

  • 0:53

    highly favored. Salute to that to that

  • 0:55

    man up top and Cory. I still pray for

  • 0:58

    him. All the atheists out there.

  • 0:59

    >> I still pray for the atheists. I don't

  • 1:01

    give a [ __ ] what they believe. Uh yo,

  • 1:03

    you ain't wear a coat. Mark.

  • 1:04

    >> Nah, I ain't need one.

  • 1:06

    >> My girl Mona here on time. Stop playing

  • 1:08

    with us. Yo, when we get here on time

  • 1:10

    together. OH [screaming] MY GOD.

  • 1:14

    MARK, get a cold, man. I

  • 1:16

    >> I was going to wear one out the door

  • 1:17

    today and I said, "For what? It's

  • 1:18

    three." It was It was three or four

  • 1:20

    degrees when I got up.

  • 1:22

    [laughter]

  • 1:22

    >> I see. That's a good reason.

  • 1:24

    >> Yeah, but I jump right in the car and

  • 1:25

    come straight here. The most time I

  • 1:26

    spent outside is taking them damn

  • 1:27

    pictures with y'all.

  • 1:29

    >> That's a good time for a coat. Cold out

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    there.

  • 1:31

    >> Or just hear me out. We cannot take the

  • 1:34

    pictures outside.

  • 1:34

    >> No,

  • 1:35

    >> no, no. We got to take the pictures

  • 1:36

    outside.

  • 1:36

    >> I was so curious at why we have to take

  • 1:38

    the pictures outside

  • 1:40

    >> like I just did, you know.

  • 1:41

    >> Thank you. versus where?

  • 1:43

    >> I mean, only where it's not

  • 1:44

    >> when it's colder than

  • 1:45

    >> versus taking them where?

  • 1:47

    >> Anywhere inside.

  • 1:48

    >> Where's heat? We do the same photo

  • 1:52

    >> every time.

  • 1:53

    >> I ain't pocket watching, but I'm sure

  • 1:55

    the gentleman spends a decent amount of

  • 1:57

    money for the view.

  • 1:58

    >> Mhm.

  • 1:58

    >> Mhm.

  • 1:59

    >> I want to get that view on the camera.

  • 2:00

    Utilize the view.

  • 2:01

    >> You're like, "Do you two poor Philly

  • 2:03

    people know that [laughter] we pay

  • 2:04

    millions of dollars for that view? I

  • 2:06

    know y'all don't have views in Philly."

  • 2:08

    >> I showed the view off. I got cussed out.

  • 2:09

    >> They don't have views in Philadelphia.

  • 2:11

    [laughter]

  • 2:12

    >> That's why that's why they're aligned in

  • 2:14

    talking about Ben Franklin or something.

  • 2:16

    And they got whatever steps, whatever

  • 2:18

    steps Rocky was running down. They got

  • 2:20

    the bells.

  • 2:23

    Beautiful.

  • 2:24

    >> Yeah, they got the steps Rocky trained

  • 2:25

    on.

  • 2:26

    >> Oh my god.

  • 2:27

    >> And Bill Cosby.

  • 2:28

    >> Then the rest of the country took the

  • 2:30

    Meek intro from y'all. Y'all saw

  • 2:33

    >> the steps.

  • 2:34

    >> Yeah,

  • 2:34

    >> people. But you should have seen the

  • 2:35

    steps during the snow.

  • 2:37

    >> Why else? Beautiful steps.

  • 2:38

    >> Why else would you go to Philly unless

  • 2:40

    it's something down there? You

  • 2:41

    >> lost the steps.

  • 2:42

    >> And even in that when you meet the bad

  • 2:43

    Philly joints, you come up top. She come

  • 2:45

    up top. She hopping hop on that 95.

  • 2:48

    >> You heard bad Philly joints.

  • 2:50

    >> Exactly. Philly got

  • 2:52

    bad Philly joints out there.

  • 2:54

    We got you. But [laughter]

  • 2:57

    >> there's bad Philly joints out there now.

  • 2:59

    And some of the audience said they'll

  • 3:00

    beat the damn. Don't play. Don't play

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    with big Deona.

  • 3:03

    >> Please.

  • 3:04

    >> People been asking me to do single. I

  • 3:05

    just ignore them.

  • 3:06

    >> I go big brother mode. Just ignore them.

  • 3:07

    >> Is that my

  • 3:08

    >> You already know.

  • 3:10

    >> That big brother mode. I can't believe

  • 3:12

    that's still out.

  • 3:12

    >> Yeah. Not. It's not applicable here with

  • 3:14

    Mon. Yeah. But [clears throat] I can't

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    believe that still works.

  • 3:18

    >> What do you mean?

  • 3:19

    >> Big Brother had a long run.

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    That's what they do.

  • 3:23

    >> That's a different one. Yeah.

  • 3:24

    >> I'm not talking about y'all.

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    >> What if you trying to and I legit think

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    that's like so scummy call?

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    THAT'S MY SISTER.

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    >> Don't start your [ __ ] TODAY.

  • 3:35

    >> I WAS SHOCKED TOO. [laughter]

  • 3:36

    >> DO NOT START your

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    >> I believe him cuz I was SHOCKED TOO. I

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    DIDN'T KNOW PEOPLE DO BROTHER AND sister

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    be sneaky. I did not know that.

  • 3:44

    >> No, no, no. Sometimes it means not that.

  • 3:46

    >> Sometimes it means I have no chance of

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    [ __ ] this girl, so I'm going to call

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    her sis.

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    >> It's a friend zone.

  • 3:50

    >> Oh, yeah. All the time.

  • 3:51

    >> But that's not what you were saying.

  • 3:53

    >> Oh, I do that all the time.

  • 3:54

    >> You were saying that was using the big

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    bro as the means to pop.

  • 3:57

    >> Be trying to big bro their way into some

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    heard.

  • 4:03

    >> It mean she not interested and I don't

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    got no shot.

  • 4:05

    >> That's cuz you blessed with beautiful

  • 4:06

    eyes. Beat up while we talk about some

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    real. You you not this. I don't know why

  • 4:10

    you be playing.

  • 4:12

    >> You don't know the that's like, yo, he

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    trying to get at it. She ain't with it.

  • 4:14

    So he I'mma take

  • 4:15

    >> I'm not going to take on like my little

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    sis and then I'm trying to be close.

  • 4:19

    >> Yo, that's

  • 4:20

    >> He doesn't get it cuz he's not as

  • 4:21

    >> That's crazy.

  • 4:22

    >> All right. Well, in our next part, we'll

  • 4:24

    explain everything that is. [laughter]

  • 4:27

    But yeah, I can't believe that that's

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    still a thing. I can't believe I should

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    never heard of it.

  • 4:30

    >> Yeah, I broke a [ __ ] quick. You bro,

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    put him right over there. And if that if

  • 4:34

    that still want to beat, he going to

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    take the bro position and then one day

  • 4:37

    he'll get out of that spot.

  • 4:38

    >> Correct. That's what you're talking

  • 4:39

    about. I'm doing math right now on my

  • 4:40

    brain.

  • 4:42

    >> It's a lot of

  • 4:43

    >> I didn't even think about that.

  • 4:44

    >> Yeah.

  • 4:45

    >> And when when women initiate that you're

  • 4:49

    the bro. I've seen sometimes women try

  • 4:52

    to bro their way into

  • 4:54

    >> Oh yeah.

  • 4:55

    >> What?

  • 4:55

    >> When when women just out the blue you

  • 4:58

    that's my bro. That's my bro. That's my

  • 4:59

    bro. They use that as a way to fend off.

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    They use that for so many things. I've

  • 5:04

    seen it on the reverse. That could

  • 5:06

    happen too.

  • 5:07

    >> Yeah. Yeah. Yeah. You got to be careful,

  • 5:08

    though.

  • 5:09

    >> Yeah. I don't want people to know that

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    I'm this dude.

  • 5:12

    >> You got to be careful out there. Shout

  • 5:13

    out to the bros. [laughter]

  • 5:15

    >> Shout out to the bros out there. Listen,

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    I'm in a really good mood. Really good

  • 5:19

    mood. Happy to be here. Happy to be

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    alive. Happy to be with my brethren

  • 5:22

    here. Y'all good?

  • 5:24

    >> I'm excellent. Excellent.

  • 5:25

    >> Never been better.

  • 5:26

    >> Good. I I'm so glad to hear that.

  • 5:29

    >> My [ __ ]

  • 5:30

    >> Oh, son.

  • 5:31

    >> Okay. All right, man. Let's get right to

  • 5:33

    it.

  • 5:34

    >> With no further ado,

  • 5:36

    >> actually, hold up. What episode is this?

  • 5:38

    >> 899.

  • 5:39

    >> Welcome to episode 899 of the JBP. I'm

  • 5:42

    Joe Button, your happy to be here.

  • 5:44

    Grateful and gracious host here with

  • 5:47

    some really amazing people. This episode

  • 5:48

    is brought to you by Fueled by Powered

  • 5:50

    by Prize Picks. Prize Fist Gang. Yeah.

  • 5:53

    >> Oh man. Next to me, you already know the

  • 5:55

    vibes. Philly's finest. Don't call a

  • 5:56

    white girl. Big Deona is in the building

  • 5:59

    looking fantastic, might I say. Thank

  • 6:01

    you.

  • 6:01

    >> Looking beautiful. Everything hidden.

  • 6:03

    Stop playing with her next to her. Our

  • 6:05

    good brother, Dr. Mark Lamont Hill in

  • 6:08

    the building. Sleepless in Seattle

  • 6:10

    himself. [laughter]

  • 6:11

    >> You got some sleep? You got some rest?

  • 6:13

    >> A little bit. A little bit.

  • 6:14

    >> Yo, Mark eyes. It's all in the eyes.

  • 6:16

    Mark,

  • 6:17

    >> I saw him in the elevator this morning.

  • 6:18

    It was like,

  • 6:19

    >> no, it's all in the eyes. He still ain't

  • 6:21

    removed the cult out of You can see it

  • 6:22

    in his eyes. [laughter] When he gets

  • 6:23

    sleepy, he turned into some other [ __ ]

  • 6:25

    >> He ain't removed the cult.

  • 6:26

    >> He got the eye when he [laughter] get

  • 6:28

    tired.

  • 6:29

    >> Look, that's crazy. Yeah, go back to

  • 6:31

    some wait and water [ __ ] Uh, next to

  • 6:33

    him, our good brother, Mr. Thousand

  • 6:35

    Doors and up. That's that is Velvet

  • 6:37

    Skullies. Stop playing with him. Yo,

  • 6:40

    this ain't a regular cotton skull. It's

  • 6:43

    Velvet, my boy.

  • 6:46

    >> Velvet [laughter] Skullies.

  • 6:47

    >> Big is Antoine is in the building, man.

  • 6:50

    >> Feel rich.

  • 6:51

    >> Is how you feeling, my brother?

  • 6:52

    >> I'm good. Yo,

  • 6:53

    >> good, good, good. Next to him, the

  • 6:54

    freeziest of them all. Big Freeze in the

  • 6:57

    building. Ice, how you doing?

  • 6:58

    >> I'm great, man. my baby birthday today.

  • 7:00

    Happy birthday,

  • 7:02

    Ari.

  • 7:04

    >> Happy birthday, Ari. We love you. I

  • 7:07

    would give you a nice stack of money,

  • 7:09

    but I can't trust your parents.

  • 7:11

    >> Oh, [ __ ] [laughter]

  • 7:13

    Everybody know them parents. Will you

  • 7:15

    give it to them? It's gold in the black

  • 7:17

    hole. Ari, I love you. Uh, King Elmmyra

  • 7:20

    Big Parks is in the building.

  • 7:23

    >> Hey, hey, sound the pop. Take that. It's

  • 7:27

    a anti white [ __ ] Mute up. [laughter]

  • 7:29

    We're not anti-white. Mute up is shout.

  • 7:32

    Happy birthday to Park's dad, [ __ ]

  • 7:34

    [ __ ] you talking about? And Big Po is in

  • 7:36

    the building. Cory is in the building.

  • 7:38

    Uh Erikson is here. Tanner and Savon are

  • 7:40

    here by remote. Last but certainly not

  • 7:42

    least, each and every one of you very

  • 7:44

    important people out there are here.

  • 7:46

    Also, shout out to the Hey listeners,

  • 7:48

    couldn't have gotten here without y'all.

  • 7:49

    Love every minute of your time. Thank

  • 7:51

    you. Thank you. Thank you for the

  • 7:52

    encouragement. Uh now, where was I?

  • 7:57

    >> Yeah, man.

  • 8:01

    >> [laughter]

  • 8:02

    >> He snapped.

  • 8:03

    >> I'm starting this over.

  • 8:05

    >> Yeah, go ahead. Let's go.

  • 8:07

    >> By the time he hit that, oh man,

  • 8:09

    [laughter] I was like,

  • 8:12

    hey, I was saying it, too. I was saying

  • 8:14

    it, too. No, I'm playing this again,

  • 8:16

    man. I'm so happy for Clue.

  • 8:18

    >> I'm so happy for Clue, man.

  • 8:21

    >> I've been saying for weeks about [ __ ]

  • 8:23

    time.

  • 8:23

    >> I've been saying for months. I've been

  • 8:25

    saying for, y'all know how I feel. Yeah,

  • 8:28

    I've been saying this. I've been on

  • 8:29

    this.

  • 8:30

    >> Clue just don't get the [ __ ] respect

  • 8:32

    that he deserves

  • 8:34

    >> in hip-hop.

  • 8:36

    >> I think a large part of that is due to

  • 8:40

    uh Limewire, Napster, and drama going to

  • 8:44

    jail.

  • 8:44

    >> Yeah, fair.

  • 8:46

    >> So, you know, that's like so many of

  • 8:49

    ours, our that piff history is gone.

  • 8:52

    whatever we were doing before Soundcloud

  • 8:55

    >> to on some just getting Lucy's out

  • 8:57

    there, that [ __ ] is gone.

  • 8:59

    >> Yeah.

  • 8:59

    >> This game has taken off and [ __ ] are

  • 9:01

    getting millions for selling their

  • 9:02

    catalog and it's just like an ocean of

  • 9:04

    joints that are

  • 9:07

    >> gone. And part of that is the Clue

  • 9:09

    legacy and now the kids have gotten old

  • 9:11

    and they think that Clue is some radio

  • 9:12

    DJ [ __ ]

  • 9:13

    >> right?

  • 9:13

    >> Yeah. They just don't know.

  • 9:14

    >> And we've seen Capri get his shine on on

  • 9:16

    Kendrick. We've seen Drama get his shine

  • 9:18

    from the various shits he's done and the

  • 9:20

    Tyler project on a mainstream level.

  • 9:22

    >> Yeah.

  • 9:23

    >> So, it's nice to see Clue get his.

  • 9:24

    >> Yeah. I'm not I'm not going to lie. This

  • 9:27

    it's over. This was an era to hear to

  • 9:30

    hear him shout out Paul Kane. Yeah. I

  • 9:34

    felt

  • 9:34

    >> was important to me.

  • 9:36

    >> Even just the way I mean we we skipping

  • 9:37

    a little bit, but like the way that he

  • 9:39

    was rapping was like on some 04 [ __ ]

  • 9:42

    >> Yes.

  • 9:43

    >> You know what I'm saying? Like the style

  • 9:44

    in which he approached these beats.

  • 9:46

    >> Yeah. was like throwback vibes.

  • 9:49

    >> Any any guesses as to why All Bad Boy

  • 9:52

    beats.

  • 9:55

    >> I never even thought about that.

  • 9:56

    >> How do you think about that?

  • 9:58

    >> I never even thought about that.

  • 10:00

    >> I think it's just a

  • 10:01

    >> Think about it for a little bit. Let's

  • 10:02

    get back

  • 10:03

    >> here. Go ahead.

  • 10:03

    >> Think about it for a little bit. Let's

  • 10:04

    get back, man. So glad y'all could be

  • 10:06

    here with us today, man. Shout out to

  • 10:08

    the first and last time listeners.

  • 10:11

    >> I ain't going to lie. At this point,

  • 10:14

    he's peeved. Yeah. No, he's pissed off.

  • 10:17

    That's all [ __ ] He was pissed.

  • 10:18

    >> He's annoyed at boy. He saw that

  • 10:22

    podcast. He's like, "No, hold up."

  • 10:24

    >> Y podcasters out there.

  • 10:27

    [laughter] THE REST OF Y'ALL.

  • 10:29

    >> The rest.

  • 10:30

    >> Y'ALL BEEN TALKING SO MUCH [ __ ]

  • 10:32

    [laughter]

  • 10:34

    >> and he heard y'all

  • 10:35

    >> didn't like it.

  • 10:36

    >> He didn't like it one bit. By the time I

  • 10:40

    finish these joints, I'm going to see if

  • 10:41

    I'm brave enough to shoot at some of you

  • 10:43

    [ __ ] too, cuz I agree with them. Look

  • 10:44

    what y'all did. [laughter]

  • 10:46

    Look what y'all did, man.

  • 10:48

    >> Y'all.

  • 10:49

    >> Y'all. Yeah, it was them.

  • 10:50

    >> It was definitely them.

  • 10:51

    >> But now this is why he's confusing

  • 10:53

    before I play the rest of this.

  • 10:56

    >> This is track one on this. It did sound

  • 10:58

    like he opened up with some fire for all

  • 11:01

    of the podcasters and engagement

  • 11:03

    influencer people that have been running

  • 11:05

    them out.

  • 11:05

    >> Yeah.

  • 11:06

    >> Right. And he sound annoyed by it.

  • 11:08

    >> Uhhuh.

  • 11:10

    >> But then later on he loves it.

  • 11:13

    >> Right.

  • 11:14

    I think it's the last bar on the table

  • 11:16

    there.

  • 11:18

    >> And we know he loves that.

  • 11:20

    >> You could like and still

  • 11:21

    >> like he said, yo, if you know if you've

  • 11:25

    been if you found if you know anything

  • 11:26

    about this [ __ ] you know that he's

  • 11:28

    happy that retired rappers or older

  • 11:31

    rappers get to do that. Like I believe

  • 11:33

    him. I take him at his word.

  • 11:35

    >> But I guess you can still shoot some

  • 11:37

    true. I can be happy y'all got this and

  • 11:39

    y'all still piss me off with y'all still

  • 11:41

    [ __ ] for running y'all mouths gays

  • 11:43

    parlaying

  • 11:44

    >> gossiping on couches [laughter]

  • 11:45

    gossiping parlaying

  • 11:47

    >> gossiping parlay

  • 11:50

    [ __ ] I [laughter] ain't like that doing

  • 11:52

    that [ __ ]

  • 11:52

    >> that's all it is

  • 11:55

    vibing vibing [laughter]

  • 11:57

    >> oh wait now is he shooting at uh Simba

  • 11:59

    >> yes

  • 12:00

    >> Simba is online acting like

  • 12:04

    >> he's shooting at him I didn't catch it

  • 12:06

    >> he is shooting at him

  • 12:06

    >> let's hear it

  • 12:07

    >> he's responding

  • 12:09

    He's been calling himself Simba for

  • 12:10

    [ __ ]

  • 12:11

    >> No, no, no, no. We not doing that.

  • 12:13

    >> Play Simba's control and you will hear

  • 12:15

    how he shot at Cole. Cole heard it. He

  • 12:18

    listened.

  • 12:19

    >> And Cole ain't the type to get on the

  • 12:20

    internet.

  • 12:21

    >> I'm going to address you when I'm ready

  • 12:23

    to and he's ready. He's talking directly

  • 12:24

    to him.

  • 12:26

    >> And even if the young Simba part is in

  • 12:28

    reference to himself, everything around

  • 12:30

    Yeah, it's not. But everything around

  • 12:32

    Let's go again.

  • 12:33

    >> Who is a toddler to Jermaine?

  • 12:35

    >> It's not bothering me.

  • 12:36

    >> And you're [laughter] annoying. You're

  • 12:37

    being a nuisance. Whoever he's talking

  • 12:40

    to, you're being a jerk.

  • 12:42

    >> You are you are disrupting his study

  • 12:44

    time.

  • 12:44

    >> A lot of this [ __ ] is shoe fits to me.

  • 12:46

    But maybe no,

  • 12:48

    >> I got you.

  • 12:49

    >> Wait. I agree with you. I think a lot of

  • 12:51

    [ __ ] on here is shoe fits.

  • 12:53

    >> Yeah,

  • 12:54

    >> I think some of it ain't.

  • 12:55

    >> Okay,

  • 12:55

    >> I got you. Don't worry about it.

  • 13:00

    >> Thoughts? Thoughts? Absolutely.

  • 13:02

    >> Let's stop it for a second and talk. I'm

  • 13:04

    in such a great mood, Mona. The origin

  • 13:08

    of this show is this. I know. I know you

  • 13:10

    think like we off script. We bugging. We

  • 13:13

    ain't talking. We ain't joking. Listen,

  • 13:16

    THE START OF THIS OH, I MISSED THE

  • 13:18

    START.

  • 13:19

    >> YEAH.

  • 13:20

    >> Let's get back to the essence.

  • 13:21

    >> We're here.

  • 13:22

    >> We here.

  • 13:23

    >> Not doing it for free, though.

  • 13:25

    [laughter]

  • 13:26

    >> Now, let's get let's take it back.

  • 13:28

    >> Let's take it back to the roots. But

  • 13:30

    like, [laughter] let's let's slow down.

  • 13:33

    snacking crazy. Oh my lord. Thoughts?

  • 13:36

    >> Nice snack.

  • 13:36

    >> First, yeah, when I hear I just be like,

  • 13:38

    "Yo, he just raps better than everybody

  • 13:39

    else." Like, that's that's the first

  • 13:40

    thing I thought when I heard when I was

  • 13:41

    listening to this. He just rapping his

  • 13:44

    [ __ ] ass off. But also, you could

  • 13:46

    tell he been holding some [ __ ] in. He

  • 13:47

    been waiting to get get off. And I just

  • 13:48

    love hearing him hearing him go.

  • 13:50

    >> See, I don't even think he's been

  • 13:51

    holding [ __ ] in. I think he This is

  • 13:52

    fairly new. It sounds like he's even

  • 13:54

    talking about, "Yo, it's cold as [ __ ]

  • 13:55

    New York and snow." Huh. It sounds like

  • 13:56

    he was just like, "You know what?

  • 13:58

    >> I got time.

  • 13:59

    >> Queue up these beats, man." again,

  • 14:01

    but I'm also had [ __ ]

  • 14:03

    >> I'm going to play.

  • 14:05

    >> No, you are not. We are not saying

  • 14:07

    Dennis Rodman during the Derek

  • 14:10

    [laughter]

  • 14:11

    because you're sitting here being like

  • 14:12

    we don't know who he talking about. Oh,

  • 14:14

    is he is he not you?

  • 14:16

    >> Okay. All right. Well, what I'm saying

  • 14:17

    is like my initial thoughts. I hear

  • 14:19

    Clue. I see the cover.

  • 14:22

    >> Love the cover.

  • 14:22

    >> I'm like, "Oh, [ __ ] I know what you I I

  • 14:25

    have Blizzard 96 in my phone." So I'm

  • 14:27

    like, "Oh, you ain't got Blizzard 96."

  • 14:29

    No, you always lying. [laughter]

  • 14:31

    >> I'm joking with you. I'm joking with

  • 14:33

    you, man. Sometimes I got to remind you

  • 14:35

    who I am.

  • 14:35

    >> I KNOW WHO YOU ARE. Sometimes I have to

  • 14:37

    remind you,

  • 14:38

    >> you know, that intro wouldn't have

  • 14:39

    happened early if it wasn't for me.

  • 14:40

    >> That's a fact. That's a fact. And me cuz

  • 14:43

    I wrapped it. But

  • 14:44

    >> But I'm just saying [laughter] it didn't

  • 14:45

    happen. He didn't He didn't have you.

  • 14:47

    But my point was I'm I'm automatic. I'm

  • 14:51

    automatically I'm automatically looking

  • 14:53

    at it like, "Oh, you're setting the bar

  • 14:55

    extremely high. For what? The album.

  • 14:58

    >> For the field or for himself?

  • 14:59

    >> No, no, no, no. For for what I'm about

  • 15:00

    to hear.

  • 15:01

    >> Got it. Okay.

  • 15:02

    >> Like you're you're building anticipation

  • 15:03

    for people. Yeah.

  • 15:04

    >> All right. You got clue. You got the

  • 15:06

    cover. I hear victory.

  • 15:07

    >> Yeah.

  • 15:08

    >> Oh,

  • 15:09

    we know what was done to victory.

  • 15:11

    >> Uh-huh. A couple times.

  • 15:12

    >> Exactly. So, it's automatically going to

  • 15:14

    be a comparison whether you want to or

  • 15:15

    not.

  • 15:17

    >> We'll talk about Banks a little later,

  • 15:18

    but

  • 15:19

    >> say

  • 15:19

    >> that's still in a shrine somewhere.

  • 15:21

    >> To me, Banks still that Banks victory

  • 15:23

    freestyle is in a shrine somewhere.

  • 15:25

    >> Oh, yeah. No, that's what I'm saying.

  • 15:26

    >> A separate part of the cemetery.

  • 15:29

    >> Agreed. That's what So if I hear you

  • 15:31

    start off,

  • 15:31

    >> you got to take a You never Yeah. You go

  • 15:33

    to the graveyard, you try to see a few

  • 15:34

    people, but sometimes somebody is a

  • 15:36

    little walk.

  • 15:38

    >> It's a long long walk before we start.

  • 15:40

    You got to get in the car. Some of these

  • 15:41

    other car drive. I was there for that.

  • 15:44

    MC's were afraid.

  • 15:46

    >> But that's my point anyway. So hearing

  • 15:47

    victory, I'm like, "Oh, wow. We know you

  • 15:50

    you got some big shoes to fill if you

  • 15:52

    choosing this beat and choosing it

  • 15:54

    first."

  • 15:54

    >> Yeah. You reminded me of another point I

  • 15:56

    I want to say that I forgot about

  • 15:58

    earlier. Yeah. Um there's a sea of songs

  • 16:01

    in an ocean somewhere. But another part

  • 16:04

    is none of you [ __ ] can do it anymore.

  • 16:06

    >> That part

  • 16:07

    >> they can't do that.

  • 16:08

    >> Y'all can't do it.

  • 16:09

    >> Can't do that.

  • 16:10

    >> Yeah. Not many.

  • 16:12

    >> They only want to try to do it.

  • 16:14

    >> There's only a handful.

  • 16:15

    >> They can't do it.

  • 16:16

    >> They can't do it.

  • 16:17

    >> They can't. I respect There's a few

  • 16:18

    [ __ ] that that rap at a high level for

  • 16:22

    their level and they go give it a

  • 16:23

    puncher shot. I appreciate that. All you

  • 16:25

    [ __ ] like rapping, go ahead and rap.

  • 16:26

    Get it off. A lot of you [ __ ] that go

  • 16:28

    over there to [ __ ] the 106 uh what's

  • 16:31

    the [ __ ] Power power. A lot of y'all

  • 16:33

    that

  • 16:33

    >> on the radar. All of them.

  • 16:34

    >> Yeah. A lot of y'all you're giving it

  • 16:36

    your Hey, I think that's great. But it

  • 16:39

    ain't

  • 16:39

    >> a clue tape, fam. And before we even

  • 16:41

    finish now, now I'm getting down. A clue

  • 16:44

    tape.

  • 16:44

    >> Get [ __ ] off here. Go ahead.

  • 16:45

    >> Yeah, you you the perfect understanding

  • 16:49

    pressure of a clue tape. First of all,

  • 16:52

    you couldn't just get on a clue tape

  • 16:53

    >> at all.

  • 16:54

    >> Yeah.

  • 16:55

    >> You couldn't just get a record deal,

  • 16:57

    think you could rap, be hot on your

  • 16:58

    block, and get on a clue tape. That

  • 17:00

    wasn't happening. You had to be like a

  • 17:03

    dog. Like a dog dog. A dog. Fab was

  • 17:07

    probably going to get the first slot

  • 17:08

    because business is business.

  • 17:11

    >> But [ __ ] when he did it, Kiss is

  • 17:13

    getting the first slot. [clears throat]

  • 17:16

    >> A new lock. You sandwiched. You are

  • 17:20

    being sandwiched behind

  • 17:22

    >> [ __ ] Yo.

  • 17:24

    >> Yeah, that was killers.

  • 17:26

    >> Yeah. Sometimes you I wouldn't mind

  • 17:28

    being track 13 and 14.

  • 17:31

    >> And even that you're not home free.

  • 17:34

    >> No.

  • 17:34

    >> He's [clears throat] surrounding you

  • 17:35

    with

  • 17:35

    >> some [ __ ] down there.

  • 17:36

    >> And and Clue would and Clue such a

  • 17:39

    [ __ ] He would never tell you what he

  • 17:42

    had for the tape either.

  • 17:45

    >> That's That's kind of crazy. He wouldn't

  • 17:47

    tell you what he had for the tape. He

  • 17:49

    would just be like, "All right, yo, did

  • 17:51

    you do your thing?" Because uh

  • 17:54

    Kiss Kiss was in the in the studio last

  • 17:58

    night with us. Just dropped something

  • 17:59

    like, "Huh? [laughter] Did I do my

  • 18:01

    thing?" All right, [ __ ] Let me go hear

  • 18:02

    my hear my [ __ ] again. But every hood

  • 18:05

    was in a frenzy. Jersey City swore I was

  • 18:08

    a multi-millionaire off of Clue Tapes.

  • 18:10

    Clue tapes went around. This is back to

  • 18:12

    just appreciating things regionally.

  • 18:15

    Yeah,

  • 18:16

    >> this is a big like tri-state type of

  • 18:20

    >> weapult

  • 18:23

    culturally significant for our

  • 18:24

    upbringing. When I heard the like you

  • 18:28

    chills, bro, that [ __ ] is different.

  • 18:30

    People don't understand again,

  • 18:32

    >> bro. That [ __ ] came with a haircut.

  • 18:33

    >> Honestly, bro, a haircut, a Sergio

  • 18:36

    Chini, and a car wash.

  • 18:38

    >> That [ __ ] was a time capsule.

  • 18:40

    >> So, y'all the rappers that's on the tape

  • 18:41

    wouldn't hear everybody else verse till

  • 18:43

    it come out?

  • 18:44

    >> No. M

  • 18:45

    >> no

  • 18:46

    >> bro this [ __ ] was it was something

  • 18:47

    >> it was a movement

  • 18:48

    >> but that went to my point like when X

  • 18:50

    and them was on they climb dog you had

  • 18:52

    to deal with all of them [ __ ]

  • 18:55

    >> remember we had the argument we ain't

  • 18:56

    argue but it was a point going around

  • 18:57

    about the 50 Cent X and all of that and

  • 18:59

    they chopped it up bro you had to deal

  • 19:01

    with all of that some of these [ __ ]

  • 19:03

    didn't have record deals they still was

  • 19:05

    killers

  • 19:07

    >> you had to deal with that wasn't no

  • 19:09

    gimmicks it wasn't no melodies it wasn't

  • 19:11

    you had to get on a [ __ ] tape and rap

  • 19:15

    using words. It wasn't no harmonizing

  • 19:17

    the music had to kill you to save you.

  • 19:19

    The hook save you. It wasn't no uh post

  • 19:22

    on Instagram make it look fly Tik Tok

  • 19:25

    dance. You had to be a [ __ ]

  • 19:27

    shark

  • 19:30

    well manicured content to make the

  • 19:31

    record look hotter than it is.

  • 19:33

    >> Nope.

  • 19:34

    >> With the HD cameras and good lighting.

  • 19:35

    No, it wasn't that.

  • 19:36

    >> Like I feel like Clue should be selling

  • 19:38

    like a a voice pack like or a adlib kit.

  • 19:43

    Yeah. like some AI.

  • 19:45

    >> They should hire they should hire Clue

  • 19:47

    to do it. [ __ ] Yeah, they should.

  • 19:49

    >> Yeah.

  • 19:51

    >> Well, yeah, but no, you can sell more of

  • 19:53

    the [ __ ] pack.

  • 19:54

    >> Nah,

  • 19:55

    >> bro. You think there's a coward if

  • 19:56

    there's no clue?

  • 19:57

    >> Do I think there is?

  • 19:59

    >> I don't think there's not a lot of these

  • 20:00

    [ __ ] if there's no clue.

  • 20:01

    >> I think there's a Kallet.

  • 20:03

    >> I think that's the evolution of Clue.

  • 20:05

    >> Khaled was around by the way. He just

  • 20:06

    wasn't the K that we

  • 20:08

    >> was around as a radio DJ back.

  • 20:13

    That's the temple. The person, you know

  • 20:14

    what I'm saying? He's the temple. Yeah.

  • 20:16

    >> Yeah.

  • 20:17

    >> And what separates Clue, I mean, from

  • 20:19

    cuz Flex put out a album before,

  • 20:22

    >> but Clue was producing

  • 20:23

    >> Capri. All of them. Yeah.

  • 20:24

    >> Yeah.

  • 20:25

    >> Clue was producing. Dur was mixing.

  • 20:27

    Listen, man. Chef to to to JCole. Yeah.

  • 20:30

    Shout out to Duro, man. Miss you and I

  • 20:31

    love you.

  • 20:32

    >> Uh for JCole to do this and go this

  • 20:35

    route. Yeah. It ain't a lot of It ain't

  • 20:36

    a lot of people that that that good.

  • 20:37

    [clears throat]

  • 20:38

    >> Not at all.

  • 20:40

    >> Yeah, that was that rhyme scheme is

  • 20:42

    vintage.

  • 20:43

    >> Give Give it to me. Give it Give it to

  • 20:44

    me.

  • 20:44

    >> I love the the words, right? I love like

  • 20:48

    it it was dope.

  • 20:49

    >> But I don't want to hear you I don't

  • 20:51

    even want to hear you talk about this

  • 20:52

    this top three big three [ __ ] no more. I

  • 20:55

    >> see to he's setting it up. He's making

  • 20:57

    the narrative about the fall off being

  • 20:59

    the fall off. He he's this is

  • 21:00

    orchestrating what's happening right

  • 21:02

    now.

  • 21:02

    >> Got to address it. [clears throat]

  • 21:03

    The album, the album, The Falloff, has

  • 21:05

    been playing for years and years. This

  • 21:07

    all just kind of worked perfectly in

  • 21:09

    that narrative of I was top three, now

  • 21:11

    I'm out because ah, he's playing into it

  • 21:14

    right here. I get it. I just don't want

  • 21:15

    to hear it. It's brilliant.

  • 21:17

    >> So, you don't want him to address the

  • 21:17

    situation at all.

  • 21:19

    >> Fam, move past that. I don't I don't

  • 21:21

    need to hear nothing about I want to get

  • 21:22

    as far away from that battle and

  • 21:24

    everything that happened in that battle

  • 21:25

    as possible.

  • 21:26

    >> I agree with you on that.

  • 21:26

    >> I'm just over it. So, now

  • 21:28

    >> get his [ __ ] off though.

  • 21:28

    >> I say he say,

  • 21:30

    >> but I think you got your [ __ ] off at the

  • 21:32

    apology. That's how I'm treating you.

  • 21:34

    You removed yourself. You deleted the

  • 21:36

    song. You apologized. You want nothing

  • 21:37

    to do with this. Cool. We accept that.

  • 21:39

    >> All wrong.

  • 21:40

    >> You accept. Everybody didn't accept all.

  • 21:44

    >> I accept that. I don't want to hear

  • 21:45

    that.

  • 21:46

    >> That battle birthed a lot of things with

  • 21:51

    >> I mean, if I'm taking them out of work,

  • 21:53

    but but his friendships.

  • 21:54

    >> Yeah.

  • 21:55

    >> So, at this point, we not on the battle

  • 21:57

    anymore. We on [ __ ] that happened from

  • 22:00

    the battle. He's made himself clear that

  • 22:02

    he don't give a [ __ ] and want to talk

  • 22:03

    about that battle. So he don't So when

  • 22:06

    he says the top three and all this [ __ ]

  • 22:08

    I'm not taking it as this is more battle

  • 22:11

    talk. One, two, I know there are people

  • 22:13

    that feel like Ice and and don't really

  • 22:15

    want to hear certain things from JCole.

  • 22:18

    I am not one of those people. I [snorts]

  • 22:20

    still want him to pop his [ __ ] I still

  • 22:22

    want him to talk like the baddest [ __ ]

  • 22:24

    on the planet. Go ahead, get it all off.

  • 22:26

    As long as it ain't directly directed to

  • 22:29

    nobody like we just broadly saying then

  • 22:32

    please I I don't want to strip one of

  • 22:34

    the greatest rappers in the world of the

  • 22:36

    ability that helps him to be one of the

  • 22:38

    greatest rappers in the world. I

  • 22:40

    >> don't talking about I can see if he was

  • 22:43

    still saying I'm I'm top three or I'm

  • 22:45

    I'm at the top and he [ __ ] these dudes

  • 22:46

    cuz to me you lost that privilege when

  • 22:48

    you when you bowed out but he's

  • 22:49

    literally saying I know what I did

  • 22:52

    that's why I'm not in people's top

  • 22:53

    three. I'm okay being the underdog. Like

  • 22:55

    to me that's perfectly appropriate

  • 22:57

    especially with a falloff with the album

  • 22:59

    theme is the falloff.

  • 23:00

    >> Did you can I ask you a question? Did

  • 23:01

    you not like the apology in itself? Like

  • 23:03

    did that irritate you that whole thing?

  • 23:04

    >> No, no, no. I I'm I wasn't initially I

  • 23:06

    was just like yo what the [ __ ] But

  • 23:08

    >> after seeing how the battle played out,

  • 23:10

    I understand Cole's point and we all

  • 23:12

    understood like yo cool. I don't want

  • 23:14

    y'all getting ready to get dirty like

  • 23:15

    that.

  • 23:16

    >> I don't want no parts of that. So I

  • 23:18

    respect that.

  • 23:19

    >> He can walk away with his sanity, his

  • 23:20

    mental health. I don't got to [ __ ] with

  • 23:22

    none of this.

  • 23:22

    >> Yeah. So, I'm that's not my point. I'm

  • 23:25

    just saying I like cold rapping like I'm

  • 23:27

    the best there. I I like I want him to

  • 23:29

    continue that. You don't have to talk

  • 23:31

    about Big Three or even mention Big

  • 23:33

    Three to do that though.

  • 23:34

    >> I could still feel I'm the best. Maybe I

  • 23:37

    don't want to do the direct battle with

  • 23:39

    somebody because of the potential. It

  • 23:40

    could get dirty or ugly and I don't want

  • 23:42

    to get in the mud with y'all, but I

  • 23:43

    still think I rap better than everybody.

  • 23:45

    >> It does.

  • 23:46

    >> I don't have to

  • 23:48

    one-on-one engage and make diss songs to

  • 23:50

    say that I'm better than you, though.

  • 23:52

    So, if that's the case, cool. I just

  • 23:53

    don't want to hear you do no more big

  • 23:54

    three talk. Period. Just say you're the

  • 23:56

    best.

  • 23:57

    >> You're just over it.

  • 23:58

    >> Yeah, I'm over it. You say you're the

  • 23:59

    best and that's it. When I hear him say

  • 24:00

    big three, top three.

  • 24:02

    >> But to the people that feel like that,

  • 24:04

    like what I think is if you never hear

  • 24:07

    the big three again, cuz I hear that's a

  • 24:09

    new thing out there. Ain't no more big

  • 24:11

    three. Ain't no more big

  • 24:12

    >> talking point.

  • 24:13

    >> Guess what you guys? If y'all never hear

  • 24:15

    the big three again, there's a big

  • 24:17

    three.

  • 24:18

    >> Right. If if each one of them never say

  • 24:21

    that [ __ ] guess what? It still exists.

  • 24:25

    You know why? Edged in stone.

  • 24:26

    >> There were there there were reasons and

  • 24:28

    there are reasons. And I think a big

  • 24:31

    part of what the of of what's underneath

  • 24:35

    some of the public saying we don't want

  • 24:36

    to hear that big three [ __ ] no more is

  • 24:39

    is a is a fear that exists because

  • 24:43

    there's nobody else out there that looks

  • 24:46

    like they're taking that mantel and and

  • 24:48

    they're about to do that with it. Of

  • 24:50

    course, you have your exceptions that

  • 24:51

    the young people are rolling with, which

  • 24:52

    is NBA Young Boy and whoever they are.

  • 24:55

    Like there's people out there that that

  • 24:56

    are doing great. But, you know, uh, this

  • 25:00

    week I've been having back and forth

  • 25:01

    with people about the blog era, which

  • 25:03

    I'm just not going to do because I was

  • 25:06

    there for the blog era and participated

  • 25:08

    in it.

  • 25:09

    >> I saw you clapping back a little bit. I

  • 25:10

    was surprised you even did that.

  • 25:11

    >> Cuz I'm not going to debate. I'm not

  • 25:12

    going to debate with these people. And

  • 25:14

    Moon Music 3, we put out CDs. We put out

  • 25:16

    CDs for a reason because the blog era

  • 25:19

    had not just taken off. But 07 is I'm

  • 25:22

    only talking about 07. Uh, I think my

  • 25:25

    words got misconstrued. The blog error

  • 25:27

    is one of the greatest errors. It's

  • 25:29

    proven to be that. I'm only talking

  • 25:31

    about people overstating what it was in

  • 25:35

    2007. But in my back and forth,

  • 25:38

    >> I want to go back to that when you

  • 25:39

    finish too.

  • 25:39

    >> But in my back and forth uh with people,

  • 25:43

    um what I got to remembering and

  • 25:48

    appreciating and just loving about and

  • 25:50

    reminiscing about that particular era

  • 25:52

    was all of the stars that came from that

  • 25:55

    era. Yeah.

  • 25:57

    >> And they they were undeniable. Like it

  • 26:00

    wasn't niche.

  • 26:02

    >> These were

  • 26:04

    Drake in ' 08 09.

  • 26:07

    >> Mhm.

  • 26:08

    >> Uh Cole

  • 26:10

    >> in09

  • 26:11

    Kendrick

  • 26:12

    >> Kendrick

  • 26:13

    >> Wiz current

  • 26:18

    Mac. Yeah.

  • 26:20

    >> Like there was nothing that the general

  • 26:22

    public could do.

  • 26:24

    >> Yeah. Yeah, there was nothing that the

  • 26:25

    public was for sure.

  • 26:27

    >> Uh the whole ASAP

  • 26:30

    collective

  • 26:32

    future,

  • 26:34

    >> the music business, the executives, the

  • 26:38

    radio stations, the stores, the mom and

  • 26:41

    pops. Like that's what I'm saying. In '

  • 26:43

    07, [ __ ] like me was like fighting,

  • 26:47

    putting joints on. By 09, 010, 2011, the

  • 26:52

    industry had now acquiesced to what was

  • 26:54

    going on. And no matter who's successful

  • 26:56

    today, I don't think the general public

  • 26:58

    feels like they have three or four

  • 27:01

    people that you can easily see what the

  • 27:03

    next 20 years in hip hop looks like,

  • 27:05

    >> right?

  • 27:05

    >> No,

  • 27:06

    >> there's no farm system.

  • 27:07

    >> There's no farm system really anymore.

  • 27:09

    >> That was the farm system.

  • 27:10

    >> I think that's by design, too, though,

  • 27:12

    bro.

  • 27:13

    >> Like if you if the labels, even if

  • 27:15

    people say labels are dying off,

  • 27:16

    whatever, they still got a grip. They

  • 27:17

    got a control on this. If there is no

  • 27:21

    big three or or big four, big five,

  • 27:23

    whatever, there's no top people, we kind

  • 27:26

    of get to control the field a little bit

  • 27:28

    better.

  • 27:29

    >> See, I

  • 27:30

    >> I think the label should always want

  • 27:31

    stars. I think the music business would

  • 27:34

    always want stars. I'm not saying stars.

  • 27:36

    I'm just saying them those ones cuz now

  • 27:37

    you have the risk of

  • 27:40

    >> especially with all the information out

  • 27:41

    there. Look, they ran the SoundCloud,

  • 27:43

    took every star off of Soundcloud, and

  • 27:45

    then SoundCloud went bankrupt.

  • 27:47

    >> Yeah.

  • 27:47

    >> Mhm. [clears throat]

  • 27:49

    >> So, I mean,

  • 27:50

    >> bro, think or not just that.

  • 27:51

    >> Wherever the stars are, the music

  • 27:53

    business is going to go get all of the

  • 27:55

    people.

  • 27:55

    >> We just don't we don't want two or three

  • 27:57

    of them. We don't want that. They they

  • 27:59

    don't want to put all the eggs in the

  • 28:00

    basket of one star when they can get 10

  • 28:02

    stars that maybe all additive

  • 28:04

    cumulatively can be the one star

  • 28:06

    >> and that one star get some information

  • 28:08

    and now it's powerful and don't and I

  • 28:09

    want to play hard ball with y'all.

  • 28:11

    >> And I'm even reminded while JCole is

  • 28:14

    talking that I'm a I'm a father to you

  • 28:16

    [ __ ] type [ __ ] I was like oh [ __ ]

  • 28:18

    Like when he said that it was a a

  • 28:21

    reminder for me cuz you don't remember

  • 28:23

    when he was a new [ __ ]

  • 28:24

    >> Well J he's about our age. couple years

  • 28:26

    younger,

  • 28:27

    >> which is a little bit younger than you.

  • 28:28

    Like he's not that far. It's not an age

  • 28:30

    thing. How long you been? It's not It's

  • 28:31

    not It's not It's not It's not based on

  • 28:33

    age. Uh

  • 28:35

    >> but when he says that,

  • 28:39

    that's the other thing like whoever the

  • 28:41

    next person is or the new people are

  • 28:44

    going to be. I mean, does the public

  • 28:46

    feel like you gonna get a run as long as

  • 28:49

    JCole Drake

  • 28:50

    >> Kendrick,

  • 28:51

    >> Kendrick, Wall, Sean, Meek,

  • 28:55

    >> Rocky, just who these people and Huh?

  • 28:59

    >> No.

  • 29:00

    >> Oh, man. Anyway, come on. I'm sorry

  • 29:01

    y'all. I'm sorry. I'm rambling. Here we

  • 29:04

    go. But I'm excited.

  • 29:06

    >> Sorry. I feel good.

  • 29:07

    >> Sorry that I'm in a good mood and love

  • 29:09

    music. [ __ ] y'all. [ __ ]

  • 29:12

    >> That was pretty clever.

  • 29:13

    >> Yeah, that's dope.

  • 29:13

    >> That was pretty clever. That was dope.

  • 29:16

    >> And a quick 12 minutes of of of this

  • 29:19

    too. Like he didn't OD.

  • 29:21

    >> He didn't

  • 29:21

    >> he didn't try to like find a dope idea

  • 29:24

    and then overdo it and beat it to death.

  • 29:26

    >> Quick five joint, four joints.

  • 29:29

    >> Then at the end of whatever Ice sent me

  • 29:31

    was all of them together and and I let

  • 29:34

    it rock and I let it rock.

  • 29:36

    >> That That's clue [ __ ] Like that's

  • 29:38

    that's how when it first digitized

  • 29:40

    >> it was

  • 29:41

    >> side A.MPP3 MP3 sidebe.mpp3.

  • 29:45

    >> Y

  • 29:45

    >> the whole tape.

  • 29:46

    >> I love again he he checked all the boxes

  • 29:49

    for for uh

  • 29:50

    >> He did

  • 29:50

    >> for for making it a a clue tape.

  • 29:53

    >> I

  • 29:55

    I wasn't really on this one.

  • 29:56

    >> What do you mean

  • 29:57

    >> this freestyle?

  • 29:58

    >> He's this is probably my least favorite.

  • 30:00

    I like the Lucian Lucian bar. This

  • 30:02

    freestyle or the overall project?

  • 30:05

    >> I don't love the overall project like

  • 30:07

    everyone else does. Really?

  • 30:08

    >> I love Victory.

  • 30:09

    >> That was fire. I don't I don't love the

  • 30:11

    overall project the way everyone else

  • 30:12

    does. Again, but part of it is because I

  • 30:15

    know what happened on them beats.

  • 30:18

    >> It's not It may

  • 30:19

    >> is such an elitist.

  • 30:20

    >> No, no, no, no, no. Listen, you chose

  • 30:23

    these beats for a reason.

  • 30:26

    You know what happened to these beats?

  • 30:28

    You know that like same thing I said

  • 30:30

    about victory. You're setting a very

  • 30:33

    hard bar, a very high bar that you might

  • 30:36

    not even be able to reach. See, I love

  • 30:38

    it because it just brings you back to a

  • 30:40

    time. I don't I don't and and I think he

  • 30:42

    showed up in body

  • 30:45

    and it's him appreciating the time which

  • 30:48

    is that's a really

  • 30:48

    >> I can appreciate that really respectful

  • 30:50

    thing.

  • 30:51

    >> The GoFundMe clue mimic that is a old to

  • 30:54

    hip hop and that's why

  • 30:56

    >> JCole is bigger than

  • 31:00

    anybody that was on a clue tape with the

  • 31:02

    exception of three people.

  • 31:05

    He's bigger than all he need to do is be

  • 31:08

    himself to his audience and rap to the

  • 31:10

    best of his ability. And for his people,

  • 31:13

    >> it's going to hit like

  • 31:16

    >> I don't even think his people going to

  • 31:17

    appreciate this properly.

  • 31:18

    >> Yeah. I'm just saying I don't think so.

  • 31:20

    >> How old they are. Yeah. The younger fans

  • 31:22

    may not feel about it.

  • 31:23

    >> They're not going to appreciate this

  • 31:24

    properly.

  • 31:25

    >> I get what I is saying. When you when

  • 31:26

    you choose certain beats,

  • 31:28

    >> you saying I'm here to compete at that

  • 31:30

    level. It's like when you choose a blues

  • 31:31

    song or whatever song to sing over like

  • 31:32

    certain you do a standard standard. You

  • 31:34

    got you got you got to get busy with the

  • 31:36

    standard right?

  • 31:36

    >> I think he did though.

  • 31:37

    >> I do too. That's why he and I disagree.

  • 31:40

    >> I don't know if you have to I don't know

  • 31:41

    if you have to be

  • 31:42

    >> No, you play you playing at the garden.

  • 31:44

    Like you need to have a good game at the

  • 31:46

    garden. You don't need to do what Willis

  • 31:48

    Reed Wal Frasier did or what Kobe did,

  • 31:51

    but you go into the garden. You need to

  • 31:52

    do you at the garden. I think he did a

  • 31:54

    great job of that. I'm with you. This

  • 31:56

    second the second freestyle is not my

  • 31:58

    favorite out the pack. But I was first

  • 31:59

    and the fourth. I don't remember all the

  • 32:00

    names.

  • 32:01

    >> But is that Bronzu? Which one is

  • 32:02

    >> Bronzu was the first one?

  • 32:03

    >> The first one. That's first. To me,

  • 32:06

    that's the best one by far.

  • 32:07

    >> Yeah. Easy.

  • 32:08

    >> The last one is fire, too. Uh, what is

  • 32:10

    that [ __ ] called? 99 build.

  • 32:13

    >> That one is I think I like all of them,

  • 32:15

    buddy.

  • 32:15

    >> Yeah, me too.

  • 32:17

    >> All right. Well, since Ice don't love

  • 32:18

    that one, let's get to the next one.

  • 32:20

    Here we go. Hey,

  • 32:25

    I ain't going to front. I need to bring

  • 32:26

    my music show back. I have way too much

  • 32:28

    fun just playing music that I love.

  • 32:31

    >> I know that this is a podcast and we do

  • 32:32

    have to talk at some point, but I boy am

  • 32:35

    I having a blast.

  • 32:36

    >> I said the wrong thing, Joe.

  • 32:37

    >> I like the little change up they made in

  • 32:38

    the beat. I like this.

  • 32:40

    >> I thought you going to say this made you

  • 32:41

    want to rap again. What' you say, Mark?

  • 32:42

    You said You said the wrong thing. I

  • 32:44

    thought you was going to say when you

  • 32:44

    hear this, it made you want to start

  • 32:46

    rapping again.

  • 32:46

    >> Not at all. Not at all. Not at

  • 32:48

    [laughter] all.

  • 32:48

    >> How the [ __ ] do you hear THIS AND NOT

  • 32:49

    WANT TO RAP AGAIN? It made me want to

  • 32:50

    rap.

  • 32:51

    >> Yo, you know the era I come from.

  • 32:53

    >> Do you know what he did to this beat?

  • 32:54

    >> Yeah. JCO don't get me out of bed. Do

  • 32:56

    you know what Joe Button did to this

  • 32:57

    beat?

  • 32:58

    >> Yeah.

  • 32:59

    >> Why would he need to rap? That's my

  • 33:01

    point though. That's That's This is why

  • 33:02

    I say it's just cool. Now listen to

  • 33:04

    this. Money power the first time when

  • 33:07

    they try to knock down the towers the

  • 33:09

    first time. And the only reason I'm

  • 33:11

    talking about it is so you know the real

  • 33:12

    talk of New York's about it.

  • 33:14

    >> Oh my god. Good times.

  • 33:15

    >> So So my problem

  • 33:19

    Cole did Cole

  • 33:21

    on on these beats and he he wrapped

  • 33:24

    well. He wrapped No. [ __ ] well. [ __ ]

  • 33:26

    well. He rapped exceptionally well.

  • 33:27

    >> Thank you.

  • 33:28

    >> I'm not I'm not dissing him for the

  • 33:30

    rapping.

  • 33:31

    >> These beats caught for something else

  • 33:33

    though, cuz I know what happened to

  • 33:34

    these beats. You pick these score in the

  • 33:36

    guard. You You went 55.

  • 33:39

    >> You have You have to.

  • 33:41

    >> If you take Whitney Houston Well, if you

  • 33:42

    take Dolly Parton's song and then you

  • 33:44

    see what Whitney Houston did to it.

  • 33:46

    >> We're not doing this.

  • 33:46

    >> No, I'm just giving you an example. And

  • 33:48

    now you go sing over it and you cover it

  • 33:49

    again.

  • 33:50

    >> Yeah.

  • 33:51

    >> You got to bring your going to remember

  • 33:53

    that. You know, I hate that example,

  • 33:55

    [ __ ] Dolly Parton, give me that slap,

  • 33:58

    [ __ ] You wasn't doing nothing. I know.

  • 34:00

    We giving it to the greatest singer of

  • 34:01

    all time, arguing.

  • 34:02

    >> And I said, now if you go cover asking

  • 34:05

    one of the current greats to take from

  • 34:07

    [ __ ] that went I didn't ask HIM TO

  • 34:09

    TAKE NOTHING FROM THESE [ __ ]

  • 34:10

    >> ICE is saying you just went behind

  • 34:12

    Whitney. Not you went behind Dolly. You

  • 34:14

    went behind Whitney. So when you go

  • 34:16

    behind Whitney, you got to go crazy.

  • 34:18

    >> All right. No Dreamville tickets for

  • 34:19

    you.

  • 34:20

    >> No. [laughter] No tickets to Dreamville.

  • 34:22

    Man,

  • 34:23

    >> you're done. You're done, buddy. You

  • 34:24

    thought you were going to sit on the

  • 34:25

    grass in here [ __ ] JCole, [laughter]

  • 34:30

    [ __ ]

  • 34:30

    >> Yeah, it's over for you, man. JCole,

  • 34:32

    great job. Y want to talk about the

  • 34:35

    business of this? Cuz I love the

  • 34:36

    business of this as much as I love the

  • 34:37

    music of this.

  • 34:38

    >> Oh my god.

  • 34:38

    >> The website,

  • 34:39

    >> the website, which you want. Yeah. Pay

  • 34:42

    what you want and then as soon as you

  • 34:43

    buy it, it pops up and says, "Yo, buy

  • 34:46

    the f the falloff for another $15."

  • 34:49

    >> It's brilliant. Absolutely brilliant.

  • 34:51

    And I'm very very curious to see with

  • 34:53

    them what this fall off if he does it uh

  • 34:56

    direct to consumer.

  • 34:58

    >> I think I think he might do all all like

  • 35:00

    he might drop to consumer.

  • 35:02

    >> Yeah. I mean it already is clearly

  • 35:04

    available for sale on the website. I'm

  • 35:06

    just wondering how that's going to play

  • 35:07

    in with the actual drop date

  • 35:09

    >> or would would how would they compile

  • 35:13

    all the numbers and the data?

  • 35:14

    >> Who gives a [ __ ] about the numbers?

  • 35:18

    Oh they

  • 35:19

    >> they can report him, but they

  • 35:20

    >> But he [laughter]

  • 35:22

    report Yeah. I don't think

  • 35:24

    >> And be clear, he's still going to do the

  • 35:26

    numbers.

  • 35:26

    >> Yeah. It's still going to do numbers.

  • 35:29

    Already did numbers.

  • 35:30

    >> He's not going to have time to report

  • 35:31

    the numbers, you guys. He won't have

  • 35:33

    time too much ching ching.

  • 35:35

    >> No, no. I'm I'm [laughter] saying when

  • 35:36

    it does go. No. What I'm saying is when

  • 35:39

    it goes up on your DSPs and all that,

  • 35:41

    it's still gonna do numbers

  • 35:42

    >> for sure.

  • 35:42

    >> I believe that.

  • 35:43

    >> That's all I'm He's still gonna have the

  • 35:44

    number one album. It's still gonna do

  • 35:46

    whatever the and I'm gonna make a [ __ ]

  • 35:48

    ton of money because I'm gonna do it

  • 35:49

    over here too. It's crazy.

  • 35:50

    >> Win-win.

  • 35:51

    >> A JCole, I love you, man. Absolutely

  • 35:54

    love this.

  • 35:54

    >> Love it. Love it.

  • 35:55

    >> And I love people just dropping some

  • 35:57

    like heat

  • 36:00

    >> like two weeks or a week before the

  • 36:02

    album.

  • 36:02

    >> Word.

  • 36:03

    >> That's old school [ __ ]

  • 36:04

    >> That's old school.

  • 36:05

    >> [ __ ] used to drop the mixtape. [ __ ]

  • 36:06

    used to go up to Flex and Freestyle or

  • 36:07

    go somewhere like that's old school

  • 36:09

    [ __ ]

  • 36:09

    >> Yeah, but I'm going to do it on my [ __ ]

  • 36:11

    >> Yeah,

  • 36:12

    >> that's what I love. I'm doing my own

  • 36:13

    [ __ ] I love the business. Come right

  • 36:14

    here. As much as I love the music, he

  • 36:15

    bodied. He went crazy. But

  • 36:17

    >> and be clear, let me just clear this up.

  • 36:19

    Like I'm I'm not saying this is a bad

  • 36:20

    project or nothing like that. I like the

  • 36:22

    project. It's just I'm holding it to a

  • 36:24

    super high standard.

  • 36:25

    >> You give it a B. It sound like

  • 36:26

    >> Yeah. Yeah. I'm not knocking I'm not I

  • 36:29

    hate this or nothing like that. It's

  • 36:30

    just you can't

  • 36:31

    >> I mean it's only four songs. I mean for

  • 36:34

    what he did in the four songs, I think

  • 36:35

    it was great.

  • 36:35

    >> Yeah. I think it perfect. I think he's I

  • 36:37

    think created more of an appetite for

  • 36:38

    the album, which is

  • 36:39

    >> I agree.

  • 36:40

    >> Which is all you want to do.

  • 36:41

    >> No. [ __ ] starving for the album. and

  • 36:42

    the letter he put out saying how yo the

  • 36:44

    album was this and

  • 36:46

    >> I went back and now I made it evolved

  • 36:48

    into the double disc and all this other

  • 36:50

    [ __ ] like

  • 36:51

    >> yeah I want to hear the the anticipation

  • 36:53

    is even higher now and back in the day

  • 36:55

    on some old school [ __ ] when you dropped

  • 36:57

    the project like right before your real

  • 36:59

    project

  • 37:01

    and you were rapping at this this type

  • 37:04

    of clip like

  • 37:06

    a good way to let your fans know that

  • 37:08

    that's the that's where you and your pen

  • 37:10

    are at currently. Yes.

  • 37:12

    >> Or well, it also other people did it the

  • 37:15

    other way. I'm rapping like this because

  • 37:18

    the label ain't not just not JCole, but

  • 37:20

    when that happened, let me give y'all

  • 37:21

    what I wanted to do because the label

  • 37:24

    control this album and they got me doing

  • 37:26

    this over here. So, I'm I'm trying to

  • 37:27

    please everybody.

  • 37:28

    >> Yeah, that that happens. I'm I'm

  • 37:30

    referring to this case because this

  • 37:32

    sounds current. So, I don't think he he

  • 37:35

    did that, but yeah, that happens all the

  • 37:36

    time. Uh, good to know that this is

  • 37:38

    where his pen is on a with a double disc

  • 37:40

    coming that he's been working on for

  • 37:41

    years that's called the fall off after

  • 37:43

    he's mad at everybody after everybody

  • 37:45

    wrote him off. He says he works better

  • 37:47

    when he's doubted. [ __ ] curse him out.

  • 37:49

    They don't want to hear [ __ ] from. He's

  • 37:50

    just sitting back with his little

  • 37:51

    whatever he reading [ __ ] on. He's just

  • 37:53

    reading [ __ ] while he riding the city

  • 37:54

    bike playing with his drag.

  • 37:55

    >> He also he also launched a message board

  • 37:58

    on some old school [ __ ] called Bill

  • 37:59

    Central, which is like cannabis central

  • 38:01

    for those of us that were on the

  • 38:02

    internet at the time.

  • 38:04

    >> Really?

  • 38:05

    >> Yes.

  • 38:05

    >> Yeah.

  • 38:06

    Oh,

  • 38:07

    >> he's doing some brilliant [ __ ] direct

  • 38:09

    consumer fan marketing [ __ ]

  • 38:12

    >> bro. He got that the phone number [ __ ]

  • 38:13

    they doing where they text you, bro.

  • 38:15

    That [ __ ] is that shit's amazing today.

  • 38:17

    >> Word.

  • 38:17

    >> Like, just think outside the box. Don't

  • 38:19

    just rely on social media or rely on all

  • 38:22

    right, I'm going go sit here, here,

  • 38:23

    here, here, here. There's my promotion,

  • 38:24

    right?

  • 38:25

    >> Do something else. I love all I love

  • 38:26

    everything he's doing for this album.

  • 38:28

    >> Uh, not to tabloid this out, but there

  • 38:30

    are other folks on the internet that say

  • 38:32

    they hear Drake shots on here. I mean

  • 38:35

    the the Lucian [ __ ] I could kind of see.

  • 38:39

    I suppose

  • 38:39

    >> the I wrote it. I said it. Give me give

  • 38:41

    me what the Drake shots are.

  • 38:43

    >> The only one I heard was the Yeah, the

  • 38:46

    one he's saying um I wrote it dummy or

  • 38:48

    some [ __ ] like that.

  • 38:49

    >> The Yeah, the the um cuz I think the

  • 38:52

    Lucian shot

  • 38:54

    the industry and that Lucian. I don't

  • 38:55

    think that's a shot of Drake.

  • 38:57

    >> Yeah, that's how I took it as well.

  • 38:58

    That's a shoe fits one for me like you

  • 38:59

    said like yeah exactly but when the

  • 39:01

    other line comes

  • 39:03

    >> four bars after that

  • 39:04

    >> which is we ain't said no lines yet

  • 39:09

    industry and then he goes on even to

  • 39:10

    qualify it and say yeah I'm on universal

  • 39:13

    distribution but the [ __ ] is mine

  • 39:15

    >> before anybody can say oh [ __ ] you up

  • 39:16

    under too no it's different you know

  • 39:19

    what I'm saying so I I don't think it

  • 39:20

    was a shot at Drake maybe the [ __ ] about

  • 39:22

    writing his own [ __ ]

  • 39:23

    >> and everybody's under like I mean not

  • 39:24

    everybody literally but I mean like it

  • 39:25

    just feel like under the industry

  • 39:27

    >> yeah like y'all All y'all take this.

  • 39:31

    >> I don't think J.Cole would ever shoot a

  • 39:33

    Drake.

  • 39:34

    >> I didn't take this direct.

  • 39:36

    >> I think Yo, dog, I apologize because

  • 39:38

    these two [ __ ] was my friends. These

  • 39:40

    [ __ ] really don't like each other, but

  • 39:42

    I [ __ ] with them. I don't want to be in

  • 39:43

    the middle of that. So, y'all have at

  • 39:45

    it. I don't think he's beefing with

  • 39:47

    Drake or Kendrick. I think that's why he

  • 39:49

    bowed out the [ __ ]

  • 39:50

    >> Like, these are my real friends. I don't

  • 39:53

    think they industry friends. I don't

  • 39:55

    think he might even not be the [ __ ] to

  • 39:56

    carry industry friends like that, but I

  • 39:58

    I [ __ ] with both of them. I don't think

  • 40:00

    a good dude North Carolina dude a good

  • 40:03

    dude that ain't poisoned by the

  • 40:05

    industry. That's what I see. I don't

  • 40:07

    think he's dissing. It might just be a

  • 40:09

    little jab at what's going on or a

  • 40:11

    generic jab because I take Cole at his

  • 40:14

    word and he said if I diss, I'm I'mma

  • 40:16

    let you know.

  • 40:17

    >> Give me the lines.

  • 40:18

    >> I'm still trying to find a line, bro. I

  • 40:19

    can't

  • 40:19

    >> [ __ ] mute your ass. [laughter] You

  • 40:21

    already showed the kind of person he was

  • 40:23

    with that walking back from that beef

  • 40:24

    [ __ ] cuz nobody just a good dude.

  • 40:26

    >> But outside of him, I'm just talking

  • 40:28

    about when you go down to South Carolina

  • 40:32

    or North Carolina like I'm talking about

  • 40:34

    like a Ninth Wonder. I'm talking about

  • 40:37

    them dudes are well read,

  • 40:40

    >> perceptive, like forward thinking. Them

  • 40:43

    [ __ ] them North Carolina [ __ ]

  • 40:46

    >> You know North Carolina [ __ ]

  • 40:47

    >> I'm saying in hip-hop. Yeah.

  • 40:49

    >> Okay.

  • 40:50

    >> All right. So the line we were talking

  • 40:51

    about

  • 40:51

    >> you know who knife wonder is?

  • 40:53

    >> Yes, of course.

  • 40:54

    >> Okay. Well, he's from North Carolina.

  • 40:55

    >> Oh, okay. I know that.

  • 40:56

    >> All right. So, some of the lines were on

  • 40:57

    Golden Goose. Um the one the Lucian line

  • 41:00

    we spoke about for crumbs. Dumb [ __ ]

  • 41:01

    sold they sold illion universal

  • 41:03

    distribution but I own the music and

  • 41:05

    then right after that if I said it then

  • 41:07

    I wrote it stupid.

  • 41:08

    >> Do you think that's a Drake line?

  • 41:10

    >> I mean Drake is kind of beefing with

  • 41:11

    them over [ __ ] That's what the lawsuit

  • 41:14

    it could be. They ain't beefing over

  • 41:15

    crumbs and it ain't crumbs. He ain't

  • 41:17

    sell his soul for crumbs.

  • 41:20

    I'm just tell I mean it could be looked

  • 41:22

    at as crumbs if if Drake is saying this

  • 41:24

    is worth x amount of billions and I only

  • 41:26

    got this. It could be crumbs.

  • 41:30

    [snorts] I'm not saying it's a disc.

  • 41:31

    This you ask me what the lines are that

  • 41:33

    people are interpreting as a disc.

  • 41:35

    >> I mean it it could be crumbs in

  • 41:37

    comparison to what he has grossed for

  • 41:39

    the label. But there's no world

  • 41:40

    >> him against the field [clears throat]

  • 41:42

    400 million.

  • 41:43

    >> [ __ ] that's a cheesecake with

  • 41:44

    [laughter]

  • 41:45

    on top. [ __ ] is you talking about? 400

  • 41:47

    mil that he recouped in a matter of

  • 41:49

    years.

  • 41:49

    >> That's one deal. That was only one deal.

  • 41:51

    400 was only one deal.

  • 41:53

    >> Let's not be silly for the sake of hip

  • 41:54

    hop here. What What else? What else is

  • 41:56

    there?

  • 41:57

    >> Catch bodies for my own amusement.

  • 41:58

    [ __ ] cheating and I won't excuse it.

  • 42:00

    If I said it, then I wrote it. Stupid.

  • 42:02

    So, there's another one. That's the

  • 42:03

    other one.

  • 42:03

    >> It's a lot of reaches. It's reaches.

  • 42:04

    It's reaches to me. back to back to when

  • 42:08

    um Cole was addressing back to when Cole

  • 42:10

    was addressing the the Young Boy rumors

  • 42:12

    >> and he was like, "Yo, if I diss

  • 42:14

    somebody,

  • 42:15

    >> I'mma hit you direct like I'm on your

  • 42:16

    caller ID." I'm going to take his word

  • 42:19

    for that.

  • 42:19

    >> That was a lie as soon as he said it.

  • 42:22

    >> That was a lie. As soon as he said it.

  • 42:23

    >> Why you said that?

  • 42:24

    >> Cuz he ain't If I diss you, so I say if

  • 42:28

    I do it, I'm going to make sure you know

  • 42:30

    >> I ain't going to leave no gray area.

  • 42:31

    >> Like Kendrick said, if I catch flight,

  • 42:32

    it's going to be direct. They're saying

  • 42:34

    that. Not saying that I'm gonna diss

  • 42:36

    you, but in [snorts] the event I do, it

  • 42:38

    won't be no yo, who's this about or is

  • 42:40

    he dissing? No, you're gonna know that

  • 42:42

    I'm talking about him. That's why I say

  • 42:44

    the symbol lines.

  • 42:44

    >> Okay. MC Joe says that's a lie,

  • 42:46

    >> but we can't prove it.

  • 42:47

    >> Germaine, I don't think he's above

  • 42:50

    sending a sub. I don't think he's above

  • 42:53

    it.

  • 42:54

    >> A sub and a disc is two different

  • 42:55

    things. Whatever. Whatever. Whatever.

  • 42:58

    Godamn [laughter] it. I'm happy for the

  • 42:59

    guy. I'm happy for the guy. Happy for

  • 43:01

    Clue.

  • 43:02

    >> Happy for fans. Happy for Clue. This was

  • 43:04

    just a great moment. Way to go. Dropping

  • 43:07

    right after we record the pod. Slow

  • 43:09

    clap.

  • 43:10

    >> Hours after

  • 43:13

    we was leaving and that [ __ ] came

  • 43:14

    through.

  • 43:15

    >> I didn't do the second part. Yeah, I was

  • 43:16

    home already like

  • 43:18

    >> Oh, yeah.

  • 43:18

    >> Yeah, bro.

  • 43:20

    >> Way to go, Cole. I think by now you dope

  • 43:22

    rappers know our schedule. Some of y'all

  • 43:25

    play ball with us. I.e. Kendrick. Some

  • 43:28

    of y'all don't. Or maybe Cole and Obs.

  • 43:31

    Maybe them one shots at you

  • 43:33

    >> and me

  • 43:34

    >> when he said

  • 43:36

    >> and part of that is I'm going to drop

  • 43:37

    this [ __ ] right after you done [ __ ]

  • 43:38

    Now sit on it.

  • 43:40

    >> I'm sure that Cole has seen a clip of

  • 43:41

    his pod and said Joe be gossiping.

  • 43:45

    [laughter]

  • 43:46

    >> I think I think that he didn't need a

  • 43:49

    clip to see that.

  • 43:50

    >> Yo, I'm not one of the [ __ ] where you

  • 43:52

    if YOU IF YOU DISS ME, I'M GONNA THINK

  • 43:54

    ABOUT WHAT YOU SAID. [laughter]

  • 43:57

    You You may see something that I didn't

  • 43:59

    see in myself. You might be opening my

  • 44:02

    mind up. Hey, I see how that could look

  • 44:03

    like that. Have some validity there.

  • 44:05

    [laughter]

  • 44:06

    The boy got a point.

  • 44:07

    >> Yo, dog. No gossip.

  • 44:11

    >> 30 mil with the gossip. [laughter]

  • 44:15

    >> Some gossip in here.

  • 44:18

    >> I mean, well, actually, that's a big

  • 44:21

    part of the fans beef. They feel like

  • 44:23

    what catapulted me to 30 mil wasn't

  • 44:27

    gossip. It was like genuine love for

  • 44:30

    hip-hop, calling out fake [ __ ] when

  • 44:32

    I saw it. And then when the money came,

  • 44:34

    >> that's when we got

  • 44:35

    >> it gossipy.

  • 44:36

    >> It was a progression.

  • 44:37

    >> That's what the fans That's what they

  • 44:39

    saying. I don't think so. So, so they

  • 44:41

    want you can go back to that and then

  • 44:43

    leave leave the money

  • 44:44

    >> and just go back to that.

  • 44:45

    >> That's what I think.

  • 44:46

    >> Why you walked away from rap?

  • 44:48

    >> Hm.

  • 44:48

    >> Why you walked away from rap?

  • 44:50

    >> What do you mean why? I was done. I

  • 44:51

    finished.

  • 44:51

    >> I know. I finished.

  • 44:52

    >> Why you want rap? Because you said it

  • 44:53

    takes you to a place you don't want to

  • 44:54

    see.

  • 44:56

    >> I'm sure you don't want to see them

  • 44:57

    baggy tank tops no more.

  • 44:58

    >> I'm in I'm living another part of my

  • 45:00

    life.

  • 45:01

    >> Yeah.

  • 45:02

    >> Living my I'm living my life like it's

  • 45:04

    golden.

  • 45:04

    >> I remember the [ __ ] The graph we just

  • 45:06

    talked about diamond.

  • 45:08

    >> But I got to tell you, if there was ever

  • 45:10

    a where it made sense,

  • 45:14

    it would be in some of this [ __ ] that's

  • 45:16

    going on.

  • 45:16

    >> Oh, for sure.

  • 45:17

    >> This is my time coming back. This is my

  • 45:19

    This is my type of [ __ ] going on out

  • 45:20

    there. Yeah.

  • 45:21

    >> All alone. Like I know the kids don't

  • 45:23

    care about me, but when I'm in the

  • 45:25

    shower [laughter]

  • 45:27

    >> boy, I get excited.

  • 45:27

    >> Your brain get to work.

  • 45:28

    >> Yeah, I get excited. I get excited. I

  • 45:30

    do, man. Mona, we going to need you an

  • 45:32

    hour, too. [clears throat]

  • 45:34

    >> I'm here.

  • 45:35

    >> I know you here. You looking good. You

  • 45:37

    smelling good.

  • 45:38

    >> Good old JCole fourpack. Five pack. You

  • 45:40

    know, I'm not a huge JCole fan, but I

  • 45:42

    recognize he can rap, you know.

  • 45:44

    >> Okay. Okay.

  • 45:47

    >> That's it. So,

  • 45:48

    >> it's kind of quiet.

  • 45:49

    >> Well, yeah. and hip hop did that

  • 45:50

    qualifier start happening too

  • 45:53

    >> in 26 like she would have been perfectly

  • 45:56

    fine saying I like that JC old fourpack

  • 46:00

    >> but she had to qualify it

  • 46:03

    >> no I don't [ __ ] with this [ __ ]

  • 46:04

    [laughter]

  • 46:06

    that's old school [ __ ]

  • 46:06

    >> I just like old school that ain't yeah

  • 46:08

    ain't dope I just like violent ignorant

  • 46:10

    music and he's not a violent ignorant

  • 46:12

    guy that simple I like talking about

  • 46:14

    drugs and guns and [ __ ] in the music you

  • 46:16

    know what I mean like you know

  • 46:18

    >> I want to be in the mirror

  • 46:20

    driving. I'm selling a brick. You know,

  • 46:23

    >> peaceful [ __ ]

  • 46:24

    >> I would be so let down if JCole was like

  • 46:26

    a piece of [ __ ] behind all this peaceful

  • 46:28

    protest image like like if he was in

  • 46:30

    this group chat just acting a fool with

  • 46:32

    that just

  • 46:33

    >> you know he's wild

  • 46:35

    group chat though, bro.

  • 46:36

    >> Well, I don't know. I don't know. I

  • 46:38

    don't know.

  • 46:39

    >> Kobe

  • 46:39

    >> just like a wild boy.

  • 46:41

    >> For sure.

  • 46:41

    >> He might be a wild boy.

  • 46:43

    >> Like every time I happen to just pop

  • 46:45

    into the strip club, which I haven't

  • 46:46

    been to now, so please stop typ casting

  • 46:48

    me. I'm doing really good and being

  • 46:50

    disciplined and making changes for 2026

  • 46:53

    and saving. It's been a

  • 46:56

    >> Yeah, I would like like NA or AA or

  • 46:58

    something

  • 47:00

    in uh like 24 hours. I'm going to

  • 47:02

    [ __ ] show.

  • 47:03

    >> How many days has it been

  • 47:04

    >> for real?

  • 47:05

    >> Yeah.

  • 47:06

    >> You count New Jersey.

  • 47:07

    >> Uh Saturday night, midnight. [laughter]

  • 47:09

    >> Wait, hold on. Four. Four.

  • 47:13

    >> Yes, that counts. Three. [laughter]

  • 47:15

    >> But it don't matter. You can count and

  • 47:16

    I'm still down. Like I've stepped out in

  • 47:19

    Jersey at Frank's spot a couple Fridays.

  • 47:21

    >> Okay.

  • 47:22

    >> But outside of that, I ain't been

  • 47:24

    >> We going to call it 14 days.

  • 47:25

    >> Why does the jersey thing don't count?

  • 47:27

    Like where's the difference?

  • 47:28

    >> You ask some Joe Button rules.

  • 47:32

    >> Cuz Jersey is not a good time.

  • 47:34

    >> So [laughter] who?

  • 47:35

    >> Oh,

  • 47:36

    >> so you just be got it. It's not If if

  • 47:38

    you if you're in Jersey, it's 20 minutes

  • 47:40

    away. It's a very small place. It's not

  • 47:44

    a allstar lineup of who's you just going

  • 47:47

    because you stepping out for a second

  • 47:49

    >> to hear some music and get out of it.

  • 47:50

    You're not staying there for a long time

  • 47:52

    or the women.

  • 47:53

    >> That's what I'm saying. A few of them,

  • 47:55

    >> but you got to go across the bridge for

  • 47:59

    >> like some real [ __ ] And I haven't It's

  • 48:00

    been a while for me. I'm doing pretty

  • 48:02

    good. But anyway, let's not center me.

  • 48:03

    Um [laughter]

  • 48:05

    I love when

  • 48:05

    >> we say that up here. Why can't we center

  • 48:06

    anybody? That's

  • 48:08

    >> so crazy.

  • 48:08

    >> I mean, we could center me. I just don't

  • 48:09

    want to come off like I'm centering

  • 48:10

    myself. I see. Um,

  • 48:13

    that's actually another problem with

  • 48:14

    this pond. I have to be centered more.

  • 48:17

    >> Yo, what [laughter]

  • 48:19

    just [ __ ] you?

  • 48:19

    >> I forgot what we was talking about just

  • 48:20

    now.

  • 48:21

    >> Uh, we talking about music before that

  • 48:23

    strip club [ __ ]

  • 48:24

    >> You talking about music?

  • 48:25

    >> Yeah, you talking about going to rap's

  • 48:27

    qualified.

  • 48:27

    >> I think he can rap, but it's just got a

  • 48:29

    cup of tea.

  • 48:30

    >> Yeah, he can rap.

  • 48:31

    >> Oh, you talking about uh JCole being a

  • 48:32

    [ __ ] That's

  • 48:34

    >> hoping that he wasn't one of you.

  • 48:35

    >> Yeah, I don't think so.

  • 48:36

    >> I don't think it's a [ __ ]

  • 48:37

    >> Oh, that's what I was saying. Like every

  • 48:38

    time I go to the strip club, that's what

  • 48:39

    I'm saying. My memor is getting bad. I'm

  • 48:40

    sorry. I apologize audience. You're

  • 48:41

    watching me. You're watching the demise.

  • 48:44

    The fall off. [laughter]

  • 48:45

    >> The fall off.

  • 48:46

    >> You remember he's always been bad, bro.

  • 48:48

    >> Yeah, but

  • 48:49

    >> you can't blame that on.

  • 48:50

    >> It's getting bad. Yo, everything that's

  • 48:52

    wrong with me. Let's stop saying it's

  • 48:53

    because of the zip.

  • 48:54

    >> That's how they do.

  • 48:55

    >> And I'm not on Zap,

  • 48:56

    >> bro. That's how they

  • 48:57

    >> And every time I even say what I'm on,

  • 48:58

    they think it's ad. So anyway, every

  • 49:00

    time I pop in the strip club and I see

  • 49:02

    Neo, like we give each other I just seen

  • 49:04

    him last time I was in there, whenever

  • 49:06

    that was, we always give each other like

  • 49:08

    a creep salute.

  • 49:10

    >> [laughter]

  • 49:11

    >> Do you know what that is? Look like

  • 49:13

    >> Yeah.

  • 49:13

    >> Do you know what that is? Do you

  • 49:15

    understand what I'm saying?

  • 49:16

    >> You know, you know.

  • 49:17

    >> Yeah. Yeah.

  • 49:18

    >> Again.

  • 49:19

    >> Again.

  • 49:20

    >> Like, you know, you consistently see

  • 49:22

    somebody in the spot and you just

  • 49:25

    >> they on with you on you on what they on

  • 49:27

    or has potential to be and you know that

  • 49:29

    [clears throat]

  • 49:29

    >> it just be a quick

  • 49:31

    >> Yeah,

  • 49:31

    >> I know. I know. That's it. And then they

  • 49:34

    like I would be so disappointed if I

  • 49:36

    walked in and saw a cold somewhere and

  • 49:37

    we had that and we had that. [laughter]

  • 49:40

    >> It would just I would be so let down.

  • 49:42

    >> I would be No, it's definitely not.

  • 49:43

    Definitely not. I'm talking [ __ ] I'm

  • 49:44

    just ping right there. All right. All

  • 49:46

    right. Everybody slow. [laughter]

  • 49:49

    >> Hey, no worries, boy.

  • 49:51

    >> Y'all two will never [laughter]

  • 49:54

    y'all got that [ __ ] [ __ ] up when it

  • 49:56

    come to that.

  • 49:57

    >> I'm sure he has. Yeah,

  • 49:59

    >> he's probably got a little Mark Hill in

  • 50:00

    him.

  • 50:00

    >> I I'm sure he partakes, but he just

  • 50:02

    knows how to Mark Hill. He's

  • 50:03

    >> a good guy. I could tell

  • 50:04

    >> where when you meet him in person, it's

  • 50:06

    like, "Oh, [ __ ] You're not the the dude

  • 50:07

    from the CNN show." You like you you

  • 50:09

    have fun.

  • 50:09

    >> Oh, you see him throwing 10 grand in um

  • 50:11

    >> There we go.

  • 50:12

    >> Onyx.

  • 50:12

    >> There you go.

  • 50:13

    >> Cole seemed like he would give you good

  • 50:14

    advice on on your marriage.

  • 50:16

    >> Yes. Stuff like that

  • 50:18

    >> at the strip club at the strip.

  • 50:20

    [laughter]

  • 50:20

    >> Or he encouraged you not to cheat on

  • 50:22

    your wife. Like, bro, come on.

  • 50:23

    >> Yeah. He seemed like the person I would

  • 50:24

    call

  • 50:25

    >> like, "Bro, come on. Don't be like, "Go

  • 50:26

    home, bro. Don't [ __ ] this up right now,

  • 50:28

    man. You see her? Don't [ __ ] this up,

  • 50:30

    man.

  • 50:30

    >> You know what I mean? Like, come on.

  • 50:31

    Denise at home, man.

  • 50:33

    >> Exactly. I agree.

  • 50:34

    >> Denise at home with Junior. Just go

  • 50:35

    home man.

  • 50:36

    >> Yeah. Come on, man.

  • 50:36

    >> You call your Uber and [ __ ] Send you

  • 50:38

    home. Dick hard. He's about to [ __ ]

  • 50:40

    somebody you wasn't supposed to.

  • 50:41

    >> He's a real [ __ ]

  • 50:47

    >> Is that one of the weird silences again?

  • 50:49

    [laughter]

  • 50:49

    >> It is for me.

  • 50:52

    >> She said that and I just went back to

  • 50:53

    [ __ ] somebody I wasn't supposed to.

  • 50:55

    That [ __ ] is it's overrated. It's

  • 50:58

    overrated. That's just not It's not fun.

  • 51:00

    >> It's not fun.

  • 51:02

    >> Just doing it with no love.

  • 51:03

    >> Yeah. 42 seconds. [laughter]

  • 51:05

    >> 42 seconds of pleasure for what? Such a

  • 51:09

    big mistake to make.

  • 51:12

    >> Trying to teach this [ __ ] your spot.

  • 51:13

    She keep moving around. [laughter]

  • 51:15

    >> [ __ ] how many times I got to [ __ ]

  • 51:17

    >> hit that button?

  • 51:18

    >> Yeah. She don't know how to really get

  • 51:20

    that engine going. [laughter] You know

  • 51:21

    what I mean?

  • 51:23

    She don't know the [ __ ] button.

  • 51:25

    >> Now, if you meet a new chick and then

  • 51:27

    you do know how to get in trouble now,

  • 51:29

    >> that's when you call your work, I DON'T

  • 51:30

    WANT TO SAVE YOU. [laughter]

  • 51:33

    >> If you see me outside, don't say [ __ ]

  • 51:35

    Anyway, uh listen, it's time for my

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    Trivia Henderson for more than one and a

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    half receiving yards. So they giving a

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    bunch of deals on prospects, huh?

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    >> Drake May for We don't need Drake May

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    cuz we need him for one yard. So we got

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    him. [clears throat] Rasheed Shahed.

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    Who? Boy, what a trade.

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    >> He out there looking like O Hester.

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    >> He looks like that.

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  • 53:27

    >> All right. Uh, coming off all that great

  • 53:30

    and fun JCole [ __ ] uh, Banks verse Fab

  • 53:33

    has been a topic recently because Uncle

  • 53:36

    Murder and Tony Yo went on the Breakfast

  • 53:38

    Club where they were asked that

  • 53:41

    question. Uh, and it it looked like they

  • 53:44

    had a nice 4v1 going against Tony Yo in

  • 53:46

    favor of Fab, but Yayo is so charismatic

  • 53:50

    >> and just loud and boisterous. While he

  • 53:53

    was arguing for Banks, all I heard was

  • 53:56

    his voice over the OG on the mixtapz.

  • 53:58

    Like he could make anything sound like

  • 54:01

    war is coming to you.

  • 54:02

    >> Facts. Facts.

  • 54:03

    >> He was just having like a barberhop

  • 54:05

    debate and it sounded like, oh my god,

  • 54:08

    >> he's the perfect potter. Like even just

  • 54:10

    him describing his meals, you just be so

  • 54:12

    intrigued. I'm over I'm over there

  • 54:13

    eating elk. I'm over there eating elk.

  • 54:14

    You [ __ ] eating French toast. I'm

  • 54:16

    eating elk.

  • 54:16

    >> Yeah. Whatever he's talking about, I go

  • 54:19

    anyway we go. the drama unfold. This is

  • 54:22

    the behind the round. Yeah, I just hear

  • 54:25

    his voice over all that. But uh I

  • 54:27

    thought Envy would rep a little more.

  • 54:30

    That's my man and this is this is Desert

  • 54:33

    Storm podcast at this point in time. I

  • 54:35

    thought Envy would rep a little more for

  • 54:37

    Fab. He let Tony Ao do a lot of talking

  • 54:39

    up there. He let Tony Yo say a lot. I'll

  • 54:42

    ask the the distinguished panel here.

  • 54:46

    Who is better, Fab or Banks? I don't

  • 54:50

    expect us to spend a lot of time on

  • 54:52

    this. I do like that with this and with

  • 54:55

    the common Jedakus one. It feels like

  • 54:56

    when people throw these names together,

  • 54:58

    there are people that I feel like aren't

  • 55:00

    further than five spots apart from each

  • 55:03

    other. Anyway, that's what makes it fun.

  • 55:05

    >> So, when you when you ask that, you

  • 55:08

    saying like overall or like mixtape,

  • 55:10

    Fab, and Bass album

  • 55:13

    >> all time great list. Who's higher? Oh,

  • 55:14

    damn. That's really tricky.

  • 55:17

    >> I would say fab. It got to be fab.

  • 55:19

    >> I roll with Banks, man.

  • 55:20

    >> Banks hard, but it just he's not over

  • 55:22

    fab.

  • 55:22

    >> I think Banks got better albums. I'm

  • 55:23

    using the same metric that I used with

  • 55:24

    the common uh kiss debate.

  • 55:27

    >> It's fab for me. And I know Banks, we

  • 55:29

    remember what happened last time I

  • 55:30

    picked somebody over him. [laughter]

  • 55:33

    >> But um what's your favorite Banks album?

  • 55:35

    >> Uh Hunger for War.

  • 55:37

    >> Hunger for More. I knew he was going to

  • 55:38

    say that.

  • 55:38

    >> Yeah.

  • 55:39

    >> Hunger for More is better than Ghetto

  • 55:40

    Fabulous

  • 55:41

    >> for me.

  • 55:42

    >> Yes. for me too.

  • 55:45

    >> I got to pull up a track list.

  • 55:47

    >> I got to pull up a track list.

  • 55:49

    >> Yeah, I think

  • 55:50

    >> I think Young might be off

  • 55:51

    >> like all them soul tapes. I can't put

  • 55:53

    banks over Fab after all them soul

  • 55:54

    tapes.

  • 55:55

    >> I think again Fab it's similar to the J.

  • 55:57

    I think Fab has better bangers.

  • 55:59

    >> Yeah,

  • 56:00

    >> it's very similar.

  • 56:03

    >> Ain't no click. Playboy warrior on fire.

  • 56:05

    I get high. I'm so fly.

  • 56:08

    >> Work magic

  • 56:09

    >> if you so gangster. Warrior part two.

  • 56:12

    karma when the chips are uh till the end

  • 56:15

    die one day southside story.

  • 56:17

    >> Mhm.

  • 56:18

    >> And I'm just going to read ghetto

  • 56:20

    fabulous because that don't sound like

  • 56:22

    it's better than ghetto fabulous to me.

  • 56:25

    >> Click and spark.

  • 56:26

    >> Uh

  • 56:28

    >> hold on. No. No. Don't take the Don't

  • 56:30

    take the thunder from me now. Don't take

  • 56:31

    the thunder from

  • 56:32

    >> I feel like B's got the better voice.

  • 56:33

    >> Click and spark. Keeping it gangster.

  • 56:35

    Young get right. Ride for this one day.

  • 56:38

    Trade it all right now. Later on. take

  • 56:41

    you home. Get smart. Can't deny it. M be

  • 56:44

    easy. We don't give a Yeah,

  • 56:47

    >> I'm with Ice. Yeah, Hunger for More.

  • 56:49

    >> I'm not mad at anybody that says Hunger

  • 56:50

    for Hunger for More 2 is great, too.

  • 56:51

    Hungry for More.

  • 56:52

    >> I'm not mad. All right. So, you're

  • 56:53

    giving you give the uh better album to

  • 56:55

    Banks.

  • 56:56

    >> Yeah, but Fab's got better features and

  • 56:58

    and singles and bangers.

  • 57:00

    >> Yeah,

  • 57:01

    >> I'm going with Fab. As much as I don't

  • 57:03

    I'm not This is hard for me.

  • 57:05

    >> I don't think it's a wrong answer, but

  • 57:06

    I'm going with Fab by Hair by Hair. Even

  • 57:08

    though I agree with you on the albums

  • 57:09

    and that usually is my thing, but

  • 57:12

    >> fab just

  • 57:13

    >> I have Fab by a hair

  • 57:16

    too. I have Fab by a Mike Shy feature.

  • 57:20

    >> Okay. [laughter]

  • 57:22

    I have Fab

  • 57:25

    by uh

  • 57:27

    by uh Little Mo Studio stop by.

  • 57:31

    [laughter]

  • 57:31

    >> That's crazy. Like if little if he's not

  • 57:33

    on a little mo record and don't have

  • 57:36

    records with Lil Mo like and just who

  • 57:38

    else he got that [ __ ] record with? He

  • 57:40

    got JLo or

  • 57:42

    >> bro

  • 57:45

    but Banks

  • 57:46

    >> they wash each other out for me because

  • 57:48

    Banks got all the fly girl records. He

  • 57:51

    does.

  • 57:51

    >> He does.

  • 57:51

    >> And he got all the fly mixtape [ __ ]

  • 57:53

    >> He does.

  • 57:54

    >> And he has all of the bars in the world.

  • 57:56

    I give Fab the I got to go with Fab

  • 57:58

    because I feel like he [ __ ] more [ __ ]

  • 58:00

    THAN BANKS.

  • 58:02

    >> [laughter]

  • 58:03

    >> IS IMPORTANT. SORRY, IT'S A HELL OF a

  • 58:07

    important when you met a rapper. No,

  • 58:10

    it's the most pully because it goes to I

  • 58:12

    go I go I go to what Pac said. Yo, if

  • 58:15

    the girls are there, everything else

  • 58:17

    will follow.

  • 58:18

    >> If the girls buy your music, so girls

  • 58:21

    bought both of their songs,

  • 58:22

    >> right?

  • 58:23

    >> I got to land this on who has more

  • 58:26

    appeal. And because of Banks is who he

  • 58:29

    is, he's going to lose that one. Banks

  • 58:31

    wants to be home. Banks wants to be with

  • 58:33

    his family. He want to be out of the

  • 58:34

    public. He don't want to talk to y'all.

  • 58:35

    He don't want to tweet y'all. He don't

  • 58:37

    want nothing to do with y'all. All he

  • 58:39

    want to do is rap. And he's been like

  • 58:41

    that. That's why 50 of these [ __ ] can

  • 58:43

    say what they want. Uh G could say

  • 58:45

    you're not going to ever hear him say

  • 58:47

    nothing. Know why? He don't care.

  • 58:50

    >> Fab on the other hand.

  • 58:53

    >> Okay.

  • 58:54

    >> Fab outside. But that don't mean that he

  • 58:56

    ain't [ __ ]

  • 58:58

    just because y'all don't see me out.

  • 59:00

    >> I think I think Fab wins the appeal

  • 59:02

    slider.

  • 59:03

    >> Fab can rap.

  • 59:04

    >> Definitely wins the appeal.

  • 59:04

    >> Both of them can rap. You can't deny

  • 59:06

    >> Banks probably wins the the touring

  • 59:08

    argument

  • 59:09

    >> because Fab never toured.

  • 59:11

    >> Okay.

  • 59:11

    >> Oh, Fab never.

  • 59:12

    >> Fab never toured. Doesn't Banks primar

  • 59:18

    on his own.

  • 59:20

    >> Yes, but I'm talking about before.

  • 59:21

    >> I thought you meant big tour numbers.

  • 59:22

    I'm saying

  • 59:23

    >> I'm just saying Bab has not toured.

  • 59:25

    >> Bab won't tour. I got you. You're just

  • 59:27

    saying him touring. Period. I got you. I

  • 59:28

    got you. I got you.

  • 59:29

    >> Which is one of the more interesting

  • 59:31

    mysteries in hiphop that nobody ever

  • 59:34

    talks about.

  • 59:36

    >> Like I understood that him saying maybe

  • 59:38

    I don't want to tour or do shows or go

  • 59:40

    anywhere back in the day when you know

  • 59:43

    it's lit. It's lit. It's lit. It's lit.

  • 59:44

    It's lit. I'm not trying to do all that.

  • 59:46

    >> He left a lot of money on the table.

  • 59:48

    >> I'm sure.

  • 59:48

    >> And is leaving a lot of money on the

  • 59:50

    table. I wonder why.

  • 59:52

    >> That's a good question.

  • 59:53

    >> It can't be the whole remember maybe

  • 59:54

    remember Fat Joe wouldn't take an

  • 59:55

    airplane, right? Might be a travel

  • 59:58

    thing.

  • 59:58

    >> No, it's not that cuz he be doing, you

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