Gossip & Parlaying
Joe Budden Podcast Episode 899, “Gossip & Parlaying,” released February 2, 2026. In the latest episode, the JBP dives right into new freestyles from J. Cole hosted by DJ Clue (7:58) which leads to Lloyd Banks vs. Fabolous (53:32). Friend of the Show Zaire Franklin joins the crew to discuss the upcoming Shakur Stevenson & Teofimo Lopez fight (1:24:27) as well as Grammy weekend (1:28:55), the internet is frying up Steph Curry for his Timbs (1:37:26), and Ray J discusses his health (1:43:20). Also, the JBP sends their thoughts to Don Lemon (1:49:26), Joe shares a story about a divorce that leads to a debate among the room (2:04:52) before then asking a few Hip-Hop questions about Sexyy Red & Young Thug (2:33:38), and much more! Full transcript and searchable timestamps below.

In this episode
- 7:58In the latest episode, the JBP dives right into new freestyles from J. Cole hosted by DJ Clue
- 53:32Which leads to Lloyd Banks vs. Fabolous
- 1:24:27Friend of the Show Zaire Franklin joins the crew to discuss the upcoming Shakur Stevenson & Teofimo Lopez figh…
- 1:28:55As well as Grammy weekend
- 1:37:26The internet is frying up Steph Curry for his Timbs
- 1:43:20Ray J discusses his health
- 1:49:26The JBP sends their thoughts to Don Lemon
- 2:04:52Joe shares a story about a divorce that leads to a debate among the room
- 2:33:38Before then asking a few Hip-Hop questions about Sexyy Red & Young Thug
Joe Budden Podcast Ep. 899 Transcript
Full transcript of Gossip & Parlaying (1:00:01 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
[music] only. I repeat, it is not
- 0:08
serious. It is not real. No one is
- 0:11
exposing, revealing, indicting or
- 0:14
telling you anything about themselves.
- 0:15
Also, we do not encourage you to try
- 0:17
this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:24
[music]
- 0:29
>> [music]
- 0:31
>> Microphone check. What is this?
- 0:36
JB [music]
- 0:37
back to business.
- 0:41
I guess right now we should start the
- 0:42
show.
- 0:45
>> 5° out here. Mark don't have a coat on.
- 0:48
Welcome welcome welcome welcome
- 0:50
welcome, welcome. So happy y'all could
- 0:51
be here, man. Blessed, blessed, and
- 0:53
highly favored. Salute to that to that
- 0:55
man up top and Cory. I still pray for
- 0:58
him. All the atheists out there.
- 0:59
>> I still pray for the atheists. I don't
- 1:01
give a [ __ ] what they believe. Uh yo,
- 1:03
you ain't wear a coat. Mark.
- 1:04
>> Nah, I ain't need one.
- 1:06
>> My girl Mona here on time. Stop playing
- 1:08
with us. Yo, when we get here on time
- 1:10
together. OH [screaming] MY GOD.
- 1:14
MARK, get a cold, man. I
- 1:16
>> I was going to wear one out the door
- 1:17
today and I said, "For what? It's
- 1:18
three." It was It was three or four
- 1:20
degrees when I got up.
- 1:22
[laughter]
- 1:22
>> I see. That's a good reason.
- 1:24
>> Yeah, but I jump right in the car and
- 1:25
come straight here. The most time I
- 1:26
spent outside is taking them damn
- 1:27
pictures with y'all.
- 1:29
>> That's a good time for a coat. Cold out
- 1:31
there.
- 1:31
>> Or just hear me out. We cannot take the
- 1:34
pictures outside.
- 1:34
>> No,
- 1:35
>> no, no. We got to take the pictures
- 1:36
outside.
- 1:36
>> I was so curious at why we have to take
- 1:38
the pictures outside
- 1:40
>> like I just did, you know.
- 1:41
>> Thank you. versus where?
- 1:43
>> I mean, only where it's not
- 1:44
>> when it's colder than
- 1:45
>> versus taking them where?
- 1:47
>> Anywhere inside.
- 1:48
>> Where's heat? We do the same photo
- 1:52
>> every time.
- 1:53
>> I ain't pocket watching, but I'm sure
- 1:55
the gentleman spends a decent amount of
- 1:57
money for the view.
- 1:58
>> Mhm.
- 1:58
>> Mhm.
- 1:59
>> I want to get that view on the camera.
- 2:00
Utilize the view.
- 2:01
>> You're like, "Do you two poor Philly
- 2:03
people know that [laughter] we pay
- 2:04
millions of dollars for that view? I
- 2:06
know y'all don't have views in Philly."
- 2:08
>> I showed the view off. I got cussed out.
- 2:09
>> They don't have views in Philadelphia.
- 2:11
[laughter]
- 2:12
>> That's why that's why they're aligned in
- 2:14
talking about Ben Franklin or something.
- 2:16
And they got whatever steps, whatever
- 2:18
steps Rocky was running down. They got
- 2:20
the bells.
- 2:23
Beautiful.
- 2:24
>> Yeah, they got the steps Rocky trained
- 2:25
on.
- 2:26
>> Oh my god.
- 2:27
>> And Bill Cosby.
- 2:28
>> Then the rest of the country took the
- 2:30
Meek intro from y'all. Y'all saw
- 2:33
>> the steps.
- 2:34
>> Yeah,
- 2:34
>> people. But you should have seen the
- 2:35
steps during the snow.
- 2:37
>> Why else? Beautiful steps.
- 2:38
>> Why else would you go to Philly unless
- 2:40
it's something down there? You
- 2:41
>> lost the steps.
- 2:42
>> And even in that when you meet the bad
- 2:43
Philly joints, you come up top. She come
- 2:45
up top. She hopping hop on that 95.
- 2:48
>> You heard bad Philly joints.
- 2:50
>> Exactly. Philly got
- 2:52
bad Philly joints out there.
- 2:54
We got you. But [laughter]
- 2:57
>> there's bad Philly joints out there now.
- 2:59
And some of the audience said they'll
- 3:00
beat the damn. Don't play. Don't play
- 3:01
with big Deona.
- 3:03
>> Please.
- 3:04
>> People been asking me to do single. I
- 3:05
just ignore them.
- 3:06
>> I go big brother mode. Just ignore them.
- 3:07
>> Is that my
- 3:08
>> You already know.
- 3:10
>> That big brother mode. I can't believe
- 3:12
that's still out.
- 3:12
>> Yeah. Not. It's not applicable here with
- 3:14
Mon. Yeah. But [clears throat] I can't
- 3:17
believe that still works.
- 3:18
>> What do you mean?
- 3:19
>> Big Brother had a long run.
- 3:22
That's what they do.
- 3:23
>> That's a different one. Yeah.
- 3:24
>> I'm not talking about y'all.
- 3:26
>> What if you trying to and I legit think
- 3:29
that's like so scummy call?
- 3:33
THAT'S MY SISTER.
- 3:34
>> Don't start your [ __ ] TODAY.
- 3:35
>> I WAS SHOCKED TOO. [laughter]
- 3:36
>> DO NOT START your
- 3:38
>> I believe him cuz I was SHOCKED TOO. I
- 3:40
DIDN'T KNOW PEOPLE DO BROTHER AND sister
- 3:42
be sneaky. I did not know that.
- 3:44
>> No, no, no. Sometimes it means not that.
- 3:46
>> Sometimes it means I have no chance of
- 3:47
[ __ ] this girl, so I'm going to call
- 3:48
her sis.
- 3:49
>> It's a friend zone.
- 3:50
>> Oh, yeah. All the time.
- 3:51
>> But that's not what you were saying.
- 3:53
>> Oh, I do that all the time.
- 3:54
>> You were saying that was using the big
- 3:55
bro as the means to pop.
- 3:57
>> Be trying to big bro their way into some
- 4:03
heard.
- 4:03
>> It mean she not interested and I don't
- 4:04
got no shot.
- 4:05
>> That's cuz you blessed with beautiful
- 4:06
eyes. Beat up while we talk about some
- 4:08
real. You you not this. I don't know why
- 4:10
you be playing.
- 4:12
>> You don't know the that's like, yo, he
- 4:13
trying to get at it. She ain't with it.
- 4:14
So he I'mma take
- 4:15
>> I'm not going to take on like my little
- 4:17
sis and then I'm trying to be close.
- 4:19
>> Yo, that's
- 4:20
>> He doesn't get it cuz he's not as
- 4:21
>> That's crazy.
- 4:22
>> All right. Well, in our next part, we'll
- 4:24
explain everything that is. [laughter]
- 4:27
But yeah, I can't believe that that's
- 4:28
still a thing. I can't believe I should
- 4:29
never heard of it.
- 4:30
>> Yeah, I broke a [ __ ] quick. You bro,
- 4:32
put him right over there. And if that if
- 4:34
that still want to beat, he going to
- 4:36
take the bro position and then one day
- 4:37
he'll get out of that spot.
- 4:38
>> Correct. That's what you're talking
- 4:39
about. I'm doing math right now on my
- 4:40
brain.
- 4:42
>> It's a lot of
- 4:43
>> I didn't even think about that.
- 4:44
>> Yeah.
- 4:45
>> And when when women initiate that you're
- 4:49
the bro. I've seen sometimes women try
- 4:52
to bro their way into
- 4:54
>> Oh yeah.
- 4:55
>> What?
- 4:55
>> When when women just out the blue you
- 4:58
that's my bro. That's my bro. That's my
- 4:59
bro. They use that as a way to fend off.
- 5:02
They use that for so many things. I've
- 5:04
seen it on the reverse. That could
- 5:06
happen too.
- 5:07
>> Yeah. Yeah. Yeah. You got to be careful,
- 5:08
though.
- 5:09
>> Yeah. I don't want people to know that
- 5:10
I'm this dude.
- 5:12
>> You got to be careful out there. Shout
- 5:13
out to the bros. [laughter]
- 5:15
>> Shout out to the bros out there. Listen,
- 5:17
I'm in a really good mood. Really good
- 5:19
mood. Happy to be here. Happy to be
- 5:21
alive. Happy to be with my brethren
- 5:22
here. Y'all good?
- 5:24
>> I'm excellent. Excellent.
- 5:25
>> Never been better.
- 5:26
>> Good. I I'm so glad to hear that.
- 5:29
>> My [ __ ]
- 5:30
>> Oh, son.
- 5:31
>> Okay. All right, man. Let's get right to
- 5:33
it.
- 5:34
>> With no further ado,
- 5:36
>> actually, hold up. What episode is this?
- 5:38
>> 899.
- 5:39
>> Welcome to episode 899 of the JBP. I'm
- 5:42
Joe Button, your happy to be here.
- 5:44
Grateful and gracious host here with
- 5:47
some really amazing people. This episode
- 5:48
is brought to you by Fueled by Powered
- 5:50
by Prize Picks. Prize Fist Gang. Yeah.
- 5:53
>> Oh man. Next to me, you already know the
- 5:55
vibes. Philly's finest. Don't call a
- 5:56
white girl. Big Deona is in the building
- 5:59
looking fantastic, might I say. Thank
- 6:01
you.
- 6:01
>> Looking beautiful. Everything hidden.
- 6:03
Stop playing with her next to her. Our
- 6:05
good brother, Dr. Mark Lamont Hill in
- 6:08
the building. Sleepless in Seattle
- 6:10
himself. [laughter]
- 6:11
>> You got some sleep? You got some rest?
- 6:13
>> A little bit. A little bit.
- 6:14
>> Yo, Mark eyes. It's all in the eyes.
- 6:16
Mark,
- 6:17
>> I saw him in the elevator this morning.
- 6:18
It was like,
- 6:19
>> no, it's all in the eyes. He still ain't
- 6:21
removed the cult out of You can see it
- 6:22
in his eyes. [laughter] When he gets
- 6:23
sleepy, he turned into some other [ __ ]
- 6:25
>> He ain't removed the cult.
- 6:26
>> He got the eye when he [laughter] get
- 6:28
tired.
- 6:29
>> Look, that's crazy. Yeah, go back to
- 6:31
some wait and water [ __ ] Uh, next to
- 6:33
him, our good brother, Mr. Thousand
- 6:35
Doors and up. That's that is Velvet
- 6:37
Skullies. Stop playing with him. Yo,
- 6:40
this ain't a regular cotton skull. It's
- 6:43
Velvet, my boy.
- 6:46
>> Velvet [laughter] Skullies.
- 6:47
>> Big is Antoine is in the building, man.
- 6:50
>> Feel rich.
- 6:51
>> Is how you feeling, my brother?
- 6:52
>> I'm good. Yo,
- 6:53
>> good, good, good. Next to him, the
- 6:54
freeziest of them all. Big Freeze in the
- 6:57
building. Ice, how you doing?
- 6:58
>> I'm great, man. my baby birthday today.
- 7:00
Happy birthday,
- 7:02
Ari.
- 7:04
>> Happy birthday, Ari. We love you. I
- 7:07
would give you a nice stack of money,
- 7:09
but I can't trust your parents.
- 7:11
>> Oh, [ __ ] [laughter]
- 7:13
Everybody know them parents. Will you
- 7:15
give it to them? It's gold in the black
- 7:17
hole. Ari, I love you. Uh, King Elmmyra
- 7:20
Big Parks is in the building.
- 7:23
>> Hey, hey, sound the pop. Take that. It's
- 7:27
a anti white [ __ ] Mute up. [laughter]
- 7:29
We're not anti-white. Mute up is shout.
- 7:32
Happy birthday to Park's dad, [ __ ]
- 7:34
[ __ ] you talking about? And Big Po is in
- 7:36
the building. Cory is in the building.
- 7:38
Uh Erikson is here. Tanner and Savon are
- 7:40
here by remote. Last but certainly not
- 7:42
least, each and every one of you very
- 7:44
important people out there are here.
- 7:46
Also, shout out to the Hey listeners,
- 7:48
couldn't have gotten here without y'all.
- 7:49
Love every minute of your time. Thank
- 7:51
you. Thank you. Thank you for the
- 7:52
encouragement. Uh now, where was I?
- 7:57
>> Yeah, man.
- 8:01
>> [laughter]
- 8:02
>> He snapped.
- 8:03
>> I'm starting this over.
- 8:05
>> Yeah, go ahead. Let's go.
- 8:07
>> By the time he hit that, oh man,
- 8:09
[laughter] I was like,
- 8:12
hey, I was saying it, too. I was saying
- 8:14
it, too. No, I'm playing this again,
- 8:16
man. I'm so happy for Clue.
- 8:18
>> I'm so happy for Clue, man.
- 8:21
>> I've been saying for weeks about [ __ ]
- 8:23
time.
- 8:23
>> I've been saying for months. I've been
- 8:25
saying for, y'all know how I feel. Yeah,
- 8:28
I've been saying this. I've been on
- 8:29
this.
- 8:30
>> Clue just don't get the [ __ ] respect
- 8:32
that he deserves
- 8:34
>> in hip-hop.
- 8:36
>> I think a large part of that is due to
- 8:40
uh Limewire, Napster, and drama going to
- 8:44
jail.
- 8:44
>> Yeah, fair.
- 8:46
>> So, you know, that's like so many of
- 8:49
ours, our that piff history is gone.
- 8:52
whatever we were doing before Soundcloud
- 8:55
>> to on some just getting Lucy's out
- 8:57
there, that [ __ ] is gone.
- 8:59
>> Yeah.
- 8:59
>> This game has taken off and [ __ ] are
- 9:01
getting millions for selling their
- 9:02
catalog and it's just like an ocean of
- 9:04
joints that are
- 9:07
>> gone. And part of that is the Clue
- 9:09
legacy and now the kids have gotten old
- 9:11
and they think that Clue is some radio
- 9:12
DJ [ __ ]
- 9:13
>> right?
- 9:13
>> Yeah. They just don't know.
- 9:14
>> And we've seen Capri get his shine on on
- 9:16
Kendrick. We've seen Drama get his shine
- 9:18
from the various shits he's done and the
- 9:20
Tyler project on a mainstream level.
- 9:22
>> Yeah.
- 9:23
>> So, it's nice to see Clue get his.
- 9:24
>> Yeah. I'm not I'm not going to lie. This
- 9:27
it's over. This was an era to hear to
- 9:30
hear him shout out Paul Kane. Yeah. I
- 9:34
felt
- 9:34
>> was important to me.
- 9:36
>> Even just the way I mean we we skipping
- 9:37
a little bit, but like the way that he
- 9:39
was rapping was like on some 04 [ __ ]
- 9:42
>> Yes.
- 9:43
>> You know what I'm saying? Like the style
- 9:44
in which he approached these beats.
- 9:46
>> Yeah. was like throwback vibes.
- 9:49
>> Any any guesses as to why All Bad Boy
- 9:52
beats.
- 9:55
>> I never even thought about that.
- 9:56
>> How do you think about that?
- 9:58
>> I never even thought about that.
- 10:00
>> I think it's just a
- 10:01
>> Think about it for a little bit. Let's
- 10:02
get back
- 10:03
>> here. Go ahead.
- 10:03
>> Think about it for a little bit. Let's
- 10:04
get back, man. So glad y'all could be
- 10:06
here with us today, man. Shout out to
- 10:08
the first and last time listeners.
- 10:11
>> I ain't going to lie. At this point,
- 10:14
he's peeved. Yeah. No, he's pissed off.
- 10:17
That's all [ __ ] He was pissed.
- 10:18
>> He's annoyed at boy. He saw that
- 10:22
podcast. He's like, "No, hold up."
- 10:24
>> Y podcasters out there.
- 10:27
[laughter] THE REST OF Y'ALL.
- 10:29
>> The rest.
- 10:30
>> Y'ALL BEEN TALKING SO MUCH [ __ ]
- 10:32
[laughter]
- 10:34
>> and he heard y'all
- 10:35
>> didn't like it.
- 10:36
>> He didn't like it one bit. By the time I
- 10:40
finish these joints, I'm going to see if
- 10:41
I'm brave enough to shoot at some of you
- 10:43
[ __ ] too, cuz I agree with them. Look
- 10:44
what y'all did. [laughter]
- 10:46
Look what y'all did, man.
- 10:48
>> Y'all.
- 10:49
>> Y'all. Yeah, it was them.
- 10:50
>> It was definitely them.
- 10:51
>> But now this is why he's confusing
- 10:53
before I play the rest of this.
- 10:56
>> This is track one on this. It did sound
- 10:58
like he opened up with some fire for all
- 11:01
of the podcasters and engagement
- 11:03
influencer people that have been running
- 11:05
them out.
- 11:05
>> Yeah.
- 11:06
>> Right. And he sound annoyed by it.
- 11:08
>> Uhhuh.
- 11:10
>> But then later on he loves it.
- 11:13
>> Right.
- 11:14
I think it's the last bar on the table
- 11:16
there.
- 11:18
>> And we know he loves that.
- 11:20
>> You could like and still
- 11:21
>> like he said, yo, if you know if you've
- 11:25
been if you found if you know anything
- 11:26
about this [ __ ] you know that he's
- 11:28
happy that retired rappers or older
- 11:31
rappers get to do that. Like I believe
- 11:33
him. I take him at his word.
- 11:35
>> But I guess you can still shoot some
- 11:37
true. I can be happy y'all got this and
- 11:39
y'all still piss me off with y'all still
- 11:41
[ __ ] for running y'all mouths gays
- 11:43
parlaying
- 11:44
>> gossiping on couches [laughter]
- 11:45
gossiping parlaying
- 11:47
>> gossiping parlay
- 11:50
[ __ ] I [laughter] ain't like that doing
- 11:52
that [ __ ]
- 11:52
>> that's all it is
- 11:55
vibing vibing [laughter]
- 11:57
>> oh wait now is he shooting at uh Simba
- 11:59
>> yes
- 12:00
>> Simba is online acting like
- 12:04
>> he's shooting at him I didn't catch it
- 12:06
>> he is shooting at him
- 12:06
>> let's hear it
- 12:07
>> he's responding
- 12:09
He's been calling himself Simba for
- 12:10
[ __ ]
- 12:11
>> No, no, no, no. We not doing that.
- 12:13
>> Play Simba's control and you will hear
- 12:15
how he shot at Cole. Cole heard it. He
- 12:18
listened.
- 12:19
>> And Cole ain't the type to get on the
- 12:20
internet.
- 12:21
>> I'm going to address you when I'm ready
- 12:23
to and he's ready. He's talking directly
- 12:24
to him.
- 12:26
>> And even if the young Simba part is in
- 12:28
reference to himself, everything around
- 12:30
Yeah, it's not. But everything around
- 12:32
Let's go again.
- 12:33
>> Who is a toddler to Jermaine?
- 12:35
>> It's not bothering me.
- 12:36
>> And you're [laughter] annoying. You're
- 12:37
being a nuisance. Whoever he's talking
- 12:40
to, you're being a jerk.
- 12:42
>> You are you are disrupting his study
- 12:44
time.
- 12:44
>> A lot of this [ __ ] is shoe fits to me.
- 12:46
But maybe no,
- 12:48
>> I got you.
- 12:49
>> Wait. I agree with you. I think a lot of
- 12:51
[ __ ] on here is shoe fits.
- 12:53
>> Yeah,
- 12:54
>> I think some of it ain't.
- 12:55
>> Okay,
- 12:55
>> I got you. Don't worry about it.
- 13:00
>> Thoughts? Thoughts? Absolutely.
- 13:02
>> Let's stop it for a second and talk. I'm
- 13:04
in such a great mood, Mona. The origin
- 13:08
of this show is this. I know. I know you
- 13:10
think like we off script. We bugging. We
- 13:13
ain't talking. We ain't joking. Listen,
- 13:16
THE START OF THIS OH, I MISSED THE
- 13:18
START.
- 13:19
>> YEAH.
- 13:20
>> Let's get back to the essence.
- 13:21
>> We're here.
- 13:22
>> We here.
- 13:23
>> Not doing it for free, though.
- 13:25
[laughter]
- 13:26
>> Now, let's get let's take it back.
- 13:28
>> Let's take it back to the roots. But
- 13:30
like, [laughter] let's let's slow down.
- 13:33
snacking crazy. Oh my lord. Thoughts?
- 13:36
>> Nice snack.
- 13:36
>> First, yeah, when I hear I just be like,
- 13:38
"Yo, he just raps better than everybody
- 13:39
else." Like, that's that's the first
- 13:40
thing I thought when I heard when I was
- 13:41
listening to this. He just rapping his
- 13:44
[ __ ] ass off. But also, you could
- 13:46
tell he been holding some [ __ ] in. He
- 13:47
been waiting to get get off. And I just
- 13:48
love hearing him hearing him go.
- 13:50
>> See, I don't even think he's been
- 13:51
holding [ __ ] in. I think he This is
- 13:52
fairly new. It sounds like he's even
- 13:54
talking about, "Yo, it's cold as [ __ ]
- 13:55
New York and snow." Huh. It sounds like
- 13:56
he was just like, "You know what?
- 13:58
>> I got time.
- 13:59
>> Queue up these beats, man." again,
- 14:01
but I'm also had [ __ ]
- 14:03
>> I'm going to play.
- 14:05
>> No, you are not. We are not saying
- 14:07
Dennis Rodman during the Derek
- 14:10
[laughter]
- 14:11
because you're sitting here being like
- 14:12
we don't know who he talking about. Oh,
- 14:14
is he is he not you?
- 14:16
>> Okay. All right. Well, what I'm saying
- 14:17
is like my initial thoughts. I hear
- 14:19
Clue. I see the cover.
- 14:22
>> Love the cover.
- 14:22
>> I'm like, "Oh, [ __ ] I know what you I I
- 14:25
have Blizzard 96 in my phone." So I'm
- 14:27
like, "Oh, you ain't got Blizzard 96."
- 14:29
No, you always lying. [laughter]
- 14:31
>> I'm joking with you. I'm joking with
- 14:33
you, man. Sometimes I got to remind you
- 14:35
who I am.
- 14:35
>> I KNOW WHO YOU ARE. Sometimes I have to
- 14:37
remind you,
- 14:38
>> you know, that intro wouldn't have
- 14:39
happened early if it wasn't for me.
- 14:40
>> That's a fact. That's a fact. And me cuz
- 14:43
I wrapped it. But
- 14:44
>> But I'm just saying [laughter] it didn't
- 14:45
happen. He didn't He didn't have you.
- 14:47
But my point was I'm I'm automatic. I'm
- 14:51
automatically I'm automatically looking
- 14:53
at it like, "Oh, you're setting the bar
- 14:55
extremely high. For what? The album.
- 14:58
>> For the field or for himself?
- 14:59
>> No, no, no, no. For for what I'm about
- 15:00
to hear.
- 15:01
>> Got it. Okay.
- 15:02
>> Like you're you're building anticipation
- 15:03
for people. Yeah.
- 15:04
>> All right. You got clue. You got the
- 15:06
cover. I hear victory.
- 15:07
>> Yeah.
- 15:08
>> Oh,
- 15:09
we know what was done to victory.
- 15:11
>> Uh-huh. A couple times.
- 15:12
>> Exactly. So, it's automatically going to
- 15:14
be a comparison whether you want to or
- 15:15
not.
- 15:17
>> We'll talk about Banks a little later,
- 15:18
but
- 15:19
>> say
- 15:19
>> that's still in a shrine somewhere.
- 15:21
>> To me, Banks still that Banks victory
- 15:23
freestyle is in a shrine somewhere.
- 15:25
>> Oh, yeah. No, that's what I'm saying.
- 15:26
>> A separate part of the cemetery.
- 15:29
>> Agreed. That's what So if I hear you
- 15:31
start off,
- 15:31
>> you got to take a You never Yeah. You go
- 15:33
to the graveyard, you try to see a few
- 15:34
people, but sometimes somebody is a
- 15:36
little walk.
- 15:38
>> It's a long long walk before we start.
- 15:40
You got to get in the car. Some of these
- 15:41
other car drive. I was there for that.
- 15:44
MC's were afraid.
- 15:46
>> But that's my point anyway. So hearing
- 15:47
victory, I'm like, "Oh, wow. We know you
- 15:50
you got some big shoes to fill if you
- 15:52
choosing this beat and choosing it
- 15:54
first."
- 15:54
>> Yeah. You reminded me of another point I
- 15:56
I want to say that I forgot about
- 15:58
earlier. Yeah. Um there's a sea of songs
- 16:01
in an ocean somewhere. But another part
- 16:04
is none of you [ __ ] can do it anymore.
- 16:06
>> That part
- 16:07
>> they can't do that.
- 16:08
>> Y'all can't do it.
- 16:09
>> Can't do that.
- 16:10
>> Yeah. Not many.
- 16:12
>> They only want to try to do it.
- 16:14
>> There's only a handful.
- 16:15
>> They can't do it.
- 16:16
>> They can't do it.
- 16:17
>> They can't. I respect There's a few
- 16:18
[ __ ] that that rap at a high level for
- 16:22
their level and they go give it a
- 16:23
puncher shot. I appreciate that. All you
- 16:25
[ __ ] like rapping, go ahead and rap.
- 16:26
Get it off. A lot of you [ __ ] that go
- 16:28
over there to [ __ ] the 106 uh what's
- 16:31
the [ __ ] Power power. A lot of y'all
- 16:33
that
- 16:33
>> on the radar. All of them.
- 16:34
>> Yeah. A lot of y'all you're giving it
- 16:36
your Hey, I think that's great. But it
- 16:39
ain't
- 16:39
>> a clue tape, fam. And before we even
- 16:41
finish now, now I'm getting down. A clue
- 16:44
tape.
- 16:44
>> Get [ __ ] off here. Go ahead.
- 16:45
>> Yeah, you you the perfect understanding
- 16:49
pressure of a clue tape. First of all,
- 16:52
you couldn't just get on a clue tape
- 16:53
>> at all.
- 16:54
>> Yeah.
- 16:55
>> You couldn't just get a record deal,
- 16:57
think you could rap, be hot on your
- 16:58
block, and get on a clue tape. That
- 17:00
wasn't happening. You had to be like a
- 17:03
dog. Like a dog dog. A dog. Fab was
- 17:07
probably going to get the first slot
- 17:08
because business is business.
- 17:11
>> But [ __ ] when he did it, Kiss is
- 17:13
getting the first slot. [clears throat]
- 17:16
>> A new lock. You sandwiched. You are
- 17:20
being sandwiched behind
- 17:22
>> [ __ ] Yo.
- 17:24
>> Yeah, that was killers.
- 17:26
>> Yeah. Sometimes you I wouldn't mind
- 17:28
being track 13 and 14.
- 17:31
>> And even that you're not home free.
- 17:34
>> No.
- 17:34
>> He's [clears throat] surrounding you
- 17:35
with
- 17:35
>> some [ __ ] down there.
- 17:36
>> And and Clue would and Clue such a
- 17:39
[ __ ] He would never tell you what he
- 17:42
had for the tape either.
- 17:45
>> That's That's kind of crazy. He wouldn't
- 17:47
tell you what he had for the tape. He
- 17:49
would just be like, "All right, yo, did
- 17:51
you do your thing?" Because uh
- 17:54
Kiss Kiss was in the in the studio last
- 17:58
night with us. Just dropped something
- 17:59
like, "Huh? [laughter] Did I do my
- 18:01
thing?" All right, [ __ ] Let me go hear
- 18:02
my hear my [ __ ] again. But every hood
- 18:05
was in a frenzy. Jersey City swore I was
- 18:08
a multi-millionaire off of Clue Tapes.
- 18:10
Clue tapes went around. This is back to
- 18:12
just appreciating things regionally.
- 18:15
Yeah,
- 18:16
>> this is a big like tri-state type of
- 18:20
>> weapult
- 18:23
culturally significant for our
- 18:24
upbringing. When I heard the like you
- 18:28
chills, bro, that [ __ ] is different.
- 18:30
People don't understand again,
- 18:32
>> bro. That [ __ ] came with a haircut.
- 18:33
>> Honestly, bro, a haircut, a Sergio
- 18:36
Chini, and a car wash.
- 18:38
>> That [ __ ] was a time capsule.
- 18:40
>> So, y'all the rappers that's on the tape
- 18:41
wouldn't hear everybody else verse till
- 18:43
it come out?
- 18:44
>> No. M
- 18:45
>> no
- 18:46
>> bro this [ __ ] was it was something
- 18:47
>> it was a movement
- 18:48
>> but that went to my point like when X
- 18:50
and them was on they climb dog you had
- 18:52
to deal with all of them [ __ ]
- 18:55
>> remember we had the argument we ain't
- 18:56
argue but it was a point going around
- 18:57
about the 50 Cent X and all of that and
- 18:59
they chopped it up bro you had to deal
- 19:01
with all of that some of these [ __ ]
- 19:03
didn't have record deals they still was
- 19:05
killers
- 19:07
>> you had to deal with that wasn't no
- 19:09
gimmicks it wasn't no melodies it wasn't
- 19:11
you had to get on a [ __ ] tape and rap
- 19:15
using words. It wasn't no harmonizing
- 19:17
the music had to kill you to save you.
- 19:19
The hook save you. It wasn't no uh post
- 19:22
on Instagram make it look fly Tik Tok
- 19:25
dance. You had to be a [ __ ]
- 19:27
shark
- 19:30
well manicured content to make the
- 19:31
record look hotter than it is.
- 19:33
>> Nope.
- 19:34
>> With the HD cameras and good lighting.
- 19:35
No, it wasn't that.
- 19:36
>> Like I feel like Clue should be selling
- 19:38
like a a voice pack like or a adlib kit.
- 19:43
Yeah. like some AI.
- 19:45
>> They should hire they should hire Clue
- 19:47
to do it. [ __ ] Yeah, they should.
- 19:49
>> Yeah.
- 19:51
>> Well, yeah, but no, you can sell more of
- 19:53
the [ __ ] pack.
- 19:54
>> Nah,
- 19:55
>> bro. You think there's a coward if
- 19:56
there's no clue?
- 19:57
>> Do I think there is?
- 19:59
>> I don't think there's not a lot of these
- 20:00
[ __ ] if there's no clue.
- 20:01
>> I think there's a Kallet.
- 20:03
>> I think that's the evolution of Clue.
- 20:05
>> Khaled was around by the way. He just
- 20:06
wasn't the K that we
- 20:08
>> was around as a radio DJ back.
- 20:13
That's the temple. The person, you know
- 20:14
what I'm saying? He's the temple. Yeah.
- 20:16
>> Yeah.
- 20:17
>> And what separates Clue, I mean, from
- 20:19
cuz Flex put out a album before,
- 20:22
>> but Clue was producing
- 20:23
>> Capri. All of them. Yeah.
- 20:24
>> Yeah.
- 20:25
>> Clue was producing. Dur was mixing.
- 20:27
Listen, man. Chef to to to JCole. Yeah.
- 20:30
Shout out to Duro, man. Miss you and I
- 20:31
love you.
- 20:32
>> Uh for JCole to do this and go this
- 20:35
route. Yeah. It ain't a lot of It ain't
- 20:36
a lot of people that that that good.
- 20:37
[clears throat]
- 20:38
>> Not at all.
- 20:40
>> Yeah, that was that rhyme scheme is
- 20:42
vintage.
- 20:43
>> Give Give it to me. Give it Give it to
- 20:44
me.
- 20:44
>> I love the the words, right? I love like
- 20:48
it it was dope.
- 20:49
>> But I don't want to hear you I don't
- 20:51
even want to hear you talk about this
- 20:52
this top three big three [ __ ] no more. I
- 20:55
>> see to he's setting it up. He's making
- 20:57
the narrative about the fall off being
- 20:59
the fall off. He he's this is
- 21:00
orchestrating what's happening right
- 21:02
now.
- 21:02
>> Got to address it. [clears throat]
- 21:03
The album, the album, The Falloff, has
- 21:05
been playing for years and years. This
- 21:07
all just kind of worked perfectly in
- 21:09
that narrative of I was top three, now
- 21:11
I'm out because ah, he's playing into it
- 21:14
right here. I get it. I just don't want
- 21:15
to hear it. It's brilliant.
- 21:17
>> So, you don't want him to address the
- 21:17
situation at all.
- 21:19
>> Fam, move past that. I don't I don't
- 21:21
need to hear nothing about I want to get
- 21:22
as far away from that battle and
- 21:24
everything that happened in that battle
- 21:25
as possible.
- 21:26
>> I agree with you on that.
- 21:26
>> I'm just over it. So, now
- 21:28
>> get his [ __ ] off though.
- 21:28
>> I say he say,
- 21:30
>> but I think you got your [ __ ] off at the
- 21:32
apology. That's how I'm treating you.
- 21:34
You removed yourself. You deleted the
- 21:36
song. You apologized. You want nothing
- 21:37
to do with this. Cool. We accept that.
- 21:39
>> All wrong.
- 21:40
>> You accept. Everybody didn't accept all.
- 21:44
>> I accept that. I don't want to hear
- 21:45
that.
- 21:46
>> That battle birthed a lot of things with
- 21:51
>> I mean, if I'm taking them out of work,
- 21:53
but but his friendships.
- 21:54
>> Yeah.
- 21:55
>> So, at this point, we not on the battle
- 21:57
anymore. We on [ __ ] that happened from
- 22:00
the battle. He's made himself clear that
- 22:02
he don't give a [ __ ] and want to talk
- 22:03
about that battle. So he don't So when
- 22:06
he says the top three and all this [ __ ]
- 22:08
I'm not taking it as this is more battle
- 22:11
talk. One, two, I know there are people
- 22:13
that feel like Ice and and don't really
- 22:15
want to hear certain things from JCole.
- 22:18
I am not one of those people. I [snorts]
- 22:20
still want him to pop his [ __ ] I still
- 22:22
want him to talk like the baddest [ __ ]
- 22:24
on the planet. Go ahead, get it all off.
- 22:26
As long as it ain't directly directed to
- 22:29
nobody like we just broadly saying then
- 22:32
please I I don't want to strip one of
- 22:34
the greatest rappers in the world of the
- 22:36
ability that helps him to be one of the
- 22:38
greatest rappers in the world. I
- 22:40
>> don't talking about I can see if he was
- 22:43
still saying I'm I'm top three or I'm
- 22:45
I'm at the top and he [ __ ] these dudes
- 22:46
cuz to me you lost that privilege when
- 22:48
you when you bowed out but he's
- 22:49
literally saying I know what I did
- 22:52
that's why I'm not in people's top
- 22:53
three. I'm okay being the underdog. Like
- 22:55
to me that's perfectly appropriate
- 22:57
especially with a falloff with the album
- 22:59
theme is the falloff.
- 23:00
>> Did you can I ask you a question? Did
- 23:01
you not like the apology in itself? Like
- 23:03
did that irritate you that whole thing?
- 23:04
>> No, no, no. I I'm I wasn't initially I
- 23:06
was just like yo what the [ __ ] But
- 23:08
>> after seeing how the battle played out,
- 23:10
I understand Cole's point and we all
- 23:12
understood like yo cool. I don't want
- 23:14
y'all getting ready to get dirty like
- 23:15
that.
- 23:16
>> I don't want no parts of that. So I
- 23:18
respect that.
- 23:19
>> He can walk away with his sanity, his
- 23:20
mental health. I don't got to [ __ ] with
- 23:22
none of this.
- 23:22
>> Yeah. So, I'm that's not my point. I'm
- 23:25
just saying I like cold rapping like I'm
- 23:27
the best there. I I like I want him to
- 23:29
continue that. You don't have to talk
- 23:31
about Big Three or even mention Big
- 23:33
Three to do that though.
- 23:34
>> I could still feel I'm the best. Maybe I
- 23:37
don't want to do the direct battle with
- 23:39
somebody because of the potential. It
- 23:40
could get dirty or ugly and I don't want
- 23:42
to get in the mud with y'all, but I
- 23:43
still think I rap better than everybody.
- 23:45
>> It does.
- 23:46
>> I don't have to
- 23:48
one-on-one engage and make diss songs to
- 23:50
say that I'm better than you, though.
- 23:52
So, if that's the case, cool. I just
- 23:53
don't want to hear you do no more big
- 23:54
three talk. Period. Just say you're the
- 23:56
best.
- 23:57
>> You're just over it.
- 23:58
>> Yeah, I'm over it. You say you're the
- 23:59
best and that's it. When I hear him say
- 24:00
big three, top three.
- 24:02
>> But to the people that feel like that,
- 24:04
like what I think is if you never hear
- 24:07
the big three again, cuz I hear that's a
- 24:09
new thing out there. Ain't no more big
- 24:11
three. Ain't no more big
- 24:12
>> talking point.
- 24:13
>> Guess what you guys? If y'all never hear
- 24:15
the big three again, there's a big
- 24:17
three.
- 24:18
>> Right. If if each one of them never say
- 24:21
that [ __ ] guess what? It still exists.
- 24:25
You know why? Edged in stone.
- 24:26
>> There were there there were reasons and
- 24:28
there are reasons. And I think a big
- 24:31
part of what the of of what's underneath
- 24:35
some of the public saying we don't want
- 24:36
to hear that big three [ __ ] no more is
- 24:39
is a is a fear that exists because
- 24:43
there's nobody else out there that looks
- 24:46
like they're taking that mantel and and
- 24:48
they're about to do that with it. Of
- 24:50
course, you have your exceptions that
- 24:51
the young people are rolling with, which
- 24:52
is NBA Young Boy and whoever they are.
- 24:55
Like there's people out there that that
- 24:56
are doing great. But, you know, uh, this
- 25:00
week I've been having back and forth
- 25:01
with people about the blog era, which
- 25:03
I'm just not going to do because I was
- 25:06
there for the blog era and participated
- 25:08
in it.
- 25:09
>> I saw you clapping back a little bit. I
- 25:10
was surprised you even did that.
- 25:11
>> Cuz I'm not going to debate. I'm not
- 25:12
going to debate with these people. And
- 25:14
Moon Music 3, we put out CDs. We put out
- 25:16
CDs for a reason because the blog era
- 25:19
had not just taken off. But 07 is I'm
- 25:22
only talking about 07. Uh, I think my
- 25:25
words got misconstrued. The blog error
- 25:27
is one of the greatest errors. It's
- 25:29
proven to be that. I'm only talking
- 25:31
about people overstating what it was in
- 25:35
2007. But in my back and forth,
- 25:38
>> I want to go back to that when you
- 25:39
finish too.
- 25:39
>> But in my back and forth uh with people,
- 25:43
um what I got to remembering and
- 25:48
appreciating and just loving about and
- 25:50
reminiscing about that particular era
- 25:52
was all of the stars that came from that
- 25:55
era. Yeah.
- 25:57
>> And they they were undeniable. Like it
- 26:00
wasn't niche.
- 26:02
>> These were
- 26:04
Drake in ' 08 09.
- 26:07
>> Mhm.
- 26:08
>> Uh Cole
- 26:10
>> in09
- 26:11
Kendrick
- 26:12
>> Kendrick
- 26:13
>> Wiz current
- 26:18
Mac. Yeah.
- 26:20
>> Like there was nothing that the general
- 26:22
public could do.
- 26:24
>> Yeah. Yeah, there was nothing that the
- 26:25
public was for sure.
- 26:27
>> Uh the whole ASAP
- 26:30
collective
- 26:32
future,
- 26:34
>> the music business, the executives, the
- 26:38
radio stations, the stores, the mom and
- 26:41
pops. Like that's what I'm saying. In '
- 26:43
07, [ __ ] like me was like fighting,
- 26:47
putting joints on. By 09, 010, 2011, the
- 26:52
industry had now acquiesced to what was
- 26:54
going on. And no matter who's successful
- 26:56
today, I don't think the general public
- 26:58
feels like they have three or four
- 27:01
people that you can easily see what the
- 27:03
next 20 years in hip hop looks like,
- 27:05
>> right?
- 27:05
>> No,
- 27:06
>> there's no farm system.
- 27:07
>> There's no farm system really anymore.
- 27:09
>> That was the farm system.
- 27:10
>> I think that's by design, too, though,
- 27:12
bro.
- 27:13
>> Like if you if the labels, even if
- 27:15
people say labels are dying off,
- 27:16
whatever, they still got a grip. They
- 27:17
got a control on this. If there is no
- 27:21
big three or or big four, big five,
- 27:23
whatever, there's no top people, we kind
- 27:26
of get to control the field a little bit
- 27:28
better.
- 27:29
>> See, I
- 27:30
>> I think the label should always want
- 27:31
stars. I think the music business would
- 27:34
always want stars. I'm not saying stars.
- 27:36
I'm just saying them those ones cuz now
- 27:37
you have the risk of
- 27:40
>> especially with all the information out
- 27:41
there. Look, they ran the SoundCloud,
- 27:43
took every star off of Soundcloud, and
- 27:45
then SoundCloud went bankrupt.
- 27:47
>> Yeah.
- 27:47
>> Mhm. [clears throat]
- 27:49
>> So, I mean,
- 27:50
>> bro, think or not just that.
- 27:51
>> Wherever the stars are, the music
- 27:53
business is going to go get all of the
- 27:55
people.
- 27:55
>> We just don't we don't want two or three
- 27:57
of them. We don't want that. They they
- 27:59
don't want to put all the eggs in the
- 28:00
basket of one star when they can get 10
- 28:02
stars that maybe all additive
- 28:04
cumulatively can be the one star
- 28:06
>> and that one star get some information
- 28:08
and now it's powerful and don't and I
- 28:09
want to play hard ball with y'all.
- 28:11
>> And I'm even reminded while JCole is
- 28:14
talking that I'm a I'm a father to you
- 28:16
[ __ ] type [ __ ] I was like oh [ __ ]
- 28:18
Like when he said that it was a a
- 28:21
reminder for me cuz you don't remember
- 28:23
when he was a new [ __ ]
- 28:24
>> Well J he's about our age. couple years
- 28:26
younger,
- 28:27
>> which is a little bit younger than you.
- 28:28
Like he's not that far. It's not an age
- 28:30
thing. How long you been? It's not It's
- 28:31
not It's not It's not It's not based on
- 28:33
age. Uh
- 28:35
>> but when he says that,
- 28:39
that's the other thing like whoever the
- 28:41
next person is or the new people are
- 28:44
going to be. I mean, does the public
- 28:46
feel like you gonna get a run as long as
- 28:49
JCole Drake
- 28:50
>> Kendrick,
- 28:51
>> Kendrick, Wall, Sean, Meek,
- 28:55
>> Rocky, just who these people and Huh?
- 28:59
>> No.
- 29:00
>> Oh, man. Anyway, come on. I'm sorry
- 29:01
y'all. I'm sorry. I'm rambling. Here we
- 29:04
go. But I'm excited.
- 29:06
>> Sorry. I feel good.
- 29:07
>> Sorry that I'm in a good mood and love
- 29:09
music. [ __ ] y'all. [ __ ]
- 29:12
>> That was pretty clever.
- 29:13
>> Yeah, that's dope.
- 29:13
>> That was pretty clever. That was dope.
- 29:16
>> And a quick 12 minutes of of of this
- 29:19
too. Like he didn't OD.
- 29:21
>> He didn't
- 29:21
>> he didn't try to like find a dope idea
- 29:24
and then overdo it and beat it to death.
- 29:26
>> Quick five joint, four joints.
- 29:29
>> Then at the end of whatever Ice sent me
- 29:31
was all of them together and and I let
- 29:34
it rock and I let it rock.
- 29:36
>> That That's clue [ __ ] Like that's
- 29:38
that's how when it first digitized
- 29:40
>> it was
- 29:41
>> side A.MPP3 MP3 sidebe.mpp3.
- 29:45
>> Y
- 29:45
>> the whole tape.
- 29:46
>> I love again he he checked all the boxes
- 29:49
for for uh
- 29:50
>> He did
- 29:50
>> for for making it a a clue tape.
- 29:53
>> I
- 29:55
I wasn't really on this one.
- 29:56
>> What do you mean
- 29:57
>> this freestyle?
- 29:58
>> He's this is probably my least favorite.
- 30:00
I like the Lucian Lucian bar. This
- 30:02
freestyle or the overall project?
- 30:05
>> I don't love the overall project like
- 30:07
everyone else does. Really?
- 30:08
>> I love Victory.
- 30:09
>> That was fire. I don't I don't love the
- 30:11
overall project the way everyone else
- 30:12
does. Again, but part of it is because I
- 30:15
know what happened on them beats.
- 30:18
>> It's not It may
- 30:19
>> is such an elitist.
- 30:20
>> No, no, no, no, no. Listen, you chose
- 30:23
these beats for a reason.
- 30:26
You know what happened to these beats?
- 30:28
You know that like same thing I said
- 30:30
about victory. You're setting a very
- 30:33
hard bar, a very high bar that you might
- 30:36
not even be able to reach. See, I love
- 30:38
it because it just brings you back to a
- 30:40
time. I don't I don't and and I think he
- 30:42
showed up in body
- 30:45
and it's him appreciating the time which
- 30:48
is that's a really
- 30:48
>> I can appreciate that really respectful
- 30:50
thing.
- 30:51
>> The GoFundMe clue mimic that is a old to
- 30:54
hip hop and that's why
- 30:56
>> JCole is bigger than
- 31:00
anybody that was on a clue tape with the
- 31:02
exception of three people.
- 31:05
He's bigger than all he need to do is be
- 31:08
himself to his audience and rap to the
- 31:10
best of his ability. And for his people,
- 31:13
>> it's going to hit like
- 31:16
>> I don't even think his people going to
- 31:17
appreciate this properly.
- 31:18
>> Yeah. I'm just saying I don't think so.
- 31:20
>> How old they are. Yeah. The younger fans
- 31:22
may not feel about it.
- 31:23
>> They're not going to appreciate this
- 31:24
properly.
- 31:25
>> I get what I is saying. When you when
- 31:26
you choose certain beats,
- 31:28
>> you saying I'm here to compete at that
- 31:30
level. It's like when you choose a blues
- 31:31
song or whatever song to sing over like
- 31:32
certain you do a standard standard. You
- 31:34
got you got you got to get busy with the
- 31:36
standard right?
- 31:36
>> I think he did though.
- 31:37
>> I do too. That's why he and I disagree.
- 31:40
>> I don't know if you have to I don't know
- 31:41
if you have to be
- 31:42
>> No, you play you playing at the garden.
- 31:44
Like you need to have a good game at the
- 31:46
garden. You don't need to do what Willis
- 31:48
Reed Wal Frasier did or what Kobe did,
- 31:51
but you go into the garden. You need to
- 31:52
do you at the garden. I think he did a
- 31:54
great job of that. I'm with you. This
- 31:56
second the second freestyle is not my
- 31:58
favorite out the pack. But I was first
- 31:59
and the fourth. I don't remember all the
- 32:00
names.
- 32:01
>> But is that Bronzu? Which one is
- 32:02
>> Bronzu was the first one?
- 32:03
>> The first one. That's first. To me,
- 32:06
that's the best one by far.
- 32:07
>> Yeah. Easy.
- 32:08
>> The last one is fire, too. Uh, what is
- 32:10
that [ __ ] called? 99 build.
- 32:13
>> That one is I think I like all of them,
- 32:15
buddy.
- 32:15
>> Yeah, me too.
- 32:17
>> All right. Well, since Ice don't love
- 32:18
that one, let's get to the next one.
- 32:20
Here we go. Hey,
- 32:25
I ain't going to front. I need to bring
- 32:26
my music show back. I have way too much
- 32:28
fun just playing music that I love.
- 32:31
>> I know that this is a podcast and we do
- 32:32
have to talk at some point, but I boy am
- 32:35
I having a blast.
- 32:36
>> I said the wrong thing, Joe.
- 32:37
>> I like the little change up they made in
- 32:38
the beat. I like this.
- 32:40
>> I thought you going to say this made you
- 32:41
want to rap again. What' you say, Mark?
- 32:42
You said You said the wrong thing. I
- 32:44
thought you was going to say when you
- 32:44
hear this, it made you want to start
- 32:46
rapping again.
- 32:46
>> Not at all. Not at all. Not at
- 32:48
[laughter] all.
- 32:48
>> How the [ __ ] do you hear THIS AND NOT
- 32:49
WANT TO RAP AGAIN? It made me want to
- 32:50
rap.
- 32:51
>> Yo, you know the era I come from.
- 32:53
>> Do you know what he did to this beat?
- 32:54
>> Yeah. JCO don't get me out of bed. Do
- 32:56
you know what Joe Button did to this
- 32:57
beat?
- 32:58
>> Yeah.
- 32:59
>> Why would he need to rap? That's my
- 33:01
point though. That's That's This is why
- 33:02
I say it's just cool. Now listen to
- 33:04
this. Money power the first time when
- 33:07
they try to knock down the towers the
- 33:09
first time. And the only reason I'm
- 33:11
talking about it is so you know the real
- 33:12
talk of New York's about it.
- 33:14
>> Oh my god. Good times.
- 33:15
>> So So my problem
- 33:19
Cole did Cole
- 33:21
on on these beats and he he wrapped
- 33:24
well. He wrapped No. [ __ ] well. [ __ ]
- 33:26
well. He rapped exceptionally well.
- 33:27
>> Thank you.
- 33:28
>> I'm not I'm not dissing him for the
- 33:30
rapping.
- 33:31
>> These beats caught for something else
- 33:33
though, cuz I know what happened to
- 33:34
these beats. You pick these score in the
- 33:36
guard. You You went 55.
- 33:39
>> You have You have to.
- 33:41
>> If you take Whitney Houston Well, if you
- 33:42
take Dolly Parton's song and then you
- 33:44
see what Whitney Houston did to it.
- 33:46
>> We're not doing this.
- 33:46
>> No, I'm just giving you an example. And
- 33:48
now you go sing over it and you cover it
- 33:49
again.
- 33:50
>> Yeah.
- 33:51
>> You got to bring your going to remember
- 33:53
that. You know, I hate that example,
- 33:55
[ __ ] Dolly Parton, give me that slap,
- 33:58
[ __ ] You wasn't doing nothing. I know.
- 34:00
We giving it to the greatest singer of
- 34:01
all time, arguing.
- 34:02
>> And I said, now if you go cover asking
- 34:05
one of the current greats to take from
- 34:07
[ __ ] that went I didn't ask HIM TO
- 34:09
TAKE NOTHING FROM THESE [ __ ]
- 34:10
>> ICE is saying you just went behind
- 34:12
Whitney. Not you went behind Dolly. You
- 34:14
went behind Whitney. So when you go
- 34:16
behind Whitney, you got to go crazy.
- 34:18
>> All right. No Dreamville tickets for
- 34:19
you.
- 34:20
>> No. [laughter] No tickets to Dreamville.
- 34:22
Man,
- 34:23
>> you're done. You're done, buddy. You
- 34:24
thought you were going to sit on the
- 34:25
grass in here [ __ ] JCole, [laughter]
- 34:30
[ __ ]
- 34:30
>> Yeah, it's over for you, man. JCole,
- 34:32
great job. Y want to talk about the
- 34:35
business of this? Cuz I love the
- 34:36
business of this as much as I love the
- 34:37
music of this.
- 34:38
>> Oh my god.
- 34:38
>> The website,
- 34:39
>> the website, which you want. Yeah. Pay
- 34:42
what you want and then as soon as you
- 34:43
buy it, it pops up and says, "Yo, buy
- 34:46
the f the falloff for another $15."
- 34:49
>> It's brilliant. Absolutely brilliant.
- 34:51
And I'm very very curious to see with
- 34:53
them what this fall off if he does it uh
- 34:56
direct to consumer.
- 34:58
>> I think I think he might do all all like
- 35:00
he might drop to consumer.
- 35:02
>> Yeah. I mean it already is clearly
- 35:04
available for sale on the website. I'm
- 35:06
just wondering how that's going to play
- 35:07
in with the actual drop date
- 35:09
>> or would would how would they compile
- 35:13
all the numbers and the data?
- 35:14
>> Who gives a [ __ ] about the numbers?
- 35:18
Oh they
- 35:19
>> they can report him, but they
- 35:20
>> But he [laughter]
- 35:22
report Yeah. I don't think
- 35:24
>> And be clear, he's still going to do the
- 35:26
numbers.
- 35:26
>> Yeah. It's still going to do numbers.
- 35:29
Already did numbers.
- 35:30
>> He's not going to have time to report
- 35:31
the numbers, you guys. He won't have
- 35:33
time too much ching ching.
- 35:35
>> No, no. I'm I'm [laughter] saying when
- 35:36
it does go. No. What I'm saying is when
- 35:39
it goes up on your DSPs and all that,
- 35:41
it's still gonna do numbers
- 35:42
>> for sure.
- 35:42
>> I believe that.
- 35:43
>> That's all I'm He's still gonna have the
- 35:44
number one album. It's still gonna do
- 35:46
whatever the and I'm gonna make a [ __ ]
- 35:48
ton of money because I'm gonna do it
- 35:49
over here too. It's crazy.
- 35:50
>> Win-win.
- 35:51
>> A JCole, I love you, man. Absolutely
- 35:54
love this.
- 35:54
>> Love it. Love it.
- 35:55
>> And I love people just dropping some
- 35:57
like heat
- 36:00
>> like two weeks or a week before the
- 36:02
album.
- 36:02
>> Word.
- 36:03
>> That's old school [ __ ]
- 36:04
>> That's old school.
- 36:05
>> [ __ ] used to drop the mixtape. [ __ ]
- 36:06
used to go up to Flex and Freestyle or
- 36:07
go somewhere like that's old school
- 36:09
[ __ ]
- 36:09
>> Yeah, but I'm going to do it on my [ __ ]
- 36:11
>> Yeah,
- 36:12
>> that's what I love. I'm doing my own
- 36:13
[ __ ] I love the business. Come right
- 36:14
here. As much as I love the music, he
- 36:15
bodied. He went crazy. But
- 36:17
>> and be clear, let me just clear this up.
- 36:19
Like I'm I'm not saying this is a bad
- 36:20
project or nothing like that. I like the
- 36:22
project. It's just I'm holding it to a
- 36:24
super high standard.
- 36:25
>> You give it a B. It sound like
- 36:26
>> Yeah. Yeah. I'm not knocking I'm not I
- 36:29
hate this or nothing like that. It's
- 36:30
just you can't
- 36:31
>> I mean it's only four songs. I mean for
- 36:34
what he did in the four songs, I think
- 36:35
it was great.
- 36:35
>> Yeah. I think it perfect. I think he's I
- 36:37
think created more of an appetite for
- 36:38
the album, which is
- 36:39
>> I agree.
- 36:40
>> Which is all you want to do.
- 36:41
>> No. [ __ ] starving for the album. and
- 36:42
the letter he put out saying how yo the
- 36:44
album was this and
- 36:46
>> I went back and now I made it evolved
- 36:48
into the double disc and all this other
- 36:50
[ __ ] like
- 36:51
>> yeah I want to hear the the anticipation
- 36:53
is even higher now and back in the day
- 36:55
on some old school [ __ ] when you dropped
- 36:57
the project like right before your real
- 36:59
project
- 37:01
and you were rapping at this this type
- 37:04
of clip like
- 37:06
a good way to let your fans know that
- 37:08
that's the that's where you and your pen
- 37:10
are at currently. Yes.
- 37:12
>> Or well, it also other people did it the
- 37:15
other way. I'm rapping like this because
- 37:18
the label ain't not just not JCole, but
- 37:20
when that happened, let me give y'all
- 37:21
what I wanted to do because the label
- 37:24
control this album and they got me doing
- 37:26
this over here. So, I'm I'm trying to
- 37:27
please everybody.
- 37:28
>> Yeah, that that happens. I'm I'm
- 37:30
referring to this case because this
- 37:32
sounds current. So, I don't think he he
- 37:35
did that, but yeah, that happens all the
- 37:36
time. Uh, good to know that this is
- 37:38
where his pen is on a with a double disc
- 37:40
coming that he's been working on for
- 37:41
years that's called the fall off after
- 37:43
he's mad at everybody after everybody
- 37:45
wrote him off. He says he works better
- 37:47
when he's doubted. [ __ ] curse him out.
- 37:49
They don't want to hear [ __ ] from. He's
- 37:50
just sitting back with his little
- 37:51
whatever he reading [ __ ] on. He's just
- 37:53
reading [ __ ] while he riding the city
- 37:54
bike playing with his drag.
- 37:55
>> He also he also launched a message board
- 37:58
on some old school [ __ ] called Bill
- 37:59
Central, which is like cannabis central
- 38:01
for those of us that were on the
- 38:02
internet at the time.
- 38:04
>> Really?
- 38:05
>> Yes.
- 38:05
>> Yeah.
- 38:06
Oh,
- 38:07
>> he's doing some brilliant [ __ ] direct
- 38:09
consumer fan marketing [ __ ]
- 38:12
>> bro. He got that the phone number [ __ ]
- 38:13
they doing where they text you, bro.
- 38:15
That [ __ ] is that shit's amazing today.
- 38:17
>> Word.
- 38:17
>> Like, just think outside the box. Don't
- 38:19
just rely on social media or rely on all
- 38:22
right, I'm going go sit here, here,
- 38:23
here, here, here. There's my promotion,
- 38:24
right?
- 38:25
>> Do something else. I love all I love
- 38:26
everything he's doing for this album.
- 38:28
>> Uh, not to tabloid this out, but there
- 38:30
are other folks on the internet that say
- 38:32
they hear Drake shots on here. I mean
- 38:35
the the Lucian [ __ ] I could kind of see.
- 38:39
I suppose
- 38:39
>> the I wrote it. I said it. Give me give
- 38:41
me what the Drake shots are.
- 38:43
>> The only one I heard was the Yeah, the
- 38:46
one he's saying um I wrote it dummy or
- 38:48
some [ __ ] like that.
- 38:49
>> The Yeah, the the um cuz I think the
- 38:52
Lucian shot
- 38:54
the industry and that Lucian. I don't
- 38:55
think that's a shot of Drake.
- 38:57
>> Yeah, that's how I took it as well.
- 38:58
That's a shoe fits one for me like you
- 38:59
said like yeah exactly but when the
- 39:01
other line comes
- 39:03
>> four bars after that
- 39:04
>> which is we ain't said no lines yet
- 39:09
industry and then he goes on even to
- 39:10
qualify it and say yeah I'm on universal
- 39:13
distribution but the [ __ ] is mine
- 39:15
>> before anybody can say oh [ __ ] you up
- 39:16
under too no it's different you know
- 39:19
what I'm saying so I I don't think it
- 39:20
was a shot at Drake maybe the [ __ ] about
- 39:22
writing his own [ __ ]
- 39:23
>> and everybody's under like I mean not
- 39:24
everybody literally but I mean like it
- 39:25
just feel like under the industry
- 39:27
>> yeah like y'all All y'all take this.
- 39:31
>> I don't think J.Cole would ever shoot a
- 39:33
Drake.
- 39:34
>> I didn't take this direct.
- 39:36
>> I think Yo, dog, I apologize because
- 39:38
these two [ __ ] was my friends. These
- 39:40
[ __ ] really don't like each other, but
- 39:42
I [ __ ] with them. I don't want to be in
- 39:43
the middle of that. So, y'all have at
- 39:45
it. I don't think he's beefing with
- 39:47
Drake or Kendrick. I think that's why he
- 39:49
bowed out the [ __ ]
- 39:50
>> Like, these are my real friends. I don't
- 39:53
think they industry friends. I don't
- 39:55
think he might even not be the [ __ ] to
- 39:56
carry industry friends like that, but I
- 39:58
I [ __ ] with both of them. I don't think
- 40:00
a good dude North Carolina dude a good
- 40:03
dude that ain't poisoned by the
- 40:05
industry. That's what I see. I don't
- 40:07
think he's dissing. It might just be a
- 40:09
little jab at what's going on or a
- 40:11
generic jab because I take Cole at his
- 40:14
word and he said if I diss, I'm I'mma
- 40:16
let you know.
- 40:17
>> Give me the lines.
- 40:18
>> I'm still trying to find a line, bro. I
- 40:19
can't
- 40:19
>> [ __ ] mute your ass. [laughter] You
- 40:21
already showed the kind of person he was
- 40:23
with that walking back from that beef
- 40:24
[ __ ] cuz nobody just a good dude.
- 40:26
>> But outside of him, I'm just talking
- 40:28
about when you go down to South Carolina
- 40:32
or North Carolina like I'm talking about
- 40:34
like a Ninth Wonder. I'm talking about
- 40:37
them dudes are well read,
- 40:40
>> perceptive, like forward thinking. Them
- 40:43
[ __ ] them North Carolina [ __ ]
- 40:46
>> You know North Carolina [ __ ]
- 40:47
>> I'm saying in hip-hop. Yeah.
- 40:49
>> Okay.
- 40:50
>> All right. So the line we were talking
- 40:51
about
- 40:51
>> you know who knife wonder is?
- 40:53
>> Yes, of course.
- 40:54
>> Okay. Well, he's from North Carolina.
- 40:55
>> Oh, okay. I know that.
- 40:56
>> All right. So, some of the lines were on
- 40:57
Golden Goose. Um the one the Lucian line
- 41:00
we spoke about for crumbs. Dumb [ __ ]
- 41:01
sold they sold illion universal
- 41:03
distribution but I own the music and
- 41:05
then right after that if I said it then
- 41:07
I wrote it stupid.
- 41:08
>> Do you think that's a Drake line?
- 41:10
>> I mean Drake is kind of beefing with
- 41:11
them over [ __ ] That's what the lawsuit
- 41:14
it could be. They ain't beefing over
- 41:15
crumbs and it ain't crumbs. He ain't
- 41:17
sell his soul for crumbs.
- 41:20
I'm just tell I mean it could be looked
- 41:22
at as crumbs if if Drake is saying this
- 41:24
is worth x amount of billions and I only
- 41:26
got this. It could be crumbs.
- 41:30
[snorts] I'm not saying it's a disc.
- 41:31
This you ask me what the lines are that
- 41:33
people are interpreting as a disc.
- 41:35
>> I mean it it could be crumbs in
- 41:37
comparison to what he has grossed for
- 41:39
the label. But there's no world
- 41:40
>> him against the field [clears throat]
- 41:42
400 million.
- 41:43
>> [ __ ] that's a cheesecake with
- 41:44
[laughter]
- 41:45
on top. [ __ ] is you talking about? 400
- 41:47
mil that he recouped in a matter of
- 41:49
years.
- 41:49
>> That's one deal. That was only one deal.
- 41:51
400 was only one deal.
- 41:53
>> Let's not be silly for the sake of hip
- 41:54
hop here. What What else? What else is
- 41:56
there?
- 41:57
>> Catch bodies for my own amusement.
- 41:58
[ __ ] cheating and I won't excuse it.
- 42:00
If I said it, then I wrote it. Stupid.
- 42:02
So, there's another one. That's the
- 42:03
other one.
- 42:03
>> It's a lot of reaches. It's reaches.
- 42:04
It's reaches to me. back to back to when
- 42:08
um Cole was addressing back to when Cole
- 42:10
was addressing the the Young Boy rumors
- 42:12
>> and he was like, "Yo, if I diss
- 42:14
somebody,
- 42:15
>> I'mma hit you direct like I'm on your
- 42:16
caller ID." I'm going to take his word
- 42:19
for that.
- 42:19
>> That was a lie as soon as he said it.
- 42:22
>> That was a lie. As soon as he said it.
- 42:23
>> Why you said that?
- 42:24
>> Cuz he ain't If I diss you, so I say if
- 42:28
I do it, I'm going to make sure you know
- 42:30
>> I ain't going to leave no gray area.
- 42:31
>> Like Kendrick said, if I catch flight,
- 42:32
it's going to be direct. They're saying
- 42:34
that. Not saying that I'm gonna diss
- 42:36
you, but in [snorts] the event I do, it
- 42:38
won't be no yo, who's this about or is
- 42:40
he dissing? No, you're gonna know that
- 42:42
I'm talking about him. That's why I say
- 42:44
the symbol lines.
- 42:44
>> Okay. MC Joe says that's a lie,
- 42:46
>> but we can't prove it.
- 42:47
>> Germaine, I don't think he's above
- 42:50
sending a sub. I don't think he's above
- 42:53
it.
- 42:54
>> A sub and a disc is two different
- 42:55
things. Whatever. Whatever. Whatever.
- 42:58
Godamn [laughter] it. I'm happy for the
- 42:59
guy. I'm happy for the guy. Happy for
- 43:01
Clue.
- 43:02
>> Happy for fans. Happy for Clue. This was
- 43:04
just a great moment. Way to go. Dropping
- 43:07
right after we record the pod. Slow
- 43:09
clap.
- 43:10
>> Hours after
- 43:13
we was leaving and that [ __ ] came
- 43:14
through.
- 43:15
>> I didn't do the second part. Yeah, I was
- 43:16
home already like
- 43:18
>> Oh, yeah.
- 43:18
>> Yeah, bro.
- 43:20
>> Way to go, Cole. I think by now you dope
- 43:22
rappers know our schedule. Some of y'all
- 43:25
play ball with us. I.e. Kendrick. Some
- 43:28
of y'all don't. Or maybe Cole and Obs.
- 43:31
Maybe them one shots at you
- 43:33
>> and me
- 43:34
>> when he said
- 43:36
>> and part of that is I'm going to drop
- 43:37
this [ __ ] right after you done [ __ ]
- 43:38
Now sit on it.
- 43:40
>> I'm sure that Cole has seen a clip of
- 43:41
his pod and said Joe be gossiping.
- 43:45
[laughter]
- 43:46
>> I think I think that he didn't need a
- 43:49
clip to see that.
- 43:50
>> Yo, I'm not one of the [ __ ] where you
- 43:52
if YOU IF YOU DISS ME, I'M GONNA THINK
- 43:54
ABOUT WHAT YOU SAID. [laughter]
- 43:57
You You may see something that I didn't
- 43:59
see in myself. You might be opening my
- 44:02
mind up. Hey, I see how that could look
- 44:03
like that. Have some validity there.
- 44:05
[laughter]
- 44:06
The boy got a point.
- 44:07
>> Yo, dog. No gossip.
- 44:11
>> 30 mil with the gossip. [laughter]
- 44:15
>> Some gossip in here.
- 44:18
>> I mean, well, actually, that's a big
- 44:21
part of the fans beef. They feel like
- 44:23
what catapulted me to 30 mil wasn't
- 44:27
gossip. It was like genuine love for
- 44:30
hip-hop, calling out fake [ __ ] when
- 44:32
I saw it. And then when the money came,
- 44:34
>> that's when we got
- 44:35
>> it gossipy.
- 44:36
>> It was a progression.
- 44:37
>> That's what the fans That's what they
- 44:39
saying. I don't think so. So, so they
- 44:41
want you can go back to that and then
- 44:43
leave leave the money
- 44:44
>> and just go back to that.
- 44:45
>> That's what I think.
- 44:46
>> Why you walked away from rap?
- 44:48
>> Hm.
- 44:48
>> Why you walked away from rap?
- 44:50
>> What do you mean why? I was done. I
- 44:51
finished.
- 44:51
>> I know. I finished.
- 44:52
>> Why you want rap? Because you said it
- 44:53
takes you to a place you don't want to
- 44:54
see.
- 44:56
>> I'm sure you don't want to see them
- 44:57
baggy tank tops no more.
- 44:58
>> I'm in I'm living another part of my
- 45:00
life.
- 45:01
>> Yeah.
- 45:02
>> Living my I'm living my life like it's
- 45:04
golden.
- 45:04
>> I remember the [ __ ] The graph we just
- 45:06
talked about diamond.
- 45:08
>> But I got to tell you, if there was ever
- 45:10
a where it made sense,
- 45:14
it would be in some of this [ __ ] that's
- 45:16
going on.
- 45:16
>> Oh, for sure.
- 45:17
>> This is my time coming back. This is my
- 45:19
This is my type of [ __ ] going on out
- 45:20
there. Yeah.
- 45:21
>> All alone. Like I know the kids don't
- 45:23
care about me, but when I'm in the
- 45:25
shower [laughter]
- 45:27
>> boy, I get excited.
- 45:27
>> Your brain get to work.
- 45:28
>> Yeah, I get excited. I get excited. I
- 45:30
do, man. Mona, we going to need you an
- 45:32
hour, too. [clears throat]
- 45:34
>> I'm here.
- 45:35
>> I know you here. You looking good. You
- 45:37
smelling good.
- 45:38
>> Good old JCole fourpack. Five pack. You
- 45:40
know, I'm not a huge JCole fan, but I
- 45:42
recognize he can rap, you know.
- 45:44
>> Okay. Okay.
- 45:47
>> That's it. So,
- 45:48
>> it's kind of quiet.
- 45:49
>> Well, yeah. and hip hop did that
- 45:50
qualifier start happening too
- 45:53
>> in 26 like she would have been perfectly
- 45:56
fine saying I like that JC old fourpack
- 46:00
>> but she had to qualify it
- 46:03
>> no I don't [ __ ] with this [ __ ]
- 46:04
[laughter]
- 46:06
that's old school [ __ ]
- 46:06
>> I just like old school that ain't yeah
- 46:08
ain't dope I just like violent ignorant
- 46:10
music and he's not a violent ignorant
- 46:12
guy that simple I like talking about
- 46:14
drugs and guns and [ __ ] in the music you
- 46:16
know what I mean like you know
- 46:18
>> I want to be in the mirror
- 46:20
driving. I'm selling a brick. You know,
- 46:23
>> peaceful [ __ ]
- 46:24
>> I would be so let down if JCole was like
- 46:26
a piece of [ __ ] behind all this peaceful
- 46:28
protest image like like if he was in
- 46:30
this group chat just acting a fool with
- 46:32
that just
- 46:33
>> you know he's wild
- 46:35
group chat though, bro.
- 46:36
>> Well, I don't know. I don't know. I
- 46:38
don't know.
- 46:39
>> Kobe
- 46:39
>> just like a wild boy.
- 46:41
>> For sure.
- 46:41
>> He might be a wild boy.
- 46:43
>> Like every time I happen to just pop
- 46:45
into the strip club, which I haven't
- 46:46
been to now, so please stop typ casting
- 46:48
me. I'm doing really good and being
- 46:50
disciplined and making changes for 2026
- 46:53
and saving. It's been a
- 46:56
>> Yeah, I would like like NA or AA or
- 46:58
something
- 47:00
in uh like 24 hours. I'm going to
- 47:02
[ __ ] show.
- 47:03
>> How many days has it been
- 47:04
>> for real?
- 47:05
>> Yeah.
- 47:06
>> You count New Jersey.
- 47:07
>> Uh Saturday night, midnight. [laughter]
- 47:09
>> Wait, hold on. Four. Four.
- 47:13
>> Yes, that counts. Three. [laughter]
- 47:15
>> But it don't matter. You can count and
- 47:16
I'm still down. Like I've stepped out in
- 47:19
Jersey at Frank's spot a couple Fridays.
- 47:21
>> Okay.
- 47:22
>> But outside of that, I ain't been
- 47:24
>> We going to call it 14 days.
- 47:25
>> Why does the jersey thing don't count?
- 47:27
Like where's the difference?
- 47:28
>> You ask some Joe Button rules.
- 47:32
>> Cuz Jersey is not a good time.
- 47:34
>> So [laughter] who?
- 47:35
>> Oh,
- 47:36
>> so you just be got it. It's not If if
- 47:38
you if you're in Jersey, it's 20 minutes
- 47:40
away. It's a very small place. It's not
- 47:44
a allstar lineup of who's you just going
- 47:47
because you stepping out for a second
- 47:49
>> to hear some music and get out of it.
- 47:50
You're not staying there for a long time
- 47:52
or the women.
- 47:53
>> That's what I'm saying. A few of them,
- 47:55
>> but you got to go across the bridge for
- 47:59
>> like some real [ __ ] And I haven't It's
- 48:00
been a while for me. I'm doing pretty
- 48:02
good. But anyway, let's not center me.
- 48:03
Um [laughter]
- 48:05
I love when
- 48:05
>> we say that up here. Why can't we center
- 48:06
anybody? That's
- 48:08
>> so crazy.
- 48:08
>> I mean, we could center me. I just don't
- 48:09
want to come off like I'm centering
- 48:10
myself. I see. Um,
- 48:13
that's actually another problem with
- 48:14
this pond. I have to be centered more.
- 48:17
>> Yo, what [laughter]
- 48:19
just [ __ ] you?
- 48:19
>> I forgot what we was talking about just
- 48:20
now.
- 48:21
>> Uh, we talking about music before that
- 48:23
strip club [ __ ]
- 48:24
>> You talking about music?
- 48:25
>> Yeah, you talking about going to rap's
- 48:27
qualified.
- 48:27
>> I think he can rap, but it's just got a
- 48:29
cup of tea.
- 48:30
>> Yeah, he can rap.
- 48:31
>> Oh, you talking about uh JCole being a
- 48:32
[ __ ] That's
- 48:34
>> hoping that he wasn't one of you.
- 48:35
>> Yeah, I don't think so.
- 48:36
>> I don't think it's a [ __ ]
- 48:37
>> Oh, that's what I was saying. Like every
- 48:38
time I go to the strip club, that's what
- 48:39
I'm saying. My memor is getting bad. I'm
- 48:40
sorry. I apologize audience. You're
- 48:41
watching me. You're watching the demise.
- 48:44
The fall off. [laughter]
- 48:45
>> The fall off.
- 48:46
>> You remember he's always been bad, bro.
- 48:48
>> Yeah, but
- 48:49
>> you can't blame that on.
- 48:50
>> It's getting bad. Yo, everything that's
- 48:52
wrong with me. Let's stop saying it's
- 48:53
because of the zip.
- 48:54
>> That's how they do.
- 48:55
>> And I'm not on Zap,
- 48:56
>> bro. That's how they
- 48:57
>> And every time I even say what I'm on,
- 48:58
they think it's ad. So anyway, every
- 49:00
time I pop in the strip club and I see
- 49:02
Neo, like we give each other I just seen
- 49:04
him last time I was in there, whenever
- 49:06
that was, we always give each other like
- 49:08
a creep salute.
- 49:10
>> [laughter]
- 49:11
>> Do you know what that is? Look like
- 49:13
>> Yeah.
- 49:13
>> Do you know what that is? Do you
- 49:15
understand what I'm saying?
- 49:16
>> You know, you know.
- 49:17
>> Yeah. Yeah.
- 49:18
>> Again.
- 49:19
>> Again.
- 49:20
>> Like, you know, you consistently see
- 49:22
somebody in the spot and you just
- 49:25
>> they on with you on you on what they on
- 49:27
or has potential to be and you know that
- 49:29
[clears throat]
- 49:29
>> it just be a quick
- 49:31
>> Yeah,
- 49:31
>> I know. I know. That's it. And then they
- 49:34
like I would be so disappointed if I
- 49:36
walked in and saw a cold somewhere and
- 49:37
we had that and we had that. [laughter]
- 49:40
>> It would just I would be so let down.
- 49:42
>> I would be No, it's definitely not.
- 49:43
Definitely not. I'm talking [ __ ] I'm
- 49:44
just ping right there. All right. All
- 49:46
right. Everybody slow. [laughter]
- 49:49
>> Hey, no worries, boy.
- 49:51
>> Y'all two will never [laughter]
- 49:54
y'all got that [ __ ] [ __ ] up when it
- 49:56
come to that.
- 49:57
>> I'm sure he has. Yeah,
- 49:59
>> he's probably got a little Mark Hill in
- 50:00
him.
- 50:00
>> I I'm sure he partakes, but he just
- 50:02
knows how to Mark Hill. He's
- 50:03
>> a good guy. I could tell
- 50:04
>> where when you meet him in person, it's
- 50:06
like, "Oh, [ __ ] You're not the the dude
- 50:07
from the CNN show." You like you you
- 50:09
have fun.
- 50:09
>> Oh, you see him throwing 10 grand in um
- 50:11
>> There we go.
- 50:12
>> Onyx.
- 50:12
>> There you go.
- 50:13
>> Cole seemed like he would give you good
- 50:14
advice on on your marriage.
- 50:16
>> Yes. Stuff like that
- 50:18
>> at the strip club at the strip.
- 50:20
[laughter]
- 50:20
>> Or he encouraged you not to cheat on
- 50:22
your wife. Like, bro, come on.
- 50:23
>> Yeah. He seemed like the person I would
- 50:24
call
- 50:25
>> like, "Bro, come on. Don't be like, "Go
- 50:26
home, bro. Don't [ __ ] this up right now,
- 50:28
man. You see her? Don't [ __ ] this up,
- 50:30
man.
- 50:30
>> You know what I mean? Like, come on.
- 50:31
Denise at home, man.
- 50:33
>> Exactly. I agree.
- 50:34
>> Denise at home with Junior. Just go
- 50:35
home man.
- 50:36
>> Yeah. Come on, man.
- 50:36
>> You call your Uber and [ __ ] Send you
- 50:38
home. Dick hard. He's about to [ __ ]
- 50:40
somebody you wasn't supposed to.
- 50:41
>> He's a real [ __ ]
- 50:47
>> Is that one of the weird silences again?
- 50:49
[laughter]
- 50:49
>> It is for me.
- 50:52
>> She said that and I just went back to
- 50:53
[ __ ] somebody I wasn't supposed to.
- 50:55
That [ __ ] is it's overrated. It's
- 50:58
overrated. That's just not It's not fun.
- 51:00
>> It's not fun.
- 51:02
>> Just doing it with no love.
- 51:03
>> Yeah. 42 seconds. [laughter]
- 51:05
>> 42 seconds of pleasure for what? Such a
- 51:09
big mistake to make.
- 51:12
>> Trying to teach this [ __ ] your spot.
- 51:13
She keep moving around. [laughter]
- 51:15
>> [ __ ] how many times I got to [ __ ]
- 51:17
>> hit that button?
- 51:18
>> Yeah. She don't know how to really get
- 51:20
that engine going. [laughter] You know
- 51:21
what I mean?
- 51:23
She don't know the [ __ ] button.
- 51:25
>> Now, if you meet a new chick and then
- 51:27
you do know how to get in trouble now,
- 51:29
>> that's when you call your work, I DON'T
- 51:30
WANT TO SAVE YOU. [laughter]
- 51:33
>> If you see me outside, don't say [ __ ]
- 51:35
Anyway, uh listen, it's time for my
- 51:38
favorite part of the show.
- 51:44
All right, the big game is almost here
- 51:47
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- 51:52
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Trivia Henderson for more than one and a
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bunch of deals on prospects, huh?
- 52:44
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- 52:48
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- 52:49
Who? Boy, what a trade.
- 52:51
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- 52:54
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- 52:58
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- 52:59
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- 53:00
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- 53:00
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- 53:02
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- 53:08
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- 53:27
>> All right. Uh, coming off all that great
- 53:30
and fun JCole [ __ ] uh, Banks verse Fab
- 53:33
has been a topic recently because Uncle
- 53:36
Murder and Tony Yo went on the Breakfast
- 53:38
Club where they were asked that
- 53:41
question. Uh, and it it looked like they
- 53:44
had a nice 4v1 going against Tony Yo in
- 53:46
favor of Fab, but Yayo is so charismatic
- 53:50
>> and just loud and boisterous. While he
- 53:53
was arguing for Banks, all I heard was
- 53:56
his voice over the OG on the mixtapz.
- 53:58
Like he could make anything sound like
- 54:01
war is coming to you.
- 54:02
>> Facts. Facts.
- 54:03
>> He was just having like a barberhop
- 54:05
debate and it sounded like, oh my god,
- 54:08
>> he's the perfect potter. Like even just
- 54:10
him describing his meals, you just be so
- 54:12
intrigued. I'm over I'm over there
- 54:13
eating elk. I'm over there eating elk.
- 54:14
You [ __ ] eating French toast. I'm
- 54:16
eating elk.
- 54:16
>> Yeah. Whatever he's talking about, I go
- 54:19
anyway we go. the drama unfold. This is
- 54:22
the behind the round. Yeah, I just hear
- 54:25
his voice over all that. But uh I
- 54:27
thought Envy would rep a little more.
- 54:30
That's my man and this is this is Desert
- 54:33
Storm podcast at this point in time. I
- 54:35
thought Envy would rep a little more for
- 54:37
Fab. He let Tony Ao do a lot of talking
- 54:39
up there. He let Tony Yo say a lot. I'll
- 54:42
ask the the distinguished panel here.
- 54:46
Who is better, Fab or Banks? I don't
- 54:50
expect us to spend a lot of time on
- 54:52
this. I do like that with this and with
- 54:55
the common Jedakus one. It feels like
- 54:56
when people throw these names together,
- 54:58
there are people that I feel like aren't
- 55:00
further than five spots apart from each
- 55:03
other. Anyway, that's what makes it fun.
- 55:05
>> So, when you when you ask that, you
- 55:08
saying like overall or like mixtape,
- 55:10
Fab, and Bass album
- 55:13
>> all time great list. Who's higher? Oh,
- 55:14
damn. That's really tricky.
- 55:17
>> I would say fab. It got to be fab.
- 55:19
>> I roll with Banks, man.
- 55:20
>> Banks hard, but it just he's not over
- 55:22
fab.
- 55:22
>> I think Banks got better albums. I'm
- 55:23
using the same metric that I used with
- 55:24
the common uh kiss debate.
- 55:27
>> It's fab for me. And I know Banks, we
- 55:29
remember what happened last time I
- 55:30
picked somebody over him. [laughter]
- 55:33
>> But um what's your favorite Banks album?
- 55:35
>> Uh Hunger for War.
- 55:37
>> Hunger for More. I knew he was going to
- 55:38
say that.
- 55:38
>> Yeah.
- 55:39
>> Hunger for More is better than Ghetto
- 55:40
Fabulous
- 55:41
>> for me.
- 55:42
>> Yes. for me too.
- 55:45
>> I got to pull up a track list.
- 55:47
>> I got to pull up a track list.
- 55:49
>> Yeah, I think
- 55:50
>> I think Young might be off
- 55:51
>> like all them soul tapes. I can't put
- 55:53
banks over Fab after all them soul
- 55:54
tapes.
- 55:55
>> I think again Fab it's similar to the J.
- 55:57
I think Fab has better bangers.
- 55:59
>> Yeah,
- 56:00
>> it's very similar.
- 56:03
>> Ain't no click. Playboy warrior on fire.
- 56:05
I get high. I'm so fly.
- 56:08
>> Work magic
- 56:09
>> if you so gangster. Warrior part two.
- 56:12
karma when the chips are uh till the end
- 56:15
die one day southside story.
- 56:17
>> Mhm.
- 56:18
>> And I'm just going to read ghetto
- 56:20
fabulous because that don't sound like
- 56:22
it's better than ghetto fabulous to me.
- 56:25
>> Click and spark.
- 56:26
>> Uh
- 56:28
>> hold on. No. No. Don't take the Don't
- 56:30
take the thunder from me now. Don't take
- 56:31
the thunder from
- 56:32
>> I feel like B's got the better voice.
- 56:33
>> Click and spark. Keeping it gangster.
- 56:35
Young get right. Ride for this one day.
- 56:38
Trade it all right now. Later on. take
- 56:41
you home. Get smart. Can't deny it. M be
- 56:44
easy. We don't give a Yeah,
- 56:47
>> I'm with Ice. Yeah, Hunger for More.
- 56:49
>> I'm not mad at anybody that says Hunger
- 56:50
for Hunger for More 2 is great, too.
- 56:51
Hungry for More.
- 56:52
>> I'm not mad. All right. So, you're
- 56:53
giving you give the uh better album to
- 56:55
Banks.
- 56:56
>> Yeah, but Fab's got better features and
- 56:58
and singles and bangers.
- 57:00
>> Yeah,
- 57:01
>> I'm going with Fab. As much as I don't
- 57:03
I'm not This is hard for me.
- 57:05
>> I don't think it's a wrong answer, but
- 57:06
I'm going with Fab by Hair by Hair. Even
- 57:08
though I agree with you on the albums
- 57:09
and that usually is my thing, but
- 57:12
>> fab just
- 57:13
>> I have Fab by a hair
- 57:16
too. I have Fab by a Mike Shy feature.
- 57:20
>> Okay. [laughter]
- 57:22
I have Fab
- 57:25
by uh
- 57:27
by uh Little Mo Studio stop by.
- 57:31
[laughter]
- 57:31
>> That's crazy. Like if little if he's not
- 57:33
on a little mo record and don't have
- 57:36
records with Lil Mo like and just who
- 57:38
else he got that [ __ ] record with? He
- 57:40
got JLo or
- 57:42
>> bro
- 57:45
but Banks
- 57:46
>> they wash each other out for me because
- 57:48
Banks got all the fly girl records. He
- 57:51
does.
- 57:51
>> He does.
- 57:51
>> And he got all the fly mixtape [ __ ]
- 57:53
>> He does.
- 57:54
>> And he has all of the bars in the world.
- 57:56
I give Fab the I got to go with Fab
- 57:58
because I feel like he [ __ ] more [ __ ]
- 58:00
THAN BANKS.
- 58:02
>> [laughter]
- 58:03
>> IS IMPORTANT. SORRY, IT'S A HELL OF a
- 58:07
important when you met a rapper. No,
- 58:10
it's the most pully because it goes to I
- 58:12
go I go I go to what Pac said. Yo, if
- 58:15
the girls are there, everything else
- 58:17
will follow.
- 58:18
>> If the girls buy your music, so girls
- 58:21
bought both of their songs,
- 58:22
>> right?
- 58:23
>> I got to land this on who has more
- 58:26
appeal. And because of Banks is who he
- 58:29
is, he's going to lose that one. Banks
- 58:31
wants to be home. Banks wants to be with
- 58:33
his family. He want to be out of the
- 58:34
public. He don't want to talk to y'all.
- 58:35
He don't want to tweet y'all. He don't
- 58:37
want nothing to do with y'all. All he
- 58:39
want to do is rap. And he's been like
- 58:41
that. That's why 50 of these [ __ ] can
- 58:43
say what they want. Uh G could say
- 58:45
you're not going to ever hear him say
- 58:47
nothing. Know why? He don't care.
- 58:50
>> Fab on the other hand.
- 58:53
>> Okay.
- 58:54
>> Fab outside. But that don't mean that he
- 58:56
ain't [ __ ]
- 58:58
just because y'all don't see me out.
- 59:00
>> I think I think Fab wins the appeal
- 59:02
slider.
- 59:03
>> Fab can rap.
- 59:04
>> Definitely wins the appeal.
- 59:04
>> Both of them can rap. You can't deny
- 59:06
>> Banks probably wins the the touring
- 59:08
argument
- 59:09
>> because Fab never toured.
- 59:11
>> Okay.
- 59:11
>> Oh, Fab never.
- 59:12
>> Fab never toured. Doesn't Banks primar
- 59:18
on his own.
- 59:20
>> Yes, but I'm talking about before.
- 59:21
>> I thought you meant big tour numbers.
- 59:22
I'm saying
- 59:23
>> I'm just saying Bab has not toured.
- 59:25
>> Bab won't tour. I got you. You're just
- 59:27
saying him touring. Period. I got you. I
- 59:28
got you. I got you.
- 59:29
>> Which is one of the more interesting
- 59:31
mysteries in hiphop that nobody ever
- 59:34
talks about.
- 59:36
>> Like I understood that him saying maybe
- 59:38
I don't want to tour or do shows or go
- 59:40
anywhere back in the day when you know
- 59:43
it's lit. It's lit. It's lit. It's lit.
- 59:44
It's lit. I'm not trying to do all that.
- 59:46
>> He left a lot of money on the table.
- 59:48
>> I'm sure.
- 59:48
>> And is leaving a lot of money on the
- 59:50
table. I wonder why.
- 59:52
>> That's a good question.
- 59:53
>> It can't be the whole remember maybe
- 59:54
remember Fat Joe wouldn't take an
- 59:55
airplane, right? Might be a travel
- 59:58
thing.
- 59:58
>> No, it's not that cuz he be doing, you
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