JBP
The Joe Budden Podcast
Episode 901

The Loser Sibling

Joe Budden Podcast Episode 901, “The Loser Sibling,” released February 10, 2026. The JBP opens its latest episode with a review of J. Cole’s double album ‘The Fall-Off’ starting with Disc 29 (14:38) before getting to Disc 39 (46:24). Additionally in new music, Ella Mai drops a new project along with a deluxe from Sasha Keable (1:18:04), GloRilla’s sister says that she doesn’t provide for her family (1:23:34), and the room shares their list of people they don’t trust when they speak (1:55:46). Also, LaRussell signs with Roc Nation leaving fans and the cast split on his decision (2:05:11), the latest on Savannah Guthrie’s missing mother (2:26:16), Marc shares a recent story involving Morris Brown’s President Dr. Kevin James (2:33:37), and much more! Full transcript and searchable timestamps below.

The Loser Sibling

In this episode

  • 14:38The JBP opens its latest episode with a review of J. Cole’s double album ‘The Fall-Off’ starting with Disc 29
  • 46:24Before getting to Disc 39
  • 1:18:04Additionally in new music, Ella Mai drops a new project along with a deluxe from Sasha Keable
  • 1:23:34GloRilla’s sister says that she doesn’t provide for her family
  • 1:55:46The room shares their list of people they don’t trust when they speak
  • 2:05:11LaRussell signs with Roc Nation leaving fans and the cast split on his decision
  • 2:26:16The latest on Savannah Guthrie’s missing mother
  • 2:33:37Marc shares a recent story involving Morris Brown’s President Dr. Kevin James
Video Available
Audio Available
2,252 transcript lines

Joe Budden Podcast Ep. 901 Transcript

Full transcript of The Loser Sibling (2:31:40 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions expressed by this podcast as well as its hosts are

  • 0:05

    for entertainment purposes only. I repeat, it is not serious. It is not real. No

  • 0:11

    one is exposing, revealing, indicting, or telling you anything about themselves. Also, we do not

  • 0:16

    encourage you to try this at home. We are trained professionals who do not have

  • 0:19

    your best interests at heart or our own. Enjoy the show.

  • 0:45

    know how it's going to go i know exactly how it's going to go and

  • 0:49

    no one is going to get killed but me because you're going to sound bougie

  • 0:53

    and above it what are they going to call you i mean these just be

  • 0:57

    calling anything bougie like we do need a clear to

  • 1:03

    clearly establish what is bougie and what's not but not for today but it's a

  • 1:08

    moving target Bougie is a moving target. It is. It is. I feel like I

  • 1:13

    have so much to say about the moving target. Yeah, but the people we talk

  • 1:16

    about are never bougie. Like Mona ain't bougie? No. No. Wait

  • 1:22

    a minute. Nobody's mistaking her for bougie. I am bougie. Wait. Bougie-to.

  • 1:28

    That's how you pretty say bougie. It's French. Ain't nothing bougie

  • 1:34

    about Mona. I'm bougie-to. Ice we know is not bougie. Nope. At all. Ice bougie

  • 1:39

    too. I'm not bougie. And it should be confused. He is whoever he around. So

  • 1:43

    if he around some bougie motherfuckers, he going to act bougie. And if he around

  • 1:48

    that buy vacuums from boosters, then yes. Yeah.

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    And even if you in support of buying from boosters, some should be off of

  • 2:00

    the booster list. I.E., A vacuum. How? How, y'all? I

  • 2:05

    agree. That's where the bougie part come in. Facts. Facts. What are you talking about?

  • 2:11

    Me and Corey never agree. A vacuum should be off the booster list when

  • 2:17

    you're between 40 and 50 years old. Why is that? Explain to me why. Because

  • 2:22

    I get boosting shit from the barbershop, right? I'm not walking down the street with

  • 2:25

    a vacuum cleaner back home. You know what I'm saying? You don't got to get

  • 2:28

    boosting shit from the barbershop. You drove to the barbershop, didn't you? Pull up. You

  • 2:31

    shouldn't be at 40. I don't get something boosted. When I did, that's where I

  • 2:36

    went. At 40 and 50, you should have all the utensils you need in your

  • 2:40

    home to clean it and maintain it. No, that's true. But if you

  • 2:46

    don't have a vacuum, you should not be calling your booster network. Stop. Shopping

  • 2:52

    around. Stop. Price matching on a vacuum. The problem with something like a vacuum cleaner

  • 2:56

    is you should pick the vacuum cleaner you want. The booster might not have the

  • 3:00

    vacuum cleaner. It'd be good booster. Wait a minute. Wait a minute. Y'all don't know

  • 3:05

    what y'all talking about. Wait a minute. Not only do y'all not know what y'all

  • 3:07

    talking about, I feel like at times, like we have certain issues about a doctor,

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    we're going to let the doctor speak. We have an ex-booster in the building. Two.

  • 3:15

    Please, everybody, shut up. Two. So please, everybody, shut up. Number one. Bitch, you're talking

  • 3:20

    about 84 now. It don't matter.

  • 3:26

    Hustle the same. Number one, to assume that the person that's buying a vacuum off

  • 3:29

    the person selling a vacuum doesn't have a vacuum is silly. That's number one. Me,

  • 3:33

    I own a Roomba that vacuums on his own and mops on his own. I've

  • 3:36

    only been in my place for four or five months anyway, but the vacuum was

  • 3:39

    a gift for my hairstylist because she just moved. It was a housewarming gift. Sidebar,

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    if a motherfucker come parks with the Roomba that mops, because mine only sweeps, I'm

  • 3:47

    going to probably purchase that. I'm going to buy it. Sure. Even though I have

  • 3:49

    the Roomba that sweeps. The fact that I hate Big Corp and a little piece

  • 3:54

    of me hate capitalism, I love to buy stolen merchandise. I enjoy it. Okay. So

  • 3:58

    it's an act of defiance. Oh, my God. It's like a fight back to the

  • 4:02

    people. It's like, let me get a little bite of them reparations. On top of

  • 4:05

    the fact that I stole- Angela Davis would be proud. Thank you. I stole for

  • 4:08

    a living for 10 plus years, so yeah, I'm going to support the hustle that

  • 4:10

    I was in. Y'all talking- that walk through the barbershop. Nah, my folks call me.

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    What brand you want? What store you want me to go to? Boosters go shopping.

  • 4:18

    It's levels to that. That's a shopper. They're professional shoppers. We're not talking about the

  • 4:23

    smoker that or the drug addicted person that bucks up on something and he bring

  • 4:27

    you in a box. Oh, okay. That's what I'm used to. No, no, no, no,

  • 4:28

    no. Yeah, we not talking about that. You talk to a good booster. Yo, I

  • 4:32

    need this. I'm talking about a booster. I need these sizes. I need boom, boom,

  • 4:35

    boom. Not just that. Every in this room, we'll take some from a booster. Sure.

  • 4:40

    Absolutely. So what are we talking about? Well, the very first point I made was

  • 4:45

    what do you need to get from a booster and how vacuum shouldn't be on

  • 4:48

    that list? And that's when all of y'all knock if you buck and said you

  • 4:52

    could call anywhere and get the new Hoover. I can give any Hoover number I

  • 4:56

    need. Y'all did that. Your original quote was, yo, at 40-something years old, you shouldn't

  • 5:00

    be f***ing with the booster. Yeah, that's what he said. That was your

  • 5:06

    original quote. Then them Dysons cost $1,000. What? comes through with the Dyson for $400,

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    I'm going to buy it. I might not even need that. Sometimes a good deal

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    just pop up. Yo, I got this. I'm letting it go for this much. Oh,

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    word? Y'all are all over the place. Is it a deal came across your table

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    or are y'all deeply engulfed in the network of boosters that are actively

  • 5:26

    going in stores to shop for you? You are so well-spoken. Like, that's hard. You

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    know what I mean? This nigga good, man. I could do both. It's both. I

  • 5:34

    could do both. If I know parts... Do what he do with the... And I

  • 5:39

    got an order to put... A nigga hit me the other day. He had a

  • 5:41

    Birkin. Ooh. He said, yo, I get everything. Wait, hold on, hold on. You needed

  • 5:44

    a Birkin? I'ma leave you. I'ma say, you needed a Birkin. No, his fault, jumping.

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    Nigga said, yo, I got a Birkin. He had all his YSL shit. I don't

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    want to put nobody on blast. A year ago, one of our friends came in

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    here with mad Louis Vuitton everything. And guess who the fuck bought some? Every nigga

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    in his room bought some shit. Why you didn't call me with the version? I

  • 6:08

    didn't personally put it. Why you called me? You know I ain't with the version.

  • 6:10

    Mad Louis shit. But that was coming across the table. Sure. But you purchased. That's

  • 6:16

    what I'm saying. Y'all, they mixing up my points here. Maybe I don't get it.

  • 6:20

    But nigga walked up to me right now and said, yo, I got a Rolex.

  • 6:24

    A Rolex. I I might buy it. If you got a Rolex, you can keep

  • 6:28

    that. It might be a Rolex. You can keep that Rolex. But I'm not constantly

  • 6:30

    like, yo, can you get me? But listen, y'all plan to be connected to the

  • 6:33

    booster world until death? Yes. If I'm lucky. Hey, I'm not looking

  • 6:39

    down on y'all. Y'all ain't got to be sad. I hit the booster, yo. I

  • 6:42

    need a MacBook. I'm not looking down on you. I have a question for Joe

  • 6:46

    because I didn't get your point. I'm not looking down on you. So Joe, you...

  • 6:48

    Okay. Y'all are full of dignity. Joe, your point was... that we shouldn't seek it

  • 6:53

    out, but it's okay if it falls on our lap. Because the way you were

  • 6:55

    speaking before, I would think that the guy came with the Louis. I would judge

  • 6:58

    somebody that is calling me trying to put a vacuum across my lap. I would

  • 7:04

    feel like a total crackhead if somebody called me and said, you already called me

  • 7:09

    by the Birkin. Got it. If somebody called and said, I got a 12th pack

  • 7:13

    of palm olive. Do you need a discount? I would want to question the relationship.

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    But again, I'm different. I got it. I got it. I got it. In the

  • 7:22

    relationship that I had with this person is... You niggas ain't even got rugs. The

  • 7:27

    relationship that I had with this person is that they go out and steal from

  • 7:31

    me. So exactly, they're going to hit me on top of the fact, like I

  • 7:33

    said, I've been in my house for five months. Do you have rugs? My first

  • 7:37

    order was, yo, I need stuff for the house. Anything new house shit. These the

  • 7:41

    brands I like. This the kind of stuff I like. So it's coming through. So

  • 7:43

    I'm just slow, something fast. I ended up with three ninja players. You need a

  • 7:47

    ninja? No. I got three ninja brands. I don't. Whatever rug you got could be

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    swept, child. Facts. It can. You don't. But I vacuum wanted it. You said you

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    got a Roomba. Which still ain't a vacuum. You said that was a gift. What

  • 8:00

    is a Roomba? I know. It's not a vacuum? The Roomba is recording you play

  • 8:03

    with yourself and selling the data. Oh, my God. No. I'm kind of in. I'm

  • 8:08

    a little bit of a rat. Hey, hey, no judgment. We can't have a problem

  • 8:11

    with the Roomba doing it, but anything else got to fucking care. Word, word. That's

  • 8:14

    a great point. Yeah, my Roomba, I ain't there. Nah, if you're going to be

  • 8:17

    there recording, touch me back. Fast. Your TV don't

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    do it. I need a Roomba with the arms. You got a bunch of other

  • 8:25

    shit recording you in the house before you get to the Roomba problem. No, Roombas

  • 8:28

    really do record people. You think my TV is recording me masturbating? Oh, it does

  • 8:30

    map your house. You think my TV is just taping everything? Yes. Every last thing.

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    Even if I turned off all of the thingamajiggies. Is power still going to it?

  • 8:38

    Yes. The power's still on the air. Same reason why you can't turn the power

  • 8:41

    off to your phone. All right. Who is the genius bar in the booster world?

  • 8:45

    He probably masturbate ugly as shit. Who do y'all call? You masturbate to pump it

  • 8:50

    up. I masturbated my girl. Okay, that's cute, but I just can imagine your facial

  • 8:54

    expression being mad. No, I masturbate to my girl. Okay, but I'm seeing you. Who

  • 8:59

    doesn't? I'm seeing you ugly as shit in the act. We all masturbate to our

  • 9:01

    girls. I'm not talking about the girl. I'm talking about you being ugly as shit

  • 9:04

    in the act. You probably masturbate ugly as shit is what I said. Yeah, like

  • 9:08

    an aggressive masturbate face. Like a real aggressive angry podcaster jerk. Oh, shit. You know

  • 9:13

    what I mean? I'm beautiful. You are gorgeous. I'm beautiful, but I mean, I don't

  • 9:18

    want to be inappropriate, but it's beautiful. It's beautiful. Mark, I don't believe everybody masturbates

  • 9:23

    to their girl. Everyone in here does. For sure. Because we're in love. Well, this

  • 9:28

    room, I'm sure. None of y'all masturbates to y'all girl. That's stupid. You can just

  • 9:31

    fuck the bitch. Like, what are we talking about? You masturbate to the bitch you

  • 9:35

    can't touch. Like, what are we talking about? You can always just fuck her.

  • 9:41

    Yeah. I hate playing the games with the guys. It's so annoying. Sometimes

  • 9:47

    option B is like Alex Henault climbing the skyscrapin'

  • 9:54

    sometimes option two is like what did we do today Joe, you so judgy. What

  • 9:59

    did we do today and what type of performance are you expecting out of me?

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    And you know what it's like. Number two more importantly. And you know what type

  • 10:07

    of time I'm on in the morning. So don't you want to let me rest?

  • 10:10

    And what do we eat? You want to let me rest. What do we eat

  • 10:12

    is a goal. That's a very important one. Yeah, what do we eat? Did I

  • 10:15

    not? Like if it's pot roast, y'all done. If it's salad, you could go. Bad

  • 10:18

    rice and beans, you farting. That's no good. That's that couple shit for real. You

  • 10:23

    know what's funny? Not to rehash old stuff. But I was watching the clip of

  • 10:29

    you brothers talking about fighting Deontay Wilder and Jon Jones and all that. And

  • 10:35

    you know, my brain is weird. So one of the thoughts I had was you

  • 10:39

    could tell which niggas ain't just never fucked like a tall bitch. I know

  • 10:45

    that that's weird getting there. What is the tallest woman that you've ever slept with,

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    both of you, you and Ish? Maybe 6'1", 6'2". 6'4", for me. Models are usually

  • 10:55

    that height, so... 6'4". That's what me and Ish do. How

  • 11:03

    about you, Ice? About 6'. 6'4". Barsity Hoops, same thing.

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    Them tall girls, there's a lot to wrestle with. There's a lot. Y'all have had

  • 11:14

    girls taller than y'all, right? Yeah. We all the same height when we laying down,

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    though. We get it, you tall-ish. I'm about to try and be funny. I don't

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    fucking talk, girl. I don't care. I would. I've never had. It's kind of hard.

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    6'6 chicks are not common. Because you're 6'5". Yeah, damn. That's a

  • 11:33

    big hit. Same age. I've dated shorter guys a

  • 11:39

    lot. You're pretty tall. Yeah, I'm like 5'8". Sturdy. Amazon.

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    No, don't do that. Black people always go too far. What's the

  • 11:53

    definition of Amazon, y'all? Ish, what's the definition? My phone locked

  • 11:59

    up. Not it!

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    Mark got the fuck out of this. What is an Amazon? Not you.

  • 12:11

    It's a company. What's that? That's where I get my vacuum

  • 12:17

    cleaner. A member of a legendary race of female warriors believed

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    by ancient Greeks to be... Not that one. No, the nigga version. We ain't talking

  • 12:26

    about Wonder Woman and Hell. I always thought it was a big girl,

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    like tall and thick. Not fat, tall and thick though. I don't think you gotta

  • 12:37

    be thick to be considered. I thought Amazon's you had to be thick. I think

  • 12:40

    you gotta be a certain level of... A tall, physically strong, athletic, or commanding woman.

  • 12:44

    There we go. I didn't know that. I never knew it had nothing to do

  • 12:45

    with athleticism. Gotta have some guns. Yeah, I didn't know that. So like muscles and

  • 12:51

    stuff like that? Oh, I didn't know that at all. A couple of WNBA players.

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    Gotta have some lats, some quads. Well, it's not that bad about this. Triceps. Jesus.

  • 13:00

    That's it. Microphone check one two one two what's popping

  • 13:05

    out there what's popping out there? Wake it up wake it up out there. Let

  • 13:09

    me get these drops out the way

  • 13:14

    Who's your

  • 13:19

    button? Who's that? Is Mark Lamarhead a pussy?

  • 13:34

    And Mona. Mona. What episode is this? 901. Welcome to

  • 13:39

    episode 901 of the Joe Budden Podcast brought to you by Powered by Fueled by

  • 13:45

    Price Picks, Price Picks, Gang. I'm your humble, gracious, grateful, highly favored host,

  • 13:51

    Joe Budden, here with a really good show lined up for y'all today. If you

  • 13:55

    are not subscribed to the Patreon now, it would be a good time to do

  • 13:58

    so. Shout out to everybody out there. So glad you could be here with us

  • 14:02

    to my right. You know the vibes. Don't call her white girl Big Mona, Philly's

  • 14:06

    finest in the building. Mona, how you doing? I'm great. Hello, everybody. Good to see

  • 14:10

    you. Next to Mona, good brother, Dr. Mark Lamont Hill is in the building. Next

  • 14:16

    to him, Mr. Thousand Doors and Up, Ish is here. Next to him, the freeziest

  • 14:21

    of them all, Freeze is here. Next to him, our good brother, Parks is here.

  • 14:25

    Poe is here. Corey is here. Erickson is here. Tanner and Savon are here by

  • 14:28

    remote. Last but certainly not least, Each and every one of you guys out there

  • 14:34

    are here. What's poppin', what's poppin', what's poppin'? What's up, man? Good to see everybody.

  • 14:37

    Functioned on about five hours of sleep tonight. Had to soak in as much J.

  • 14:41

    Cole pause as possible. Same. Double album is a lot for a next day review.

  • 14:47

    It is. But I feel good. If you're looking for an in-depth analysis,

  • 14:53

    in-depth expert analysis on an album that came out not even 12 hours ago. Not

  • 14:58

    at all. You got it right here. A double disc album. A

  • 15:03

    double disc. I got a lot of thoughts, so I'm not. A double disc. Huh?

  • 15:08

    Do you have a lot of thoughts? Hell yeah. I got a lot of thoughts,

  • 15:10

    too. Yeah. Yeah. Been up since 3 a.m. We got to jump right in. Why

  • 15:14

    not? I think my overall impression was that J. Cole made this album for J.

  • 15:19

    Cole in Fayetteville. And if any of us mortals have something that we take out

  • 15:25

    of this that we like, awesome. This felt very personal and very local.

  • 15:31

    That is a great way of putting it. That's a great way of putting it.

  • 15:34

    The whole first album is a story of... When I first started listening to it,

  • 15:39

    I didn't really... I know I read all the notes that he dropped, but I

  • 15:42

    didn't take it into account. Then about halfway through, I went back and went, let's

  • 15:46

    go re-read this and see what he was saying. He was talking about how it

  • 15:49

    says, disc 29, he went back to Fayetteville, his hometown, at 29, and this is

  • 15:54

    a tale of the experiences. And I think it's... That first disc, for me, is

  • 15:58

    interesting because... It's some of J. Cole. Whatever J. Cole is good at, I think

  • 16:04

    you see him at his best here. Like, bars-wise, I think he's up. Storytelling, he's

  • 16:09

    up. Storytelling was the main strength of this album. I mean, storytelling is crazy. The

  • 16:13

    whole album is a story. Both discs. Yeah. But there are moments, particularly in the

  • 16:19

    first disc, where I just, to your point about he made it for him. Yeah.

  • 16:23

    Some of the production, some of the beat choices, I feel like J. Cole...

  • 16:29

    I loved him rapping on every song, and there were songs where I was like,

  • 16:32

    this song would be better with a more grandiose beat. Oh, yeah. You know, it

  • 16:37

    felt, some of it shit I loved because it felt like Boom Bap from 94.

  • 16:40

    Some of it I loved. It was perfect for me and my headphones, but for

  • 16:43

    who I think the audience wants him to be and for the kind of goal

  • 16:47

    I would want his quote-unquote final album to be, sometimes I wish there were some

  • 16:51

    different people. The Alchemist beat is amazing, right? I love that shit. He always got

  • 16:55

    to find the drums on the Alchemist beat. I wanted more of that. I want

  • 16:58

    a little bit more of that production-wise. But storytelling, there was a few songs that

  • 17:02

    had me in a chokehold. Just to name a couple real quick.

  • 17:08

    Safety. Safety had me. I love safety. I love Bunch Road Blues, and I love

  • 17:13

    drum and bass. Those three for me were like the standouts on that first disc.

  • 17:18

    And it was great. The production, I think, is mostly T-minus. He's an executive producer,

  • 17:23

    and J. Cole as well. They handled a bulk of it. You could tell. Yeah,

  • 17:28

    I didn't love the production, but I didn't hate it either. I thought it was

  • 17:30

    fine, and I think that for an album that is mostly based on storytelling, you

  • 17:34

    kind of have to have beats like that. I think that those kind of beats,

  • 17:38

    whether we want to hear exciting or not, not to say they're not exciting, because

  • 17:42

    they're knocking. You know, the drums are knocking. The bass is not bad. It's fine.

  • 17:46

    For its last album, I just don't want to say, like, oh, the production was

  • 17:48

    fine. We don't know that it's his last album. Let me put it

  • 17:54

    differently. If you put out a double disc in hip-hop, This should be a major

  • 17:59

    piece of work. This should be one of your, if you think about Pac, think

  • 18:02

    about, like. I knew you was about to start comparing. Yeah. No, because that's what

  • 18:06

    I want from him. I'm going to compare too. Because he's capable of that. And

  • 18:10

    the raps are, I mean, again, so far I really love this album. I'm just

  • 18:13

    saying. You don't know that he's capable of that. He's had better production than previous

  • 18:18

    albums. I will say that. But Joe, even listen to the mixtape last week. When

  • 18:21

    he's on Epic Beats, I think, you and I disagree with this, I think he

  • 18:25

    shows up. I'm telling you that, and we want to have a nice, cool, and

  • 18:29

    clean conversation. I'm telling you that All Eyes on Me and Life After Death

  • 18:36

    are two of the better albums ever made in hip-hop. True. And they're double discs.

  • 18:41

    Yes, that is fair. J. Cole is phenomenal. We do not know that he can

  • 18:45

    do that. I agree. And if we begin to compare, then no, this is not...

  • 18:51

    I think the better comparison for this album is the Kendrick.

  • 18:59

    This is a concept album to me, which is interesting. Super side note, but I

  • 19:03

    was having a musician nerd friend conversation about the best British bands and the Who's

  • 19:08

    name came up in conversation and I'd never really listened to the Who like that,

  • 19:11

    despite they have a couple slaps that everyone knows. So I went back and listened

  • 19:15

    to their whole discography, which is only maybe seven or eight albums, but most of

  • 19:17

    them are concept albums. So I'm already kind of in concept album mode when I

  • 19:22

    heard that, and I thought that was a little interesting. That's a good one. And

  • 19:25

    I also thought that him kind of ragging on Kendrick during the battle, granted it

  • 19:29

    was a battle so all things are not to be taken super serious, he ragged

  • 19:33

    on Kendrick for his double disc, which was a concept album, and then made a

  • 19:36

    concept album. I thought that was a little interesting. A double disc one. That's a

  • 19:39

    really good one. Halfway through the first disc, I went back and read them letters,

  • 19:44

    I mean the notes, and I said, okay, I get it, because... Disc one wasn't

  • 19:49

    for me. Disc one was clearly, and when he said, this is 29-year-old me, well,

  • 19:54

    that was a J. Cole I wasn't really listening to like that, that I wasn't

  • 19:57

    too much of a fan of. Wow. So I was like, all right, cool. Now

  • 20:00

    I understand why this really ain't connecting with me that much. Rapping is there. It

  • 20:04

    was just, eh. Production made me want to go say, hey, who did these beats?

  • 20:11

    Because this sounds like back when Cole was doing all his production, and majority of

  • 20:14

    it was that. Again, this just sounded Co-era.

  • 20:20

    This is diehard Co-fan music, not both of us who kind of warmed up to

  • 20:26

    him later on. This album reinforced the critiques that I had about him. Okay. I

  • 20:31

    think that's fair. Disc one was very boring to me. I wasn't blown away until

  • 20:36

    the second half of disc one, personally. Track seven is weird. Which was around with

  • 20:39

    Alchemist's album. I mean, there's a couple of joints on him. I'm comparing overall. And

  • 20:44

    then I'm listening to this as comparing Co-to-Coal. So your previous

  • 20:48

    albums, this feels like regression. Oh, wow.

  • 20:54

    See, I get that and I understand that. I think that, again, this album is

  • 20:58

    for him and for his hometown. So I can't compare this to albums that he

  • 21:03

    was swinging for the fences a little bit more from a commercial standpoint. Like he

  • 21:08

    wasn't trying to make no hit on this album. Cool, but this is an album

  • 21:11

    that you've... This probably had more hype than... And fuck the battle. I don't give

  • 21:16

    a fuck about the battle. This album had more hype than maybe any other album

  • 21:20

    outside of his debut. That may be true. So if you chose to make it

  • 21:25

    a very personal album, I mean, you set this bar. You putting up the whiteboard

  • 21:29

    and showing us your plan and your graceful exit as some may think this is

  • 21:33

    the retirement album or whatever the case may be. You played into a lot of

  • 21:39

    that with your rollout and made that you have a very high bar set. And

  • 21:43

    coming off of your previous works. I think all that was intentional. Cool. It could

  • 21:47

    be intentional. So now when I get the project, I'm underwhelmed. I understand that. With

  • 21:53

    disc one. I'm only speaking on disc one right now. I think he did this

  • 21:56

    for his town and for himself. And I think that that was intentional. Let me

  • 21:58

    build this shit up and I'm going to give you me on it. And bring

  • 22:02

    you back to where I'm from, which is not a major city. So that's like

  • 22:04

    super fly to like, I'm going to bring you into this world. It's hyper local.

  • 22:08

    The storytelling and the lyrics. I thought that for me was compelling. I didn't find

  • 22:13

    this one... boring at all, but I get why, like you said, if you're not

  • 22:16

    a diehard day one cold person, I get why you might feel that way. I

  • 22:18

    didn't feel that way. I love this one. You know how I feel, but yeah.

  • 22:23

    I think he also took a lot of risks vocally, a lot of singing, a

  • 22:25

    lot of different tones and shit like that, which was interesting. Would you have wanted

  • 22:29

    more features? No. Because in terms of you got Thames, you

  • 22:35

    got Future. Burner Boy. Would you want other people singing the hooks or doing some

  • 22:39

    other things to make it? I would also have made it more interesting. I like

  • 22:43

    when he does hooks. So I'm not mad at that. I have a question, Parks.

  • 22:46

    Like, if an artist does make a... Oh, I'm sorry. I didn't know. If an

  • 22:50

    artist does make something and it's more for them or whatever, when it comes to

  • 22:54

    the masses, us, does that matter what you was thinking in regards to, like, how

  • 22:58

    you judge it? Like, if you know the artist making it for them or whatever

  • 23:01

    reason, does it really matter? For us it matters, but for him it doesn't. For

  • 23:04

    me it don't matter. I don't care what your intention was. I'm taking your art

  • 23:08

    as you presented this. And I'm the consumer. I'm the listener. So when I put

  • 23:12

    the headphones on and listen to it, cool, you made this going into it. This

  • 23:15

    is personal to me and I want to do it this way. But if it

  • 23:18

    don't sound good to me, then it's just, all right, good attempt. I mean, you

  • 23:22

    might love it because you made it for you. But me as a consumer, I

  • 23:26

    don't love it. When artists say they made it for them, I just don't really

  • 23:28

    get that because you want to make money. I don't know if he said that.

  • 23:30

    That's how I feel. And everybody don't. To what you said, everybody doesn't go into

  • 23:35

    the album trying to make money or something. He's also going to make a lot

  • 23:37

    of money on this. Yeah, some people really are just... Passionate in creating art. They

  • 23:42

    really want this to be a piece of art. And I put him on that

  • 23:45

    side. He don't really do much for the money.

  • 23:51

    This album from Cole, I have a lot of thoughts. I have a lot of

  • 23:56

    thoughts. Yes, I would have liked more features to answer Mark. To

  • 24:02

    Ais's point, at some point listening, I did feel like this was... when Cole was

  • 24:08

    doing his own beats. At some point I had that thought. I'm gonna say that

  • 24:13

    was around verse disc two. I thought disc one is the one. I

  • 24:19

    like the exact opposite. Disc two is way better. Disc one is the one for

  • 24:25

    me. Yeah, it's a rapper's rapper. There's a few things going on on this thing.

  • 24:32

    I personally enjoy the tribe-ish beats, the Dilla,

  • 24:38

    Conductor, Souls of Mischief. Oh, I didn't get that at all from these beats. I

  • 24:42

    felt like that on what's his name? I did. Safety definitely felt like that. It

  • 24:45

    wasn't no lo-fi or abstract. It was fairly straightforward beats. Sound like J.

  • 24:51

    Cole beats. Yeah. Oh, I got lo-fi from a lot of these beats. I did

  • 24:55

    shit. I got lo-fi from quite a few of these beats, most of them being

  • 25:00

    on disc two. I appreciate this project because y'all had

  • 25:06

    went back and read the notes. I read them as soon as they dropped. And

  • 25:11

    listening to the project, especially disc one, I can appreciate

  • 25:18

    going back to your hometown when you're the man. Yeah, I can relate to it

  • 25:22

    a lot. I relate. Yeah, I relate to that. I relate to leaving to go

  • 25:26

    get a job done, going to do that job, and then going back home.

  • 25:33

    at 29 and at 39. Cause you listening to this

  • 25:39

    shit on disc one very early I was like, shit when he started, when he

  • 25:44

    opened with the country music. Yeah, it's folk but yeah. Whatever it was, that

  • 25:50

    sound was like, it brought me to, when I'm in South Carolina and on Sunday

  • 25:55

    everybody in church and niggas in pickup trucks and playing gospel or whatever the fuck

  • 26:00

    is going on, it just, he was painting a picture and I appreciate him painting

  • 26:04

    the picture, right? Like, on, on, I don't have the names of all of them,

  • 26:10

    but, uh, poor thing. When he starts serving up his man, when he starts serving

  • 26:15

    up homeboy that was back home talking shit, yo, yo, I heard some nigga back

  • 26:19

    home was talking some local nigga. Whoa, he tore this

  • 26:25

    local nigga apart. But at home, as a listener, I'm like, yo, Who the fuck

  • 26:30

    is Jay Cole talking to right now? But I know in Fayetteville, North Carolina right

  • 26:35

    now. They know exactly who the fuck is. In Charlotte and all surrounding towns, it's

  • 26:41

    lit up there. Facebook jumping. It's all the country niggas that are into rap

  • 26:48

    and they watch this nigga from small and believed in them and... That whole

  • 26:54

    circuit is in an uproar upside down right now. I do think that that's fire.

  • 26:59

    It is. I think that's fire. Safety, one of my

  • 27:05

    favorite joints. I'm going to play a little bit from it right now.

  • 27:12

    Gave me a Nas One Love type of vibe. Okay, yeah. Then that sax come

  • 27:16

    in like that. Yeah, I just felt like the better beats by far were on

  • 27:20

    disc one, by far. Like for me, this is one of the better beats on

  • 27:23

    the whole album. It is. Me too. I'm with that. But that's what kept me

  • 27:27

    up. I heard this and I was like, oh, this album is going to be

  • 27:29

    crazy. Like he did a lot of jazz throughout the album. And this

  • 27:35

    was a real good usage of it to me. Yo, and what a just hard

  • 27:39

    way to open. Yo, I'm fresh back. Yes. This is what's going on. This is

  • 27:44

    what niggas is saying. Yes, sir. See, he's painting a picture. Like, I

  • 27:50

    think this happened. There was really a girl that used to be bad that

  • 27:56

    now you back and your man's telling you, yo, you see it? She's still aight?

  • 28:00

    Like, check it. Like, this is so graphic and he's so

  • 28:06

    great at this. He is great at this. This album for me was

  • 28:12

    everything I absolutely love and adore about J. Cole and And also everything I

  • 28:17

    absolutely hate about J. Cole. I can agree with that. Or the things that frustrate

  • 28:21

    me about J. Cole. And as we go on, I'll get into some of those

  • 28:25

    things. We got to get to verse two on here because verse two is hilarious.

  • 28:30

    I don't think it's supposed to be. So now verse two is funny because

  • 28:36

    if I have the songs right and I listen to this more than once because

  • 28:42

    I took a long nap. Early in the day. Like I had a very busy

  • 28:45

    day, was in bed by three o'clock. I woke up at 11 ready to go.

  • 28:50

    I woke up at 11 p.m., stayed up to about 3.34 in the morning. Nice.

  • 28:55

    Letting it go, went to sleep with it. I might maybe paused it at track

  • 28:59

    eight on disc two. I intended to only listen to disc one. And I was

  • 29:04

    in the studio, had it in the bigs, you know, vibing. But it's like watching

  • 29:08

    a movie. You think, maybe I can cut this shit off halfway. Now I kind

  • 29:12

    of see where this goes. A busy day put you in bed at 3 p.m.?

  • 29:17

    Well, first of all, on a Thursday, if I can get Thursday, I'm in bed

  • 29:20

    early. But I had a really busy and hectic and very productive, life-changing and life-altering

  • 29:27

    type of day yesterday. So I got in bed. Yeah, life changing. World changing.

  • 29:33

    Good life changing. Amazing day. I met some really terrific people.

  • 29:39

    I had really good vibes. Yeah, I was in bed. I was in bed before.

  • 29:43

    Job well done. The meeting you waited for all week. You needed out the park.

  • 29:48

    Aaron Judge, you can go home and go to bed stress free, your mind free

  • 29:50

    of. whatever was on your mind before. Congratulations. Thank

  • 29:56

    you. Thank you guys. All this shit is awesome. Um, so verse two, his man

  • 30:02

    is, his man is telling him, yo, Quay died.

  • 30:09

    I love this in rap too. When it's somebody that you don't know. I love

  • 30:12

    that. Some people hate it. I really love it. I absolutely love it. I absolutely

  • 30:16

    love it. So he's trying to tell him when Quay's funeral and wake is, uh,

  • 30:22

    So for the verse to go with, go, like immediately it go to, oh shit,

  • 30:28

    he was gay and we got away from him. Oh, this one, yeah, okay. He

  • 30:31

    was taking a dick in the butt. Oh, when he go to Atlanta. He was

  • 30:34

    taking a dick in the butt. So he went over there to Atlanta. We distanced

  • 30:37

    ourselves, I ain't gonna lie. And now, he went right there off the fucking head.

  • 30:42

    But he did it so beautiful. No, it's a fire verse. This whole song is

  • 30:47

    fire. This whole song is crazy. That was really great. J.

  • 30:53

    Cole could have rolled this back then. There's a couple records on this that are

  • 30:58

    super Lupe-coated to me. This is one of them. This feels like

  • 31:04

    some of them hooks from the cool. I used to love her. Redo is also

  • 31:09

    very, very Lupe-coated. Shout out to Lupe. I feel like this...

  • 31:18

    Maybe in a perfect world. I feel like to J. Cole, this could be his

  • 31:23

    final album. I feel like in his brain... I did it. I did it. I'm

  • 31:29

    done. I'm independent. And actually, yeah, I'm not so in love with

  • 31:35

    hip hop anymore. I get that from I'm Still In Love With Her and It's

  • 31:39

    Lonely at the Top, which we'll play at some point. Both of those songs are

  • 31:44

    telling me that J. Cole is like me. He wants to ride that bike and

  • 31:49

    chill out. He's over the shit, bro. Yo, dawg. You realize fame ain't what it's

  • 31:55

    cracked up to be. You're not here for the fame. You grow up and you

  • 31:59

    notice yourself listening to less and less and less and less hip-hop. For

  • 32:05

    some people that were immersed in this shit, it gets to absolutely nothing. Niggas thought

  • 32:09

    Kanye was crazy all them years ago when he said, my house is too clean

  • 32:12

    for me to put hip-hop on. We judged him. We threw tomatoes at that nigga.

  • 32:15

    But you hear J. Cole on Lonely at the Top and you be like, Well,

  • 32:21

    yeah. I mean, I identify with that at 45. You never liked rap. I listened

  • 32:26

    to it. It molded me. It shaped me. And that's kind of what he's talking

  • 32:29

    about a lot on here, which is why I fuck with it so much. We

  • 32:33

    were raised by some of these rappers. For sure. We, when we saw music

  • 32:39

    videos and rappers on interviews, that was in our blood, our DNA. We went,

  • 32:45

    we were home as teenagers writing, dreaming, writing, This was a dream come

  • 32:51

    true to do shit like this. And then you get in it and realize,

  • 32:57

    oh, it's all a farce. It's all. It's all smoking. We'll get to that. It's

  • 33:01

    not. It's not what it was cracked up to to be. The rappers I looked

  • 33:07

    up to and the rappers I admired. are not that, they're caricatures

  • 33:13

    of themselves. The songs are from song makers and song writers and writing camps.

  • 33:19

    They're not genuine thoughts. He didn't really write this record. That was passed down from

  • 33:25

    the A&R because Ludacris didn't want it. And it's like, huh, where am I? Where

  • 33:30

    am I? Oh, we can't get paid from certain shit. Oh, we got to go

  • 33:35

    on the road. We got to get money on the road. We got to fight

  • 33:38

    for just everything. Now, why? Why? Why? I don't need this shit. Why? Especially when

  • 33:43

    you're as successful as he's been. Like, yeah, I'm cool. Yeah, man. Yeah. I totally

  • 33:49

    feel him on this. My problem with J. Cole is he's anti-climatic. Yeah. Yeah.

  • 33:56

    Although he gets into some, later in the record, he gets pretty, pretty animated.

  • 34:04

    I want to play Poor Thing because why did he do his man like that?

  • 34:09

    Poor Thing is another one of the better songs, period, to me on this

  • 34:15

    entire project. The best of the best to me is the last four,

  • 34:21

    five. On which disc? Two. Oh, see, for me, on both discs, if

  • 34:27

    you cut off the final four or five songs, I'm great. Yeah, you're missing something.

  • 34:32

    Oh, wait, really? So you going with... I'm absolutely... Drum and bass? Oh, drum and

  • 34:37

    bass is incredible. Put on drum and bass for me. Well, let me get to

  • 34:40

    the poor thing. Let me get to the poor thing because he's serving some local

  • 34:43

    nigga up. Also, why I'm not mad at the Fayetteville shit. Great announcement. Is

  • 34:50

    like we've been... We've seen regional hip-hop just killing. Yeah. Regional hip-hop

  • 34:56

    is... Looks to be on an upward swing. Even when I was wrong about take

  • 35:00

    me through there, take me through there. But... Yeah, it's back. So if regional shit

  • 35:04

    is back, I'm one of the best rappers in the world. Nobody's going to pay

  • 35:09

    no mind to North Carolina. Why would I not? Right. Why would I not? And

  • 35:13

    he been doing that his whole career. Yeah, he a hometown guy. Yeah, this ain't.

  • 35:18

    Uh-oh. A local nigga, you thought he was done right there because he started talking

  • 35:22

    about his pride and ego. Not at all. He right back on your ass.

  • 35:25

    Uh-oh. Ooh, and you know he about to fuck you up. Now he started a

  • 35:30

    hymn. When J. Cole started hymn. Uh-oh. Wait a

  • 35:36

    minute. Come on. What are you talking about? What are you talking about on disc

  • 35:42

    two? He is bugging on disc one. You bugging on this too as well. Super

  • 35:47

    bugging. Yo, imagine being one of the top rappers in the world

  • 35:53

    and hearing that shit that local dude said and doing it. Yo, there's no other

  • 35:59

    album or album rollout or album concept that I would be able to just shoot

  • 36:03

    at the local nigga that everybody in my hood heard. He is flaming this local

  • 36:09

    nigga. Hey, local nigga, man. DM me or something, man. We gotta

  • 36:14

    hear you song. Yeah, I gotta. What happened? Yeah, what? How you got your man

  • 36:18

    going crazy? Yo, J. Cole just said at the end of the song to the

  • 36:23

    local nigga, to let's Drop your load. Let's meet up. No guns. You said I

  • 36:28

    ain't real. But I'm back. So now let's see if I'm real. Holy shit. This

  • 36:32

    nigga gonna ride the city bike to the beef. Yo, I fuck with this.

  • 36:38

    Nah, because the world don't know we're on it like that. But back home. Nah,

  • 36:44

    sometimes it be that one person. Like, yo, you? I respect that. I absolutely love

  • 36:50

    that. Let me see. Legacy. Super fire girl joint. Super

  • 36:55

    Fire Girl joint. I'm not going to beat you down. Bounce Road Blues, Thames. Come

  • 37:00

    on, stop it, y'all. Alchemist, Future, J. Cole. Yeah, you can't miss it. Yeah, stop.

  • 37:05

    Which one? Bounce Road Blues. Bounce Road. That's the one you're talking about. Oh, Bounce.

  • 37:09

    I'm fucking it up. Bounce Road Blues, to me, is one of the better records.

  • 37:14

    One of the better records on the entire album. And back to Mark's feature point,

  • 37:19

    that's what made me realize J. Cole, for me, is too...

  • 37:32

    monotone for double disc. Yes. Agreed. Yes. And then he's too monotone for double disc

  • 37:35

    and J. Cole beats. And I'm saying that as an MC that also was monotone,

  • 37:41

    more monotone than him. He does more with his singing and with his vocals than

  • 37:46

    even I did. But he don't have the voice for double disc. So when Tim's

  • 37:52

    came on, it was such a breath of fresh air for me. When Burner Boy

  • 37:58

    came on disc two on that, what am I yearning for on that flip?

  • 38:03

    That's the other thing about disc two. The Mobb Deep flip, I did not love

  • 38:08

    that. That's one of my... No, it is not. The Realist flip. There's two Mobb

  • 38:11

    Deep flips. There's Drop and Gem Little, which was on this end of... No, you

  • 38:15

    know the one. I'm talking about the Realist. I didn't love that either. One of

  • 38:18

    my favorite beats of all time. I did too much with it. That's one of

  • 38:21

    my favorite beats of all time. So I did not love that. Didn't love what

  • 38:25

    he did with the DMX flip. Like, some of the flips, I didn't really love.

  • 38:30

    And for me, those were on disc two. But back to disc one. Bunce Road

  • 38:35

    Blues. I feel like we got to play some of that. We got to play

  • 38:38

    a little bit of that. Because, come on, man. Come on. Absolutely

  • 38:44

    Fire. We know who did this beat. Alchemist. Alchemist. Fucking Alchemist, yo. Alchemist, I love

  • 38:50

    you so much, yo. They feel different to me. Yeah. I love that most of

  • 38:54

    the beats are doing something to help with the, for me that helps with the

  • 38:59

    monotonous tone sometimes. Y'all lying, man. Come on, stop it, yo. Stop it, yo. Fix

  • 39:03

    y'all fucking faces around. Stop it. Stop it. Stop it. Stop it. Stop it. Stop

  • 39:07

    it. I'll not freeze. Yo, what? What? Newer couch. What up? What up? What up?

  • 39:10

    What up? Wake it up over there. What's up? What's up? What's up? Y'all good?

  • 39:13

    I'm great. Y'all lying on this if y'all not fucking with this. Joe. This song.

  • 39:17

    This song? No. I like the beat. That's the only thing I like about this

  • 39:20

    record. This particular song. Really? It's regular. Even with the little Usher drum? You said

  • 39:24

    it's regular. It's seven o'clock. I didn't get to disc two. I heard mostly all

  • 39:28

    of disc one. And if you're saying disc one is the best disc. Nah, you'll

  • 39:32

    like disc two better. You'll like disc two. You'll like disc two better. Well, I

  • 39:35

    don't know, because you like Boomba too, bro. Motherfuckers, man.

  • 39:42

    Oh, you got to be joking, man. She don't do no wrong, though, to me.

  • 39:44

    She never here. Bunch Row Blues immediately into

  • 39:51

    Who the Fuck Is You. Again, one of the better songs on the entire project.

  • 39:57

    And drum and bass. Drum and bass is fire. We're going to get to drum

  • 39:59

    and bass. I didn't hear what y'all heard. Well, listen again. I didn't hear that.

  • 40:05

    I didn't hear that. Maybe I was so blown away with Who the Fuck Is

  • 40:09

    You and what I've heard thus far into the album. Remember, Who the Fuck Is

  • 40:13

    You is track eight on disc one. Right. I'm satisfied. Really?

  • 40:18

    I'm pleased on disc one. You had eight songs. I've been grooving.

  • 40:25

    You've killed this conceptually. You've hit Fayetteville. You've hit stories. Like,

  • 40:31

    I'm thinking that he about to fucking, if this is the start, I'm We off.

  • 40:37

    Yeah. Come on, man. Yo, and let me just tell you, I'm

  • 40:43

    retired, and the fans never did say I picked a great beat.

  • 40:49

    But the second half of Who the Fuck Is You, that beat is absolutely insane

  • 40:54

    to me. Shut the Vitals. That beat, that's Vinyl. That beat is absolutely insane to

  • 40:59

    me. to me guaranteed to make any studio session that a real rapper is in

  • 41:05

    turn the fuck up. That beat is like, oh, it's like total no one else

  • 41:09

    mixed with like fucking Can't Stop, Won't Stop, Young Guns mixed with. That second beat,

  • 41:17

    sick. Also, the music is doing a lot of helping with him

  • 41:23

    for me. Okay. Like, this is crazy, this whole shit. This shit is fire. In

  • 41:29

    terms of arrangement, Lyrically, his flow, he's killing again. And this is the

  • 41:35

    joint from the trailer, so we finally get to hear the whole thing now. This

  • 41:39

    was the song where I realized one of the things that frustrates me about J.

  • 41:44

    Cole, which is he's one of the best rappers in the world. And then that's

  • 41:50

    it. For me. What do you mean? I get that. Me too? And then that's

  • 41:54

    it. What do you mean? It's not an event. It's not...

  • 42:00

    He sounds like he, for me, only for me, Dreamville people, please don't kill

  • 42:06

    me. He, for me, like I was reminded a lot of Nas on this album

  • 42:11

    somehow. You can tell he's been listening to me. It sounds like the best rapper

  • 42:16

    in the world that has just been observing his entire life. Yeah.

  • 42:22

    Just looking. Like Hov said, you witnessed from your folks past, scribbled in your notepad

  • 42:28

    and created your life. I don't think that's whack. J. Cole did that as a

  • 42:31

    diss, but I don't think that's whack. To be able to observe something, that's fly.

  • 42:35

    And J. Cole, as I'm listening to his story about North Carolina, when I

  • 42:41

    leave, I leave with... What'd you do?

  • 42:49

    Like, you were the most talented guy that rapped the best, that knew it probably

  • 42:55

    wouldn't get popping from North Carolina. It's hard to do. bounced to where it was

  • 42:59

    some motion. Like, it was rap. You did it. You lived your absolute dream. But

  • 43:04

    in terms of the beat starting and me thinking that I'm about to hear like

  • 43:09

    a new experience, this album, almost too many stories for my

  • 43:15

    liking. I get that. Because he don't, he can't, for me,

  • 43:22

    like on disc two, he told a story, and I get what he was doing,

  • 43:26

    about him pulling up to get gas

  • 43:33

    and somebody asking for a picture. I love that. He done

  • 43:38

    storied me so much before that point. I didn't feel like this was necessary. There

  • 43:44

    was no twist. There was no plot. This was, yo, I went to the gas

  • 43:48

    station to get gas. I tried to hide because people recognize me and I hate

  • 43:52

    being famous. I identify with that. And somebody wanted a picture. I'm like, dog, if

  • 43:58

    we on a double disc and that's the moral of the story, scrap the song.

  • 44:02

    Yeah, agreed. Nah. Scrap the song, yo. I'm not mad at the song. I like

  • 44:05

    that. If the whole purpose is everything that happened at, you know, 39 when I

  • 44:10

    go back to the city. Yeah, you walking me through that every day. Yeah, somebody

  • 44:15

    asked me for a picture and I can frame this. I'm putting you in my

  • 44:18

    place as the person who was here at 29, leave, leave. Y'all know what my

  • 44:23

    career did. Now I'm back 10 years later. I'm putting you in my shoes of

  • 44:27

    everything that I'm witnessing and going through. I'm not mad at that, yo. But your

  • 44:29

    shoes was boring at 39. I love raps about Padusha. Your shoes was boring at

  • 44:33

    29. No, they were not. No, they were not. That's where we differ. No, they

  • 44:36

    were not. That's where we differ. No, they were not. He left, got lit, went

  • 44:40

    back home at 29. Y'all never seen nothing like this. That's not not lit. That's

  • 44:45

    not not lit. I went through that. I went through that off Clue tapes. I'm

  • 44:49

    talking about- Jersey City was in an absolute uproar of Clue Tapes. He's the man

  • 44:53

    out there going back in 29. Oh, no, no, no. I'm talking about the way

  • 44:55

    it sounds. Okay, yeah, yeah. He's lit. It's lit. I get what you're saying. By

  • 44:58

    39, he has fallen out of love with hip hop if I'm listening to his

  • 45:02

    words. And that's what it just comes off as to me, that's all. That's all.

  • 45:08

    I want to get to the second half of this shit just because I think

  • 45:10

    it's crazy. Yeah, that's absolutely crazy to me. That's absolutely crazy to me.

  • 45:17

    Y'all wanted to hit drum and bass, right? My bass is fire. Let me see.

  • 45:22

    For me, this should have ended, this one. Nah, I like the... Even though I

  • 45:26

    like Let Out. Lonely at the top. Lonely at the top is... It's a little

  • 45:30

    bit of an aside from the rest of the project. Like, the rest of the

  • 45:33

    project is, he's 29 in Fayetteville. Lonely at the top is like current day. Kind

  • 45:39

    of talking about the same shit, but... It's hard. It's

  • 45:43

    hard. It's hard. The Let Out was unique. I don't hate it,

  • 45:49

    especially toward the second half. I like that. I saw a lot of people not

  • 45:53

    like it. I get it though. Again, it's the narrative. It's all the narrative. I

  • 45:57

    get it as part of the story. Again, it helps for me to break up

  • 46:01

    some of the monotony of his vocal vocal tone. But if it weren't

  • 46:07

    there, I wouldn't care. Right. I feel the same way about bombs in the bill.

  • 46:12

    I definitely feel that way about that one. And also I understand why it's there,

  • 46:16

    but if lonely at the top, wasn't there but that tells a lot of the

  • 46:19

    stories it does yeah it's kind of like the uh narrator or something exactly exactly

  • 46:24

    yeah but i just thought he was doing such a great job with the story

  • 46:26

    that a lot of disc two wasn't needed whole new story yeah whole different story

  • 46:33

    without substance for me uh i will agree that it's less narrative based he tried

  • 46:38

    to slip a couple records that are just more standalone? I feel like there's not

  • 46:42

    much on disc one that's standalone. I see why he didn't really pick a single

  • 46:46

    because there's not really a single. I couldn't find a single on here. I think

  • 46:51

    that the Tim's record is a single. I think that the Burnin' Boy record is

  • 46:56

    a single. I think that Legacy is a single and there was one more record

  • 47:02

    on here that I thought was a single. I don't think that he goes into

  • 47:07

    album rollouts anymore. in that state of mind, especially as an independent anymore, like single,

  • 47:11

    single, single, single, single. But do I think that there are records on here that

  • 47:14

    are gonna continue to pick up and support the project? Yeah. It's there. It don't

  • 47:18

    sound like just all for the backpackers, all for the J. Cole heads, and all

  • 47:23

    for the lyrical miracle niggas that don't. Oh, I agree. I think that he tried

  • 47:27

    to still appeal. I love the intro on disc two. I do. I love it.

  • 47:36

    The fall off is inevitable. I already had. Yeah, we had that one. So, cool.

  • 47:42

    The Villis, did y'all care about? I'm trying to hear what y'all heard on disc

  • 47:46

    two. The Villis is the one with the second mob flip, the one you said

  • 47:49

    you didn't like. Yeah. Oh, no, no, no, no, no, no, no, no. I'm good

  • 47:52

    on that one. I love this one. I'm cool. I'm cool. And then Old Dog

  • 47:56

    is disc two. I love that one. Let me find that one. Here we go.

  • 48:06

    cool to me. Yeah, it's not my favorite. It's just cool. It's just cool to

  • 48:09

    me. That was the first song I ran back afterwards. Really? Let me run this

  • 48:13

    back again. That was the one? Yeah. I get it. For your music taste, the

  • 48:17

    beat, I get it. Yeah. Yeah, see, that was cool. Another record to me that

  • 48:23

    just helps with breaking up monotony because you're on disc two at track

  • 48:29

    five. But to me, it didn't need to be all this. If you condense these

  • 48:33

    projects... to 16, 17 records, I think you're having an

  • 48:39

    entirely different conversation. And even that's a lot of music. 16 and 17 records on

  • 48:44

    a project? I don't think he should have, he shouldn't have had no problem taking

  • 48:49

    off at least seven of these records. Zero problem doing that. That's my opinion. Especially

  • 48:55

    if we weren't going to get some more rap features.

  • 49:02

    Rap features help on a double disc. I get what you're saying. I just don't

  • 49:06

    think that was his intention. Not at all, because he was telling the story, and

  • 49:09

    he don't need y'all to tell his story. Right. So I get it. I feel

  • 49:13

    like this should be his last project ever. I feel like it won't be his

  • 49:19

    last project ever. I don't think so. It never is. And listening to this, sometimes

  • 49:23

    it is, listening to this project don't tell me You going off to... Yeah, I

  • 49:29

    don't think so. I think we'll just get a different J. Cole. I think we'll

  • 49:31

    just get rapper J. Cole as opposed to like life story J. Cole from now

  • 49:34

    on. Nah, I think we're going to get... What was it? 39? I think we

  • 49:38

    get 45 J. Cole telling us what... Now, because now this is a whole new

  • 49:42

    life. I'm independent now. True. I own all my shit now. Now I'm moving a

  • 49:47

    whole different way now. And now we're going to get that version of your life.

  • 49:51

    And in your heart, you're still a poet. You're going to write. Oh, true. That

  • 49:55

    don't mean release. Yeah. Yeah, exactly. That don't mean release. And if you're listening to

  • 49:59

    him at 39, nothing sounds like he wants to continue to be seen or heard.

  • 50:04

    He sounds like he's totally ready to do the Frank Ocean. I see him doing

  • 50:08

    the Andre 3000 thing, going away and then popping out with, I mean, maybe not

  • 50:13

    a full project. Well, even that. A couple of joints. That's not really heard and

  • 50:17

    seen. Well, yeah. Yeah, we said the same thing. Yeah, he don't sound like he

  • 50:21

    would. He's not going to be active. Yeah, he'd sound finished with niggas. I ain't

  • 50:25

    gonna lie. And I did it all. Again, what else? I said this before. What

  • 50:29

    else does J. Cole have to prove? I didn't feel like Life Sentence was necessary

  • 50:34

    because I had Legacy and the Burner Boy record. Let me get to Only You.

  • 50:40

    Hold up, because... Another one of my favorite records on this project.

  • 50:46

    One of my favorite records on this entire project, Only You, Burner Boy. That's hard,

  • 50:50

    man. We have now reached the entree portion of the album to me. This is

  • 50:54

    the steak. This is the lamb chops. This is where the album is. That's a

  • 50:59

    single. These are the songs. Where? Right now. Man Up Above, I Love Her Again,

  • 51:04

    What If, Quick Stop. I know you don't like that, but I do. And the

  • 51:07

    whole world is a bit. Oh, then you're really going to be mad at what

  • 51:10

    I got to say. Let's go to Man Up Above. Man Up Above.

  • 51:16

    Let's do it. It's fire. It's fire. That's fire. Amazing. Hard. That record is

  • 51:22

    hard. That's fire. We are at the Lamb Chops. It's what's up, man.

  • 51:29

    It's cool to me. I'm dead ass. Nobody can. He's one of the best rappers

  • 51:35

    in the world. Yeah. But for me, this has no replay value. I'm not going

  • 51:40

    to be listening to this in my car. That's just the honest truth. It's anticlimactic.

  • 51:45

    I think that he kills shit on so many features. Because it's somebody else's song,

  • 51:50

    I think the production on somebody else's song, I think Hook on somebody else's song,

  • 51:54

    when he gets on it, it has all of those other components. Now you're just

  • 51:58

    adding his genius on it. So it's just amazing. His feature run is amazing. But

  • 52:02

    when I listen to him, it's just blah for me. It's just blah. Can he

  • 52:08

    rap? Of course. Nobody in the world can undoubtedly say this nigga can't. He's probably

  • 52:12

    the best, one of the top 20 rappers ever. but the songs, it's just real,

  • 52:17

    real, real monotone. It's just like, if you hear one, you hear them all. Almost.

  • 52:22

    Oh, I disagree with that. The content of these songs are all very, very different.

  • 52:25

    Yeah. No, I'm not. I'm talking about sonically, all of these songs, it's just a

  • 52:31

    one monotone flow throughout the whole entire album for me. Nothing after Man Above did

  • 52:37

    I need. Shit. Oh, what? You're blogging. Absolutely zero

  • 52:42

    after Man. I don't know if you listen to him enough. Listen, I love her

  • 52:46

    again one more time. Yeah, I did. And you know what you did. I did.

  • 52:48

    Multiple times. I believe you. I'm saying one more time, just for the people. He

  • 52:51

    a student of rap. No, no, no. Listen, I'm going to hear this differently than

  • 52:55

    y'all. He's a student of rap. I'm going to start there. I'm not going to

  • 52:58

    hear this the way that y'all are hearing it. One. Two, I'm not saying it's

  • 53:03

    bad. I'm not saying it's bad. But do I think that his...

  • 53:10

    Version of I Used to Love Her and how he sees it. I love how

  • 53:14

    he picked it up from Right Where Common Left Off. I love what he did,

  • 53:20

    but do I feel like that was needed? I didn't like the light. No, I

  • 53:24

    don't. And I'm about to say, I don't love that beat either. Oh, I like

  • 53:27

    the beat. I thought it was interesting to pick up Where Common Left Off, but

  • 53:30

    to sample a different common song. To sample the light while doing I Used to

  • 53:34

    Love Her. Right after that is What If. I'm good. Stop it, my nigga. You

  • 53:38

    do not need to hear J. Cole go through big and pox murder

  • 53:44

    and say, what if these things, tell me y'all needed that. I didn't need that.

  • 53:48

    I like that concept. That wasn't my point. I liked it conceptually. I just don't

  • 53:53

    think that he delivered with the song. I like the concept. I like how he

  • 53:57

    tried to incorporate Big's rap style, Pac's rap style into the song. It just didn't

  • 54:02

    hit a home run for me. Again, the concept is fire. It didn't hit a

  • 54:06

    home run for me. I think it was unneeded in the story of this album.

  • 54:10

    I will say that. Leave that for Joyner Lucas, bro. Let him do his thing.

  • 54:14

    For me, at 39, he don't have much to say. He don't. And for me,

  • 54:20

    that's evidenced by what the fuck he talking about, which is a common flip Yo,

  • 54:25

    Biggie and Pac, if they were still around, nigga, you're 39. What are you doing?

  • 54:30

    You was just lit in 29. You was tearing niggas up. You're back in the

  • 54:33

    hood. They loving you. The old bitches is back. They hitting your line. Where you

  • 54:36

    at? What you doing? You hype about it? At 39, he's already out of love

  • 54:40

    with everything. Yeah, though. None of this shit impress me no more. And it sounds

  • 54:44

    like that to me. I don't feel none of this shit no more. But it

  • 54:46

    sounds like that to me. That's why you only need 24 songs. That's what I'm

  • 54:49

    saying. That's what I'm saying. It shouldn't feel like that to me. And to your

  • 54:54

    point when you first started, you know I was trying to be quiet. But now

  • 54:57

    he woke me up a little bit. My nigga, everybody's been waiting on this album

  • 55:01

    for two years. So if you set the bar up there with your track lesson

  • 55:04

    and all that other shit, I don't really want to hear about your life story.

  • 55:07

    I don't. Put that shit on the mixtape for your local niggas to know the

  • 55:11

    nigga locally that you're talking about. The world don't necessarily want to know about Lil

  • 55:14

    Rah Rah that's coming for you locally. Not me. And then for him to get

  • 55:18

    to the end of this song and say, oh shit, she was like that from

  • 55:21

    Jump. Then you, one of the best MCs in the world, didn't need

  • 55:26

    this to convey it for me. That's for me. And I disagree with earlier. Well,

  • 55:32

    I don't know you say disagree because I don't know exactly that's what you said.

  • 55:34

    Somebody said, Ice, you mentioned something about it has nothing to do with their battle.

  • 55:39

    But I feel like when he stepped back from that battle, I think people did

  • 55:42

    expect to get something to do. when this came out. You know what I mean?

  • 55:45

    Anticipation. Right, because if you, you know, if you want to say, look, that's not

  • 55:48

    good for, because I respected that to know that that's not good for you mentally,

  • 55:51

    but I'm totally waiting for you to do something like once you put yourself out.

  • 55:55

    See, I think that he did. This is a much more difficult album to make

  • 55:58

    to me than trying to just do like, make some slaps. Like this is a,

  • 56:02

    this is an undertaking to tell a story for fucking an hour and 41 minutes.

  • 56:07

    I understand why you might not like it, but I understand as an artist and

  • 56:10

    someone who's in these studios and someone who tries to push some boundaries, that is

  • 56:14

    much more difficult than just getting some dope beats and flaming it and getting Future

  • 56:17

    on the record. All right. I'm not mad at it. I can respect the

  • 56:23

    attempt and still not like the rock girl. For sure. That's me. Also, I thought

  • 56:29

    this part of disc two had some of the beats that weren't. as lit

  • 56:35

    as the jazzy disc one beats. Like, this is very... This gives lo-fi to me.

  • 56:41

    I can't even hear that. Yeah, I was hoping you turned it off. I can't

  • 56:45

    listen to that. I don't want to hear this shit. I feel like... My problem?

  • 56:50

    By now, he said everything that he wanted to say and needed to say, and

  • 56:53

    we could have closed this album and been off to the races. But some of

  • 56:57

    this is extra. This is extra what if. I just feel like He's too good

  • 57:01

    of a rapper to do that right there. I don't need that from you. Fair.

  • 57:07

    Not from you. The bar is high for J. Cole, my nigga. If you were

  • 57:10

    going to take that concept, you had to deliver better than that. And again, to

  • 57:13

    my earlier point, Mortal Man exists. Kendrick kind of touched

  • 57:19

    on the Tupac thing and kind of did it better. Much better way, though.

  • 57:27

    This is Quick Stop. This is three in a row where... I like this. Yeah,

  • 57:32

    I love this one. You don't fuck with that one? I'm with you.

  • 57:39

    Again, yo, the raps are the raps. It feels like to me, he found a

  • 57:45

    beat with some music that he loved so much, because I love that music. This

  • 57:50

    didn't call for nothing. He not saying nothing on it. I didn't need the M

  • 57:55

    Renegade flow for whatever you, there's nothing he's saying on here that we need this

  • 58:01

    on a double project. Listen, I like it. I like it.

  • 58:07

    But if you're making a double album, whoever is on the vote team, if there

  • 58:11

    even is a vote team at some point, he might have records he left off.

  • 58:15

    I'm sure. Like maybe it's a deluxe coming. Of course. But this for me didn't

  • 58:19

    feel like it was that important for the story or dope enough to be in.

  • 58:22

    Yeah. But I love the music because I love the saxophone and the

  • 58:28

    strings. But this flow is bothering me. He done killed the flow

  • 58:34

    the whole album. And now I got him at the... Oh, yeah, this is the

  • 58:39

    one. Yeah, get him the fuck. Now, pack this up, nigga. Nigga, I know you

  • 58:43

    don't have nothing to say because you had the gas station in the hoodie and

  • 58:47

    somebody asked for a picture. Yes, J. Cole. Somebody wants to take a picture of

  • 58:50

    you. Yes, I'm sorry that that's such a big event. Listen to this. No,

  • 58:56

    no, shut the fuck up. For me, this is the adult version of

  • 59:02

    him telling us when he lost his virginity in the class. I think that's totally

  • 59:06

    different. This is the adult version. You didn't have nothing to say. You went to

  • 59:10

    the gas station. Somebody wanted a picture. And now, because you just need another song,

  • 59:15

    we have to hear that story. See, I see it more like. You know what?

  • 59:18

    What happened in the story? What happened? I challenge you, since y'all love it so

  • 59:22

    much. At the end of it, what happened? Family songs just sound good. All right,

  • 59:25

    I'm done with you. What do you want me to do? What do you want

  • 59:27

    me to do? Let's listen. Let's listen. Nothing about him at 39 sounds lit back

  • 59:32

    home. There's no story being told. I don't want to sound lit. That's the story,

  • 59:36

    though. But there's nothing happening. There's no story being told. I think there is a

  • 59:40

    story. There is, yeah. To me, the point is that he goes on his whole

  • 59:44

    kind of pilgrimage back home, and by this point, he realizes that home will never

  • 59:49

    be home again. Because even when he's in a hoodie, even when he's pumping gas,

  • 59:52

    even when a nigga's trying to just sell him weed, just some regular every man

  • 59:55

    shit, he gets recognized and he can't be himself even at home because now he's

  • 1:00:00

    still got to take pictures. I'm telling you that that's how I felt. Maybe I

  • 1:00:03

    can relate to it. That's not the Sopranos ending that he thinks it is. I

  • 1:00:07

    think it is. You can't go home again. I mean, this might be a taste.

  • 1:00:10

    I feel you, but it didn't feel as anticlimactic as it did. That don't sound

  • 1:00:15

    anticlimactic? Not to me. Not to me. I'm going to Google to see what that

  • 1:00:18

    meant. and make sure you add that extra C. Climactic. I hear you. I'm with

  • 1:00:22

    you. What you was saying? You got your hand up. I was about to ask

  • 1:00:24

    Mark. Like, once you reach any level of notoriety or any level of popularity, nigga,

  • 1:00:29

    I'm not J. Cole. And you can't go back to East Hanover. You get

  • 1:00:35

    what I'm saying? Like, I just, I'm with you. I don't really understand that he

  • 1:00:37

    needs for the song. Yeah, like, if we take him at his word and this

  • 1:00:39

    is his last album, if you think... Nowhere in the world do you think... I

  • 1:00:44

    don't like hearing this from Ish because he had a song called Wawa. All right.

  • 1:00:48

    And I'm not J. Cole. That is my point. Wait, you hear the song called

  • 1:00:51

    What? No. It's a joke. But that's my point. I never know what you do.

  • 1:00:54

    I'm not J. Cole. If somebody is saying to J. Cole and Dreamville fans 10

  • 1:00:58

    years ago, yo, J. Cole is going to announce his final album. It's going to

  • 1:01:03

    be a double disc. Track 11 on it is going to be about him realizing

  • 1:01:08

    that he can't go back home because home will never be the same again. That's

  • 1:01:13

    the narrative of the whole album. Yeah, I was going to say, you're saying it

  • 1:01:16

    like that, but if you put it in context of the entire, what disc two

  • 1:01:19

    means, it makes sense, bro. It's like punctuating it. Yeah, it makes sense in the

  • 1:01:23

    concept of the entire disc two. I'm totally with you that some records can be

  • 1:01:27

    slimmed down. That's usually the case. Can LeBron James go to Akron without taking pictures?

  • 1:01:31

    Yeah, what the fuck are we talking about? Like, I understand. Like, can Jay-Z go

  • 1:01:34

    to Marcy? That's the big epiphany? Yeah, like, I don't. That's like Matt Damon saying

  • 1:01:39

    to Ben Affleck or saying to them niggas in the rip, yo, it was $150,000.

  • 1:01:42

    It was $250,000. It was $250,000. It's like, that's what. Yo, niggas was here with

  • 1:01:47

    you from day one since mixtapes. You got with Hov. You left Hov. You was

  • 1:01:52

    silent on it. You was big three. You beefed. You unbeefed. You apologized. The mixtape,

  • 1:01:57

    you gave us more of your actual thoughts currently. Yeah. Now you're doing concept

  • 1:02:03

    shit, but at the end of this, and I like the Ocean's outro. I don't

  • 1:02:07

    love that. I like the music. I like the music on the outro. I like

  • 1:02:10

    the record right before that. That's probably the best rap performance. The whole world is

  • 1:02:14

    Deville. I think that's the one. Really? Where he starts ramping up the intensity and

  • 1:02:18

    all that shit. Yeah. Yo, you could tell. No, you could kind of tell, too.

  • 1:02:21

    I think he challenged himself. because you could hear Lupe, you could hear Em. He

  • 1:02:25

    tried to do the big in the pocket. You could hear Nas in the beginning

  • 1:02:28

    of the album. You could hear all of his influences. You could hear J Electron.

  • 1:02:32

    You could hear niggas in this album that he evidently looks up to and he

  • 1:02:36

    wanted to kind of get they style off and the shit. I just think that

  • 1:02:40

    he didn't talk about enough stuff to have 24 albums, bro. I mean, 24 songs,

  • 1:02:45

    I'm sorry. I just don't think conceptually cool, but just as far as the meat

  • 1:02:49

    and potatoes, it wasn't enough. I think 16 songs and this might be a classic.

  • 1:02:53

    That's what I'm saying. I agree with that. To me, he robbed it. I think

  • 1:02:56

    he robbed himself. 18, 20, he could have did it. I think you could say

  • 1:02:59

    that about every double disc except Life After Death. To me. Which is why I

  • 1:03:02

    say the bar is so high for double discs. Some single discs, too. There's bad

  • 1:03:06

    single discs where you took two or three of them records off. You got something

  • 1:03:09

    totally different. But, I mean, don't misconstrue what I'm saying. I like the album. That's

  • 1:03:12

    cool. I like the album. There are some of these joints that I'm going to

  • 1:03:16

    go back to, especially the girl joints, especially that Burner Boy, that Tim, that Legacy.

  • 1:03:21

    That's cool. Dumb Records, this is going to be around for a little bit, some

  • 1:03:25

    of these songs. But again, back to the point. But in the scope of his

  • 1:03:30

    discography, did it change much for me? Absolutely not. It's still probably Forest Hills Drive

  • 1:03:36

    as his best project with Off Season being my favorite project from him. I flip-flopped

  • 1:03:41

    those, but I'm with you. I'm right there. Yeah, nothing he did changed that.

  • 1:03:48

    I kind of agree. I definitely agree. in the grand scope of, this falls back

  • 1:03:52

    towards earlier Cole, really, honestly, for me. Yeah, but either one saying, yo, this is,

  • 1:03:57

    if Hov put out reasonable doubt last. It's not. No. Hell no. That's not true,

  • 1:04:03

    J. Cole. Yeah. I don't want to be a dick for saying that, but that's

  • 1:04:07

    not true. But J. Cole, easily one of the greatest rappers that we have. For

  • 1:04:11

    sure. Not even debatable. I love that there's still somebody that actually appreciates the art

  • 1:04:16

    form that is down to even... take risks conceptually, not hit every

  • 1:04:22

    mark. Please don't get me wrong. I appreciate all of these things, but just this

  • 1:04:28

    album did for me also highlight some of the things that frustrate me about J.

  • 1:04:31

    Cole. And I appreciate an artist willing to put out a project that's special to

  • 1:04:36

    them. Word. Like instead of just, okay, we got to do this. We got to,

  • 1:04:39

    okay, we need to go get this feature. We need to get this producer. We

  • 1:04:42

    need to, no, this is the project I want to make. Correct. I appreciate that.

  • 1:04:47

    Even if I don't like everything about it, I'm still going to appreciate the fact

  • 1:04:51

    that you went and I made a piece of art for my hometown, for my

  • 1:04:55

    people. Because this album, no matter what I feel about it creatively, it did make

  • 1:05:00

    me want to go down south. You did it. The same way when Not Like

  • 1:05:05

    Us came out, I was like, all right, I have to go to L.A. Just

  • 1:05:08

    to feel the air while this is out. This gives me that. You got to

  • 1:05:12

    be there. For North Carolina and South Carolina, for me, honestly. I should call some

  • 1:05:16

    of my cousins and see how they... rocking out there with them. I already know

  • 1:05:19

    what they're doing up there. I already know. I already know. This nigga's got to

  • 1:05:23

    be like a, that's what I'm saying. I love regional hip hop being back and

  • 1:05:27

    if you a god in your hometown, get your shit off. Go ahead, dog. Go

  • 1:05:31

    ahead, dog. I don't have nothing negative to say about it. Go J. Cole. Go

  • 1:05:35

    J. Cole. Congratulations. And congrats J. Cole fans. I've seen a lot of y'all like

  • 1:05:39

    happy y'all got this project finally. Oh, for sure. There you go. And, right, good

  • 1:05:44

    way to set off the year. Like, it's February. Yeah. Like, let's not be fucking

  • 1:05:49

    selfish and entitled hip-hop fans. It's February. The guy gave us a mixtape or a

  • 1:05:55

    mix EP, whatever you want to call it. And a double disc. Yeah. Along with

  • 1:06:01

    just staying silent, staying focused, and presenting his art the way it was meant to

  • 1:06:05

    be presented. J. Cole, the person, and J. Cole, the human...

  • 1:06:12

    And MC, and MC, and MC, and MC. But for me at 45, it's who

  • 1:06:16

    you are as a human in person first. The artwork could come, the art could

  • 1:06:20

    come later. So J. Cole, Dreamville, salute, man. Salute. Great job. And congrats. Great job.

  • 1:06:26

    Congratulations. Fully independent. I don't know what the business is, obviously, but it seems like

  • 1:06:29

    it. Well, he said it. I ain't a slave no more. I'm done. I'm independent.

  • 1:06:33

    Everything is my shit. Shout out to Vinyls. Vinyls, you are absolutely amazing, dawg. T-minus,

  • 1:06:38

    too. T-minus, two brothers that know how I feel about them. Two guys that are

  • 1:06:42

    absolutely amazing. Jake won. Jake won. Jake won did the, uh, you still love it.

  • 1:06:47

    Oh, Jake. This is my whole crew, man. I gotta come back. I gotta come

  • 1:06:50

    back, man. He got Jake. Yeah. Yeah. Go Jake won. Shout out to the whole

  • 1:06:53

    Seattle, man. All right. It's time for my favorite part of the show.

  • 1:06:59

    Price fix. All right. The big game is almost here and there's

  • 1:07:05

    no better way to cash in during America's biggest sporting event. then prize picks,

  • 1:07:11

    where it always feels good to be right. And since the big game is right

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    around the corner, that also means this is your very last chance to get into

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    the football action before next season. So close the season out the right way with

  • 1:07:24

    prize picks by getting $50 instantly in lineups when you play your first $5.

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    the power play. No matter your play, prize picks is a great way to put

  • 1:07:58

    your takes to the test. And now for the Joe and his final.

  • 1:08:05

    for the big game. That's right. Now you can order your pizza and chicken wings

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    in peace. You ain't even got to think about what you're doing on Pride Spicks.

  • 1:08:15

    You know why? Our good brother Ishmael is holding you down, huh? You want to

  • 1:08:21

    get down in Isha's new friend network? Huh? You want to talk to him about

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    it? You want to chat with him? DM him? Fireside talk? Huh? You want to

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    text like he got a Mike Jones number? You know, you know. A side phone?

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    You want to chit-chat with Ishmael himself? Let me give you some of the Joe

  • 1:08:38

    and Ish picks of the week right here. We are going with

  • 1:08:45

    Drake May for more than 220 passing yards. Okay. I'm not rolling with that.

  • 1:08:51

    Stephon Diggs for more than 43 receiving yards. Okay. Okay. Sam

  • 1:08:57

    Darnold for more than five rushing yards. And Hunter Henry for more

  • 1:09:02

    than five targets. Yo, be sure to add us on socials

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    at That's That Ish on Instagram. And what's your Twitter name? We'll get right back

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    to you. What's your name on it? Yo, if I win you some money, send

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    me some spanking. What's your Twitter name? That's That Ish.

  • 1:09:23

    That's That Ish on Instagram, Twitter, Snapchat, Grindr, LinkedIn,

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    Tinder. The Grindr is crazy. Bumble Tinder. Hinge. That's that issue.

  • 1:09:37

    Hinge, unhinged. Mi Gente, he's still got his account. He's still got his Black Planet

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    account. You know where to find him. Listen, and don't forget, download the app right

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    when you play your first $5 lineup. Only on PrizePix, where it's good to be

  • 1:09:58

    right. We want to say congratulations to Matthew Stafford for winning MVP.

  • 1:10:05

    Let me give the round of applause for my guy, Matty. Matty Stafford announced he

  • 1:10:09

    will be back for next year. I didn't doubt that at all, so way to

  • 1:10:12

    go, Matt Stafford. We want to congratulate the wide receiver over there for the Panthers.

  • 1:10:16

    He won the Offensive Rookie of the Year. Miles Garrett for the Defensive Player of

  • 1:10:21

    the Year. Who else won that we need to shout out? Y'all don't know.

  • 1:10:27

    Y'all don't know shit. Vrabel got coach of the year. Vrabel, coach of the year.

  • 1:10:31

    Way to go. Way to go. Listen, man, congratulations to everybody that won. Big game

  • 1:10:37

    on Sunday. Come on, what's your plans? What's your plan? I got the Parks Flyers,

  • 1:10:40

    so I know what's going on over there. Yeah, yeah, yeah. Little Bad Bunny, Cardi

  • 1:10:43

    B. Benito boy. Do we think Cardi B's coming out? Ooh, maybe. Oh, yeah. I

  • 1:10:48

    can see that. Yeah. Cardi B is coming out, man. I can see that. What

  • 1:10:53

    are we talking about here? Who else? Who else is going to come out? They

  • 1:10:56

    say Jennifer Lopez is in Vegas at her residency attempting to sing. Alhamdulillah. Like trying

  • 1:11:02

    to really hit him with the ball. The last thing I need is J-Lo's vocals

  • 1:11:07

    up there. I can't think of who else bad by the way. Yeah, I don't

  • 1:11:10

    know. I'm not sure. Parks? Yeah, I'll be there. That's going to be lit, man.

  • 1:11:15

    Pop out. That's going to be lit. Any predictions for the game? Any predictions? Seahawks.

  • 1:11:20

    Seahawks by a lot. I got Seahawks by like a whole lot. I don't have

  • 1:11:24

    my whole lot, but comfortable. 17 or more. By 10 plus. So if I were

  • 1:11:30

    to bet money on the Patriots, I could win some money then. Yeah, you could.

  • 1:11:32

    Yeah, I got the Patriots. I got a word from a football insider

  • 1:11:39

    who shares a domicile with my brother who told me, I just got the phone

  • 1:11:43

    with him, and he said to absolutely put the money on the Patriots. Yo, not

  • 1:11:46

    for nothing. Them be the niggas, they be knowing. They be knowing. They ain't got

  • 1:11:50

    nothing but time. Yo, Shitty, who Shitty filled his money? His name is Shitty. They

  • 1:11:54

    call him Shitty. I don't know why. That's a guy with whom we should place

  • 1:11:58

    first. Have you won with Shitty at all lately? No, you haven't. I haven't bet

  • 1:12:02

    my money, but his predictions have been right. That's a nickname I would inquire about.

  • 1:12:06

    Yeah. That's a nickname I would have to. Yeah, what's the origin? He upstate his

  • 1:12:10

    name. He locked him upstate. Do the math, bro. He paint. You be communicating with

  • 1:12:14

    the niggas upstate. Mona's got off the phone with me. He's talking to my brother.

  • 1:12:17

    On brand for Mona. She won't change her and Ice. I gave. You, I'm trying

  • 1:12:22

    to lead to a better place. Excuse me, Mr. Button. Mona and Ice are like

  • 1:12:26

    the bottom of the back. Like Mona and Ice are like. I gave brother

  • 1:12:32

    star seven. He's a five percenter. I told him peace God and I gave him

  • 1:12:37

    some encouraging words. That's what I did. You just made him popular. He was like,

  • 1:12:40

    y'all know somebody's name. Don't call me white girl. She told him, put me on

  • 1:12:44

    hold and let everybody know that you on the phone with don't call me white

  • 1:12:47

    girl. And watch how your life changed. And he changed. I'm going to be good

  • 1:12:51

    tonight. Watch. Y'all don't know how I'm doing. I got Seattle special teams scoring points.

  • 1:12:57

    I got Seattle defense scoring points. Drake May is still a second-year quarterback. I got

  • 1:13:03

    the lights being bright. Yeah, I got Seattle by double digits. Double digits? I got

  • 1:13:09

    Seattle by double digits, I do. And I might put something on it. I think

  • 1:13:11

    Seattle will win. Final game of the year. I don't think the game going to

  • 1:13:15

    be as far-fetched as y'all think, though. And I could see a world where New

  • 1:13:18

    England wins the game. If Cardi B is performing, which I believe she is, that

  • 1:13:23

    means that she'll be at Super Bowl with a man that she's in love with.

  • 1:13:27

    Do I trust Stephon Diggs to go to bed early on a Saturday night in

  • 1:13:31

    the Bay? I do not. Do I trust Boot and Travion

  • 1:13:36

    Henderson and all of these young Patriots to go out there and be the old

  • 1:13:40

    Patriots? You knew wherever them niggas was going, they was going to focus. And Gronk

  • 1:13:44

    didn't count. Wes Welker wasn't turning up in the streets. But Gronk, you thought, could

  • 1:13:48

    break day to night before and go out there and do everything he needed to

  • 1:13:51

    do. These Patriots, I don't really get that feeling from. Congratulations to everybody in New

  • 1:13:57

    England. What a quick rebuild. What do you guys think about Tom Brady? Because I'm

  • 1:14:00

    not going to... drag us with worse take for too long what do you guys

  • 1:14:04

    think about tom brady not really supporting uh the patriots winning publicly and do you

  • 1:14:08

    think he's justified in that the second year young model face quarterback they got him

  • 1:14:13

    to the super bowl fast oh you mean him fuck you talking about did what

  • 1:14:18

    you did nigga nah it's a little different it's different of course i'm just saying

  • 1:14:22

    but tom brady was the young chiseled model face nigga that came in out of

  • 1:14:27

    nowhere on some injury shit and got us up here. Yeah, but Drake May was

  • 1:14:31

    like number two pick or some shit like that. He was high. I'm not disagreeing.

  • 1:14:34

    What I'm saying is Tom Brady should support them niggas. Why? Depends on the relationship.

  • 1:14:39

    Why? Why would he support? Why? Why does he have to? He don't have to

  • 1:14:43

    do shit. I'm saying. He's playing the fence. He's playing. He's straddling the middle right

  • 1:14:47

    this second publicly because whoever thought that he would have a broadcasting job that paid

  • 1:14:51

    a billion dollars to where we would have to. All right. And whoever thought that

  • 1:14:54

    you would have that and the Pats would be in the Super Bowl at the

  • 1:14:56

    same time. It's also tricky now because he's with the Raiders so it's a little

  • 1:14:58

    oppy. And he's with the Raiders. Yeah. If I'm Tom Brady, I'm not mad at

  • 1:15:02

    not publicly supporting the world. Dog, in the beginning, Troy Aikman, the nigga used to

  • 1:15:05

    be cursing the fucking Cowboys. They kind of settled in our mediocrity now. But back

  • 1:15:10

    then, They was cursing us the fuck out, bro. Trey Aikman, Michael Irvin, them niggas

  • 1:15:15

    used to be mad as hell when we used to be doing dumb shit and

  • 1:15:18

    losing games. Mad, mad, like visibly mad. So I think that your heart is with

  • 1:15:23

    the organization that you played for. I don't think there's nothing wrong with if he

  • 1:15:26

    said, yo, I would prefer for New England to win. You think Tom Brady's heart

  • 1:15:30

    is in New England? Because I don't. Yes. Oh, I don't. I don't. I don't

  • 1:15:34

    think that at all. Okay. Nothing since his divorce, nothing since he left and won

  • 1:15:38

    with the Bucs. Nothing tells me that his heart is over there. Listen, I'm not

  • 1:15:43

    having a Super Bowl party. I'm not having a Super Bowl

  • 1:15:49

    kickback. I'm not having a Super Bowl get-together. my girl is not

  • 1:15:55

    going to be here, so patriarchy is not existing, which means there's no food. I'm

  • 1:16:01

    not ordering wings and pizza for a bunch of hungry niggas. I'm on Zetbound. I

  • 1:16:07

    barely eat. I'm not going out of my way Super Bowl Sunday to do nothing.

  • 1:16:12

    I might make some chicken dip and a sausage, egg, and cheese if I'm in

  • 1:16:15

    a really good mood. But I plan on sitting in front of, huh? You said

  • 1:16:20

    chicken dip? Chicken dip. Like buffalo chicken dip? Buffalo chicken dip. You know how to

  • 1:16:25

    do that? He nice with it to him. Go ahead, Joey. I'm making amazing buffalo

  • 1:16:27

    chicken dip. That's a good joint, Joey. And I've been saving recipes for dips that

  • 1:16:29

    I've been seeing on Instagram and some soups. I know Aisha don't like soups. She's

  • 1:16:32

    Spanish? Like collard green dip? Is she Spanish? Recipes, you're saying?

  • 1:16:37

    It's cool, bro. Oh, the chefs I've been looking at? No, they're not Spanish. You're

  • 1:16:41

    feeding into a narrative that's been painted and misrepresenting me for so many years. Wow.

  • 1:16:48

    I like soul food. Soul. Oh, you moved over. Soul food. Now that's

  • 1:16:54

    been for life. Change cuisine. That's been for life, my brother. Not to change cuisine.

  • 1:16:59

    They funny. This nigga over here with chicken casserole. Shut the fuck up. Oh my

  • 1:17:04

    God. Anyway, where was I? We were talking about Zubo. Oh yeah, so ain't nothing

  • 1:17:10

    fun happening at my house for Zubo. I'm going to have a candle or instant

  • 1:17:14

    lit I'll have the game on some surround sound speakers, but don't expect like a

  • 1:17:20

    big hurrah. And if you just hit me on the humbug, don't think you coming

  • 1:17:24

    and it's going to be just shit laid out everywhere. My girl is back home

  • 1:17:27

    buying all this Super Bowl football, make the table pretty tight. You such a dweeb.

  • 1:17:35

    I get the people that's into doing shit like that, but when real niggas see

  • 1:17:39

    it, it's like, ugh. Her team there. That's cute. Oh, that's true too. People do

  • 1:17:44

    that when they hometown team go. Hometown team. That motherfucker ain't been to Boston in

  • 1:17:50

    37 years. That's a home team. Yeah, I know. I know it is. I might

  • 1:17:54

    go to Boston. Her mom is a fan. Your team there. Oh, my team. Knock

  • 1:17:58

    it off. I love you, baby. Peyton. Peyton. Yep. Back to music. Back to

  • 1:18:04

    music. LMA put out a phenomenal project. I can't wait to listen to it. I

  • 1:18:08

    listen to a single note. Yeah, I know. I ain't even an R&B dude. The

  • 1:18:12

    album... Y'all know that. Yesterday early and I was just like, I ain't had nothing

  • 1:18:15

    to do, so I listened to it. That shit is fire. She has a fire

  • 1:18:20

    project. Shouts to the executive producer on that one. You might be a R&B dude

  • 1:18:24

    when you're in the house, though. When you're in the house, I might could see

  • 1:18:28

    you getting in your bag before a little cuddling is. A little what? Before a

  • 1:18:33

    little cuddling is. for what? Is that it?

  • 1:18:39

    You know the word. Come on with the word. No, say it again. Cunnilingus. No,

  • 1:18:41

    you got it. Cunnilingus. Pretty close. I can see you throwing on a little Max

  • 1:18:45

    B Folded. Wait. Oh, my God. Before that cunnilingus. I thought this nigga was going

  • 1:18:49

    to say Maxwell. This nigga said Max B. He's crazy. He's crazy. Now, you know

  • 1:18:54

    Freeze wrote on the Max B Folding. He's crazy. I let your body decide if

  • 1:18:59

    this is good or a big freeze. Like, bro. He's crazy. He's scratching her shit

  • 1:19:03

    up with that rough-ass beard, nigga. Okay. Yeah. Salute. Getting Beijing all over the

  • 1:19:09

    pussy. Oh, my God, bro. Getting your beard dye on the cunnilingus. Getting Beijing

  • 1:19:16

    all over the pussy. Nasty ass face. Anyway. Ella Mae. Listen, Jason Tatum.

  • 1:19:23

    EP of the year? Come on, man. Yeah. Come on. I don't know why you

  • 1:19:27

    didn't try to take credit for this project. You really put your foot in this

  • 1:19:30

    one. And I'm joking, of course, because I don't want to take away from the

  • 1:19:33

    people that actually contributed. Mustard puts together really good albums, too. Yes, he do. Mustard

  • 1:19:37

    and Ella Mae, when she ain't putting a two-minute poem that nobody asked for

  • 1:19:43

    at the end of the song, oh, boy. Oh, buddy. Hey, she cut them bum-ass

  • 1:19:48

    poems off the songs? We are out of here, my nigga. She heard us. It's

  • 1:19:53

    good as a fan to feel heard sometimes, yo. Her album, because I was J.Coling

  • 1:19:58

    all morning, I put it in while I was in the shower, and I took

  • 1:20:00

    a long shower scrubbing, scratching, all types of shit. Dirty-ass nigga. No exfoliation?

  • 1:20:07

    all of that. You crazy? No, he only shower on pod days. You don't want

  • 1:20:11

    to play with my shower regimen. He only showers on pod days. You don't want

  • 1:20:15

    to play with my podcast regimen. You listen to Freeze Without Me. I mean you

  • 1:20:20

    said it you listen to Freeze don't say nothing I said you get knocked out

  • 1:20:24

    like that you get knocked out for saying something I said I won't I don't

  • 1:20:27

    know I don't feel like getting off the couch right now I know you don't

  • 1:20:29

    but at some point I'm about to get sat back down you're not done you're

  • 1:20:34

    not done you're not brand new you're still sitting down though that's true I love

  • 1:20:38

    you. I ain't doing that to you. If that boy get up fast, he gonna

  • 1:20:40

    see stars. That nigga dizzy. He ate three grapes and two sandwiches this week.

  • 1:20:46

    Look at him. Small as shit. I look good. You look good.

  • 1:20:53

    I know you can't jump up quick. That blood should have fucked up. Let's be

  • 1:20:57

    real. We all know this new shit is not the healthiest route. You know what

  • 1:21:00

    I mean? I can jump this stupid ass couch. Don't let you jump up there.

  • 1:21:02

    Jason Tatum, LMA. Phenomenal job on this project. You did a great job. Shout out

  • 1:21:07

    to Mustard. Really good project in your phone and on DSPs right this second if

  • 1:21:11

    you haven't had a chance to check it out. Margot, you coming to work? What

  • 1:21:13

    are you doing? I'm right there, Crusher. I was waiting for somebody to talk. You're

  • 1:21:16

    not really cutting across. You're cutting behind. Album is called Do You Still Love Me?

  • 1:21:19

    So go check it out. I can't wait to listen to it. What are you

  • 1:21:22

    trying to do? It's heat. And hold up now, because everybody was getting out of

  • 1:21:28

    J. Cole's way. For sure. Smart. And I understand that. However, Sasha Keeble

  • 1:21:35

    put out her deluxe project, which I wouldn't normally be super excited

  • 1:21:40

    about because I hate when they make me buy a album that I already have.

  • 1:21:45

    However, however, hold up now. Is that how that goes?

  • 1:21:50

    Hold up now. You got to buy out the new songs.

  • 1:21:57

    At this point, I hadn't purchased this yet, but just rock with me. Shout out

  • 1:22:03

    to her, man. Shout out to her. Sound good. Her deluxe is crazy. Her album

  • 1:22:07

    was already incredible, so she put five joints on there that also still sound great

  • 1:22:12

    and sound like it's a part of the project. It didn't sound like she missed

  • 1:22:14

    a beat at all. So I just wanted to highlight her. And shout out to

  • 1:22:17

    the rest of you pussies that got out of J. Cole's way, huh? Pussies. Smart.

  • 1:22:22

    Shout out to y'all. Uh-huh, Bruno Mars. I'm joking. I'm joking. I'm joking. I'm joking.

  • 1:22:25

    I'm joking. I'm joking. I'm joking. Shout out to J. Cole, man. Go North Carolina.

  • 1:22:29

    Go North Carolina. Word. That's the other thing. At some point on the album, and

  • 1:22:32

    I'm done with the album review, but I'm just random thoughts. At some point on

  • 1:22:36

    the album, he did try to make us spell out Fayetteville. No. No.

  • 1:22:43

    Like, you can't be so North Carolina that you spell out Fayetteville. Too many words.

  • 1:22:48

    Too many letters. Sorry. Sorry. No. No. It wasn't for us. No. It wasn't for

  • 1:22:54

    us. Nah, nigga, I'm from there. My roots is from over there. Hey, nigga, please.

  • 1:22:58

    I can't spell Fayetteville without a nigga rhyming over the beat. Don't try to make

  • 1:23:01

    me say it and sound cool. Also on the let out, like the let out,

  • 1:23:07

    I like, it's cool, Bob, but just for the let out, like for the let

  • 1:23:11

    out, I can see them playing that in North Carolina at the let out. I

  • 1:23:15

    can't. Just on some, when R&B used to come on at that moment, but Yeah,

  • 1:23:20

    man. I don't know. I don't know. Good project. Good project. Go J. Cole. I'm

  • 1:23:23

    happy for him, man. I'm happy for that guy. All right. Come on. Come on.

  • 1:23:25

    Let's have some fun. Let's have some fun.

  • 1:23:31

    This is kind of still on music. It's definitely fun. Y'all see Glorilla sibling?

  • 1:23:37

    Yes. Yes. I did. Definitely. I did. I did. I saw the interview. Apparently,

  • 1:23:43

    she's not happy with the amount of support they're getting from GLOW financially. Yeah.

  • 1:23:50

    and they went on TMZ about it. That's fucked up, first of all. Very. Stevens,

  • 1:23:54

    that you feel that your sister has an obligation to share the

  • 1:24:00

    wealth. Yeah, yeah, yeah, she got an obligation to share the wealth. We stay here,

  • 1:24:04

    we struggle together. Took baths and baths of water, rest broaches, all that. Yeah, she

  • 1:24:10

    obligated them friends, obligated. She doing everything for them. So yeah, yeah, I

  • 1:24:15

    feel like I'm obligated. What is it you think she's not doing for the family?

  • 1:24:21

    What is the... You make it sound like there's a real financial hardship. Describe what

  • 1:24:26

    you're talking about. She's not doing nothing. Nothing. She's not doing nothing for

  • 1:24:32

    family. She do little oohs and ahs for her parents

  • 1:24:38

    or whatever, but barely nothing because my mama's still clocking the clock at FedEx. She

  • 1:24:42

    don't want to worry. Gloria got y'all believing this. as imaginary as

  • 1:24:48

    thing where she retired them. No, she did not. My dad retired because his time

  • 1:24:54

    was up. She was supposed to have retired my mama, but she didn't. My mama

  • 1:24:59

    still clocking the clock at FedEx. Why does she owe it to you to support

  • 1:25:03

    you and to support the family beyond what she wants to do? It's her money,

  • 1:25:08

    right? Because don't go on interviews talking about how I struggle.

  • 1:25:15

    You want to do that. That's not right. You don't sit here and talk about

  • 1:25:20

    struggling, you're not one sibling, you got nine other siblings. This clip is long, so

  • 1:25:25

    I'm gonna fast forward to the end. She got plenty other . All right, we

  • 1:25:31

    got it. Let me go to the end, because this is important. ...of that, does

  • 1:25:35

    she owe to you... Hold up. ...that Jaguar was not actually, she didn't actually give

  • 1:25:40

    him a Jaguar? There was nowhere near you. What evidence do you have of that

  • 1:25:42

    brand? There's an Instagram video. And of course, She gonna try to make it look

  • 1:25:47

    good for y'all. I did over here broke as a mother right now. Let's say

  • 1:25:51

    she has $2 million. How much of that does she

  • 1:25:57

    owe to you and the rest of the family of that 2 million? She

  • 1:26:04

    can get out of it like 2,500 a piece. How much? 2,500. 2,500, like

  • 1:26:10

    how, for, that's it? Just 2,500 flat or is that? 2,500. I

  • 1:26:16

    think she would jump at that. If that's all you want, I think Glow might

  • 1:26:18

    jump at that. But imagine her being on for four years and not giving us

  • 1:26:24

    zero. None at all. What does your mom think about you? I cut it off.

  • 1:26:30

    Bro. Distinguished panel. Bro. That's you guys. First of all, they look so much alike

  • 1:26:36

    that it was fucking me up. Because she is... She appears to be like a

  • 1:26:41

    lesbian, like she dressed like a guy a little bit or whatever. I don't want

  • 1:26:44

    to sue him, but I checked her Facebook. She gay. And she looks just like

  • 1:26:49

    a gorilla. She just look a little older than her, a little thicker than her.

  • 1:26:51

    So that's the first motherfucker. And the second one is like when it finally hit

  • 1:26:55

    me that, oh, this baby a little slow. You know, like she's talking to Harvey

  • 1:27:00

    and them on TMZ like she talking to the Facebook Live. Like she's assuming that

  • 1:27:04

    Harvey follows Gorilla and know that she posted that she retired them people and all

  • 1:27:08

    that. Like she talking like she made a conversation. And then with the 2500, the

  • 1:27:12

    baby ain't do the math. And then it's it. If the bitch got $2 million,

  • 1:27:17

    how much would you want? And I guarantee y'all that when she got done with

  • 1:27:21

    that interview, somebody called her and said, and broke it down to her, and then

  • 1:27:23

    it hit her like, maybe I should have said $25,000. You know? She's slow. At

  • 1:27:28

    the end of the day, I would believe it more if another sibling came out.

  • 1:27:32

    It's only one. And the thing is, this is all, like, debatable because some people

  • 1:27:36

    feel like you owe your family. Some people don't. I don't feel like you owe

  • 1:27:38

    them motherfuckers nothing. She's too young to have to take care of them people. You

  • 1:27:41

    know what I mean? Please. I could not disagree more with

  • 1:27:47

    your assertion that they resemble each other.

  • 1:27:54

    Let me just talk. They maybe did.

  • 1:28:02

    Hey, I'm sure there was a time when you was seven and she was

  • 1:28:08

    eight and y'all both was just bad bilk. Bad

  • 1:28:14

    jawlines and just dumb looking in the face together in Wichita or wherever the

  • 1:28:20

    fuck. Where they was at? They were in Memphis. Oh, they was in Memphis. Oh,

  • 1:28:24

    so yeah. When y'all was seven and eight, I could see you both looking at

  • 1:28:28

    each other like, yo, we is some ugly motherfuckers. I could see that back in

  • 1:28:34

    the day. I'm not saying I'm saying that because I think Gloriel is beautiful. Of

  • 1:28:37

    course. I think Gloriel is beautiful. But... I want to spend some time on the

  • 1:28:40

    loser sibling and their point of view for me. At some point,

  • 1:28:48

    one of us, one of us is going to say, you know what? I don't

  • 1:28:54

    want to live like this no more. I don't want to be ugly. I don't

  • 1:28:57

    want to look like this no more. I want ass. I want some tits. I

  • 1:29:02

    want a ball player. I want to leave this trailer home That we in.

  • 1:29:08

    And I'm tired of opening my bedroom door and looking at the loser bitch version

  • 1:29:14

    of me with no ambition, no goals,

  • 1:29:20

    no way a trailer home was going to always be in the loser siblings

  • 1:29:26

    future. Niggas that got siblings out there, You was in the same crib. You know

  • 1:29:31

    what it is when you know your sibling was going to be a loser for

  • 1:29:34

    the rest of life and you was going to glow up. So that's what happened.

  • 1:29:36

    They don't look alike at all. Glow is chilling. Glow glue up?

  • 1:29:44

    Glow glowed up. Fam, no, no, no. And Harvey Weinstein

  • 1:29:50

    know better than to go find Harvey Weinstein. Harvey Weinstein. Harvey Weinstein. What's his name?

  • 1:29:57

    Harvey from TMZ. You knew that you was going to put the phone or the

  • 1:30:02

    Zoom on the loser siblings. See, and topics like these trigger me.

  • 1:30:09

    Because I've had siblings calling the radio stations or niggas

  • 1:30:14

    call them to try to get some dirt. And I'd be like, dog, of course

  • 1:30:18

    that's going to be their version of the story. Hey. Hey, this motherfucker got lit,

  • 1:30:24

    got rich, never helped mom, never helped dad, the whole family hate him. Hey, all

  • 1:30:29

    that can be true. But guess what? Is that sibling lit right now? And are

  • 1:30:35

    family members hitting them for a helping fucking hand when the mechanic bill costs more

  • 1:30:39

    than you thought? You fucking right to hitting Glorilla. Stop it. I didn't pay the

  • 1:30:43

    story no mind after Glorilla posted the a text from her mother that said, daughter.

  • 1:30:49

    Hey, yo, and when you're not the loser sibling, the parents text you different. Facts.

  • 1:30:54

    Facts. Sorry. Sorry. I hope I'm not offending anybody out there. The winner

  • 1:31:00

    sibling, the mom and dad is hitting like, yo, you held it down for me

  • 1:31:04

    this month. Thank you, yo. I'm so proud of you. You became everything I thought

  • 1:31:09

    you would and more. The whole family is appreciative of you. Yo, Sarah would be

  • 1:31:14

    in such a bind if you didn't come through and yada, yada, yada. That's what

  • 1:31:18

    the text looked like. Once Glo posted that, I didn't want to hear from the

  • 1:31:21

    sibling no more, but my girl sent me 2,000 memes a day that don't have

  • 1:31:26

    nothing to do with the busiest day in the world that I'm having with work,

  • 1:31:28

    so I have to know about this stupid-ass story with the sibling. You know what

  • 1:31:32

    I found interesting? The blogs found an old DV where the sister,

  • 1:31:38

    Studmaster 3000, is arrested for threatening Gloria with a pistol. So they've had

  • 1:31:44

    issues in the past. And this is the thing. It's nine of them. It's

  • 1:31:50

    always been a story that they come from a very religious background. Gloria's name is

  • 1:31:54

    Gloria Hallelujah. If I'm not mistaken, one of the parents are like a member of

  • 1:31:59

    the church, like a deacon or something. So I'm just thinking in my head. Don't

  • 1:32:02

    brush right by that. What's this little thing? Hey, wait, loser sibling. Scarface. They

  • 1:32:08

    call her Scarface. Figure that for me. Hey, loser sibling. Your sister's

  • 1:32:14

    name from Rip when y'all both was bumming was Gloria

  • 1:32:21

    Hallelujah, bitch. That's a fact. What did you think the future was about to play

  • 1:32:25

    out like? What's this bitch's name, Sam or something? Scarface. Scarface. But girl, please. Victoria

  • 1:32:31

    Woods is a real name. Oh, you was about to lose. Anybody, the parents tried

  • 1:32:34

    to make victory be in your name. They didn't see a bright future for you.

  • 1:32:39

    Sometimes the parents could spot it right out the womb. Who's going to be the

  • 1:32:43

    loser sibling and who's going to be the winner sibling? Honestly. That's what they're going

  • 1:32:48

    to do. Now, I'm sorry if I'm triggering people out there that have, like, beats

  • 1:32:51

    with their parents because they were the loser sibling at some point. But... Some of

  • 1:32:56

    y'all siblings are absolute losers. We knew you wasn't getting no record deal, girl. You

  • 1:32:59

    wasn't about to save us. You wasn't about to change the fucking generational curse. You

  • 1:33:03

    could barely make grits. She probably... Fucker, you talk... What the fuck was she talking

  • 1:33:09

    about? And then they get all the way to the end and they ask her,

  • 1:33:11

    what would you have needed? 2,500. As soon as I heard that 2,500, I said

  • 1:33:17

    Joe fucking button. Because he just said that. Like, I'm telling y'all 2,500 to get

  • 1:33:21

    it done. That might be my offer rate for everything from here on out. I

  • 1:33:25

    keep telling y'all every day I come to work, 2,500. I say that shit like

  • 1:33:30

    the numbers that barely hit the fucking lottery with. Rest in peace to Bailey. 2,500

  • 1:33:35

    dollars is all you need. And y'all be trying to sibling me to death because

  • 1:33:39

    that word should make us feel warm and cozy inside. Guess what? Hey, Some of

  • 1:33:43

    y'all, we hate y'all. Siblings. We siblings. We wasn't close in the house.

  • 1:33:49

    And we ain't pick you or have you. Nigga, we was in there about to

  • 1:33:52

    kill each other whenever mom went to work. What the fuck are you talking about?

  • 1:33:56

    Of course I blew up and didn't give you a penny. Shit, it was lit

  • 1:34:00

    until you got here. Did you think I was going to blow up and give

  • 1:34:02

    you a penny? Facts. I know you judge me. He don't have siblings. He

  • 1:34:08

    can't relate. It's the, yeah, you get spewed up, nigga. Yeah, nigga. How do you

  • 1:34:11

    feel about your uncle? That's how niggas feel about they fucking people. Even when you

  • 1:34:14

    really see the chain of events when Scarface goes live, she mad as shit. It

  • 1:34:19

    almost gives she just asked her for something. And then when she goes live, she's

  • 1:34:22

    like, I'll expose your favorite rapper. So it's like, now you threatening me with it.

  • 1:34:26

    It's just corny. Oh, you done get it done. Not a lot of people. She

  • 1:34:28

    wasn't getting it before this. And not a lot of people in our position would

  • 1:34:31

    ever cosign shit like this because what's going on in the family ever constitutes you

  • 1:34:35

    doing an interview. Like if you work at FedEx and you work at Target, why

  • 1:34:38

    the fuck are you talking to TMZ? Why do you have a cell phone? How

  • 1:34:43

    are you paying this, you broke, bumped? The loser sibling, you be so shocked when

  • 1:34:48

    they make small accomplishments. I got my license. Yo,

  • 1:34:54

    I got my license together. You be like, oh, look at you. You did that.

  • 1:34:58

    Look at you. That's true, though. The loser sibling. The loser sibling been locked up

  • 1:35:04

    your whole life. 30 years later, we got to celebrate because they in a hospital

  • 1:35:09

    now. Patient escort. Hey, you know Jack got out of there. He in a home.

  • 1:35:15

    Wait, what? That's crazy. Hey, all I know is Jack's been out of my life

  • 1:35:21

    for 45 years. Loser sibling. Come on. Y'all don't want to... This fucking triggers me.

  • 1:35:25

    I ain't going to. You can tell. I can tell. No, but it really is

  • 1:35:29

    sick. It really is gross. It is. And it's like, you know, if it's a...

  • 1:35:33

    criminal thing. Like, you know, like, the police had to come and break up a

  • 1:35:37

    sibling fight. That girl been jealous of her probably, you know what I mean, forever.

  • 1:35:40

    These little issues probably went on when they was kids. I mean, Or she could

  • 1:35:44

    have been fucked up to her sister her whole life. Or she could have looked

  • 1:35:48

    her sister out. She looks older than her. I just assumed. People always forget all

  • 1:35:52

    you do once you tell them no. We ain't gonna tell her what she done

  • 1:35:54

    did for her. That's a fact. Especially after posting the text for moms, whatever. You

  • 1:35:59

    don't know how many times you don't look that little sister out. But now I'm

  • 1:36:02

    saying no right now. She said nothing. She said zero. And that's what happens. It

  • 1:36:05

    becomes nothing. It becomes nothing. You'll be as good as your last yes. Because Glow

  • 1:36:10

    Real Friends came out too and started talking now. Saying what? I didn't see that.

  • 1:36:15

    more now. I told y'all that my girl communicates through me.

  • 1:36:20

    And she produces. She does produce for this part so let me not shit on

  • 1:36:25

    her. Shout out to my baby. Hey audience any of them girly sassy ass topics

  • 1:36:29

    that I bring up that y'all call me gay for is really from my girl

  • 1:36:32

    and I think it's entertaining for the female audience. That's a good cover.

  • 1:36:38

    But the friend says bitch where you was at when Glow was homeless. Oh Where

  • 1:36:44

    you was at when gloating have two rocks to rub together and needed to stay

  • 1:36:48

    on somebody's couch? Where was all the siblings and the family then? See, that's what

  • 1:36:52

    I'm talking about. They was broke too. Yeah. Marco here with that shit. I might

  • 1:36:57

    have been on somebody else's couch. You know the other bad thing about making it?

  • 1:37:05

    It all goes back to the J. Colob. You could see the missteps

  • 1:37:13

    people beneath you. Sometimes you walk up to them and you try to help them.

  • 1:37:20

    Sometimes you knowing with your bright future and your potential and all of your, you

  • 1:37:24

    got the brightest future. You go to the loser sibling and try to help them

  • 1:37:27

    out one day because you feel bad. Hey, what's up with that food truck? I

  • 1:37:33

    know you wanted to be a chef. What's up, man? Loser sibling say some

  • 1:37:39

    loser shit to you like, ah. I just don't even know anymore, man.

  • 1:37:45

    I don't know. I just want to go to the parking place. Don't insult me

  • 1:37:49

    with no food truck. Lose a sibling, say something. I just need so much money,

  • 1:37:53

    but I ain't taking it from you. I get it on my own. So it's

  • 1:37:55

    going to take me 11 years to get that. And then once I get it,

  • 1:37:58

    I'm going to park it down. Yo, you're looking at the loser like, oh, you

  • 1:38:01

    don't want help. Oh, okay. He is crazy. Okay. All right.

  • 1:38:08

    Good luck. Good luck. I always got a grand idea that's stupid as shit. The

  • 1:38:12

    loser sibling won't call you. You're day busy as... Listen, what you think about putting

  • 1:38:18

    a plate on a tire? Like a rim, but cheaper to produce.

  • 1:38:25

    You could eat off of it, like for the nigga damn side that's into the

  • 1:38:27

    car. Call it Don and Dash. Yeah, yeah, yeah. You be looking at your loser

  • 1:38:32

    siblings. Stop coach out of this shit, man. It's true. He's absolutely right. It's fucking

  • 1:38:36

    true. It's from your side. It's not just siblings. The worst ideas known to men

  • 1:38:39

    is your cousins. What Cole told him? We give him the soup for free. random

  • 1:38:44

    spoons like this. You didn't even know that your mother fucker was

  • 1:38:50

    such a loser because you don't even really kick it with them until that one

  • 1:38:53

    day you was free that afternoon. I tried to have a little talk with him.

  • 1:38:55

    You'd be like, oh, shit. Yo, you are dumber than me and mom

  • 1:39:01

    even thought. You try not to tell them that you and mom that you help

  • 1:39:08

    me and your parents You are a complete idiot.

  • 1:39:14

    You holding the family back a little bit. And they always super entrepreneurial. I can't

  • 1:39:18

    work for people. I'm not that kind of person. I can't work for the white

  • 1:39:22

    man. I can't work for the white man. Nah, yeah, nah, we ain't lending you

  • 1:39:26

    shit, nigga. We ain't lending you nothing. The loser sibling, I can see the loser

  • 1:39:31

    sibling had a boyfriend before GLOW. Nah, niggas. She is the boyfriend. She was 16.

  • 1:39:38

    She is. She's the boy. That girl been one of them for her whole life.

  • 1:39:42

    You could tell. She dug in in the community. Nigga gonna rewrite the HR book.

  • 1:39:45

    She got face tacks. You know what I mean? The fade. That's fade. Ain't nobody's

  • 1:39:48

    judging her for it. It's just, she's just gross. It's gross in general. She sound

  • 1:39:52

    jealous because another thing she kept saying, that's probably why the friend said something. It's

  • 1:39:55

    a response. She said something to them first. She kept saying, what you do for

  • 1:39:57

    them friends, you do for them friends, it's just jealous shit. Some people are friends

  • 1:40:00

    with their family. I don't know. I see it different. I mean, I don't know

  • 1:40:04

    what happened in their family because every family different, right? So... comes some maturities. You

  • 1:40:07

    know what happened. It happened to every black family. It happened to your family. It

  • 1:40:10

    happened to everybody's family. Everybody's family got this. Yeah, but I'm just saying, like, I

  • 1:40:14

    don't know. 95% of black families, if it ain't you, it's your uncle's set of

  • 1:40:19

    kids. It's your aunt's set of kids. You know to lose a kid in your

  • 1:40:22

    family. Yes, you do. But if you're really good, they just find out you are

  • 1:40:25

    said loser kid. You may be him. If you can't find a loser, you're it.

  • 1:40:30

    Yeah. I get that. But, like, unless we got beef or some shit happen, I

  • 1:40:35

    do feel like I owe you something. as my sibling ain't no way we grew

  • 1:40:39

    up together and I'm got money you homeless or you want to couch some shit

  • 1:40:44

    and I got millions I'm giving you something I think it's I think that is

  • 1:40:49

    it's admirable that you wouldn't let your sibling get to that point but I don't

  • 1:40:52

    think you owe them that well let me ask y'all a question do you owe

  • 1:40:55

    your mom let's assume Scarface is right do you owe your mom to retire her

  • 1:40:58

    if you can afford to do it does she want to work still She working

  • 1:41:01

    at FedEx in Memphis. Don't nobody want to work at FedEx. The headquarters. Ain't no

  • 1:41:05

    telling what she do there, one. And two, she might stay, have that job for

  • 1:41:09

    some good fucking benefits. She might not necessarily want to retire. What she does there

  • 1:41:13

    is very important in this conversation. It's important, bro. Memphis is the main hub. Parents

  • 1:41:18

    be hard at it, dude. They be like, I'm not moving from this crib. I'm

  • 1:41:20

    not leaving my job. I'm not leaving this senior system at all. And there's another

  • 1:41:23

    part that we overlooking. Who say she got all this money? I was just about

  • 1:41:27

    to. Exactly. That's why. Well, she has $2,500. She has $2,500. She has

  • 1:41:34

    to give all nine the $2,500. She has to afford one off of $2,500. Yeah.

  • 1:41:39

    But just that's the thing. It's never a one-off. The 2,500, that expires in the

  • 1:41:44

    summer. In the summer, she forgets that it happened and now I need something else.

  • 1:41:46

    She could have gave her the 25 before. We don't know. But if she didn't,

  • 1:41:50

    do you feel like she should? If she didn't, what she have to do is

  • 1:41:53

    use the same lie that I've been telling everybody. Yes, you in my will.

  • 1:41:59

    Oh, that's good. Yo, you think I look niggas dead. Yo, you think I ain't

  • 1:42:03

    take care of you? Niggas going to be surprised. When I'm gone, millions of niggas.

  • 1:42:09

    And you're going already now. Oh, I'm using that. Oh, my kids. No, dead ass.

  • 1:42:14

    Seriously. I don't care about your will, nigga. I need money today. Will you pay

  • 1:42:17

    me now? No, nigga, off you today. No, I will not. Nigga, off you today.

  • 1:42:21

    So it doesn't matter how your sibling ass. I get it, dude. Counterpoint. Good point.

  • 1:42:27

    Say less. Does it matter how your sibling ass? Like if your sibling comes willing

  • 1:42:30

    title, you still give it to them? No. No. I would want to less. I

  • 1:42:35

    probably, yeah, it would affect how I think about it. But I'm saying at the

  • 1:42:38

    core, I feel like I owe him something. To my parents, I definitely do. Again,

  • 1:42:41

    if you got good parents, if your parents beat you or put you out or,

  • 1:42:45

    you know what I mean, snitched on you, I get it, it's different. But if

  • 1:42:46

    you have regular parent-kid relationship, yeah, I think your parents, if you can afford for

  • 1:42:51

    your parents not to work, you should retire. If the sibling is going to leave

  • 1:42:53

    streaks on my windshield after they clean it, then don't bother with it. Don't bother.

  • 1:42:59

    They ain't got the good squeegee? Yeah. If you don't have that. The old shit?

  • 1:43:02

    Yeah, yeah, yeah. The old shit that don't even really. Because it's a hand, it's

  • 1:43:04

    a wrist movement that you got. Yeah, yeah, yeah. If you can't get that. They

  • 1:43:07

    ain't got the snap. Then I'll just give you the money. You ain't got it.

  • 1:43:09

    Go ahead. And I have a question for all of y'all. What's up, Big Mona?

  • 1:43:11

    Because I have siblings, but they weren't raising me. My dad had kids later, right?

  • 1:43:15

    Okay. If mom should be retired, right? Should mom be the one that tell

  • 1:43:20

    Gloria that? Or do the siblings get together and say, yo, why you ain't retiring

  • 1:43:24

    mommy? Right. You know what I mean? Like, can she come out and complain that

  • 1:43:26

    mom didn't get retired? I feel like retiring to parents is more expensive than people

  • 1:43:30

    are playing together. For sure, it works. But I'm just saying, is that cool as

  • 1:43:34

    a sibling to represent mom in that way and speak for them like, yo, you

  • 1:43:37

    know mommy ain't going to say it, but that's fucked up. You ain't retired mommy.

  • 1:43:40

    Is that like your job as a sibling? I think the biggest piece is because

  • 1:43:44

    somebody see you on TV, they automatically just be like, oh, you rich. Facts. and

  • 1:43:49

    that's not the case. Thanks. Well, me. Yeah, they think that about us. Like, yo,

  • 1:43:53

    dog. No, not with the boosters talk, right? Who think y'all rich and y'all still

  • 1:43:58

    getting vacuums from boosters? Bro. Like, somebody could look at your lifestyle and see that

  • 1:44:01

    y'all are not rich. Don't walk into it. Ignore it. Yo, niggas get Rolexes from

  • 1:44:04

    boosters. Did you get yours from a booster? I did not. Did you get yours

  • 1:44:08

    from a booster? I don't have one. Okay. I don't think nobody in y'all life

  • 1:44:11

    is looking at y'all like y'all super up, though. I would buy a Rolex from

  • 1:44:14

    a booster. That seems risky. I would have to get it like a praise and

  • 1:44:18

    some shit. You got a laugh at this. He is crazy, bro. This nigga's cool,

  • 1:44:23

    yo. Like, this nigga's crazy. Yo, it be tough to keep his favorite. I'm great,

  • 1:44:25

    though. You are. I'm great. It's fun, yo. He is crazy, bro. No, but answer

  • 1:44:28

    the question, y'all. Is that normal for one of the siblings to speak for mom?

  • 1:44:33

    Yes. Yes. I think it depends on the relationship. Thousand percent. But the loser sibling

  • 1:44:37

    can't because you don't really know how mom feels. That's not true. Not the loser

  • 1:44:43

    sibling. Damn. They might be around mom more. They're the ones that are closest to

  • 1:44:47

    them. But mom ain't complaining to them. They ain't living at home. But mom's not

  • 1:44:50

    complaining to them if they can't help. Mom's not telling them the truth. They can't

  • 1:44:53

    help. Listen to this. Mom's telling them we gonna be all right. Mom's telling the

  • 1:44:56

    good sibling the truth. Let's just say hypothetically, you had a sister or brother that

  • 1:45:01

    lived at home with mom that was the loser, right? And they see your mother

  • 1:45:06

    busting her ass. They see your mother getting on the bus. They see your mother...

  • 1:45:09

    back hurting and really struggling out here to make ends meet and you might be

  • 1:45:13

    up 20, 30, 40 M's. That's what the loser sibling do. Walk mommy to the

  • 1:45:18

    bus stop. Yeah. Go get some of them bags. You got it. I'll get you

  • 1:45:23

    a sibling and drop her off to work. You're right big dog. You're right big

  • 1:45:27

    dog. Are you fucking shitting me? I know the mom is mortified though. I feel

  • 1:45:30

    bad for mom. That sucks. Or she's like, yeah, you fucking this up. I was

  • 1:45:34

    just about to finally get some bread from Glow and now you did this. because

  • 1:45:36

    Glo's responding, like Glo made her picture, because the daughter, because loser sibling must

  • 1:45:42

    have got a job at FedEx with mommy, so Glo really used her sister's picture

  • 1:45:47

    with the FedEx outfit and then put it on her Facebook, and the caption is

  • 1:45:50

    indeed.com. You do a lot of Facebook action. Yo, if you confused out there about

  • 1:45:54

    if you may or may not be the loser sibling, if your mother got you

  • 1:45:57

    the job, It's true. You're an idiot.

  • 1:46:03

    Hey, if wherever you were, mom put in a few calls, it's you.

  • 1:46:09

    niggas had to call in a favor mom was worried about you for like mom

  • 1:46:15

    ain't wanna go to a grade worried about one kid one kid doing good there's

  • 1:46:18

    another one now come on call Verizon come on come on call come on he

  • 1:46:23

    just going through some tough times right now that's crazy oh shit oh shit

  • 1:46:28

    stupid oh my god shout out to Glorilla sister man if I'm Glorilla I'm never

  • 1:46:33

    speaking to shorty again yeah I'm gonna go hang out shit I'm making it

  • 1:46:39

    worse. You know what else about the loser sibling? She pulled a pistol on her

  • 1:46:42

    back in the day, bro. We're going to move on from this because I'm too

  • 1:46:45

    triggered. But the loser sibling don't even know that the sibling with a record

  • 1:46:50

    deal probably is paying the mortgage or the rent, Thanksgiving,

  • 1:46:56

    gross. It's so much that the loser sibling don't even know is happening because you're

  • 1:47:01

    a loser. The loser sibling went to borrow money from moms. And mom ain't have

  • 1:47:05

    it. Mom go get it from GLOW. No, mom didn't have it at the time.

  • 1:47:08

    So now, loser sibling got mad at GLOW because mom ain't had the money. That's

  • 1:47:12

    what that, I'm not getting it. No, and that's the other, he's right. The loser

  • 1:47:15

    sibling's going to mom to get money. Mom's coming to GLOW to get money, so

  • 1:47:18

    the loser sibling thinks she should get it from mom. I know, but I'm just

  • 1:47:20

    saying, now I'm mad at GLOW because mom ain't, oh, sorry. Now I'm mad at

  • 1:47:25

    GLOW because mom don't have it this time. Right. Lastly, this is my very last

  • 1:47:29

    thought on the loser sibling shit. don't want to do this whole segment and just

  • 1:47:33

    shit on loser siblings without giving them some advice. I'm part of the problem if

  • 1:47:37

    I only talk about the problems and not the solution. Oh my God. Loser siblings.

  • 1:47:43

    Very important how you time your makeup with your superstar sibling.

  • 1:47:51

    I think this stud face lady timed this horribly. Glorilla is

  • 1:47:58

    is on Grammy nominations and probably 10 to 12 hit singles in. Know

  • 1:48:04

    when you should have been plotting this move? Do you got a Walkman? You got

  • 1:48:09

    an iPod? Let me tell you when you should have planned this. Whoa! I'm going

  • 1:48:14

    right in that room. Yo, you need your sneakers cleaned. You need your laundry done.

  • 1:48:19

    Yo, when you put your ear to the hallway and heard your fucking sister in

  • 1:48:25

    the other room doing this. Look, let me tell you how it sounded, too. You

  • 1:48:29

    heard it. That's how it sounded in the memory. Yeah. That's how it sounded, right?

  • 1:48:35

    He was like, yo, what? At this point is when you should have been playing.

  • 1:48:39

    When your hallway was shaking off this shit, listen. That's stupid. That bitch was too

  • 1:48:44

    busy hating, I promise. She changed the game that summer. Man, we had a great

  • 1:48:49

    summer. What a time. Real shit. What a time. In the fucking maxima.

  • 1:48:55

    Shout out to you fucking loser siblings out there, man. While I'm on the topic

  • 1:49:00

    of losers, I went home the other day and saw that Corey Holcomb still had

  • 1:49:05

    my name in his mouth. I'm really so confused about that with all the controversy

  • 1:49:09

    he's been caught up in lately. Corey Holcomb, you don't fight well enough to

  • 1:49:15

    do this with me. Like, we have video with you. You're not smart enough to

  • 1:49:20

    do this with me. strong enough, big enough, fast enough to do none of this

  • 1:49:25

    you talking about with me. We saw you with the homie Anton. He asked you

  • 1:49:28

    to walk outside and you remained stationary, Corey Holcomb. Please keep my name out of

  • 1:49:34

    your mouth and don't take anything I'm saying as like a threat to you. I

  • 1:49:38

    wouldn't plan on doing nothing when I see you. Actually, if I saw you and

  • 1:49:41

    we were breathing the same airspace, I would take it as a threat to me,

  • 1:49:45

    a threat from God, a threat from life that we even in the same fucking

  • 1:49:50

    circumference nigga. Corey Holcomb, your fall from disgrace has been one that

  • 1:49:56

    should be studied from kind of funny to kind of bummy to I'm just the

  • 1:50:01

    dummy. You over there struggling. You look a sandwich away from welfare. You dusty

  • 1:50:07

    dog shit in the face looking motherfucker boy. Corey Holcomb, I can't believe that you

  • 1:50:12

    are engaging this way when you fight that way. Honestly, it's over. You over

  • 1:50:18

    there just lonely and poor. You're co-hosts look bad, not the woman, I'm not talking

  • 1:50:23

    about her. Everything over there look bad. I know you down bad, because you on

  • 1:50:26

    a Costco table, pardoned in front of a fake plant that appears to be dying.

  • 1:50:31

    You failed at fatherhood, you hate yourself, you hate your daughter, your daughter hates you,

  • 1:50:36

    you failed at Fatherhood, finances, you failed at funny, your pod sucks, you failed at

  • 1:50:42

    fodder. You just a failure all around the board. And don't forget the original point.

  • 1:50:47

    You don't fight well enough to do none of this with nobody. So prayers up

  • 1:50:52

    to Corey Holcomb. We're not going to go back and forth in an exchange because

  • 1:50:56

    I just don't feel the need to do that with you. I was just shocked

  • 1:50:58

    to see that you still had a voice over there. Damn. You should have did

  • 1:51:02

    that over the ether beat. No, man, please. For Corey. Corey over there, no shape

  • 1:51:08

    up, a dusty derby. Corey looked like, he looked like Grand List Puba.

  • 1:51:16

    Grandless poobah. Corey over there looking like the store runner for a black biker gang.

  • 1:51:21

    Corey looked like he covered in just warts and scabs. Corey looked ashy yet damp.

  • 1:51:30

    Like, there's no reason why. He shouldn't have the time for a back and forth

  • 1:51:35

    with nobody right this second. It looked bad. It looks bad. It looks bad over

  • 1:51:40

    there. And that's before he started losing all these gigs because of that video that

  • 1:51:44

    came out. So, prayers up to you, my brother. You're going to need it. What

  • 1:51:49

    else we got going on? I don't even know how to transition from that. Not

  • 1:51:52

    at all. Who else I need to talk to? There's a few niggas I've been

  • 1:51:55

    needing to talk to. I've just been letting it linger for a little bit. Do

  • 1:51:58

    another one. Do another one? Yeah. Who? Who else on your mind? You got a

  • 1:52:02

    little mental list? I have a list. I have a list, but... On my list,

  • 1:52:07

    because I'm so good hearted, I try not to really talk about people that I

  • 1:52:12

    know for a fact hate themselves because there's nothing that I can say or do.

  • 1:52:18

    The job is done already. Like, so I would I normally wouldn't talk to Corey

  • 1:52:23

    Holcomb. I don't talk to. Because I know that's how he heals. He heals from

  • 1:52:29

    engagement and being in close proximity to. celebrities and I'm a celebrity so it's no

  • 1:52:35

    point in wasting time to do that I can't make niggas hate themselves more than

  • 1:52:38

    they already do his dad hates him because he sucked dick and he's watched countless

  • 1:52:42

    men go in and out of his mom's room as she was selling pussy to

  • 1:52:44

    support him but prayers up to you another one I'm praying for all you niggas

  • 1:52:51

    I just had to get that out of the way so sorry but I mean

  • 1:52:55

    just a little light little pow pow let niggas know I did indeed what they

  • 1:52:59

    had to say and it's important because when you're going back and forth with gay

  • 1:53:02

    niggas really like what do I look like I can't go back and forth with

  • 1:53:05

    a gay nigga as an ally and an advocate for that community offend some other

  • 1:53:09

    people trying to diss one person that's not in my heart and I don't really

  • 1:53:12

    speak like this because I believe in the power of words and karmic retribution but

  • 1:53:15

    sometimes some of these niggas deserve it man so that's going to be the end

  • 1:53:19

    of that and if it's not then we'll get into that other tea out there

  • 1:53:22

    about you being an old Niners fan you like Steve Young boy that's right

  • 1:53:29

    That's right. Old Niners fan. I ain't talking football. What you think? That tea

  • 1:53:35

    don't come my way about the pay for play with the young boys out there?

  • 1:53:39

    You know Steve Young. Y'all know Steve Young, one of the greatest Niners quarterbacks of

  • 1:53:42

    all time, right? I don't watch football. Ah, got it, got it. Me either. He

  • 1:53:45

    was the quarterback right after Joe Montana, man. So, you know what I mean? All

  • 1:53:49

    is well out there, but peace and love. Peace and love. You can't end that

  • 1:53:54

    with peace and love. Peace and love to everybody. I be chilling, man. But niggas,

  • 1:53:59

    I think niggas think because, I mean, I be chilling that shit. And you inspired

  • 1:54:02

    me with DeBron McKnight shit. So sometimes I got to come in and let niggas

  • 1:54:06

    know I'm standing on business. I heard that shit you said. We're not going back

  • 1:54:10

    and forth. It's not going to be exchanged. But here's what I think about a

  • 1:54:13

    few things. That's all. Well, all right. Here at the Joe Button Podcast, we like

  • 1:54:18

    to keep it positive. We like to keep it full of love and light. All

  • 1:54:22

    about high vibrations. frequencies love and light building in Lincoln come on

  • 1:54:28

    man stop playing you built a Lincoln what

  • 1:54:32

    why why

  • 1:54:48

    Yeah. Congratulations on the Shannon Sharpe interview. Hey! An entertaining watch. Yeah,

  • 1:54:54

    man. I was watching that shit looking at how mature I was. I said, I

  • 1:54:57

    can't wait to get to work and be immature. Yeah. That was a good interview.

  • 1:55:01

    I don't usually watch too much YouTube stuff for like the whole two and a

  • 1:55:04

    half hours or three hours or whatever the interviews be. I watched the whole thing.

  • 1:55:06

    It was really, really, it was a really good interview. Thank you, man. Thank you.

  • 1:55:09

    Shout out to Shannon. I had a good time. I had a good time doing

  • 1:55:11

    it. It was a blast. I watched it. They did the live show. me or

  • 1:55:14

    thing. I watched it. It was good. He asked you a couple questions where I

  • 1:55:17

    was curious to know which direction you would go. Whether you go high or low.

  • 1:55:22

    Whether you play in or not. You kept it matured the whole time. He was

  • 1:55:26

    on this media bag. I told y'all I'd be being mature when I'm away from

  • 1:55:31

    here. You made up for it today though. You even that shit out. You good.

  • 1:55:36

    Quick. On this part? Yes. three minutes ago

  • 1:55:42

    maybe not even three all right well come on let's talk about something fun maybe

  • 1:55:46

    later on I'll get back to my list do y'all have a list no no

  • 1:55:51

    absolutely not nope yes do you have a list of people that no matter

  • 1:55:57

    what they say you don't trust it yes yes oh mad people yes yes

  • 1:56:04

    For sure. A couple of family members on that goddamn list. But we talking about

  • 1:56:08

    celebrities and shit too. Celebrities, the easy one is obviously that. The politicians are easy.

  • 1:56:12

    Anything Donald Trump say, I don't care about. True. Any politician say, I don't care.

  • 1:56:16

    The last year, I've become increasingly less trusting of Dame Dash. If Dame Dash said,

  • 1:56:21

    I'm skeptical. And I love Dame Dash. But after he became the CEO of Revolt,

  • 1:56:26

    I started being like, all right, maybe you're not a trustworthy name anymore. And he's

  • 1:56:31

    not. Right. CEO of Revolt. Yes. Yes. Wait, so I've been sending money, investor money

  • 1:56:36

    for nothing? I don't know. I'm just clarifying that he's not that.

  • 1:56:42

    Shit, I want my money back. Don't ask her on it. I was about to

  • 1:56:45

    say, you got a revolt? Me? No. You

  • 1:56:51

    had a revolt meeting? No. Ask him one more. You almost there. Yeah, yeah.

  • 1:56:59

    I just think I be having meetings with all types of motherfuckers. You just said

  • 1:57:02

    you had a groundbreaking, earth-shattering, orgasmic meeting yesterday. Orgasmic? I know, so if I start

  • 1:57:07

    saying them words, don't think revolt. You might be the new CEO of Revolt.

  • 1:57:14

    Groundbreaking, life-changing, earth-shattering, I'm not going to go to Revolt. Here's a little nugget for

  • 1:57:18

    you. I might be the new CEO of Revolt. There you go. But if I

  • 1:57:22

    start using words like orgasmic, not referring to that. It's not the title I'm referring

  • 1:57:28

    to. even though I am excited about 2026. That's why I feel J. Cole, yo.

  • 1:57:34

    I'm so excited about all these positive things and literally, there's absolutely nobody to talk

  • 1:57:39

    to about it. It is such a lonely, disgusting feeling. Must be tough.

  • 1:57:45

    Fuck you. I feel for you. So, yeah. So, you gave

  • 1:57:51

    your list. Who else? Anybody else got lists? Who you hear and be like, yeah,

  • 1:57:55

    no. I got a few. And some of them, Sorry. Last time I said his

  • 1:58:01

    name, he caught Joe. Gane? Gane is on that list. Ross is on that list.

  • 1:58:06

    Oh, that's a good one. LeBron is on that list. LeBron's on that list. Fat

  • 1:58:09

    Joe is on that list. No disrespect. Sorry. Cali, too. Kiki

  • 1:58:14

    Palmer. Kiki Palmer's on that list. I know y'all be trying to shit.

  • 1:58:21

    Kiki Palmer is on that list. Blueface is on that list. Krishan is on that

  • 1:58:26

    list. Who else? I don't even listen to it. Kevin Gates, another one. Oh,

  • 1:58:31

    yeah. Yeah, he been on that list since he started that car with his name.

  • 1:58:34

    Yeah, yeah. Britney Renner and her new man. They both on the list. I don't

  • 1:58:39

    even know boy. He ain't on the list. How you gonna put him on the

  • 1:58:41

    list? Sorry. Carisha. He married Britney. Carisha's on the list. I don't believe a word

  • 1:58:45

    Carisha has to say. Sweetie, love you, baby. You're beautiful. Sorry, I don't believe a

  • 1:58:49

    word. Well, she don't really say too many words. But even in the songs, I

  • 1:58:51

    don't believe her. Sweetie, don't believe it. Sorry. Who else? Who else? Bruno.

  • 1:58:57

    See, it's not really a list for me. I don't believe most people. I don't

  • 1:59:00

    believe most people. Yeah, that's the problem. Yeah, but some people, I don't believe. Especially

  • 1:59:02

    in entertainment. Nothing you say. Especially in entertainment. Why you not going to believe Bruno?

  • 1:59:08

    Because he owes some niggas some Spanky? Huh? He's compromised. Mr. Beast. Oh,

  • 1:59:14

    yeah. Sorry. None of the streamers, really. Joe don't fuck with Mr. Beast. Mr. Beast,

  • 1:59:20

    I don't believe a word or a facial expression. He did shit, though.

  • 1:59:26

    He did a lot. He did a lot. Just don't nobody know yet. Mr. Beast

  • 1:59:30

    did a lot. How old is Mr. Beast? Who else I don't believe? Orlando Brown.

  • 1:59:35

    Oh, yeah. Yeah, I don't believe him at all. Yeah.

  • 1:59:40

    That's a good one. How about Soulja Boy? Or niggas from Orlando, too. He be

  • 1:59:45

    right a lot, though. Niggas from Orlando. A dude from Orlando

  • 1:59:50

    is sketchy. You want women and older people to be from Orlando, but a dude

  • 1:59:56

    from Orlando that's like in our age range, if he's from there, I don't believe

  • 2:00:01

    one word he has to say. That's fair. Shout out to Orlando. It's regions. It's

  • 2:00:05

    like that. Niggas in Vegas. I don't land in Vegas and be like, yeah, no,

  • 2:00:10

    no, no, no, no. Yeah, no, no, no. Yeah, no, not at all. Not at

  • 2:00:12

    all. The niggas, when you land internationally in some of them spots where as soon

  • 2:00:18

    as you land, they got every drink available to be made. Nah. Nope. Sorry.

  • 2:00:24

    Ain't trusting y'all neither. A lot of that international shit is on the list. Who

  • 2:00:27

    else? Pyramid Scheme niggas, whoever was involved. Spectacular from Pretty

  • 2:00:33

    Ricky. Not a single word that he has to say. Not one word that Spectacular

  • 2:00:38

    could be a great guy. Sorry, I don't believe it. Raz from B2K. Sorry.

  • 2:00:44

    Sorry. Nah, I believe him. He don't really talk. He just be with his baby.

  • 2:00:49

    Bow wow. Sorry. Another one. I'm not.

  • 2:00:54

    That's another one on my list. That's a good one. That's a lot of these

  • 2:00:58

    niggas. I don't believe anybody. No, but some of these niggas, the list is more

  • 2:01:02

    of like, who do you believe in? Just write it down anyway. You write it

  • 2:01:08

    down, but hey, y'all know I don't believe her. I don't believe. Absolutely. I don't

  • 2:01:13

    believe her, publicist, her stylist. I don't believe nobody that worked for her. You

  • 2:01:19

    think I couldn't help it? No, but write it down so they don't know what

  • 2:01:21

    I'm talking about. Let's see. Stefan Diggs. Sorry. Sorry.

  • 2:01:27

    Sorry. Who else? James Harden? Anything he got to say is a lie. Yeah, I

  • 2:01:32

    left the Clippers because I wanted to help them rebuild and get draft picks. I

  • 2:01:34

    know, buddy. You're a liar. I'm done. I'm done with you. I think we would

  • 2:01:39

    be surprised to learn. I think we would be shocked to learn how many lies

  • 2:01:44

    come across our radar daily. A lot. That's real.

  • 2:01:53

    What percent you think of lies? Think of the whole news. Half. Half. 80% of

  • 2:01:56

    the news I think is fair. I'm going way higher than half, B. Yeah. I'm

  • 2:02:01

    85. You might be right. Niggas be getting lies off. Yeah. Niggas be getting lies

  • 2:02:07

    off. That's why you wake up the lie. Niggas get lies. Who up here gets

  • 2:02:09

    the most lies off? Hopefully me. Joe. Hopefully me. That's not what on air, because

  • 2:02:15

    it makes for great pod entertainment, the consensus answer would probably be me. You agree?

  • 2:02:21

    In real life, not so much. so much. In real life, it's probably a

  • 2:02:27

    different answer. Who's Jansen in real life? Somebody on their couch.

  • 2:02:35

    Who? There ain't too many people on the couch. I know. I want to know

  • 2:02:40

    what the fuck you're talking about. Pick one. You pick one. It's your choice. I

  • 2:02:45

    don't think there's a wrong answer. Oh. Anybody that's seated on that couch, I can

  • 2:02:51

    put all my poker chips to the middle of the table. Niggas be lying. Listen,

  • 2:02:57

    I made a mistake and was on my baby's Instagram the other day. Peeking

  • 2:03:03

    through. She posted a text exchange that her son, the football star, sent her.

  • 2:03:09

    And it warmed my heart, but it didn't. It was a text exchange that said,

  • 2:03:14

    Mom, playing games he was asking to cook some food and she was like yeah

  • 2:03:17

    I'll get to it and he was like yo you playing around in 10 years

  • 2:03:21

    I'm gonna retire you you be grateful and watch how you speak to me and

  • 2:03:24

    that warmed my heart because every young kid has that dream

  • 2:03:31

    of retiring their mother but I had that same dream I remember one month but

  • 2:03:36

    you get some money you run into some money you wanna buy your parents a

  • 2:03:39

    house you wanna retire you wanna retire your mom but what though

  • 2:03:45

    Keep going. Yeah, yeah, yeah. You better not.

  • 2:03:52

    So I hit DM. You DM him? Her. OK. Because he might think she got

  • 2:03:57

    a job. I knew it. That's where he was going.

  • 2:04:02

    Retire from what? I can't DM him. I hit her and say, hey,

  • 2:04:08

    quick question. Hey.

  • 2:04:20

    What do you think you do, baby? I knew it. That

  • 2:04:26

    bad? Yes. What's he saying? That's my baby. This nigga's

  • 2:04:32

    terrible, son. Oh, he's going to retire me.

  • 2:04:41

    Oh, shit. Oh, my God, bro. Oh, man. Oh, shit. What y'all want to talk

  • 2:04:46

    about? You just threw fucking hand grenades for an hour straight. Wait, that bad.

  • 2:04:54

    Oh, I love you, baby. That's funny. I love my girl. That was

  • 2:05:00

    funny. I mean, what do we think? She don't. Any post office?

  • 2:05:06

    Mona. Like, anyway. LaRussell. LaRussell. LaRussell, if you're

  • 2:05:12

    unfamiliar with LaRussell, LaRussell is, or he was the independent act.

  • 2:05:19

    King Indy. Huh? King Indy. Yeah. King Indy out there in L.A. Really good guy,

  • 2:05:23

    good spirited, was championing independence and kind of taking his fans and audience along the

  • 2:05:29

    journey of what it looks like to truly be independent. He was giving out jewels.

  • 2:05:34

    He was giving out knowledge. And he was being very transparent about some of the

  • 2:05:38

    deals that were coming across the table. He was like, yo, this is why I

  • 2:05:41

    wouldn't accept this deal as an independent. Why would I? Yada, yada, yada, yada. He

  • 2:05:45

    even did that for Roc Nation. He got a clip out there that says Roc

  • 2:05:48

    Nation sent me a contract. It said X, Y, Z. I would never do such

  • 2:05:51

    a thing. Recently, he's been selling his project for $1,000 and up. Kyrie

  • 2:05:57

    Irving purchased one for $11,000. Somebody else purchased one for however many thousand. And he

  • 2:06:03

    was running a campaign that said, hey, y'all, I'm trying to sell 100,000

  • 2:06:09

    copies independently of my new project in 30 days. I thought that was the flyest

  • 2:06:14

    shit ever. He turns right around in this same campaign and announces that he

  • 2:06:20

    is signed to Roc Nation. which was met with mixed reviews

  • 2:06:26

    because of what he has stood on for so long. So I'm asking you guys

  • 2:06:31

    how y'all feel about it. Is it Roc Nation distribution? Yeah, I was going to

  • 2:06:35

    say, does that mean he's not independent? Not now. Oh, okay. Not now. Remember, Roc

  • 2:06:38

    Nation is everything now. Oh, true. Okay. So just so I can clarify a question.

  • 2:06:43

    So by signing Roc Nation, you are by definition no longer independent. I don't want

  • 2:06:48

    to get into the murky water of what is independent. It's a semantic thing. Versus

  • 2:06:52

    what is not. And I think there's a world where he could be

  • 2:06:57

    partnered with Roc Nation and still be independent. Let me just... I think what

  • 2:07:03

    some of the fans are saying is the optic of it, and even if this

  • 2:07:09

    deal is whatever you say, it looks and feels like

  • 2:07:15

    undermining the road that we've been on with you and everything that you've stood for

  • 2:07:19

    even if you're still independent now now it's tougher to believe it's tougher to believe

  • 2:07:24

    you when you say I'm trying to sell a hundred thousand copies of my album

  • 2:07:28

    in 30 days because there's been for over 10 years now there's been labels that

  • 2:07:32

    have done the inorganic thing by trying to make it look organic yeah so it's

  • 2:07:38

    just tougher to believe I get that now and And honestly, I mean,

  • 2:07:43

    if you're asking me my opinion, which no one has, why'd you do that? Why'd

  • 2:07:49

    you do that? I might get an answer. Why did you do that? As a

  • 2:07:53

    fan, why mute up? Why?

  • 2:07:59

    Why? I'm not saying there's not an answer to that. Okay. I'm saying when people

  • 2:08:04

    ask the why, it will appear that you have had...

  • 2:08:10

    It looks to me, I'll just talk to me as a casual fan. It looks

  • 2:08:14

    like you have had so much success independently as a brand new act out there

  • 2:08:19

    grinding and preaching a good word. You've done this and I can't name one of

  • 2:08:24

    your songs. True. That's part of why. That's part of the not why. See,

  • 2:08:30

    and that's two people looking at the same thing, pulling different opinions. I totally get

  • 2:08:35

    the mindset of, hey, I would like some help. I'm tired of spending out of

  • 2:08:39

    pocket money. I'm tired of being alone. I would like some of my songs to

  • 2:08:42

    be heard. And I get all of that. But if you've had so much success

  • 2:08:47

    without a hit song, why would you do it now? What is so much success?

  • 2:08:54

    Your idea of what so much success is and maybe what he wants success for

  • 2:08:58

    himself could be two totally different things. He could have literally, I've seen people do

  • 2:09:03

    this where I've gotten as far as I can on my own to what they

  • 2:09:06

    believe. I hit the ceiling. And now to get to that next level, need some

  • 2:09:10

    shit that I can't get. I can speak. Hold on. Let me fuck with him

  • 2:09:14

    for a little bit. Then you can't ask me. Can I go first? Okay. I

  • 2:09:20

    agree with what he's saying. But if you stood on a platform of fuck the

  • 2:09:24

    label, fuck the label, fuck the label, and you're telling all these little niggas under

  • 2:09:28

    you, fuck that label, fuck that label, fuck that label, then for you to now

  • 2:09:32

    go jump ship and go sign with the same label that you dissed not too

  • 2:09:35

    long ago, he said, yo, Roc Nation is some bullshit. They offered me a predatory

  • 2:09:39

    deal. I won't ever fuck with them. So now for you to go sign to

  • 2:09:41

    Roc Nation, you basically... against everything you stood for. You betraying the little niggas

  • 2:09:47

    that could have potentially signed a deal and you fought for them not to sign

  • 2:09:50

    a deal. Now, two things with that. Maybe they could have given you a predatory

  • 2:09:54

    deal initially. And now they did. Because now he's saying, or I could have grinded

  • 2:09:59

    so hard independently that I've gained a little bit more leverage to now have a

  • 2:10:02

    different conversation with them. Because he did... Well, hold on, let me just... He did

  • 2:10:06

    come out to say in this deal, he owns all his masters, he owns all

  • 2:10:10

    his publishing. Okay. So... In that sense, this is where to answer your question, Mark,

  • 2:10:15

    that what is independent versus what isn't independent. A lot of people stand on the

  • 2:10:20

    side of if I own everything, if I own my master's, I own my publishing,

  • 2:10:24

    I own all my shit, I'm independent. Now, other people feel like, yeah, but you're

  • 2:10:28

    not independent because, yeah, you have a machine. You actually were able to sign to

  • 2:10:32

    a machine. I get that. And that's always murky because there are ways to

  • 2:10:37

    incentivize a business partnership while retaining ownership. Mm-hmm.

  • 2:10:43

    there's plenty of ways for that to happen, so I get that argument. What I'm

  • 2:10:48

    saying is this. Nobody can feel like they've taken it as far as they

  • 2:10:54

    could take it if we don't know a song. That'll never be true.

  • 2:11:02

    But I'm not getting no younger. I've been doing this for how many years? My

  • 2:11:07

    plan isn't... You cannot surmise... that you've taken it as far as you can take

  • 2:11:13

    it if we don't know a song. That will always be true. And for Roc

  • 2:11:18

    Nation or any company for that matter to come back to you knowing that

  • 2:11:24

    fact, well, what do they see? What do they see and why do they see

  • 2:11:29

    it so early? See, because I think this is early. If he were to do

  • 2:11:32

    this in three to five years, I think the

  • 2:11:38

    tone is different. long as he's been active. I'm not familiar with his start. I

  • 2:11:43

    don't know. He's been around a few years. He's been around a few years. But

  • 2:11:47

    no matter how long you've been around, if you are a musician, independent or not

  • 2:11:52

    independent, you know what the name of the game is? Get a song that somebody

  • 2:11:56

    knows. 2018 was his first, at least on Apple Music. Oh, that's early. This is

  • 2:12:01

    early. Can I add something, fellas? Also, to your success point, right? Like,

  • 2:12:08

    can't speak to what that is because I don't know what his definition of success

  • 2:12:11

    is versus mine. It's his to tell. As an independent, when you get to the

  • 2:12:16

    point where you are selling your music for when Nipsey sold his shit for $100

  • 2:12:20

    and everybody said he was crazy. Somebody else did it too. But when you get

  • 2:12:24

    to the point where you're able to sell your music for $1,000 and

  • 2:12:30

    celebrities are not only pulling up to purchase it, but they're posting about it and

  • 2:12:35

    getting an active campaign for you going... I mean, that wouldn't be the time that

  • 2:12:39

    I would be signing anywhere. Anywhere. But you know what's funny? You mentioned Nip. And

  • 2:12:44

    he did it. After doing the Proud to Pay campaign with Crenshaw for the $100

  • 2:12:49

    tape, doubling back with mailbox money for the $1,000 tape, guess what he goes and

  • 2:12:53

    does? You guessed it. Signs a licensing deal with Atlantic for Victory Lap. And that

  • 2:12:58

    got that album. Now, people who didn't know Nip didn't know a song of Nips.

  • 2:13:03

    His core fan base, we knew. I copped the $100 joint. But now once you

  • 2:13:08

    put your debut album out, you get a different level of recognition. And he still

  • 2:13:13

    kept and owned everything. Well, this is why. For me, that's a false parallel. And

  • 2:13:17

    it's the reason why I say in three to five years, if LaRussell did that,

  • 2:13:20

    then I don't have anything to say. Speaking only for myself, I knew plenty of

  • 2:13:24

    Nipsey Hussle songs by the time he did that deal. Plenty of them. You're just

  • 2:13:29

    saying this early because you don't know any LaRusse music yet. Which means he didn't

  • 2:13:32

    get as far as he could have possibly got. That's all I'm saying. Unless he

  • 2:13:35

    feels. You can't tell him how to feel. The fact that y'all still don't know

  • 2:13:39

    my shit, I want somebody to help me. This to me just looks like a

  • 2:13:41

    marketing deal. This looks no different to me than hiring a marketing company as an

  • 2:13:44

    independent. If he's still retaining ownership of his masters and his publishing, this is no

  • 2:13:48

    different than hiring a marketing company. What's the difference between what you would do as

  • 2:13:51

    an independent artist? I can also speak as someone who has released music independently because

  • 2:13:56

    shit gets exhausting having to do all that label shit. He might want to just

  • 2:13:59

    fucking rap. He might have just saw what Roc Nation did with the clips. Or

  • 2:14:03

    that. As a completely, as independent, took our album to you for, licensed it to

  • 2:14:09

    y'all for just distribution, and y'all got me everywhere in the fucking world. That would

  • 2:14:12

    be a false. I'm just saying, because they had some other cachet involved as well,

  • 2:14:16

    but I'm just saying, if I'm watching this company and the rollout that they

  • 2:14:22

    had and the movement that they had as Hey, I just licensed the music to

  • 2:14:26

    y'all. They still own all that shit. Okay, well maybe let me try it this

  • 2:14:30

    way because the way that I've been trying it got me here. I might want

  • 2:14:33

    to try something different. Also, I push back with if you just want to rap

  • 2:14:38

    then you don't want to be independent. And I was going, bro, you're reading my

  • 2:14:42

    mind. Independent means you have a say in all facets of this

  • 2:14:47

    and you are responsible for it all. It's not I just want to rap. If

  • 2:14:53

    you just want to rap, then I don't have nothing to say to you. But

  • 2:14:57

    if you're independent, rapping is probably the... It's not the first, second, or third thing

  • 2:15:03

    that you need to be paying attention to. So, I mean, it just gets tricky.

  • 2:15:07

    Clearly, I think he did what he wanted to do. So, I'm happy for him.

  • 2:15:11

    Yeah, and he's still got ownership. Oh, my God.

  • 2:15:16

    It's Park's fault. Yeah, I'm

  • 2:15:22

    not trying to talk like... Clearly he did what he wanted to do. So I'm

  • 2:15:27

    not looking down on that. But if it were me, and I do understand some

  • 2:15:31

    of the criticism that comes along with what's going on. Mona, what's up? What I

  • 2:15:36

    was going to say was I don't get why, like, Like, just because he shared

  • 2:15:43

    with everybody how nasty the deals that he was being offered and shit, why did

  • 2:15:47

    that give anybody an idea that he wouldn't sign or that wasn't a goal? I

  • 2:15:50

    feel like the whole time, he always took meetings and he talked about it, but

  • 2:15:54

    he shared things. Just like I could remember him going to go do a freestyle,

  • 2:15:59

    whether it was flex or off the radar, and they were late and they were

  • 2:16:03

    treating him funny, he left. And he told everybody, like, nobody treats me like shit

  • 2:16:06

    because they got this big thing. You know what I mean? I feel like y'all

  • 2:16:09

    confusing the fact that he shared it even dog and rock nation out with he

  • 2:16:12

    would never this never was the goal i think he was always trying to like

  • 2:16:15

    sell himself to get the best kind of deal you're talking about he owns shit

  • 2:16:18

    that's a pretty good situation so it's like that's where i think la Russell my

  • 2:16:21

    nigga la Russell came on the podcast i've fucked with him a couple times went

  • 2:16:24

    to la fucked with him it's like i don't think that that was ever not

  • 2:16:27

    really the mission i think he would have did it either way but i think

  • 2:16:30

    it was always like you know what i mean to get a good deal was

  • 2:16:32

    always the goal some people feel like listening to him

  • 2:16:39

    seemed like he championed and understood the upside in remaining

  • 2:16:45

    independent for a little longer than what has been displayed. And I totally understand that

  • 2:16:50

    and agree. And agree with it. I can see him alienating some of his fan

  • 2:16:54

    base that were there for the journey. The journey was... Niggas be robbing themselves of

  • 2:17:00

    the journey because it's tough. The journey as an onlooker is the fun part to

  • 2:17:05

    watch. It's fun to watch you go... the basement to the

  • 2:17:11

    studio with Wiz Khalifa to getting your first car to having your first show it's

  • 2:17:16

    like having a kid and waiting for the first words and the first steps so

  • 2:17:21

    you can't just expedite that and now we in pre-K I mean you're gonna lose

  • 2:17:26

    people that's there for the story or I got to the point where again man

  • 2:17:32

    I don't want to he don't have the songs to say that but whatever I

  • 2:17:36

    got the deal that they offered me ain't this deal So something changed. Y'all offered

  • 2:17:40

    me a bad deal, a predatory deal. I came online and talked about it and

  • 2:17:44

    said, yo, they trying to here with this deal, blah, blah, blah, blah, blah, blah,

  • 2:17:46

    blah. I would never do this. Something happened between that. That's obvious. And this. I

  • 2:17:51

    just assumed to give a 30-year deal. To where now I have what's, to me,

  • 2:17:54

    a favorable deal. Yeah. Where I own my shit. Y'all don't own nothing. Y'all don't

  • 2:17:59

    got nothing. Y'all are just distributing so we good. I'll give you a prime example.

  • 2:18:02

    And a lot of our off-air talk didn't make it because we was having fun

  • 2:18:05

    off-air on the last pod. Right, right, right. LaRussell, Jay-Z getting LaRussell to perform in

  • 2:18:11

    the parking lot of the Super Bowl is a story that you champion to the

  • 2:18:16

    heavens when he's independent. True. Yeah. A thousand percent.

  • 2:18:22

    That same story don't look so much the same, not independent, right? That's true.

  • 2:18:28

    Answer me. No, it don't look the same. Not at all. It doesn't look the

  • 2:18:31

    same. No way it is close to the same. But actually, you shit on that

  • 2:18:35

    very same move if you are signed to Roc Nation and now you buy the

  • 2:18:39

    Sabret stand by D34 in the parking lot section B. Well, it's not going to

  • 2:18:45

    be that. I get what you said. I get the joke aspect of it. But

  • 2:18:48

    at the same token, if I'm LaRussell, I don't even get to be a part

  • 2:18:53

    of none of this shit if I wasn't here. Now, we don't know what... The

  • 2:18:58

    Super Bowl is an all-day event for... It's some pregame shit. It's some

  • 2:19:04

    early shit. It's postgame. The Super Bowl's all weekend. No, I'm not missing your point.

  • 2:19:08

    I'm looking at it from his point of view. Because if it makes sense to

  • 2:19:11

    him, yo, I might not have been able to do this without getting to this

  • 2:19:15

    here. I understand that. I understand that. That's him. That's why he signed the deal.

  • 2:19:19

    I'm saying that if he were independent and found a Target parking lot to perform

  • 2:19:24

    in, the story is going to be greater than this. My point is different than

  • 2:19:27

    this. Yo, you've been for years, and I'm not... not insulting the gentleman. You've been

  • 2:19:31

    for years saying... Yeah, we fuck with him up here. Yeah, we fuck with who

  • 2:19:33

    he is and what he doing and what he... You're preaching a message of independence.

  • 2:19:37

    everything that you keep saying is, yo, he couldn't do this, or he felt like

  • 2:19:40

    he couldn't do this. And that's the same thing with the niggas that signed to

  • 2:19:43

    the label from the rip. They feel like they can't do their own marketing, which

  • 2:19:47

    might be exhausting, to your point. They feel like they might can't get my songs

  • 2:19:50

    played around the world because I can't go around and pitch my shit to all

  • 2:19:54

    of the program directors nationwide. You can't. But that's a part of the struggle of

  • 2:19:58

    being independent. So when you tell these little kids, yo, you don't need that, you

  • 2:20:02

    don't need that, you don't need that, you basically contradicting yourself by saying, now I'm

  • 2:20:06

    going to tap out because it was too too difficult. That's why I was just

  • 2:20:11

    going to say, as a fan, I think if you got a different explanation, he

  • 2:20:14

    owes it to us. Like even starting to say like, I own my own masters.

  • 2:20:17

    Like as a fan who went along for that ride, I need you to tell

  • 2:20:20

    me why you made that choice. If I've been riding with you and now it

  • 2:20:22

    feels like a contradiction. And that sound, and like I said, to me, that sound,

  • 2:20:25

    because I own all my shit still, technically I'm independent. He needs to say more.

  • 2:20:31

    I just did some quick math. My brother's got 40 fucking albums on this Apple

  • 2:20:36

    albums list. After 40 albums, he has the right to fucking suck. If I make

  • 2:20:41

    40 albums and you don't know no songs, it might be time for some help.

  • 2:20:45

    I know a couple of them. That didn't help things for me. That didn't help

  • 2:20:47

    things for me either. If I made 40 albums independently without y'all, y'all could suck

  • 2:20:51

    my dick now. I ain't going to hold you. That almost made it worse for

  • 2:20:56

    me. I'm like, if I got 40 and y'all don't know me, I need some

  • 2:21:00

    help. Give me some help. Something I'm doing ain't working. Yeah, right. That's not true,

  • 2:21:04

    bro. I guess it depends on what level. But it is true. And you should

  • 2:21:08

    be able to troubleshoot. If you're champion in the independence, you should want to

  • 2:21:13

    troubleshoot that before you get to help me later. Nigga, I'm at album 40. I've

  • 2:21:17

    been troubleshooting 40 albums. Stop it, yo. Stop it, yo. And I'm at the same

  • 2:21:23

    spot. That's his fault. He's not at the same spot though. He's not at the

  • 2:21:27

    same spot. Yeah, that's true. These niggas from California, be clear, they might not have

  • 2:21:31

    one song playing on the East Coast. These niggas could tour California all year long

  • 2:21:35

    and make $5 million. So don't say he had the spot of a starving young

  • 2:21:39

    artist that might only be doing 20, 30 grand. That nigga LaRusso and them, it's

  • 2:21:42

    a few artists from LA, I mean from Cali, period, not just LA, that are

  • 2:21:46

    making mad fucking money, bro, that we've never heard of and that's not in the

  • 2:21:50

    rotation on Power 105 and Hot 97. That's a fact. That don't mean that they

  • 2:21:54

    didn't make it or they not doing shit. These niggas is against success. I mean,

  • 2:21:58

    I'm so sure. Why does he want something different? The Russell don't make drug dealer

  • 2:22:01

    music, fuck bitches, fuck hoes. He don't make us a lot of positive shit. That

  • 2:22:06

    shit is not always the big hit song type of music anyway. It's like that

  • 2:22:09

    kind of niche thing. It's like positive to Russell. That's the first thing that caught

  • 2:22:13

    my... But we're not asking for a big hit from him. We're looking for currency.

  • 2:22:17

    But he might want a big hit. We're looking for currency. That's what I'm saying.

  • 2:22:19

    We don't know what he want. He might want the big hit. We don't know

  • 2:22:21

    what he want. If after 40 hours he won it, let him I'm done with

  • 2:22:24

    y'all. I'm with you, but I'm just saying he may want something different. One thing

  • 2:22:27

    I would like to know is who was managing you for 40 albums?

  • 2:22:34

    His mom. We just up here talking sounding stupid now. If you independent and you

  • 2:22:37

    did 40 albums and this is where you land, then by all means, cool. But

  • 2:22:42

    that would tell me, all right, changes I can make. changes I can make 40

  • 2:22:47

    albums and the world don't know nothing yet. Stop it, yo. Stop it. We just

  • 2:22:51

    talking to be talking now. But clearly he wanted to do that and I'm sure

  • 2:22:56

    Hov and Roc Nation, again, Roc Nation is an all-in-one hub now. It's management. It's

  • 2:23:02

    distribution. It's the label. It's the streaming. It's the live streaming. It's the touring.

  • 2:23:08

    It's the all-in-one. So maybe you want to help with all. I'm not judging him.

  • 2:23:11

    He's happy. I'm happy. But I think podcasters we get too caught up in

  • 2:23:17

    would I have done it would I not have done it everybody gotta live their

  • 2:23:20

    life the way that they see fit from this couch I would've done that but

  • 2:23:25

    what do I know what else what else what else what else I'm having a

  • 2:23:28

    good time y'all want me to go back to my list no no no y'all

  • 2:23:34

    got a list no No, we don't need Juggles. All right, so what else we

  • 2:23:37

    need? What else we need? What else is important? Everybody can rest easy tonight. I

  • 2:23:40

    know y'all worried they found Aaron Hall. They did. They did. I didn't know he

  • 2:23:43

    was lost. The young lady was trying to serve Aaron Hall for over a year,

  • 2:23:48

    and nobody knew where Aaron Hall was. He fell off the earth. He literally disappeared.

  • 2:23:52

    They could not find him at all. Like, had multiple addresses on the East Coast,

  • 2:23:57

    West Coast, nothing. They found him in a little motel in Atlanta. Alpharetta. A motel?

  • 2:24:02

    A motel in Alpharetta, Georgia. Excuse me, not Atlanta. Yes, Alpharetta. Yeah. He was in

  • 2:24:06

    the sticks. He was out there. With a white beard and a duret. What's the

  • 2:24:09

    charge that he's trying to get a suit from? It's civil suits for like sexual

  • 2:24:12

    misconduct, sexual assault, I think specifically. Yeah, so he was under the radar. So,

  • 2:24:18

    and they finally served him. Slipped him papers right into the door. He opened the

  • 2:24:21

    door and slammed it in the face. Yeah, he opened the door and said, yo,

  • 2:24:23

    I'm here to serve papers for Aaron Hall. What's that? They threw it in there

  • 2:24:26

    and slammed the door. Well, I'm super glad that somebody found Aaron Hall. If it

  • 2:24:32

    was somebody I know that was not looking for Aaron Hall, you guessed it, it

  • 2:24:36

    was Teddy Riley. Teddy Riley, I've been watching a couple interviews. Teddy Riley's supposed to

  • 2:24:42

    come up here soon. But I've been watching some interviews that he's been doing, and

  • 2:24:46

    Sway asked him straight up, like, listen, man, I see guys going back on tour.

  • 2:24:50

    Teddy Riley said no.

  • 2:24:59

    That's

  • 2:25:08

    how you know you're ill, boy. When you can just pick up two niggas and

  • 2:25:12

    keep up the same rate of- Oh, he is going out as guy? Hold up.

  • 2:25:16

    Teddy Riley is going out with two new people as God on tour. And that's

  • 2:25:22

    how you just know Teddy Riley is the man. I thought you been airing it.

  • 2:25:27

    Yeah, shut the fuck up, Far. When you can pick up two niggas that don't

  • 2:25:30

    nobody know and still keep the same level and rate of success that you had

  • 2:25:34

    previously, you know that person is the man. Come on, y'all. You know Teddy Riley.

  • 2:25:37

    Come on, right? Yeah, that's a fact. You an asshole, son. Ice, I don't like

  • 2:25:42

    that you be getting my jokes too early. Let my shit bake a little bit

  • 2:25:47

    first. I know you, son. I know your mind. You an asshole. Anyway, y'all can

  • 2:25:51

    tell you about it, man. Sorry, Parker. And the guys. And the guys. And the

  • 2:25:55

    guys. Guys. Guys. Guys. And our guys.

  • 2:26:01

    What else is important to y'all? What else are y'all passionate about? I think we

  • 2:26:04

    kicking ass this far. Come on. February, we not playing. No, we ain't playing. February,

  • 2:26:07

    we ain't playing no games, man. Stop playing with us. What else do y'all feel

  • 2:26:09

    passionate about or needs our attention? It's a little sad. Okay. But since we talk

  • 2:26:14

    about missing people, I do want to mention Savannah Guthrie's mother-in-law.

  • 2:26:20

    Nancy. Nancy. She was missing. She's still missing. But there's

  • 2:26:26

    now a ransom note. And they're trying to figure out how to how to navigate

  • 2:26:31

    that. And when we say ransom note, because you're hearing this today, we mean yesterday

  • 2:26:35

    there was a ransom note that said, if you do not get us however many

  • 2:26:40

    million in Bitcoin by 5 p.m., something will be done.

  • 2:26:46

    1.47 a.m. Sunday, the doorbell camera was disconnected. At 2.12 a.m., a

  • 2:26:52

    camera detects motion, but no video is recorded. At 2.28 a.m.,

  • 2:26:57

    pacemaker stopped syncing with cell phone. I would be terrified at that point. Oh, yeah.

  • 2:27:03

    And at, damn, I can't see this last time. I want to say that's 12.03

  • 2:27:08

    or 23 p.m., reported missing after not showing up at church.

  • 2:27:14

    So that has been the string of events. This is disturbing. Yeah,

  • 2:27:20

    it is. It's terrifying, man. They're talking about the word on the curb. Police are

  • 2:27:26

    saying there are no suspects. The internet is saying there's one suspect. I won't say

  • 2:27:31

    because it's irresponsible without any proof or anything. But they're saying there's the brother-in-law.

  • 2:27:37

    That's what the internet is saying. Allegedly. There's no facts supporting this. Again, police are

  • 2:27:42

    saying there are no suspects. But on the news, they like, dog, if it's a

  • 2:27:47

    kidnapping, it's probably a family member. How do y'all feel about that? Probably so. Somebody

  • 2:27:51

    that know y'all. Somebody that's close to somebody that got some personal information. Yeah. Because

  • 2:27:56

    if you're like an international kidnapper, you're not targeting Savannah Guthrie's mother-in-law. That wouldn't be

  • 2:28:01

    like where you'd go. This feels personal. And then asking for Bitcoin seems

  • 2:28:07

    smart. That's definitely the thing you want to ask for when you kidnap people. I

  • 2:28:11

    don't get that, what y'all saying, tell me. Because the digital currency is really, really

  • 2:28:14

    hard to track and you can move it around digitally. I suppose, yeah, cash is

  • 2:28:18

    tougher. Okay, I understand that. That makes sense. That makes sense. It's encrypted. That's

  • 2:28:24

    literally the point. So that part makes sense. I don't understand. I'm with Mark. Why

  • 2:28:27

    would you target this person? Fairly, yeah, this person is... God forbid if any of

  • 2:28:33

    you guys were in this situation, let me take it off y'all and just speak

  • 2:28:37

    for me. If it were me... Bitcoin would have been out of my account 20

  • 2:28:41

    minutes after, 10 minutes after I got this message. Are y'all the type to immediately

  • 2:28:47

    pay like me or would you be trying to let the police do something? Specifically

  • 2:28:52

    for our mother-in-laws? Who matters? It's her

  • 2:28:58

    mother, not her mother-in-law. Oh, I thought it was her mother. They suspect the

  • 2:29:04

    brother-in-law. Got it. Got you. Okay. The police don't. The internet don't. I thought it

  • 2:29:09

    was the mother-in-law too. Yeah. I thought it was the mother. No, her mother, Nancy.

  • 2:29:11

    Oh, yeah, yeah, yeah. No. Yeah. There's no amount that I wouldn't pay.

  • 2:29:18

    Immediately. But you wouldn't just send the money ASAP. That's not true. Because you have

  • 2:29:22

    no guarantees at that point. Like, if I just send the money, that don't mean

  • 2:29:25

    I'm going to get my mom back. That don't mean that. You know what I'm

  • 2:29:27

    saying? Like, it's still got to be some like. Coordinating. Yeah, yeah, yeah. But I

  • 2:29:31

    would still be sending it to see. I would have the police or whoever is

  • 2:29:35

    behind me alert. But I'm sending that to see what happens. For your mother? For

  • 2:29:40

    moms? The house, the kids, the dog, everything. I'm just saying it's still not going

  • 2:29:46

    to be an immediate thing because there's still no guarantees once you send the money.

  • 2:29:51

    Well, I'll be by the phone in case a text comes from that point. Give

  • 2:29:55

    me proof of life. Let me, you know, all of that. You got it, big

  • 2:29:58

    dog. It's a nightmare. It's a nightmare, bro. Yeah, I can't even imagine. It really

  • 2:30:02

    is. And just the facts that you read, the timeline, you know, shit like the

  • 2:30:05

    camera, all of that. Somebody got to know that house. The pacemaker. Somebody knows that

  • 2:30:09

    house. Somebody cut off the pacemaker sink into the... That's not Joe Schmo the Crook.

  • 2:30:15

    That's not Joe Schmo the Crook. I don't think so either. That's somebody that know

  • 2:30:17

    y'all. might have been there that's that's it's high level shit yeah yo this is

  • 2:30:23

    a very serious matter prayer prayers are going out to the guthrie family savannah and

  • 2:30:29

    nancy we definitely are praying that you are alive and well and all is good

  • 2:30:34

    you know what this plan reeks of you guessed it a loser

  • 2:30:39

    sibling i mean a loser sibling hey and even if it don't and even if

  • 2:30:45

    it don't hey know who we not rushing to contact when mom gets

  • 2:30:49

    kidnapped? The loser sibling. You can't help. I'll hit

  • 2:30:55

    you when mom get back in. When mom is in the suburb. We got it.

  • 2:30:58

    We found her. What do you say, Big Mom? What do you do if the

  • 2:31:02

    loser sibling is the one that goes missing? How much Bitcoin are you putting out?

  • 2:31:08

    Well, I'm not putting out anything. Mom will have to go into retirement for me.

  • 2:31:14

    Well, I'm putting out something. put out something if the rest of the family tried

  • 2:31:17

    to scrape together and couldn't. They were short a little bit? Yeah, yeah, yeah. Go

  • 2:31:22

    house in 20. What if they ain't got nothing? They scrape. Oh, then they shouldn't

  • 2:31:26

    have got lost. Hey, kidnappers. Y'all got the wrong one.

  • 2:31:33

    You know what's crazy? And anyway, if the loser sibling get kidnapped, nigga, you've been

  • 2:31:36

    a loser long enough in your life to figure out and escape. They know how

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