JBP
The Joe Budden Podcast
Episode 904

The Couch Of Few Words

Joe Budden Podcast Episode 904, “The Couch Of Few Words,” released February 19, 2026. The JBP begins its latest episode with a discussion on preparing your kids for college and future jobs before turning to their weekend which included a trip to see New Edition & Boyz II Men (28:03) as well as Jill Scott (45:13). The cast then reacts to their thoughts on NBA All-Star Weekend (53:15), Netflix’s ‘America’s Next Top Model’ Documentary (1:12:17), and Marc Lamont Hill shares his thoughts on the passing of Reverend Jesse Jackson (1:33:43). Desus Nice announces a new youtube show (1:42:29), DJ Vlad’s tweets cause quite the stir (1:54:23), and Lil Wayne fans respond to LaRussell’s comments about the rapper (1:57:54). Also, Mike Tyson & Floyd Mayweather are set to fight in an exhibition match (2:30:31), Hitman Holla responds to the coverage of Geechi Gotti (2:37:15), and much more. Full transcript and searchable timestamps below.

The Couch Of Few Words

In this episode

  • 28:03The JBP begins its latest episode with a discussion on preparing your kids for college and future jobs before…
  • 45:13As well as Jill Scott
  • 53:15The cast then reacts to their thoughts on NBA All-Star Weekend
  • 1:12:17Netflix’s ‘America’s Next Top Model’ Documentary
  • 1:33:43Marc Lamont Hill shares his thoughts on the passing of Reverend Jesse Jackson
  • 1:42:29Desus Nice announces a new youtube show
  • 1:54:23DJ Vlad’s tweets cause quite the stir
  • 1:57:54Lil Wayne fans respond to LaRussell’s comments about the rapper
  • 2:30:31Mike Tyson & Floyd Mayweather are set to fight in an exhibition match
  • 2:37:15Hitman Holla responds to the coverage of Geechi Gotti
Video Available
Audio Available
5,311 transcript lines

Joe Budden Podcast Ep. 904 Transcript

Full transcript of The Couch Of Few Words (1:01:50 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:36

    JB back to business

  • 0:41

    right now. We should start the show.

  • 0:44

    >> I'm going to break it to my siblings

  • 0:46

    soon.

  • 0:46

    >> Let them know that we can stop.

  • 0:48

    >> Yeah. That that college fun.

  • 0:50

    >> Prepare for prepare for plan B. Get that

  • 0:52

    plan B ready.

  • 0:52

    >> Yeah. You all that money you save in

  • 0:53

    college, you can splurge a little every

  • 0:54

    month. Have dessert, take a vacation.

  • 0:59

    You will not need that money.

  • 1:00

    >> You won't need that money. You will not

  • 1:01

    need it.

  • 1:01

    >> You might get a grant scholarship.

  • 1:04

    >> You'll get a grant.

  • 1:06

    >> State 50 bucks. Get all kinds of grants

  • 1:09

    for this.

  • 1:13

    >> Teach you how to make license plates for

  • 1:15

    free. Yo, that's crazy. You terrible.

  • 1:18

    That's horrible.

  • 1:19

    >> Is that bad though?

  • 1:20

    >> Yes.

  • 1:20

    >> When you not

  • 1:22

    >> It's a horrible realization.

  • 1:23

    >> Is that bad when you know it? Not saying

  • 1:25

    you telling that person. Yes, you do

  • 1:27

    know.

  • 1:27

    >> When you know what? What are y'all

  • 1:28

    talking about?

  • 1:29

    >> Yeah. Yeah. Go ahead. When you know

  • 1:30

    what?

  • 1:31

    >> When you know this one not going to

  • 1:33

    >> probably be as successful.

  • 1:35

    >> Audience. They talking about

  • 1:36

    >> fix. How was the one I said?

  • 1:38

    >> When you know a child is won't be a

  • 1:42

    success story.

  • 1:43

    >> Horrible.

  • 1:44

    >> That's what they talking about.

  • 1:45

    >> No, they Mark and Ice.

  • 1:47

    >> Specify the days. Mark and Ice are

  • 1:49

    talking about when you know your kid or

  • 1:52

    a kid that just isn't going to make it

  • 1:55

    far in life, which I don't know how they

  • 1:57

    got there. I I wasn't here.

  • 2:00

    >> So, I'm still warming up. I'm still

  • 2:02

    warming up. Take it away. Go ahead.

  • 2:03

    >> We was talking about the high school

  • 2:04

    tracks cuz it's like, you know, they got

  • 2:06

    like the academic track for kids is

  • 2:08

    going to college and AP this and AP

  • 2:10

    that. But like we were saying like

  • 2:12

    sometimes you need to bring that auto

  • 2:13

    body shop back. You need to bring some

  • 2:14

    things back.

  • 2:15

    >> I agree with that.

  • 2:16

    >> Yeah. But then you said in one school

  • 2:17

    they got like

  • 2:18

    >> they had I was telling Yeah. They had

  • 2:19

    cash registers. It was like some of

  • 2:21

    y'all are going to be retail.

  • 2:23

    >> So we going Yo, we going we going to

  • 2:24

    prep y early. I said at high school they

  • 2:26

    had a shop, right? You went to crazy.

  • 2:29

    >> What school name was you went to?

  • 2:31

    >> That was Elizabeth.

  • 2:32

    >> Okay.

  • 2:33

    >> Said they was prepping for some of y'all

  • 2:36

    was going to get there.

  • 2:37

    >> They had they had they had they had uh

  • 2:41

    home economics. No, he talking about

  • 2:43

    like clean up on aisle six.

  • 2:44

    >> There was a cash registers.

  • 2:46

    >> They had a real auto body shop. Like

  • 2:47

    people literally bringing their cars

  • 2:49

    there to get their cars working.

  • 2:50

    >> They had a real metal like metal

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    teaching you metal working. Not just a

  • 2:54

    class but

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    >> a real shop and they had the shop right

  • 2:58

    for the mother who

  • 3:01

    >> we don't need to give you AP history or

  • 3:03

    English cuz you not going no further

  • 3:05

    than this.

  • 3:08

    >> That's terrible, bro.

  • 3:10

    >> Yeah. We don't need to give you all.

  • 3:12

    >> That's disrespectful. If you call me and

  • 3:14

    tell me my kid is going to go to auto

  • 3:15

    shop,

  • 3:16

    >> I might not like it. I might make some,

  • 3:18

    you know, I mean, I may ask some

  • 3:19

    questions, but if you tell me my kid is

  • 3:20

    going to be a greeter.

  • 3:21

    >> No, bro. But it's not saying that that's

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    what your kid going to be. We're just

  • 3:24

    going to give you these tools because

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    these are most likely these are the

  • 3:27

    tools that's probably going to benefit

  • 3:28

    you more.

  • 3:29

    >> The tools are folding.

  • 3:31

    >> Knowing the difference between linen

  • 3:34

    >> is two.

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    What comes next?

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    out of here. Prepping my kid for the

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    produce. Furious. I'm going to be

  • 3:45

    furious.

  • 3:46

    >> Yo, the difference between a cherry

  • 3:48

    tomato.

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    Get the out of here. I'm good, bro.

  • 3:51

    >> Is there a profession that y'all would

  • 3:53

    be disappointed in if your kid came back

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    too? Like Mark is saying should it

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    shouldn't involve folding things. Like

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    if your daughter came to you and was

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    like "Pop

  • 4:03

    >> I want to eventually own a bunch of

  • 4:05

    washing folds, but I'm starting with

  • 4:07

    this one. It's not paying me much. It's

  • 4:10

    in a bad part of town, but it's going to

  • 4:12

    get me to where I got to go. Would you

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    be disappointed in that?

  • 4:14

    >> No. Because you you you stated the the

  • 4:17

    end goal.

  • 4:20

    But if you just worked at the wash and

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    fold,

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    >> how old are you?

  • 4:24

    >> Call it 23.

  • 4:25

    >> Oh, no.

  • 4:26

    >> Wait.

  • 4:28

    A bad part.

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    You 23.

  • 4:31

    >> Something went wrong.

  • 4:32

    >> Yeah. Yeah. Yeah. Wrong. Someone [ __ ]

  • 4:34

    up. Yeah. I ain't going to hold you.

  • 4:35

    >> 18.

  • 4:37

    Okay. If she didn't go to college and

  • 4:39

    she's 18 and she's working, yeah, I'm

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    fine with this.

  • 4:42

    >> Still might feel I up a little.

  • 4:43

    >> I still probably be trying to hook her

  • 4:44

    up.

  • 4:45

    >> Y'all daughters grow up in their nail

  • 4:47

    texts,

  • 4:50

    >> man.

  • 4:52

    >> All right. See, I'm about

  • 4:55

    to tell you I'm about to sound like I

  • 4:57

    love girl dad. Yo, never mind. Never

  • 4:59

    mind. We don't have to get in school.

  • 5:01

    Never mind.

  • 5:01

    >> What was shorty name? Uh,

  • 5:02

    >> who

  • 5:03

    >> that you used to work with at State of

  • 5:04

    the Culture? I worked with a bunch of

  • 5:06

    amazing women in the state of the

  • 5:07

    culture. You mean on air behind?

  • 5:08

    >> No, the one that said the the bus.

  • 5:10

    >> Ebony Williams. Ebony K. Williams.

  • 5:12

    >> I mean, she got to be leaning toward

  • 5:14

    owning the nail tech salon.

  • 5:16

    That has to be a goal at some point

  • 5:20

    >> for me. I'm not sure where this going.

  • 5:22

    >> Are you smart?

  • 5:23

    >> 18 working.

  • 5:25

    >> He ain't say 18. I'm asking you cuz you

  • 5:27

    said 18 from the other.

  • 5:28

    >> No, you know you back 23 again now.

  • 5:30

    >> You back 23.

  • 5:30

    >> 25 even.

  • 5:31

    >> It's for me it's all in relation to the

  • 5:33

    investment. I've just invested too much

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    in money for that to be the outcome.

  • 5:37

    >> I just made my last I made my last

  • 5:38

    college tuition payment for my my

  • 5:40

    youngest daughter last week.

  • 5:41

    >> Yeah, dude. You spend 90k a year.

  • 5:43

    >> I spent 90k a year on her college

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    tuition. If she decides she wants to be

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    a nail tech, I'm going to be mad as

  • 5:47

    [ __ ] There's nothing wrong with being a

  • 5:48

    nail tech. I We just could have did that

  • 5:50

    a lot cheaper for the amount of money I

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    spent on college. I could have bought

  • 5:52

    her a shop,

  • 5:54

    >> right?

  • 5:54

    >> Mhm. like so. The money that you spent

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    in your investment means and matters

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    more than your child at any point

  • 6:03

    figuring out what they want to do, love

  • 6:06

    doing, and end up doing it.

  • 6:07

    >> It would just affect how I feel about

  • 6:09

    it. Ultimately, I would accept it, but

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    I'd still be pissed because of how much

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    money I put into it.

  • 6:13

    >> And I think I still think it depends on

  • 6:15

    what your endgame is. So, if you start

  • 6:16

    out as a nail tech, that's cool. But in

  • 6:18

    some point in the future, you want to

  • 6:20

    own your own nail spa, cool. You want to

  • 6:23

    start hiring estheticians? You want to

  • 6:26

    hire these people? Like I I'm not mad at

  • 6:27

    that. When we go get our nails done,

  • 6:29

    they make hella money.

  • 6:30

    >> We y'all two get your nails done?

  • 6:32

    >> Yeah.

  • 6:32

    >> Together.

  • 6:33

    >> Mark, you've seen my nails be beautiful,

  • 6:34

    too.

  • 6:36

    >> No, no, no. I'm saying the place that he

  • 6:38

    goes together. No, the place he goes, I

  • 6:39

    used to go to, they pack. The spot I go

  • 6:41

    to now, they make mad bread. So, I

  • 6:43

    wouldn't dissuade my kid from wanting to

  • 6:45

    go that route. But, I just think that

  • 6:47

    you shouldn't be just content with being

  • 6:49

    a nail tech forever. That's my opinion.

  • 6:52

    I'm good with any job. Just dignity and

  • 6:53

    all labor.

  • 6:54

    >> You go with your [ __ ]

  • 6:55

    >> No, no. I'm just saying. But don't make

  • 6:56

    me spit. Don't make me pay for you to do

  • 6:57

    it. But nobody But nobody made you do

  • 7:00

    it.

  • 7:00

    >> All right. So, wait, Mark. So, wait. Who

  • 7:02

    made you do that? You She could have.

  • 7:04

    >> Who made him do that?

  • 7:05

    >> She told me she wanted to go to college.

  • 7:07

    >> And then you switch up. You change. And

  • 7:09

    then you realize, I don't want to do

  • 7:10

    this no more, but now I'm already

  • 7:12

    invested in. I I

  • 7:13

    >> investment. You talking about college.

  • 7:14

    You're not even talking about like

  • 7:15

    paying just for private school up until

  • 7:17

    >> Don't forget the [ __ ]

  • 7:19

    >> cuz that one maybe I could kind of

  • 7:20

    understand where you going. Maybe the

  • 7:23

    private school you paid for college.

  • 7:25

    What they [ __ ] do

  • 7:27

    is actually

  • 7:28

    >> Oh, please.

  • 7:29

    >> That [ __ ] is expensive, my [ __ ]

  • 7:30

    >> I know it is, but you you I guess the

  • 7:33

    people that do it and I'll stay out of

  • 7:36

    this cuz this is not my area. I guess

  • 7:38

    the people that do it do do it with

  • 7:39

    expectation.

  • 7:40

    >> Yeah. She told me she wanted to be a

  • 7:42

    lawyer.

  • 7:42

    >> No. or you just we've been taught this,

  • 7:45

    right? We all have been taught. And I

  • 7:46

    think I think I think

  • 7:48

    >> the sentiment is now changing. But to

  • 7:50

    get ahead in this world, there are

  • 7:52

    certain things that you have to do.

  • 7:54

    >> Yep.

  • 7:55

    >> Right. That's what we've been taught. So

  • 7:57

    go to college, get yourself um equipped

  • 8:01

    to get a certain type of job that's

  • 8:03

    going to sustain a future for you and

  • 8:04

    your family. We've been taught that. M

  • 8:07

    now we are on the influencer

  • 8:09

    entrepreneurial thing but there's still

  • 8:11

    skills needed to do that but if you

  • 8:14

    spent

  • 8:15

    dog my kids daycare is high as [ __ ] I

  • 8:18

    used know that [ __ ] is high um if you

  • 8:21

    and then when you start going to middle

  • 8:22

    school high school some of these high

  • 8:23

    schools are 30k you spend $30,000 a year

  • 8:26

    to put your kid in school from middle

  • 8:28

    school to 12th grade and then they go to

  • 8:30

    school for 90k a year for for the next

  • 8:32

    four to five years cuz a lot of these

  • 8:34

    degrees not fouryear degrees no on day

  • 8:36

    five. So that's another 450 grand.

  • 8:38

    >> And then they come to you and say, "Dad,

  • 8:42

    I learned that I want to be an MC."

  • 8:44

    >> Mhm.

  • 8:46

    >> Okay.

  • 8:47

    >> I'm actually okay with I'm not I'm not

  • 8:49

    >> I'm just asking I'm not okay with I

  • 8:51

    think that's slightly different.

  • 8:52

    >> I'm just saying you go to college.

  • 8:55

    >> Y'all always preach to me and again I'm

  • 8:56

    shutting up on this college tip. This is

  • 8:58

    not my bag. This college stuff. But

  • 9:00

    y'all always preach to me about

  • 9:03

    the networking and getting out the house

  • 9:06

    for the first time. My brothers is in

  • 9:08

    college. I seen them in my dad in their

  • 9:10

    room in my dad's house their whole life.

  • 9:12

    >> Now they in college. They meeting kids

  • 9:14

    from other places meeting girls with

  • 9:17

    different goals. Like y'all always

  • 9:18

    taught me that that experience

  • 9:21

    part.

  • 9:24

    >> If you go do that and now for the first

  • 9:26

    time a lot of kids are learning

  • 9:28

    themselves and finding themselves

  • 9:30

    outside of the academic portion of this

  • 9:34

    >> and you learn what you now enjoy doing,

  • 9:36

    maybe want to do, maybe got a friend or

  • 9:39

    a frat brother that done preached being

  • 9:41

    a salesman is the way to go. I made 200

  • 9:44

    grand. You know how it is. you hear some

  • 9:45

    [ __ ] and you give it a shot cuz you got

  • 9:47

    time on your side.

  • 9:48

    >> Like I wouldn't expect to go to my

  • 9:50

    parents and be met with disappointment

  • 9:53

    >> when I learn what I truly want to do.

  • 9:56

    Now again

  • 9:56

    >> that's interesting.

  • 9:57

    >> Again,

  • 9:58

    >> I never told my mom that I want to be a

  • 10:00

    professional rapper.

  • 10:02

    >> So or my dad. So I mean the the

  • 10:06

    disappointment comes from what whatever

  • 10:09

    you're you're telling them, yo, this is

  • 10:10

    what I want to do

  • 10:12

    >> realistically. Is it sustainable? Sure.

  • 10:14

    >> That's where the disappointment comes in

  • 10:15

    cuz like like even even you said the MC

  • 10:17

    example, I'mma be disappointed at that

  • 10:20

    because the the the odds are not really

  • 10:23

    in your favor. I think that's slightly

  • 10:25

    different cuz I think in in MCing or in

  • 10:27

    any type of artistic endeavor having a

  • 10:30

    college backup plan is good. A for that

  • 10:33

    and B, you'll learn so much in college

  • 10:36

    from like a worldly perspective that

  • 10:37

    will help you relate and translate.

  • 10:39

    It'll make you a better artist. Even if

  • 10:40

    you're a business major and now you want

  • 10:41

    to be an MC, the way you go take these

  • 10:44

    meetings at the label and all that other

  • 10:45

    [ __ ] may be a little different.

  • 10:47

    >> I think it's different from something

  • 10:48

    that's super hyper localized like a nail

  • 10:51

    tech where you could have done that. You

  • 10:54

    know what I'm saying? Without

  • 10:55

    necessarily leaving, you don't need all

  • 10:56

    the connections and uh community

  • 10:59

    building that happens at college and all

  • 11:00

    that kind of [ __ ]

  • 11:01

    >> And maybe not those connections.

  • 11:02

    Honestly, you might be better if if if

  • 11:03

    I'm going to be a nail tech in Newark,

  • 11:05

    I'm just going to say New York. It's

  • 11:06

    better for you to go to Ruckers Newark

  • 11:07

    than Harvard. if you want to build

  • 11:09

    connections and build that's what I'm

  • 11:10

    saying like it's it's about what you're

  • 11:12

    doing with those connections. Um I don't

  • 11:15

    know if I would communicate the

  • 11:16

    disappointment though to my kid. I would

  • 11:17

    be disappointed but I would I would

  • 11:18

    encourage them but deep down yeah I'd be

  • 11:20

    a little salty.

  • 11:21

    >> Like I got a I give you an example. I

  • 11:22

    got a family member who

  • 11:24

    they went through nursing school and

  • 11:27

    towards the end decided I don't want to

  • 11:29

    do this and their parents paid to put

  • 11:32

    them through nursing school.

  • 11:34

    Now I just want to get a regular job. I

  • 11:36

    I I realized this late in the game that

  • 11:38

    I don't do. As a parent, you

  • 11:39

    disappointed as [ __ ]

  • 11:41

    >> Yeah.

  • 11:41

    >> I feel I feel like as a parent there's

  • 11:44

    just certain L's you got to take as a

  • 11:46

    parent.

  • 11:47

    >> Yeah.

  • 11:47

    >> You you can still be disappointed in

  • 11:49

    taking the L.

  • 11:50

    >> But I now but I understand Mark now. You

  • 11:52

    wouldn't say I'm disappointed. You would

  • 11:54

    go to the adult room

  • 11:56

    >> and scream in the room and close the

  • 11:58

    door

  • 11:59

    >> and privately

  • 12:01

    >> sulk. You screaming to the bottom of the

  • 12:03

    bottle. Okay. And take

  • 12:05

    >> I'm with that. I'm with privately

  • 12:06

    soaking over.

  • 12:07

    >> Yeah, that's what we talking about.

  • 12:08

    >> Some [ __ ] my kid did.

  • 12:08

    >> You still got to support your kid. We

  • 12:10

    still talking from a position of

  • 12:11

    privilege. Mark was privileged enough to

  • 12:13

    be able to spend $90,000 a year on his

  • 12:16

    kid's education. Now imagine if you took

  • 12:18

    out student loans for that money as a

  • 12:20

    parent. Now you got a half a billion

  • 12:23

    dollar in debt. I mean half a million

  • 12:25

    dollars in debt now for your kids'

  • 12:27

    education. And they don't want to do

  • 12:29

    that [ __ ] You still got to pay these

  • 12:30

    [ __ ] back 450 grand. hot

  • 12:34

    interest.

  • 12:35

    >> Now you better go flip some birds or

  • 12:36

    something. You got to get my bread back

  • 12:38

    doing that. But anyway,

  • 12:39

    >> why no?

  • 12:41

    >> No, [ __ ]

  • 12:42

    >> That's when it comes full circle to

  • 12:43

    looking at the picture and saying

  • 12:45

    >> maybe the folded glass.

  • 12:47

    >> That's what I'm saying. Ain't nothing

  • 12:48

    wrong with folding some [ __ ] up or

  • 12:50

    making a champ burger checkers.

  • 12:52

    Everything is all right. Go ahead.

  • 12:56

    Champ burger. It is.

  • 12:57

    >> You got to see the potential early.

  • 12:58

    Like, you know what? You going to be all

  • 12:59

    right over there in checkers. You know

  • 13:01

    it. This is what I'm thinking. One of my

  • 13:04

    my family members right now. I might

  • 13:06

    send them my app. Extra cheese. Only if

  • 13:09

    we can handle extra cheese.

  • 13:12

    Get this burger on the grill. And some

  • 13:13

    of that is unfair cuz some of you

  • 13:15

    parents out there is losers and think

  • 13:16

    you didn't pass down your loser jeans.

  • 13:19

    >> That is a fast. Like what the [ __ ] you

  • 13:21

    expect your kid to do, [ __ ] Look at

  • 13:23

    you ain't doing [ __ ]

  • 13:25

    >> What you doing, bro?

  • 13:27

    >> That's bad.

  • 13:28

    >> Yes.

  • 13:28

    >> All right. So, I got a song.

  • 13:30

    >> Thank you. I got a song queue up.

  • 13:32

    >> Thank you, bro. Parents b expecting the

  • 13:35

    best from their kids.

  • 13:36

    >> Oh, you expect them to do better than

  • 13:38

    you? BUT SOMETIME THAT BE IRRATIONAL.

  • 13:40

    >> WHY?

  • 13:41

    >> That's your goal.

  • 13:42

    >> Yes, that's every parent's goal.

  • 13:44

    >> Hopefully.

  • 13:46

    >> Should be. Well, we talking about good

  • 13:47

    parents.

  • 13:49

    >> I think even bad parents don't. They

  • 13:51

    recognize they in a [ __ ] up

  • 13:52

    circumstance and they don't want their

  • 13:53

    kids to be in the same circumstance.

  • 13:55

    >> You're wrong. You don't watch evil lives

  • 13:56

    here. It's not all parents. The [ __ ] is

  • 13:59

    that? I'm telling you, buddy. It's not

  • 14:02

    all parents. Evil lives here. Very scary

  • 14:05

    people. You don't I can tell just by

  • 14:08

    what you're saying. These parents

  • 14:10

    killing the [ __ ] out they

  • 14:15

    vice versa. And kids.

  • 14:17

    >> Oh man.

  • 14:18

    >> Yo,

  • 14:19

    >> they had been so heated. I don't argue

  • 14:21

    with my girl about so much that I'll

  • 14:22

    tell you about it. But one of them was

  • 14:25

    family. Family. They happy already.

  • 14:28

    husband, wife, and their 10year-old

  • 14:31

    daughter.

  • 14:32

    >> Adopts a kid at 16 years old.

  • 14:36

    >> Pause.

  • 14:39

    >> I think I'm with you.

  • 14:40

    >> Pause.

  • 14:40

    >> Already.

  • 14:41

    >> Pause. First three minutes of the show.

  • 14:44

    >> Excuse me.

  • 14:44

    >> Why are we adopting a 16-year-old?

  • 14:47

    >> Get a dog.

  • 14:49

    >> No. Get a six-year-old.

  • 14:51

    >> Get a fouryear-old. Somebody help. And

  • 14:53

    this family wanted to, you know, pick a

  • 14:55

    kid, help him out a horrible situ.

  • 14:57

    [ __ ] at 16, no. And this was a girl, a

  • 15:01

    16-year-old girl.

  • 15:03

    >> So they talking to, they keep showing

  • 15:05

    the daughter. Let me speed this up. They

  • 15:06

    keep talking to the 10-year-old who's

  • 15:08

    now an adult who's saying this girl was

  • 15:10

    strange from the start.

  • 15:13

    >> So now, so now the whole house is

  • 15:15

    learning in real time that dad is a

  • 15:17

    pedophile.

  • 15:18

    >> Oh, [ __ ] Dad done started dating the

  • 15:20

    16-year-old that they adopted. And now

  • 15:23

    she's shading the mom because [ __ ] you

  • 15:26

    coming in between me and my me and my

  • 15:28

    man and the dad.

  • 15:30

    >> And don't you know this girl in the

  • 15:32

    middle of the night

  • 15:33

    >> poke mom up

  • 15:36

    >> 178 times.

  • 15:37

    >> God damn.

  • 15:39

    >> With both of the other kids in the house

  • 15:42

    cuz they had another younger kid.

  • 15:46

    >> Yeah, that's different. totally

  • 15:48

    predictable.

  • 15:49

    >> Yeah. When I hear nothing about that

  • 15:51

    story,

  • 15:52

    >> we already knew where it was going when

  • 15:53

    you said 16.

  • 15:54

    >> I know it's going to not be predictable

  • 15:55

    for your husband to fall in love with

  • 15:57

    the 16-year-old adopted daughter. That

  • 16:00

    is sick.

  • 16:01

    >> Sick people in the world.

  • 16:02

    >> Word.

  • 16:03

    >> Yeah. I think

  • 16:05

    >> anyway. Anyway, sorry about that you

  • 16:07

    guys. I don't know how we Hey, I want

  • 16:09

    the best for y'all. Y'all's kids. I hope

  • 16:12

    they grow up to not be nail techs.

  • 16:15

    Unless that's what they look like.

  • 16:16

    >> But I got to use to the nail t.

  • 16:19

    >> I'll go I'll go get your little kids a

  • 16:22

    little $24 or some [ __ ] It ain't going

  • 16:24

    to be 24. They good at it.

  • 16:25

    >> You better tip good, too.

  • 16:27

    >> I tip good. That [ __ ] ain't$24. My kid

  • 16:29

    come back and be like, "Joe left me $5."

  • 16:31

    I'm be mad at you.

  • 16:32

    >> No. No. I tip good. I ain't going to do

  • 16:33

    that to y'all's kids.

  • 16:35

    >> About eight.

  • 16:38

    I mean, no. They make money.

  • 16:40

    >> Oh yeah. You got to own it though.

  • 16:44

    My girl told me we was taking

  • 16:46

    Valentine's Day off.

  • 16:50

    >> What that mean?

  • 16:52

    Means we came to a pact. That we were

  • 16:55

    going to take Valentine's Day off.

  • 16:57

    >> This is meaning like no,

  • 17:00

    >> no celebration, no nothing. Just

  • 17:02

    treating it like

  • 17:03

    >> You didn't fall for that.

  • 17:03

    >> A regular Saturday.

  • 17:04

    >> Joe Button.

  • 17:06

    >> I fell in love even more. Oh, that's

  • 17:07

    dope. She feel me like she understand.

  • 17:10

    >> You did not fall for that.

  • 17:11

    >> I didn't What What was there to fall for

  • 17:12

    about taking off? If I ain't drop out

  • 17:14

    that early, I know what take off mean.

  • 17:16

    Obviously, you don't in a relationship.

  • 17:18

    >> There's levels to take off.

  • 17:19

    >> You know, ever since you've been talking

  • 17:20

    about I ain't get her no flowers.

  • 17:22

    >> Yeah.

  • 17:22

    >> Yeah.

  • 17:23

    >> So, now we just fighting about what take

  • 17:25

    off means.

  • 17:25

    >> Man, get some flowers.

  • 17:27

    >> It means she

  • 17:29

    >> No, it means we ain't doing all of the

  • 17:31

    >> extra extra extra above and beyond wild

  • 17:34

    through the

  • 17:34

    >> to the moon [ __ ] But we got to get some

  • 17:36

    regular flowers in the candy.

  • 17:40

    And the problem is when that moment

  • 17:42

    happens like y'all are making sense the

  • 17:44

    same way she did. I say what my brain is

  • 17:47

    thinking.

  • 17:48

    >> Oh [ __ ]

  • 17:48

    >> It's not like Cory that's never

  • 17:51

    >> I want you I want you dog.

  • 17:54

    >> I always go get these elaborate

  • 17:57

    expensive ass bundles of nine trillion

  • 18:00

    flowers. They die. You get on a plane. I

  • 18:02

    carry them to the trash

  • 18:04

    >> and that be that.

  • 18:05

    >> Yeah. Take off mean I don't have to do

  • 18:09

    >> that's not that's not what take not what

  • 18:10

    take off at all.

  • 18:11

    >> She said she said offset.

  • 18:15

    >> She said offset.

  • 18:16

    >> He's making take off.

  • 18:18

    >> I get it.

  • 18:19

    >> Which led to the next discrepancy of

  • 18:22

    kicking somebody out versus asking them

  • 18:25

    to leave.

  • 18:26

    >> Oh my god.

  • 18:28

    >> You failed this weekend. Cool. Man,

  • 18:31

    please

  • 18:33

    definitely a difference. Don't worry, I

  • 18:35

    got a song queued up.

  • 18:36

    >> I hope you do.

  • 18:37

    >> Somebody ask.

  • 18:38

    >> Please break that down for us.

  • 18:39

    >> Yo, could you leave my house, please?

  • 18:41

    >> That's asking them to leave. Get the

  • 18:42

    [ __ ] out is kicking them out.

  • 18:44

    >> No.

  • 18:45

    >> Asking to leave versus kicking someone

  • 18:47

    out is not the same. And too many chicks

  • 18:50

    on Instagram be trying to get that off.

  • 18:51

    I see it when they start, oh, this [ __ ]

  • 18:53

    kicked me out and kicked me out. And

  • 18:54

    then the girls start rally kick you out.

  • 18:56

    Well, sometimes it ain't a kick out.

  • 18:58

    Sometimes I'm asking you to just leave.

  • 19:02

    Sometimes it is just time to go. Hey, I

  • 19:04

    got your flight. I got your playbook.

  • 19:05

    Bad time to fight. We're not really

  • 19:07

    seeing eye to eye. Would you mind

  • 19:10

    leaving?

  • 19:11

    >> It only become a kick out when they

  • 19:13

    >> say no.

  • 19:14

    >> Don't leave.

  • 19:16

    >> So, it's not the same. But anyway,

  • 19:19

    >> yo,

  • 19:19

    >> I got a beautiful song queued up.

  • 19:21

    >> There we go. Yeah, how about it?

  • 19:22

    >> Yeah. Let's see here. Let's get some

  • 19:24

    music please.

  • 19:25

    >> Yeah.

  • 19:26

    >> Shout out to all the ladies out there.

  • 19:27

    Shout out to all the happy couples out

  • 19:28

    there. Shout out to our ladies. Hey,

  • 19:31

    hey,

  • 19:32

    >> love you, baby.

  • 19:35

    >> You're going to need some mer.

  • 19:37

    Yeah, you need this. No, we doing great,

  • 19:39

    but just got to understand what some

  • 19:42

    terms mean.

  • 19:53

    No,

  • 19:58

    daddy. Who's that?

  • 20:01

    What's that?

  • 20:05

    >> Ice.

  • 20:09

    >> Who is that?

  • 20:13

    >> What episode is this? 904. Welcome to

  • 20:15

    episode 94 of the Joe Button podcast.

  • 20:19

    I'm your humble, grateful, gracious,

  • 20:21

    extremely happy to be here host Joe

  • 20:23

    Button. This broadcast is brought to you

  • 20:25

    by fueled by power by prize pitch prize

  • 20:27

    pitch gang. Yeah. Uh, and I'm here with

  • 20:29

    some really amazing people to my right.

  • 20:31

    Shout out to our boy Queens Flip who is

  • 20:33

    at Carnival having a blast.

  • 20:38

    This [ __ ] is living.

  • 20:39

    >> Yeah, he's having a good time out there.

  • 20:41

    Shout out to Flip here with us in

  • 20:42

    spirit. To my right, our good brother,

  • 20:43

    Dr. Mark Lamar Hill. How you doing, man?

  • 20:46

    >> Hanging in there, man. Rough week.

  • 20:48

    >> Good, good, good.

  • 20:49

    >> Everything all right?

  • 20:50

    >> Yeah. Yeah. My son's sick. Been been in

  • 20:52

    the hospital and uh just been ripping

  • 20:54

    and running. was traveling all not all

  • 20:56

    weekend but Sunday kicked my ass.

  • 20:59

    >> Gotcha.

  • 20:59

    >> Flew to Arkansas and back and been in

  • 21:01

    the hospital but you know it was life.

  • 21:03

    >> Glad to have you back.

  • 21:04

    >> Glad to be here man.

  • 21:05

    >> Strung up.

  • 21:05

    >> Safe

  • 21:07

    strung up.

  • 21:08

    >> Yeah. Anytime it's a airport and Mark's

  • 21:10

    story he it don't go well. True.

  • 21:14

    >> He ain't noticing the sign.

  • 21:18

    >> Oh man. Next to next to him man our good

  • 21:20

    brother Mr. Thousand Doors and up. Big

  • 21:22

    is in the building. How you feeling,

  • 21:25

    man?

  • 21:25

    >> I'm well. Yourself?

  • 21:26

    >> Real good. Real good, man.

  • 21:28

    >> I see you was outside.

  • 21:30

    >> Yeah, we were outside this weekend.

  • 21:31

    >> Oh, yeah. Yeah. Yeah. Yeah. Yeah. We'll

  • 21:33

    we'll we'll talk about it. I made a

  • 21:34

    couple of

  • 21:35

    >> couple of quick little stops.

  • 21:37

    >> Uh what did you do, Mr. Prodigy?

  • 21:39

    >> Nothing at all.

  • 21:40

    >> Stayed in the house.

  • 21:41

    >> In the house the whole time.

  • 21:42

    >> Mhm.

  • 21:42

    >> Okay.

  • 21:44

    >> Yeah.

  • 21:46

    >> Mark, don't start your [ __ ]

  • 21:47

    >> I ain't start nothing, man.

  • 21:48

    >> You know what they say when we on the

  • 21:49

    same couch.

  • 21:51

    y'all too.

  • 21:51

    >> Yeah.

  • 21:53

    >> But I mean

  • 21:54

    >> that prodigy [ __ ] was

  • 21:56

    >> I be I understand is so I understand the

  • 21:59

    mistake he be making but it's still

  • 22:00

    always funny.

  • 22:01

    >> What's the mistake?

  • 22:03

    >> He puts

  • 22:06

    he puts the the the

  • 22:10

    punch in the front

  • 22:13

    >> and then doesn't explain it properly.

  • 22:16

    Just continues with the story as if it's

  • 22:18

    understood.

  • 22:19

    >> Right.

  • 22:21

    rather than at the end after he's

  • 22:23

    properly been able to explain whatever

  • 22:25

    the [ __ ] he is trying to say and then

  • 22:29

    that

  • 22:29

    >> that makes sense. There's a lot of the

  • 22:31

    fans have been wondering about the your

  • 22:32

    your child prodigy statement. It's been

  • 22:34

    on the internet. I know you don't read

  • 22:35

    it. That's why I'm telling you they um

  • 22:38

    they mentioned it and so

  • 22:40

    >> they've been having a blast.

  • 22:41

    >> They've been having

  • 22:44

    we I don't I mean I'm

  • 22:45

    >> It ain't us, buddy. It ain't us.

  • 22:47

    >> I didn't say a word. I ain't say

  • 22:48

    nothing.

  • 22:49

    >> So you never you never finished a

  • 22:50

    thought though. What what were you

  • 22:52

    prodigious in?

  • 22:54

    >> I was academically inclined as a kid.

  • 22:57

    >> I skipped first grade. They wanted to

  • 22:59

    skip me from second grade. My mother

  • 23:00

    said no. I could have got I could have

  • 23:02

    been damn near 10 years old in high

  • 23:04

    school.

  • 23:06

    11 years old in high school.

  • 23:08

    >> Yeah. I'm I'm your real I know what you

  • 23:11

    be trying.

  • 23:12

    >> I don't give a [ __ ] what they say.

  • 23:13

    >> I'm friends with you in real life. I

  • 23:14

    just curious.

  • 23:15

    >> I always thought you was a prodigy since

  • 23:17

    we met.

  • 23:19

    >> You was having

  • 23:25

    >> That's a pretty good one. You on with

  • 23:26

    it?

  • 23:27

    >> Uh next to is Come on, man. The

  • 23:31

    Freeziest of them all. Big ISIS in the

  • 23:33

    building. How you doing, Freeze? I'm

  • 23:34

    great. I'm great. Great. Good. Good. I'm

  • 23:36

    glad to hear that, man.

  • 23:37

    >> I loved your IG your Valentine's Day IG

  • 23:39

    photo, man. It was real fly.

  • 23:41

    >> Thank you. Appreciate it. Beautiful. Me,

  • 23:42

    too.

  • 23:45

    Okay. Thank you.

  • 23:45

    >> Everybody seen it but me. I didn't see.

  • 23:47

    >> Why you look at me?

  • 23:48

    >> No, I just said thank you. Shout out to

  • 23:50

    my baby. What do

  • 23:52

    >> real good picture? She she a little icy.

  • 23:54

    >> This lady looked wonderful. Um they were

  • 23:56

    decked out. Ice kept his face kind of

  • 23:58

    away from the camera a little bit.

  • 23:59

    >> Yeah, he had the big chain on.

  • 24:00

    >> Yeah, he had the big chain on.

  • 24:02

    >> He

  • 24:04

    I was wondering about that, but I was

  • 24:05

    chilling.

  • 24:06

    >> Big chain, big watch, you know, and all

  • 24:08

    my splendor.

  • 24:09

    >> Yeah.

  • 24:11

    >> Sometimes you got to just say it. This

  • 24:13

    is cool.

  • 24:14

    >> Yeah, they remind me.

  • 24:15

    >> This is a couch of such few words.

  • 24:19

    >> Well, I didn't see it. So, could you

  • 24:20

    explain to me what they're saying?

  • 24:21

    >> They were showing the [ __ ] out. That's

  • 24:23

    what it was.

  • 24:23

    >> We went out. We had a good time. We went

  • 24:25

    out. We went out.

  • 24:25

    >> You put all the jewels on?

  • 24:27

    >> All of them.

  • 24:27

    >> All of them.

  • 24:28

    >> We went out.

  • 24:28

    >> Namely, the love of his life.

  • 24:30

    >> That's exactly

  • 24:32

    >> That was the gym, but he had

  • 24:34

    >> But there was some other We went out.

  • 24:37

    That's all.

  • 24:37

    >> Y'all did it right. We did a nice

  • 24:39

    dinner, then went and got up with our

  • 24:40

    peoples and we went to the the spot.

  • 24:44

    >> Yeah.

  • 24:44

    >> Are you bashful for your thing? Like why

  • 24:46

    are you blasting? Like why am I

  • 24:50

    it? We just we we

  • 24:51

    >> but talking [ __ ] though, [ __ ]

  • 24:52

    >> There's no [ __ ] to talk, bro. I don't

  • 24:54

    >> shoulders is sinking in. Come on, [ __ ]

  • 24:57

    >> You threw all the jewelry on and stepped

  • 24:59

    out with your queen. What we talking?

  • 25:00

    What we doing? Valentine. We went out.

  • 25:02

    Went to the spot. We ain't waiting no

  • 25:04

    line. What we talking about? So why you

  • 25:06

    not saying what happened, man?

  • 25:09

    >> Cuz I don't do that. We had a good time,

  • 25:12

    bro. You want me to come in here and pop

  • 25:13

    [ __ ]

  • 25:14

    >> I called the owner of the spot. THE

  • 25:16

    SPOT. HE CLEARED the [ __ ] for us. It was

  • 25:18

    Valentine's Day. Packed. He was like,

  • 25:19

    "Y'all accommodate y'all." Then my man

  • 25:22

    over here, we took care of everything.

  • 25:23

    We good, [ __ ] Went in there like

  • 25:24

    superstars. That's what I'm going to do,

  • 25:27

    man. That's what I'm looking for. Cuz

  • 25:29

    the only pick I saw, and then I'm

  • 25:31

    introducing Parks was the boxer briefs

  • 25:34

    that were floating around. Uh-huh.

  • 25:36

    >> Yeah.

  • 25:37

    >> Huh. She got me some boxer boots with

  • 25:38

    her face on it.

  • 25:41

    >> No, not one face.

  • 25:42

    >> No, her face all over.

  • 25:43

    >> All over the boxers.

  • 25:46

    >> I wanted the clown, but me and Freeze be

  • 25:48

    down. So, I mean, I wear some [ __ ] I

  • 25:50

    ain't wear them.

  • 25:51

    >> I ain't wear them.

  • 25:52

    >> Why? You're going to wear them. You're

  • 25:54

    going to wear them.

  • 25:57

    >> Probably got them on right now.

  • 25:58

    >> No, you're going to wear them. You are

  • 26:00

    going to wear them.

  • 26:01

    >> Probably got them [ __ ] on now.

  • 26:02

    >> You don't think you're not going to wear

  • 26:03

    them, do you? I'm I'm

  • 26:04

    >> You don't think there we go.

  • 26:06

    >> As long as you know. No,

  • 26:07

    >> I'm for sure. I'mma wear them.

  • 26:08

    >> I would wear them if my girl got me

  • 26:10

    [ __ ] some doofy [ __ ] You know your

  • 26:12

    girl's going to do some [ __ ]

  • 26:13

    >> She do all that [ __ ] I love it though.

  • 26:15

    So, but yeah.

  • 26:17

    >> We had a great time though. Great great

  • 26:19

    Valentine's Day.

  • 26:21

    >> How wonderful.

  • 26:23

    >> You want to say

  • 26:25

    I don't love

  • 26:27

    >> I love it's that that's head ass [ __ ]

  • 26:30

    Like we do head ass [ __ ]

  • 26:31

    >> That's what Valentine's Day is. No days

  • 26:32

    off, man. Yeah, we do. We do all that

  • 26:34

    head ass [ __ ] I love it. I know we have

  • 26:37

    uh Oh, Am I Finest Parks is here.

  • 26:39

    >> What's popping?

  • 26:41

    >> We have a board.

  • 26:42

    >> There's a lot to talk about today.

  • 26:44

    >> There's a lot to talk about.

  • 26:45

    >> Mhm.

  • 26:46

    >> On my board that didn't make it.

  • 26:49

    >> Your personal board

  • 26:50

    >> on my board that I had to erase.

  • 26:54

    Easter was on there.

  • 26:55

    >> Okay.

  • 26:57

    >> I got talked out of it, so I'm not doing

  • 26:59

    it.

  • 27:01

    But I'd be

  • 27:03

    >> you're But I don't even want to ask. I

  • 27:05

    don't think I want to ask.

  • 27:06

    >> What are y'all doing this Easter?

  • 27:08

    >> I didn't know that. That was

  • 27:10

    >> You don't do things on Easter.

  • 27:13

    >> Get some.

  • 27:13

    >> No, we don't do that anymore. That don't

  • 27:15

    get dressed up. We don't do nothing on

  • 27:16

    Easter.

  • 27:17

    >> You know, wearing your lavender suit and

  • 27:18

    going out pastels on and [ __ ]

  • 27:22

    >> Might take the kids to that.

  • 27:23

    >> I mean, we got small kids, so you got to

  • 27:25

    do something with the Easter eggs and

  • 27:26

    all that [ __ ] I'm not a fan of that.

  • 27:28

    >> Baptize them or some [ __ ] right? Yeah.

  • 27:30

    >> What you got to do?

  • 27:32

    >> They like to They like They like to eat

  • 27:34

    [ __ ] So I might do that chocolate

  • 27:37

    buddy.

  • 27:38

    >> That's the first time you give him red

  • 27:39

    wine or some [ __ ] right?

  • 27:42

    >> Wait, I told you I erased it. Uh,

  • 27:44

    listen. Bo is here. Cory is here.

  • 27:48

    Erikson is here. Tanner and Savon are

  • 27:50

    here by remote. Last but certainly not

  • 27:53

    least, each and every one of you guys

  • 27:56

    are here. We couldn't do this without

  • 27:57

    your participation. people.

  • 27:59

    >> Uh where do we begin?

  • 28:03

    >> We had a fun little weekend. We were

  • 28:04

    outside went saw a new edition Tony

  • 28:06

    Braxton Boy to Men at uh Credential on

  • 28:08

    on Friday.

  • 28:09

    >> Yes. Yes, we did.

  • 28:11

    >> Thanks to Joey got us a nice little

  • 28:12

    suite, the sweet suite decked out with

  • 28:14

    all the goodies.

  • 28:17

    >> Now Parks and Parks and Ammani and

  • 28:19

    Parks's beautiful wife and Nat and

  • 28:22

    Rachel were there at the suite when I

  • 28:25

    walked in.

  • 28:25

    >> Yeah, we got there first. So the rest of

  • 28:27

    my joke don't really apply to them. But

  • 28:30

    boy did I feel so bad.

  • 28:33

    When you when you when you book these

  • 28:35

    like group meetups

  • 28:38

    like I don't be the best at delivering

  • 28:40

    all the information. It was some parking

  • 28:42

    passes. I forgot to say you

  • 28:44

    [ __ ]

  • 28:46

    I asked about it. Parking was [ __ ]

  • 28:48

    That's when I went look.

  • 28:49

    >> I actually I got a good few parking

  • 28:51

    passes. I was

  • 28:54

    >> Oh wow. 50 it is.

  • 28:56

    >> And then it was the number there that

  • 28:58

    was like, "Yo, when you get up here, yo,

  • 29:00

    hit me so we going to take care of it."

  • 29:02

    So

  • 29:04

    by the time I walked up and hopped out

  • 29:06

    of where I was supposed to be, the newer

  • 29:08

    cops was out there. They must have been

  • 29:10

    Joe Button fans. Boy, did they clear the

  • 29:12

    street for me. Brought me right to the

  • 29:14

    contact guy. Skipped in line, bump some

  • 29:17

    fat girl in line. Move.

  • 29:20

    Cuz it be the fat girl that's mad that

  • 29:22

    you skip everybody. Hey, you heard me

  • 29:25

    say excuse me 50 times, right? Moving.

  • 29:30

    >> Oh, but then I felt so bad because

  • 29:32

    everybody else was like, yeah, it wasn't

  • 29:36

    it was bad. My boy mom was in line. We

  • 29:39

    >> People was telling me a [ __ ]

  • 29:42

    [ __ ]

  • 29:43

    >> I was wondering why they got there so

  • 29:44

    late.

  • 29:45

    >> Damn.

  • 29:48

    >> Well, no, I'm joking around. But we had

  • 29:49

    a great time. Sweet, full of food. Uh

  • 29:52

    Tony Braxton, New Edition, and Boys to

  • 29:54

    Men, did the whole Kendrick Scissor

  • 29:56

    In-N-Out interchangeable. There's no

  • 29:59

    opening act thing.

  • 30:00

    >> Okay.

  • 30:01

    >> So, that was great. Um Sean Stockman

  • 30:04

    called me the next day for my thoughts

  • 30:06

    on it cuz he was going to listen to the

  • 30:08

    pod. So, he didn't want to hear

  • 30:12

    in front of it. Let me head down.

  • 30:15

    >> He didn't want to hear nothing slick.

  • 30:18

    >> Uh so, I told him I really enjoyed the

  • 30:19

    show and I did really enjoy it. It was

  • 30:21

    good from what I could hear.

  • 30:22

    >> The show

  • 30:24

    when the mics were on it was great.

  • 30:25

    >> It was great.

  • 30:26

    >> But

  • 30:26

    >> it may have only been a third of the

  • 30:28

    time but

  • 30:29

    >> there was some sound issues with the

  • 30:30

    microphone with the microphone. Like

  • 30:33

    there's a lot of the TV track was

  • 30:35

    definitely TV tracking early on. They

  • 30:38

    eventually tried to get it fixed at some

  • 30:40

    point through the show. So, it did get

  • 30:41

    better. But

  • 30:42

    >> be clear, Tony Braxton got her [ __ ]

  • 30:44

    right before she stepped on that stage

  • 30:45

    again. Yeah,

  • 30:46

    >> Tony Braxton was not playing with that

  • 30:48

    sound

  • 30:48

    >> cuz you know it's mic issues because too

  • 30:50

    many of these people you already know

  • 30:52

    can sing.

  • 30:52

    >> Yes.

  • 30:53

    >> You know Tony Braxton is not trying to

  • 30:55

    do no TV track [ __ ]

  • 30:57

    >> Juan Yay all them boys to men [ __ ]

  • 30:59

    could sing. Ricky Bell could sing. Ral

  • 31:01

    Tresman want to sing. Johnny Gil want to

  • 31:03

    sing. And did

  • 31:04

    >> Johnny got fix the microphone please so

  • 31:07

    the singers can sing. Especially on

  • 31:09

    Candy Rain

  • 31:10

    >> and like the biggest [ __ ] not all of

  • 31:13

    it, but like the super duper smashes

  • 31:15

    when the mic is dropping out. It's like,

  • 31:16

    "All right, dog." Now, they're candy

  • 31:18

    girl.

  • 31:18

    >> They're candy girl. My bad. My bad.

  • 31:20

    >> All right. I'm like, "Wait, wait. All

  • 31:21

    right girl."

  • 31:21

    >> Yeah. No, it was it was I thought it was

  • 31:23

    where I cuz I wasn't up in the I thought

  • 31:24

    it was just I was in a bad location.

  • 31:27

    >> I go up to the suite to to hear it

  • 31:29

    better and then we later found out

  • 31:30

    >> you front row, right?

  • 31:31

    >> Yeah. So, but you know, since when you

  • 31:33

    >> like a true stand.

  • 31:35

    >> Yeah.

  • 31:35

    >> Like look cool, [ __ ]

  • 31:37

    Why you I'm not seeing your Instagram

  • 31:40

    post. Oh, Bobby Brown, you did it. You

  • 31:42

    took my gold girl.

  • 31:46

    >> You're such a [ __ ] dwee.

  • 31:48

    >> Yes.

  • 31:50

    >> Yes.

  • 31:51

    I still

  • 31:52

    >> I saw his story. It ain't no more

  • 31:53

    >> cuz it didn't happen.

  • 31:55

    >> Wait, you're lying.

  • 31:57

    >> I said, "Damn it, Bobby, you took my

  • 31:58

    girl." That's what I wrote in my story.

  • 31:59

    >> No, you didn't say that cuz that's your

  • 32:01

    wife,

  • 32:02

    >> right?

  • 32:06

    Well played. Well played.

  • 32:07

    >> Yeah. No, it was it was it was it was

  • 32:09

    good. It just the audio. You just

  • 32:11

    couldn't

  • 32:12

    >> I couldn't hear it.

  • 32:12

    >> The mics were dropping up.

  • 32:13

    >> It a lot.

  • 32:14

    >> And you could see them getting

  • 32:15

    frustrated on stage.

  • 32:16

    >> I thought one day was going to kill

  • 32:17

    somebody.

  • 32:17

    >> Yes.

  • 32:18

    >> And he deserved to.

  • 32:18

    >> Oh, yeah. You could tell. See, we did

  • 32:21

    shows before. You could tell who's about

  • 32:23

    to die and who's screaming on who and

  • 32:24

    what that backstage looked like. At some

  • 32:26

    point, the stage was having a trouble

  • 32:29

    with the elevators that was bringing

  • 32:30

    them up and down. So at one point one

  • 32:33

    [ __ ] got stuck like somebody got stuck

  • 32:36

    in there. That's where Chris Brown got

  • 32:37

    stuck in. Yep.

  • 32:39

    >> Yeah. But Chris Brown is young enough

  • 32:41

    and agile enough to hang in the air for

  • 32:44

    20 minutes.

  • 32:44

    >> Yeah. He can he can escape and still

  • 32:46

    sing and [ __ ] all Bobby.

  • 32:49

    >> Bib on the other hand

  • 32:54

    60.

  • 32:55

    >> See and also that's the thing too,

  • 32:57

    right? I was young like I bought Boys to

  • 32:59

    Men Mottown Philly album when I bought

  • 33:01

    Mariah Carey Vision of Love album. I got

  • 33:03

    my first boom box. I might have been 11,

  • 33:06

    12, 10, somewhere around there. Yeah,

  • 33:09

    10. Um,

  • 33:12

    and New Edition found them. I knew Boys

  • 33:14

    to Men was the New Edition song. So, I

  • 33:16

    just always look at New Edition as so

  • 33:18

    much older than Boys to Men until this

  • 33:21

    night.

  • 33:22

    >> Yeah.

  • 33:22

    >> Yeah.

  • 33:24

    the show

  • 33:27

    >> you were.

  • 33:28

    >> Well, actually they are. No,

  • 33:29

    >> not they. They only about 5 years apart,

  • 33:31

    I think.

  • 33:32

    >> No, they must be a lot that ain't just

  • 33:40

    >> cuz he trying to say nice. This what I'm

  • 33:43

    saying is

  • 33:46

    this was the first night I googled how

  • 33:50

    old are these [ __ ] doing the

  • 33:52

    same

  • 33:56

    >> how old is new addition

  • 34:00

    >> and I got to tell you

  • 34:05

    >> yeah [ __ ]

  • 34:06

    >> he changing name

  • 34:08

    >> they shouldn't put new in nothing no

  • 34:11

    No.

  • 34:12

    >> No audition.

  • 34:13

    >> The the auditions those brothers, not

  • 34:16

    all of them,

  • 34:18

    >> but Bobby,

  • 34:20

    Biv,

  • 34:23

    Dvau even had this malnourished

  • 34:27

    look about him. And then the dance, they

  • 34:30

    it was all the dance steps from

  • 34:32

    >> Mottown.

  • 34:32

    >> From Yes.

  • 34:34

    >> Mot.

  • 34:37

    No, some No, these steps was made for a

  • 34:40

    60 year old. They Mottown steps. They

  • 34:43

    made those steps look

  • 34:45

    >> old. Yeah, a couple of

  • 34:47

    >> I googled the [ __ ] out of how old these

  • 34:49

    brother

  • 34:50

    >> The youngest one is 57. Yeah.

  • 34:52

    >> Think of Boys to Men is 55 and 54.

  • 34:58

    >> Yeah, cuz they started young. Started

  • 35:01

    >> younger. Yeah. No. Addition started so

  • 35:03

    much earlier than Boys the Men.

  • 35:04

    >> It's like the Jun.

  • 35:07

    different cuz they came out

  • 35:08

    >> and then Bobby Brown half the night was

  • 35:10

    giving everybody his ass to kiss. He

  • 35:12

    still think that he old Bobby.

  • 35:14

    >> He still think that he's my prerogative

  • 35:17

    Bobby. So at one point he looked at the

  • 35:18

    crowd and said, "Y'all want to see some

  • 35:20

    dance moves?" Now mind you, I've been

  • 35:21

    watching him all night. He ain't busting

  • 35:23

    out a move.

  • 35:25

    >> So the audience done fell for this. They

  • 35:28

    scream, "Yeah, go crazy, Barbie." That

  • 35:30

    [ __ ] said, "Google me."

  • 35:35

    I love that [ __ ] man.

  • 35:37

    >> I do I DO HAVE TO I DO HAVE TO SAY BOBBY

  • 35:39

    BROWN sounded really good considering

  • 35:41

    the fact that he was never like the most

  • 35:43

    [ __ ] amazing vocalist. Like he

  • 35:45

    sounded good.

  • 35:45

    >> His voice hasn't hasn't changed.

  • 35:46

    >> Yeah.

  • 35:47

    >> Yeah.

  • 35:48

    >> Bobby Brown. A lot of them sets he

  • 35:51

    remind me of me when I used to go to the

  • 35:54

    club with a group and just walk away.

  • 35:58

    You walk away a lot. A LOT. I USED TO GO

  • 36:02

    TO THE CLUB with a group of like four to

  • 36:04

    seven people. And whenever they got

  • 36:05

    situated, I just got away from them.

  • 36:08

    >> I didn't tell them where I was going,

  • 36:10

    what I was going to do. That's what

  • 36:12

    Bobby did all night long up there.

  • 36:15

    >> That's crazy.

  • 36:15

    >> A couple times he was catching his

  • 36:16

    breath on the side.

  • 36:17

    >> Yeah. Facts.

  • 36:18

    >> Like a hard like when we was playing

  • 36:20

    basketball.

  • 36:21

    >> Yes.

  • 36:22

    >> No, the whole show was a little bit like

  • 36:23

    us playing basketball.

  • 36:25

    >> Yeah. No, I ain't going to hold you,

  • 36:27

    man. Y'all better.

  • 36:29

    dog. It was one point where that's

  • 36:33

    >> Boys the Men came out uh at the tail end

  • 36:38

    of whatever New Edition set was and Boys

  • 36:40

    the Men came to the front cuz it was

  • 36:41

    like a three-stage thing and they said,

  • 36:43

    "All right, y'all.

  • 36:45

    If it's all right with y'all, New

  • 36:48

    Edition is going to stay on with us a

  • 36:49

    little bit."

  • 36:50

    >> Oh [ __ ]

  • 36:50

    >> And sing these backgrounds.

  • 36:53

    The crowd went crazy.

  • 36:55

    AH YEAH. I was like, "Oh [ __ ] nigga."

  • 37:00

    45 seconds later.

  • 37:06

    >> New edition. Walk the [ __ ] up the stage.

  • 37:11

    >> Yo, this show was so great.

  • 37:13

    >> It was a really good show.

  • 37:16

    >> All jokes aside,

  • 37:17

    >> it was so many hits and because unlike

  • 37:18

    the, you know, like the Kendrick Scissor

  • 37:20

    show where like

  • 37:21

    >> if you're not a fan of one, it was like

  • 37:22

    a dramatic change. This was so many

  • 37:24

    iterations because it would be like

  • 37:25

    Johnny Gil would do some solo set. Then

  • 37:27

    you might have a BBD thing, then you

  • 37:28

    have Tony Brax and then you have all the

  • 37:29

    new edition, then you might have, you

  • 37:30

    know what I mean? So every it was all

  • 37:32

    these different like pieces that all

  • 37:34

    sounded good. Well, they all Yeah, they

  • 37:36

    were great.

  • 37:36

    >> They would have sounded good had the

  • 37:37

    mics.

  • 37:38

    >> The mics were working.

  • 37:39

    >> Yeah. And between all of the the the

  • 37:41

    renditions, they nothing but hits.

  • 37:42

    >> Nothing but hits. Yeah. It was two hours

  • 37:44

    of hits straight.

  • 37:45

    >> And they lucky it was. I'll tell you

  • 37:46

    that much. If a song came on and this

  • 37:49

    crowd didn't know and

  • 37:52

    look

  • 37:52

    >> we just had to depend on the mics.

  • 37:57

    >> I'm sure the crowd was singing all the

  • 37:58

    songs.

  • 37:58

    >> Oh, for sure.

  • 37:59

    >> You had to hear.

  • 38:01

    >> Oh [ __ ]

  • 38:01

    >> I was in heaven in there. Ralph did do

  • 38:04

    what I got to do.

  • 38:05

    >> Ralph bodied.

  • 38:06

    >> Ralph and Johnny.

  • 38:08

    >> Johnny Gil body.

  • 38:09

    >> Johnny Gil sang his face off.

  • 38:10

    >> The whole boys been bodied. Obviously

  • 38:12

    Tony bodied. Obviously

  • 38:13

    >> Ricky Bell went crazy too. I saw

  • 38:15

    >> there were parts of the night where I

  • 38:16

    couldn't tell who the best singer was.

  • 38:18

    >> I saw Ricky

  • 38:19

    >> cuz Ricky Bell sounded amazing.

  • 38:22

    >> I saw some clips.

  • 38:23

    >> Boys to Men sounds crazy. Ralph sounded

  • 38:26

    good. Johnny at some point walked into

  • 38:28

    the stage. Johnny I feel like was buying

  • 38:31

    them time.

  • 38:31

    >> Johnny was doing ad.

  • 38:34

    >> Yeah. Yeah. Yeah. The walking ad. I

  • 38:35

    don't feel like that was a part of the

  • 38:36

    show. I think there was chaos backstage

  • 38:39

    and Johnny said, "Yo, I'm going to get

  • 38:42

    he walked in the crowd and just did not

  • 38:44

    >> two to three minutes of

  • 38:47

    high notes and

  • 38:49

    >> if he would had some cherries, he would

  • 38:50

    have been on some Usher [ __ ] facts."

  • 38:52

    Like that's how he was looking out

  • 38:53

    there. And Johnny looked good, too. Did

  • 38:56

    >> also though,

  • 38:58

    newer couch.

  • 39:01

    >> Couch a few words.

  • 39:04

    >> No, I ain't got no problems. then

  • 39:06

    freeze.

  • 39:07

    >> Yo, I'mma break this couch up.

  • 39:10

    >> I'm telling y'all, this iteration of

  • 39:13

    y'all is getting broken up.

  • 39:15

    >> I know.

  • 39:16

    >> You You do know.

  • 39:16

    >> I peeped. No, I peeped.

  • 39:17

    >> It's 100% coming.

  • 39:19

    >> I peeped.

  • 39:20

    >> Okay.

  • 39:20

    >> I already see the play.

  • 39:22

    >> Yeah, cuz y'all two together, boy.

  • 39:24

    >> I seen the play.

  • 39:24

    >> So, you're not going to say what y'all

  • 39:25

    laughing at about Johnny Gil.

  • 39:28

    >> Y'all think he was going to put the

  • 39:29

    cherries in? Come on. I'mma walk. I

  • 39:30

    don't know where he was putting the

  • 39:31

    cherries at cuz I walked I don't I

  • 39:32

    wouldn't think about

  • 39:33

    >> but Johnny Gil did have on that earring

  • 39:36

    >> he had on that earring

  • 39:37

    >> nose ring it was a

  • 39:39

    >> very and his biker he was in the front

  • 39:42

    row

  • 39:42

    >> and his leather and his leather biker

  • 39:44

    setup

  • 39:47

    >> I ain't saying sounded great

  • 39:50

    >> yeah what y'all trying to say

  • 39:52

    >> I just said mad words I just said mad

  • 39:54

    words I'm not joking

  • 39:55

    >> you said word salad what you was trying

  • 39:57

    to get at I said enough for the audience

  • 40:00

    Underdig

  • 40:09

    Anyway, shout out to Johnny Gill. He

  • 40:11

    sounded great. Everybody was great. I am

  • 40:13

    going to make that show at the Barklays.

  • 40:15

    >> I would like to see it again. What

  • 40:16

    better?

  • 40:16

    >> I'm going to

  • 40:18

    the I told y'all about Credential, but I

  • 40:20

    can't I can't say nothing cuz they

  • 40:22

    showed me an amazing night.

  • 40:23

    >> Yeah, food was good.

  • 40:24

    >> Credential be lit, though. I I don't

  • 40:26

    think it's a Credential thing, yo.

  • 40:28

    That's why I be needing my girl, too.

  • 40:29

    She wasn't here when I had to pick the

  • 40:31

    food for the the suite.

  • 40:32

    >> You just got everything.

  • 40:33

    >> Everything

  • 40:39

    >> we ain't that

  • 40:41

    like four chips and then sandwich away.

  • 40:44

    >> I got everything.

  • 40:45

    >> Yeah.

  • 40:45

    >> No.

  • 40:46

    >> Steaks, sushi, pastramis.

  • 40:48

    >> Once I saw the There was hot dogs next

  • 40:50

    to the sushi. What are we doing?

  • 40:53

    >> [ __ ] what else?

  • 40:54

    >> Some weird steak sandwiches. It was a

  • 40:56

    lot of [ __ ] up there.

  • 40:56

    >> It was mad food up there. We didn't eat

  • 40:58

    [ __ ]

  • 40:59

    >> Yeah, it was good for what I ate, but it

  • 41:01

    was too much [ __ ]

  • 41:02

    >> It was my little bite of my sandwich I

  • 41:03

    took was good. But it didn't tell me a

  • 41:04

    good time. The sweet life ain't bad.

  • 41:07

    >> Then we went to see Jill on Saturday.

  • 41:09

    >> And then Saturday night, we did go see

  • 41:11

    Jill Scott.

  • 41:13

    What? That [ __ ] was like the [ __ ]

  • 41:14

    warmest hug you ever felt in your life

  • 41:16

    on Valentine's Day.

  • 41:17

    >> Yeah.

  • 41:18

    >> Yeah.

  • 41:18

    >> She bodied it.

  • 41:19

    >> She's She's so good.

  • 41:21

    >> Oh, yeah. She would have meowed your

  • 41:22

    heart out.

  • 41:22

    >> Oh yeah. You'd have been up there

  • 41:24

    purring, meowing, rubbing your face

  • 41:26

    against [ __ ] Oh man. Oh, so many meow.

  • 41:31

    >> Absolutely beautiful show.

  • 41:33

    >> It was the the six of the three of us

  • 41:34

    with our our significant others. So, we

  • 41:36

    had a nice little table. It was

  • 41:38

    jam-packed. There was people in the like

  • 41:40

    uh standby section outside. Y'all y'all

  • 41:43

    not having Yeah. Good luck. Good luck to

  • 41:45

    that.

  • 41:47

    >> So, that whole area is dirty.

  • 41:51

    >> That's a fact. I don't go I ain't been

  • 41:53

    over there since I was getting my fake

  • 41:55

    ID or village underground or like when

  • 41:58

    we was over there. That's when we would

  • 41:59

    walk places. Remember?

  • 42:01

    >> Yeah.

  • 42:02

    >> I don't know where that's when we was

  • 42:04

    third. The village

  • 42:05

    >> west third. That's when we would just yo

  • 42:07

    >> that's prime.

  • 42:08

    >> You look at your friend and be like,

  • 42:09

    "Yo, you want to hop on a train and hit

  • 42:10

    West Fourth?"

  • 42:11

    >> Yeah.

  • 42:12

    >> Yeah. My [ __ ]

  • 42:13

    >> I do want to do that. And to be fair,

  • 42:16

    the city looks absolutely [ __ ]

  • 42:17

    disgusting now cuz that's no [ __ ] So,

  • 42:19

    it's it's bad, but it's dirty in

  • 42:21

    general, but it's extra dirty right now.

  • 42:24

    >> But we got 1.5 billion in funding, so

  • 42:27

    that'll help soon.

  • 42:31

    >> We did. Yes, I wasn't trying to be

  • 42:33

    funny.

  • 42:33

    >> I ain't say nothing.

  • 42:35

    >> You do need to get that snow up, though.

  • 42:37

    Good work.

  • 42:38

    >> I know that's our man, but it's [ __ ]

  • 42:41

    up. Open. It's [ __ ] up.

  • 42:42

    >> It been two months.

  • 42:43

    >> Yeah.

  • 42:44

    >> He said, "Get him out.

  • 42:47

    >> It's 50 outside.

  • 42:49

    Yeah. Yeah. Yeah.

  • 42:51

    Going up.

  • 42:52

    >> And when the dirt be on the snow

  • 42:56

    >> and they couldn't pick up garbage for

  • 42:57

    mad long cuz it's too much snow. So

  • 42:59

    there's bad garbage all up in the snow.

  • 43:01

    Like it's bad. It's bad.

  • 43:02

    >> Then on the news they sandwich that

  • 43:04

    story between uh them New York banning

  • 43:08

    glue traps for for the rats. So right

  • 43:10

    after they show the dirty snow, they

  • 43:12

    show you all the mice and the rats just

  • 43:15

    just creeping around. You got to stop

  • 43:16

    watching the news. I never too much in

  • 43:18

    the tables.

  • 43:19

    >> Huh?

  • 43:20

    >> Is it inhumane? Is that the argument?

  • 43:22

    >> That [ __ ] was on mute.

  • 43:24

    >> Think you think I

  • 43:25

    >> You think I turned it up for that one?

  • 43:27

    No, it's on mute, but it says New York

  • 43:29

    City ban the glue. I don't know why.

  • 43:30

    >> Okay.

  • 43:31

    >> I'm sure it's some health concern.

  • 43:33

    >> Wait, wait, wait. Hold on. I'm going to

  • 43:35

    take the glue over the meises, bro. We

  • 43:38

    ain't doing that.

  • 43:38

    >> Y I mean, y'all have mice in the creek

  • 43:40

    growing up, right?

  • 43:41

    >> As opposed to

  • 43:43

    you don't have one to get on that trap.

  • 43:45

    The most humane way to kill a mouse is

  • 43:46

    on a mouse trap. Like a Snapchat trap

  • 43:48

    >> or get a cat.

  • 43:49

    >> That [ __ ] don't be working, man. I had a

  • 43:50

    cat [ __ ]

  • 43:51

    >> No, I can't. No, I'm not going to do

  • 43:53

    that.

  • 43:53

    >> No rat to beat the dog [ __ ]

  • 43:56

    >> I've seen them [ __ ] take the cat food.

  • 43:59

    Serious.

  • 44:00

    >> Why don't you stop getting rescue cats

  • 44:02

    and go pick a cat like a man?

  • 44:04

    >> Now the rescue cats is what you want.

  • 44:05

    They got some they got some [ __ ] with

  • 44:06

    >> them.

  • 44:10

    No rats would have jumped the [ __ ] out

  • 44:12

    of Raven. Punk ass. See, you

  • 44:13

    misrepresenting Raven again on this big

  • 44:15

    national broadcast. You know Raven's

  • 44:17

    body, so we don't even have to go. Y'all

  • 44:20

    know Raven body, so we don't have [ __ ]

  • 44:22

    that ain't going to fight back.

  • 44:23

    >> Stop it. Stop it is

  • 44:26

    >> Raven might not have won, but Raven

  • 44:27

    would have for [ __ ] Raven fought

  • 44:29

    skunks. What are you talking about?

  • 44:30

    SKUNKS DON'T WANT NO PROBLEM,

  • 44:33

    MAN.

  • 44:33

    >> Raven fought possums. My dead cat. Stop

  • 44:36

    playing with Raven.

  • 44:37

    >> Rest in peace, Raven.

  • 44:39

    >> You know about Raven. You seen Raven

  • 44:40

    make it home from Route 4 when we lost

  • 44:42

    the [ __ ] Stop playing with my cat. I

  • 44:45

    was moving from Edgewater to Englewood.

  • 44:48

    Had the cat in the U-Haul. Some halfway

  • 44:50

    through River Road. Raven jumped out

  • 44:53

    jumped out the window. Boom. Booked it.

  • 44:56

    I was so sad, but mad people are

  • 44:58

    following. So there's nothing we can do.

  • 45:00

    And [ __ ] said, "Don't worry. Just go

  • 45:01

    back there in a couple days and Raven

  • 45:04

    going to find his way find a way on."

  • 45:06

    And sure enough, that's what happened.

  • 45:07

    And he knew these stories about Raven.

  • 45:09

    So, I don't know why you playing like

  • 45:10

    that. But anyway, what were we talking

  • 45:12

    about? Something important.

  • 45:13

    >> Uh oh, the Joe Show. The Joe Show.

  • 45:15

    >> Oh, so it's so dirty over there. So, I

  • 45:17

    pulled up So, so I pulled up like a G,

  • 45:20

    you know what I mean? Black SUV, all the

  • 45:23

    dirty [ __ ] hipster kids outside

  • 45:25

    trying to move, [ __ ] Get out of here.

  • 45:28

    So, hit one of these [ __ ]

  • 45:31

    We pull up, hop out, line wrapped around

  • 45:34

    the corner. I walk right to the front as

  • 45:36

    if I'm performing

  • 45:38

    and they and they said, "We got you,

  • 45:41

    man. Come right in." I said, "All right,

  • 45:42

    I'm going to go get my lady." I went and

  • 45:43

    got my lady. Came back to the door. They

  • 45:44

    said, "Uh, not letting anybody in." I

  • 45:47

    said "Nigga

  • 45:51

    >> that's that shit."

  • 45:52

    >> So now I'm standing here. That's why you

  • 45:53

    got to be careful where you got a ego.

  • 45:56

    And now I'm just standing here looking

  • 45:57

    stupid. Me, Parks, [ __ ] Rim Shade.

  • 46:02

    But then it the door slide open enough

  • 46:04

    you do the real [ __ ]

  • 46:07

    >> You know somebody over there.

  • 46:08

    >> Of course.

  • 46:09

    >> Remember that from back in the day

  • 46:12

    >> in today still.

  • 46:13

    >> Yeah, right.

  • 46:14

    >> And let us on in there and we went to a

  • 46:17

    table of six but just four of us.

  • 46:19

    >> No, it's tricky.

  • 46:21

    >> And Blue Note Jill Scott, you know, this

  • 46:23

    whole place is about to be jam-packed.

  • 46:25

    >> Yeah. So they kept trying to send just

  • 46:28

    two random strangers to our table.

  • 46:32

    >> And we kept lying to them, saying, "We

  • 46:34

    got two people coming.

  • 46:35

    >> We have two people coming."

  • 46:38

    >> That happened at least five times. We

  • 46:40

    was lying to them. Like it was hot. They

  • 46:41

    was trying to get these seats out.

  • 46:43

    >> And boy, we look up

  • 46:45

    >> and who do I see? My coworker and his

  • 46:49

    lovely wife.

  • 46:50

    >> And they come in and I put my arm in the

  • 46:52

    air.

  • 46:53

    >> I It's slow motion. I like Joe being

  • 46:56

    real nice. He walked all the way over to

  • 46:57

    the table.

  • 46:58

    >> Oh, no, no, no, no, no, no, no, no, no.

  • 47:00

    This is what I just seen. You didn't see

  • 47:02

    okay.

  • 47:02

    >> I put my hand say Mark.

  • 47:04

    >> Mhm.

  • 47:05

    >> And Mark just sits down with his wife at

  • 47:07

    the table. Some other new table

  • 47:10

    >> that the

  • 47:11

    >> table for two

  • 47:11

    >> hostess brought for two.

  • 47:15

    >> He over there with Angela Ye. Shout out

  • 47:17

    to Angela Ye.

  • 47:17

    >> Shout out to Angela.

  • 47:18

    >> Uh, so then he went up to go to coat

  • 47:21

    check to hang the coats up and that's

  • 47:22

    when I beline. That's when I made my

  • 47:24

    move. I sprinted toward him, grabbed his

  • 47:27

    shoulder.

  • 47:29

    Hey man,

  • 47:31

    >> got a seat for you.

  • 47:32

    >> Got your seats right here.

  • 47:33

    >> We back here, man. If you uh

  • 47:35

    >> Who had the better

  • 47:38

    table?

  • 47:39

    >> Well, he was right in front of the

  • 47:40

    stage.

  • 47:41

    >> The stage.

  • 47:41

    >> He was right in front of the stage.

  • 47:42

    >> Yeah, he booked the [ __ ] weeks ago.

  • 47:44

    >> No, I didn't.

  • 47:46

    >> He made a phone call.

  • 47:46

    >> I made a phone I just made a phone call.

  • 47:48

    >> Oh, yeah.

  • 47:49

    >> Pardon me. M she announced it the two

  • 47:52

    days before so it wasn't like

  • 47:53

    >> we all did got the hook up. I swear I

  • 47:55

    swear I don't know if any fans were in

  • 47:56

    that mother. I felt like everybody in

  • 47:58

    there had the hook up at 8:00 and at

  • 47:59

    10:30. I looked at the pictures from

  • 48:00

    8:00. It was like everybody was in there

  • 48:01

    but fans. I mean we all fans but I mean

  • 48:04

    >> I felt bad for people who were trying to

  • 48:05

    get the tickets. But no, we was there

  • 48:07

    >> and then we had just sat down and Angela

  • 48:10

    had just said to me, "Oh, Mark, what's

  • 48:12

    up? It's so good to see you. Nice to

  • 48:13

    meet your wife." They both went to the

  • 48:14

    same high school. She was like, "Uh,

  • 48:16

    nice to meet you. I'm so glad y'all are

  • 48:17

    sitting here." We were scared they were

  • 48:19

    going to put anybody at this table and

  • 48:21

    it would have been a disaster for us.

  • 48:23

    Thank you for being here.

  • 48:24

    >> And then you move.

  • 48:25

    >> Then I get up to and that's when I felt

  • 48:28

    Joe tap you on the shoulder like we back

  • 48:31

    there.

  • 48:32

    >> Yep. Sorry.

  • 48:34

    >> I had a choice to make.

  • 48:35

    >> Mhm.

  • 48:36

    >> And he came and joined us, man.

  • 48:38

    >> Thank God.

  • 48:38

    >> Gang gang.

  • 48:39

    >> Thank God.

  • 48:40

    >> We had we had a time.

  • 48:41

    >> We did.

  • 48:42

    >> It was awkward as [ __ ] though cuz So

  • 48:45

    understand what I understand. I told you

  • 48:47

    [ __ ] All right. back there

  • 48:50

    after the show.

  • 48:50

    >> The thing is,

  • 48:51

    >> well, you belong with the ye crowd.

  • 48:52

    >> That's true. He's awful.

  • 48:54

    >> Yeah, you should.

  • 48:56

    >> Our seats were great, too.

  • 48:57

    >> Yeah, the seats were okay. I mean, it's

  • 48:59

    the blue. There's no bad seats in the

  • 49:00

    blue.

  • 49:00

    >> We didn't have a bad day. That's That

  • 49:03

    was

  • 49:03

    >> It was It was fine.

  • 49:04

    >> But you saying if the seats was a little

  • 49:06

    compromised, you would

  • 49:07

    >> Oh, no. I'm going to get my Yeah. Yeah.

  • 49:09

    >> Cuz my wife was like, "Let's go back and

  • 49:10

    say hey to Joe." And then we we just

  • 49:13

    stayed back there. But because I didn't

  • 49:15

    I came in and they took my phone and

  • 49:18

    made us put them in those uh pouches.

  • 49:20

    >> Pouches. Yeah.

  • 49:21

    >> Oh yeah. Nobody could have their phone

  • 49:23

    in there but me parks and sh somehow I'm

  • 49:26

    see texting you know

  • 49:27

    >> having a blast texting away brightness

  • 49:30

    all the way up on the phone.

  • 49:32

    >> I like HOW THE [ __ ] DID I GET THE gin

  • 49:33

    pop treatment? And I realized cuz when

  • 49:35

    my wife came in she surrendered her

  • 49:36

    phone first

  • 49:37

    >> which I would not have done

  • 49:39

    >> but she likes to play by the rules. My

  • 49:41

    wife is like a good Samaritan [ __ ] So

  • 49:43

    she was playing by the rules. So we came

  • 49:44

    in. So and I couldn't call Jod to even

  • 49:46

    see if they if y'all were here yet cuz I

  • 49:48

    ain't had no phone.

  • 49:49

    >> So now so when I went back I was like

  • 49:50

    what do we do? I don't want to ghost ye.

  • 49:52

    I love her. I'm going just go sit down.

  • 49:55

    I'll explain later. Then I realized I

  • 49:57

    had left the phone pouch

  • 49:58

    >> at the table.

  • 49:59

    >> [ __ ] I told him we used to know how to

  • 50:00

    bust them [ __ ]

  • 50:02

    >> Yeah, we bust them now. We bust them

  • 50:04

    [ __ ] We know how to bust them now.

  • 50:05

    >> Yeah. So I had to go back to the table

  • 50:07

    and take it and explain that we had

  • 50:08

    left. So I was like well you know Joe

  • 50:10

    had something for us. You know he had

  • 50:11

    table back there. I didn't I didn't

  • 50:12

    realize it. I just kept saying a lot

  • 50:13

    words out. I just kept saying a lot of

  • 50:15

    words. I felt real bad because it wasn't

  • 50:16

    because of her. It was just cuz you know

  • 50:17

    y'all my people. So

  • 50:19

    >> I gotta say, man, Jill Scott's

  • 50:21

    background singers and band in general

  • 50:23

    was fire.

  • 50:25

    >> Yeah. The band the entire performance

  • 50:28

    was great. I went in expecting to see a

  • 50:31

    great band at the Blue No.

  • 50:32

    >> Right.

  • 50:33

    >> Sometimes a background singer I don't

  • 50:35

    I'm not sure about.

  • 50:36

    >> Oh, true. True.

  • 50:37

    >> Those three background singers, three

  • 50:39

    guys. M

  • 50:40

    >> three guys but had the range of

  • 50:44

    >> everything.

  • 50:44

    >> Yes.

  • 50:45

    >> Whatever the girls should be singing.

  • 50:47

    She they they absolutely

  • 50:49

    >> killed uh Sha telling me one of them

  • 50:51

    dudes is kind of got popping kind of

  • 50:53

    popping like Tik Tok popping like

  • 50:54

    Instagram like Yeah. The tall one. I

  • 50:57

    want to say his name is Glenn. Okay.

  • 50:59

    >> The tall one who was doing the Soprano

  • 51:01

    and Alto and

  • 51:03

    >> that whole crew. That was a great

  • 51:05

    performance. Great night. Shout out to

  • 51:06

    Jill Scott. We had an amazing interview

  • 51:08

    here. Mad meows. Come on. Give give a

  • 51:10

    couple meows. But

  • 51:12

    >> she did a Tiny Desk, too. If y'all want

  • 51:13

    to see it out there, it's

  • 51:15

    >> fire. That was

  • 51:16

    >> the same band. Same. You'll get a little

  • 51:17

    bit of the vibe. It's different in

  • 51:18

    person but

  • 51:20

    >> uh the Tiny Desk is amazing as well.

  • 51:22

    >> Yeah.

  • 51:22

    >> And that show made I like the album

  • 51:23

    before, but that show made me love the

  • 51:25

    album. Made me appreciate some of the

  • 51:26

    songs differently.

  • 51:27

    >> Yeah. I said that we were driving, it

  • 51:28

    was me, and money and Rem driving to the

  • 51:30

    New Edition show and I was like, "This

  • 51:31

    is going to be really way better live."

  • 51:34

    >> Yeah.

  • 51:34

    >> And it came to be true.

  • 51:36

    >> Yeah. Yeah. It came out like that.

  • 51:37

    >> Yeah. Yeah.

  • 51:37

    >> Pressure live.

  • 51:38

    >> Yes. pressure live is like a moment

  • 51:42

    >> versus and I mean I guess it's a moment

  • 51:43

    on the album too but live

  • 51:45

    >> no live that should be different very

  • 51:47

    different very different outcome uh so

  • 51:49

    congratulations Jill thank you for

  • 51:51

    stopping by thank you for coming and

  • 51:53

    discussing conflict resolution with us

  • 51:56

    that was awesome

  • 51:57

    >> yeah

  • 51:59

    and for bringing the best out of ish man

  • 52:01

    I ain't seen you like that before man I

  • 52:02

    ain't talking about your talent as a

  • 52:04

    podcaster I'm talking about like Yeah.

  • 52:07

    >> What's good?

  • 52:07

    >> He was meowing.

  • 52:08

    >> That meow was crazy.

  • 52:09

    >> He was meowing.

  • 52:10

    >> He be out there.

  • 52:10

    >> Oh, this [ __ ] meowed

  • 52:12

    >> the whole time.

  • 52:14

    He

  • 52:15

    >> said I was

  • 52:15

    >> nice. And not a not a not a not a

  • 52:17

    boycat.

  • 52:18

    >> No.

  • 52:18

    >> Off secondhand.

  • 52:19

    >> This [ __ ] was false.

  • 52:21

    Off

  • 52:21

    >> second. Contact.

  • 52:26

    >> This [ __ ] You hear him over there?

  • 52:29

    >> This guy's a fool, [ __ ]

  • 52:30

    >> Oh.

  • 52:30

    >> Yo, why you can't just say when you was

  • 52:32

    in a bag?

  • 52:33

    >> What do you mean? I was in my bag with

  • 52:36

    Jill.

  • 52:36

    >> Double entandra.

  • 52:38

    >> You was in your bag and hers.

  • 52:41

    >> There's nothing wrong with saying, "Yo,

  • 52:43

    I met somebody and they was fly and I

  • 52:47

    was in the bag." They I They

  • 52:49

    >> I was just doing my job, bro.

  • 52:52

    >> That's all I was doing. You mean

  • 52:53

    >> and and I'm grateful for that. You do a

  • 52:55

    phenomenal job.

  • 52:56

    >> We're an hour in. What do you got? What

  • 52:58

    do you guys want to start with?

  • 52:59

    >> We cannot be an hour in.

  • 53:00

    >> We are We are about it.

  • 53:01

    >> Wow. about 56 minutes with my camera.

  • 53:05

    >> Yo,

  • 53:08

    >> Mark said one thing I can tell you is

  • 53:10

    how long we've been seeing.

  • 53:13

    >> He be

  • 53:15

    this guy.

  • 53:15

    >> Well, let's talk about Allstar weekend.

  • 53:17

    >> Let's do it.

  • 53:17

    >> All right,

  • 53:17

    >> let's talk about Allstar weekend.

  • 53:18

    >> At first, I was going to come in here

  • 53:20

    and kill it,

  • 53:21

    >> but

  • 53:22

    >> I'm with you. I got a gun.

  • 53:23

    >> But that the the actual All-Star game

  • 53:27

    was was very good until the last till

  • 53:29

    the last game. No, the last uh the last

  • 53:31

    game was blow.

  • 53:32

    >> They were trying, but yeah,

  • 53:34

    >> the last game was the old the old heads

  • 53:37

    third straight. They ran ran out of gas.

  • 53:39

    >> It's over. It's over. We older. We We

  • 53:42

    chilling. You got these young boys going

  • 53:43

    back and forth. But walk me through your

  • 53:44

    thoughts on Friday and Saturday. Did you

  • 53:46

    Did you watch any of it?

  • 53:47

    >> I I tried to, but I didn't realize it

  • 53:49

    started at [ __ ] 300 p.m. or

  • 53:50

    something. Early. Yeah, I missed it.

  • 53:52

    >> So, I caught the dunk contest

  • 53:53

    >> because of the Winter Olympics. Uh the

  • 53:56

    entire weekend was early.

  • 53:57

    >> Okay.

  • 53:59

    which is why Allstar game was finished

  • 54:00

    by 8:00. Friday and Saturday both were

  • 54:03

    still pretty early. Um, Friday I'm lit,

  • 54:07

    [ __ ] Kick rocks. I'm not beat. Sorry.

  • 54:11

    I've seen MTV rocking jock. I've seen

  • 54:14

    Kevin Hart win MVP before. I don't need

  • 54:16

    to see Timothy Shalom shoot threes. And

  • 54:18

    he wasn't there. But whatever that celeb

  • 54:21

    game is on Friday, Shams. I don't need

  • 54:24

    to see Shams.

  • 54:25

    >> I didn't even know it happened. Yeah,

  • 54:26

    Sham was playing. Yeah. No, it was lit.

  • 54:29

    We was lit on Friday. So, Friday, I have

  • 54:31

    no idea what they were doing. Saturday,

  • 54:34

    uh, I tuned in early enough to see the

  • 54:36

    Knicks win whatever challenge that was,

  • 54:38

    we won.

  • 54:40

    >> Know what the challenge?

  • 54:41

    >> I don't know what the challenge was.

  • 54:42

    It's not the skills challenge.

  • 54:44

    >> They said the skill. They took the

  • 54:45

    rising skills challenge out.

  • 54:46

    >> Yeah. That's out of here. Ever since

  • 54:48

    women been yawning and Chris, they found

  • 54:50

    a little Yeah. Yeah.

  • 54:51

    >> And that's wasn't cheating, but I mean,

  • 54:53

    I get it. I get it. They found a

  • 54:54

    loophole. So, I saw the Knicks win. I

  • 54:56

    saw Damen Lillard win a three-point

  • 54:58

    contest. That three-point contest was

  • 55:00

    absolutely great.

  • 55:01

    >> Was it?

  • 55:02

    >> Yes. Because in round one, well, the

  • 55:04

    dynamics, right? You got Khan Canupal

  • 55:07

    >> who is the best.

  • 55:10

    >> No, they that's he's the best rookie

  • 55:12

    shooter that the league has ever seen.

  • 55:15

    >> Okay.

  • 55:16

    >> Like that's the pace he's on.

  • 55:17

    >> Got it.

  • 55:17

    >> Okay.

  • 55:17

    >> Before All-Star break, he's made I want

  • 55:19

    to say off the top of my head 149 147

  • 55:23

    threes. Nobody's ever done that before.

  • 55:25

    >> Okay.

  • 55:25

    >> So, round and it's him and it's Deon

  • 55:27

    Booker and it's Damian Lillard and and

  • 55:28

    it's the OG's. You know, you don't want

  • 55:30

    to let this rookie kid come in. And

  • 55:31

    round one, he was looking like Larry

  • 55:33

    Bird with the warm-ups on like he made

  • 55:36

    he I think he had 29 or 31 round one.

  • 55:39

    >> [ __ ]

  • 55:40

    >> Yeah, it was looking like it was looking

  • 55:42

    like that. Uh so he advanced, uh Dame

  • 55:46

    advanced, Devin Booker advanced, and

  • 55:48

    then it's round two and then he cooled

  • 55:50

    off. M

  • 55:51

    >> the rookie cooled off and he got like a

  • 55:54

    17 or something and that's when

  • 55:56

    >> Dame took over and put 29 on the board.

  • 56:00

    >> Easy. He was hitting the logo shots.

  • 56:02

    >> He was hitting every He went crazy. And

  • 56:04

    then Devin Booker went crazier.

  • 56:08

    >> He went crazier than Dame Lillard and

  • 56:10

    had him beat dead to right. He gets to

  • 56:13

    the last rack. He only needs to make two

  • 56:15

    of these to win.

  • 56:17

    >> Dope. Made one.

  • 56:18

    >> Damn. Really?

  • 56:20

    >> Yeah. That was the only wreck that that

  • 56:22

    happened like that.

  • 56:22

    >> I'm gonna go back and watch that shot.

  • 56:24

    >> So now Devin Booker is looking like dog

  • 56:27

    and Dame is like

  • 56:30

    >> uh so congratulations Damen Lillard,

  • 56:32

    three-time three-point champion.

  • 56:35

    They tuned right they uh p right to a

  • 56:37

    Steph Curry interview talking about next

  • 56:40

    year because Steph Curry wants to defend

  • 56:42

    his he also wants to get three. I think

  • 56:43

    he has two.

  • 56:45

    >> So he said he wants to get Devin Booker,

  • 56:47

    Clay, Dame. He didn't name the young

  • 56:49

    boy.

  • 56:52

    >> That's just me noticing. I'm not saying

  • 56:54

    he was doing something, but he did not

  • 56:56

    name the young boy, but the young boy,

  • 56:58

    you know, will be there

  • 56:59

    >> for sure.

  • 57:00

    >> Uh, so three-point contest was great.

  • 57:02

    >> But and if I'm if I'm stuff I'm not I'm

  • 57:04

    >> these we OG's like Yeah. I don't I'm

  • 57:08

    Yeah, he'll be there. I don't got a

  • 57:08

    name.

  • 57:09

    >> Yeah, put whoever else in there.

  • 57:10

    >> Yeah, put whoever. But the US four and

  • 57:12

    then whoever y'all want to cuz Yeah.

  • 57:13

    Whoever else.

  • 57:14

    >> You're right. You're right. But stop it.

  • 57:16

    You're right. But stop it. Rookie got to

  • 57:18

    wait.

  • 57:18

    >> He knows. You got to earn your You got

  • 57:20

    to earn your name to be mentioned when I

  • 57:22

    when I start calling out.

  • 57:23

    >> I agree with all that.

  • 57:24

    >> You got to earn that.

  • 57:25

    >> But Steph Curry knows that that boy is

  • 57:26

    going to play.

  • 57:27

    >> That's fine. It's on your mind.

  • 57:29

    >> He also knows he's Steph Curry. I don't

  • 57:31

    give a [ __ ] who playing.

  • 57:32

    >> True.

  • 57:32

    >> I would You can't I know who uh Wardell.

  • 57:36

    >> Okay. Yeah.

  • 57:37

    >> I'm not playing with Wardell.

  • 57:38

    >> I wouldn't give a [ __ ] who you boy.

  • 57:39

    >> That's what I'm saying. And I I agree

  • 57:41

    with y'all.

  • 57:42

    >> Okay.

  • 57:42

    >> Y'all don't have to convince me.

  • 57:44

    >> It's Wardell. He don't have to say con

  • 57:47

    [ __ ] canupal. I'm not pay I'm going

  • 57:49

    to pay respect to my brothers that been

  • 57:50

    in the struggle. But

  • 57:51

    >> but if you going to say Clay right now,

  • 57:53

    shout out to Clay. He follows me.

  • 57:55

    >> Clay won.

  • 57:56

    >> Shout out to Clay.

  • 57:57

    >> Clay won before.

  • 57:58

    >> He mentioned people.

  • 57:59

    >> And he's a shooter. We talking about

  • 58:00

    Yeah, we talking about shooters.

  • 58:01

    >> Yeah.

  • 58:02

    >> And winners, champions.

  • 58:03

    >> They all won the three-point contest

  • 58:05

    before.

  • 58:05

    >> Can't do that.

  • 58:06

    >> The dunk contest. We'd be better off

  • 58:09

    putting a trash can at at the at the

  • 58:11

    middle of the at the middle of the court

  • 58:13

    and just uh dunking like paper balls

  • 58:16

    balls of paper that we bunched up.

  • 58:18

    >> They might as well go ahead and get rid

  • 58:19

    of that [ __ ] This

  • 58:19

    >> going to put us on an 8 and 1/2t rim

  • 58:22

    >> and had us just go out rim

  • 58:24

    >> [ __ ] up Achilles and all

  • 58:25

    >> with with a trampoline. Jackson Hayes

  • 58:28

    did a regular dunk.

  • 58:29

    >> I said, "Yo, what? That [ __ ] was trash."

  • 58:31

    >> No, Jackson Hayes did a few regular

  • 58:33

    dunks. This is where I was going to come

  • 58:34

    in and trash the whole weekend.

  • 58:36

    Jackson Hayes. He I I tweeted he could

  • 58:39

    have stayed in his hotel. I was like,

  • 58:40

    "Joe, he lives around the corner." I

  • 58:42

    said, "Even worse.

  • 58:44

    He He could have stayed in the comfort

  • 58:45

    of his home and not participated at all

  • 58:48

    in this." Uh

  • 58:50

    damn. And full circle right back to you

  • 58:53

    guys is you're scared to see your seed

  • 58:57

    be a failure kind of because there's

  • 59:00

    nothing there's nothing that that's a

  • 59:01

    failure about Jason Richardson's son

  • 59:05

    >> who's on the magic

  • 59:06

    >> right

  • 59:06

    >> whose name is Richardson

  • 59:09

    >> we love that black basketball dad's

  • 59:12

    nepotism get not nepotism but yeah

  • 59:14

    nurturing your get get them to the

  • 59:16

    league we love that we absolutely love

  • 59:19

    that it only becomes The problem when

  • 59:22

    the first dunk you do is to honor your

  • 59:26

    dad and then they put your dad's version

  • 59:28

    of the dunk on the big screen.

  • 59:32

    So Jason Richardson's dunk was like a 30

  • 59:37

    like out of 10 like it was some 360

  • 59:41

    reverse. Crazy. I remember the one.

  • 59:43

    >> And then the one his son did was like

  • 59:46

    the today version of that. Like the like

  • 59:49

    the you know how they had frosted flakes

  • 59:51

    and they had flakes with sugar.

  • 59:55

    >> It was like

  • 59:59

    but you know the kid could get up cuz

  • 1:00:00

    they said they said he's

  • 1:00:02

    >> he's 61. I'm like all right. So you know

  • 1:00:04

    he could get up cuz he got his dad house

  • 1:00:06

    but 61.

  • 1:00:07

    >> Just do your own dunk big dog.

  • 1:00:09

    >> Yeah.

  • 1:00:09

    >> Homeboy from uh the Spurs. He gets up.

  • 1:00:12

    So, I can't say nothing about him. I

  • 1:00:13

    don't know. I don't know his name.

  • 1:00:13

    Kavant I don't know. I'm not sure his

  • 1:00:15

    name, but he gets up

  • 1:00:17

    >> and homeboy that was on Miami that came

  • 1:00:19

    out. His energy was just great to see.

  • 1:00:21

    He danced the entire time. He's He's

  • 1:00:22

    from the Bay. He's a young guy. He's in

  • 1:00:24

    good shape.

  • 1:00:25

    >> That's dude that jumped over E40, right?

  • 1:00:26

    >> Yeah. Yeah. He came out with E40. So,

  • 1:00:28

    cool. Bring some swag back. Bring some

  • 1:00:31

    swag back. And it was this portion of

  • 1:00:33

    Allstar Weekend where I said AllAstar

  • 1:00:36

    Weekend has to find a way to embrace the

  • 1:00:40

    drug dealing community.

  • 1:00:42

    >> It's Disney now.

  • 1:00:44

    >> Yes, that's the problem.

  • 1:00:45

    >> Yeah, that's the problem.

  • 1:00:46

    >> Yeah, it's all too corporate for sure.

  • 1:00:48

    >> What do you

  • 1:00:48

    >> It's way too corporate. I'm telling you

  • 1:00:51

    something. I saw I'm telling you

  • 1:00:53

    something. as somebody that has been

  • 1:00:55

    he's right to many a Allstar weekend all

  • 1:00:58

    over this country

  • 1:01:00

    >> there there was a presence that was not

  • 1:01:03

    like a bad presence there was a good

  • 1:01:05

    presence of sport fans it's like a fight

  • 1:01:08

    in Vegas

  • 1:01:09

    >> sport fans and women that love this [ __ ]

  • 1:01:12

    and the people that have this type of

  • 1:01:14

    money it was an event for a weekend

  • 1:01:16

    looking at Allstar weekend you could

  • 1:01:18

    tell that that just is not present

  • 1:01:20

    anymore like I was so happy to see E40

  • 1:01:22

    it reminded me that where are all you

  • 1:01:25

    [ __ ] Where is where are the people

  • 1:01:28

    that are not streamers, content creator?

  • 1:01:31

    I'm happy to see them too, but we do

  • 1:01:33

    need drug dealers

  • 1:01:35

    and all that drug dealers attract.

  • 1:01:38

    >> We would have drug dealers was the

  • 1:01:40

    streamers.

  • 1:01:41

    >> They were the ones that was going to get

  • 1:01:43

    your [ __ ] lit where it was going to

  • 1:01:45

    travel. This was a We need We need They

  • 1:01:47

    need to find a way.

  • 1:01:48

    >> Yeah,

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