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Patreon EXCLUSIVE | The Danger Zone (feat. KevOnStage) | The Joe Budden Podcast

Joe Budden Podcast “Patreon EXCLUSIVE | The Danger Zone (feat. KevOnStage) | The Joe Budden Podcast,” released August 4, 2025. In this Patreon exclusive episode, the JBP is joined by award-winning comedian and best-selling author, KevOnStage, who begins by addressing some of the shots he’s taken at Joe and explaining his approach to marketing and understanding his audience. Later, the room breaks down Tyler Perry’s recent comments about Ryan Coogler, the “right” time to die, and the best Black family movies of all time. Kev also discusses the role his wife plays in his career, showing his body on social media, how his relationship with religion has evolved over the course of his life, his soon-to-be released book, and much more! Full transcript and searchable timestamps below.

Patreon EXCLUSIVE | The Danger Zone (feat. KevOnStage) | The Joe Budden Podcast
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Joe Budden Podcast Episode Transcript

Full transcript of Patreon EXCLUSIVE | The Danger Zone (feat. KevOnStage) | The Joe Budden Podcast (59:13 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    its hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:32

    Check. What is this?

  • 0:36

    JB back to business

  • 0:41

    right now. We should start the show.

  • 0:45

    Celebrate. That's what you [ __ ] up.

  • 0:46

    Not going out. No party. No invite.

  • 0:48

    Patron. Patron.

  • 0:50

    Hey, Patron. [ __ ] this nigga's birthday.

  • 0:52

    Damn.

  • 0:54

    Yeah. Y'all [ __ ] be trying to pull on

  • 0:56

    the heart, tug on the heartstrings. I

  • 0:58

    saw the last episode where Mark was

  • 1:00

    like, "Yo, is that are we all friends?

  • 1:03

    Is everyone friends?" No.

  • 1:04

    I was devastated.

  • 1:06

    No, nobody's friends.

  • 1:08

    That's what I found out.

  • 1:09

    Hell no. It's over, friends.

  • 1:11

    It's over. When I said it when when I

  • 1:13

    said it, I was being uh emotional, but

  • 1:14

    it's the truth.

  • 1:15

    Friends, Millie Mark

  • 1:20

    associates now, right?

  • 1:23

    No, I'm joking. Kind of

  • 1:26

    a little bit.

  • 1:26

    I'm kind of joking.

  • 1:27

    A little bit.

  • 1:28

    These are my friends,

  • 1:30

    right? Most of them.

  • 1:33

    These are my friends. Most of them.

  • 1:35

    However, work comes first.

  • 1:38

    Yeah.

  • 1:38

    Friendship comes right under right under

  • 1:40

    work.

  • 1:40

    I have that same problem.

  • 1:42

    I didn't realize that about myself

  • 1:44

    because I I don't really differentiate.

  • 1:46

    Like it's work and I invite my friends

  • 1:49

    to work, but it is work for me. And

  • 1:52

    that's how Joe started,

  • 1:53

    huh? Oh, that's how you started.

  • 1:55

    Work comes first. Yeah.

  • 1:56

    Yeah. Work comes first. And I didn't

  • 1:57

    realize like, you know, it's not always

  • 1:59

    like that. You know what I'm saying? You

  • 2:00

    know, it gets mixed up. And I don't mean

  • 2:01

    it like that because I work with

  • 2:03

    talented people and I want, you know, we

  • 2:04

    feel it feels like friendship. You know

  • 2:06

    what I'm saying?

  • 2:07

    That's the trick.

  • 2:07

    That's the

  • 2:10

    But it feel like friendship.

  • 2:10

    That's real. It feel it feels like

  • 2:13

    friendship. I don't know if I even know

  • 2:14

    the difference.

  • 2:16

    Hey, let's go have a drink.

  • 2:19

    Yeah,

  • 2:20

    you [ __ ] that friendship [ __ ] Mark

  • 2:22

    asked and the room kind of like right

  • 2:26

    now.

  • 2:29

    [ __ ] everybody.

  • 2:30

    Yo, I'm being rude. Ladies and

  • 2:32

    gentlemen, we have a very very very very

  • 2:34

    special guest here. Make some noise.

  • 2:36

    Kev,

  • 2:40

    welcome man.

  • 2:43

    I I a shot in the dark DM.

  • 2:46

    I hit Joe. He said, "Yeah." I said this

  • 2:48

    is God is good. God is amazing.

  • 2:50

    Yo, you got to understand he doesn't do

  • 2:52

    that a lot.

  • 2:53

    Word.

  • 2:53

    I I thank you.

  • 2:55

    Like a thousand people probably do that

  • 2:56

    and you might get like two yeses.

  • 2:57

    I you you can

  • 2:59

    I follow Kev. I know. But I'm just

  • 3:00

    saying people but you follow a lot of

  • 3:03

    people don't bring that won't come up

  • 3:06

    here.

  • 3:07

    I follow Kev and Kev is about good black

  • 3:10

    [ __ ]

  • 3:10

    Oh, he really is. So when I'm not when

  • 3:14

    I'm not like evil or whatever the public

  • 3:16

    thinks about me, I'm with good black

  • 3:18

    [ __ ]

  • 3:18

    He trying to lean on his FBA [ __ ] now.

  • 3:20

    You trying to get

  • 3:21

    I'm on good black [ __ ]

  • 3:23

    And I'm highlighting black [ __ ] Ke is

  • 3:28

    married.

  • 3:29

    Yes.

  • 3:29

    Ke is from church. A good church.

  • 3:32

    Good church. Good wife.

  • 3:33

    Now

  • 3:34

    kids at home.

  • 3:35

    Now I do have beef with you.

  • 3:36

    Oh, let's hear it.

  • 3:37

    Cuz I invite people up here when this

  • 3:38

    beef too.

  • 3:41

    You said Kevin, this hurt my heart.

  • 3:43

    Okay.

  • 3:45

    You said and you sent about three shots

  • 3:47

    this way, but the first one was, "Yeah,

  • 3:51

    man. I see some idiots saying something

  • 3:52

    on Twitter." I'm paraphrasing. I seen

  • 3:54

    some idiots saying something on Twitter

  • 3:55

    and he say such and such. And I'm

  • 3:57

    thinking, listen, if you don't like Cat

  • 3:58

    Mustads, then that must mean you watch

  • 4:01

    the Joe Button podcast

  • 4:03

    or you and I didn't even hear the second

  • 4:06

    thing,

  • 4:07

    but I'm like, why would you say that?

  • 4:10

    You're right, Joe. That's my bad.

  • 4:12

    That's so unfair. I think we get a bad

  • 4:15

    rep. What made him say that? What made

  • 4:17

    you say that? So, I get I get pulled and

  • 4:20

    dragged on Twitter probably about every

  • 4:21

    six months. It's like after a while,

  • 4:23

    people just like, "What's this [ __ ]

  • 4:24

    Kev, man?" like why y'all really like

  • 4:26

    him and stuff. And I notice a lot of

  • 4:28

    times when I go to that person's

  • 4:30

    profile, I follow down his battle rap,

  • 4:33

    his Joe Bunny podcast clips. Like the

  • 4:35

    the profiles are very similar. So it was

  • 4:38

    research. It wasn't just out there. Like

  • 4:40

    you know, they be arguing and stuff and

  • 4:42

    it so that was my data driven thing. I

  • 4:44

    was just like, bro, I'm I'm just like a

  • 4:47

    [ __ ] your data, man.

  • 4:49

    Your data be wrong sometimes.

  • 4:51

    Data be wrong. So what happened was when

  • 4:52

    I said that in my own Patreon, my people

  • 4:55

    were like, "Nigga, I watch Joe Button

  • 4:56

    podcast. Like, what's up with that?" I

  • 4:58

    was like, "Ain't nobody told me nothing.

  • 4:59

    Ain't nobody told me nothing." So that's

  • 5:02

    all I had looked at them Twitter

  • 5:03

    profiles and it was a common denominator

  • 5:05

    at times, not every time. So that's all

  • 5:08

    I meant to the fellas. A lot of eyes

  • 5:10

    looking at me at the same time. We look

  • 5:14

    I feel it. You know what I'm saying?

  • 5:15

    Warranted. Warranted. Um, so I I found

  • 5:18

    out in the moment that that's not

  • 5:19

    necessarily true. And also people are

  • 5:21

    not one thing. Nobody's just one thing.

  • 5:24

    Even I found this a lot of pastors

  • 5:26

    follow me and they'll be like, "Yo, I

  • 5:27

    love you on roast me." And I'll be like,

  • 5:28

    "What? Roast me?" And they'd be like,

  • 5:30

    "You know, that's a very, you know, cuss

  • 5:32

    first. You know, we talking crazy to

  • 5:34

    each other, but they're like, I can't

  • 5:36

    publicly talk about it, but like y'all

  • 5:37

    be y'all be cracking me up." So I

  • 5:38

    realized we are not all one thing. You

  • 5:41

    know what I'm saying? So Joe,

  • 5:44

    I accept your apology.

  • 5:45

    And I'm g tell you another thing. This

  • 5:46

    is something I learned about myself and

  • 5:48

    this is also part of it. I don't even

  • 5:50

    see myself as like someone like you

  • 5:53

    would see that. So I think for me it's

  • 5:56

    like there's celebrities and then

  • 5:57

    there's like people like me and you

  • 5:59

    don't realize how far your voice carries

  • 6:01

    at time. You don't realize like

  • 6:02

    celebrities are just people who are

  • 6:05

    everybody wants to cool off on the gram

  • 6:07

    when they're in the car on the toilet.

  • 6:09

    Everybody's watching something. But I

  • 6:11

    still like I don't see myself like that.

  • 6:13

    So, I don't realize how far stuff that I

  • 6:15

    say will ever go.

  • 6:16

    Hey, Kevin, I see you're a hand talker.

  • 6:18

    Maybe move the mic a little closer.

  • 6:19

    My bad. I'm not a big hand talker.

  • 6:20

    Yeah, I see that. I see that.

  • 6:21

    I'm a big uh annunciator, but that's a

  • 6:24

    big thing that I'm working through. My

  • 6:26

    wife has been on me about that. She was

  • 6:27

    like, Kev, for years. She was like, you

  • 6:29

    got to stop talking like you ain't

  • 6:31

    Yeah.

  • 6:31

    You don't have millions of followers.

  • 6:33

    Doubt in your reach. Yes.

  • 6:34

    Yeah. This stuff is going farther than

  • 6:35

    you think. Just cuz people don't hear it

  • 6:37

    like say something to you doesn't mean

  • 6:38

    they haven't heard it. But I if I don't

  • 6:40

    I got to butt my head a few times to

  • 6:42

    learn my lesson. You know what I'm

  • 6:44

    saying? So I think that's a lesson that

  • 6:45

    I'm still learning. And especially on

  • 6:47

    the podcast like me and Angel on the

  • 6:48

    podcast and there's been a couple of

  • 6:49

    times we just riffing and that they had

  • 6:51

    pulled those clips and put them in

  • 6:52

    documentaries and we found out like we

  • 6:54

    were saying something about Lizo one

  • 6:55

    time and we were just reading the tweets

  • 6:57

    about what people said and they chopped

  • 6:59

    out a piece and it was like it made it

  • 7:01

    seem like I was saying here's what I

  • 7:02

    don't like about Lizo. And when actually

  • 7:04

    I said here's what I like about Lizo but

  • 7:06

    here's what the internet is saying about

  • 7:07

    her. And I was like, "Oh, dang. Y'all

  • 7:09

    don't cut the the middle part out." And

  • 7:11

    then they made it look like she was

  • 7:12

    listening to the podcast. And I was

  • 7:13

    like, "This is terrible." And they ain't

  • 7:15

    asked no opinion for like this public.

  • 7:17

    They just threw this up. And I found out

  • 7:18

    on HBO like, "Nigga, why you say this

  • 7:19

    about Liz?" I was like, "That ain't

  • 7:21

    going to be terrible for your brand

  • 7:22

    because you're so supportive of all

  • 7:25

    black spaces, women, and just marriage

  • 7:28

    and church and like it's positive [ __ ]

  • 7:31

    Positive stuff." Yeah. So, it was

  • 7:33

    damaging. People were people, it was

  • 7:34

    inongruent. You know what I'm saying?

  • 7:36

    And you know what? The thing also I've

  • 7:37

    learned

  • 7:38

    the clip is it.

  • 7:40

    Like people aren't going to the full

  • 7:42

    show.

  • 7:44

    The clip is is the whole thing. It

  • 7:46

    doesn't matter how it's framed or what

  • 7:47

    the context is.

  • 7:48

    The clip is the

  • 7:50

    clip is the context. Now

  • 7:51

    the clip is the context and people are

  • 7:52

    not like watch the whole interview. I'm

  • 7:54

    not no

  • 7:54

    I'm not looking for it. I saw it on

  • 7:55

    Twitter and they'll take the whoever

  • 7:57

    posted it. Whatever framing they say is

  • 7:59

    their first whatever they quote with it.

  • 8:01

    Whatever they quote with it. You don't

  • 8:02

    you don't even listen. your mind's

  • 8:04

    already like, "Oh, this is how I feel

  • 8:06

    about it." And it's rare that people

  • 8:07

    even go listen for themselves and

  • 8:08

    determine their own goal.

  • 8:10

    So, so all this stuff is happening in

  • 8:13

    real time. But the biggest thing is I'm

  • 8:14

    not

  • 8:15

    uh aware of my voice. I'm becoming more

  • 8:18

    aware of my voice. That was just the

  • 8:19

    first shot. There was more.

  • 8:20

    There was more.

  • 8:21

    Oh dang.

  • 8:21

    There was more. I bookmarked them. I

  • 8:23

    could find them. But I mean, I don't

  • 8:26

    know how important it is. And I don't

  • 8:27

    think they're important, but uh

  • 8:29

    for the people watching that may be

  • 8:31

    unfamiliar with you, I see you and Mark

  • 8:32

    know knew each other, but

  • 8:33

    Yeah, Mark show.

  • 8:34

    Yeah. Yeah. Yeah.

  • 8:35

    Which one? You got a lot of shows.

  • 8:36

    Uh was it Grio?

  • 8:38

    The go was the go.

  • 8:39

    Yeah.

  • 8:42

    Mark going to keep a check with that

  • 8:45

    boy. That boy right there. He don't

  • 8:47

    play. Got to you get fired a lot. You

  • 8:50

    get a lot of jobs.

  • 8:52

    And Joe keeps us on week to week

  • 8:53

    contracts.

  • 8:54

    So

  • 8:55

    I was curious about that. It was week to

  • 8:56

    week.

  • 8:57

    When I saw that thing, when that leaked

  • 9:00

    and then the stuff came out, I was like,

  • 9:01

    my heart started pounding cuz I'm like,

  • 9:04

    how do you navigate that?

  • 9:06

    Oh, I got him locked in.

  • 9:07

    Locked in.

  • 9:07

    Yeah. There ain't nothing to talk about.

  • 9:09

    Okay good.

  • 9:10

    He got He got options everywhere.

  • 9:11

    He waited till he locked [ __ ] in to do

  • 9:13

    that.

  • 9:13

    Yeah right.

  • 9:16

    You got to have everybody under

  • 9:18

    contract.

  • 9:18

    He did that, but but we we discussed

  • 9:20

    things at our latest union meeting. So,

  • 9:22

    we

  • 9:22

    It's coming. Things coming together.

  • 9:23

    Yeah. Now, we got some things in the pip

  • 9:25

    meeting. Oh yeah. Oh yeah. Local 542.

  • 9:28

    Yeah.

  • 9:30

    Teams.

  • 9:32

    See, I would have thought that you would

  • 9:33

    even have seen that leak.

  • 9:34

    Everybody has come up here since that

  • 9:36

    leak.

  • 9:37

    What I told you?

  • 9:38

    Yeah. I seen it.

  • 9:39

    Yeah. Because I, you know, I have

  • 9:40

    employees and stuff and I'm like, man, I

  • 9:42

    don't know how you could explain that

  • 9:44

    like what it is cuz they go more places

  • 9:46

    than just y'all. You know what I'm

  • 9:48

    saying?

  • 9:48

    You want to hear that [ __ ]

  • 9:49

    That's what I'm saying. [ __ ] ain't

  • 9:51

    trying to hear none of that.

  • 9:52

    Don't piss us off again.

  • 9:53

    I'm not trying to overhead. That should

  • 9:55

    be inspiring. No, it is. Oh, no, it is.

  • 9:57

    It inspiring the union.

  • 10:00

    And I've been inspired a lot before we

  • 10:02

    moved too far.

  • 10:04

    We as a podcaster, you have been like a

  • 10:08

    your deals even back before 2013, 2014

  • 10:11

    when I worked at all. We had meetings

  • 10:12

    like here's what we trying to get, man.

  • 10:14

    Joe Button has this. I was about to come

  • 10:16

    over there.

  • 10:17

    Yeah. We was we was

  • 10:18

    It was It was a thing.

  • 10:19

    It was a thing. We when it was over, it

  • 10:21

    was little brother was gone. Yeah.

  • 10:23

    You know what I'm saying? And then when

  • 10:25

    the stuff came out, we was like

  • 10:26

    on death is where I was supposed to get

  • 10:27

    my big deal,

  • 10:29

    bro. They had the horses

  • 10:32

    ready. We was like, we get Joe,

  • 10:34

    it's going to change the music. It's

  • 10:36

    going to change the content. You know

  • 10:38

    what I'm saying? And then when it didn't

  • 10:39

    happen, it was just like there was no

  • 10:40

    other deal.

  • 10:41

    Yeah. I know.

  • 10:41

    Like when it happened, it was just like,

  • 10:43

    all right, [ __ ] Will, what y'all going

  • 10:44

    to put up today? You know what I'm

  • 10:45

    saying? So, uh, but then in Forbes, it's

  • 10:48

    like, bro, this is, even as a podcast,

  • 10:50

    it's like, bro, this this media is

  • 10:52

    changing underneath our feet. You know

  • 10:53

    what I'm saying? We're talking about how

  • 10:55

    like late night is is dying. No

  • 10:58

    disrespect.

  • 10:59

    Yeah. But like Coar getting cancelled is

  • 11:01

    one thing,

  • 11:01

    but that slot being removed after they

  • 11:04

    just removed the the slot after that,

  • 11:06

    they're just saying we don't

  • 11:08

    we're not doing that.

  • 11:10

    Yeah. It's the removal of the slot more

  • 11:11

    than the cancel. They just said, "Okay,

  • 11:12

    he's gone, but the next person's in."

  • 11:14

    There's no replacement yet. That's

  • 11:15

    that's always happening.

  • 11:16

    Well, they're pulling that money off the

  • 11:17

    books, right? You're just saying,

  • 11:19

    "Do you think John Stewart stays?"

  • 11:21

    I don't

  • 11:21

    cuz that's a CBS too, right?

  • 11:23

    Paramount. It's not CBS. That's comedy.

  • 11:27

    I think I think um after this cuz you

  • 11:31

    know most of those dudes are older, you

  • 11:33

    know, further in their career. I think

  • 11:35

    the move of the slot from Coar, who was

  • 11:37

    the leader of the ratings, the networks

  • 11:40

    take tales from other people. So, I

  • 11:41

    wouldn't be surprised if like when that

  • 11:43

    contract ends, they they pull them off

  • 11:45

    and redistribute that somewhere else

  • 11:47

    because I think the viewers are not

  • 11:50

    growing up like that anymore. Like when

  • 11:52

    I was a kid, we grew up Arino,

  • 11:55

    even Carson, Leno, Letterman. Right now,

  • 11:59

    digital media has taken those same

  • 12:01

    things. Letterman's big thing was 10

  • 12:03

    things. That's just a listical on

  • 12:04

    YouTube, right? Digital basically

  • 12:07

    that's a thread.

  • 12:08

    Yeah, it's a thread,

  • 12:09

    right? all that stuff that Fallon and

  • 12:10

    them do that that exists on Buzzfeed and

  • 12:13

    Wired and all that. And then the the

  • 12:15

    because it's digital,

  • 12:16

    your centers cast is going through

  • 12:18

    BuzzFeed complex, uh, GQ, Wired, Hot

  • 12:22

    Ones, all that stuff. That's their

  • 12:24

    marketing plan. They don't they don't

  • 12:26

    have to go on late night as much. And if

  • 12:27

    the celebrities don't have to go there,

  • 12:29

    the viewer doesn't have to watch it. And

  • 12:30

    the worst part is you watching their

  • 12:32

    show on your phone.

  • 12:33

    Yeah.

  • 12:34

    You're watching the clips on your phone.

  • 12:36

    Jennifer Hudson show. Most people watch

  • 12:38

    that hallway on TV.

  • 12:40

    I've never seen I've never seen anything

  • 12:42

    else on her show, but literally never

  • 12:43

    watching that on TV.

  • 12:44

    People are watching.

  • 12:45

    I don't even know what channel it come.

  • 12:46

    Yeah.

  • 12:47

    And fill that hallway up for some of our

  • 12:49

    black favorites.

  • 12:50

    It be a little

  • 12:52

    It be a little light.

  • 12:53

    Usher level highway support for

  • 12:55

    everybody who jumps out there.

  • 12:57

    Yeah.

  • 12:57

    You know what I'm saying? So, I think uh

  • 12:59

    it it's just interesting to be a part of

  • 13:00

    digital media as it changes and um I'm

  • 13:03

    happy to be, you know, doing my thing.

  • 13:05

    But you also are like, "Dang, this is

  • 13:07

    what you could get to." You know what

  • 13:09

    I'm saying? Y'all got food and stuff.

  • 13:10

    People coming to work. You know what I'm

  • 13:12

    saying? Two days a week.

  • 13:13

    We order our own food.

  • 13:14

    Yeah.

  • 13:15

    During our 8 minute lunch break. Yeah.

  • 13:17

    You don't get PDM?

  • 13:19

    No. No. We don't get any of that.

  • 13:20

    You order the food.

  • 13:21

    [ __ ] if you listen to these,

  • 13:23

    I'm not paying these [ __ ] It's hard

  • 13:25

    up here, man.

  • 13:25

    You're not paying us nothing, actually.

  • 13:26

    Technically, I got to regular job. I

  • 13:28

    bought my own lunch, you know.

  • 13:30

    But you get a lunch break.

  • 13:31

    I got lunch break.

  • 13:32

    Yeah.

  • 13:32

    Designated fighting for.

  • 13:34

    We we we eat lunch in like cycles. Like,

  • 13:36

    yo. All right. You talking? Let me go

  • 13:37

    get a couple bites real quick.

  • 13:38

    When the camera cuts away shocked, y'all

  • 13:39

    need to eat as much as you do.

  • 13:41

    See?

  • 13:43

    Water. Get it done.

  • 13:47

    Uh, last thing on Coar. Do you believe

  • 13:48

    that uh do you believe that the show was

  • 13:52

    losing what did they say 40 to $60

  • 13:54

    million? I believe that the network will

  • 13:56

    tell you whatever they want you to

  • 13:58

    believe

  • 13:58

    for a real reason to get a bit of video

  • 14:00

    to justify it.

  • 14:01

    That show all of a sudden was losing $50

  • 14:02

    million. But with Creative Hollywood

  • 14:04

    accounting, you can make something look

  • 14:06

    like it's lost. They probably charged

  • 14:08

    everything in the world to that show.

  • 14:10

    Same [ __ ] NBA owners do. They all act

  • 14:11

    like they're taking a huge loss to

  • 14:13

    justify doing [ __ ]

  • 14:14

    That's why I was talking about the WNBA.

  • 14:15

    Like you think owners of course want to

  • 14:17

    write off a loss?

  • 14:18

    Losses are tax liability. It's you you

  • 14:21

    only want to write off something if you

  • 14:22

    can. If you're making so much revenue,

  • 14:24

    then you're like, "Well, now I need the

  • 14:26

    gains." But Hollywood accounting, man,

  • 14:28

    they they rent their equipment, their

  • 14:30

    lot from their companies, and they'll

  • 14:32

    make as little amount of money on the on

  • 14:34

    the movie as possible while paying all

  • 14:36

    the other subsidiaries. So technically,

  • 14:38

    that's why Hollywood movies got to make,

  • 14:39

    you know, make $200 million. You got to

  • 14:40

    make 400 50, you know, 500 to make

  • 14:44

    money. They made money the whole time.

  • 14:46

    They made money the whole time. You

  • 14:48

    think Warner Brothers wasted $90 million

  • 14:49

    on Batgirl and didn't make no money,

  • 14:52

    just wrote off 90? Oh, Warner Brothers

  • 14:53

    lot made money. They written costumes

  • 14:55

    from their self. They're written their

  • 14:57

    own makeup. All that stuff. Like they

  • 14:59

    they that thing might have lost money.

  • 15:02

    But like, did you hear the Red Lobster

  • 15:03

    dude? He said why they stopped in the

  • 15:05

    shrimp?

  • 15:05

    No.

  • 15:06

    The previous owner of In the Shrimp, he

  • 15:08

    owned the shrimp supply. So, he was

  • 15:11

    buying the shrimp from himself and

  • 15:13

    selling it to Red Lobster, operating Red

  • 15:14

    Lobster at a $20 million loss.

  • 15:16

    But his shrimp company going crazy.

  • 15:19

    Shrimp company going wild. So he's like,

  • 15:21

    I don't care if Red Lobster lose 20

  • 15:22

    million if I'm 20 million to the

  • 15:24

    positive. Like nobody knew that until

  • 15:27

    that dude said that. So it's like

  • 15:29

    you operating that company at a loss on

  • 15:30

    purpose, but you're not. Nobody's going

  • 15:32

    to lose money on purpose year after year

  • 15:33

    after year after year. You'll shut down

  • 15:35

    and 20 million, $50 million a year.

  • 15:37

    Ain't no way them big garments. Ain't no

  • 15:40

    way they losing that kind of money on

  • 15:42

    coar. Now I believe his show is

  • 15:43

    expensive.

  • 15:44

    Then they always leave it to the brother

  • 15:45

    to fix it. Now the brother got to come

  • 15:46

    in and bring stuff.

  • 15:51

    He's doing all right.

  • 15:54

    What's up? What's up?

  • 15:55

    Yeah.

  • 15:55

    I might even go to Red Flavor. He put a

  • 15:58

    little hot mouth on it. He go eat there.

  • 16:02

    No.

  • 16:02

    Oh, me and Ian went there. That [ __ ] was

  • 16:05

    delicious.

  • 16:06

    The crab boy.

  • 16:06

    I bet.

  • 16:07

    No. I'll go get the cheddar bays and

  • 16:09

    Oh, the biscuit still popping. Yeah.

  • 16:12

    Lobster always good in my book.

  • 16:13

    Yeah. Always.

  • 16:14

    Yeah. You talk about movies, you got a

  • 16:16

    project.

  • 16:16

    Yeah, I got Churchy. It's on BET coming

  • 16:18

    out August 21st. Uh, all episodes are

  • 16:21

    going to be streaming on the 21st. So,

  • 16:23

    get BET Plus. It's It's basically my

  • 16:25

    life in show form. I'm a church kid. Uh,

  • 16:28

    grew up in church. You play the drums in

  • 16:30

    church, play the bass in church, play

  • 16:32

    the keyboard in church, whatever the

  • 16:33

    church needed.

  • 16:33

    You got the church drummer look,

  • 16:35

    bro.

  • 16:37

    Everything.

  • 16:44

    [Music]

  • 16:47

    trying to get on.

  • 16:50

    Don't let him get a solo.

  • 16:52

    Look

  • 16:53

    them gigs. Them gigs play bad, right?

  • 16:55

    Well, back in the day, you didn't even

  • 16:57

    get paid.

  • 16:58

    When I was growing up, like you did this

  • 17:00

    for God.

  • 17:01

    What does you talk about? Money? Are you

  • 17:03

    crazy? This is for God.

  • 17:05

    That's why people left the church to go

  • 17:06

    to R&B. Like, that's how you got paid.

  • 17:08

    But as I got older, you know, became

  • 17:10

    $50. Now you if you on staff at a at a

  • 17:13

    big church, bro, it's 80 grand, 100

  • 17:15

    grand for for certain people, worship

  • 17:17

    leaders,

  • 17:18

    it's it's really lucrative. And I was

  • 17:19

    never that good. I appreciate you for

  • 17:20

    believing in me. I was I was I was just

  • 17:23

    keep the service going kind of drummer,

  • 17:24

    you know.

  • 17:25

    What about bass though?

  • 17:25

    Keep the service.

  • 17:26

    I was the best.

  • 17:27

    Okay.

  • 17:28

    But I was not good.

  • 17:29

    That was just my best instrument. Like I

  • 17:31

    realized playing

  • 17:31

    You got bass vibes.

  • 17:32

    Big bass vibes. That makes sense.

  • 17:35

    That makes sense. Cuz I got

  • 17:37

    I got familiar with you through

  • 17:38

    critiquing a lot of singers. So that

  • 17:40

    makes sense to why you were that

  • 17:42

    equipped to do that type of

  • 17:43

    critique. I love music. Love musicians

  • 17:46

    and you know that's a big part of the

  • 17:47

    church obviously.

  • 17:48

    So yeah, that's that's something I love

  • 17:51

    and that's that's when I knew I wasn't

  • 17:52

    going to be

  • 17:53

    like a musician. Like to me if you can't

  • 17:54

    and this is not a good a good um trait,

  • 17:57

    but it is how I am. If you're not going

  • 17:58

    to operate at the best, then for me it's

  • 18:00

    it's pointless.

  • 18:01

    Like if I'm not

  • 18:03

    the best basist, if I'm not that [ __ ]

  • 18:04

    on bass. And I remember that's why I

  • 18:06

    stopped. I was this old dude uh his name

  • 18:08

    was Brother Hall. He was playing the

  • 18:09

    bass. He was showing me something and he

  • 18:11

    was just going crazy. And I was like,

  • 18:12

    "How you do that?" And he got

  • 18:13

    frustrated. He was like, "Man, I don't I

  • 18:14

    don't know, man. I just I just played,

  • 18:17

    man. I can't think about everything I

  • 18:18

    do." And I was like, "Oh, bro, I can't I

  • 18:20

    can never operate. If I'm not doing

  • 18:21

    that, then I'm just, you know, [ __ ] I'm

  • 18:23

    not doing it." I was a youth pastor for

  • 18:25

    years and stuff. And that's when I

  • 18:26

    started working in the church. And

  • 18:27

    that's when I really learned

  • 18:29

    way more than I ever knew as an

  • 18:31

    attendant.

  • 18:32

    How old were you? What year is this when

  • 18:33

    you were a youth pastor? I was a youth

  • 18:34

    pastor from probably 26 25 26 to 29 when

  • 18:39

    I moved to LA.

  • 18:40

    I just don't know what year that is.

  • 18:41

    Oh, that was uh that was like 2008 to

  • 18:44

    roughly 2012.

  • 18:46

    You know what I'm saying?

  • 18:47

    That's when the new kids came out.

  • 18:49

    Yeah. My my my kids were jerking. That

  • 18:51

    was a big thing. We took to LA. They

  • 18:52

    wanted to go get

  • 18:54

    to get jerking shoes. Meet up with

  • 18:56

    jerking crews. That was like the best

  • 18:58

    thing in the world was jerking. They was

  • 19:00

    like

  • 19:00

    I forgot that that's LA.

  • 19:03

    They're going to clip the clip. Okay.

  • 19:06

    I'm not aware of pause. I just be I just

  • 19:08

    be talking. I saw the eyes and I was

  • 19:10

    like "What?"

  • 19:11

    Oh, yeah. You like especially in the

  • 19:13

    church context.

  • 19:14

    Yeah.

  • 19:14

    Mark Lamar.

  • 19:15

    Yo, Mark. What the [ __ ] What?

  • 19:17

    I grew up in a cult. [ __ ] was different.

  • 19:20

    Excuse me. No, they were dead ass mother

  • 19:23

    [ __ ] Just the way you said it.

  • 19:26

    You said you grew up in a cult.

  • 19:27

    Another story for another time. You

  • 19:29

    mentioned Yes. But yes,

  • 19:29

    I was very casual and the responses

  • 19:31

    didn't work. I mean, we used

  • 19:34

    that. Their responses didn't didn't seem

  • 19:37

    connected to what you saw. No, like one

  • 19:39

    of them like one of them. Well,

  • 19:41

    he [ __ ] us up when he first told us.

  • 19:43

    Oh snap.

  • 19:44

    Now we're kind of

  • 19:44

    No, they were still laughing the first

  • 19:46

    time though, just for clarity. But back

  • 19:47

    to you. The um you talked about the

  • 19:49

    brother with the base.

  • 19:51

    Yeah.

  • 19:52

    And you're not that. In what areas are

  • 19:53

    you, Brother Hall? Like what? Cuz you do

  • 19:55

    so many things.

  • 19:55

    That's a good question. Um I think my

  • 19:58

    brother Hall is marketing.

  • 20:00

    Interesting. I think I'm a better

  • 20:02

    marketer than I am anything else.

  • 20:05

    Marketer, businessman, probably one,

  • 20:07

    two, comedy wise, I could name 10, 15

  • 20:10

    [ __ ] men and women, funnier than me,

  • 20:12

    but not many that I can name that are

  • 20:15

    like

  • 20:15

    market.

  • 20:16

    Yeah. Who could like

  • 20:18

    build what I built, do what I've done,

  • 20:20

    or work harder, work as hard as I work.

  • 20:23

    That's key.

  • 20:23

    But I think marketing wise, that's my

  • 20:25

    big differentiator. I can see, you know,

  • 20:28

    and I believe it's God. I ain't going to

  • 20:29

    hold you. ideas just pop into my head

  • 20:32

    about how to market stuff, how to get

  • 20:33

    things out that's different than

  • 20:35

    everybody else.

  • 20:36

    So, give us some game on that because

  • 20:38

    there are people who know, they see you

  • 20:39

    on TikTok, they see you on Instagram,

  • 20:41

    they see your clips, but they don't

  • 20:42

    actually understand the angle that you

  • 20:44

    take or your approach.

  • 20:45

    So, for like the Ball Brothers story,

  • 20:46

    the uh

  • 20:48

    Okay, my bad.

  • 20:49

    Hold the mic.

  • 20:50

    Am I messing up?

  • 20:52

    You got to jerk it this way.

  • 20:54

    Yo, what the hell?

  • 20:57

    Freaky [ __ ]

  • 20:58

    What's up with you, mom?

  • 21:00

    You want to take it from the question or

  • 21:01

    the response?

  • 21:01

    The response.

  • 21:02

    We down. I said we was off air.

  • 21:04

    Down. What? [ __ ] don't touch me.

  • 21:06

    We're still rolling.

  • 21:07

    Okay. This is awkward.

  • 21:10

    So, for like me and Tony are doing the

  • 21:12

    Ball Brothers tour this this fall,

  • 21:14

    right?

  • 21:15

    Uh, and he's just not going to stop.

  • 21:17

    I know.

  • 21:18

    We're doing the Ball Brothers.

  • 21:20

    You can't say the jerk.

  • 21:23

    Oh ball.

  • 21:24

    Oh god.

  • 21:28

    Y'all not listening. Y'all listen, man.

  • 21:29

    Y'all just listen. Listen to the country

  • 21:32

    accent.

  • 21:32

    Y'all just listen to the list.

  • 21:34

    Put the Put the D on the word. I didn't

  • 21:36

    say

  • 21:39

    y.

  • 21:40

    Okay. And shout out to Tony. Shout out

  • 21:42

    to Tony Baker, my guy. Tony, um,

  • 21:45

    who's one of the comedians I think is

  • 21:46

    funnier than me, but it's a pleasure to

  • 21:47

    stand next to him. But to market that,

  • 21:50

    we could easily put a flyer up.

  • 21:51

    Instagram is not going to show that to

  • 21:52

    anybody. Your flyers are literally dead.

  • 21:56

    It's disrespectful. They do not care

  • 21:58

    what you talking about. You do a video

  • 22:00

    saying, "Yo, we going on tour, blah,

  • 22:01

    blah, blah." Doing nothing. So, we h we

  • 22:03

    got my home girl, Angel, who's probably

  • 22:05

    one of the most talented people I've

  • 22:06

    ever met in the world, her husband

  • 22:08

    Marcus, me and Tony, and we did a scene

  • 22:10

    from Sinners and re reworked it to make

  • 22:13

    it seem like we we was planning the

  • 22:15

    tour. Come inside, blah blah blah. What

  • 22:17

    you looking for? When he handed him the

  • 22:18

    uh money, I'm handing him the tour

  • 22:20

    dates. I got blood all over me. I got a

  • 22:22

    vest. Angel's amazing. She's killing

  • 22:24

    Annie's role. So, that thing did like

  • 22:26

    1.2 million views because people are

  • 22:28

    watching a sinner's parody that is baked

  • 22:31

    into a tour promo.

  • 22:33

    Whereas I would just say, "Hey, come to

  • 22:34

    our tour." That's not going to do

  • 22:37

    anything. So, when I was doing Keep Your

  • 22:38

    Distance way back in 2020, 2021, we

  • 22:41

    parodyied all these black movies. Like,

  • 22:43

    that's how we got people going. And at

  • 22:45

    that time I was still I'm still a clean

  • 22:47

    comedian but my church audience I had to

  • 22:49

    let them know that the comedians are

  • 22:51

    going to be cussing cuz I hadn't put

  • 22:52

    people on that cuss before cuz we always

  • 22:54

    worked in the church but I was like I

  • 22:56

    didn't want comedians to have to adhere

  • 22:57

    to how I did my thing for them to do

  • 23:00

    their thing. Like I want you to have

  • 23:01

    your best shot.

  • 23:02

    So we did like a BET promo like we

  • 23:04

    bleeped out the words how BET used to be

  • 23:05

    like mother Mickey Mouse like that.

  • 23:08

    Mickey.

  • 23:09

    Yeah. So we did an ad like that so

  • 23:11

    people would know hey it's not going to

  • 23:13

    be like that. So if you don't want to

  • 23:14

    watch, you know, do that. So I think

  • 23:17

    over the years, me and Angel did a BB

  • 23:18

    and CC parody that was done really well.

  • 23:21

    Yeah. So like people are and they don't

  • 23:24

    always

  • 23:25

    do the thing, right? They don't always

  • 23:26

    buy the ticket or go to the show, but

  • 23:28

    awareness wise, you at least know what

  • 23:30

    I'm trying to do. And I think that's the

  • 23:32

    hardest part in social media. Like the

  • 23:34

    reason those ads don't work is because

  • 23:35

    if they're not if it's not even their

  • 23:37

    city, the the algorithm is like, get it

  • 23:39

    out of here. You know, back in the day

  • 23:40

    when it was Facebook and all your

  • 23:42

    friends lived in your city. When I was

  • 23:43

    in Tacoma, I could post a flyer because

  • 23:45

    everybody who followed me lived in

  • 23:46

    Tacoma, it applies to everyone.

  • 23:48

    It's only probably been the last 5 years

  • 23:51

    where they've really started making it

  • 23:52

    like and it's been getting worse and

  • 23:55

    worse. And the truth is they want you to

  • 23:57

    pay pay. If you don't cuz when I buy

  • 24:00

    ads, they're wildly effective. Like when

  • 24:02

    I buy it in Target, like when I'm going

  • 24:04

    to New York or Houston or whatever, like

  • 24:06

    they steal that data. You play the game

  • 24:08

    they want to play. For sure. This it's

  • 24:10

    wildly impactful.

  • 24:12

    It don't be that expensive.

  • 24:13

    It doesn't. It's not expensive at all.

  • 24:14

    Like overall per day a dollar or $5

  • 24:16

    really has impact. But if you don't want

  • 24:18

    to do that, they're like, "Then we're

  • 24:20

    not showing it to you,

  • 24:21

    period." You know what I'm saying? So I

  • 24:23

    think

  • 24:24

    understanding how that works is

  • 24:25

    I understand on principle with them

  • 24:26

    Instagram [ __ ] They be like, "Do you

  • 24:27

    want to boost?

  • 24:29

    You want to boost this?" No, I do, but

  • 24:32

    [ __ ] y'all. Right.

  • 24:34

    You got to target it. You have if you

  • 24:36

    don't use Facebook is effective with it.

  • 24:37

    Facebook is Facebook is the best.

  • 24:39

    Listen,

  • 24:39

    Facebook I love Facebook.

  • 24:40

    Facebook and Instagram is one platform

  • 24:43

    as far as ads go. You know what I'm

  • 24:44

    saying? So if you buy it on Facebook,

  • 24:45

    they'll show it to people's Instagram

  • 24:46

    and stuff. And I'm telling you, when

  • 24:48

    they steal that data, they stole it for

  • 24:50

    a reason.

  • 24:50

    Oh yeah.

  • 24:50

    Like they they know where you are. Like

  • 24:53

    you'll get an ad when you're in a city

  • 24:54

    that you don't even live in for a show

  • 24:56

    tonight.

  • 24:56

    You know what I'm saying? They're not

  • 24:57

    supposed to be able to know how to do

  • 24:58

    that.

  • 24:59

    But they do. They do. They absolutely do

  • 25:02

    cuz they want you to pay and that's

  • 25:03

    their real that's how they make their

  • 25:05

    money.

  • 25:06

    So understanding how that works and

  • 25:08

    stuff like that is probably my my

  • 25:09

    brother hall. You know what I'm saying?

  • 25:11

    In doing that what do you what did you

  • 25:12

    learn about audiences? Like who who are

  • 25:14

    audiences?

  • 25:15

    Man, I think the first thing you need to

  • 25:16

    know who your audience is. My audience

  • 25:18

    is 7030 black women 25 to 44 which to me

  • 25:22

    is the best audience to have because

  • 25:24

    they're loyal.

  • 25:24

    Black women they're loyal. Even as a

  • 25:26

    comedian you look out in the the crowd

  • 25:28

    women will pull up six feet deep. They

  • 25:30

    won't think about it. Six men are not

  • 25:32

    Imagine y'all be like, "Nigga, we going

  • 25:34

    to the club together as boys."

  • 25:35

    We not even friends.

  • 25:36

    Yeah, we get in the elevator with them.

  • 25:40

    Me neither.

  • 25:41

    Girls will go by themselves. They'll

  • 25:43

    also go with their their man. And they

  • 25:45

    also come alone. Men will usually only

  • 25:47

    come with their partner. They'll they

  • 25:49

    rarely go

  • 25:50

    a table of eight men. You you never

  • 25:52

    seeen you never see that at a comedy

  • 25:54

    show.

  • 25:55

    So that's that's really I mean I didn't

  • 25:57

    really seek out the audience. it it it

  • 25:59

    found me and I think that's part of the

  • 26:00

    marriage part and stuff like that, you

  • 26:02

    know, and the church part people and the

  • 26:04

    content, you know what I'm saying? But

  • 26:05

    if I were to choose an audience, that's

  • 26:06

    who I would have chose.

  • 26:08

    Uh then you just drill down to the city

  • 26:10

    and and you know, likes and stuff like

  • 26:11

    that. So I think

  • 26:12

    you said you you usually do like a clean

  • 26:14

    show yourself. Do you ever feel like

  • 26:16

    that holds you back from reaching

  • 26:18

    clean? No, I No. Yeah.

  • 26:20

    I don't think it holds me back at all. I

  • 26:23

    think whatever I'm supposed to be and

  • 26:25

    get is because I'll be authentic. You

  • 26:27

    know what I'm saying? Uh, and Simbad's

  • 26:29

    one of my icons. Most people don't even

  • 26:31

    realize Simbad's not cussing

  • 26:33

    because he's not like corny clean. He's

  • 26:35

    just not cussing. And I think there's a

  • 26:36

    difference. And I say [ __ ] and I talk

  • 26:38

    about coochie and stuff like I just

  • 26:40

    don't use cuss words cuz I don't really

  • 26:41

    cuss like that.

  • 26:42

    Can I ask you a question about that?

  • 26:43

    What's the

  • 26:44

    Why are you comfortable not cursing but

  • 26:45

    comfortable saying [ __ ]

  • 26:47

    You know what? As a church kid, I could

  • 26:49

    not cuss, but I said [ __ ] at school

  • 26:52

    always. So interesting cuz I didn't used

  • 26:53

    to say [ __ ] on platform. So people

  • 26:55

    think I just started saying it. I just

  • 26:56

    It struck me when you said it. Yeah, I

  • 26:58

    didn't say it on platforms because they

  • 26:59

    would take your videos down. So, it's

  • 27:01

    just out of habit more than anything

  • 27:03

    else. But now they're not as strict

  • 27:05

    about it as they used to be. Um, but um

  • 27:08

    I think I mean I'm I'm glad you know we

  • 27:10

    was we were saying [ __ ]

  • 27:11

    they auto corrector too.

  • 27:12

    Yeah.

  • 27:13

    No [ __ ] you man.

  • 27:18

    You ever had a closed caption when they

  • 27:19

    make you rethink it?

  • 27:21

    You ever had a closed caption on on the

  • 27:23

    show when they say it?

  • 27:24

    No.

  • 27:24

    Oh no. And they they throw the ER on it

  • 27:26

    every time.

  • 27:27

    Yeah, they will.

  • 27:27

    Oh, so does Siri when you read it in the

  • 27:29

    car.

  • 27:29

    Yeah, they will throw the ER on it.

  • 27:31

    Yeah.

  • 27:32

    Yeah, Siri be bugging me. So,

  • 27:33

    Mark, [ __ ] just learned you say [ __ ]

  • 27:35

    too.

  • 27:35

    Yeah, but I say [ __ ] right? But I cut

  • 27:37

    you. I mean, so it's not inconsistent.

  • 27:39

    Like I just I'm always struck by people.

  • 27:41

    Well, I think cussative like in my

  • 27:44

    family saying pissed off was not a cuss

  • 27:45

    word. But a lot of people feel like

  • 27:47

    pissed off.

  • 27:48

    My dad, you couldn't say pissed off,

  • 27:49

    right?

  • 27:50

    My mom said pissed off. So I grew up not

  • 27:52

    thinking that was a cuss word at all

  • 27:54

    until I grew up. Even some kids couldn't

  • 27:56

    say lie in their family.

  • 27:57

    We couldn't say lie now.

  • 27:58

    My kids can't say lie now.

  • 27:59

    See what you're telling the story. Tell

  • 28:01

    the story fibon or whatever. But I

  • 28:03

    didn't get some real

  • 28:06

    [ __ ] Why? Why your kids can't say lie

  • 28:07

    today? I understood it from my

  • 28:09

    granddaddy and

  • 28:09

    well from it. It was disrespectful and

  • 28:11

    and coming up it was disrespectful the

  • 28:14

    way it was presented to me for kids even

  • 28:16

    be saying the word lie. You say telling

  • 28:17

    a story and I passed this [ __ ] right on.

  • 28:19

    What if someone's lying though? You're

  • 28:21

    telling us they're not telling the

  • 28:22

    story. You're telling the story. You're

  • 28:23

    telling the story. You're not telling

  • 28:24

    the truth.

  • 28:25

    What age is it okay to be like, "Do

  • 28:27

    man, you a [ __ ] liar."

  • 28:28

    Yeah. What age is all right? When you

  • 28:31

    ready to catch the chess shot that come

  • 28:32

    with that,

  • 28:32

    right?

  • 28:33

    It don't make sense. It never made sense

  • 28:34

    to me as a kid. I never got a good

  • 28:36

    answer for it. So, I just passed it. We

  • 28:38

    just passed it down.

  • 28:40

    You pass it down, too?

  • 28:40

    Yeah.

  • 28:41

    No, I didn't pass it down. But, when you

  • 28:43

    hear kids say that's a lie, it does make

  • 28:45

    you mad as [ __ ] when your kids say that.

  • 28:46

    I I see what you're saying,

  • 28:47

    man. We couldn't say hell. Like, it

  • 28:49

    definitely couldn't say hell. Yes.

  • 28:51

    Even your family is church church, too.

  • 28:54

    Not at my not when we were younger. My

  • 28:56

    moms didn't get into the church until I

  • 28:57

    was grown.

  • 28:58

    Got it.

  • 29:00

    It was just It was just

  • 29:01

    certain [ __ ] we couldn't do. Like I

  • 29:03

    don't curse in front of my mom to this

  • 29:04

    day.

  • 29:04

    Me either.

  • 29:05

    I'll be mad when my mother be saying she

  • 29:06

    watched the pot. I'm like, "Uh, you

  • 29:07

    heard me say certain stuff?"

  • 29:09

    Wow. I have a question for you, Kev.

  • 29:11

    Yeah. Yeah.

  • 29:14

    Oh man.

  • 29:16

    Yeah. I'm going to ask it.

  • 29:17

    Yeah. So, some church people now

  • 29:22

    are

  • 29:24

    they are what's the word? Not sassy, but

  • 29:28

    some church people hide behind the veil

  • 29:31

    of the church and get their [ __ ] off.

  • 29:33

    Like in the church, rest in peace to

  • 29:36

    Pastor Ron, but in the church, if you

  • 29:38

    sit in the back, you'll hear how they

  • 29:39

    really talking about some of the people

  • 29:41

    in the church. Yeah.

  • 29:42

    So, my question to you is about Tyler

  • 29:44

    Perry.

  • 29:45

    Okay.

  • 29:46

    No.

  • 29:47

    What? Yeah. Wait, threw me off, [ __ ]

  • 29:50

    He gave all the context.

  • 29:51

    Tyler Perry Tyler Perry recently sat

  • 29:53

    down with Kirk Franklin.

  • 29:55

    He sat down with I think Jeezy was there

  • 29:57

    and another from Big Dave.

  • 30:00

    Yeah. And they were having a really

  • 30:02

    great conversation and in which

  • 30:06

    um Tyler said, "Hey, everybody was

  • 30:08

    gushing over the Ryan Cougler deal, but

  • 30:12

    been there, done that.

  • 30:13

    I did that 20 years ago. I taught him

  • 30:16

    how to do it. I just did it quiet. But I

  • 30:18

    mean, you got to give and then he did

  • 30:20

    the whole church thing. He does it.

  • 30:21

    Tyler Perry is the best edition.

  • 30:23

    And then he went back into the church.

  • 30:24

    No, you got to give the message and

  • 30:26

    share and yada. But I feel like I heard

  • 30:30

    the

  • 30:31

    shade

  • 30:33

    the shade towards Ryan. Just not toward

  • 30:36

    Ryan or but just shade in

  • 30:41

    the message.

  • 30:44

    It was shade in that message, right? Or

  • 30:47

    it could be shade in like y'all

  • 30:49

    highlighting this when I been did this

  • 30:51

    and nobody highlighted it. It could just

  • 30:53

    be shade there.

  • 30:54

    Like why you getting the attention for

  • 30:56

    some [ __ ] that I been did?

  • 30:58

    Yeah, but he didn't need to do that.

  • 30:59

    No, he didn't need to. He also he also

  • 31:01

    didn't make it public.

  • 31:02

    So you gave

  • 31:03

    He did make it public.

  • 31:04

    No, no, he didn't now. Tyler made it

  • 31:06

    public now when he was speaking to them

  • 31:08

    about But you didn't make it public

  • 31:09

    before that. And you told Ryan behind

  • 31:12

    the scenes for him to have the

  • 31:13

    information do on his own. So now that

  • 31:14

    he do it, why you feel like you need to

  • 31:16

    get the credit for that?

  • 31:17

    Because I agree with that. I agree with

  • 31:18

    that.

  • 31:19

    Like you did it quietly. Continue to be

  • 31:21

    quiet about it and move along.

  • 31:23

    I know that's your man, but I would like

  • 31:25

    to hear the question. How what does the

  • 31:27

    church have to do with it?

  • 31:28

    No, no, no, no. Just

  • 31:30

    Oh, why did he do that?

  • 31:31

    Or did did you hear the shade in that?

  • 31:33

    I didn't I didn't hear the shade. I I

  • 31:35

    think it's actually interesting. Um it's

  • 31:38

    an interesting point of view. I didn't

  • 31:38

    really hear the shade or take it as

  • 31:40

    shade. Um Tyler is usually pretty um

  • 31:44

    open about like I made the most

  • 31:46

    millionaires. I' I've hired the most

  • 31:48

    black people. So to me, you know, I I

  • 31:50

    went and got these actors who hadn't

  • 31:51

    been working and put them on like the

  • 31:52

    dude from the Cosby Show when he was

  • 31:54

    working at Trader Joe's. Like Tyler

  • 31:55

    would go and put you in a movie right

  • 31:57

    away. He's actually put some influences

  • 31:58

    on as well. So to me that was just

  • 32:01

    Tyler's consistently like here's what

  • 32:04

    I've done. You know what I'm saying? The

  • 32:05

    Ryan Cougler thing is is interesting

  • 32:07

    because you know he he has had those

  • 32:09

    deals but I've always heard like Tyler

  • 32:11

    did those first 10 episodes of Meet the

  • 32:12

    Browns and then the network bottom like

  • 32:14

    I've always heard it like that. I think

  • 32:16

    Ryan's thing was that's not usually done

  • 32:18

    at that scale for that type of thing,

  • 32:21

    right? Tyler came in independent,

  • 32:23

    right? He partnered with Lionsgate. He

  • 32:24

    came in, you know, 4 million 840. That's

  • 32:27

    always been his story. But Ryan was like

  • 32:29

    traditional studio model with Fruit Val

  • 32:32

    with with with Black Panther, with

  • 32:34

    Creed, they're not giving you no points

  • 32:36

    off nothing. So then to get, you know,

  • 32:39

    first dollar gross

  • 32:40

    is you can't even lie. like backend

  • 32:44

    participation them studios can charge

  • 32:46

    anything they want. They can charge

  • 32:47

    y'all like I worked at a company we you

  • 32:50

    you'll be surprised how creative account

  • 32:52

    it can get when you don't want to pay

  • 32:53

    somebody.

  • 32:54

    We charge myself

  • 32:57

    right there.

  • 32:59

    Can you say that again?

  • 33:01

    Oh my god.

  • 33:01

    Thank you for coming today, man.

  • 33:03

    Wow. This is driving knowledge.

  • 33:07

    But in Hollywood, bro, they not like

  • 33:09

    they charging the light, the light bulb,

  • 33:11

    the lunch, the secretary, you know, the

  • 33:13

    assistant who works your assistant who

  • 33:15

    who might order lunch for the star, they

  • 33:17

    now charging her whole salary for the

  • 33:19

    day to the project. Like now nothing

  • 33:21

    made no money, right? But first dollar

  • 33:24

    gross means the moment somebody buys a

  • 33:26

    ticket to centers, Ryan gets a

  • 33:28

    percentage of that. You cannot hide that

  • 33:30

    type of money. So that part of the deal

  • 33:32

    I haven't heard I'm not saying doesn't

  • 33:34

    exist but I haven't heard Tyler get that

  • 33:36

    part of the the the deal. Um so maybe

  • 33:40

    you know because even Ryan was like he

  • 33:41

    was big on what Christopher Nolan you

  • 33:43

    know helped him negotiate. I don't know

  • 33:45

    if that was the IMAX or the deal part

  • 33:47

    but Nolan be getting those things but

  • 33:49

    again it's it's not always the same for

  • 33:51

    black people and white people in in

  • 33:53

    Hollywood especially with back in

  • 33:54

    participation. But no I didn't take it

  • 33:56

    as shade. I that was pretty consistent

  • 33:58

    with what I've heard from Tyler over the

  • 34:00

    years, but just specific to that deal

  • 34:02

    was like, "Oh, I didn't know." Maybe in

  • 34:04

    part cuz I didn't Nobody knew he he did

  • 34:06

    it. He brought up. But I have heard that

  • 34:08

    dialogue about people like, "If you was

  • 34:10

    helping them, why'd you

  • 34:11

    why'd you just help?"

  • 34:12

    Why we turn it down? Just do it.

  • 34:14

    Yeah. Yeah. Church people got that that

  • 34:15

    righteous shady that they It's for It's

  • 34:17

    a little It's a little

  • 34:19

    Black people have that.

  • 34:21

    Black people have

  • 34:22

    It just look different in the church.

  • 34:23

    Yeah.

  • 34:24

    That's because you expect

  • 34:25

    Do you think it's because people expect

  • 34:26

    church people to be different than

  • 34:28

    because they say they are.

  • 34:29

    Yeah. Yeah. I think that's the biggest

  • 34:31

    thing. Church people are no different

  • 34:33

    than any other people.

  • 34:34

    Of course.

  • 34:34

    You right. And like it's and and I do

  • 34:36

    agree with you. Like church people can

  • 34:38

    be shady. We can put on like the whole

  • 34:40

    PK thing. We expect the pastor's kids to

  • 34:42

    be better than our kids. Right. Your kid

  • 34:45

    can have six kids out of wedlock, same

  • 34:46

    age as the pastor's son. He kisses

  • 34:48

    somebody.

  • 34:49

    But if TD Jake's kid has a baby, it's

  • 34:51

    like the world's acting like the world's

  • 34:52

    over.

  • 34:52

    The world's acting crazy. But that was

  • 34:54

    not really uncommon in America nor the

  • 34:56

    church. But we think because TD Jake has

  • 34:58

    a daughter, his daughter should be

  • 35:01

    what? Special and different and perfect.

  • 35:04

    But the the Bible talks about none of us

  • 35:06

    are perfect. You know, all have sinned

  • 35:08

    and fallen short of the glory of God.

  • 35:10

    But I think as people, we put those

  • 35:12

    people on pedestals and the expectation.

  • 35:14

    But church people are just people, man.

  • 35:16

    And

  • 35:16

    so where do you fall on Hulk Hogan's

  • 35:18

    death? Oo, I think it's a it's a case of

  • 35:22

    multiple things are true at one time. It

  • 35:25

    is absolutely true that Hulk Hogan

  • 35:27

    changed the game of wrestling. He was

  • 35:29

    the biggest superstar, he made it bigger

  • 35:31

    than it ever was. Also, in the same

  • 35:33

    breath,

  • 35:34

    the reason wrestlers don't have unions

  • 35:36

    is also because of before he even get to

  • 35:38

    the race stuff. So, he also he made it

  • 35:41

    bigger, but he also stunted the

  • 35:43

    business.

  • 35:43

    He made it bigger for him.

  • 35:44

    He made it bigger for him. bigger for

  • 35:46

    everybody as a result, but he made it so

  • 35:48

    that he ate more than everybody else. As

  • 35:50

    a wrestler, he's wrestlers don't really

  • 35:54

    are on record for not liking Hulk Hogan.

  • 35:56

    He didn't want to put people over for a

  • 35:57

    long time. So, just as a wrestler, only

  • 36:00

    as a wrestler, it's murky.

  • 36:02

    And then racewise, obviously, the stuff

  • 36:04

    he said about black people, it's so

  • 36:06

    interesting how people want when you

  • 36:08

    die, a lot of people just want you to

  • 36:10

    talk about the positive part of your

  • 36:11

    legacy. The your legacy is the totality

  • 36:14

    of you. Mhm.

  • 36:15

    Not just the good and not just the bad.

  • 36:18

    We have that talk up here a lot when

  • 36:19

    people pass, right? And it normally

  • 36:21

    splits the room in how we feel. But this

  • 36:23

    is important.

  • 36:24

    Your legacy is the totality of who you

  • 36:26

    are. Right. For for all intents and

  • 36:28

    purposes, I have for the most part a

  • 36:29

    good rep right now. Right. If I were to

  • 36:32

    die right now

  • 36:34

    with no smut on name, people like Kev is

  • 36:37

    a solid dude. If all of a sudden in 10

  • 36:38

    years I start cheating people out of

  • 36:40

    deals, start pushing babies down,

  • 36:43

    punching dogs or something. I'm

  • 36:44

    consistently doing that. People who love

  • 36:46

    dogs be like, "Man, that dude used to

  • 36:47

    punch dogs." It don't matter that he

  • 36:49

    used to hire black people like he used

  • 36:51

    to punch dogs. Like Mike Vic, who I

  • 36:53

    love, his legacy also includes the dog

  • 36:56

    part. Now, black people, if you

  • 36:58

    depending on how you feel, you may

  • 36:59

    forget.

  • 36:59

    I think that's fair.

  • 37:00

    But it it's it's true, though.

  • 37:02

    It's true.

  • 37:03

    Yeah.

  • 37:03

    But who made it true?

  • 37:04

    But what if I'm a super dog lover? If

  • 37:07

    you're a super dog lover, I am a super

  • 37:08

    dog lover, right? Like white people

  • 37:10

    level super dog lover like like dogs

  • 37:12

    over people kind of person.

  • 37:12

    It's unforgivable that I don't know if

  • 37:14

    you know that.

  • 37:15

    Oh, I didn't know that. Okay. I am that.

  • 37:16

    Then then if you stood up and said I got

  • 37:17

    issue with this thing and I'm mentioning

  • 37:19

    it at the time and said I don't think

  • 37:20

    that's crazy. You know what I'm saying?

  • 37:21

    I I don't think you have to do that.

  • 37:23

    There are plenty of people that died

  • 37:24

    that I don't speak of their worst

  • 37:25

    moments, but I don't get mad at people

  • 37:28

    who do if their legacy impacted them in

  • 37:30

    that way. So there's nothing you can do

  • 37:31

    within that time to the to your passing

  • 37:34

    to at least redeem or kind of like

  • 37:36

    mend some of that over

  • 37:38

    I think you can. That's why I don't

  • 37:38

    reduce people to their worst moment.

  • 37:40

    Like if Hulk Hogan had one one day said

  • 37:42

    some racist [ __ ] and that's all he did.

  • 37:44

    I wouldn't say anything about it on his

  • 37:46

    death. I I probably would just mind my

  • 37:47

    just continuous.

  • 37:49

    But when you have a pattern of harm,

  • 37:51

    I don't think it's wrong for the people

  • 37:52

    who were harmed. That's why I used

  • 37:53

    Ronald Reagan's example last week.

  • 37:56

    Black people don't have to pretend

  • 37:57

    Ronald Reagan wasn't wasn't a monster

  • 37:58

    when he dies. I think we have every

  • 37:59

    right to say something about it.

  • 38:01

    You know, at some point, I mean, I hate

  • 38:03

    to go to the extreme example, but

  • 38:04

    Hitler, Hitler was really bad, dude.

  • 38:07

    I don't think people have to be quiet

  • 38:08

    when he dies and be like, you know what,

  • 38:09

    for this week, we just not going to say

  • 38:11

    nothing.

  • 38:11

    Yeah.

  • 38:11

    Queen of England, bro. Like, the people

  • 38:13

    who the English people love her,

  • 38:16

    but all the black English people don't

  • 38:18

    feel so strong. And people who live in

  • 38:20

    the colonies that they were still over,

  • 38:22

    who got independence from them in their

  • 38:23

    lifetime, they did not feel bad when she

  • 38:26

    died.

  • 38:26

    Yeah. Right. She's not a positive person

  • 38:27

    to me. And I think black people I feel

  • 38:30

    like our emotions are policed more than

  • 38:33

    other people. Yes. But Hogan didn't rock

  • 38:35

    with black people ever that I've seen

  • 38:37

    that he said racist stuff recent like he

  • 38:40

    didn't he never really stopped like he

  • 38:43

    let me tell you something allegedly

  • 38:44

    something to like a waiter called a

  • 38:45

    waiter [ __ ] or something like that. So

  • 38:47

    it's like and also I don't think he ever

  • 38:48

    showed that remorse like I'm Mike Vic

  • 38:51

    did like he he did his time in prison.

  • 38:53

    He did all this stuff changed ways but

  • 38:55

    Hulk Hogan never really did that stuff.

  • 38:59

    I understand when people like I'm not

  • 39:00

    letting them off the hook. And also it's

  • 39:01

    the internet. People are more

  • 39:04

    forward with what they say on the

  • 39:05

    internet.

  • 39:07

    Especially if you're just tweeting it

  • 39:08

    like there's no consequences. So I think

  • 39:10

    that gives us a

  • 39:13

    misrepresent misrepresentation of how

  • 39:15

    people

  • 39:15

    act face to face. I'm saying I think the

  • 39:18

    internet you get the jokes off you don't

  • 39:20

    feel bad but you you wouldn't

  • 39:21

    necessarily say that in real life.

  • 39:22

    I'm seeing a lot of people say that for

  • 39:24

    them Hulk Hogan died a a long time ago.

  • 39:27

    Yes. Like the idea of Hulk Hogan was

  • 39:29

    dead about 10 years ago. I can

  • 39:31

    understand why now people feel so

  • 39:33

    adamant about wanting to speak so loudly

  • 39:35

    about

  • 39:36

    why he died 10 years ago to them.

  • 39:38

    Kazim said that thing said something

  • 39:40

    similar. He said he felt the same way

  • 39:41

    about Bill Cosby. Like

  • 39:43

    for a lot of us he was

  • 39:46

    perfect the model the the Cosby show.

  • 39:49

    And you know a lot of people when he

  • 39:51

    passes away it's going to be the same

  • 39:53

    thing. Like he did a lot for black

  • 39:54

    people did a lot for scholarships. I

  • 39:56

    went to college because of a different

  • 39:58

    world. Just because that show existed, I

  • 40:00

    was like, "Dang, this looks like fun. I

  • 40:01

    want to go to college." That was the

  • 40:02

    biggest impact on me because my family

  • 40:04

    didn't go to college. Like him in

  • 40:06

    college was made me want to go to

  • 40:07

    college. But then he he also was doing

  • 40:10

    other stuff. At the same time, he was

  • 40:11

    making a different world.

  • 40:12

    He stole that idea, too.

  • 40:14

    And see what I mean? Now, that was the

  • 40:15

    one good thing I still had left. I

  • 40:17

    didn't even know that stuff.

  • 40:18

    I'm not saying he did. I don't know that

  • 40:19

    story. I was part of it.

  • 40:20

    Technically, he stole the idea of

  • 40:22

    different world from uh school days. I

  • 40:24

    didn't even hear that.

  • 40:26

    Yeah.

  • 40:26

    Dang.

  • 40:27

    Me neither. He might just be

  • 40:28

    freestyling. No, I'm dead. I'm serious.

  • 40:31

    No, the the production, the casting,

  • 40:32

    director, and everything. He stole her,

  • 40:35

    brought her over because

  • 40:37

    Okay, I get he was inspired by it and

  • 40:39

    and then hired. I guess it's a little

  • 40:40

    different.

  • 40:40

    He stole tomatoes to my

  • 40:43

    inspiration, man. School days wasn't

  • 40:45

    necessarily the same.

  • 40:46

    No,

  • 40:48

    I can see how if you see school days and

  • 40:50

    it's about to drop and do

  • 40:52

    Oh, like black people in college.

  • 40:53

    Yeah. You can 100% take that idea and

  • 40:56

    try to run it and turn it into your own

  • 40:57

    [ __ ] Got it.

  • 40:57

    But I think if Hulk Hogan had a heart

  • 40:58

    attack at 50 and died 20 years ago, the

  • 41:01

    way people talk about him would be

  • 41:02

    totally different. All that stuff

  • 41:04

    started coming out as the internet.

  • 41:05

    Yeah. The story that killed him in in

  • 41:06

    the 80s or '90s. Yeah. He'd been a whole

  • 41:08

    different person cuz all them other

  • 41:09

    people who died, Macho Man, like them

  • 41:11

    stories, I don't know that he did

  • 41:12

    anything, but those stories

  • 41:13

    Oh, no. Macho Man was a monster, too.

  • 41:15

    Ask Elizabeth and Lex Luger. They both

  • 41:16

    used to miss Elizabeth.

  • 41:18

    I just found the Ultimate Warrior was

  • 41:20

    terrible like two weeks ago. He was

  • 41:22

    worse than Hulk Hogan. He was a me and

  • 41:24

    him used to argue. He was a diehard

  • 41:26

    racist. Ultimate warrior.

  • 41:27

    Yes.

  • 41:28

    Argu which one?

  • 41:29

    He was a big Fox News watch.

  • 41:34

    The only one.

  • 41:36

    The Ultimate Warrior used to literally

  • 41:37

    call me after like Fox News Bill

  • 41:38

    O'Reilly appearance and like argue with

  • 41:40

    me about why black people are [ __ ] up.

  • 41:41

    Wow.

  • 41:42

    Yeah.

  • 41:42

    The ultimate warrior.

  • 41:43

    The ultimate warrior. Chicken road.

  • 41:45

    Yeah. Ultimate warrior. Body slam Hulk

  • 41:46

    Hogan and Wrestlemania 5. Yes. What

  • 41:48

    about Ravage Rick Rude? didn't really

  • 41:50

    know him, but

  • 41:52

    that video of him pretending to eat the

  • 41:54

    girl out while he's carrying across the

  • 41:55

    stage without consent. Dink the clown

  • 41:56

    was cool.

  • 41:58

    Yes, Undertaker was good, man.

  • 42:00

    Undertaker's good money.

  • 42:01

    Undertaker's good money.

  • 42:03

    He's been Lanny Po. You're good.

  • 42:05

    Uh, Undertaker. He be a little MAGA.

  • 42:08

    He's a little MAGA.

  • 42:09

    Oh, they're all MAGA.

  • 42:10

    We just be like, just don't say nothing

  • 42:13

    was racist.

  • 42:14

    Wait, we not [ __ ] with people cuz

  • 42:15

    they mega.

  • 42:15

    Don't play with counting. Okay.

  • 42:18

    Then you start telling everybody who's

  • 42:19

    maggoting and that's the whole

  • 42:20

    I got to get rid of some of my Puerto

  • 42:21

    Rican friends that's mad now.

  • 42:24

    I had at least one cast member here who

  • 42:26

    voted for Trump.

  • 42:27

    You keep saying that. And I think it's

  • 42:29

    true.

  • 42:29

    I I think you trolling when you said

  • 42:30

    I think he is. Okay.

  • 42:31

    You know, I almost thought to call you

  • 42:33

    and say, "Hey, man. Who is it?"

  • 42:35

    Was you trolling?

  • 42:36

    If you called me, I told you it was.

  • 42:38

    Say word.

  • 42:39

    Yeah, I'll tell you. You know for sure

  • 42:41

    somebody told me.

  • 42:42

    Are you joking? They might have been

  • 42:43

    lying to you though.

  • 42:44

    No, no, they weren't. I promise you they

  • 42:46

    weren't. They were

  • 42:47

    Why would somebody confide in you that

  • 42:49

    works up here?

  • 42:50

    Because they know I wouldn't tell them

  • 42:51

    who it was. They know I my my my my word

  • 42:54

    of sacros.

  • 42:56

    Tell me.

  • 42:57

    Well, I'm tell you

  • 42:59

    they're on the cast or they just work up

  • 43:00

    here.

  • 43:01

    They have a microphone.

  • 43:03

    Oh [ __ ]

  • 43:04

    Oh [ __ ] Nah, they are fired.

  • 43:07

    Oh, you know what? I'm not telling you.

  • 43:09

    No, I would do that. Nobody's fired.

  • 43:12

    Nobody's fired. And I believe that. I

  • 43:14

    believe that. I believe I do believe

  • 43:15

    somebody

  • 43:15

    trying to do I don't even I don't

  • 43:18

    I thought you were talking about someone

  • 43:19

    off camera before you thought it was

  • 43:20

    Kee.

  • 43:21

    No,

  • 43:22

    you thought it was Cory.

  • 43:23

    Oh yeah. Actually,

  • 43:24

    you think Cory Cory voted Cory don't got

  • 43:27

    to vote.

  • 43:27

    Cory can't vote. Cory three time

  • 43:30

    one more strike. He one strike away.

  • 43:35

    Um I was trying to say uh for the people

  • 43:38

    that are unfamiliar with you watching,

  • 43:40

    give me your start. What was your start?

  • 43:42

    What was your what's your big break?

  • 43:45

    You know, that's so interesting, man. I

  • 43:47

    don't I don't even know how to like

  • 43:49

    encapsulate it as one moment. I've never

  • 43:51

    had like the like Tiffany hadis girls

  • 43:54

    trip, you're out of here. I I don't have

  • 43:57

    that like one thing. Um I've had like

  • 44:00

    viral videos, but it never felt like

  • 44:02

    something changed immediately. I feel

  • 44:03

    like I've just been steadily, you know,

  • 44:06

    making videos. Like I I did a Neahoo

  • 44:08

    video that went viral. What happened to

  • 44:10

    Neahoo? And I found all the neoos in

  • 44:11

    '90s R&B. Remember that?

  • 44:13

    Yeah. But that didn't like I still had

  • 44:15

    to go to work for 2 years.

  • 44:17

    When did When did you start seeing more

  • 44:19

    people at the Comedy Tour?

  • 44:21

    Ooh,

  • 44:23

    I guess when I first went on tour for

  • 44:25

    myself. I guess that's probably the

  • 44:26

    moment. 2018,

  • 44:28

    2017, I was on tour with four other

  • 44:30

    people and a promoter. This is something

  • 44:32

    I talk about in my book, Successful

  • 44:34

    Failure, coming out September 23rd. Um,

  • 44:37

    he made a grave mistake with me.

  • 44:40

    Uh, and he didn't realize he made it. He

  • 44:42

    was paying four of us and we were

  • 44:44

    splitting half the take four different

  • 44:46

    ways and he kept the other half. And all

  • 44:48

    he did was rent the venue and and uh,

  • 44:50

    book the flights and book the hotel.

  • 44:53

    Something like that. And we were doing a

  • 44:55

    show in Houston, Dallas, and San

  • 44:56

    Antonio. I'll never forget. And he sent

  • 44:58

    us the numbers.

  • 44:59

    I was about to say the email.

  • 45:00

    He sent us the numbers how many tickets

  • 45:03

    we were selling. And it was like we were

  • 45:06

    getting like six grand a show. And at

  • 45:07

    that time in my life I was like this is

  • 45:09

    crazy. Somebody's giving me $6,000 a

  • 45:12

    night. Like I started off getting zero

  • 45:14

    dollars for years. I was at Dad Jackson

  • 45:16

    happy. Shout out Nate Jackson. Super

  • 45:18

    funny comedy club. This is no shade. I

  • 45:20

    needed stage time more than money at

  • 45:22

    that time. He let me do 20 m 20 minutes

  • 45:24

    for two years. I developed the most as a

  • 45:26

    comedian at the time. Never cared about

  • 45:28

    money. He eventually paid me. Um but it

  • 45:29

    was you know $50 to $100 to $200. For

  • 45:32

    years I made $500. So all of a sudden

  • 45:34

    I'm getting $6,000 a night. So coming

  • 45:37

    home with, you know, 12 grand. This is

  • 45:39

    crazy. I'm going to my wife like, "Man,

  • 45:41

    we made $15,000

  • 45:43

    this month for three shows in a tour."

  • 45:45

    And we were going to Houston in Dallas,

  • 45:47

    which today to this day are some of my

  • 45:48

    biggest markets. And he was like, "But

  • 45:50

    San Antonio wasn't selling well." And

  • 45:51

    San Antonio still never sells well.

  • 45:52

    That's why I don't come here. I'm sorry

  • 45:54

    y'all. Um, and he was like, "Just get

  • 45:56

    Houston, San Antonio up to just Dallas

  • 45:59

    and look how much y'all make." And I saw

  • 46:01

    how much the numbers were at once. It

  • 46:04

    was like 40 grand. And I'm like, "Hold

  • 46:06

    on now. Wait. He's keeping half of this

  • 46:09

    for renting the church and giving us

  • 46:11

    some chicken and buying a flight. Like

  • 46:14

    he and he needs us to market it,

  • 46:16

    right? Without us, he can't market the

  • 46:18

    show. Back in the day, I get it. Like

  • 46:20

    you you was getting James Brown. Not

  • 46:22

    James Brown cuz he did it himself, but

  • 46:23

    they're flying you marketing by the

  • 46:25

    radio like you couldn't do it by

  • 46:27

    yourself. But I'm like he needs us to

  • 46:28

    market this." uh to sell this out. I

  • 46:31

    don't even need to sell this many

  • 46:33

    tickets

  • 46:33

    to make more than $6,000. If I can get

  • 46:36

    the venue for $1,000 or $2,000 and I can

  • 46:40

    get this whole thing,

  • 46:41

    do it yourself here.

  • 46:42

    I can do it myself. Especially if you

  • 46:43

    need me to market and he needed all of

  • 46:45

    us, but I'm like

  • 46:46

    I know at that time I couldn't sell what

  • 46:48

    all three or four of us could sell

  • 46:49

    together right?

  • 46:50

    But I don't need to. Nope.

  • 46:51

    Cuz I don't have to I don't have to

  • 46:52

    split it.

  • 46:54

    Yeah. If I can pay a flat fee and get a

  • 46:57

    good deal on the churches and I got good

  • 46:58

    relationship with the churches. I'm

  • 46:59

    getting churches for $1,000 at that

  • 47:01

    time.

  • 47:02

    $1,000 and I sell 800 tickets, 900

  • 47:05

    tickets. Bro, I'm I'm good. So, I did

  • 47:08

    that tour, finished that out, and that

  • 47:09

    was the last time I toured where

  • 47:11

    somebody paid me from that moment on.

  • 47:13

    Um, and we went from at that time we

  • 47:15

    were selling out maybe 300 seats and I

  • 47:17

    was like, "This is crazy. We're selling

  • 47:19

    300 tickets." They were selling out all

  • 47:21

    over the place. Then 300 became 600. 600

  • 47:24

    became 1,000. And this last tour we did

  • 47:27

    like 3,000 in Brooklyn. We did 3,000 in

  • 47:29

    London.

  • 47:29

    Oh, come on. Stop playing.

  • 47:30

    Yeah. It was like

  • 47:31

    stop playing.

  • 47:32

    Crazy. Now, at the same time, I got to

  • 47:34

    bear the whole weight of all those

  • 47:36

    flights and hotels and it doesn't it

  • 47:37

    doesn't do well. Like that's the those

  • 47:39

    are the good shows. I I'm not talking

  • 47:41

    about the Kansas City, you know, 712

  • 47:44

    when I'm running discounted tickets and

  • 47:45

    I don't make that. You know what I'm

  • 47:46

    saying? So it it es and flows, but

  • 47:49

    that's probably the biggest thing for me

  • 47:51

    is going out on tour by myself because

  • 47:53

    that allowed me the money that I, you

  • 47:55

    know, saved to make Churchy, you know,

  • 47:58

    um cuz the first time I made Churchy, me

  • 48:00

    and my wife paid for it ourselves and

  • 48:02

    then we licensed it to BET. So that was

  • 48:04

    a lot of comedy shows, a lot of Spectrum

  • 48:06

    commercials, you know, saving all that

  • 48:07

    money. Um, and I think that that allowed

  • 48:09

    me to get into media the way I wanted to

  • 48:12

    versus having to wait for somebody else

  • 48:14

    to, you know, pick up my show and stuff

  • 48:16

    like that. So, I think that's probably

  • 48:17

    the biggest thing was uh that tour 2018,

  • 48:21

    the real comedians of social media.

  • 48:23

    Is that guy taping our whole show?

  • 48:25

    No, no, he's getting like some clips.

  • 48:26

    Okay.

  • 48:27

    Yeah, he he was he was watching for 20

  • 48:29

    30 minutes. Yeah, he's just making a

  • 48:30

    vlog for my pat.

  • 48:31

    No, no, no. Turn it off, man. Just put

  • 48:33

    it down. Put it down. Put it down for

  • 48:34

    the rest. Normally when them [ __ ] come

  • 48:36

    with the side cam, they tape the whole

  • 48:38

    show. It drop before we drop the car on

  • 48:40

    the way.

  • 48:41

    What the [ __ ]

  • 48:43

    The whole [ __ ]

  • 48:44

    I wouldn't even mess up the air

  • 48:45

    schedule. That's why I always ask where

  • 48:46

    y'all, but he's just doing a vlog for my

  • 48:48

    Patreon.

  • 48:49

    Speak to me about um Damn, Mark is not

  • 48:52

    here on that on that episode. I wasn't

  • 48:53

    here. Oh man, he left.

  • 48:54

    Y'all got He'll be right back. He does

  • 48:55

    what he wants up here.

  • 48:56

    Okay. Uh Mark, somehow it got to Mark

  • 49:00

    talking about how important his wife is

  • 49:02

    to him and like the moment they met and

  • 49:04

    how he knew it was love. I y'all bodied

  • 49:05

    that.

  • 49:06

    When I watch your clips and your wife

  • 49:09

    happens to pop in the frame,

  • 49:11

    Yeah.

  • 49:11

    I be like that's the key that it looked

  • 49:15

    like it just it comes off like

  • 49:19

    again like the planner and the thinker

  • 49:21

    and behind the scenes behind every

  • 49:22

    strong black man. It comes off like if

  • 49:24

    there's ever a time where you hang in

  • 49:27

    your head or just self-doubt. Yeah.

  • 49:29

    Or it looks like the great ortor is

  • 49:33

    there to just dispel. Speak to me about

  • 49:35

    how important

  • 49:37

    that role is and the fact that that's

  • 49:39

    your wife that does it. I I think it's

  • 49:42

    amazing.

  • 49:42

    Bro, thank you for noticing.

  • 49:44

    Absolutely fire.

  • 49:44

    It is the outside of like marketing and

  • 49:48

    the other stuff I was saying about me.

  • 49:49

    My biggest differentiator is her. is her

  • 49:52

    1,000%

  • 49:54

    brilliant business mind.

  • 49:56

    Brilliant. And and more than business,

  • 49:58

    her gut, her instinct is is more sure

  • 50:00

    than mine.

  • 50:01

    I'm so ambitious. I will like, you know,

  • 50:04

    boguard and make it. She'd be like,

  • 50:06

    "Something's off about this." And she

  • 50:08

    has never in any business dealing ever

  • 50:10

    said something's off about this

  • 50:11

    and been wrong and been wrong. M

  • 50:13

    even if I and and it's always not only

  • 50:15

    she been wrong eventually whatever she

  • 50:18

    thought she might not even know but it

  • 50:19

    would be like dang that's what it was

  • 50:21

    just something about him something about

  • 50:23

    her something about this deal feels off

  • 50:25

    uh and I'm you know I'm I'm ambitious

  • 50:27

    I'm you know stubborn she'll be like

  • 50:30

    she'll know when when for me when to

  • 50:32

    lean into that or when I'm tripping it

  • 50:34

    you know what I'm saying going to a

  • 50:36

    meeting like Kev you should lay back or

  • 50:38

    you should be aggressive don't send the

  • 50:40

    email do this and then just also I think

  • 50:42

    for me. I don't waste energy with other

  • 50:45

    women. I think creatively I don't waste

  • 50:50

    I'm allowed to be creative because it's

  • 50:52

    just her. I'm not trying to juggle

  • 50:54

    different women. I don't lie. You know

  • 50:56

    what I'm saying? Like

  • 50:56

    I'm glad for that.

  • 50:57

    I firmly believe

  • 50:59

    See, that's where we I mean that's

  • 51:01

    that's never

  • 51:04

    I'm coming home like I I'm on the first

  • 51:06

    flight on the road. I want to get home

  • 51:08

    to the kids, the dog.

  • 51:10

    You know what I'm saying? I'm focused.

  • 51:11

    But like to your point and honestly I

  • 51:13

    couldn't have been a standup comedian

  • 51:15

    without her. Like she was, you know,

  • 51:17

    when I got fired from my job, she was

  • 51:19

    the job. She was the healthcare. She

  • 51:21

    watched the boys cuz you know I'm a

  • 51:22

    father first.

  • 51:23

    You making having a wife fire.

  • 51:25

    No, you don't play.

  • 51:26

    She was like legit everything. Like I I

  • 51:30

    would have been um better off if I

  • 51:33

    listened to her all the time. I don't

  • 51:34

    listen to her all the time. I've made

  • 51:35

    some mistakes. Uh some have cost me

  • 51:37

    hundreds of thousands of dollars. uh one

  • 51:39

    deal where I didn't listen to her. Her

  • 51:41

    gut was like, "We we should pay like for

  • 51:44

    the first um one of these productions

  • 51:46

    we're doing, we we were talking the

  • 51:48

    person, they were like, "We we'll take

  • 51:49

    we'll take over financing." And my wife

  • 51:51

    was like, "Nah, Kev, we shouldn't we

  • 51:53

    shouldn't do that." I was like, "Well,

  • 51:54

    we ain't never done it. Like, I don't

  • 51:56

    even know how to do that." She was like,

  • 51:57

    "I'd rather us figure out how to do it

  • 51:59

    than to give that up." And I I mean,

  • 52:02

    like three times she was like, "We

  • 52:03

    should not do it like this." And I

  • 52:06

    didn't listen. and I got beat out of a a

  • 52:09

    good amount of money, right? And I can't

  • 52:11

    legally say they stole it.

  • 52:13

    I can only legally say there has not

  • 52:15

    been an accurate budget account for all

  • 52:18

    the f the funds this person had. Had I

  • 52:20

    just listened to her though,

  • 52:22

    you would have been in that different

  • 52:23

    position. But now that was the last time

  • 52:26

    that was the last time I ever did that.

  • 52:28

    Like we we talked about stuff like we

  • 52:31

    don't agree, we'll talk about it till we

  • 52:32

    come to a plan. But I I've never stepped

  • 52:34

    over her

  • 52:35

    since that moment. Never since that

  • 52:36

    moment because she's Yeah. Lesson

  • 52:39

    learned.

  • 52:39

    Oh yeah.

  • 52:40

    But she's like super sharp, super smart,

  • 52:43

    super funny. Um contentwise, some of my

  • 52:45

    best videos are her ideas. Um sometimes

  • 52:47

    I'll ask her, "Hey, is this video timing

  • 52:49

    wise? Can I post this?" She's like, "You

  • 52:51

    can't make that joke or you can make

  • 52:53

    that joke." You know what I'm saying? So

  • 52:54

    just to bounce stuff off of her, like

  • 52:56

    that's probably my my most secret power

  • 52:58

    outside of like being a hustler and

  • 53:00

    marketer and businessman. I have another

  • 53:02

    person who's equally or if not smarter

  • 53:04

    than me who is there, you know, to give

  • 53:07

    me advice. She's like a consiliary.

  • 53:09

    She's like a mob boss's right-hand man.

  • 53:12

    Like she

  • 53:13

    goes to war. And in our marriage when we

  • 53:15

    was writing this book, I realized she

  • 53:17

    was like, I don't want you cuz you know

  • 53:19

    I'm, you know, black man. I want to

  • 53:20

    provide for my wife. I want to protect

  • 53:22

    you. She was like, I don't want you to

  • 53:24

    put me up in this castle to protect me.

  • 53:26

    You go on the battlefield. If we're on

  • 53:27

    the battlefield, we're on the

  • 53:29

    battlefield. You got a sword. I got a

  • 53:30

    sword. we should be back to back

  • 53:32

    fighting. You don't need to be out there

  • 53:34

    taking this alone. Like, I want to be

  • 53:36

    out there with you. And I'm like, but

  • 53:37

    I'm a man. She was like, yeah, but I'm

  • 53:38

    telling you, like,

  • 53:39

    this is not how I want our relationship

  • 53:40

    to be. I want to be out there with you.

  • 53:42

    If we take the L, we take the L

  • 53:43

    together. She's never said I told you

  • 53:45

    so. If we agree,

  • 53:46

    that was my next question. Has she ever

  • 53:49

    hit you with the I told you so? Even

  • 53:50

    when that deal lost?

  • 53:52

    Never. That's fine.

  • 53:53

    She's had me dead to rights on I told

  • 53:56

    you so. Sometimes the most powerful I

  • 53:57

    told you so. We both know she could have

  • 53:58

    just be quiet and she don't even have to

  • 54:00

    like when that when that person got away

  • 54:02

    with that bread.

  • 54:03

    You don't got to say you don't have to

  • 54:05

    be shady. We both know if you would have

  • 54:07

    just listen. She's just in there making

  • 54:08

    breakfast like everything all good like

  • 54:12

    a

  • 54:13

    I ain't got to say nothing for the rest

  • 54:15

    of our life. We both know, right? But

  • 54:17

    she's never even when I got fired in my

  • 54:19

    like to your point about confidence.

  • 54:21

    When I got fired uh back in Washington,

  • 54:24

    I was like I was a shell of myself for a

  • 54:27

    minute because like I had always worked

  • 54:29

    I'd always been good at everything. When

  • 54:30

    I got fired, I'm like I'm not good at

  • 54:32

    something. I had previously been like

  • 54:34

    seller of the quarter and now I'm

  • 54:36

    getting fired in in the economic

  • 54:38

    downturn. I don't have a job. I got to

  • 54:40

    go to labor ready. I felt like a Tyler

  • 54:42

    Perry movie. I had to take my sons

  • 54:44

    to the job place. A bus drove by

  • 54:47

    splashed me with water. I'm like, man,

  • 54:48

    this is unreal. Like I have my sons in

  • 54:50

    here. Y'all sit down. I got to talk to

  • 54:51

    the man. Do the paperwork. Stuff wasn't

  • 54:53

    even online yet. Like I got to do the

  • 54:54

    unemployment stuff at some place.

  • 54:56

    Yeah. Yeah.

  • 54:57

    Right. I got to I got to take that L.

  • 54:58

    And I was like, I ain't going on the

  • 54:59

    unemployment. She was like, who ain't

  • 55:01

    what?

  • 55:02

    Like brother, you got to put that ego to

  • 55:04

    the side. Like we got to we got bills to

  • 55:06

    pay.

  • 55:06

    But she never was like making fun of me,

  • 55:09

    beating me down, none of that stuff.

  • 55:11

    Like she really held me down. So that's

  • 55:13

    why when we come up, it's not like I'm

  • 55:15

    up now. It's like we've we've risen and

  • 55:18

    fallen together. Can't stunt on that

  • 55:19

    person.

  • 55:20

    No,

  • 55:20

    you can't. There is no such thing as a

  • 55:22

    stunt on that person, guys.

  • 55:23

    No, that that we're a team. I feel like

  • 55:25

    I'm Yeah. I say it sound like you got a

  • 55:27

    partner, like a real partner.

  • 55:29

    A real

  • 55:31

    That's my wife, my friend. And in this

  • 55:34

    business, too, in Hollywood, you you

  • 55:36

    know, and in this industry, you you

  • 55:37

    never know who's like friend for real,

  • 55:39

    who's in it for the wrong reason.

  • 55:40

    Who's in it for the wrong reason, who's

  • 55:41

    just hanging around to eventually ask

  • 55:43

    you for something. I'm not even saying

  • 55:44

    that's wrong, right? But you got to have

  • 55:46

    somebody a a group of people who you

  • 55:48

    know that

  • 55:49

    if we lost everything if I was no longer

  • 55:51

    camp on stage and I had to work at a

  • 55:53

    grocery store or Uber or you know a

  • 55:55

    trash man whatever I had to do

  • 55:57

    right

  • 55:57

    you be like well [ __ ] we when we was up

  • 55:59

    we was up though

  • 56:00

    you know what I'm saying? So I got your

  • 56:01

    lunch when you come home but we ain't up

  • 56:02

    no more. You know what I'm saying? So I

  • 56:04

    think that's that really

  • 56:06

    sets me apart from a lot of people.

  • 56:08

    What' she say when you told her you was

  • 56:09

    coming up here?

  • 56:10

    She was excited.

  • 56:11

    Oh yeah.

  • 56:12

    Yeah.

  • 56:13

    She actually told me, she was like,

  • 56:14

    "Kev, I she told me when I hit I was

  • 56:17

    like, I'mma hit Joe." She was like,

  • 56:19

    "I think he might respond." She was

  • 56:21

    like, "I think you you downplay who you

  • 56:23

    are." Like even if he even if he says

  • 56:24

    we're busy or we can't do it, she's

  • 56:26

    like, "I don't think he'll leave you

  • 56:27

    unread." Like I need you to

  • 56:29

    look is she right about that.

  • 56:31

    Yeah. And I didn't know like I never

  • 56:34

    asked for nothing like that Kevin Hart

  • 56:36

    Isa Ray clip. I don't know if y'all saw

  • 56:37

    that where Issa was saying she don't

  • 56:38

    want to ask for help. I I saw that and I

  • 56:41

    was like dang that's and Kevin Hart was

  • 56:42

    like no ask ask you never know who you

  • 56:44

    might do like changed my life and then

  • 56:46

    my home girl Nina Parker said there's no

  • 56:48

    award

  • 56:48

    Nina Parker we love Nina

  • 56:51

    solid she was like there's no award for

  • 56:53

    doing something with no help

  • 56:55

    and I was like dang

  • 56:56

    can I can I cuz you said you moved to LA

  • 56:58

    when did you move to LA

  • 56:59

    I moved to LA in 2013

  • 57:01

    what was your Cuz I'm not sure where you

  • 57:02

    came from but what

  • 57:03

    Washington state

  • 57:04

    okay Tacoma

  • 57:05

    okay so what was your experience just in

  • 57:07

    that move I moved to LA for a little bit

  • 57:09

    and I hated the experience.

  • 57:10

    Really?

  • 57:11

    Yeah. It It's cool.

  • 57:12

    Well, he put all his energy in his wife.

  • 57:14

    He said,

  • 57:15

    "Yeah, it was a little different."

  • 57:15

    He said he wasn't spreading it spreading

  • 57:17

    it around.

  • 57:17

    Let's have a Let's have a good

  • 57:18

    conversation, guys. Let's focus on

  • 57:21

    He works He works in film though, so

  • 57:22

    it's a slightly different thing.

  • 57:24

    Well, I mean, entertainment you feel as

  • 57:25

    entertainment. You still kind of deal

  • 57:27

    with the same nonsense, but how was your

  • 57:29

    adjustment from going from Tacoma to the

  • 57:31

    biggest adjustment for me that made it

  • 57:33

    tough? We both worked at Boeing at the

  • 57:35

    time before we moved

  • 57:36

    at Boeing. at Boeing, the Boeing

  • 57:38

    company.

  • 57:38

    Airplanes airplanes.

  • 57:40

    Oh, you see you seen some shady [ __ ]

  • 57:41

    You went from Boeing to entertain

  • 57:44

    [ __ ]

  • 57:45

    Yeah, we were I was on the commercial

  • 57:46

    side. She was on the defense side. Even

  • 57:47

    at that time, she made more money than

  • 57:48

    me. Had a real job. And I was like,

  • 57:50

    "Nigga, I can't believe I'm here." Like,

  • 57:52

    I was watching YouTube videos at work.

  • 57:54

    Uh it's not why the planes fell. It had

  • 57:56

    nothing to do with that. Um but it was

  • 57:59

    for us, we was really locked in as a

  • 58:02

    family. Like I wrote out a whole plan

  • 58:04

    for how we were going to move cuz this

  • 58:05

    was still the housing crisis. Our house

  • 58:07

    was upside down at the time, but it was

  • 58:09

    it was smooth, but I think it was smooth

  • 58:11

    because it was we had each other. Like I

  • 58:13

    know it sound cliche or whatever, but me

  • 58:15

    and Melissa, the two boys, like we was

  • 58:17

    focused on, you know, building. At that

  • 58:19

    time, my boys were working at Austin SV.

  • 58:21

    So, I was getting paid to write, direct,

  • 58:23

    edit, produce their sketches. And we was

  • 58:25

    getting paid $500 a video and she was

  • 58:28

    working a regular job. And it was like

  • 58:30

    we had goals. I was building Kev on

  • 58:32

    stage page at the time. I ended up, you

  • 58:34

    know, working with Tracy Evans at the

  • 58:35

    time,

  • 58:36

    but it was like, I remember we first

  • 58:37

    moved here. We didn't have no money. We

  • 58:38

    cashed out our 401k and I was like, "We

  • 58:40

    need to go to the Lakers game."

  • 58:41

    She was like, "Are you dumb? Like

  • 58:43

    Lakers?" And I was like, "Kobe going to

  • 58:45

    retire." Like, "We got to see Kobe

  • 58:47

    before he retired." Bro, we sat

  • 58:49

    literally at

  • 58:50

    nose bleed.

  • 58:51

    I mean, hunched over. Kobe hit the

  • 58:54

    game-winning shot. It was a only Laker

  • 58:56

    game we went to for like 10 years,

  • 58:58

    right? Until we, you know, I got a show

  • 59:00

    on TBS and they they let us go in the

  • 59:02

    box seat. before that we did that spent

  • 59:04

    like it was like 600 bucks but at that

  • 59:06

    time it was like kev come on I was like

  • 59:08

    bliss it's Kobe

  • 59:10

    like we got to see Kobe before he

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